An Original & Historical 1796 Pattern Napoleonic Wars British Light Dragoon Trooper's Sword. A Regiment of the Line Issue Combat Sabre, For An NCO Or Other Rank Trooper Used In The Peninsular War and Battle of Waterloo era.

All steel scabbard, with steel P hilt and wooden grip. The blade is in excellent plus condition, and superbly bright overall, made circa 1802 to 1803. Average condition for age, obviously seen combat service .
Maker stamped by Osborne, ordnance contract maker of 1796 pattern light and heavy dragoon trooper's swords, a maker in Birmingham, 1797 to 1803, & ordnance inspector stamped on the blade face, Crown over 1.

This sword would have been used by a Light Dragoon trooper in any of the light cavalry regiments of the line, of the Napoleonic Wars, such as one who served, just for example, in the 11th Light Dragoons.

The 11th Light Dragoons later became the 11th Hussars. The 11th fought at both the Peninsular War and at the Battle of Waterloo, and were awarded almost 500 medals for Waterloo. After a spell in Ireland the 11th were sent to Spain and Portugal to reinforce Wellington's army. Their strength, normally around 300 in peacetime was raised to 725. They arrived in June 1811 and, as in Egypt, they had a bad start. A dawn attack by the French in woods between Elvas and the Guadiana forced the 11th to retire on to what they thought were friendly Portugese lines. When they realised they were French, their commander Capt Lutyens ordered the charge. The shock tactic worked and they were able to drive their way through, but a second line of enemy troops was able to resist them. They lost 8 killed, 22 wounded and 77 taken prisoner.
The regiment had more success at El Bodon near Cuidad Rodrigo on 25th September. By this time they were commanded by Lt Col Cumming, a brave and efficient cavalry officer. A large force of French cavalry was threatening Allied infantry and artillery on the plain in front of the 11th and a squadron of the King's German Legion who were well placed on high ground. Although they were vastly outnumbered the 11th and KGL charged at the enemy again and again, 20 times in all.

The 11th were part of Wellington's great victory over Marmont at Salamanca on 22nd July 1812 but by 3rd April 1813 they had to give up their horses and embark for England much to the regret of Sir Stapleton Cotton who was in command of the cavalry in the Peninsula. It had been a hard two years for them having lost 417 men and 555 horses.

During their time in the Peninsula many changes had been made to the uniforms of the British Army. The Prince Regent had a keen eye for dress and with his newly acquired position of supreme power was determined to push through his ideas based on continental military trends. The 11th exchanged it's light dragoon Tarleton helmet for a shako. The new jacket was still dark blue but had a buff plastron covering the chest, and white epaulettes, silver for officers. With the return of Napoleon in March 1815 the war with France resumed and the 11th arrived at Ostend on 2nd April. They were in Vandeleur's brigade with the 12th and 16th and had an unprecedented strength of 947 men. They came under heavy attack at Quatre Bras but did not suffer badly. On the 18th June 1815 the Battle of Waterloo began after a terrible night of torrential rain. It was a frustrating morning for the British cavalry who had to stand and watch an infantry battle. Against Wellington's wishes, the heavy cavalry made a brilliant charge that was spoiled by it's failure to re-form. The 11th under the command of Lt Col Money were sent into action when it looked as if the enemy were breaking up. They broke a French infantry square and carried on with the pursuit of Napoleon’s fleeing soldiers.
Wellington entered Paris in triumph on 7th July escorted by the 11th and others. The regiment bivouacked on the Champs Elysees and became part of the army of occupation in France and Belgium. On 20th November they eventually arrived home after 3 years on the continent

The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity.

The steel hilt and scabbard has overall ols russetting, bright polished and with no denting.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 26331

A Singularly Beautiful & Magnificent Presentation Grade 1796-1803 {15th Hussars} British Officer's Sword, Of The Napoleonic Wars. Used In The Peninsular Campaign, & The War of 100 Days Culminating at Quatre Bras & Waterloo. Museum Quality Example

In stunning condition, near mint mercurial gilding, with bright polish blade bearing traces of GR cypher and Royal motto.
The 15th Hussars was converted into a Hussar Regiment, from a Light Dragoon regt. in 1807, before being sent to Spain for the Peninsular War (1808-14) a year later.


After joining up with Sir John Moore’s force, it successfully charged uphill through snow against French chasseurs and dragoons at Sahagun on 21 December 1808. It was evacuated from Corunna in January 1809.

After a spell of policing duties in the north of England, it returned to the Peninsula in 1813, fighting at Morales and Vitoria that year, and at Orthes and Toulouse in 1814. It also fought at Waterloo in 1815.

In May 1815 the Regiment, under command of Lt. Col. Leighton Dalrymple, returned to France to meet the threat raised by the resurrected Napoleon. In France, the Regiment was brigaded with the 7th Hussars and the 2nd German Hussars. Napoleon's rapid advance in June took Wellington by surprise, and the British cavalry were ordered to march at short notice, reaching Quartre Bras on the evening of 16th June. On 17th, the British, with the cavalry covering, fell back towards the village of Waterloo and spent a night bivouacked in the open in torrential rain. On the fateful morning of the 18th, the 15th Hussars formed a section of the British front line near Hugomont Farm, astride the Nivelle Road.

" . . a large body of Cuirassiers and other cavalry were seen carrying all before them on the open ground between Hugomont and La Haye Saint, and their Lancers were shouting in triumph. The brigade instantly moved towards its former post, and the 13th and the 15th charged and drove back the Cuirassiers, with the most distinguished gallantry, for some distance."

Based, primarily, on Wellington's own comments, some historians have expressed admiration of British cavalry actions at Waterloo - in the mud, blood and heat of battle, the contribution to victory made by both the heavy cavalry, such as the Scots Greys and the Inniskillens, and the light cavalry, such as the hussar regiments, is remarkable.

At Waterloo, the 15th Hussars lost 3 officers and 25 other ranks killed, together with 42 horses, and 7 officers (including Col. Dalrymple) and 43 other ranks wounded, together with 52 horses. After the battle, the Regiment pursued the French to Cambray and then to Paris, returning to England (Hounslow) in May 1816.

The hilt retains almost all its original finest mercurial gold covering, and a stunning line engraved grip, and ivory grip. The scabbard similarly draws the eye to the importance of the entire piece. Its highly distinctive appearance brings us very much to mind a strong possibility it was presented to an officer of the 15th Light Dragoons, likely for conspicuous service in the Peninsular campaign. In the early 1800’s the regiment commissioned a specific design of highest quality mameluke hilted dress swords, without knuckle bow, and a carved marine Ivory hilt, for officers of the regiment, and with this highly distinctive rare scabbard pattern, a rare scabbard pattern is so similar that we feel this sword was the alternative dress-cum-combat version. We therefore judge this very sword's design may well have influenced by the pattern of the 15th Hussars regiments officer's deluxe quality mameluke made during the Georgian period, but the 1796 p hilt was far more effective as a combat sabre for a secure grip in the charge.
This sword's blade slides neatly into the amazingly decorated sheath, of engraved mercurial gold copper-gilt panels, with a black leather base, and twin fine ring mounts. This wondrous sword is somewhat similar quality to the Lloyds Patriotic Fund swords, and other highest grade presentation quality swords awarded to officers during wars with France, during the reign of King George IIIrd, in the early 19th century. It would have been commissioned from by one the finest London makers, such as R. Teed of Lancaster Court, or Thomas Gill of St James's, as there are certainly elements of workmanship similar to both Gill and Teed's finest craftsmanship. The blade is polished with areas of age staining and once bore fine engravings and the king's cypher and motto. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet.

Napoleonic period original painting in the gallery of Capt. George William Manby, with his near identical Prize Presentation Sword, painted in 1818, by Samuel Lane..

This sword has its ivory restriction exemption certificate no; RDW66NZ9
It cannot be exported from the UK.  read more

Code: 21774

A Most Rare Third Reich Period Deutche Luftfahrt/DLV Officer's Visor Cap Insignia, German Flyers Associoation

DLV (German Flyers Association). The German Air Sports Association (Deutscher Luftsportverband, or DLV e. V.) was an organisation set up by the Nazi Party in March 1933 to establish a uniform basis for the training of military pilots. Its chairman was Hermann Göring and its vice-chairman Ernst Röhm. Since the Treaty of Versailles officially forbade Germany from building fighter planes of any sort, the German Air Sports Association used gliders to train men still officially civilians for the future Luftwaffe. The first steps towards the Luftwaffe's formation were undertaken just months after Adolf Hitler came to power. Hermann Göring, a World War I ace with 22 victories and the holder of the Orden Pour le Mérite, became National Kommissar for aviation with former Deutsche Luft Hansa director Erhard Milch as his deputy. On 25 March 1933 the German Air Sports Association absorbed all private and national organizations, whilst retaining its 'sports' title. In April 1933 the Reichsluftfahrtministerium (RLM – Reich Air Ministry) was established. The RLM was in charge of development and production of aircraft, and soon afterwards the test site or Erprobungsstelle at Rechlin became its testing ground, a military airfield that had been first established in August 1918. Göring's control over all aspects of aviation became absolute.

The German Air Sports Association was dissolved in 1937 and replaced with the National Socialist Flyers Corps, a corporation under public law and subordinate to Reichsluftfahrtminister Göring.  read more

Code: 23870

A Simply Glorious Bladed 'Katateuchi' 500 Year Old Katana Signed Katsumitsu 勝光. The Bizen Osafune Smiths Renown For Some of The Finest And Most Beautiful Blades To Ever Behold. The Very Form of Katana Used By Musashi, The Greatest Samurai Warrior

The blade on this is katana is truly breathtaking and one of the most beautiful we have had the privilege to own and display for sale amongst our collection.

If the greatest samurai who ever lived, Musashi, had used this sword, it would already have been over 100 years old.

Made and used by samurai, who was an expert in the combat form of two sword combat, that Musashi made famous a century later, and detailed in his iconic biography, The Five Rings

We hope that the photographs truly do this breathtaking sword blade justice.

The blade is not only extraordinarily fine, and with a spectacular hamon, but in superb effectively flawless condition. The fuchi kashira and all the mounts are original Edo period with the Takeda clan kamon, the diamond form flower head of the Hanabishi, made of silvered copper-gold alloy. The hammered iron tsuba is very early, and most rare, made of tamehagane steel by an armourerer and swordsmith, and also in superb condition. The menuki, under the tsuka-ito, on the original samegawa giant rayskin, are shakudo and gold decorated plants.

A katateuchi by the Bizen smith Katsumitsu (late Muromachi period, around the late 15th to early 16th century) is a historical one-handed Japanese fighting sword (uchigatana) often measuring roughly 55 to 66 cm in length, featuring a distinctive short tang (nakago) designed for single-handed grip during the Sengoku period. This sword blade is 68cm.
Defining Features of Katsumitsu Katateuchi Crafted by the Osafune school smiths in Bizen Province (frequently associated with master smiths like Jirozaemonnojo Katsumitsu).

Miyamoto Musashi used and advocated for single-handed striking techniques, and the term katate-uchi (片手打ち, meaning "one-handed strike") describes both a functional sword style and a shorter type of uchigatana designed for one-handed use.

Musashi famously founded the two-sword strategy known as Niten Ichi-ryū, around 100 years after this sword was created, where he wielded a long sword (katana or daitō) and a companion short sword (wakizashi or shōtō) at the same time.
One- Wielding a long sword simultaneously with a short sword forces the practitioner to use the main katana with only one hand. Musashi noted in The Book of Five Rings (Go Rin No Sho) that training to use a long sword with one hand is essential because situations arise—such as being on a horse or in narrow spaces—where you cannot use both hands.

Late Muromachi / Sengoku era (circa 1490–1529), was an era of intense warfare. This sword is a most fine example of katana originally built strictly for one hand rather than the two-handed grip of a standard katana.
Typically a katana form that was, optimized for rapid drawing and close-quarters combat.

The Katsumitsu of Kashu Province resided in this province, This province was ruled by Maeda clan when Katsumitsu was alive. Maeda clan was originally a retainer of Oda family, who ruled Owari province. (today’s Nagoya area in Aichi prefecture) The first head of the Maeda clan was Toshie Maeda. He became the feudal lord of Kaga Province . It is said that he had a vast rice fief which is called Hyakuman Goku.
The Maeda clan was one of the most powerful lines in Samurai history. Toshie Maeda had a close tie with Oda Nobunaga and Hideyoshi Toyotomi.

The sword is mounted with a most fine Ko-Tōshō Sukashi Tsuba likely Kamakura period, ca. 1185–1333.

The Ko-Tōshō sukashi tsuba is solid iron plate tsuba, an early Japanese sword guard (tsuba) made by swordsmiths (Tōshō) during the pre Muromachi period (1336–1573). These pieces feature simple openwork (sukashi) cut from robust iron plates, blending utilitarian defense pierced with austere Zen-Buddhist symbolism. Made by early swordsmiths and armourers often using tamahagane sword steel

The saya needs a kurigata {sageo cord horn mount that is damaged} restored, a small task but we will attend to it. The saya is black ishime {stone finish in matt black}

Blade 68 cm long, 97 cm long overall in saya  read more

Code: 26326

A Beautiful Victorian Hidden Gadget System Cane, Known As the Toulouse-Lautrec Cane. In Carved Mallacca Wood

Of all systems canes, the Toulouse-Lautrec walking stick is certainly the most unique. This stick is named after the famed 19th-century artist whose personal reputation rested largely upon his frequent visits to cabarets and dance hall bars within the mystical underbelly of Montmartre in Paris, France.

This intriguing type of cane, also known as a tippling stick, conceals the necessary apparatus related to travelling alcohol consumption: a tubular glass flask fixed within the haft, and in the separate top section, a hollow empty receptacle for either using as a drinking cup or to hold small 'tipple' glasses. Both sections are connected by screw threaded silver plated copper metal mounts

Notably, it is often said that Toulouse-Lautrec himself personally commissioned a wooden-shaft cane with a secret compartment in which he could hide a small glass vial for liquor, mostly absinthe, known as the 'green fairy'.

Systems canes are the most highly collected types of canes and there are literally thousands of types from which to choose. A system cane is one that has a dual purpose or hidden meaning or function. These canes were used in much the same way as we use a wallet or a purse today and wealthy gentlemen or ladies would have owned several canes to be used for different outings and purposes.  read more

Code: 26299

A Most Interesting and Very Attractive, 1800’s Continental, Napoleonic Wars Period Flintlock Carbine. Based on a French Pattern. Likely A British Officer's Souvenir Of His Combat Service In The Napoleonic Campaigns.

A very handsome small carbine, with a very good tight and crisp action. Likely for cavalry or mounted artillery use.
Fine walnut stock with fine patination, all steel furniture, in very nice order, including the butt plate, side-plate, trigger guard, and three screw fixed barrel bands. Both sling swivels present. Likely a war souvenir, brought back to England by the British officer. The barrels were then re-proofed by the Birmingham proof-house, with the 1813 Birmingham proofs stamps upon the barrel breech, for continued use in Britain.

This fine carbine will make a incredibly attractive display piece, complimenting any decor, and also perfect for a Napoleonic Wars historical artifact collector, as an example of a rarely seen form of original flintlock for an incredibly low price, compared to the regulation pattern French equivalents.

The Napoleonic Wars (1803–1815) were a global series of conflicts pitting the French Empire under Napoleon Bonaparte against shifting European coalitions. Emerging from the French Revolution, the wars gave France temporary control over most of continental Europe before ending in Napoleon's final defeat.
Britain resumed war with France, leading to the Third Coalition. Napoleon secured a masterclass victory at the Battle of Austerlitz (1805), though Britain secured naval dominance at Trafalgar.
Napoleon enforced a trade blockade against Britain called the Continental System. Portugal's refusal led to the costly Peninsular War in Spain and Portugal, draining French resources.Invasion of Russia (1812):
A disastrous winter retreat from Moscow decimated the French Grand Army and inspired a unified Sixth Coalition.
Allied forces captured Paris, forcing Napoleon to abdicate and retreat to Elba.Conclusion of the ConflictThe Hundred Days (1815): Napoleon escaped exile, returned to France, and raised a new army during the War of the Seventh Coalition.Battle of Waterloo (June 18, 1815): Allied forces led by the Duke of Wellington and supported by Gebhard Leberecht von Blücher decisively defeated Napoleon.

Napoleon was exiled once more, but to far more isolated, to the island of Saint Helena, and the Congress of Vienna redrew Europe's political boundaries.

42 inches long overall. Replaced wooden rammer.  read more

Code: 26328

A Original Antique Vintage & Iconic Collectors Piece . A Simply Superb Original Thompson, 'Tommy Gun'. The Auto Ordnance Sub Machine Gun, The 1928A1, The Iconic & Most Famous American Machine Gun In the World. Known as 'The Chicago Piano' . Deact.

Fine walnut stock, with stunning patina, with the much sought after early pattern pistol grip, and the early 'long' box magazine, all its original blue finish, with commensurate combat service wear.

A superb example, as good as any of the best examples in the Imperial War Museum, and their like, and a rare example bearing three of the best inspection stamps you would like to see but rarely do. Thus it is stamped by The US Army Inspector of Ordnance for the Rochester District, Lt. Colonel Ray L. Bowlin, using his official stamp, RLB (from 1940, until 1942). Also stamped, GEG the initials of Auto-Ordnance’s inspector, George E. Goll. Plus, it has has the US Army 'flaming grenade' approval stamp for combat service issue in WW2.
All the previously described stamps are, effectively, its ‘built-in’ provenance, that it was acquired for the US Army for combat service, in 1941, for the entry of WW2 by the USA, and approved for use in the Pacific Theatre and Europe.

Interestingly, at the time it was the most expensive machine gun ever made, the cost in the 1930’s was $250 each, paid by the British Government in order for urgent arms supplies desperately required as we were tragically ill prepared for war {as usual}. Especially so, because after the incredible evacuation of the army at Dunkirk, when all our arms and 60,000 vehicles were left abandoned in France, Britain only had around one light machine gun left for every mile of British coastline. Fortunately, Hitler was unaware just how completely unprepared for the coming war we were, as we had been criminally let down by the 1930’s pre-Churchill era of government. To put into context how much $250 dollars was worth in 1939, a British ‘Tommy’ regular soldier was paid just $3 a week. Thus a ‘Tommy Gun’ cost almost two years pay for a British soldier.
Hence the need for a really cheap, basic, British version to be designed, put into production and supplied to the army, and incredibly quickly. Thus the Sten Gun was born, at a production cost of only $10. each. So, it was 25 Sten Guns produced for the cost of every 1 Tommy Gun, with 3 million made by the end of 1945.

Even the US government balked at the cost of the 1928A1 Tommy Gun, so they order a major re-designed far cheaper model, the M1A1 Tommy Gun. Eventually to be itself replaced by the M3, the so called ‘Grease Gun’.

This fabulous machine gun was as seen used {specifically the 1928A1 ‘Tommy Gun’} by Johnny Depp, (one of America’s most talented actors),
in his remarkable movie portrayal of John Dillinger in, 'Dillinger'.

The absolute archetypal Tommy Gun of the Chicago Gangster era. Known as the 'Chicago Piano' it is probably the most famous American Machine gun ever made. There was certainly not a single 1930's Chicago Gangster movie made in Hollywood that did not feature the Tommy Gun. 1920's Millionaire Industrialist Richard B. Mellon once said of it "You could not run a coal company without Machine Guns".. 1928A1 model with Fluted Barrel, forward Pistol Grip, Cutts Compensator, Lyman peep site, long box mag. In the USA this gun is supremely collectable as one of the very best, and one of the most famous guns, ever made. Incredibly a 1928 pattern 'Tommy Gun' gun could sell in the US for up to $40,000, in fact one that was sold by a Sheriffs Dept, for charity, in April 2006 at Rock Island, was sold for $80,500. Very sadly, even though deactivated, we cannot export this gun to America, or outside Europe. Some of the infamous gangsters that used the Tommy gun were, Clyde Barrow, Bonnie Parker, John Dillinger, "Machine Gun" Kelly, "Baby Face" Nelson, "Ma" Baker and her sons & "Pretty Boy" Floyd. Picture in the gallery of Johnny Depp in Dillinger.

The Thompson submachine gun (nicknamed the Thompson or Tommy Gun) is an American submachine gun, invented by John T. Thompson in 1918, that became infamous during the Prohibition era. It was a common sight in the media of the time, being used by both law enforcement officers and criminals. The Thompson was also known informally as: the "Tommy Gun", "Trench Broom", "Trench Sweeper", "Chicago Typewriter", "Chicago Piano", "Chicago Style", "Chicago Organ Grinder", and "The Chopper".

The Thompson was favoured by soldiers, criminals, police and civilians alike for its ergonomics, compactness, large .45 ACP cartridge, reliability, and high volume of automatic fire. It has since gained popularity among civilian collectors for its historical significance. It has considerable significance in popular culture, especially in works about the Prohibition era and World War II, and is one of the most well known and recognised firearms in history.

Just returned from being surface cleaned and fully conserved in the workshop.
For sale to over 18's only

Deactivated UK Spec, with certificate. Not suitable for export

As as a point of interest, in a documentary interview with Sir Christopher Lee, one of England’s great actors, when asked
“of all the performers you ever watched or worked with, in your 60 years as an actor, who do you believe to be the worlds greatest actor?”,
He replied, without a seconds hesitation,
“Johnny Depp”

Fixed cocking lever, movable switchable auto, semi auto lever,  read more

Code: 26329

A Fabulous, Original, High Middle Ages, Museum Piece. A 13th Century Medieval Knightly Sword of the Henry IIIrd and Simon de Montfort Period, Made And Used By a Knight of The IInd Baron's War Era, the Battle of Lewes in 1264. Oakshott Typology Type XII

What a fabulous, original, High Middle Ages Medieval ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.
A wonderful example piece, from the ancient knightly age, of the IInd Baron’s War era between Simon de Montfort, Earl of Leicester, and King Henry IIIrd.

The battle site is still not completely agreed upon, but part of the conflict was recorded at Offham hill, and this is was just 4 miles south of our farm, Thousands of the protagonists soldiers were supposedly camped within our grounds, but at present it is not certain for which side they fought. Our farm was originally part of Earl Godwin’s estate, later more famously known as King Harold, who also supposedly camped here on our land immediately before his disastrous Battle of Hastings in 1066 {actually fought inland in the town, that is now called Battle, and not at Hastings at all}. A Canadian funded documentary was filmed here recently.

Effectively, from this time of around eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary. Medieval 'Oakeshott type XII' Single-Handed Sword
13th century. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. A superb original knightly double-edged iron sword with broad, flat, evenly tapering blade, the blade tending to widen perceptibly below the hilt, and the fullers are well defined, extending from below the guard for more than half of the blade's length, the blade's cross-section is of of straight lenticular design, the style of guard one of the most common of the category, i.e. a not exaggeratedly long and straight, with flattened cross-section, the pommel is a handsome thick rhomboid piece, fitted with fastening central rivet. The blade has been broken in combat and lost around quarter of its original length.
See Oakeshott, E., The Sword in the Age of the Chivalry, London,1964 (1994).

A fine example piece, from the ancient knightly age, from almost 800 years past. Although this sword is now in an obvious ancient, and historical, russetted condition, with some elements lacking, every item made of iron from this era, such as the rarest of swords and daggers, even in the Royal Collection, are in this very same state of preservation.

Henry III (1 October 1207 - 16 November 1272), also known as Henry of Winchester, was King of England, Lord of Ireland, and Duke of Aquitaine from 1216 until his death. He was the fourth king of the House of Plantagenet. The son of King John and Isabella of Angouleme, Henry assumed the throne when he was only nine in the middle of the First Barons' War. Cardinal Guala declared the war against the rebel barons to be a religious crusade and Henry's forces, led by William Marshal, defeated the rebels at the battles of Lincoln and Sandwich in 1217. Henry promised to abide by the Great Charter of 1225, which limited royal power and protected the rights of the major barons. His early rule was dominated first by Hubert de Burgh and then Peter des Roches, who re-established royal authority after the war. In 1230, the King attempted to reconquer the provinces of France that had once belonged to his father, but the invasion was a debacle. A revolt led by William Marshal's son, Richard Marshal, broke out in 1232, ending in a peace settlement negotiated by the Church.
Later on the Henry's reign came The Second Barons' War (1264-1267) it was a civil war in England between the forces of a number of barons led by Simon de Montfort against the royalist forces of King Henry III, led initially by the king himself and later by his son, the future King Edward I. The war featured a series of massacres of Jews by Montfort's supporters including his sons Henry and Simon, in attacks aimed at seizing and destroying evidence of Baronial debts.

The Battle of Lewes was one of two main battles of the conflict known as the Second Barons' War. It took place at Lewes in Sussex, on 14 May 1264, just around fourteen miles from our Brighton shop, and four miles south of our farm North of Lewes. It marked the high point of the career of Simon de Montfort, 6th Earl of Leicester, and made him the "uncrowned King of England". Henry III left the safety of Lewes Castle and St. Pancras Priory to engage the Barons in battle and was initially successful, his son Prince Edward routing part of the baronial army with a cavalry charge. However Edward pursued his quarry off the battlefield and left Henry's men exposed. Henry was forced to launch an infantry attack up Offham Hill where he was defeated by the barons' men defending the hilltop. The royalists fled back to the castle and priory and the King was forced to sign the Mise of Lewes, ceding many of his powers to Montfort. After a rule of just over a year, Montfort was killed by forces loyal to the King in the Battle of Evesham.

The swords of this era have the following characteristics. The fuller is well-marked and occupies two-thirds to three-quarters of the blade-length. It often starts on the tang within the hilt, and may be double or treble. The grip is a little longer than in the preceding types XI, X etc, averaging about 11.5cm. The tang is generally flat with almost parallel sides, or swelling a little in the middle. The cross can be of almost any style, though a short, straight one is most common, like in this case. The pommel, too, can be of any type though the thick disc with strongly bevelled edges (Type I) predominates. Here however the specimen shows similarity with a sword represented in a sculpture from the cathedral of Bamberg, dated at 1250 AD Douce Apocalypse, c. 1265-70. The dragon, who is Satan, comes forth again (Rev. 20:7). One contemporary painting in the gallery is of the rebel Earl of Gloucester, depicted with his alleged ally, Satan. Among the flags of the host of Satan is that of Gilbert de Clare, Earl of Gloucester, who had opposed Henry III. Usually the type XII presents a broad, flat, evenly tapering blade, generally with a good sharp point and tending to widen perceptibly below the hilt.(Oakeshott, 1964 (1994), p.42). Weight 1.2 kg, 73cm (28 3/4" inches long overall).

The Oakeshott typology is a way to define and catalogue the medieval sword based on physical form. It categorises the swords of the European Middle Ages (roughly 11th to 16th centuries1) into 13 main types, labelled X through XXII. The historian and illustrator Ewart Oakeshott introduced it in his 1960 treatise The Archaeology of Weapons: Arms and Armour from Prehistory to the Age of Chivalry.

The system is a continuation of Jan Petersen's typology of the Viking sword, which Petersen introduced in De Norske Vikingsverd ("The Norwegian Viking Swords") in 1919. In 1927, the system was simplified by R. E. M. Wheeler to only seven types, labelled I through VII. Oakeshott slightly expanded the system with two transitional types, VIII and IX, and then he started work on his own typology.

Among the many reasons for his typology, Oakeshott found date classification unreliable during his research. He wrote that the weapons' dates of manufacture, use, and retirement have been greatly obscured by trade, warfare, and other various exchanges combined with the weapons' own longevity.

The High Middle Ages, or High Medieval Period, was the period of European history between c. 1000 and c. 1300; it was preceded by the Early Middle Ages and followed by the Late Middle Ages, which ended c. 1500 according to historiographical convention. Key historical trends of the High Middle Ages include the rapidly increasing population of Europe, which brought about great social and political change from the preceding era, and the Renaissance of the 12th century, including the first developments of rural exodus and urbanization. By 1350, the robust population increase had greatly benefited the European economy, which had reached levels that would not be seen again in some areas until the 19th century. That trend faltered in the early 14th century, as the result of numerous events which together comprised the crisis of the late Middle Ages—most notable among them being the Black Death, in addition to various regional wars and economic stagnation.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.
As is always usual, the wooden grip section perished centuries past. As almost every iron weapon that has survived today from this era is now in a similar russetted condition, just as this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a relatively good state and condition. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel. Our artisans can accomplish this if required.  read more

Code: 22937

A Most Fine Circa 1700 year Old Imperial Roman Vassal Warrior's Dagger Blade, Used Up To and Into The 5th Century AD Including By The Personal Guard of Emperor Gratian.

In superbly preserved condition, just lacking its organic material hilt, as is far more usual than not, due to wood and organic materials never surviving buried for longer that a few hundred years.
The condition is exceptional, likely cleaned and conserved after its discovery. The smoother surface probably indicates it was recovered from a soil that geologically well preserved ferrous metal rather than overtly corrupted.

The same dagger as used by the personal guard units of Roman Emperor Gratian, who was so impressed by the skills of the Alans in combat, he invited them to be part of his personal guard, and he even went so far in his respect of their prowess in combat as to wear the very same form of armour as they wore.

Used by the warriors known as the 'Alans', they were predecessors of the medieval European knights, and from whence the Christian name Alan, that is still used today, descended from.

The Alans laid the foundation of medieval military tradition in Europe and inspired British mythology.

This is an incredible, original, Alans dagger, known as the a Samartian, blade, in very fine condition, professionally cleaned and superbly conserved.

The Alan guards combat dagger is highly distinctive, bearing two opposing side cuts at the ricasso before the tang. From the time when the Alan's Samartian warriors fought with the Roman Legions against Attila the Hun, and the Hunic invasion, and the battles of the Catalaunian Fields, that led to the death of Attila.

The Alans pursuit of war, a decent opponent and heroic death was legendary in the ancient times. But how did these tribes end up with such a military role and political impact in the West while so far from their homeland, and most often amongst enemies. Clearly, their number or strength was not the answer.

They conquered the West with their military culture and outstanding discipline. Their cavalry, clad in steel armour and arranged in tight rows, had the best skills of the time. German kings eagerly invited the Alans to serve in their armies, while their own subjects, mostly marching troops, learned horse riding and horse battle from them. The Alans impressed the arrogant Roman nobility so much that Emperor Gratian (359-383) invited them to his guard unit, reformed his cavalry based on their model and wore Alan clothes and armour himself.

Since the Alan society was mostly war-oriented, boys were taught horseback riding from early childhood. According to Marcellinus, Alan warriors considered it offensive for a man to walk. Isidore of Seville noted in the 6th century that they even looked somewhat clumsy without their horses.

The warriors and tribes known as Alans were part of the tribes derived from the word and term of the earlier people known as Aryans, from the old Indo-European-Iranian word Arya. Tall and good-looking with fair hair and menacing looks, the Alans were more warlike than other ethnic groups related to them. Later, their source name, Aryan, was used and abused by notorious effect by Hitler's 3rd Reich in the 20th century, as the basis of the true ancient Germanic peoples. This blade shape is highly distinctive and may well itself inspired the very similar blade shape of the German WW2 SS dagger, as much as the Tudor English Holbein dagger worn by Henry the 8th is said to have inspired the entire SS dagger pattern.
This dagger blade is from the 5th-6th century AD. A two-edged leaf-shaped iron blade, lentoid in section with tapering tang, notch above each shoulder. During the first period, the Alans appear as a nomadic, warlike, pastoral people who were professional warriors and took service, at various times, with the Romans, Parthians, and Sasanians.

Their cavalry was particularly renowned. They participated in Mithridates wars with Rome (chronicled by Lucan), as well as in Roman campaigns in Armenia, Media, and Parthia in the 1st and 2nd centuries A.D. (see Josephus, Jewish Wars 7.244-51, Antiquities 18.97; cf. accounts in Moses of Khoren, History of the Armenians Langlois, Historiens II, pp. 105-06, 125 and the Georgian Chronicle Kartlis tskhovreba, in M. F. Brosset and D. I. Chubinov, Histoire de la Georgie I, St. Petersburg, 1849). Ammianus Marcellinus (31.2) describes the Alans? nomadic economy and warlike customs.

The invasion of the Huns split the Alans into two parts, the European and the Caucasian. Some of the European Alans were drawn into the migration of peoples from eastern into western Europe. With the Germanic tribes of Visigoths and Vandals they passed into Gaul and Spain, some even reaching North Africa. The Alans fought on the side of the Romans in the battle of the Catalaunian Fields (A.D. 451), when Aetius defeated Attila, chief of the Huns. In 461 and 464 they made incursions into Italy. After Attila's death they struggled, together with the Germanic tribes, to free themselves from Hun domination. Large Alan hordes settled along the middle course of the Loire in Gaul under King Sangiban and on the lower Danube with King Candac (the historian Jordanes sprang from the latter group). Another settlement is indicated by the name of the Spanish province Catalonia, which is but a slight deformation of Goth-Alania, provine of the Goths and Alans. The French proper name Alain and English Alan are an inheritance from the tribe. The Alans also left an imprint on Celtic folk-poetry, e.g., the cycle of legends concerning King Arthur and his knights of the Round Table (see M. Hesse, Iranisches Sagengut im Christlichen Epos, Atlantis 1937, pp. 621-28; J. H. Grisward, The motif of the sword thrown into the lake : The death of Arthur and the death of Batradz, Romania 90, 1969, pp. 289-340). Part of the European Alans remained in the lands bordering the Black Sea, including the Crimea. Gratian, Emperor Flavius Gratianus; 18 April 359 – 25 August 383) was emperor of the western part of the Roman Empire from 367 to 383. The eldest son of Valentinian I, Gratian accompanied his father on several campaigns along the Rhine and Danube frontiers and was raised to the rank of Augustus in 367. Upon the death of Valentinian in 375, Gratian took over government of the west while his half-brother Valentinian II was also acclaimed emperor in Pannonia. Gratian governed the western provinces of the empire, while his uncle Valens was already the emperor over the east.

Gratian subsequently led a campaign across the Rhine, attacked the Lentienses, and forced the tribe to surrender. That same year, the eastern emperor Valens was killed fighting the Goths at the Battle of Adrianople, which led to Gratian elevating Theodosius to replace him in 379. Gratian favoured Nicene Christianity over traditional Roman religion, issuing the Edict of Thessalonica, refusing the office of pontifex maximus, and removing the Altar of Victory from the Roman Senate's Curia Julia. The city of Cularo on the Isère river in Roman Gaul was renamed Latin: Gratianopolis after him, which later evolved to Grenoble.

Hilts of Roman era swords and daggers effectively, are almost non existent, as they were made of organic materials, such as wood, horn etc. which rarely survives on edged weapons more than 400 to 500 years or so.  read more

Code: 22083

The African Queen First Edition by C S Forester . Cecil Louis Troughton Smith, Known As Cecil Scott "C. S." Forester, "A Joy To Receive, Yet An Even Greater Joy To Give" M.H.

FORESTER, C.S. The African Queen

Heinemann, 1935.

First edition. Original brown cloth with gilt titles to the spine. A nice original copy with wear to the spine ends.

One of our most popular purchases from The Lanes Armoury, for gifting will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.
The African Queen is a 1935 novel written by English author C. S. Forester. It was adapted into the 1951 film of the same name.

The First UK printing published by William Heinemann Ltd., London in 1945. The BOOK is in Very Good++ condition . Original publisher's tan cloth with gilt titling to the spine. Very light bumping to the lower corners. Mild pushing to the spine tips with a very light vertical crease to the spine. The binding remains very tight and sound. Mild spotting to the text block with some light toning to the page edges. Free from inscriptions and erasures. A small light mark to the rear lower panel. Protected in a loose archival Mylar cover. Only 2500 copies were printed and very scarce in its original binding. The book was adapted very successfully for the 1951 John Huston film of the same title starring Humphrey Bogart and Katharine Hepburn. A very sharp collectible copy.

As World War I reaches the heart of the African jungle, Charlie Allnutt and Rose Sayer, a dishevelled trader, and an English spinster missionary, find themselves thrown together by circumstance in German Central Africa. Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen... and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.


Cecil Louis Troughton Smith (27 August 1899 – 2 April 1966), known by his pen name Cecil Scott "C. S." Forester, was an English novelist known for writing tales of naval warfare. He is most remembered for his 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic wars; indeed, Hornblower has become embedded in the consciousness of generations growing up in the earlier part of the 20th century.

One of the author's most sought books, as a consequence of the classic John Huston film of 1951 starring Humphrey Bogart and Katherine Hepburn. Photo in the gallery of the early The African Queen movie poster {for information only}  read more

Code: 25971