An Invitation From the Duke of Wellington To Major Gen Bourchier, Noted Veteran of the Battle Of Waterloo. A Personal Invitation From Wellington to Attend The Waterloo Anniversary Celebration Banquet at Apsley House

As a young Captain/Major Lt General Bourchier served in the 11th Light Dragoons in the Peninsular War and with distinguished heroism at Waterloo. For his bravery he was awarded a gold medal and promoted by Wellington to Brevet Lt. Colonel and later became the Colonel of the 3rd Dragoon Guards. His son was awarded the Victoria Cross aged 23 for service in the Crimean War.

This personal invitation from the Duke of Wellington is to attend the special Waterloo anniversary dinner at Apsley House. We also had the 1796 pattern sabre now sold made for the IIth Light Dragoons. The 11th Light Dragoons later became the 11th Hussars. The 11th fought at both the Peninsular War and at the Battle of Waterloo, and were awarded almost 500 medals for Waterloo. After a spell in Ireland the 11th were sent to Spain and Portugal to reinforce Wellington's army. Their strength, normally around 300 in peacetime was raised to 725. They arrived in June 1811 and, as in Egypt, they had a bad start. A dawn attack by the French in woods between Elvas and the Guadiana forced the 11th to retire on to what they thought were friendly portugese lines. When they realised they were French, their commander Capt Lutyens ordered the charge. The shock tactic worked and they were able to drive their way through, but a second line of enemy troops was able to resist them. They lost 8 killed, 22 wounded and 77 taken prisoner.
The regiment had more success at El Bodon near Cuidad Rodrigo on 25th September. By this time they were commanded by Lt Col Cumming, a brave and efficient cavalry officer. A large force of French cavalry was threatening Allied infantry and artillery on the plain in front of the 11th and a squadron of the King's German Legion who were well placed on high ground. Although they were vastely outnumbered the 11th and KGL charged at the enemy again and again, 20 times in all.

The 11th were part of Wellington's great victory over Marmont at Salamanca on 22nd July 1812 but by 3rd April 1813 they had to give up their horses and embark for England much to the regret of Sir Stapleton Cotton who was in command of the cavalry in the Peninsula. It had been a hard two years for them having lost 417 men and 555 horses.

During their time in the Peninsula many changes had been made to the uniforms of the British Army. The Prince Regent had a keen eye for dress and with his newly acquired position of supreme power was determined to push through his ideas dased on continental military trends. The 11th exchanged it's light dragoon Tarleton helmet for a shako. The new jacket was still dark blue but had a buff plastron covering the chest, and white epaulettes, silver for officers. With the return of Napoleon in March 1815 the war with France resumed and the 11th arrived at Ostend on 2nd April. They were in Vandeleur's brigade with the 12th and 16th and had an unprecedented strength of 947 men. They came under heavy attack at Quatre Bras but did not suffer badly. On the 18th June 1815 the Battle of Waterloo began after a terrible night of torrential rain. It was a frustrating morning for the British cavalry who had to stand and watch an infantry battle. Against Wellington's wishes, the heavy cavalry made a brilliant charge that was spoiled by it's failure to re-form. The 11th under the command of Lt Col Money were sent into action when it looked as if the enemy were breaking up. They broke a French infantry square and carried on with the pursuit of Naploeon's fleeing soldiers.
Wellington entered Paris in triumph on 7th July escorted by the 11th and others. The regiment bivouacked on the Champs Elysees and became part of the army of occupation in France and Belgium. On 20th November they eventually arrived home after 3 years on the continent  read more

Code: 19367

An Original, Beautiful, Original Watercolour of a 19th Century Officer Royal Inniskilling Fusiliers, H Reginald Coombes

485mm x 379mm frame size. Signed by the artist H Reginald Coombes. A very well painted piece in good condition and most charming style, of one of the officers of one of the great historical regiments of the British Army. The First Battalion of the 27th distinguished itself at the Battle of Maida in Southern Italy in 1806, and together with the Second and Third Battalions formed part of the Peninsula Army, which under the Duke of Wellington cleared Spain and Portugal of the French between the years 1809 and 1812, and finally entered France in triumph. There is not space enough here to recount all the details of the Regiment’s doings in the campaign but the names Badajoz, Salamanca, Vittoria, Pyrenees, Nivelle, Orthes, and Toulouse emblazoned on the Colours are sufficient testimony that it played a not undistinguished part therein.

The 27th was the only Irish infantry regiment (out of eight in the army) to fight at the Battle of Waterloo on the 18th June 1815, where the Emperor Napoleon was finally overthrown and his dreams of world-domination dispelled forever. It is perhaps its most cherished battle-honour as there it held a position of vital importance against great odds the whole day and in after years was acknowledged by the Duke of Wellington to have saved the centre of the line.

After a period of peace it found itself in South Africa where between 1837 and 1847 it was engaged in several of the numerous native wars that occurred during those years. From 1854 and 1868 it served in India taking part in the suppression of the Indian Mutiny and helping to preserve law and order in North-West India. In 1881, as a result of the reforms begun in 1870, the Twenty-Seventh became the First Battalion Royal Inniskilling Fusiliers and a Second Battalion (descended from an East India Company Regiment, the Third Madras Europeans, later the Hundred and Eighth Regiment of the Queen’s Service) came into being; at the same time three Regiments of Irish Militia became the Third, Fourth and Fifth Battalions.

The Second Battalion saw service in the great uprising of the Pathan tribes in the Tirah Valley on the North-west frontier of India in 1897-98, and after the end of that campaign remained in India until January 1902 when it was sent to South Africa to take part in the closing stages of the Boer War. The First Battalion reached South Africa in November 1899 and was part of General Buller’s army sent to lift the siege of Ladysmith. Its first actions were at the battle of the river crossing at Colenso. Some months later, at Inniskilling Hill, the battalion’s Medical officer was awarded a Victoria Cross for rescuing a wounded officer whilst under heavy enemy fire. From late in 1901 to the end of the war in 1902 the battalion constructed and occupied numerous sections of the block-house line which divided the country into large areas surrounded by wire with fortified posts at intervals. Within these areas mounted troops drove the Boers on to the wire fences, where, being caught between two fires, they were forced to surrender.  read more

Code: 22548

A Most Beautiful, Original, Victorian, Merryweather British Fire Service Helmet, In Brass With Gilt Dragon Comb

An original British Victorian fire service helmet, with signs of service use, naturally, and with denting on the crest and skull as usual, but it is simply part of its character, to demonstrate this is not a piece that never saw service but was used as it should, but cared for, and beautifully preserved for posterity.

The traditional two-piece skull has the embossed raised dragon comb, rose bosses, crossed axe and hoses helmet plate, and original leather liner around 75% complete. Overall in every way average condition for age.

The desirable standard pattern of Fire Service helmet used by all British county and city Fire Services in the Victorian era and just past WW1.

The earliest fire brigade was Roman and that is the first fire brigade of which we have any substantial history was created by Marcus Licinius Crassus. Marcus Licinius Crassus was born into a wealthy Roman family around the year 115 BC, and acquired an enormous fortune through (in the words of Plutarch) "fire and rapine." One of his most lucrative schemes took advantage of the fact that Rome had no fire department. Crassus filled this void by creating his own brigade?500 men strong?which rushed to burning buildings at the first cry of alarm. Upon arriving at the scene, however, the fire fighters did nothing while their employer bargained over the price of their services with the distressed property owner. If Crassus could not negotiate a satisfactory price, his men simply let the structure burn to the ground, after which he offered to purchase it for a fraction of its value. Emperor Nero took the basic idea from Crassus and then built on it to form the Vigiles in AD 60 to combat fires using bucket brigades and pumps, as well as poles, hooks and even ballistae to tear down buildings in advance of the flames. The Vigiles patrolled the streets of Rome to watch for fires and served as a police force. The later brigades consisted of hundreds of men, all ready for action. When there was a fire, the men would line up to the nearest water source and pass buckets hand in hand to the fire.

Rome suffered a number of serious fires, most notably the fire on 19 July AD 64 and eventually destroyed two thirds of Rome.
In the UK, the Great Fire of London in 1666 set in motion changes which laid the foundations for organised firefighting in the future. In the wake of the Great Fire, the City Council established the first fire insurance company, "The Fire Office", in 1667, which employed small teams of Thames watermen as firefighters and provided them with uniforms and arm badges showing the company to which they belonged.
However, the first organised municipal fire brigade in the world was established in Edinburgh, Scotland, when the Edinburgh Fire Engine Establishment was formed in 1824, led by James Braidwood. London followed in 1832 with the London Fire Engine Establishment. No chinscale, some small split perishing on the skull above top right of the badge, see photo two in the gallery.  read more

Code: 25332

Pair Of Rare Original WW2 British St John & Red Cross Badges. Original Ann Hopkin Badges 1945 Red & White Enamel with Gold Rose Petals Borders.

Two Tudor Rose badges, a special badge for members serving under the India Office, worn on the collar of the greatcoat ½ an inch above the inner step of the step opening or the collar of the jacket. Ann Hopkin who was a Welfare Officer in India with the St John and Red Cross Service Hospital Welfare between 1945 and 1946.

Bearing small apertures to enable stitching them upon a collar

https://museumandarchives.redcross.org.uk/objects/8350

20mm Across  read more

Code: 25597

A Shinto Samurai Yari Pole Arm Signed Yamashiro Kami Fujiwara Norishige, Probably Yamashiro-no-Kami Fujiwara Kunishige, Early Edo Period

A beautiful Edo Period Samurai Horseman Ryo-Shinogi Yari Polearm on original haft, signed.
With original pole and iron foot mount ishizuki. Four sided double edged head. The mochi-yari, or "held spear", is a rather generic term for the shorter Japanese spear. It was especially useful to mounted Samurai. In mounted use, the spear was generally held with the right hand and the spear was pointed across the saddle to the soldiers left front corner. The warrior's saddle was often specially designed with a hinged spear rest (yari-hasami) to help steady and control the spear's motion. The mochi-yari could also easily be used on foot and is known to have been used in castle defense. The martial art of wielding the yari is called sojutsu. A yari on it's pole can range in length from one metre to upwards of six metres (3.3 to 20 feet).
The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari. Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century.

The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods.  read more

Code: 25187

A Simply Stunningly Mounted Handachi Katana Shinto Period Circa 1650. Handachi Kabutogane, Shibabiki,

Shakudo and gold fittings with a pair of top quality gold and shakudo tiger menuki under the orginal Edo period silk wrap tsukaito, over black giant rayskin, samegawa. Bulls blood ishime stone finish lacquer, sukashi mokko tsuba in the form of clan mon crests. The sword is mounted in a beautiful matching suite of original Edo period gold and shakudo handachi fittings, with kabutogane, shibabiki, and ishizuki. Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them. The blade shows a dramatic sophisticated suguha hamon straight with a few natural age pit marks. As with all our items it comes complete with our certificate of authenticity.

Overall 39.75 inches long, blade tsuba to tip 25.65 inches long  read more

Code: 23354

A Set of Exceptionally Beautiful & Fine Antique Edo Period Complete Suite of Samurai Tanto Mounts { Koshirae } Of Exceptional Quality Fuchi-kashira, the Kashira Of Jurōjin 寿老人 The Old Man of Longevity. With a Wooden Blade

Although for many years samurai swords {all edged tanto are called swords by tradition} with such wooden blades, have often titled as a samurai Doctor's swords, as it has a wooden blade, it is actually incorrect, a suite of sword koshirae have always been revered as much as the blade, and when a blade is stored in its shirasaya storage mount, the sword is disassembled, and a wooden blade is hand carved to identically replicate its real blade, in order to correctly re-fit the mounts together, as if the real blade was present.
However, for centuries now, and especially in Europe, sword koshirae have be highly prized collector's pieces, being works of sublime art in their own right. Thus a set of fabulous antique sword mounts and fittings such this have long been collector's items, separate from the once fitted blade.

Jurōjin (寿老人 'Old Man of Longevity') is one of Japanese mythology's Seven Gods of Fortune or Shichifukujin. He is the god of longevity. Jurōjin originated from the Chinese Taoist god, the Old Man of the South Pole or Star of the Old Man. He is known as the immortal of the Northern Song dynasty (960–1127), and may have been a historical figure of the period. Jurōjin is identified as the personification of the imagined Southern Polar Star. While paintings and statues of Jurōjin are considered auspicious, he never developed a following in Japan independent of the other Seven Gods of Fortune.

For example a very rare and fine tsuba alone could today fetch up to £40,000 by a master maker. and sword mounts, the fuchi kashira and menuki can now be worth many thousands of pounds. Superb quality Edo period tanto koshirae {sword fittings} with a blade formed wooden blade and habaki tsunagi. The full suite of matching, patinated, honey coloured copper, fushi, kashira, and tsuba bear a stunning kashira that depicts a carved figure of Jurōjin, one of the Japanese seven deities, the tall headed god of happiness, wealth and long life one of the Shichi-fuku-jin (Seven Gods of Luck), particularly associated with longevity. He is supposed to have once lived on earth as a Chinese Taoist sage. He has a white beard, wears a scholar's headdress and he reads from a scroll containing the world's wisdom. The seven are drawn from various sources but have been grouped together from at least the 16th century. They are Bishamon, Daikoku, Ebisu, Fukurokuju, Jurojin, Hotei, and the only female in the group, Benten. He is sometimes confused with Fukurokuju another of the Several Gods of Fortune, who by some accounts inhabits the same body as Fukurokuju. As such, the two are often confused.
The carving of the copper is beautifully executed and the figure has an most charming and jolly smile.

All the matching fittings are in beautiful condition. Only the lacquer of the saya has areas of wear and surface cracking. Overall 59 cm, saya 44cm, tsuka, 15cm  read more

Code: 20993

An Original Antique Executioner's Keris Behari, Alang Pehang, From Indonesia Most Likely Sumatra For Hukuman Salang

The kris also known as keris is called a wilah or bilah. Kris blades are usually narrow with a wide, asymmetrical base. The kris is famous for its wavy blade; however, the older types of kris dated from the Majapahit era have straight blades, and they are the types, such as this one that were used for ceremonial executions.The execution by keris is called hukuman salang. Salang is synonymous with keris panjang.The executioner made the victim to squat then drove the keris panjang from certain spot inside his collar bone down to the heart. The number of luk or curves on the serpentine regular keris blade is always odd. Common numbers of luk range from three to thirteen waves, but some blades have up to 29. In contrast to the older straight type, most kris have a wavy blade which is supposed to increase the severity of wounds inflicted upon a victim. During kris stabbing, the wavy blade severs more blood vessels, creating a wider wound which causes the victim to easily bleed to death.

According to traditional Javanese kejawen, kris contain all the intrinsic elements of nature: tirta (water), bayu (wind), agni (fire), bantolo (earth, but also interpreted as metal or wood which both come from the earth), and aku (lit: "I" or "me", meaning that the kris has a spirit or soul). All these elements are present during the forging of kris. Earth is metal forged by fire being blown by pumped wind, and water to cool down the metal. In Bali, the kris is associated with the naga or dragon, which also symbolizes irrigation canals, rivers, springs, wells, spouts, waterfalls and rainbows; thus, the wavy blade symbolizes the movement of the serpent. Some kris have a naga or serpent head carved near the base with the body and tail following the curves of the blade to the tip. A wavy kris is thus a naga in motion, aggressive and alive; a straight blade is one at rest, its power dormant but ready to come into action.

In former times, kris blades were said to be infused with poison during their forging, ensuring that any injury was fatal. The process of doing so was kept secret among smiths. Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart"The Kris Panjang is worn generally by the Malayan aristocracy, and bridegrooms. I have seen some beautiful specimens of this weapon in Rumbowe, worn by the chiefs of that state. The blades resembled that of a long keen poniard, of Damascus steel; the handles of ebony, covered with flowered gold, and sheaths richly ornamented with the same metal: they are used in the execution of criminals."
Thomas John Newbold, in 1839 wrote

."The last sentence of death passed by Abdul Syed (or Dholl Syed), the ex-Panghúlu, was on a Quedah man, named Sali, in 1805. This Malay had carried off from Malacca two Chinese slaves, a man and a woman; meeting some resistance from the former, he murdered him with his kris, in the forest of Londu, and proceeded with the woman to Pila, in Srimenanti, where he sold her as a slave. "

The present superintendent of Naning, Mr, Westerhout, who was an eye-witness, described to me the ceremony of his trial and execution. The criminal was conducted, bound, to Bukit Penialang, or "Execution Hill," near Tabu. The Panghúlu, the Ampat Suku, the twelve Panglimas, the Bandahara, and the Makdum, were all seated in judgment, under a cluster of Tambuseh trees, on the skirt of the hill.

The witnesses were brought forward, and examined by the Panghulu himself. The evidence against the prisoner being deemed conclusive, according to the forms of the Mohammedan law, he was sentenced, agreeably to the Adat Menángkábowe, to pay one Bhar, equivalent to 24 Sp. drs. 30 cents.) or to suffer (salang) death by the kris.

Being unable to pay the fine, preparations were made for his immediate execution. The grave was dug on the spot, and he was placed, firmly bound in a sitting posture, literally on its brink. For further security, two panglimas sat on each side, while the Panglima Besar Sumun unsheathed the weapon that was to terminate the mortal existence of the trembling wretch.

On the point of the poniard, the kris panjang, the panglima carefully placed a pledget of soft cotton, which he pressed against the man's breast, a little above the right collar-bone. He then slowly passed the weapon's point through the cotton, on which he kept the fingers of his left hand firmly pressed, in a direction obliquely to the left into his body, until the projection of the hilt stopped its farther progress. The weapon was then slowly withdrawn, the panglima still retaining the cotton in its place by the pressure of his fingers, so as to staunch effectually all external effusion of blood.

The criminal, shuddering convulsively, was immediately precipitated into the grave; but on making signs for water, was raised. He had barely time to apply his lips to the cocoa-nut- shell in which it was brought, when he fell back into the grave quite dead. The earth was then hastily thrown over the body, and the assembly dispersed."

-J.B. Westerhout, 1805. Blade 21 inches, overall in scabbard 27 inches  read more

Code: 23769

A Superb Ancient Greek Dagger Blade 13th to 11th Century B.C. From the Trojan War Era, Acquired With. Full Length Bronze Sword Blade From The Same Era

2nd millennium BC. A bronze dagger with tapering triangular blade and median thickening, curved shoulders, flat, sub-rectangular tang with two tang hilt mount piercings. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy113 grams, 26cm (10 1/4"). From a Japanese collection, 1990s.  read more

Code: 23417

A Superb K98 Mauser Combat Bayonet. Early to Pre War Manufacture 1939 By Coppel GmbH. Matching Bayonet & Nickel Plated Scabbard.

Karabinier Kurz Mauser K98k Seitengewehr 84/98. Early bakelite gripped, Serial number 7333. Matching Waffenamt 'Wa253' inspector markings to the scabbard and pommel, with full matching maker markings to both parts. Bayonet blade and scabbard, in wonderful bright plus condition, the bayonet fits and extracts perfectly, with perfect functioning rifle button catch.

A bayonet for the standard Mauser arm used by the Heer Army, Kriegsmarine Navy, used before and during the allied liberation of France, and subsequently the whole of the enslaved Western Europe, until, finally, the capture of Berlin by the Red Army. The Karabiner 98 kurz (German; "carbine 98 short", often abbreviated Kar98k or K98k and often incorrectly referred to as a "K98" (which was a Polish Carbine), is a bolt-action rifle chambered for the 7.92 ×57mm Mauser cartridge that was adopted on 21 June 1935 as the standard service rifle by the German Wehrmacht. It was one of the final developments in the long line of Mauser military rifles. Although supplemented by semi- and fully automatic rifles during World War II, it remained the primary German service rifle until the end of the war in 1945.


Sold to over 18s only.  read more

Code: 25904