A Super, Early, Ancient Koto Period Samurai Sword Wakazashi, Muromachi Era, Signed Jyakusyuu-jyu Fuyushige Late 14th to Early 15th Century.

The blade has a captivating gunome midare hamon of incredible vibrancy, and overall its in superb condition, especially being so ancient, around 600 years old. Both the beautiful original Edo period fuchi and tsuba are decorated with the subject of takebori hawks hunting their prey, which is a crane in flight. The tsuba is tettsu with copper and gold takebori crane, hawk and reeds.

Jyakusyuu-jyu Fuyushige（若 jyaku , 州 syuu , 住 jyuu , 冬 fuyu , 重 shige , 作 saku was made by a swordsmith who was recorded and lived around 1430-1440 AD.
A Koto-era sword signed Jyakusyuu-jyu Fuyushige (若州住冬重) originates from Wakasa Province (present-day Fukui Prefecture) and translates to "Fuyushige, resident of Jyakusyuu (Wakasa)". Fuyushige was a swordsmith active during the Muromachi Koto period which spans the Muromachi period and earlier, known for high-quality steel forged during times of intense conflict.

The sword is shown here in its various parts, yet to be mounted with its tsuka and saya, once they are fully restored and the remounting complete.

It was formerly part of the collection of Roald Knutsen, with various pieces acquired with or from Henry Russell Robinson's private collection. (7 May 1920, Hackney, London - 15 January 1978) He became Keeper of Armour at The Tower Of London The Japanese armour exhibition in 1965, which featured samurai artefacts arranged to demonstrate evolving defensive technologies and cultural contexts, drawing thousands of visitors to the Tower.

He was a British military armourer and historian.He served in the RAF during the Second World War making models interpreting aerial photographs. This was when he met Sir James Mann, Master of the Armouries at the Tower of London. Robinson joined the staff of the Tower Armouries in 1946 as a Temporary Assistant, before rising to Assistant Keeper and finally, in 1970, Keeper of Armour.

Robinson was a founder member and president of the Arms and Armour Society. In 1965, he was elected a Fellow of the Society of Antiquaries of London. In 1977, he was awarded an honorary MA by the University of Newcastle upon Tyne.

Between 1967 and 1969, he (a practical armourer) worked with Charles Daniels to interpret and reconstruct the Roman armour nowadays known as 'lorica segmentata'. He produced a series of reconstructions of the two sub-types of armour from the Roman site at Corbridge and one from Newstead in time for them to be exhibited at the 1969 Congress of Roman Frontier Studies held in Cardiff.

His work on the armour featured in one of his best-known books, The Armour of Imperial Rome. Published in 1975 by Lionel Leventhal at the Arms and Armour Press, it included line illustrations by his friend, Peter Connolly. Robinson's system of categorizing Roman helmets has been widely adopted in the UK and USA but never really found favour in Europe.

Robinson was not only known for Roman armour, since he worked on an exhibition of Japanese armour at the Tower Armouries and subsequently wrote two books on the subject. He was also an authority on Native American artefacts and was responsible for the production of the replica of the revised reconstruction of the Sutton Hoo helmet and wrote a guide to the Stibbert Museum  read more

Code: 26217

A Superb British, Original, Regimental Edwardian Service Helmet. of The West Yorkshire Regiment. Blue Cloth with Gold Badge, Fittings, Spike, & Rose Head Curb Chain Mounts and Chin Chain

In excellent all original condition for age. Blue cloth with all gilt ornamentation, and service issue stamps to the interior.
The British Army’s Home Service Helmet was introduced in 1878. It was of a German influence and would replace a long line of shakos going back to the days of the Peninsular War and Waterloo. In blue cloth, sometimes green, sometime grey, sometimes with a spike, sometimes with a ball, the stiff cork headdress would become a common site on parade grounds throughout Britain for more than thirty years. Most Regular Army regiments and corps took to the helmet, as did their Militia, Volunteer and Territorial counterparts.
With the new headdress came the helmet plate, those highly desirable items of militaria much sought after today by collectors. Large, star-shaped mostly and displaying both ancient and new regimental devices, brightly they shone in their silvers, gilts, gilding and white metals, covering almost the entire front of the headdress as they did so.

The British Army during the Victorian era served through a period of great technological and social change. Queen Victoria ascended the throne in 1837, and died in 1901. Her long reign was marked by the steady expansion and consolidation of the British Empire, rapid industrialisation and the enactment of liberal reforms by both Liberal and Conservative governments within Britain.

The British Army began the period with few differences from the British Army of the Napoleonic Wars that won at Waterloo. There were three main periods of the Army's development during the era. From the end of the Napoleonic Wars to the mid-1850s, the Duke of Wellington and his successors attempted to maintain its organisation and tactics as they had been in 1815, with only minor changes. In 1854, the Crimean War, and the Indian Rebellion of 1857 highlighted the shortcomings of the Army, but entrenched interests prevented major reforms from taking place. From 1868 to 1881, sweeping changes were made by Liberal governments, giving it the broad structure it retained until 1914.

Upon Victoria's death, the Army was still engaged in the Second Boer War, but other than expedients adopted for that war, it was recognisably the army that would enter the First World War. The Industrial Revolution had changed its weapons, transport and equipment, and social changes such as better education had prompted changes to the terms of service and outlook of many soldiers. Nevertheless, it retained many features inherited from the Duke of Wellington's army, and since its prime function was to maintain an empire which covered almost a quarter of the globe, it differed in many ways from the conscripted armies of continental Europe.

The disciplinary system was not notably more harsh than the contemporary civil Penal System, although soldiers stood less chance of severe penalties being commuted. The death sentence could apply for crimes such as mutiny or striking an officer, but was generally reserved for actions that were capital crimes in common law, such as murder. Minor infractions could be summarily punished with extra duties or stoppages of pay, but flogging remained a punishment for many offences, including minor offences, on the discretion of a court martial. A court martial could be held at regimental level (which might well be influenced by the attitude of the colonel or other senior officers), or district level where convenient, or a General Court Martial might be convened under the authority of the Commander-in-Chief for serious matters or offences involving officers.

The maximum number of strokes inflicted on a soldier sentenced to flogging (which had been a barbaric 2,000 in 1782, essentially a death sentence for nearly any man) was reduced to 300 in 1829, and then to 50 in 1847. Some regiments nevertheless rejoiced in the nicknames of the "bloodybacks" if they were notorious for the number of floggings ordered.

Only a small portion of soldiers were permitted to marry. Soldiers' wives and children shared their barracks, with only blankets slung over a line for privacy. Wives often performed services such as laundry for their husbands' companies or barracks. A particularly cruel feature of the Army's practices was that fewer soldiers' wives were allowed to accompany a unit overseas (one per eight cavalrymen or twelve infantrymen) than were permitted when serving at home. Those wives not chosen by lot to accompany the unit when it embarked were forcibly separated from their husbands, for years or for life.

Soldiers' pay was nominally one shilling per day, but this was decreased by "stoppages" of up to sixpence (half a shilling) for their daily rations, and other stoppages for the issue of replacement clothing, damages, medical services and so on. In 1847, it was laid down that a soldier must receive at least one penny per day, regardless of all stoppages. A privileged life indeed.  read more

Code: 25418

An Incredibly Rare, 1000 Year Old, Original Viking-Norsemen Warrior’s, Four Plate Iron Helmet From the Late Viking Raids Era and The King Harold & William the Conquerer Battle of Hastings, & The Same Helmet Used By Knights Throughout The Early Crusades

An incredible museum piece of most notable rarity. Also dominantly used by the Danish Huscarls, the incredibly loyal Norse warriors that formed the personal guard of King Harold.

A fabulous and rare surviving original helmet of the Viking age, around a thousand years old.

In Greenland there is a bronze statue of renown Viking leader Erik the Red wearing his identical helmet. This amazing survivor of a warrior race, famed throughout the world for their extraordinary maritime skills, and notorious acts of raiding throughout most of Europe, and a battle helmet that was made and used a thousand years ago, from the 11th to 12th century AD.

Helmets of this form would have a working life of likely well over 100 years, until styles changed and thus so did helmet forms. An original Viking-Norseman Normannus four-plate iron helmet constructed from curved sections of triangular form, converging at the apex; the bowl contoured so that the back and front plates overlap the side-plates by 1/2 to 1 inch, with iron rivets passing through each overlap to secure them in position; the rivets worked flat into the surface of the helmet, almost invisible from the outside but detectable on the inner surface; the plate-junction at the apex supplied with a small hole, allowing a plume or horsehair streamer to be inserted through a ring; mounted on a custom-made stand. Effectively this is also what is known as a kuman warrior style form of Viking four plate helmet. Helmets of four plate construction came in two distinct forms with or without nasal bar. Erik Thorvaldssona (c. 950 – c. 1003), known as Erik the Red, was a Norse explorer, described in medieval and Icelandic saga sources as having founded the first settlement in Greenland. He most likely earned the epithet "the Red" due to the color of his hair and beard. According to Icelandic sagas, he was born in the Jæren district of Rogaland, Norway, as the son of Thorvald Asvaldsson. One of Erik's sons was the well-known Icelandic explorer Leif Erikson. Vikings, were essentially the direct ancestry of the northern French settled Normans, for, as those as are known today as Normans were not effectively French at all, but the settled Vikings of northern France in Normandy, original from the latin, Normannus land of the Norse or North Men

On 14 October 1066, King Harold fought Duke William's army at the Battle of Hastings

The English army, led by King Harold, took up their position on Senlac Hill near Hastings on the morning of the 14th October 1066. Harold’s exhausted and depleted Saxon troops had been forced to march southwards following the bitter, bloody battle to capture Stamford Bridge in Yorkshire only days earlier.

William's Norsemen attacked with cavalry as well as infantry; in the classic English manner, Harold’s well trained troops all fought on foot behind their mighty shield wall.

The fighting continued for most of the day with the shield wall unbroken. It is said that it was the sight of retreating Normans which finally lured the English away from their defensive positions as they broke ranks in pursuit of the enemy.

Once their carefully organised formation was broken, the English were vulnerable to cavalry attack. King Harold was struck in the eye by a chance Norman arrow and was killed, but the battle raged on until all of Harold’s loyal bodyguard were slain.

The Vikings arrived from Denmark and began raiding in the territory today known as France around 830AD. They found that the current rulers were in the midst of an ongoing civil war. Because the current weakness of the Carolingian empire made it an attractive target, there were several groups, including the Vikings, who were prepared to strike and conquer land and people.

The Vikings used identical strategies in France as they did in England – plundering the monasteries, demolishing markets and towns, imposing taxes or ‘Danegeld’ on the people they conquered, and killing the bishops, which disrupted religious life and caused a severe decline in literacy.

Obtaining the direct involvement of France’s rulers, the Vikings became permanent settlers, although many of the land grants were merely an acknowledgment of actual Viking control of the region. The principality of Normandy was established by Rollo (Hrolfr) the Walker, a leader of the Vikings in the early 10th century. The Carolingian king, Charles the Bald, relinquished land to Rollo in 911, including the lower Seine valley, with the Treaty of St. Clair sur Epte. This was extended to include ‘the land of the Bretons,’ by 933 AD, and became what is known today as Normandy when the French King Ralph granted the land to Rollo’s son, William Longsword.

This battle of Hastings changed the entire course of not just English, but European history. England would henceforth be ruled by an oppressive foreign aristocracy, which in turn would influence the entire ecclesiastical and political institutions of Christendom.

William was crowned king of England on Christmas Day 1066, but it took years more fighting to conquer the whole country. His cruellest campaign was the 'Harrying of the North' in 1069, where he slaughtered the inhabitants of the north-east and destroyed their food stores so that even the survivors starved to death.

The Norman Conquest changed the face of England forever. William ruled as unquestioned conqueror and the Saxons became merely an unpaid workforce for their new lords.

The Norman Conquest also changed the history of Europe – adding the wealth of England to the military might of Normandy made the joint-kingdom a European super-power.
In warfare, it was the start of the age of the knight-on-horseback.
See Curtis, H.M., 2,500 Years of European Helmets, North Hollywood, 1978; Denny, N. & Filmer-Sankey, J., The Bayeux Tapestry, London, 1966; Kirpicnikow, A. N., Russische Helme aus dem Frühen Mittelalter, Waffen- und Kostamkunde, 3rd Series, vol.15, pt.2, 1973; Nicolle, D., Byzantine and Islamic arms and armour; evidence for mutual influence, in: Warriors and their weapons around the time of the Crusades, relationship between Byzantium, the West and the Islamic world, Padstow, 2002, pp.299-325; Menghin, W., The Merovingian Period - Europe Without Borders, Berlin, 2007, pp.326-7, item I.34.4.; D’Amato, R., ‘Old and new evidence on East-Roman helmets from the 9th to the 12th centuries,’ in Acta Militaria Medievalia, 2015, XI, pp.27-157, fig.23, nn.1-2 and pl.1.2.6 kg total, 47cm including stand, helmet: 16cm (18 3/4”"). Helmets of this general profile and form are a long-lived military fashion in the Black Sea region, as evidenced by elements of a 7th-8th century Khazar saddle from the Shilovskiy grave field (Samara region"). A similar helmet is housed in the St. Petersburg Museum (inventory reference PA72), for which D’Amato (2015, pp. 65ff.) proposed an Eastern-Roman origin, based on the interchange of Roman and Khazar military technology. Based on a similar 7th century helmet found with a coin of Heraclius, D’Amato proposed that these helmets were a product of the introduction of Steppe technology in Byzantium. This form of helmet is certainly evident in the iconography of 9th-12th century Eastern-Roman helmets. Fair condition, some restoration. it comes complete with our certificate of authenticity. Picture 9 in the gallery is from an old depiction from the First Crusade of Robert of Normandy at the Siege of Antioch 1097-98 note he wears the same traditional four plate Norman crusades helmet just as this one, followed by an old black and white photo of the tomb of a Knight Hospitaller, Bernard de Faixa, also with the same four plate Norman helmet. The First Crusade to the Holy Land; In what has become known as the Princes' Crusade, members of the high nobility and their followers embarked in late summer 1096 and arrived at Constantinople between November and April the following year. This was a large feudal host led by notable Western European princes: southern French forces under Raymond of Toulouse and Adhemar of Le Puy; men from Upper and Lower Lorraine led by Godfrey of Bouillon and his brother Baldwin of Boulogne; Italo-Norman forces led by Bohemond of Taranto and his nephew Tancred; as well as various contingents consisting of northern French and Flemish forces under Robert II of Normandy eldest son of William the Conqueror, King of England, Stephen of Blois, Hugh of Vermandois, and Count Robert of Flanders. In total and including non-combatants, the army is estimated to have numbered as many as 100,000.

The crusaders marched into Anatolia. While the Seljuk Sultan of Rûm, Kilij Arslan, was away resolving a dispute, a Frankish siege and Byzantine naval assault captured Nicea in June 1097. In marching through Anatolia, the crusaders suffered starvation, thirst, and disease before encountering the Turkish lightly armoured mounted archers at the Battle of Dorylaeum. Baldwin left with a small force to establish the County of Edessa, the first Crusader state, and Antioch was captured in June 1098. Jerusalem was reached in June 1099 and the city was taken by assault from 7 June to 15 July 1099, during which its defenders were massacred. A counterattack was repulsed at the Battle of Ascalon. After this the majority of the crusaders returned home.
The popular image of the Vikings is one of fearsome warriors wearing horned helmets. Many depictions of the Vikings display this particular attribute. However, there is one preserved helmet from the Viking Age and this does not have horns. It was found in the Norwegian warrior’s burial at Gjermundbu, north of Oslo, together with the only complete suit of chain mail from the period.

Parts of helmets have been found in Denmark, including “brow ridges” to protect the warrior’s face in battle. The lack of helmet finds may also be partly due to the fact that no tradition existed of placing them in graves. In addition, helmets were not sacrificed like spears and swords, so we do not come across them in this context either. It is also possible that relatively few Vikings wore helmets and therefore only a small number are found
Helmets with horns?
Depictions of an Iron Age date exist featuring people with horned helmets/heads, such as upon the Golden Horns. Similar images are also known from the Viking period itself.

In the Oseberg burial from Norway, which dates to the early Viking period, a tapestry was found on which horned helmets are also depicted. Does this prove that all Vikings wore the famous helmets with horns? The answer is probably not. However, there is some evidence to suggest that certain warriors wore such headgear. The horned figures on the Golden Horns are berserkers. These were wild warriors, who threw themselves into battle in a trance-like fury. We are also familiar with them from the Icelandic sagas, in which they are amongst the most feared of all Vikings.

It is also possible that such headgear was worn for display or for cultic purposes. In a battle situation, horns on a helmet would get in the way. Such helmets would also have caused problems on board the warships, where space was already at a premium. In addition, none of the contemporary sources mention Vikings wearing horned headgear.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite armoury gallery  read more

Code: 23530

An Original and Beautiful Elizabethan Period Helmet of the Spanish Armada Period Circa 1570 Recovered from The Wrecks Of The Spanish Armada By the Sailors Aboard Admiral Sir Francis Drakes Galleons. Issued to the London Trayned Bandes

An armour 'pear stalk' cabasset helmet from the era of the unsuccessful Spanish 'Armada', the attempted invasion of England, during the Reign of Queen Elizabeth Ist. Used continually through the English Civil War and into the reign of King James.

A fine one piece high peak cabasset helmet made in the mid to late 16th century. Wonderfully hand forged with hammer marks and with patches of delamination. This super helmet is nicely constructed with good edgework and lovely quality throughout, and it is a fine period piece in excellent condition for age.
This form of helmet that survive today in England were often captured from the Spanish Armada armouries, and some even recovered from the sea bed alongside Spanish cannon, beneath the stricken Spanish ships, and subsequently issued to the London Trayned Bandes. The military created for the defence of London from Spanish invaders in the time of Queen Elizabeth Ist

Sir Francis Drake was a pivotal Vice-Admiral in the English fleet that defeated the Spanish Armada in 1588, helping to secure England against invasion. Known as "El Draque" (the Dragon) to the Spanish, he famously singed the King of Spain's beard at Cádiz in 1587 and used fire ships to break the Armada's formation in the English Channel.

Drake led an audacious raid on Cádiz, destroying numerous Spanish ships and supplies, which delayed the Armada's departure by a year.
Vice-Admiral (1588): As Vice-Admiral aboard the Revenge, he served under Lord Charles Howard in the English fleet.
Drake played a major role in the disruption of the Spanish fleet, particularly through the use of fire ships at Calais and in the battle of Gravelines.

There is a picture in the gallery of the same form of helmet heavily rusted recovered from Jamestown, the early American colony fort. The History of the Cittie of London Trayned Bandes
(1572-1647)
In the absence of a regular army, the trained bands, founded in 1572 as part of Elizabeth I's efforts to modernise the militia, were the only permanent military units in England. While the county bands were often poorly organised, ineptly officered and infrequently trained, the London bands were not, although enthusiasm did wax and wane considerably over the years of their existence (1572 - 1647).



The Regiments

Before the Civil War there were four London regiments - the North, South, East and West - comprising a total of 6,000 men in 20 companies. In 1642, as relations between king & parliament worsened, the bands were re-organised into 40 companies of 8,000 men in six regiments named the Red, Blue, Green, White, Orange and Yellow after the colour of their regimental flags, or "trophies", as they were known to London militiamen. The following year, after the King's unsuccessful attempt to seize The Capital, three more trained band and five "auxiliary" regiments were raised bringing the whole force to around 20,000 men. This large army, controlled by the mayor and the city aldermen, held London for parliament throughout the first Civil War (1642 - 1646) and contributed brigades of foot to parliament's field armies. The establishment and subsequent rise of the New Model Army after 1645 greatly reduced the significance of the bands and they gradually melted away. Today, only the Honourable Artillery Company, a ceremonial unit of ex-soldiers, remains as a legacy of the glory days of London citizen solders.
Weapons and equipment conformed to statute laid down by the Privy Council. The following description is from the 1638 issue of "Directions for Musters".
The Pikeman

"Must be armed with a pike seventeen feet long, head and all; the diameter of the staff to be one inch 3/4, the head to be well steeled, 8 inches long, broad, strong and sword-pointed; the cheeks 2 foot long, well riveted; the butt end bound with a ring of iron, a gorget, back, breast, tassets and head piece, a good sword of 3 foot long, cutting and stiff pointed with girdle and hangers".

The Musketeers
"Must be armed with a good musket, the barrel four foot long, the bore of 12 bullets in the pound rowling in, a rest, bandolier, head-piece, a good sword, girdle and hangers".
One other picture is a period engraving of an Elizabethan soldier with his pear stalk cabasset, another picture of The Battle of Gravelines, August 8, 1588, which is of the defeat of the Spanish Armada by Sir Francis Drake, Queen Elizabeth's Admiral. Pictures shown for information only. Some text is quoted from an article by Mr Steve Rabbitts on London trayned bands  read more

Code: 20248

A Stunning Quality Masterpiece of the Edo Period Tanto Fuchi In Shakudo and Pure Gold. Incredible Fine Quality Chisselled Takebori Carving of Rats Around a Gold Koku Traditional Rice Bale. Signed Sadasato with Kao Omori Hidehide School

Decorated shakudō (copper/gold alloy) with a hammered ground of fine nanako (fish-roe) points and decorated with rats and an applied pure gold rice bale. Signed Sadasato with kao (the artist's personal kao art signature authentication kanji).

A wondeful indication of his skill, one can clearly see with a 10x magnifying glass the rats individual hairs on their body.

This is a masterpiece by by the master fuchgashira maker Nomoto Sadasato his skill is self evident and was obviously exemplary.

This piece, made in the late Edo period by Nomoto Sadasato (a pupil of Omori Hidetada), is a masterpiece among Japanese antiques. It is showcasing the superb craftsmanship of the Omori Hidehide school.
In old Japanese culture the illustration of the rat in art was not a negative connotation, but a positive one. The presence of rats symbolised a successful harvest, so their presence was a symbol of good fortune,

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

Shakudo {that can be used to make samurai sword mounts and fittings} is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula.

Shakudo was historically used in Japan to construct or decorate the finest katana fittings such as fuchi-kashira, tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.  read more

Code: 25598

An Early 18th Century ‘Pillow’ Sword, Around 300 Years Old,. The Simplest of Sword Types Made, From The Era Of King George IInd, But None The Less Effective For That. Short Rapier Form Blade, Staghorn Grip Hilt

Cast brass hilt with relief figural decoration, and hawthorn wood grip. Steel rapier blade with engraving and deep fuller. Circa 1730. A pillow sword is a small, light 17th or 18th century European sword, often featuring a straight or triple-edged blade, designed as a compact personal weapon.

Popularly believed to be kept under a pillow for bedroom protection—hence the name—it was more likely a practical, stylish yet simple "town sword" worn daily, often associated with a waist sash. 17th to early 18th century status symbols and for personal defence, particularly in busy cities like Paris, Amsterdam, London, Seville, or Rome where long rapiers were thoroughly impractical, especially so at close quarter engagements. Interestingly the major cities of all countries have been scourged by forms of brigands and gangs since time immemorial. They often come out of nowhere and disappear just as fast. Paris, for example, was scourged from the late 19th century by gangs known as Apaches, silk scarf wearing members infamous for violent street crime. Glasgow in the 20th century had their version known as razor gangs, as did Brighton in fact, depicted in Graham Green’s famed novel Brighton Rock. In Graham Greene’s Brighton Rock (1938), the razor gangs represent a brutal,, pre-war criminal underworld operating behind the facade of a cheerful seaside resort. Led by the 17-year-old sociopath Pinkie Brown, these gangs—specifically the remnants of Kite’s gang—utilize violence, racketeering, and intimidation to control local racecourses. The razor is their signature weapon, symbolizing the sharp, sudden violence that defines their existence. * see below as how the razor gangs of Glasgow were stopped, literally over night!.

There has been a long held belief that the naming of the sword type was due to a flat sword that could be kept under the nobles pillow in order to make a rapid defence, during a nighttime’s slumber, against an assassin’s nefarious attack. There is no specific evidence to confirm this likely myth, however, as the saying goes ‘alls fair in love and war’, thus, if needs must, a flat ‘pillow’ sword would be the only form of sword that could be concealed at close quarter, and at instant reach, within the bedchamber, by a fearful potential victim.

18th-Century Dueling: Noblemen of this period, such as those in France or Naples, frequently engaged in duels of honour, often using rapiers, daggers, or sabres to settle disputes, sometimes over trivial matters

These weapons featured smaller hilts, sometimes with a single side-ring, or none at all, making them far less cumbersome than full-sized rapiers. Many examples may or may not include cross-guards and plain wooden or wire-bound wooden grips. Often the simpler the better, and one couldn’t get more simple than this example. However, the pommel and quillon block are very nicely decorated in relief classical Romanesque figures, a jolly nice touch of quality.

29.75 inches long overall

* The Scottish judge credited with curtailing the Glasgow razor gangs through exceptionally harsh sentencing in the 1950s was Lord Carmont (John Carmont).
In 1952, Lord Carmont, a Senator of the College of Justice, went to the High Court in Glasgow specifically to address the surge in violence.
The Act: He warned that future sentences for carrying or using razor blades would be severe, then followed through by handing down prison sentences of up to 10 years for members convicted of inflicting injuries.
"Copping a Carmont": His actions were so successful and punitive that "copping a Carmont" or "doing a Carmont" became synonymous in the underworld and press for receiving a long, tough prison sentence for knife crime.
The Result: One week later, the Glasgow police reported their first weekend since the war without a single slashing attack.
Please note UK lawmakers how history has much to teach the incredibly ineffective law enforcers of today. Violent crime abounds in British cities today, yet in direct proportion reciprocal punishments are diminishing to the level of near non existence.
One of our oldest regular visitors, a London resident all his long life, remarked that he felt safer in London during the Blitz, when it was being razed to the ground by Hitler’s Luftwaffe night after night, than he does today!  read more

Code: 13663

A Simply Stunning Museum Quality Shinto Period Samurai Wakizashi of the Kobayakawa Clan, In Superb Han-dachi Fittings

Fully bound in fine Han-dachi form, with its tsuka with iron Higo fuchi and kabuto-gane decorated in pure gold with scrolls and tendrils, shakudo and gilt Tomoe mon, of the Kobayakawa clan, and the mon of Kobayakawa Takakage, iron sukashi tsuba chiselled and pierced with gilded and silvered dragons, contained in its fabulous textured red lacquer saya with Higo iron and pure gold inlaid mounts matching ensuite with the tsuka. Kobayakawa Takakage (小早川 隆景, 1533 – July 26, 1597) was a samurai and daimyō (feudal lord) during the Sengoku period and Azuchi–Momoyama period. He was the third son of Mōri Motonari who was adopted by the Kobayakawa clan and became its 14th clan head. He merged the two branches of the Kobayakawa, the Takehara-Kobayakawa clan (竹原小早川氏) and Numata-Kobayakawa clan (沼田小早川氏). He became an active commander of the Mōri army and he with his brother Kikkawa Motoharu became known as the “Mōri Ryōkawa", or “Mōri's Two Rivers" (毛利両川). As head of the Kobayakawa clan, he expanded the clan's territory in the Chūgoku region (western Honshū), and fought for the Mōri clan in all their campaigns

At first he opposed Oda Nobunaga and Toyotomi Hideyoshi but later swore loyalty and became a retainer of Hideyoshi who awarded him domains in Iyo Province on Shikoku and Chikuzen Province on Kyūshū, totalling 350,000 koku. Hideyoshi gave him the title Chûnagon also appointed him to the Council of Five Elders but died before Hideyoshi himself. Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves." Approx 26 inches long overall in saya, blade 17 inches  read more

Code: 23560

A Fabulous Wakizashi by Master Sadahide Student of Masahide Dated 1830

A simply wonderful wide and sizeable blade with fine hamon and incredible tight grain hada. Copper patinated fushi kashira of the ‘tiger in the bamboo grove’.
A very good signed copper tsuba with samurai. Original urushi black lacquer saya with fine kozuka utility knife.

As Sukehiro and Shinkai were highly praised by Kamada Natae in his book he wrote in this period swordsmiths begun to imitate their works making strong shape and Hamon in Toran-Ha. Swords in this period imitated the Osaka style.


Masahide ( one of most famous sword smiths in Shinshinto time ) advocated in his book that "we should make swords by the method of the Koto era." With this final aim swordsmiths begun to create their own steels trying to reach the quality of the ancient one. Combining materials which have different quantity of carbon, a good Jihada will appear. Therefore, swordsmiths used a lot of materials like old nails and the like to adjust the quantity of carbon to be suitable for swordmaking.

Even today this steel is called Oroshi-gane. As already said an easy way to produce Tamahagane was available in Shinto time and swordsmith could get good quality Tamahagane.
Therefore, it seems that most of them didn't make their own Oroshi-gane. But some swordsmiths like Kotetsu or Hankei followed Masahide suggestions and reached a top-quality level combining ancient iron/steel with modern one.

In effect Ko-Tetsu means "ancient steel".

Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615, straddling the end of the Koto era and into the early Shinto.


Exceptionally powerful 16inch blade  read more

Code: 20552

A Fabulous An Incredibly Beautiful Original Egyptian Carved Wooden Mummy Mask 25th to 26th Dynasty Period to late Dynastic Period

Around 2700 to 2350 years old.

Beautifully painted over a gesso type plaster on cedar wood, with a substantial amount of paint remaining, showing excellent flesh tones, probably bronze insert eye lines with white painted eyes and large black pupils.

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

A mummy mask provided protection – both physical and magical – to the head of the mummy. Masks were introduced in the First Intermediate Period (c. 2181-2955 BC) and were used until Roman times (30BC-395AD). They show the deceased in an idealised form, like a god who has triumphed over death. The use of gilding on masks of the wealthy symbolises the golden skin of the gods.

Spell 151 from the Book of the Dead – the ‘Spell for the Head-of-Mystery’ – makes the function of the mask explicit:

Anubis speaks, the embalmer, lord of the divine hall, when he has placed his hands on the coffin of the deceased and equipped him with what he needs: ‘Hail, O beautiful of face, lord of vision, whom Ptah-Sokar has gathered together and whom Anubis has upraised, to whom Shu gave support, O beautiful of face among the gods!

Your right eye is the night boat, your left eye is the day boat, your eyebrows are the Ennead. The crown of your head is Anubis, the back of your head is Horus, your fingers are Thoth, your lock of hair is Ptah-Sokar. You the mask are in front of the deceased, he sees by means of you. You lead him on the goodly ways, you repel Seth’s band for him and cast his enemies under his feet for him in front of the Ennead of the great House of the Noble in Heliopolis. You take the goodly way to the presence of Horus, the lord of the nobles.’
This text appears on the famous golden mask of Tutankhamun, inscribing an object with its function in order to ensure that it would ‘work’ for the dead king. The spell makes clear that the mask was to protect the deceased (magically) from their enemies. As is common in such spells, the text is a command from a god to an inanimate object – divine authority used to spark to life a lifeless substance.

The spell emphasises the power of the mask to restore to the deceased the ability to see. An important part of the funeral ritual was a rite known as the ‘Opening of the Mouth’, which restored the power of speech, as well as the other senses to the mummy (set up outside the tomb, probably wearing the mummy mask). The senses were required for a successful rebirth into in the afterlife as a fully-functioning person, as in life.

Masks were made to give their owners the power of sight – and speech.

To show how mummy masks have become so desirable and collectable we show two masks sold in Sotheby's 2011 for 15,000 USD and the other one sold for 200,000 GBP in 2018.
Another photo shows a similar mask discovered recently but lacking paint to the face, being cleaned by the Cairo museum conservator.

The other photos are of Amenhotep I and his very similar mask still in place, we also show his outer sarcophagus.
Amenhotep I's Horus and Two Ladies names, "Bull who conquers the lands" and "He who inspires great terror," are generally interpreted to mean that Amenhotep I intended to dominate the surrounding nations. Two tomb texts indicate that he led campaigns into Nubia. According to the tomb texts of Ahmose, son of Ebana, Amenhotep later sought to expand Egypt's border southward into Nubia and he led an invasion force which defeated the Nubian army. The tomb biography of Ahmose Pen-Nekhebet says he also fought in a campaign in Kush, however it is quite possible that it refers to the same campaign as Ahmose, son of Ebana. Amenhotep built a temple at Saï, showing that he had established Egyptian settlements almost as far as the Third Cataract.
Sometime during the 20th or 21st Dynasty, Amenhotep's original tomb was either robbed or deemed insecure and emptied and his body was moved for safety, probably more than once. It was found in the Deir el-Bahri Cache, hidden with the mummies of numerous New Kingdom kings and nobles in or after the late 22nd dynasty above the Mortuary Temple of Hatshepsut and was kept in the Egyptian Museum in Cairo. His mummy had apparently not been looted by the 21st dynasty, and the priests who moved the mummy took care to keep the cartonnage intact. Because of that exquisite face mask, Amenhotep's is the only royal mummy which has not been unwrapped and examined by modern Egyptologists.

it was last acquired around 25 years after WW2 and remained since in a private collection

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us

Just over 20 cm high. As usual with most painted masks from ancient Egypt there is a degree of shedding of gesso {a mixture of gum and chalk powder} dust  read more

Code: 24113

A Rare Pair of 14th- 15th Century Medeavil Bronze Winged Polygonal 'Raven's Head' Mace Heads Likely Twin Headed Flail Mace, Mongol Invasion Period to Vlad 'The Impaler' Dracul’s Knight’s Order of The Dragon Period

Cast bronze and each mace head had four ravens heads that can be viewed from both above and upside down, below, creating eight ravens per mace. The remaining surfaces are decorated in the circular ‘all seeing eye’, or ‘evil eye’ pattern, that has been used since the time of the ancient Greeks as a feature to ward off evil spirits. When used by the Knight hussars they were called a kisten, and the double headed flail mace were adopted by the hussar knights from those used by Mongols, Turks and Tartars in their invasions into Eastern Europe in the 14th century.

The eyes design creates a zoomorphic design of several back to back ravens heads. We have read of the notorious 'Raven's Head' maces for many years, and more often they appear today in fantasy role play games, but this may be the very first, original, 14th century examples we have ever had the privelege to see and own.

Together, the wolf and raven embody the Mongol or Turkic warrior as he saw himself: a ferocious, predatory being who hunts his enemies, raiding is inherently a predatory action, after all. In addition, the connection of these animals to warfare in the Mongol mindset is also reinforced since both the wolf and raven appear in the aftermath of battle to feed on the dead.

Vlad Dracul of Transylvania inspired the tales of the vampire of legend, named "Dracula". That evolution of Dracul, recalls only the character from the 1897 novel by Bram Stoker, dramatically and memorably realised by Bella Lugosi, in the eponymous 1931 Hollywood horror film, and then followed by all too numerous actors since, including one of the very best, Gary Oldman. However, behind the popular myth lies the genuine historic ruler Vlad III Dracula "the Impaler" (1431-76), Prince of Wallachia in what is now Romania, a vassal of the Hungarian kings. Voivode is the medieval Romanian term for a regional commander, which position Vlad held intermittently in addition to his princedom (1448, 1456-62 and 1476), and the name "Dracula" is a diminutive derived from the Imperial Order of the Dragon, the order of knights to which Vlad and his father, Vlad II (1390-1447) commanded. He ruled his military kingdom of Wallachia southern Romania with a heavy and blood-soaked fist. To not only the Turks but also to many of his own countrymen he was Vlad The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be overtaken by the intrigue of an intriguing political underhandedness, in a world in which princes fell daily to smiling, hypocritical "allies," paranoia among the aristocracy was, and probably needed to be, utmost in a sovereign's disposition. Dracula built a defence around him that dared not open kindness nor trust to anyone. During his tenure, he killed by the droves, impaling on a forest of spikes around his castle thousands of subjects who he saw as either traitors, would-be traitors or enemies to the security of Romania and the Roman Catholic Church. Sometimes, he slew merely to show other possible insurgents and criminals just what their fate would be if they became troublesome.

A flail mace avails the user extra reach used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.
King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights, both friends and companions, to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace heads are approximately the size of a walnut.


Detail from Battle of Orsha painting, 1520–1534 photo 6 in the gallery. With Lithuanian hussar in yellow tunic with 'kisten' the flail mace in his belt.

Another variety of multi headed flail mace is the Iberian flail or mangual. See picture 7 in the gallery. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture in the gallery is another a capture taken from a Renaissance painting  read more

Code: 24822