Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding

Museum Grade Koto Era Samurai Wakizashi Sword By Master Tadamitsu With Rare Gakumei, Circa 1440-1460 Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding

With rare gakumei where the mei (signature) was removed from the original tang and inserted into the shortened tang in order to preserve the important master smith’s signature upon his museum grade blade. With its spectacular suite of beautiful original Edo Mino Goto fittings with tsuba, in shakudo, and pure gold decor of flowers, cricket, catydid and praying mantis. Deep red ishime stone finish lacquer saya, with carved buffalo horn fittings and Mino Goto throat mount. Superb black silk tsuka-ito over fine pure gold decorated menuki. A wonderful Muromachi era blade almost 600 years old, with a superb hamon, in around 95% polish, with gold foil habaki and blade smith shortened tang with its original preserved ‘folded over’ signature inlaid and inserted within the tang. The hamon forms a delightful gunome pattern, mixing with clove (Choji) outline which is slanted generally. The founder of the sword maker school, Tadamitsu in Bizen, is referred in the Shouou period (1288-93) and the oldest existent Tanto by him has the date year, Teiji 3,1364) during the Nanbokucho period, then later generations shows the records of Ouei to Bunmei era (1394-1486) in Muromachi period. The preserved 'folded over' system, that can be seen beautifully done on this blade, in order to preserve the blade smith's signature, was only reserved for the best and most highly revered blades, often of historical significance to the samurai's family. The ancient province of Kibi (of which Bizen was the easternmost region; now Okayama prefecture) possessed excellent ironmaking technology, which helped make Kibi into a powerful state. The region is blessed with all the vital ingredients needed for Japanese sword making: iron sand, water, and charcoal of Japanese red pine, which has excellent thermal efficiency. Research on Japanese swords since the Meiji period has revealed five different features or styles based on the regions in which they were made: Yamashiro (Kyoto prefecture), Yamato (Nara prefecture), Bizen (Okayama prefecture), Sagami (Kanagawa prefecture), and Mino (Gifu prefecture. The characteristic styles of these five regions were passed down from master to disciple and from one region to the next. These are collectively known as Gokaden (five traditions of swordmaking). The province of Bizen was located far from Japan's political center throughout its history, allowing it to prosper regardless of the political state of sovereignty of the day. The most typical Bizen blade has a steel surface grain called itamehada (wooden board grained) with a unique pattern called chōji (clove-shaped) on the blade. This pattern is a feature of Bizen swords and it is what makes Bizen swords special. The Gotō School of sword-fittings makers was founded in the fifteenth century by Gotō Yūjō, who is said to have been patronized by the shogun Ashikaga Yoshimasa (1435–1490). The work of the Gotō masters is characterized by painterly designs carved in high relief on a ground of shakudō (an alloy of copper and gold chemically treated to turn a rich blue-black), finished in nanako (tiny circles punched regularly over the surface to give it a granular appearance) with colorful accents in gold and silver. The succeeding generations of Gotō masters continued to work in these soft metals and concentrated on the smaller sword fittings, such as kozuka (the handle of the small utility knife fitted into a slot on the back of a sword scabbard), kōgai (a skewer-like hairdressing tool carried in the front of the scabbard), and menuki (a pair of grip ornaments secured by the handle wrappings). The production of the stouter sword guards, or tsuba, was left to other masters. While earlier generations had not signed their work, the Gotō masters in about 1600 began to authenticate the work of their predecessors; the attributions usually were engraved on the backs of the pieces themselves. These attributions bear testimony to the keen interest in early sword fittings as status symbols for high-ranking samurai. Overall blade length from base of habaki to tip 21.5 inches long

Code: 23519

11995.00 GBP