An Original, Rare, Anno Domini 4th Century. Original Roman Legionary's 'Spartha' Sword. An Amazing & Rare Historical Sword of The Roman Empire. Almost Identical To Those Discovered In The Nydam Treasure Horde of Nordam Mose in Denmark

We are always delighted to be able to offer original ancient and medieval swords for our clients, especially Roman swords, as they are so iconic of the Imperial Roman age. In fact, most likely, the legionaries sword is most famous historical artifact of the largest imperial civilisation of ancient history.

A superb original Roman spatha, circa anno domini 300, a most rare and a highly collectable original weapon of the ancient Roman Empire. A contemporary original sword to the the Nydam Treasure Horde of Nordam Mose in Denmark, a Roman sword cache, and the form of sword said to be connected to the legendary sword of Beowulf.

During the Second Punic War, 218 to 201 B.C {ante Christum natum} Celtic mercenaries introduced the spatha sword form to the Roman army. Originally the spatha was a weapon used by the Roman cavalrymen, while the auxiliaries and legionaries used the gladius form of sword instead. However eventually, the Roman infantry would adopt the spatha in the anno domini 2nd century . It was a very versatile sword, undergoing many changes from its origins in Gaul to its usage in the Roman military.

To look at what an Emperor's military attire looked like in the anno domini 5th century , we mostly have to look to the Diptych of Emperor Honorius, which does show an Eagle-hilted sword, but on another panel he wears a Germanic-derived Spatha just as this one.

This Romano Germanic style, to our best evidence, were the ones the Roman legions and their Emperors of the Empire were largely and mostly using in the anno domini 5th century , but certainly many were used in the three centuries before.

The spatha was a type of straight and long sword, measuring between 0.5 and 1 m (19.7 and 39.4 in), with a handle length of between 18 and 20 cm (7.1 and 7.9 in), in use in the territory of the Roman Empire during the AD 1st to 6th centuries . Later swords, from the 7th to 10th centuries, like the Viking swords, are recognisable derivatives and sometimes subsumed under the term spatha.

The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the AD 1st century as a weapon used by presumably Celtic auxiliaries and gradually became a standard heavy infantry weapon, relegating the gladius to use as a light infantry weapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.

Archaeologically many instances of the spatha have been found in Britain and Germany. It was used extensively by Germanic warriors. It is unclear whether it came from the Pompeii gladius or the longer Celtic swords, or whether it served as a model for the various arming swords and Viking swords of Europe. The spatha remained popular throughout the Migration Period. It evolved into the knightly sword of the High Middle Ages by the 12th century.
This Roman sword would date from the era of Emperor Valentinian I. He was Roman emperor from anno domini 364 to 375. Upon becoming emperor, he made his brother Valens his co-emperor, giving him rule of the eastern provinces. Valentinian retained the west.

During his reign, Valentinian fought successfully against the Alamanni, Quadi, and Sarmatians. Most notable was his victory over the Alamanni in anno domini 367 at the Battle of Solicinium. His general Count Theodosius defeated a revolt in Africa and the Great Conspiracy, a coordinated assault on Roman Britain by Picts, Scots, and Saxons. Valentinian was also the last emperor to conduct campaigns across both the Rhine and Danube rivers. Valentinian rebuilt and improved the fortifications along the frontiers, even building fortresses in enemy territory.

He founded the Valentinianic dynasty, with his sons Gratian and Valentinian II succeeding him in the western half of the empire.

In early anno domini 368, Rando, a barbarian chieftain, fell unexpectedly on the town of Moguntiacum (modern Mainz) on the Rhine, and put the defenceless inhabitants to the sword, before retiring over the river. Valentinian, furious, now determined to anticipate their future depredations by a campaign into their own territory beyond the Rhine. Count Sebastian was deputed to encircle the enemy from the south, by way of Rhaetia, while the emperor himself advanced with the entire forces of the west from Gaul. Finding their arms inadequate for the defence of their fields and villages, the Alemans retreated into the mountains, erecting their camp on an unidentified hill referred to as "Solicinium", in the area of Württemberg.

It is reported that the emperor, while on a personal reconnaissance of the enemy position on the lower reaches of the mountain, was nearly captured by an advanced party of the enemy who had been placed in ambuscade, losing his helmet and standard-bearer while retreating.

The battle
There is little known about the actual battle. It appears that Valentinian carried their defences by a general assault, charging up the slope, and the barbarians, when they were ejected from the summit, were driven down the opposite side of the hill into the clutches of Sebastian, who had been placed in their rear to anticipate the retreat. The result was the total defeat of the Alemans.

The next mention of spathae is in the anno domini 5th century, by Vegetius, now as a weapon carried by infantry. The term "Roman Iron Age" refers approximately to the time of the Roman Empire in north Europe, which was outside the jurisdiction of the empire, but, judging from the imported Roman artifacts, was influenced by Roman civilization. One source of artifacts from this period are the bogs of Schleswig, Holstein and Denmark. Objects were deliberately broken and thrown into the bog in the belief that they could go with a deceased chief on his voyage to a better place.

A cache of 90 swords was found at Nydam Mose in Denmark in 1858. They were in the form of the spatha and therefore have been classified as "Roman swords". They are dated to the AD 3rd to 4th centuries. Many connect the Nydam cache with the sword of Beowulf, who was supposed to be a contemporary. See a photo of these Roman treasure horde swords in the gallery.

As with almost all original ancient Roman steel weaponry recovered in the past two hundred years or so, such as daggers and swords, their hilts do not survive and are effectively non existent today. this is due their crossguards, grips, pommels, and scabbards being almost entirely made of organic material, thus only the blades and their hilt’s tangs of the swords and daggers still exist, are the only parts of the whole weapon to survive the ravages of time till today.
The surface of this superb sword is heavily pitted, but that is absolutely usual with all recovered original Roman swords from the ancient times, see the photo in the gallery of the Nydam cache, but the blade is still remarkably sound.

The discoveries at Nydam Bog originate from so-called spoils-of-war sacrifices. The weapons comprise swords and shields, spears and lances, axes, bows and arrows. The warriors’ personal equipment and possessions were also sacrificed.
The swords, spearheads and bronze shield fittings were from the beginning of the 3rd century AD. They were found in a boundary zone between two of Engelhardt’s excavation sites. Nydam Bog is situated in Oester Sottrup, Sundeved, eight kilometres from Soenderborg. The bog, which in the Iron Age was a sacred lake, is renowned for its rich sacrificial finds from the period A.D 200-400 . "The Nydam Boat" is the most famous of the finds, and is on display at Gottorp Castle in Slesvig.

It come complete with a fine, carved wooden stand, see photo gallery but would also look stunning if bespoke framed.

Approximately 30.2 inches long overall.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery


Interest in the archaeology of Nydam Bog has always been particularly lively in the local area. The Nydam discoveries were and remain a significant theme in the relationship between Danish and German/Romano cultures in the border region.

On this basis, the “Society for Nydam Research” – commonly known as the Nydam Society - was formed in 1983. Through its work, this interest group has contributed to the resumption of National Museum of Denmark’s investigation of the bog.
His Royal Highness Prince Joachim of Denmark is patron of the Nydam Society.  read more

Code: 24421

Caesarian, Original Roman Republic Period Lead Sling-Bullet Glans Plumbea From Julius Caeser's Civil War With Pompey, From the Battle of Munda 45 bc

From a superb collection of Roman antiquities and ancient collectables, that have just arrived, including a very few Caesarian glans from a centuries past 'Grand Tour' collection. Collected from near La Lantejuela, Andulusia

Caesar's civil war (49–45 BC) was one of the last politico-military conflicts of the Roman Republic before its reorganization into the Roman Empire. It began as a series of political and military confrontations between Gaius Julius Caesar and Gnaeus Pompeius Magnus.

Before the war, Caesar had led an invasion of Gaul for almost ten years. A build-up of tensions starting in late 49 BC, with both Caesar and Pompey refusing to back down led, however, to the outbreak of civil war. Eventually, Pompey and his allies induced the Senate to demand Caesar give up his provinces and armies. Caesar refused and instead marched on Rome.

The war was a four-year-long politico-military struggle, fought in Italy, Illyria, Greece, Egypt, Africa, and Hispania. Pompey defeated Caesar in 48 BC at the Battle of Dyrrhachium, but was himself defeated decisively at the Battle of Pharsalus. Many former Pompeians, including Marcus Junius Brutus and Cicero, surrendered after the battle, while others, such as Cato the Younger and Metellus Scipio fought on. Pompey fled to Egypt, where he was assassinated on arrival. Caesar intervened in Africa and Asia Minor before attacking North Africa, where he defeated Scipio in 46 BC at the Battle of Thapsus. Scipio and Cato committed suicide shortly thereafter. The following year, Caesar defeated the last of the Pompeians under his former lieutenant Labienus in the Battle of Munda. The Battle of Munda was the last episode of the war between the Romans. Eventually, Caesar’s absolute domination in Roman politics was established and the anti-Caesarian opposition virtually disappeared. Labienus was killed at Munda, and the wounded Gnaeus Pompey was captured after a few weeks and beheaded. The victorious Caesar was awarded the title of Liberator and Emperor, had a great triumph, and the scope of his power continued to expand.

The Battle of Munda did not immediately foreshadow Caesar’s victory. His soldiers, most of them poorly experienced, initially succumbed to the enemy’s onslaught, which could have ended in defeat. The decisive attitude of the leader, who knew how to react in the threatened section, and the experience of the legions from the right-wing ensured victory for Caesar.
He was made dictator perpetuo (dictator in perpetuity or dictator for life) in 44 BC and, shortly thereafter, assassinated.
See for reference
Cf. DAmato, R. and Sumner, G., Arms and Armour of the Imperial Roman Soldier: From Marius to Commodus, 112 BC-AD 192, London, 2009, fig.32, p.45, for similar glandes from Zaragoza Museum, one with the name of Pompey inscribed also coming from Monda battlefield; Schinco, G., Small, A.M., 'A previously unknown siege of Botromagno/Silvium: the evidence of slingshots from Gravina in Puglia (Provincia di Bari, Puglia)' in Papers of the British School at Rome, 2019, pp.1-52, figs.31, 37.

This is the sling-bullet 'type IIb of the Völling classification'. This one bears a plain surface cast, some found in the region have the abbreviated name of Julius Caesar; it was used in quantity at the Battle of Monda (or Munda) against the last supporters of Pompey, the leaders of the Optimates, on the 17th March 45 BC. Similar shots were used in the civil war among Pompey and Caesar, and in all of Caesar's wars. The funditores of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul. They wore a short tunic, with leather or rope sandals to the feet, and a warm overcoat which could also have been used to store projectiles. They also used a satchel to carry very deadly lead-like stones or bullets.

1 3/4 in. (62. grams, 45 mm).
A biconical facetted lentoid-section lead sling shot (glans)

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24608

Part of a Superb WW1 Machine Gunner's Collection, British and German. A Superb & Fabulous Set of POW Medals, Plus, a Letter From the King & Two Photographs. 1 Signed, of a Machine Gunner of the Most Collectable WW1 British Machine Gun Corps

A British Prisoner of War group. A lovely pair of medals from one of the great services of WW1. Would look spectacular fully framed! With two photos of the recipient and a letter of thanks from King George Vth sent to liberated Prisoners of War. Medals in near mint condition small photo a little worn the original period blow up photo [10 x 12 inches] is very good indeed but with smalll scratches.
On 2 September 1915 a definite proposal was made to the War Office for the formation of a single specialist Machine Gun Company per infantry brigade, by withdrawing the guns and gun teams from the battalions. They would be replaced at battalion level by the light Lewis machine guns and thus the firepower of each brigade would be substantially increased. The Machine Gun Corps was created by Royal Warrant on October 14 followed by an Army Order on 22 October 1915. The companies formed in each brigade would transfer to the new Corps. The MGC would eventually consist of infantry Machine Gun Companies, cavalry Machine Gun Squadrons and Motor Machine Gun Batteries. The pace of reorganisation depended largely on the rate of supply of the Lewis guns but it was completed before the Battle of the Somme in 1916. A Base Depot for the Corps was established at Camiers.There are many instances where a single well-placed and protected machine gun cut great swathes in attacking infantry. Nowhere was this demonstrated with more devastating effect than against the British army's attack on the Somme on 1 July 1916 and against the German attack at Arras on 28 March 1918. It followed that multiple machine guns, with interlocking fields of fire, were an incredibly destructive defensive weapon. The German army developed their Hindenburg Line, to which they withdrew in spring 1917, and relied greatly on machine guns for defence. The British copied this. In addition, both offensively and defensively, the MGC began to fire in co-ordinated barrages. The guns of the 2nd and 47th (London) Divisions fired an indirect barrage over the heads of their advancing infantry, and behind the German trenches (in other words, this was an interdiction barrage, to stop enemy attempts to reinforce or re-supply their front), during the Battle of Loos on 25 September 1915. This was possibly the first time an indirect fire tactic was borrowed from the artillery. Later, and certainly by the Battle of Messines in June 1917, machine gunners were also employing creeping barrages, with fire falling ahead of the artillery barrage to catch enemy troops moving to the rear. They would concentrate fire on specific targets, or sweep the enemy ground behind his front and support positions. Machine guns for these tasks were generally placed about 1000 yards behind the advancing infantry and were moved up as soon as the enemy positions were captured. Machinegun tactics had in fact, become more like those of the artillery than of the infantry. Photo of a Machine Gun crew near the Somme in 1916 wearing gas attack masks, and a Lewis gunner using it in it's anti aircraft capacity, and the London memorial for the Machine Gun Corps. Photos for information only not included. The letter text is as follows;
Buckingham Palace

1918

The Queen joins me in welcoming you on your release from the miseries and hardships, which you have endured with so much patience and courage.

During these many months of trail, the early rescue of our gallant officers and men from the cruelties of their captivity has been uppermost in our thoughts.

We are thankful that this longed for day has arrived, and that back in the old Country, you will be able one more to enjoy the happiness of a home and to see good days among those who ansciously look for your return. [signed] GeorgeRI
Written in blue pen on embossed paper, it is considered the first mass communication from a British monarch after it was reproduced and distributed using lithography. The photos of the soldiers in the trenches and the memorial are not included [for information only].  read more

Code: 22858

A Fabulous, Original, 1930's Airship Zeppelin Photograph & Photograph Airship {Luftpost} Mail Postcard Collection From The Hindenberg. All Are Original & Third Reich Period, In The Collectors Album

89 total photograph and Luftpost photograph cards of the Hindenburg Zeppelin Airship. The airship that exploded in 1937 in America.
Including photograph souvenir postcards, bought from the Hindenberg by its passengers, then postal service stamped over German stamps, and ink stamped by DZR (Deutsche Zeppelin-Reederei) The Nazi Airship company, was effectively controlled byFeldmarshall Herman Goring. One particularly interesting card is the stamped Zeppelin Luftpost airmail post card for the opening of the 1936 Berlin Olympics

This is an absolute beauty and one of the best we have seen outside of an Historical Aeronautical Museum. all are in fabulous condition, and there are some really rare beauties in the collection.

LZ 129 Hindenburg (Luftschiff Zeppelin 129; Registration: D-LZ 129) was a German commercial passenger-carrying rigid airship, the lead ship of the Hindenburg class, the longest class of flying machine and the largest airship by envelope volume.3 It was designed and built by the Zeppelin Company (Luftschiffbau Zeppelin GmbH) on the shores of Lake Constance in Friedrichshafen, Germany, and was operated by the German Zeppelin Airline Company (Deutsche Zeppelin-Reederei). It was named after Field Marshal Paul von Hindenburg, who was President of Germany from 1925 until his death in 1934.

The Hindenburg made ten trips to the United States in 1936.45 After opening its 1937 season by completing a single round-trip passage to Rio de Janeiro, Brazil, in late March, the Hindenburg departed from Frankfurt, Germany, on the evening of May 3, on the first of ten round trips between Europe and the United States that were scheduled for its second year of commercial service. American Airlines had contracted with the operators of the Hindenburg to shuttle passengers from Lakehurst to Newark for connections to airplane flights.

The Hindenburg disaster was an airship accident that occurred on May 6, 1937, in Manchester Township, New Jersey. The LZ 129 Hindenburg (Luftschiff Zeppelin 129; Registration: D-LZ 129) was a German commercial passenger-carrying rigid airship, the lead ship of the Hindenburg class, the longest class of flying machine and the largest airship by envelope volume.1 It was designed and built by the Zeppelin Company (Luftschiffbau Zeppelin GmbH) and was operated by the German Zeppelin Airline Company (Deutsche Zeppelin-Reederei). It was named after Field Marshal Paul von Hindenburg, who was President of Germany from 1925 until his death in 1934. It caught fire and was destroyed during its attempt to dock with its mooring mast at Naval Air Station Lakehurst. The accident caused 35 fatalities (13 passengers and 22 crewmen) from the 97 people on board (36 passengers and 61 crewmen), and an additional fatality on the ground.

A total of 89 period photographs, with period photograph post cards. The first 34 are period photographs, index listed, and then many post cards that are rubber stamped by the airline luftpost etc., and 8 others, with postage stamps, and airmail Luftpost stamped with text and addresses, including one to a British recipients address and one to an American recipients address in Kentucky. The American one, states in the handwritten letter to the recipient, the card photo was taken just half an hour before the explosion on board. The 8 postcard, airship Luftpost mail examples, are worth around £1,000 alone.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24934

A Good 1897 Pattern British WW1 Officer's Sword King George Vth Period. Used in Both WW1 and WW2. The Pattern Still Used In Current Service Today

Traditional pieced steel half basket hilt, bearing cypher of King George Vth with etched royal cypher blade, maker marked and original wire bound sharkskin grip. overal fully bright and in nice condition. Nickle plated steel scabbard, very bright and excellent condition, and dent free.

One of the famous British officer's of WW2, who was a devoted exponent of hand to hand sword combat, using his sword in battle, was infantry officer 'Mad' Jack Churchill. After fighting at Dunkirk, he volunteered for the Commandos. On one occasion, a general who had commented on his weaponry, Churchill is said to have replied "Any officer who goes into action without his sword is improperly dressed."

In his service in Norway (1941)
Churchill was second in command of No. 3 Commando in Operation Archery, a raid on the German garrison at Vågsøy, Norway, on 27 December 1941.  As the ramps fell on the first landing craft, he leapt forward from his position playing "March of the Cameron Men" on his bagpipes, before throwing a grenade and charging into battle. For his actions at Dunkirk and Vågsøy, Churchill received the Military Cross.

In Italy;
During the Allied invasion of Sicily
In July 1943, as commanding officer, he led No. 2 Commando from their landing site at Catania, in Sicily, with his trademark Scottish broadsword slung around his waist, a longbow and arrows around his neck and his bagpipes under his arm, which he also did in the landings at Salerno.

Leading 2 Commando, Churchill was ordered to capture a German observation post outside the town of Molina, controlling a pass leading down to the Salerno beachhead. 136–137  With the help of a corporal, he infiltrated the town, captured the post and took 42 prisoners including a mortar squad. Churchill led the men and prisoners back down the pass, with the wounded being carried on carts pushed by German prisoners. He commented that it was "an image from the Napoleonic Wars". He received the Distinguished Service Order for leading that action at Salerno.

Churchill later walked back to the town to retrieve his sword, which he had lost in hand-to-hand combat with the German regiment. On his way there, he encountered a disoriented American patrol mistakenly walking towards enemy lines. When the NCO in command of the patrol refused to turn around, Churchill told them that he was going his own way and that he would not come back for a "bloody third time"

The 1897 pattern Infantry officer's sword has remained unchanged to the present day.
By the time of its introduction, the sword was of limited use on the battlefield against rapid-firing rifles, machine guns and long-range artillery. However, the new sword was regarded, when needed, as a very effective fighting weapon. Reports from the Sudan, where it was used in close-quarters fighting during the Reconquest of the Sudan 1896-99, were positive.
Field Marshal Montgomery advanced with his 1897 Pattern drawn during a counter offensive in the First World War. The actual sword he carried is exhibited in the Imperial War Museum, London.
The blade is described in the pattern as being 32+1/2 inches (830 mm) long and 1 inch (25 mm) wide at the shoulder, with the complete sword weighing between 1 lb 12oz and 1 lb 13 oz (794-822g).

The blade is straight and symmetrical in shape about both its longitudinal axes. The thick blade has a deep central fuller on each side and is rounded on both its edge and back towards the hilt, giving a “dumbbell” or “girder” cross section. Through a gradual transition, the blade becomes double edged towards the tip, and the last 17 inches (430 mm) were sharpened when on active service. The blade ends in a sharp spear point.

The blade is decoratively etched on both sides with royal cypher.

The guard is a three-quarter basket of pressed, plated steel. It is decorated with a pierced scroll-work pattern and had the royal cypher of the reigning monarch set over the lower knuckle bow.

The grip, between 5 and 5 ¾ inches long to suit the hand of the owner, was generally covered in ray or sharkskin and wrapped with German-silver wire. The grip is straight, with no offset to the blade.

The sword shows a number of features that indicate its intent as a thrusting weapon. The spear point and double edge towards the point aids penetration and withdrawal by incising the wound edges. The blade, whilst quite narrow, is thick and its dumbbell section gives it good weak-axis buckling strength whilst maintaining robustness in bending for the parry. The blade tapers in both width and thickness and, with the substantial guard, has a hilt-biased balance, aiding agility at the expense of concussive force in a cut.  read more

Code: 25653

A Stunning True Art Sword. A Spectacular & Immensely Beautiful Museum Grade Cloisonne Enamel Samurai's Suzaku Pheonix Tachi With A 500 Year Old Blade Signed By Bizen Kuniyoshi. Bearing the Paulownia Mon of the Imperial Court

A true and iconic example of a stunning samurai art sword. A magnificent collision of beauty and utility. It does not fail to attract admiration and awe from all that see it, even those that have little or no interest at all in original fine antique weaponry, would agree that this is simply a remarkable example of the finest and intricate craftsmanship to be seen in the world. Enamel work comparable to such as a piece of sublime object d’art by the genius Romanov Family Imperial Court jeweller Carl Faberge himself. This is only the second such very rare cloissonne enamel 'Suzaku Phoenix' tachi we have seen and had the privilege to offer in around five years. Interestingly that one was used by a Daimyo of the court of the Shogun Tokugawa, and bore his aoi mon.

Such wondrous pieces, in near perfect condition, are incredibly rare, however, being one of the world's leading Japanese art sword dealers, we do manage to find such glorious swords on occasion. For us though, the exceptional is incredibly important, so we actively seek not the 'run of the mill', which certainly takes considerably more time and effort, but we firmly believe {and so do thousands of our regulars}, it to be well worth it.

Suzaku is one of the four, Japanese, 'Great Celestial Beasts'. Suzaku translates to "Vermillion Chinese Phoenix". Cloisonne enamel mounted ancient bladed swords were often fabulous cultural presentation pieces, offered to great samurai and nobles as a symbol of their status and importance within the Japanese samurai nobility class hierarchy. This sword bears the imperial court paulownia crest upon the tachi's saya hangers, that was granted to individuals and families by the imperial court as a mark of honour and distinction. It symbolizes high status, nobility, and honour. The fabulous Japanese cloisonne koshirae fittings and mounts may well have been designed by Namikawa Yasuyuki, who was 'Teishitsu Gigei’, an Imperial Craftsman to the court of the Emperor Meiji. He decorated his later pieces with areas of semi-transparent mirror black enamel ground, such as this fabulous piece displays, that became a hallmark of most of Yasuyuki’s finest later work. Overall decorated with the incredible and fantastically detailed, magnificent, mythological phoenix.

Although Chinese cloisonné enamels had long been highly valued it was not until the late sixteenth century that cloisonné enamels became more widely used in Japan.There had long been a demand among the samurai for fine decoration of sword fittings and cloisonné enamels were used on tsuba (sword guards). The finest of these were made by the Hirata School, founded by Hirata Dōnin (died 1646) which was active well into the nineteenth century. A former samurai and one of the greatest artisans of the art was the cloisonné artist Namikawa Yasuyuki. Yasuyuki began his career around 1868 and worked with the Kyoto Cloisonné Company from 1871 to 1874.

He established his own studio and exhibited his work at national and international expositions. The most significant result of the collaboration of Wagener and Yasuyuki was the creation of the semi-transparent mirror black enamel that became the hallmark of most of Yasuyuki’s subsequent work.

Yasuyuki’s cloisonné enamels are characterised by the skilful use of intricate wirework and superb attention to detail and the designs on his earlier pieces are relatively traditional, consisting mainly of stylised botanical and formal geometric motifs. Much of his later work tends to be more pictorial with scenes from nature and views of landmarks in and around Kyoto.

Yasuyuki continued to improve his technical and artistic skills and in 1896 he was appointed Teishitsu Gigei’ in (Imperial Craftsman) to the court of the Emperor Meiji.The four celestial beasts, Seiryu the dragon , Suzaku pheonix, Byakko white tiger, and Genbu tortoise were probably introduced to Japan from China sometime in the 7th century AD, for their images are found on the tomb walls at Takamatsuzuka in Nara, which was built sometime in the Asuka period (600 - 710 AD). They are also found on the base of the Yakushi Triad at Yakushi-ji Temple , also in Nara. In Japan, the term “Suzaku” is translated as “Red Bird” or “Vermillion Chinese Phoenix.” In both Japan and China, the symbolism of the red bird seems nearly identical to or merged with that of the mythological Phoenix. One must consider the Suzaku and the Phoenix to be the same magical creature, although one cannot be certain if this is entirely true. Scholar Derek Walters says the Phoenix was supplanted or replaced by the Red Bird, for the Red Bird more accurately reflected the astronomical iconography associated with the southern lunar mansions.

It corresponds to summer, red, fire, and knowledge; it makes small seeds grow into giant trees. Often paired with the dragon, for the two represent both conflict and wedded bliss; dragon (emperor) and phoenix (empress). Portrayed with radiant feathers, and an enchanting song; and it only appears in times of good fortune. Within the ancient Imperial Palace in Japan, there was a gate known as Suzakumon (Red Bird Gate) Pairs of vases from these Meiji period Japanese cloisonne enamel workshops can now command prices into six figures. All of the fittings are in superb condition, damage free, the blade is in good Edo polish with just a few surface scratch marks, easily forgiveable due to its great age.Overall 27.5 inches long, blade 18.75 inches long It is important to bear in mind, that due to the revered status that Japanese swords achieve for most of their working lives in Japan, that the condition they survive in can be simply remarkable. One can see just how remarkable it can be, by comparing the condition of this fine sword’s blade that was made around the same time as the early Tudor period of King Henry the VIIIth to any equivalent aged, surviving, early Tudor period sword, from any country outside of Japan, and that comparison will show just how fine any Japanese sword’s state of preservation, from the same era, truly can be. The size of this tachi is around the size, overall, of a chisa katana, or o wakazashi.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 23683

A Scarce Original Imperial German WW1, Elite 'Guards' Regiment Pickelhaub Helmet Cover, In Khaki. An Ideal Addition For a Collector of The Rare Forms of Guards Infantry Pickelhaub

Imperial Prussian guards issue. Photo in the gallery of Imperial German troops wearing covers on their pickelhaubs, with a captured Russian sign. In 1892, a light brown cloth helmet cover, the M1892 uberzug, became standard issue for all Pickelhauben for manoeuvres and active service. The uberzug was intended to protect the helmet from dirt and reduce its combat visibility, as the brass and silver fittings on the Pickelhaube proved to be highly reflective. Regimental numbers were sewn or stencilled in red (green from August 1914) onto the front of the cover, other than in units of the Prussian Guards, which never carried regimental numbers or other adornments on the uberzug. In October 1916 the colour was changed to be feldgrau (field grey), although by that date the plain metal Stahlhelm was standard issue for most troops. All helmets produced for the infantry before and during 1914 were made of leather. As the war progressed, Germany's leather stockpiles dwindled. After extensive imports from South America, particularly Argentina, the German government began producing ersatz Pickelhauben made of other materials. In 1915, some Pickelhauben began to be made from thin sheet steel. However, the German high command needed to produce an even greater number of helmets, leading to the usage of pressurised felt and even paper to construct Pickelhauben. The Pickelhaube was discontinued in 1916.

During the early months of World War I, it was soon discovered that the Pickelhaube did not measure up to the demanding conditions of trench warfare. The leather helmets offered little protection against shell fragments and shrapnel and the conspicuous spike made its wearer a target. These shortcomings, combined with material shortages, led to the introduction of the simplified model 1915 helmet described above, with a detachable spike. In September 1915 it was ordered that the new helmets were to be worn without spikes when in the front line  read more

Code: 21970

A Fabulous and Utterly Beautiful Koto Period Wakizashi, Circa 1550. a Strong and Very Powerful Blade with a Stunning Hamon in Excellent Polish

In all original Edo period fittings and mounts. A simply wonderful sword with wide flat sided blade with wide full length hi to both blade faces. It bears a breathtakingly impressive deep notare with choji hamon. A delightful iron mokko tsuba with takebori small swooping birds and small pure gold highlights. The fuchi of shakudo and pure gold decorated shell fish and coral in crashing waves, and very fine quality.

It has a pair of copper menuki under the wrap that are deeply takebori spiders. The fuchi pommel is carved and polished buffalo horn. Very good original Edo saya with rich black urushi lacquer. Set within the kozuka pocket is a gold decorated kozuka with a good takebori crayfish.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

The urushi lacquer has a few natural, and certainly permissible for its age, very small surface wear marks and nicks.

16.5 inch long blade, 1.3 inches wide at the habaki, overall 23 inches long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24881

A Beautiful Ancient Samurai Long Sword, A Koto Period Katana Around 500 Years Old Sengoku Period With All Original Edo Period Mounts & Fittings

A most impressive and beautiful sword, a fine statement piece of any collection of oriental art. A sword mounted in wonderful original Edo period koshirae, all decorated on the theme of bamboo.
A superb pair of shakudo fuchigashira carved with bamboo leaves, shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula. Shakudo was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.
Large iron plate tsuba with bamboo and birds, and bamboo form menuki under the green/blue silk wrap over giant rayskin. The original Edo saya is subtly decorated with incredible skill and detail with wonderful, dark, scrolling and crushed Abilene shell. Long powerful blade, with beautiful polish. The activity of the grain in the hada {blade mid section} is now visible since renovation, and it looks absolutely beautiful, especially bearing in mind it is around 500 years old.

For centuries, if not millennia, bamboo has permeated everyday Japanese life, figured in some of the country’s best-known literature and become a staple of its art, as both motif and material. Its propensity to bend yet endure makes it a cultural symbol. In both Japan and China, an ink painting of a tiger in a grove of bamboo signifies social harmony and, it would seem, political savvy, as this wily animal is among the few able to navigate the dense bamboo forest. Bamboo contains multitudes. Perhaps nowhere more than in Japan, home to over 600 species of this amazing plant, officially a subfamily of grasses but blessed with a woody stem and the ability to lift well above its weight. Japan’s ubiquitous bamboo is unsurprisingly storied. Woven artifacts evidence from the later Jomon Period (10,000-200 B.C.). The ancient nation- and culture-building texts, the “Kojiki” (Records of Ancient Matters) and “Nihon Shoki” (“The Chronicles of Japan”), record bamboo knives and combs with magical powers. The oldest surviving baskets are 8th-century offering trays kept in the Shosoin treasure house in Nara. Bamboo was obviously crucial to the 10th-century prose narrative “Taketori Monogatari” (“Tale of the Bamboo Cutter”). Tea masters of the 15th century revered seemingly artless utensils in their burgeoning spiritual practice. Emperors were gifted the choicest of bamboo wares. The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery
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Overall in super condition, just tiny denting to the small kashira {as is often the case}, overall length in saya 37.5 inches long, when the sword is withdrawn from saya it is 35.25 inches long overall  read more

Code: 24723