A Fine, Original, 19th Century Antique, King George IIIrd Carved Hound's Head Long Bladed Swordstick. Carved Ivory Head & Blue and Gilt Finely Engraved Steel Blade. Bamboo Wood

Overall in stunning condition for age, as much a work of art as a former, functional, walking cane sword. Likely made in the same era, and possibly by the same maker as Lord Byron's swordstick

Lord Byron's was a most exponent of the use and carrying of the gentleman’s sword stick. His was exhibited in King's College London, bearing a mercurial gilt collar bearing his name, coronet and adopted surname Noel. Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" so as to inherit

An interesting 19th century conversation and collector's piece, and one can ponder over of the kind of gentleman who would have sought and required such a piece of personal defence paraphernalia. Although one likes to think that jolly old England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways. The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.

The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

On Byron’s sword cane was the name NOEL BYRON, upon the ferrule of his one indicated that it was used after 1822, when Byron added the surname Noel after the death of his mother-in-law.

There are several references to sword sticks in the correspondence of Byron and his circle. Byron wrote to Hobhouse from Switzerland on 23 June 1816 asking him to Bring with you also for me some bottles of Calcined Magnesia a new Sword cane procured by Jackson he alone knows the sort (my last tumbled into this lake ) some of Waite's red tooth-powder & tooth-brushes a Taylor's Pawrsanias Pausanias and I forget the other things. Hobhouse responded on 9 July: Your commissions shall be punctually fulfilled whether as to muniments for the mind or body pistol brushes, cundums, potash Prafsanias Pausanias tooth powder and sword stick.

In the entry for 22 September 1816 in Byron's Alpine Journal he describes how, at the foot of the Jungfrau,
"Storm came on , thunder, lightning, hail, all in perfection and beautiful, I was on horseback the Guide wanted to carry my cane I was going to give it him when I recollected it was a Sword stick and I thought that the lightning might be attracted towards him kept it myself a good deal encumbered with it & my cloak as it was too heavy for a whip and the horse was stupid & stood still every other peal."

In a letter to Maria Gisborne of 6-10 April 1822, Mary Shelley described the "Pisan affray" of 24 March, in which Sergeant-Major Masi was pitch-forked by one of Byron's servants. She recounted how Byron rode to his own house, and got a sword stick from one of his servants.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he weared in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of sticks with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".

Overall in very nice condition, the ivory hounds head has the usual age cracking, and the blade some old surface pitting in some areas.

Ivory Declaration Submission
Antique ivory, 'worked' declaration submitted, but we can only sell this sword within the UK, it is not allowed for export. Ivory, however old cannot be imported into the USA  read more

Code: 26298

Original German WWII 15cm Nebelwerfer 41 Inert Rocket. Original, WW2 German Third Reich 'Nebelwerfer 41' Un-Fired or Failed Detonation Rocket. D-Day 'Operation Overlord' Vintage

The German designation Nebelwerfer, (Smoke Launcher), was actually a camouflage term used to hide the development of rocket launchers which had been banned as a result of the Treaty of Versailles following the end of WWI. Under the camouflage term German armament firms continued development of rocket launchers which fired smoke or high explosive shells in direct violation of the Treaty. In 1941 the 15cm Nebelwerfer 41 was introduced and it would be come the standard weapon utilized by the Nebeltruppen. The Nebelwerfer 41 consisted of six firing tubes mounted on a two wheeled split trail carriage. The 15 cm Nebelwerfer 41 (15 cm NbW 41) was a German multiple rocket launcher used in the Second World War. It served with units of the Nebeltruppen, German Chemical Corps units that had the responsibility for poison gas and smoke weapons that were also used to deliver high-explosives during the war. The name Nebelwerfer is best translated as "smoke mortar". Allied troops nicknamed it Screaming Mimi and Moaning Minnie due to its distinctive sound.

Rocket development had begun during the 1920s and reached fruition in the late thirties. This offered the opportunity for the Nebeltruppen to deliver large quantities of poison gas or smoke simultaneously. The first weapon to be delivered to the troops was the 15 cm Nebelwerfer 41 in 1940, after the Battle of France, a purpose-designed rocket with gas, smoke and high-explosive warheads. It, like virtually all German rocket designs, was spin-stabilized to increase accuracy. One very unusual feature was that the rocket motor was in the front, the exhaust venturi being about two-thirds down the body from the nose, with the intent to optimize the blast effect of the rocket as the warhead would still be above the ground when it detonated. This proved to greatly complicate manufacture for not much extra effect and it was not copied on later rocket designs. It was fired from a six-tube launcher mounted on a towed carriage adapted from that used by the 3.7 cm PaK 36 and had a range of 6,900 meters (7,500 yd). Almost five and a half million 15 cm rockets and 6,000 launchers were manufactured over the course of the war.

Inert rocket example is dated 1944 and bears the manufacturer code emh. Round is approximately 37" tall constructed in steel with three main sections which can be taken apart with its inner workings present and waffenamt stamped. Overall condition is excellent with areas of minor pitting.

The Nebelwerfer 41, is unlimbered and placed in position by its crew of four men. As soon as the protective coverings have been removed, the projector is ready to be aimed and loaded. The ammunition is attached to the right and to the left of the projector, within easy reach, and the shells are introduced two at a time, beginning with the lower barrels and continuing upward. Meanwhile, foxholes deep enough to conceal a man in standing position have been dug about 10 to 15 yards to the side and rear of the projector. The gunners remain in these foxholes while the weapon is being fired by electrical ignition. Within 10 seconds a battery can fire 36 projectiles. These make a droning pipe-organ sound as they leave the barrels, and, while in flight, leave a trail of smoke. After a salvo has been fired, the crew quickly returns to its projectors and reloads them. Only its original empty steel shell casing and parts, no propellant, no ingnition system, thus completely safe in all regards.
No restrictions to ownership or personal display, but only for sale to over 18's. Generic photos from our stock

Not suitable to Export. UK mainland delivery only. 38 inches long approx.
Copy and paste for original film of Nebelwefer in use on youtube; https://www.youtube.com/watch?v=xtSTMYGEyaM


A similar example can be found at the Smithsonian National Air and Space Museum as seen at this link; Rocket, Surface-to-Surface, Nebelwerfer 15cm Wgr. 41 Spr.  read more

Code: 25868

A Superb, Original, Antique Colt Thuer Derringer, 41 Cal Rimfire. One Of The All Time Favourite Pistols of The Riverboat and Saloon Gamblers & Unaccompanied Ladies Of The 19th Century Frontier Entertainment Industry

The Colt No. 3 Derringer, in fabulous condition, chambered in .41 Rimfire. This classic single-shot pocket pistol remains in superb condition for its age and represents one of Colt’s most recognizable late 19th-century firearms. The action is very fine, tight and crisp. Serial number 8640 which dates the pistol from 1875 to early 1880's . 45,000 Colt Derringer No 3's were made in total, covering 37 years of production from 1875, but production serial number specific year dates were not recorded.

Officially designated the Colt 3rd Model Derringer, this pistol is commonly referred to by collectors as the Colt Thuer Derringer, named after its designer, Alexander Thuer. Manufactured from 1875 to 1912, the 3rd Model was the most successful of Colt’s derringer designs and was widely carried as a personal defense weapon during the era.

Colt Deringers were extremely popular gamblers pistols as they could be kept by a gentleman in a vest or waistcoat pocket very easily, or, by a lady in her garter, and they fired a large bore man-stopper bullet to great close action effect.

The heyday of gambling in the west lasted from 1850-1910. Gambling was the number one form of entertainment in the west, and nearly everyone living there engaged in it at one time or another. Cowboys, miners, lumberjacks, businessmen, and lawmen all played games of chance for pleasure and profit. Whenever a new settlement or camp started, one of the first buildings or tents erected would be a gambling hall. As the settlement grew, these halls would become larger and more elaborate in proportion. Gaming halls were typically the largest and most ornately decorated buildings in any town and often housed a bar, stage for entertainment, and hotel rooms for guests. These establishments were a driving force behind the local economy, and many towns measured their prosperity by the number of gambling halls and professional gamblers they had. Towns that were friendly to gaming were typically known to sports as “wide-awake” or “wide-open” for their acceptance of gambling.

Men were not the only ones who played at games of chance, women placed their bets, and the sight of petticoats at the table was regular. Many women played, dealt, or ran their own houses; this choice of profession offered them the opportunity to attain monetary independence and social stature. One of the most famous was Eleanore Dumont, known more crudely in her later years as “Madame Mustache.” Miss Dumont ran several different houses in Nevada, Idaho, Montana, and South Dakota. Another, Alice Ives, started gambling after the death of her husband. Known more popularly as Poker Alice, she was a readily recognized figure in the west for her nearly 40-year-long career. Kitty LeRoy made use of her sex appeal and flamboyant personality as well as excellent gambling ability to become a force of nature in Deadwood. She had multiple husbands and did not hesitate to get rid of men once she was tired of them. Perhaps they were lucky because Kitty also had a reputation for shooting men.

Cattle towns in Texas, Oklahoma, Kansas, and Nebraska, became gambling centers. Thanks to the railroad and cattle industries, a great number of people worked in and around these towns and had plenty of money to wager. Abilene, Dodge City, Wichita, Omaha, and Kansas City all had an atmosphere that was convivial to gaming. Not surprisingly, such an atmosphere also invited trouble, and such towns also developed reputations as lawless and dangerous places.
Most western citizens considered gambling a respectable profession, and those who chose to make a living doing it were respected members of society. “Gambling was not only the principal and best-paying industry of the town at the time, but it was also reckoned among its most respectable,” wrote Bat Masterson in 1907.

With the lack of any form of police or marshal protection within the Wild West frontier, personal protection was not only a desire, but absolutely essential. This form of superb concealed pistol for protection, against the murderous folk out to steal and plunder their hard earned gold.
Gambling, and indeed living, in the American frontier towns in the nineteenth century was just as dangerous then as wearing a valuable gold watch is in London today. Where, expecting assistance from a non-existing police protection force, was as vain an expectation then, as it is today.

No licence required as it is an obsolete calibre antique collectable.  read more

Code: 26297

Superb Collection of Antique 19th Cent, American Gamblers Collectors Items. A Fine 'American' Cased Pair of Derringers by Wilson, a Colt Derringer, American Bowie Knives, One With Scabbard & Another Folding Pocket Bowie & A Scarce Scissors Dagger

The heyday of gambling in the west lasted from 1850-1910. Gambling was the number one form of entertainment in the west, and nearly everyone living there engaged in it at one time or another. Cowboys, miners, lumberjacks, businessmen, and lawmen all played games of chance for pleasure and profit. Whenever a new settlement or camp started, one of the first buildings or tents erected would be a gambling hall. As the settlement grew, these halls would become larger and more elaborate in proportion. Gaming halls were typically the largest and most ornately decorated buildings in any town and often housed a bar, stage for entertainment, and hotel rooms for guests. These establishments were a driving force behind the local economy, and many towns measured their prosperity by the number of gambling halls and professional gamblers they had. Towns that were friendly to gaming were typically known to sports as “wide-awake” or “wide-open” for their acceptance of gambling.

Men were not the only ones who played at games of chance, women placed their bets, and the sight of petticoats at the table was regular. Many women played, dealt, or ran their own houses; this choice of profession offered them the opportunity to attain monetary independence and social stature. One of the most famous was Eleanore Dumont, known more crudely in her later years as “Madame Mustache.” Miss Dumont ran several different houses in Nevada, Idaho, Montana, and South Dakota. Another, Alice Ives, started gambling after the death of her husband. Known more popularly as Poker Alice, she was a readily recognized figure in the west for her nearly 40-year-long career. Kitty LeRoy made use of her sex appeal and flamboyant personality as well as excellent gambling ability to become a force of nature in Deadwood. She had multiple husbands and did not hesitate to get rid of men once she was tired of them. Perhaps they were lucky because Kitty also had a reputation for shooting men.

Cattle towns in Texas, Oklahoma, Kansas, and Nebraska, became gambling centers. Thanks to the railroad and cattle industries, a great number of people worked in and around these towns and had plenty of money to wager. Abilene, Dodge City, Wichita, Omaha, and Kansas City all had an atmosphere that was convivial to gaming. Not surprisingly, such an atmosphere also invited trouble, and such towns also developed reputations as lawless and dangerous places.
Most western citizens considered gambling a respectable profession, and those who chose to make a living doing it were respected members of society. “Gambling was not only the principal and best-paying industry of the town at the time, but it was also reckoned among its most respectable,” wrote Bat Masterson in 1907.

With the lack of any form of police or marshal protection within the Wild West frontier, personal protection was not only a desire, but absolutely essential. This form of superb concealed cased pistols for protection, against the murderous folk out to steal and plunder their hard earned gold.
Gambling, and indeed living, in the American frontier towns in the nineteenth century was just as dangerous then as wearing a valuable gold watch is in London today. Where, expecting assistance from a non-existing police protection force, was as vain an expectation then, as it is today.

As usual most of the American historical gamblers accessories, both pistols and knives, were mostly made in England and exported to America for the burgeoning Wild West market. All of this collection, apart from the Colt no3 Derringer were British made and returned to England many decades ago.  read more

Code: 26296

Royal Naval Officer's Sword of Lt. O.S.V. Waterlow D.S.O. M.i.D. A Officer of 'The Mighty Hood', Battlecruiser, HMS Hood. For 20 Years The Largest Warship In the World Tragically Sunk by the German Battleship Bismark May 1941. & The Loss of 1415 Crew

For those of you that are serious maritime collectors, we have the privilege to have acquired a superb and historical 20th century Royal Naval sword, that has just arrived, a stunning 'named' officer’s sword of Lt. O.S.V. Waterlow D.S.O. M.i.D, a former member of the tragic HMS Hood’s ships company.
His brother was also a member of the ship's company, and was KIA in the sinking.
See the memorial plaque in the gallery, for both brothers that served on the Mighty Hood, that were lost at sea, in St Mary's Church, Oatlands, Surrey.
Lt. Oscar Stephen Verity Waterlow, and his brother Signalman A.A.Waterlow are both listed on the crew list by the HMS Hood Association.

HMS Hood, one of the most famous warships in the world, was an Admiral-class battlecruiser and the largest warship in the Royal Navy for 20 years.
Affectionately known as "The Mighty Hood," she served as a potent global symbol of British power.
During World War II, in the Battle of the Denmark Strait a fatal shell from the German battleship Bismarck struck her in May 1941, causing a catastrophic explosion that claimed 1,415 lives.
Probably the most infamous sinking of a British warship in history. A naval tragedy almost beyond comprehension for the people of Britain at the time.
On May 24, 1941, HMS Hood and the battleship HMS Prince of Wales intercepted the German battleship Bismarck and cruiser Prinz Eugen in the Battle of the Denmark Strait. During the engagement, a single shell from the Bismarck pierced Hood's armour and detonated her internal magazines. The ship broke apart and sank in just minutes. Tragically, there were only three survivors from a crew of 1,418

A KIA officer whose brother was also part of the Hood’s crew, and was lost at sea in the Hood's great combat battle and subsequent sinking. Both brothers were lost at sea in WW2, one on the Mighty Hood, the other, Lt. O.S.V. Waterlow D.S.O. M.i.D, R.N.,who had earlier transferred off the Hood, to serve as Lt. of a submariner crew, HMS Talisman, was also lost at sea, in its own tragic sinking off the Italian coast. Lt Waterlow was awarded the D.S.O. in May 1942 for five Mediterranean War Patrols during the period August-December 1941, aboard the submarine Talisman.

When war with Germany was declared, Hood was operating in the area around Iceland, and she spent the next several months hunting for German commerce raiders and blockade runners between Iceland and the Norwegian Sea. After a brief overhaul of her propulsion system, she sailed as the flagship of Force H, and participated in the destruction of the French fleet at Mers-el-Kebir. Transferred to the Home Fleet shortly afterwards, Hood was dispatched to Scapa Flow, and operated in the area as a convoy escort and later as a defence against a potential German invasion fleet. In May 1941, Hood and the battleship Prince of Wales were ordered to intercept the German battleship Bismarck and the heavy cruiser Prinz Eugen, which were en route to the Atlantic, where they were to attack convoys. On 24 May 1941, early in the Battle of the Denmark Strait, Hood was struck by several German shells, exploded, and sank with the loss of all but 3 of her crew of 1,418.

The Battle of the Denmark Strait on May 24, 1941, was a pivotal WWII naval clash where the German battleship Bismarck and heavy cruiser Prinz Eugen intercepted the Royal Navy's battlecruiser HMS Hood and battleship HMS Prince of Wales. In a brief eight-minute firefight, a shell from Bismarck detonated Hood's magazine, sinking the pride of the Royal Navy with all but three of her 1,418 crew.
Operating under Operation Rheinübung to break into the Atlantic shipping lanes, the German fleet aimed to bypass heavy Royal Navy surface units. British Vice Admiral Lancelot Holland, aboard HMS Hood, ordered his ships to close the distance to German forces at a rapid pace to shield Hood's notoriously thin deck armour from plunging long-range fire.
At 05:52 AM, the British forces engaged at a distance of about 12.5 miles (23 kilometers). In the subsequent exchange, Bismarck concentrated her fire on the Hood. Shortly after the British turn to port, German salvos struck HMS Hood near her mainmast, resulting in a catastrophic explosion that broke the vessel in two. Despite the total loss of the Hood, the engagement proved strategically detrimental to Germany. HMS Prince of Wales survived the initial clash but sustained heavy damage. Before retreating, she successfully fired three shells into the Bismarck. One of these hits ruptured the German battleship's fuel tanks and disabled a forward boiler, severely limiting her speed and forcing the Bismarck to abandon her Atlantic raiding mission and attempt to head for a French port for repairs.This damage ultimately led to the historic, days-long Royal Navy hunt for the Bismarck, resulting in her sinking just three days later on May 27, 1941

Submarine Talisman, with, as part of the boats compliment, Lt O.S.V. Waterlow, had a relatively short but active career, spending most of her time in the Mediterranean.

One of her first actions was the capture of the French fishing vessel Le Clipper, which was then used to observe U-boat movements off the Gironde estuary before being brought into Falmouth, Cornwall. She later attacked HMS Otus by mistake, but was unsuccessful. She went on to sink two sailing vessels with its deck gun, the Vichy-French passenger ship Théophile Gautier and the Italian merchant Calitea, as well as destroying the grounded wreck of the German merchant Yalova. She also unsuccessfully attacked the German merchant Salzburg and an Italian convoy, missing the Italian merchant Lauretta, and being heavily depth charged by the escorting Italian torpedo boat Libra.

Talisman left Gibraltar on 10 September 1942 carrying supplies to Malta, where she was due no later than 18 September. She reported sighting a U-boat off Philippeville, Algeria on 15 September; a Gibraltar-based Sunderland of 202 Squadron was sent out and caught the Italian submarine, probably the Alabastro, on the surface and sank her.

Nothing was heard from Talisman again and she failed to arrive at Malta. She is presumed either to have hit an Italian mine off Sicily or to have been destroyed by Italian surface forces on 17 September. She was declared overdue on 18 September 1942.

This historical sword, commissioned for Lt. Waterlow from Silver & Co. sword smiths, and has been specialist artisan cleaned and conserved for two full days, and returned its original gilding, upon the hilt and scabbard, and it frosted and mirror bright polished blade to its former as new condition.

Naturally, as such, it is perfectly suitable for current service use  read more

Code: 26294

A Simply Stunning Quality 18th Century Pair of Double Barrelled Side By Side Flintlock Pistols, Most Often The Preserve of Generals During The American Revolutionary War in the 1770’s, and Generals Into the Napoleonic Period

They are truly magnificent, in superb condition for age. Made and used from the revolutionary period right through the Napoleonic Wars.

The ideal way to be armed with the firepower of a pair of pistols, in a single hand. However, with a pair of double barrelled pistols, one in each hand, one was the most formidably armed combatant, in hand to hand combat, for both attack, or defence.

The most famous historical military commander in history, Napoleon Bonaparte carried such a pair of double barrelled flintlocks, and was renowned for presenting such pairs to his great marshals and allies.

Very similar to the double barrel pistol once belonging to General Richard Montgomery, hero of the American Revolution. Similarly commissioned and created by a finest gunmaker.

There are several very fine, early, similar quality pairs of double pistols in the Metropolitan Museum, Les Invalides Napoleonic War Museum in Paris, and the Royal Collection

A most fine quality pair of pistols, with a fabulous carved walnut stock and brass mounts. The juglans Regis walnet had superb hand carved florid touches at the barrel breech, in the wondrous Chinoiserie style, made most famous in England by its finest cabinetmaker and designer, Thomas Chippendale.
The wonderful Chinoisserie style influenced everything from architecture, to furniture, to paintings, gun fittings, silver, and clocks.

Twin individual steel barrels. Finest flintlock actions in the most crisp and tight order. Finest scroll Chinoiserie engraving, to match the stock embellishing the steel breech mounts.

This is a stunning pair of double barrelled pistols was a form that were often chosen by the most senior or high status officers, such as the wealthiest and most influential figures, of distinguished families of the 18th century, in both England, France and America.

Such as, for example, General Sir John Cope who had similar such pistols, but decades before. He was one of the commanders of British forces fighting Charles Stuart the so-called Pretender, Bonnie Prince Charlie in Scotland. General Cope was defeated at the Battle of Prestonpans, with a force of around 2500 men, by the army of Prince Charles.

The famed possessor of a pair of double barrel flintlocks, was the aforementioned General, Richard Montgomery, who was a hero of the American Revolutionary War of 1775.
He was a gentleman of Anglo Irish descent who first served in the British Army in the Americas, but through his Whig ideals went on to become one of Washington's loyal Generals. He was on the committee that drafted the Declaration of Independence and led the army into the Invasion of Canada. He died at the Battle of Quebec, in December 1775, after capturing Montreal.

Yet another historic pair, in the fine Queen Anne style, were presented by Captain Hardy to no less a world renowned hero, Admiral Nelson, and they are in the National Maritime Collection (exhibit number E857).
They are inscribed on the silver escutcheon ‘
To Adm. Nelson from his Friend Cpt. Hardy, June 1801.’

Fine quality good size,18th century twin barrel pistols are the most highly collectable of all pistols, and highly scarce.

Chinoiserie, from 'chinois' the French for Chinese, was a style inspired by art and design from China, Japan and other Asian countries in the 18th century. At its height in Britain from 1750 to 1765, this fanciful style relied more on the designer's and craftsman's imagination than on accurately portraying oriental motifs and ornament. Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of orientalism. The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the rococo style and with works by Francois Boucher, Thomas Chippendale, and Jean-Baptist Pillement. It was also popularized by the influx of Chinese and Indian goods brought annually to Europe aboard English, Dutch, French, and Swedish East India Companies.Though chinoiserie never fully went out of fashion, it declined in Europe by the 1760s when the neoclassical style gained popularity, though remained popular in the newly formed United States through the early 19th century.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 26292

Outstanding, Huge Shogunate Antique Bunkyu Period 幕藩体制 Samurai's Tachi, Horseman's Sword, In Superb Condition. Signed 伯耆国住吉. Hoki no Kuni ju Yoshiyuki . A 'Statement' Piece, Par Excellance. A Late Edo Representation of The Ancient Ōdachi Great Sword

This sword has immense presence and stature, and my goodness, what a truly elegant shape and curvature, a magnificent centrepiece for any stylish decor. Shinshinto bladed tachi {slung mounted sword} from the late Edo bakuhan taisei 幕藩体制 period, signed Hoki no Kuni ju Yoshiyuki and dated 1857, decorated with traces of red, the tsuka with iron fuchi-kashira decorated with figures, its Nanban, earlier Edo mokko shaped iron tsuba, depicting the butterfly, signed, Umetada school "Cho" tsuba, signed Yamashiro Ju Shigeyoshi.(山城住重吉) It represents the Ikeda Family Mon (Mukai Cho Ka-mon, and interestingly the signature is also decorated with red within the chiselling of each kanji, an old Japanese tradition to indicate it is an item of reverence. It is mounted in a rich mid brown ishime, stone finish lacquer, tachi mounted saya, beautifully bound with contrasting sageo of stunning gold and black. the tsuka is black silk bound over samegawa {giant ray-skin} with a pair of menuki {beneath the silk binding} depicting war arrows combined with samurai armour.

The Umetada school was founded in the late 16th century by Umetada Myōju (埋忠明寿). He was a leading figure in the Shintō sword movement, making blades and fittings in Kyoto. Second in this line was Umetada Tachibana Shigeyoshi, who moved to Nishijin in the north of Kyoto, where he got inspired by European designs and technology. He made several forms of tsuba

Old Japanese kanji on blades, often the maker's signature (mei), can be decorated red because red ink (shuniku) symbolizes good luck, protection, vitality, and authority, while also ensuring the inscription (brushed in red) is visible and permanent before being chiseled into the tang. Red (aka) wards off evil, signifies the sun, and is used for celebrations, making it a powerful colour for important markings on samurai swords, connecting to national identity and spiritual strength.

As this superb tsuba bears an Umetada school "Cho" tsuba signed Yamashiro Ju Shigeyoshi.(山城住重吉) It represents the Ikeda Family Mon (Mukai Cho Ka-mon. Thus as it is its original mon tsuba it likely represents this sword was made for the Ikeda family clan.

To qualify as an ōdachi, the sword in question would normally have a blade length of around 3 shaku (90.9 cm (35.8 in)). However, as with most terms in Japanese sword arts, there is no exact definition of the size of an ōdachi.

Signed "Hoki no Kuni ju Yoshiyuki. swordsmith named Yoshiyuki (吉幸), worked in Hōki Province (伯耆国), modern-day Tottori Prefecture, during the late Edo period (around the 1860s). He signed his work with variations like "Hoki no Kuni ju Yoshiyuki," was known as Shimizu Tōshirō, and produced blades exhibiting detailed jihada (grain) and hamon (temper lines) with ko-nie (small bright particles).
Yoshiyuki (real name Shimizu Tōshirō).
Hōki Province (now Tottori, Japan).
Period: Late Edo (Bunkyū era, 1861-1864) through the Meiji Restoration.
Signature: "Hoki no Kuni ju Yoshiyuki" (伯耆国住吉幸).
Often features itame (wood grain) mixed with mokume ( burl grain), ji-nie, chikei, and utsuri, with a hamon of midare (irregular) with ko-notare (small drops) and ko-gunome (small arcs).
Yoshiyuki was a recognized smith from Hōki Province, noted for his work in the late Shintō period, even creating swords during the ban on wearing swords in 1876.
Blades from him often considered significant examples from that era, showcasing traditional craftsmanship even as Japan modernized.

This wonderful sword is photographed in the gallery not only displayed on a traditional katana stand {horizontal}, but also on a black lacquer, old, traditional tachi stand { tachi-kake, more vertical}. The sword with come complete with a complimentary katana stand. The tachi stand is sold separately.

The tachi style of swords preceded the development of the katana the first use of the word katana to indicate a blade different from tachi appears toward the end of the twelfth century. In later Japanese feudal history, during the Sengoku and Edo periods, certain high-ranking warriors of what became the ruling class would wear their sword tachi-style (edge-downward), rather than with the saya (scabbard) thrust through the belt with the edge upward. The bakuhan taisei was the feudal political system in the Edo period of Japan. Baku, or "tent," is an abbreviation of bakufu, meaning "military government" that is, the shogunate. The han were the domains headed by daimyo. The number of han (roughly 250) fluctuated throughout the Edo period. They were ranked by size, which was measured as the number of koku that the domain produced each year. One koku was the amount of rice necessary to feed one adult male for one year. The minimum number for a daimyo was ten thousand koku; the largest, apart from the shogun, was a million.

Samurai horsemen began as aristocratic mounted archers in Japan's Heian period (794-1185), serving nobles, evolving into powerful warriors controlling the state by the Kamakura era (1185-1333) with the rise of the Shogunate, mastering bows, swords, and later polearms, forming the iconic image of armoured, skilled riders who defended Japan and defined its military culture for centuries before their eventual abolition in the 19th century.
Origins and Early Development (Heian Period, 794-1185)
Early Protectors: The term "samurai" (meaning "one who serves") emerged as provincial warriors, often landowners, serving aristocratic families as guards.
Mounted Archery: Their initial primary skill was horseback archery, using asymmetrical bows, with horses and armour often signifying wealth.
Decentralized Power: Central government weakness led to reliance on these regional warrior clans (Uji), shifting power from the court to local strongmen.
Rise to Power (Kamakura Period, 1185-1333)
Feudal System: Clan rivalries culminated in the Genpei War, leading to the rise of the first Shogunate (military government) and establishing the samurai as Japan's dominant political and military force.
Bushido: The samurai code of honour, Bushido, became firmly established during this time.
Mongol Invasions (1270s): Samurai horsemen, skilled in archery and swordsmanship, successfully defended Japan against Mongol invasions.
Evolution of Tactics (14th - 16th Centuries)
Swords & Polearms: While archery remained important, swordsmanship (especially with the katana) grew, and later, the introduction of lance-armed cavalry charges became a feared tactic, notably by the Takeda clan.
Infantry Integration: By the late 16th century, powerful samurai leaders like Oda Nobunaga began integrating firearms and massed infantry, leading to significant tactical shifts, as seen at the Battle of Nagashino (1275).
Decline & Legacy (Late Edo Period to Meiji Restoration)
Abolition: The samurai class was officially abolished during the Meiji Restoration in the late 1870s, ending their military and social dominance but solidifying their legendary status in Japanese history and culture. However the presentation of samurai swords did not stop {after the samurai class were removed from power} as their status, was, for ever more indelibly linked entirely to both the history and the future of Japan, for without the sword there would have been no legendary samurai, and without the samurai there would have been no Japan.

Approx 32 inch blade tsuba to tip, tsuka 11.5 inches long, overall 45.5 inches long

Traditional tachi sword stands (tachi-kake) serve to display the sword's beauty, honour its spiritual status
Swords were symbols of honour; the stand showcased the owner's rank and the blade's importance, often with ornate designs.
Stands support the tachi's distinct curve, preventing stress and damage, especially when displayed edge-up, which highlights the blade. They secure the sword, keeping it safe from accidental falls or damage to the delicate fittings and scabbard (saya).
The orientation (edge up/down, handle left/right) could signify peace or war, or readiness for drawing, showing the sword's transition from weapon to art.
Unlike katana stands, tachi stands cradle the blade's natural curve, holding it at an angle or horizontally.
Often made from fine woods like cypress, they were built to be stable and aesthetically pleasing, sometimes featuring clan crests.
Tachi were worn edge-down for cavalry; displaying them this way mirrors that original function, while edge-up is for peacetime aesthetics,
In essence, the tachi stand {tachi-lake} transforms a formidable weapon into a revered art object, reflecting its historical importance and cultural significance in samurai society

Picture in the gallery is of Magara Naotaka, a retainer of the Asakura clan in the Battle of Anegawa. He was famous as a master of a ōdachi named Taro tachi (太郎太刀). One might presume the size of his Odachi may have been exaggerated somewhat for the sake of artistry.  read more

Code: 26006

The Lanes Armoury, View Europe’s Leading Original Samurai Sword Gallery. Plus, 1000’s of Other Magical & Rare To Find Ancient and Vintage Wonders. Another Historic Collection Acquired This Week, Including Amazing, Historical, Royal Naval Collectables

View online and in our gallery, hundreds and hundreds of original antique and ancient samurai swords, armour, and spears.

For those of you that are serious maritime collectors, we have the privilege to have acquired a superb and historical 20th century Royal Naval sword, that has just arrived, a stunning named officer’s sword of former member of the tragic HMS Hood’s ships company. HMS Hood was an Admiral-class battlecruiser and the largest warship in the Royal Navy for 20 years. Affectionately known as "The Mighty Hood," she served as a potent global symbol of British power. During World War II, a fatal shell from the German battleship Bismarck struck her in May 1941, causing a catastrophic explosion that claimed 1,415 lives. Probably the most infamous sinking of a British warship in history. A naval tragedy almost beyond comprehension for the people of Britain at the time. On May 24, 1941, HMS Hood and the battleship HMS Prince of Wales intercepted the German battleship Bismarck and cruiser Prinz Eugen in the Battle of the Denmark Strait. During the engagement, a single shell from the Bismarck pierced Hood's armour and detonated her internal magazines. The ship broke apart and sank in just minutes. Tragically, there were only three survivors from a crew of 1,418

A KIA officer whose brother was also part of the Hood’s crew, who was lost at sea in its last great combat sinking. Both brothers were lost at sea in WW2, one on the Mighty Hood, the other, who had earlier transferred off the Hood, to serve as Lt. of a submariner crew, was also lost at sea, in its own tragic sinking off the Italian coast.

At the moment it is being no expense spared cleaned and conserved for future posterity. We are considering adding this sword to be a part of our family collection.

Including lots of other unique treasures, such as, a fabulous, early, and large, polished rock crystal quartz witch ball, with breathtaking internal clarity and patterns.

Our weekly emailer was due out this weekend, however, we were absorbed in the arrival of another collection that consumed all our time sadly, so it will be sent out early this coming week {with some fabulous new pieces}

This week a stunning collection of many superb pairs of 18th century flintlock pistols, and brass barrelled blunderbusses, they will be added to the site over the next week or so after cleaning and museum grade conservation.

Also, to be added this coming week, an 18th century naval midshipman’s dirk, a naval brass barrelled blunderbuss with spring bayonet, a Royal Naval Trafalgar sea service flintlock, a Crimean War sea service percussion pistol, and pair of naval ships captains brass barrelled flintlock pistols, plus, another small collection of original James Bond, Ian Fleming, 1960's Ist editions, added recently, and numerous original WW2 German combat awards, taken as war booty by one of Lt Commander Ian Fleming's 'Red Indians', the 30 Assault Commando's, operation in 'behind the lines' clandestine ops in occupied France. Also, a fabulous Napoleonic 1st Empire library clock designed on the bookcases in Napoleon's palace the Palais Des Tuileries. {This beauty was just sold after one day online}. And, an incredible 500 plus year old samurai sword from one of the great swordsmith lines of the Mino-Den, with an incredibly rare 'Summer Lightning' hamon, only created by the great master swordsmiths. {Also sold the same day it was put online}
Just the other day we further acquired a fabulous, and rare, SOE secret agent's WW2 suitcase transceiver. As used by the legendary, clandestine operatives and heroines of WW2, Odette Churchill and Violette Szabo.

Just the other week one visiting couple from the States, a retired Yale professor and his wife, very kindly remarked:

" We have just spent five weeks travelling the UK, visiting all the great tourist sites, museums and castles, but, nothing, simply nothing, was as amazing and fascinating as the collection your store, congratulations, well done, and keep up the good work"


Thanks to us being so long established here in Brighton we are contacted or visited every day by private families interested in selling their long past collected antiques and antiquities.
Artefacts of all kinds, from all eras and all nations are offered to us every single day. Some collected by their ancestors hundreds of years ago. And this week has been particularly fascinating for the diversity and beauty of our finds.

After more than 55 years personal experience by Mark, the elder partner, in our galleries, since 1971, and David’s 45 years since 1981, we are also regarded by many as Europe’s leading original samurai sword gallery, and probably the leading samurai sword specialists in the world, outside of Japan.
With hundreds of original ancient and antique samurai swords to view and buy online, or, to journey to our world famous gallery in Brighton on a personal visit, 6 days a week.

By train we are just under an hour from Victoria Train Station in London.

It has been said that the Hawkins family, have, in their sword dealing history, handled, bought and sold more original Japanese swords than any other sword dealers outside of Japan since World War I, trading over 100 years, numbering well into the tens or even hundreds of thousands of samurai weapons and artefacts. In one single acquisition alone, in the early 1960’s, David senior {the current partner’s father} purchased, in one collection, over 500 original antique and vintage Japanese swords, and Mark helped to disassemble each and every one of them, and was in charge of stringing together the tsuba sword guards into string mounted loops, 20 at a time. In those days tsuba were more collectable than swords. It was one of Mark’s very first introductions to the workings of the wonderful works of art that make up a complete samurai sword.

He can still remember listening to the very first hit of the Beatles ‘Love me do’ on the radiogram, in late 1963, while stringing together 25 loops of 20 tsuba, before he started school that early morning.

Our close family association with the legendary samurai sword continues unabated. In fact we still know of no better and varied original samurai sword selection, for sale under one roof, anywhere in the world today, outside of Japan, or possibly, even within it. Hundreds of antique pieces for sale to choose from, and some up to an incredible 800 years old.

Why is The Lanes Armoury probably the worlds most popular, original Japanese samurai gallery?
Well, we believe that not only are we the oldest still thriving store of our kind outside of Japan, but we have an entirely historical view of all our samurai artefacts, be they armour, helmets, swords, spears or accoutrements,

We place each piece within its historical context, a unique, holistic view if you like, never concentrating on such as simply the minutiae of blade detail alone {that has never been our forte} but of the entire sword as a work of art, and an example of the worlds highest craftsmanship, and thus it’s potential place within all of over 1000 years of samurai history.

Can they be expensive?
Well, they certainly can appear so, however up to 70% of our completely fitted swords may still be half the price of just a newly made sword blade alone, commissioned from one of the few still remaining fine sword smiths in Japan, and ours could well be up to 500 years old, completely and stunningly fitted in fabulous quality original antique mounts, and potentially used in the past by up to 30 samurai within their own working life and history. And yet, they can still look as good as new.

A samurai sword for example, is in many respects, more the sum of its parts, although always dated by its blade’s vintage, each sword can have amazing koshirae mountings of equal beauty to the blade, displaying the skill of likely the most talented artisans in sword making history, and representing the most intriguing and certainly one of the most popular forms of ancient hand to hand combat in the world today.

For example one of the greatest films ever made in the history of cinema is Akira Kurosawa’s 1954 “Seven Samurai”. A groundbreaking epic of such influence on modern cinemas it is said to inspired more films in its genre than any other film ever made. A well deserved masterpiece of cinema, based entire on a simple single event of legendary samurai combat.

Still today, more incredible films in the genre are made involving the legendary samurai sword than any other, such as some of the billion dollar epics made by the Marvel Universe, that still enthral the worlds movie watching audiences.

There is no other country in the world that continually used the very same form of weaponry, in hand to hand combat, for over 800 years. A samurai sword of around 800 years of age, would be just as recognisable and as usable to any 19th century samurai, or even current exponent of samurai martial arts, if he were alive today.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris, in order to study and discuss our extensive collection, and he used the same words that are repeated in his book below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Finally, a visit to The Lanes Armoury is considered and remarked upon, by near every single visitor to our store, numbering thousands of people every day, that is is an unforgettable experiance, and every samurai sword buyer is afforded the best possible attention, not just for the time that they may view, choose, and buy a sword, but for as long as they own the sword. We are available for every aspect of ownership to its new owner, essentially, forever. Our world renown 5 Star service knows no time limit.

And be assured, every single item, from a cap badge to a 800 year old ancient samurai sword, to an Ancient Greek solid gold crown, will be accompanied with our unique Certificate of Authenticity. Based on over 100 years and four generations of experience.  read more

Code: 24230

A Rare Crimean War Issue, P1839 Tower of London Royal Naval Sea Service Pistol, In Spectacular, As issued Condition, With Original Finish, Blue and Stock Varnish. Positively and Profusely Stamped & Ordnance Marked, With Numerous Inspection Marks

VR Crown Tower lock with date 1855, stock maker marked by the ordnance contractor.
The new Pattern 1839 Sea Service Pistol, was a single shot percussion action sidearm with a captive ramrod, and was adopted for use by the Royal Navy from 1839. This pistol was nearly identical to the Pattern 1839 British Naval Coast Guard Pistol, but with two significant exceptions. First, the calibre was reduced to 26-Bore (about .57 caliber) and secondly, the pistol was mounted with an additional conventional belt hook rather than just the butt swivel. One other change was the elimination of the bolted safety behind the cock.

The list below was of the ships of the Royal Navy, issued with this pistol for use in the Crimean war, alongside their launch dates.
Arrow-class gunvessel
HMS Agamemnon (1852)
HMS Ajax (1809)
HMS Amphion (1846)
HMS Arrogant (1848)
HMS Ardent (1841)
HMS Basilisk (1848)
HMS Beagle (1854)
HMS Belleisle (1819)
HMS Blenheim (1813)
HMS Boscawen (1844)
HMS Britannia (1820)
HMS Calcutta (1831)
HMS Cornwallis (1813)
HMS Cossack (1854)
HMS Cruizer (1852)
HMS Cumberland (1842)
HMS Cyclops (1839)
HMS Dauntless (1847)
HMS Driver (1840)
HMS Duke of Wellington (1852)
HMS Edinburgh (1811)
HMS Euryalus (1853)
HMS Eurydice (1843)
HMS Exmouth (1854)
HMS Gorgon (1837)
HMS Hornet (1854)
HMS Imperieuse (1852)
HMS James Watt
HMS La Hogue
HMS Leander (1848)
HMS London (1840)
HMS Majestic (1853)
HMS Merlin (1838)
HMS Miranda (1851)
HMS Monarch (1832)
HMS Neptune (1832)
HMS Nile (1839)
HMS Odin (1846)
HMS Orion (1854)
HMS Pique (1834)
HMS Prince Regent (1823)
HMS Princess Royal (1853)
HMS Queen (1839)
HMS Rodney (1833)
HMS Royal George (1827)
HMS Sans Pareil (1851)
HMS St Jean d'Acre
HMS Tartar (1854)
HMS Tiger (1849)
HMS Valorous (1851)
HMS Virago (1842)
HMS Vulture (1843)

The 1839 Sea Service pistols, and WD contract Colt Navy revolvers, were also used in service by the Navy and Marines in the Second Opium War in China.The Colt revolvers for use by the officers, and the sailors and Marines, the single shot sea service pistols.
The Second Opium War, which brought English Camp's Royal Marines to Guangzhou, started after the Chinese seized a suspected pirate ship that was registered as a British merchant vessel, and the murder by the Chinese of a French priest. In retaliation, Britain made an alliance with France began destroying Chinese forts and eventually gathered an international force that would include British, French, and American combatants. This war would last for four years and climaxed with the burning and looting of the Summer Palace in Beijing, shortly after the Royal Marines arrived at English Camp. The Americans joined as allied combatants in the war, but didn’t make a formal alliance with the Anglo French force.  read more

Code: 26291

A Most Beautiful Late Edo Japanese Gilt Lacquer Wooden Samurai Sword and Samurai Armour Folding Display Stand. Decorated with A Hand Painted White Crane Flying Over A Bamboo Grove. For Ancestral Display of Samurai and Bushido Artifacts.

A folding wood and hand painted lacquer sword rack display stand, for the display of three samurai swords and for the area beneath for the decoration of samurai artefacts such as sword fittngs, mempo, abumi, war fans, or, such as beautiful Japanese tea ceremony pieces, early iron water vessels, and tea bowls etc.

See a selection of items shown for illustrative purposes. It may once have also displayed hand painted small portraits of ancestral samurai to honour their past samurai family.

Signed by the artist on both the obverse and reverse side. The hand painted cranes and bamboo are on fine gold leaf covered panels, and show considerable age wear, but this enhances its air of contrived antiquity for the display of early samurai swords, weaponry and artefacts

It has long been the tradition of areas of Japanese art to make for display late Edo pieces, in the much earlier ancient forms and styles. Such as, for example, russetted Higo style iron sword mounts. Actually made in the 18th century, but made to appear as they were ancient iron pieces from many centuries before. In many respects as an homage to much revered ancient Japanese art forms

Naturally it has natural age wear, yet it adds to its overall impression of a function yet beautiful interior display temple for all the elements of Bushido and the samurai arts.

The Crane and Bamboo in Japanese Art. While the crane features heavily in stories of gratitude and supernatural love, the bamboo grove serves as the sacred, serene backdrop in both folklore and classical painting.In traditional Japanese art, the crane and bamboo often appear together to represent resilience, purity, and longevity. Because both bamboo and cranes can endure harsh winter conditions while maintaining their grace, they are considered symbols of perseverance. The bamboo's flexibility and the crane's nobility form a perfect pairing in classical hanging scrolls, such as the famous Edo-period painting Pair of Cranes in Bamboo Grove by Tanomura Chikuden

One very rarely ever see them outside of Japan as their transportation back to England, in the 19th century, using sailing and early steamships may well have been cumbersome and not to mention expensive.  read more

Code: 24455