A WW2 German, Third Reich Period, Police Ordnungspolizei Helmet Complete with Original Liner and Chinstrap

The pattern of helmet designed for service in the German Police. Complete with its original leather liner and its chinstrap present and spring clip-buckle. Interior skull stamped Din 1494 with maker monogram logo stamp used for traceability on industrial hardware components in WW2.

Reichsfuhrer-SS Heinrich Himmler was named Chef der Deutschen Polizei im Reichsministerium des Innern (Chief of German Police in the Interior Ministry) on 17 June 1936 after Hitler announced a decree which was to "unify the control of police duties in the Reich". Traditionally, law enforcement in Germany had been a state and local matter. In this role, Himmler was nominally subordinate to Interior Minister Wilhelm Frick. However, the decree effectively subordinated the police to the SS, making it virtually independent of Frick's control. Himmler gained authority as all of Germany's uniformed law enforcement agencies were amalgamated into the new Ordnungspolizei, whose main office became populated by officers of the SS.

The police were divided into the Ordnungspolizei (Orpo or regular police) and the Sicherheitspolizei (SiPo or security police), which had been established in June 1936. The Orpo assumed duties of regular uniformed law enforcement while the SiPo consisted of the secret state police (Geheime Staatspolizei or Gestapo) and criminal investigation police (Kriminalpolizei or Kripo). The Kriminalpolizei was a corps of professional detectives involved in fighting crime and the task of the Gestapo was combating espionage and political dissent. On 27 September 1939, the SS security service, the Sicherheitsdienst (SD) and the SiPo were folded into the Reich Main Security Office (Reichssicherheitshauptamt or RSHA). The RSHA symbolized the close connection between the SS (a party organization) and the police (a state organization). Police Battalions (SS-Polizei-Bataillone), for various auxiliary duties outside of Germany, including anti-partisan operations, construction of defense works (i.e. Atlantic Wall), and support of combat troops. Specific duties varied widely from unit to unit from one year to another. Generally, the SS Polizei units were not directly involved in combat. Some Police Battalions were primarily focused on traditional security roles of an occupying force while others were directly involved in the Holocaust. This latter role was obscured in the immediate aftermath of World War II, both by accident and by deliberate obfuscation, when most of the focus was on the better-known Einsatzgruppen ("Operational groups") who reported to the Reichssicherheitshauptamt (RSHA Reich Main Security Office) under Reinhard Heydrich.  read more

Code: 26377

Silver WW1 1915 German Christmas Medal, By Karl Goetz - August von Mackensen - {AKA The Last Hussar} Christmas on the Battlefield

WEIHNACHT IM FELD 1915 (“Christmas in the Field 1915”).

Anton Ludwig Friedrich August Mackensen (ennobled as von Mackensen in 1899; 6 December 1849 – 8 November 1945), was a German field marshal. He commanded Army Group Mackensen during World War I (1914–1918) and became one of the German Empire's most prominent and competent military leaders. After the armistice of 11 November 1918, the victorious Allies interned Mackensen in Serbia for a year. In 1920, he retired from the army. In 1933 Hermann Göring made him a Prussian state councillor. During the Nazi era (1933–1945), Mackensen remained a committed monarchist and sometimes appeared at official functions in his World War I uniform. Senior Nazi Party members suspected him of disloyalty, but nothing was proven against him.

Made in silvered metal  read more

Code: 25934

A Superb Antique Burmese Daggar, A Shan Aristocracy Noble's High Status Dha Hmyaung. His Personal Knife With Carved Rhino Horn Handle Circa 1770 to 1800. Most High Status Dha Hmyaung Daggars Feature The Cultural Influence Of The Shan People of Burma

A fine example with good quality blade, slightly curved single cutting edge. The hilt is superbly hand carved from white rhino horn. These fine hilts are often associated with the Moulmein and Pyinmana workshops in Southern and Central Burma.
The scabbard is made of two panels of a very dark and dense patinated hardwood which is bound with complex multiple bands in a geometric, herringbone pattern, bound silver and copper wire. The silver wire binding has now aged to black as usual due to aged oxidisation.

A utility knife and formal status symbol among higher ranks of Burmese nobility.

The history of the Shan nobility centers on the Saophas (traditionally spelled Sao Phaa or Sawbwa in Burmese), hereditary rulers whose title translates literally to "Lords of the Sky" or "Celestial Lords". For nearly a millennium, this distinct aristocratic class governed an intricate network of semi-independent principalities across the Shan Plateau in modern-day Myanmar, Thailand, China, and Laos.
Powerful northern Shan states—such as Möng Yang, Möng Kawng, and Hsenwi—formed formidable alliances. In 1527, the Confederation of Shan States successfully captured the Ava Kingdom, positioning the Shan nobility as the dominant rulers of Upper Burma for decades

To ensure stability, Burmese monarchs and Shan nobility engaged in strategic intermarriages. In exchange for local authority, Saophas provided essential tax tribute and thousands of levies to fight in royal Burmese armies

When the British Empire annexed Upper Burma in 1885, they chose not to dismantle the traditional Shan social hierarchy. Saophas maintained their judicial powers, revenue collection, and lavish royal lifestyles inside their traditional palaces, known as Haws. They ruled over a highly stratified feudal society where farmers and commoners paid direct allegiance to their local hereditary lord.

In 1962 Burmese General Ne Win seized absolute power via a military coup, entirely abolishing the federal constitution. Dozens of Shan leaders, including former President Sao Shwe Thaik, were arrested and imprisoned; many died in custody or vanished.

A comparable status knife, but with a carved ivory handle, is on display in – The Metropolitan Museum of Art New York acc.nr. 36.25.998

Not suitable to export outside of the UK mainland  read more

Code: 26376

A Fine & Fabulous, Koto To Shinto Period, Rare, Original Antique Japanese Shikomi-zue 仕込み杖, "Prepared Cane". A Traditional, ‘Hidden Sword Stick’, 400 to 500 Years Old. With a Sakura Branch Trompe-l'œil Concealment

This is one of the most beautiful, early bladed swords of its type we have ever seen, with a breathtaking chisa katana blade, up to around 400 to 500 years old, with a spectacular hamon and hada, and its gilt habaki blade collar. All cunningly concealed within an innocent looking {simulated} black sekura tree branch. It is a particularly strong and stout cane, and in its day {and in fact, it still is} would have been extremely capable and effective as a cane to aid perambulation.

A very fine, masterwork by a finest, Koto period to early Shinto, sword smith. A samurai blade, of superb quality, in stunning polish, showing a wonderously, vivid and complex hamon of immense beauty.

Very finely carved Edo period wooden saya and tsuka, disguise decorated, with ishime urushi stone finished lacquer, in order to 'deceive the eye' {Trompe-l'œil} and to imitate a black bark sakura tree branch walking stick.

The early blade is superb, but it was covered in antique Victorian preservative clear lacquer, we are had it professionally artisan removed, in order to reveal the stunning polish of the blade.. Overall this super rare piece is in fantastic condition for age.

In the 1870's the Meiji Emperor disbanded the fuedal samurai order and banned the wearing of the sword. This created much unrest between the samurai and the government and some samurai moved to carrying 'shikome-zue' the hidden sword.

Therefore, via a circuitous route of deception, they still remain armed, but, with their katana concealed and hidden from public view. But by that deception they felt, least in part, their honour remained intact. With their most elegant and finest bespoke blade upon their person.

In ninjutsu shikomizue became quite popular, as it provided the night warriors with what they needed most – versatility, secrecy and mortality.

The walking stick was popular among all the classes of japanese society and carrying it caused no suspicion at all. Combined with the impersonation skills, shikomizue was really a dangerous and most advabntagouly concealed weapon, enabling attack of ones enemy or even assassin, most suddenly and with deadly skill.

This is possibly one of the nicest of it's types we have ever seen. The blade is typical chisa katana with elegant curvature. Very nice hamon in very nice polish {once cleaned}. The stick is fully and superbly hand carved and over lacquered in urushi to simulate an anonymous prunus tree branch walking stick.

This piece was absolutely the sword of choice of the world reknown, fictional, blind samurai, Zatoichi.

He does not carry a traditional katana, instead using a very well traditionally made shikomi-zue (cane sword) within a sakura branch Trompe-l'œil concealment, exactly as this sword is mounted.

Zatoichi's cane sword shikome-zue, was forged by a famous master bladesmith, and is of superior quality, just like this rare, fine and beautiful traditional ancient chisa katana bladed example.

A conversation piece par excellance, now for collectors display only.

We show in the gallery a modern Japanese painting of Zatoichi, an old poster of the blind swordsman movie, and, an 1817 Japanese print by Hokusai of his depiction of an all black clad warrior, a so called ninja, climbing a rope, with what appears to be his identical mounted black shikome-zue hidden sword stick. For historical context purposes.

16 inch blade. 35.5 inches long overall  read more

Code: 26361

A Superb Officer's 'Bombay Bowler' Sun Hat, The Favourite Pith Helmet Sun Hat Type of Sir Winston Churchill, Made by the Bombay Hatworks In Bangalore. In Excellent Condition

Churchill famously donned his Bombay Bowler alongside his custom zip-up "siren suit" while inspecting troops at El Alamein, Egypt, in August 1942 and across Tunisia in 1943.

Churchill flew into Cairo, Egypt, on August 5, 1942, following a string of disastrous British defeats against German General Erwin Rommel.
Facing political pressure at home, Churchill took bold action to restructure the military command. He sacked General Claude Auchinleck as Commander-in-Chief Middle East. He replaced him with General Harold Alexander and placed Lieutenant-General Bernard Montgomery in command of the Eighth Army. This new leadership duo ultimately delivered victory at El Alamein.

Wearing his famous "siren suit," sunglasses, and Bangalore made Bombay Bowler sun hat, while carrying a walking umbrella to block the desert sun, Churchill toured the front lines. He visited the El Alamein positions, met with the 51st Highland Division, and somberly paid his respects at a rough graveyard for fallen New Zealand troops.

Following the expulsion of Axis forces from North Africa, Churchill returned for celebratory visits. In early 1943, he traveled to Tripoli shortly after Montgomery's Eighth Army captured it, delivering a stirring speech to the New Zealand Division

He visited Algiers, Tripoli, and ancient Carthage, famously waving to cheering crowds past captured German Tiger tanks and receiving grand salutes from Eisenhower, Montgomery, and American leaders

These visits, always adorned and protected by his Bangalore 'Bombay Bowler', marked the high water mark of his Mediterranean strategy, paving the way for the invasion of Sicily

The Bombay Bowler is a distinct, flatter style of pith helmet (or sola topee) that became an iconic symbol of the British Raj in India, evolving from a 19th-century civilian sporting hat into widely issued military headgear. Named slangily after the Indian city of Bombay (now Mumbai) due to its manufacture across the subcontinent, the hat is famous for its distinctive, low-profile silhouette that resembles a traditional Western bowler hat more than other bulbous military sun helmets.

The Bombay Bowler can track its design heritage back to the Cawnpore Tent Club Hat, a wide-brimmed sun hat popularized in India during the 1875–1876 tour of the Prince of Wales (the future King Edward VII)

By the onset of the First World War, production of the hat ramped up exponentially. During World War II, it became the most commonly issued style of sun helmet for forces in India and Southeast Asia.

Both Churchill's, and Field Marshall Auckinleck's Bombay Bowler's {see the photos of same in the gallery} were devoid of all military badging, just as this beauty. Military badging was only normally to seen on other ranks servicemen's sun hats.

Queen Elizabeth II stated
"the whole world is the poorer by the loss of his many-sided genius" when Sir Winston Churchill died in 1965.  read more

Code: 26374

A Beautiful Koto Period Ancient Aikuchi Tanto Circa 1500, With An Equally Beautiful Blade

Around 500 years old.

With kodzuka utility knife decorated with deep relief takebori crabs. Unusually the saya is covered with black lacquered leather. All original Edo period mounts and fittings. Silver inlaid iron hilt mounts with patinated copper menuki of shishi liondogs. The saya has a small mount of a silver inlaid quail. The blade has now just returned from re-polishing and looks absolutely beautiful. The tanto was invented partway through the Heian period, when it was mainly used as a weapon. With the beginning of the Kamakura period, tanto were forged to be more aesthetically pleasing, and hira and uchi-sori tanto were the most popular styles for wars in the kamakura period. Near the middle of the Kamakura period, more tanto artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tanto began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the tanto hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place. In Nambokucho, the tanto were forged to be up to forty centimetres as opposed to the normal one shaku (about thirty centimetres) length. The tanto blades became thinner between the uri and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. Blades could be of exceptional quality. As the end of the period neared, the average blade narrowed and the sori became shallow. The aikuchi is a tanto koshirae where the fuchi is flush with the mouth of the saya. Overall 21 3/4 inches long, blade length 12 1/4 inches  read more

Code: 23142

A Shinto Aikuchi Tanto, Unokubi-Zukuri With Hi Blade & Stunning Bi-Colour Shakudo Fittings Katakiri-bori Carving, on Migaki-ji of Insects, a Cricket a Hornet and a Praying Mantis

Circa 1700. A very attractive Samurai tanto that has lain untouched for likely 140 odd years or more. All matching and most attractive Edo period bi-colour hand carved shakudo fittings katakiri-bori carving, on migaki-ji including a kozuka, engraved with a preying mantis, a wasp on the kashira and a grasshopper on the sayajiri. The menuki are of fine gold overlay of dragon, and the tsuka has imperial off-white silk binding. The blade is in a unokubi-zukuri form similar to naga nata in stunning polish. The original Edo lacquer saya is uniformly ribbed along it's length with age cracking below the kozuka pocket, and small bruises at the base. Very fine hammered silver foil covered habaki.

The tanto is commonly referred to as a knife or dagger. The blade can be single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese 1 shaku).

The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana.

Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi.  read more

Code: 25141

A Very Good & Attractive, Continental, Historical American Revolutionary War 18th Century Infantry Military Musket

The form of musket used by the Continental forces sent to fight in the American Revolutionary War, such as the Netherlander's, Hessian's and Prussians. Walnut stock with all steel furniture. A direct competitor to the English 'Brown Bess' Long Land and Short Land pattern muskets, however as it doesn’t have the fame of the Brown Bess of that period it is up to 70% less expensive today, thus makes a tremendous value collector’s piece from that era and conflict, despite actually being a rarer musket to find. The term "Hessians" refers to the approximately 30,000 German troops hired by the British to help fight during the American Revolution. They were principally drawn from the German state of Hesse-Cassel, although soldiers from other German states also saw action in America. (At the time, Germany was not a unified country but a collection of individual states that shared a language and culture.)

Hiring a foreign army was not unusual in the eighteenth century. For Hesse-Cassel, soldiers were a major export. By renting its army to the British, Hesse-Cassel took in an amount equal to about thirteen years' worth of tax revenue Life in the Hessian Army was harsh. The system aimed to instill iron discipline and the punishments could be brutal. Still, morale was generally high. Officers were well-educated, promotion was by merit, and soldiers took pride in serving their prince and their people. Furthermore, military service provided economic benefits. The families of soldiers were exempt from certain taxes, wages were higher than in farm work, and there was the promise of booty (money earned through the sale of captured military property) and plunder (property taken from civilians). In spite of such action, some 3,000 Hessians decided they liked the country well enough to make it their new home after the war, and they declined returning to Europe. In America, they lived side by side—and perhaps shared a Christmas drink—with their former foes. 44 inch long barrel, overall 60 inches long  read more

Code: 23406

A Beautiful Late 18th Century Sikh Empire Prince's or High Status Noble's Lahore Tulwar, Gold Inlaid Koftgari Hilt & Finest Wootz Damascus Steel Blade. Returned From a Museum Grade Blade Conservation

The hilt is covered in pure gold koftgari decor, as a symbol of the owner's rank and status.

A superb blade just returned from specialist cleaning and etching to reveal the Damascus steel patterning.

Gold decorated steel Lahore hilt decorated with stunning design with matching pommel disc. Strong and powerful blade of substance. There are clear indications that this particular hilt is of Punjab manufacture: the fat vase shape of the grip section, the very slightly forward angle of the lotus head quillons and the beautiful gold koftgari.

The Tulwar had historically been the quintessential combat sword used by Sikhs as their sacred kirpan due to its superior handling while mounted on horseback. With a curved blade optimized for cutting and slashing with sweeping cuts delivered from the shoulder by a horseman the curved blade of the tulwar could strike repeated blows without the danger of the blade getting stuck in bone or armour. It allowed for fierce slashing on all sides cutting through enemy formations while mounted on horseback.

This tulwar has a curved blade of approximately 72cm in length with a graduating blade where it eventually begins its taper to the point. With its curved blade the point of the sword cannot be very effectively used for thrusting and the Tulwars defensive capabilities are limited. In this circumstance defence was taken up by using the shield (Dhal) in tandem with the Tulwar as an integral duo on the battlefield.

The blade was firmly attached to the hilt of the Tulwar commonly using a heated paste of lac or red dye from the papal tree which when it hardened provided a solid and effective adhesive between the two parts of the sword.

The hilt of the Tulwar has a button on top and a circular dished pommel disk {without domed pommel cap or knuckle bow} featuring the koftgari inlaid design patterns of flowers, in pure hammered gold inlaid into the traditional steel hilt of the Sixh tulwar.
The grip of the Tulwar below the pommel disk narrows at the top and bottom while bulging out in the middle. The crossguard between the grip and the blade features two short but very thick rounded domed quillions.

The index finger could be wrapped around a quillion rather than the grip providing the swordsman with extra maneuverability of the sword. Some Tulwars feature a knuckle guard extending from the quillion to the pommel disk, while others do not, both styles of Tulwars were commonly used by Sikhs. This sword once had a knuckle guard, but removed likely by the prince owner for comfort .

Guru Hargobind, the 6th Sikh Guru is said to have always carried two Tulwars representing his temporal and spiritual authority. They both had gold onlaid hilts.  read more

Code: 22814

A Beautiful 17th-18th Century Sikh Tulwar With Gold Inlaid Royal Hilt & Seal Stamped Blade, With Double Crescent Armourer’s Marks. It Has Just Returned From Expert Museum Grade Conservation, Polishing & Etching of The Blade To Reveal Its Stunning Pattern

The tulwar hilt is covered in pure gold Koftgari decoration. superb hybrid wootz Damascus shamshir blade with square seal mark and twin crescent armourer's mark to the blade. It has now returned from a no expense spared museum grade conservation and polish that has revealed its absolutely stunning hybrid wootz Damascus grain. The blade was not removed from the gold hilt, so the blade polishing had started below the hilt, in order to maintain its historical integrity. The beauty of this wonderful historical sword and blade is breathtaking in its combination of opulence and subtlety. The blade has a wondrous and elegant deep curvature, that joined with its material beauty is a joy to behold. It would have been a credit to the former Dr Leo S.Figial Collection that, until it’s auction and dispersal in 1998 at Butterfields Auction, was one of the finest in the world outside of any national museum.

Persian: شمشیر (type, which refers to a Persian or Iranian sword with a radical curve. The name is derived from the shamshīr, which means “lion’s claw or lions tale” in the Persian language – pointing towards the curve of the blade. These types of blades are normally used for slashing unarmored opponents either on foot or mounted; while the tip could be used for thrusting. In India, the term ‘Goliya’ (meaning circle) was used to describe these types of blades; referring to their curve.

The Tulwar had historically been the quintessential combat sword used by Sikhs as their sacred kirpan due to its superior handling while mounted on horseback. With a curved blade optimized for cutting and slashing with sweeping cuts delivered from the shoulder by a horseman the curved blade of the tulwar could strike repeated blows without the danger of the blade getting stuck in bone or armour. It allowed for fierce slashing on all sides cutting through enemy formations while mounted on horseback.

This tulwar has a curved blade of approximately 76cm in length with a graduating blade where it eventually begins its taper to the point. With its curved blade the point of the sword cannot be very effectively used for thrusting and the Tulwars defensive capabilities are limited. In this circumstance defence was taken up by using the shield (Dhal) in tandem with the Tulwar as an integral duo on the battlefield.

The blade was firmly attached to the hilt of the Tulwar commonly using a heated paste of lac or red dye from the papal tree which when it hardened provided a solid and effective adhesive between the two parts of the sword.

The hilt of the Tulwar has a button on top and a circular dished pommel disk featuring the koftgari design patterns of flowers in pure hammered gold. The grip of the Tulwar below the pommel disk narrows at the top and bottom while bulging out in the middle. The crossguard between the grip and the blade features two short but very thick rounded quillions. The index finger could be wrapped around a quillion rather than the grip providing the swordsman with extra maneuverability of the sword. Some Tulwars feature a knuckle guard extending from the quillion to the pommel disk, while others do not, both styles of Tulwars were commonly used by Sikhs.
The pure gold inlay upon the hilt is worn as is often the case due to its great age, but much still remains to show it wondrous quality and former royal status. The blade is now once more in superb condition for its age.

Guru Hargobind, { Guru Hargobind Sahib Ji } the 6th Sikh Guru is said to have always carried two such gold hilted Tulwars, representing his temporal and spiritual authority. They both had gold onlaid hilts just as this sword. It is possible, however slim, this sword may have been even the side arm of a member of the great Sikh Guru’s Darbar {court}. Guru Hargobind Sahib Ji was the first Sikh Guru to engage in warfare.
Guru HarGobind Ji excelled in matters of the state and his Darbar (Court) was noted for its splendor. The arming and training of some of his devoted followers began, and once the Guru came to possess seven hundred horses, his Risaldari (Army) grew to three hundred horsemen and sixty gunners. Additionally, five hundred men from the Majha area of Punjab were recruited as infantry. Guru HarGobind Ji built a fortress at Amritsar called Lohgarh (Fortress of Steel). He had his own flag and a war-drum which was beaten twice a day. Those who had worked to have Guru Arjan destroyed now turned their attention and efforts to convincing Jahangir that the Lohgarh fort, the Akal Takhat, and the growing Risaldari army were all intended to allow Guru HarGobind Ji to one day take revenge for his father's unjust death.  read more

Code: 25574