Aitchison of London, Late Antique 'Three Draw' Military Sniper Spotter's Telescope. In Great Untouched Condition & Superb Optics. With Boer War Pattern, Regulation, Rifle Brigade Black Leather Protection Covering, With Fore & Aft Covers

An Aitchison military or marine officers telescope, an antique, vintage brass telescope manufactured by the British optical firm Aitchison & Co.

A beautifully crafted instrument hand made with the highest skill and quality, from the days when British instruments were the acme standard by which all others were judged. In fact it is safe to say just about everything marked ‘Made in Britain’ was considered the world over as the apex of quality and manufacturing, from railways to motor cars, from shotguns to gentleman’s suits. If a bridge between two mountains was made of Sheffield Steel, everyone was confident that the mountains would collapse long before the bridge did.

The draw actions are beautifully tight and snug, with absolutely no wear and element of looseness, which can often be the case.

Excellent vision with incredible clarity and magnificent magnification. Also perfect for service at sea, to spot an impending submarine waiting to pounce upon a British warship, or as was this beauty, upon the plains of South Africa such as at the Defence of Ladysmith, as this was used, and later in the trenches of Western Europe, such as at Ypres or The Somme, by a British sniper’s ‘spotter’.

The earliest true British snipers originated during the Second Boer War (1899–1902) with the Lovat Scouts, a specialized Scottish Highland regiment. Recognizing the Boers' deadly marksmanship, the British formed this unit of expert deerstalkers. They were the first military unit to utilize the ghillie suit for camouflage.

While individual sharpshooters existed in the British Army as early as the Napoleonic Wars (such as Rifleman Thomas Plunket in 1809), organized sniping as a formal military doctrine was developed much later.The First Scouts (1900): Formed by Simon Fraser, 14th Lord Lovat, the Lovat Scouts utilized their civilian stalking skills, high-powered telescopes, such as this one, and advanced fieldcraft to neutralize enemy positions.
The Lovat Scouts formally became the British Army’s first official sniper detachments.The School of Sniping (1916): British Expeditionary Force (BEF) trenches initially lacked proper counters to German snipers. Major Hesketh Hesketh-Prichard revolutionized British tactics by founding the Scouting, Observation, and Sniping (SOS) schools in France and Belgium. He trained soldiers in counter-sniping and the use of telescopic sights

Today, it would be perfect to espy a magnificent eagle in the Highlands of Scotland. Whatever one’s need’s this may be just perfect, in fact ‘spot-on’, just as it has been for well over 100 years.

Founded in London in 1889, the company merged with Dollond in 1927 to form Dollond & Aitchison.

An extract from
The Sniper-observer Scout
Sniping in France by Major H. Hesketh-Prichard
., K.C.M.G., etc.

"In the early days of 1915, in command of the 2nd Division, I well remember the ever-increasing activity of the German sniper and the annoyance of our officers and men in the trenches. I can recall the acquisition by the Guards' Brigade, then in the Brickfields of Cuinchy with Lord Cavan as Brigadier, of two rifles fitted with telescopic sights and the good use made of them. It was the experience of 1915 that impressed upon us the necessity of fighting for superiority in all branches of trench warfare, amongst .which sniping held an important position. It was therefore a great satisfaction to me upon my arrival from the battlefields of the Somme in the autumn of 1916 to find Major Hesketh-Prichard's School firmly established in the First Army area, thanks in a great measure to the support and encouragement of Lieut.-General Sir Richard Haking, the Commander of the Eleventh Corps.

I may be permitted to add my testimony that in each phase of the war, not only in the trenches, but in the field, we found the value of the trained sniper, observer and scout.
It is simply an account of some memories of sniping, observation and scouting in France and Flanders, and its purpose is to preserve, as far as may be, in some form the work and training of a class of officers and men whose duties became ever more important as the war progressed. It is in the hope that the true value of sniping and scouting will continue to be recognized in the future training of our armies, as it certainly was recognized in the later years of the war, that this book is written.

The idea of organized sniping was not a new one to me when I went out to France in May, 1915. I had been there before, in the previous March, and had seen the immense advantages which had accrued to the Germans through their superiority in trench warfare sniping.

It is difficult now to give the exact figures of our losses. Suffice it to say that in early 1915 we lost eighteen men in a single battalion in a single day to enemy snipers. Now if each battalion in the line killed by sniping a single German in the day, the numbers would mount up. If any one cares to do a mathematical sum, and to work out the number of battalions we had in the line, they will be surprised at the figures, and when they multiply these figures by thirty and look at the month's losses, they will find that in a war of attrition the sniper on this count alone justifies his existence and wipes out large numbers of the enemy.

But it is not only by the casualties that one can judge the value of sniping. If your trench is dominated by enemy snipers, life in it is really a very hard thing, and moral must inevitably suffer. In many parts of the line all through France and Belgium the enemy, who were organized at a much earlier period than we, certainly did dominate us. Each regiment and most soldiers who have been to France will remember some particular spot where they will say the German sniping was more deadly than elsewhere, but the truth of the matter is that in the middle of 1915 we were undergoing almost everywhere a severe gruelling, to say the least of it.

When I went out in May, 1915, I took with me several telescopic-sighted rifles, which were either my own property or borrowed from friends. I was at the time attached to the Intelligence Department as an officer in charge of war-correspondents, and my work gave me ample opportunity to visit all parts of the line. Whenever I went to the line I took with me, if it was possible, a telescopic-sighted rifle, and I found that both brigades and battalions were soon applying to me to lend these rifles. In this way opportunities arose of visiting the line and studying the sniping problem on the spot."

Photo 8 in the gallery is of how it could and would be mounted in the trenches etc. upon a separate, detachable, spotters tripod stand. {Photo not of this scope, but another similar from WW1}  read more

Code: 26228

Rare, Archaic Chinese Warrior Prince's Bronze Jian Sword, Overlaid With Gold, Auspicious Metal, Around 2,400 to 2,600 Years Old, From the Zhou Dynasty to the Chin Dynasty, Including the Period of Sun-Tzu'. Likely of The Kingdom of Yue

Chinese Bronze 'Two Ring' Jian sword, a bronze alloy construction, with traces of pure gold, including the gold onlay of a dragon {see photos 1 and 3 in the gallery} with the Chinese ‘Auspicious Metal’ {gold}, overlay, and now with up to 2400 years of natural aged patination and surface encrustations, made and used in the era of China's Seven Kingdoms period, likely with royal connections in the Kingdom of Yue, up to the latter part of the Eastern Zhou dynasty (475 BC). It is incredibly rare to find a sword from this period of ancient history with gold decor. It's surface is covered in superb patination and age encrustations, with various areas showing traces of layered pure gold. Of course, naturally, in its day, it would have been visibly fully covered in gold and look quite magnificent. It would have undoubtedly have been made for an ancient Chinese warrior Prince or general, absolutely a man of the highest possible status within the King’s army. 535mms long, weight 800gms.

Formerly of the Anthony Dove Collection, one of the foremost collectors of ancient Chinese swords, and joint author on the seminal academic research paper on the authentication of ancient Chinese swords and their metallurgical construction.

We show in the gallery photographs of another sword very similar, from the same era and reign, a non ringed hilt type, that was once also covered in gold, but now encrusted with age, like ours, that sold in 2013 for $183,750.
However, that gold sword was detailed and inlaid with surviving archaic script, somewhat like our other engraved two ring sword, that has revealed, through diligent effort, a potential translation, and the name of its owner. In a fashion, our two similar swords, but combined, would have the merged result of that single gold sword. Yet at less than a small percentage of the cost of the Christie’s sword

The Zhou script engraved on that other gold sword may state the following : Gongwu wang Guang ? yi ji jin zi zuo yong jian ('King Guang of the State of Gongwu forged this sword with auspicous metal for his usage')

From a large collection of antiquities, swords daggers, and rings, that recently arrived, many pieces sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund. Formerly the property of a highly regarded renown British expert and collector, who has collaborated with museum experts, such as the Wallace Collection, on the origins, forms, styles and metallurgical investigations on ancient Chinese Bronze Age antiquities, and early British silver.

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the highest ranking officer warriors or princes alongside the world renowned General Sun Tzu, in the Kingdom of Wu, {although this sword is more likely from the Kingdom of Yueh} who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges with seal script engraving on both sides of the bottom section of the blade near the hilt. See the photo in the gallery that shows a close up of the section of blade with the seal script.

A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

A very similar sword had a detailed metallurgical analysis carried out at the Wallace Collection was measured by Graham McArthur in the Conservation Department of the Wallace Collection at a number of points near the edge using a Branson Krautkramer electronic surface hardness tester giving results ranging from 158 to 289 VPH with an average of 247 VPH, and thus thought to be from 500 BC. That particular sword, had a number of features in common with one in the Catalogue of the Warner Jennings Collection in the Chinese National Palace Museum, Peking, that is considered to have royal associations with a king of Yueh.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Just over 26 inches long overall.
From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and respected collectors, especially early silver, & he was a past honorary President of London’s Silver Spoon Society.

Other bronze swords bearing inscriptions inlaid in gold include the example dated to the 5th century BC in the Freer Gallery of Art, illustrated by T. Lawton, Chinese Art of the Warring States Period, Change and Continuity, 480-222 BC , Washington, DC , 1982, p. 70-71, no. 28, and one in the Musée Guimet dated 5th-4th century BC, illustrated by C. Delacour, De bronze, d'or et d'argent, Sumptuary Arts of China , Paris, 2001, p. 131. Both the Freer sword and the Guimet sword bear the same twenty-character inscription, arranged in ten characters to each side, which Thomas Lawton translates as, "On the auspicious day jen-wu, this sword was made for righteous use .

We show in the gallery, another very similar sword in a most similar state of aged preservation, but, with surviving gold inlaid archaic script upon the blade. It was sold at Christies in 2013, for $183,,750 . Lot number 1234. A very rare and important gold-inlaid bronze sword, Eastern Zhou dynasty, late 6th-early 5th century BC; 19 3/8 in. (49.3 cm.) long. Estimate 150,000 - USD 250,000. Price realised USD $183,750. Formerly of the Arthur M. Sackler Collections, New York.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

Code: 24842

A Simply Exquisite Original Bronze Age Short Sword Used From The Trojan Wars To The Greco-Persian Wars Era. The Trojan War Was Waged Against the City of Troy by the Achaeans (Greeks) After Paris of Troy Took Helen From Her Husband Menelaus, King of Sparta

From the late 2nd millennium BC. to early 1st Millenium BC.
A bronze sword with tapering long central ribbed graduating tapering blade, with solid cast hilt 'bulls horn' and domed pommel A sword that could have been traded with the Archean Greeks, the Mycenean Greeks the Trojan peoples and The Hitites.

The trade of Bronze Age weaponry followed trade routes that started in the the Assyrian Empire, East of Babylon, right through to the Mediterranean region, and all of empires and kingdoms in between. Also, all manner of Bronze Age utilitarian wares, personal adornments, and tools came from this famed bronze smithing region and their trading merchants.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy.

57 cm long

A most similar example was in the Axel Guttman collection, a collection that was sold in 2002 by Christies

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 25684

Superbly Bound, Leather & Tooled "Quattrocento" Style, In Gilt. A Richly Bound Special Parisien Reprint of 1971, of Dante Alighieri’s 14th Century 'La Divine Comédie',{ Divina Commedia } Purgatoire {Purgatory, Purgatorio}. Illustrations by Botticelli

Dante Alighieri’s 'Purgatory' from his masterpiece 'La Divine Comédie'. The perfect read while waiting to clear customs at Charles De Gaulle Airport. Hopefully, you may even get through the queue before the end

A bilingual French-Italian edition of Dante Alighieri’s La Divine Comédie, published by the Parisian publisher Jean de Bonnot in 1971. It features Sandro Botticelli's legendary illustrations and bound in "Quattrocento" style, richly gold decorated full leather.

Parallel Italian and French translations (by André Pératé, with the Italian text established by Marina Zorzi Kolasinski de Kojen) Contains reproductions of Sandro Botticelli's celebrated lead and silver-point drawings. Features publisher's full tawny or marbled leather (plein cuir), with gold tooling in the "Quattrocento" style on the spines and covers, gilt top edges, and an attached ribbon bookmark.

Dante Alighieri's Epic Poem written between 1308 and 1321, this narrative poem is considered the cornerstone of Italian literature and a masterpiece of Western civilization.

It follows Dante himself (guided by the Roman poet Virgil, and later his muse Beatrice) through the three realms of the afterlife:
Inferno (Hell),
Purgatorio (Purgatory),
and Paradiso (Paradise).

The poem features 100 cantos in total and is known for its intricate numerical and symbolic structures, deeply intertwined with medieval European philosophy, theology, and politics

It has heavily shaped modern perceptions of the Christian afterlife and inspired generations of artists, sculptors, and writers.

The Divine Comedy { Divina Commedia } is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed c. 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language.

The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas.  read more

Code: 26109

The Lanes Armoury, World Renown As Britain’s Best Antique Museum-Shop and Gallery, Is Closed, As Usual, This Bank Holiday Monday 25th May. We Re-open Tuesday As Normal

Last Saturday, we had pass through our doors somewhere between 2,600 to 3,200 visitors, and, as usual, just about every one most kindly expressed we were probably the most interesting and incredible shop they had ever seen. And so many continually remarked we are not really a regular shop, we are far more like a museum and gallery, that happens to be a shop as well!. As literally, every single thing we show and offer for sale, is an incredible piece of history, and many pieces they have never before even seen, let alone offered for sale, anywhere else in the country.

One very polite young man said to us earlier, one afternoon;
“ where else in the world can you buy an arrowhead, fired by Alexander the Great’s army, for £65, sitting next to a gold fob chain, in the shape of a Zeppelin, given by the former captain and survivor, of doomed Luftschiffer airship, The Hindenburg, to a colleague in the RAF.”

Several decades ago back in the 1970s Mark used to have conversations on a fairly regular basis with President Ronald Reagan when he was still governor of California.

In one conversation President Reagan remarked “it’s a shame the whole world doesn’t know you exist. I know you’re really famous in the antique world, but most people in America will simply have not have heard of you, which is a great shame. I hope one day this will change.”

Well it did change, thanks to Tim Berners-Lee and the Internet, and various articles, from such as the New York Times, declaring we were the one of the most interesting places to visit in the whole of Europe, we have now expanded our presence, to literally, the entire world, with visitors every day from every possible continent and country you can imagine.

Once Mr. Reagan was elected president he mentioned in one call that he was going to visit Her Late Majesty at Windsor Castle, and he hoped very much to be able to visit again.

Sadly, after a visit from the Secret Service to Brighton, they decided that any visit to the town would be impossible due to the narrowness of the streets, and the size of the cortège that President Reagan had to be accompanied by, including up to three of the bespoke armoured limousines the president used, nicknamed by the Secret Service, ‘the beast’. In the 1970s and 80s these vehicles were simply huge , and they would never be able to negotiate the lanes of Brighton, or most of the streets of Brighton to be fair, in any way whatsoever.

However, we were graced and honoured to a passing visit by Her Majesty and Prince Philip, in March 2007, but of most of her entourage were in Range Rovers!

However, although closed Monday, we will re-open for our thousands of personal visitors and customers, this Tuesday as usual, but we are always contactable by email, or on 07721 010085 during our closing hours this Bank Holiday..

All website activity carries on 24-7 as usual .

Why not choose an ancient or antique original collectable for your loved one, or even you! Every day we try our utmost to supply all our customers with that something really special and unique, and as usual we believe have some simply amazing offerings, thousands of them from all over the world, from ancient to vintage, and every one a little part of history.
All our items supplied with our unique lifetime guarantee of authenticity, detailing its full history as known. The Lanes Armoury is proud to be known, as declared by many of our thousands of daily visitors, as their most favourite shop in all Great Britain!

Enjoy The Lanes Armoury Website, it Has Been Over 105 Years in the Making.

Probably the only shop in Europe where you can view, and buy, original collectables from over 300,000 years of human history, from almost every major civilisation

"Gloria Antika" { translated, from the Latin, ‘Glory of the Ancient’} our old family motto, and it has been for generations, are words we live buy every, single, day.  read more

Code: 24909

A Very Good Original 1934 Early Pattern, Designed Without Insignia, WW2 Third Reich, German, Combat Fire Protection Police Service Helmet, With Comb and Detachable Leather Neck Shield. Feuerwehr/Feuerschutzpolizei

The Fire Protection Police ServiceFeuerwehr/Feuerschutzpolizei, earliest pattern of combat helmet, overall in superb condition, dent free, with its original liner intact, and neck defence, complete and original, that was attached by ingenious floating leather supports, that made it easily detachable by hand without tools. The nickel top crown comb is perfect, and damage free too. If one was seeking a very fine example of the earliest pattern combat grade helmet, used by the Third Reich, complete, untouched and original, you could not do better. In 1936 they added a swastika decal to the surface paint, { for a hand painted version see photo 9 in the gallery} but in 1934, the earliest type, {this one} was made without any swastika decal, either printed or hand painted.

Political control of the Feuerwehr (fire departments) and Feuerschutzpolizei (Fire Protection Police) in Germany was centralized under the National Ministry of the Interior and the SS during the Nazi regime.
The structural hierarchy of this control included:
National Control (The Third Reich): Professional career fire departments were militarized and absorbed into the Ordnungspolizei (Order Police). The overall commander was Kurt Daluege, who answered directly to Heinrich Himmler as the Chief of the German Police.

Although Prussia had incorporated its fire-fighting organisations into the Police system in 1933, it was not made universal throughout Germany until 1938 when the authorities increasingly believed that a future conflict might involve air-raids on a national scale. As a precaution, some 90 German cities were ordered to transfer their fire fighting personnel into the newly created Feuerschutzpolizei (Fire Protection Police), commanded directly by a highest police authority, Heinrich Himmler.

Where necessary, auxiliaries (Freiwillige Feuerwehren) were recruited to supplement the numbers of the Feuerschutzpolizei, while other smaller towns and rural areas maintained both volunteer auxiliaries and the Feuerwehr.

The M34 helmet was initially adopted for service in 1934, but it was only from 28 July 1936 that the police style insignia began to be worn. The detachable leather neckflap gave obvious protection to the wearer but was later deleted, as was the comb, possibly as a cost saving, with metal plugs fitted to fill the holes.

The other protection service were members of the Luftschutzwarndienst (Luftschutz) were typically volunteers assembled into area units within cities and towns that held the highest risk of being bombed. Many population centres were divided into area “blocks” with unit leaders assigned to each individual section of a city. Volunteer teams were expected to rotate shifts and sleep in large concrete bunkers that held all the provisions and amenities of a regular fortification. These also included the immense “flak towers” built around German cities upon which anti-aircraft batteries were stationed.

On 2 April 1943 Hermann Göring mandated compulsory service in the Luftschutz for all German civilians. For the first time this order included women. Members of the Luftschutz were expected to supply their own helmets as part of the contribution to the German war effort. A variety of helmets were available for 5 Reich Marks each, but many volunteers chose to scavenge captured helmets of Czech, Polish, Dutch, French, and Russian origin.

The more usual types of Third Reich helmets, the M1935, M1940 and M1942 were examples of what regular combat helmets were manufactured, and during the National Socialist era, customers for these regular helmets were all the armed forces including the Waffen-SS, generally showing very high craftsmanship.
This 1934 pattern was a separate type of Third Reich era combat helmet, issued a year before the M35, but it is fairly clear, the M35, the first ‘regular’ Third Reich period, original, armed forces combat helmet, may well have been inspired by the steel skull form of this helmet. The M35 Stahlhelm was designed by Dr. Friedrich Schwerd of the Technical Institute of Hanover. First introduced in 1935, his design refined the iconic World War I Stahlhelm. It featured a lighter steel alloy, a rolled-in edge, and improved ventilation rivets. Dr Schwerd may well have designed both this, and the regular M35 at the same time of course, but it may have taken a year longer to perfect and issue the M35.

This fine German pre war and WW2 Fire Protection Police Combat Helmet is complete with its original chin strap clip bearing US patent for the chin strap clip buckle (Patent : TUCK TITE USA PAT 1590400 Made in Germany) and with its with its original neck cape shield later removed

It’s strap buckle was a patent exported from America into Germany in 1926 into German industry  read more

Code: 26200

'The Beasts of Tarzan', First Edition, By Edgar Rice Burroughs -A.L.Burt & Co, New York, 1916. With Illustrations by J. Allen St. John, Bound In Full Green Morocco Leather, With Gold Tooling by Sangorski & Sutcliffe for Asprey of Bond St.London

Edgar Rice Burroughs - The Beasts of Tarzan, w/ Illustrations by J. Allen St. John, first edition, A.L.Burt & Co, New York, 1916, rebound in full green morocco by Sangorski & Sutcliffe. Overall in excellent condition.

Only the second one we have seen of this fine example in 10 years.

The Beasts of Tarzan by Edgar Rice Burroughs is a must-read for all literature and fiction enthusiasts. This original 1916 first edition hardcover book is a collector's item with special attributes that make it unique. It takes readers on a thrilling adventure with the iconic character Tarzan in North America, filled with action and suspense. The publisher A L Burt has done a fantastic job printing this book in English, and it's a great addition to any collection.

The story begins a year after the conclusion of the previous book, Tarzan (Lord Greystoke) and Jane have had a son, whom they have named Jack. Tarzan has spent much time building an estate home on the Waziri lands in Uziri, Africa, but has returned to his ancestral estate in London for the rainy season.

Tarzan's adversaries from the previous novel, Nikolas Rokoff and Alexis Paulvitch, escape prison and kidnap the Greystoke heir. Their trap is elaborate and insidious, leading both Tarzan and Jane to be kidnapped as well. Rokoff exiles Tarzan on a jungle island, informing him that Jack will be left with a cannibal tribe to be raised as one of their own, while Jane's fate is to be left to his imagination.

Using his jungle skill and primal intelligence, Tarzan wins the help of Sheeta, the vicious panther, a tribe of great apes led by the intelligent Akut, and a native warrior, Mugambi. With their aid, Tarzan reaches the mainland and begins a lengthy pursuit to find Jane (who is actively engineering her own extrication) and Jack.

Sangorski & Sutcliffe is a firm of bookbinders established in London in 1901. It is considered to be one of the most important bookbinding companies of the 20th century, famous for its luxurious jeweled bindings that used real gold and precious stones in their book covers.

Sangorski & Sutcliffe was established by Francis Sangorski (1875–1912) and George Sutcliffe (1878–1943). They had met in 1896 at a bookbinding evening class taught by Douglas Cockerell at the London County Council's Central School of Arts and Crafts.

In 1898, Sangorski and Sutcliffe each won one of the ten annual craft scholarship awards, giving them £20 a year for three years to continue their training as apprentice bookbinders. They were employed at Cockerell's own bindery, and began to teach bookbinding at Camberwell College of Art. They were laid off in 1901 after a coal strike caused an economic slump, and they decided to set up on their own in a rented attic in Bloomsbury, starting on 1 October 1901. They soon moved to Vernon Place, and then, in 1905, to Southampton Row.

Sangorski's elder brother, Alberto Sangorski (1862–1932),1 worked for the firm. He became an accomplished calligrapher and illuminator, working for Rivière from 1910.

They quickly revived the art of jewelled bookbindings, decorating their sumptuous multi-colour leather book bindings with gold inlay and precious and semi-precious jewels. They were commissioned to create a most luxurious binding of the Rubaiyat of Omar Khayyam, the front cover of which was adorned with three golden peacocks with jewelled tails and surrounded by heavily tooled and gilded vines, that was sent on the ill-fated RMS Titanic in 1912. The book, known as the Great Omar, sank with the ship and has not been recovered. Shortly afterwards, Sangorski drowned.

Sutcliffe continued the firm, which became recognised as one of the leading bookbinders in London. The bindery moved to Poland Street, and managed to survive through the First World War, the Great Depression, the Second World War, and post-war austerity. It also created miniature books for Queen Mary's Dolls' House.  read more

Code: 25632

A Fantastic, Rare & Original 900 Year Old Templar Crusader Knights era ‘Sword of War’. A Broadsword With Brazil Nut Pommel. From the Period Immediately Following the Norman Conquest & As Used By the Templar Knights To Reclaim The Holy Land.

This wonderful antiquity would make a spectacular centrepiece to any new or long established fine collection, or indeed a magnificent solitary work of historical art, for any type of decor both traditional or contemporary and a fabulous original ‘statement piece’ for any home. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history.

A few years ago we acquired and sold another, of the rarest of the rare, a Templar knights sword, stamped and forged and with still visible triple stamped markings of a Templar armourer. This sword bears, as is more usual, no such extremely rare, surviving and still visible Templar markings. It is an extraordinary, historical, and rare artifact of the era, and an absolute iconic example of the arguably most famous era in all knightly history.

A fine example piece, from the ancient Templar knightly age, from almost a thousand years past. Although this sword is now in an obvious ancient, and historical, russetted condition, with some elements lacking, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation. In fact, the fact they survive at all is both extraordinary and remarkable. Furthermore, all the more remarkable that any survived the crusade in order to return, as by far the majority of Knights Templar, Knights Hospitaller etc., that journeyed to the Holy Land on pilgrimage, failed to return.

Around 900 Years Old. A hand-forged iron knightly sword, the very same as used by the templar Knights of Jerusalem, comprising a narrow two-edged blade with shallow fuller to both faces, short ricasso, slender square-section cross guard tapering slightly, flat tang, brazil-nut pommel. 12th-early 13th century, used in the early Crusades Period by Knights, such as the Knights of Jerusalem the Knights Templar, Knights of St John, made from time of King Stephen, and used into the times of King Henry the IInd, and King Richard the Ist.
Although made for a Knight around the time of the reign of the Norman king, King Stephen, it was May likely also used by succeeding knights for the next few hundred years or so, as such swords were of immense value at the time and it was likely passed down from father to son or knight to knight, and thus used as a ‘sword of war’ right into the era of the battles of Crecy, Poitiers, and King Henry V’s age defining victory, at Agincourt. *See further reference to this below This assumption is realistically made due to swords at that time being incredibly valuable and most highly prized, and the style and form of swords during that period had only changed cosmetically, and thus ancestral swords, as this would have been in King Henry’s day, still functioned perfectly well, despite being used for the past centuries. There are records of swords recovered from Agincourt of being knightly ‘ancestral swords’, made and used originally in the Crusades, especially the swords from the hundreds of slain French knights of Agincourt that were descended from crusader knights from the nobility of France.

A Single-Handed, Knights sword, made in the 12th century {circa 1120's} and constantly used in the early Crusades period, by a Knight and hand forged by an armourer, during the time of England's King Henry Ist, and used into the reigns of King Henry the IInd, and King Richard Ist, the Lionheart, and potentially, for the following century or even longer. The tip section was likely lost in its last combat, and two small open separations in the blades fuller region, caused by its prolonged immersion in the earth, as the fuller is the thinnest part of the blade. Thus one may deduct and conclude this precious sword survived its earliest years in the arid deserts of the Holy Land, and thus it may have been used by a Templar that perished in combat in the era that the knights had returned to Europe only to be betrayed by their former Catholic masters in Rome, persecuted, and in greater part eradicated, in order to plunder the great suspected treasures the Templars returned with from the crusades, and to eliminate the great loans made by the knightly order to the King of France.

The eradication of the Knights Templar was a swift, politically-driven destruction orchestrated by King Philip IV of France and Pope Clement V in the early 14th century. While the order lost its military purpose after the Crusades, its massive wealth and independence made it a target for a debt-ridden monarch.

King Philip IV was deeply in debt to the Templars, who acted as his primary bankers; destroying them erased his financial obligations.

The King aimed to confiscate the order’s vast holdings, including estates and gold, to fund his wars against England and Flanders.
After the 1291 fall of Acre, the Templars lost their last foothold in the Holy Land, making them appear redundant to the public.
The Templars functioned as a "state within a state," exempt from taxes and answerable only to the Pope, which threatened Philip’s goal of centralising power in France.

The Knights Templar were an elite fighting force of their day, highly trained, well-equipped, and highly motivated; one of the tenets of their religious order was that they were forbidden from retreating in battle, unless outnumbered three to one, and even then only by order of their commander, or if the Templar flag went down. Not all Knights Templar were warriors. The mission of most of the members was one of support – to acquire resources which could be used to fund and equip the small percentage of members who were fighting on the front lines. There were actually three classes within the orders. The highest class was the knight. When a candidate was sworn into the order, they made the knight a monk. They wore white robes. The knights could hold no property and receive no private letters. They could not be married or betrothed and could not have any vow in any other Order. They could not have debt more than they could pay, and no infirmities. The Templar priest class was similar to the modern day military chaplain. Wearing green robes, they conducted religious services, led prayers, and were assigned record keeping and letter writing. They always wore gloves, unless they were giving Holy Communion. The mounted men-at-arms represented the most common class, and they were called "brothers". They were usually assigned two horses each and held many positions, including guard, steward, squire or other support vocations. As the main support staff, they wore black or brown robes and were partially garbed in chain mail or plate mail. The armour was not as complete as the knights. Because of this infrastructure, the warriors were well-trained and very well armed. Even their horses were trained to fight in combat, fully armoured. The combination of soldier and monk was also a powerful one, as to the Templar knights, martyrdom in battle was one of the most glorious ways to die.

The Templars were also shrewd tacticians, following the dream of Saint Bernard who had declared that a small force, under the right conditions, could defeat a much larger enemy. One of the key battles in which this was demonstrated was in 1177, at the Battle of Montgisard. The famous Muslim military leader Saladin was attempting to push toward Jerusalem from the south, with a force of 26,000 soldiers. He had pinned the forces of Jerusalem's King Baldwin IV, about 500 knights and their supporters, near the coast, at Ascalon. Eighty Templar knights and their own entourage attempted to reinforce. They met Saladin's troops at Gaza, but were considered too small a force to be worth fighting, so Saladin turned his back on them and headed with his army towards Jerusalem.

Once Saladin and his army had moved on, the Templars were able to join King Baldwin's forces, and together they proceeded north along the coast. Saladin had made a key mistake at that point – instead of keeping his forces together, he permitted his army to temporarily spread out and pillage various villages on their way to Jerusalem. The Templars took advantage of this low state of readiness to launch a surprise ambush directly against Saladin and his bodyguard, at Montgisard near Ramla. Saladin's army was spread too thin to adequately defend themselves, and he and his forces were forced to fight a losing battle as they retreated back to the south, ending up with only a tenth of their original number. The battle was not the final one with Saladin, but it bought a year of peace for the Kingdom of Jerusalem, and the victory became a heroic legend.

Another key tactic of the Templars was that of the "squadron charge". A small group of knights and their heavily armed warhorses would gather into a tight unit which would gallop full speed at the enemy lines, with a determination and force of will that made it clear that they would rather commit suicide than fall back. This terrifying onslaught would frequently have the desired result of breaking a hole in the enemy lines, thereby giving the other Crusader forces an advantage.

The Templars, though relatively small in number, routinely joined other armies in key battles. They would be the force that would ram through the enemy's front lines at the beginning of a battle, or the fighters that would protect the army from the rear. They fought alongside King Louis VII of France, and King Richard I of England.

In addition to battles in Palestine, members of the Order also fought in the Spanish and Portuguese Reconquista. It could also be enhanced by affixing to a rectangular bespoke display panel.We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23241

A Most Scarce and Superb US Civil War, Savage North, Navy .36cal Revolver With Hand Carved “Trophy Cuts’. Most Likely Created By the Original Combatant, Issued to Either the Wisconsin, Missouri or Kansas Cavalry Regiments

A rare revolver that we are lucky to find only one or two a year, and this one is a particularly nice example.

During the Civil War the savage revolvers were acquired by 'Witcher’s Nighthawks', & 'White’s Rebels', two Confederate cavalry regiments in Virginia, the 11th Texas Cavalry under Col. George Reeves, and the Union’s US Navy’s warships.

The Savage was probably The most unusual and distinctive revolver ever made, and certainly the most distinctive revolver used during the American Civil War in the 1860s. Nothing was ever made before quite like it frankly since it has very modern features which were revolutionary at the time and utilised by just a few revolvers many decades. With four distinctive down stroke cuts and two cross cuts to the butt stock. This by tradition is recognised as trophy marks. One cut for each successful gunfight outcome. Produced in the 1860's. Standard three line address and patent markings on top of the frame above the cylinder. Henry North patent action, with a ring trigger for revolving the cylinder and cocking the hammer, and a second conventional trigger for firing, and a shared heart-shaped trigger guard. Very good fully operational action. Two-section cylinder, with the front section unfluted and the rear section fitted to the frame with cut-outs along the sides. Smooth grips with a distinctive blackstrap profile.

One of the very scarce revolvers of the US Civil War. With good clear maker and patent markings. A very collectable pistol that were made in far fewer numbers than their sister guns, the Colt and the Remington. A very expensive gun in it's day, it had a complex twin trigger mechanism, and a revolving cylinder with a spring operated gas seal. One of our very favourite guns of the 19th century, that epitomises the extraordinary and revolutionary designs and forms of arms that were being invented at that time, and for it's sheer extravagance of complexity, combined with it's unique and highly distinctive profile.

The Savage Navy Model, a six shot .36 calibre revolver, was made only from 1861 until 1862 with a total production of only 20,000 guns. This unique military revolver was one of the few handguns that was produced only for Civil War use. Its design was based on the antebellum Savage-North "figure eight" revolver, the Savage Navy had a unique way of cocking the hammer. The shooter used his middle finger to draw back the "figure 8" lever and then pushed it forward to cock the hammer and rotate the cylinder. The Union purchased just under 12,000 of these initially at $19.00 apiece for use by its cavalry units. Savage Navy revolvers were issued to the 1st and 2nd Wisconsin U.S. Volunteer Cavalry regiments, and 5th Kansas Volunteer Cavalry while the State of Missouri issued 292 Savage revolvers to its Missouri Enrolled Militia units. The remaining revolvers were purchased by private means and shipped to the Confederacy for use with the 34th Battalion of Virginia Cavalry (Witcher's Nighthawks), the 35th Battalion of Virginia Cavalry (White's Rebels), 11th Texas Cavalry, 7th Virginia Cavalry (Ashby's Cavalry), and 7th Missouri Cavalry. The United States Navy also made a small purchase of 800 Savages during 1861 for use on its ships. One of our very favourite guns of the 19th century, that epitomises the extraordinary and revolutionary Heath Robinsonseque designs and forms of arms, that were being invented at that time, and for it's sheer extravagance of complexity, combined with it's unique and highly distinctive profile.

We show in the gallery three different original photos of Civil War soldiers, each one proudly carries his Savage revolver for information only, not included. In May 2018 a similar Savage Navy Revolver sold in auction in America for $48,875, naturally it was a very nice example.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22325

A 'Superb' Original, Antique, Victorian, Charge of the Light Brigade Era, 1821 Pattern, Hussar's or Lancer's NCO's Sword In Simply Amazing Fully Restored and Conserved Condition. The NCO's Version Of the 1822 Officer's Sabre.

Superb grey bright polished finish on all steel parts.
From the period, and from one of the front line rank British cavalry regiments of 'The Charge of the Light Brigade' period in the Crimean War.

The 1822 officer's version, was a degree lighter in weight, and had a fully etched blade This NCO's type is the combat weight version, with a plain blade, but wire bound fishskin grip to match their officer's swords, the other ranks trooper's version had a leather grip.

Used by an NCO that served in the charge in such as the; 4th Light Dragoons: A light cavalry regiment known for speed.
8th (The King's Royal Irish) Hussars: Light cavalry, also known as the "Cherry Pickers".
11th (Prince Albert's Own) Hussars: Light cavalry, distinguished by their distinctive uniforms.
13th (Light Dragoons) Regiment of Light Dragoons: A light cavalry regiment.
17th (Duke of Cambridge's Own) Lancers: Known for their lances, they were positioned on the left flank.

Maker marked by Mole {an ordnance contractor from Birmingham} the blade backstrap at the forte.

Regulation three bar hilt with wire bound fishskin grip, plain NCO's blade, maker marked and steel scabbard, with numerous War Dept inspection stamps throughout. Clearly from the amount of WD inspection stamps it remained in serve for some decades after it first issue in around 1850.

The scabbard is good {with old pitting at the chape area} the multiwire binding is excellent as is the fishskin grip and all the steel, superb.

From our collection of original British regimental swords' acquired to create a collection of the finest or best examples to be found. Each one is an historical beauty and good or better condition example, every one worthy of any of the best museum collections in Europe.
There is no way to know which specific regiment of hussars or lancers that the NCO served in during the Crimean War.

As used in the Crimean War such as the infamous and renown 'Charge of the Light Brigade' by NCO's of several regiments, other regiments used the 1853 pattern sabre. A most impressive sabre, and very good indeed. The very type of ordnance made and issued Hussar's and Lancer's sabre used by British Cavalry NCO's in the ill fated charge in the Crimean War against Russia.

Absolutely used at the time and used by all the serving cavalry still issued with the 1821 pattern sabre, in the famous 'Charge'. In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalized by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
In 1854 the regiment received its orders from the War Office to prepare for service overseas. Five transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne – embarking between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of Cardigan were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left flank, although the regiment’s role in the battle was minimal. With the Russians in full retreat by
late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy. However, the brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry in reserve.
During the 25 October the regiments, the Light Brigade, took part in the Battle of Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the 4th and 8th. It was not long before the brigade came under heavy Russian fire. Lord Cardigan, at the front of his
men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting down the artillerymen that had remained at their posts. Once the Russian guns had been passed, they engaged in a hand-to-hand fighting with the enemy that was endeavouring to surround them by closing in on either flank.
However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement.

We pride ourselves, for over the past 100 years, of attempting {and hopefully succeeding} in acquiring every single day, fabulous, and original, historical pieces, that arenot only collectors items, but incredibly decorative for display and wonderfully evocative of great moments in history.

For example, almost three decades ago we were delighted to buy Captain Nolan's actual undress pattern sabretache that was used by him to carry the order to Charge for the Light Brigade, and it was recovered from beneath his, and his horses bodies after the battle. It spent most of its life after the charge in two museums, one at the rebuilt and re-sited Crystal Palace in London. We were privileged to buy direct it from the original family owners with the personal assistance of the late Gordon Gardner, Militaria Expert of Sotheby's from 1979.

Another identical version of this sword appears in 'Crimean Memories. Artifacts of the Crimean War' by Will Hutchison, Michael Vice, and B J Small. Featuring a group of original artifacts used in combat the Crimean War, that presently reside in numerous museums, regimental messes, and notable private collections  read more

Code: 26229