Koto Tanto By Masaiye With A Full Matching Suite of Edo Mounts, & a Fabulous Oni Demon Mount on The Saya
Around 500 years old. A stunning tanto with carved steel mounts decorated with geometric Ha-kenkoroitsu pattern, a version of the Hachisuka clan mon, it also has a matching kozuka with gold inlay to match the gold inlay workmanship on the tsuba. Cockeral menuki and a super oni demon mount on the two tone banded lacquer saya. Signed koshirae and blade by Masaiye circa 1530. Although called the manji in Japan symbolising 10,000 years and infinity, and usually used as a Buddhist symbol for temples, this version though is the Ha-kenkoroitsu (from the German word Hakenkreuz, or crooked cross) and it describes it as the 45-degree clockwise manji used by the Nazi party.
Its first recorded occurrence of the swastika named from a sanskirt word dates all the way back the the 6th to 5th millennium BC when it was used in the Vinca script of Neolithic Europe. After that it has been used by primitive society consitently from China to the Americas passing by Greece and Africa. The crooked cross is a historical sacred symbol in all Indian religions. It is used in Hinduism, Buddhism and Jainism. It rose
to importance in Buddhism during the Mauryan
Empire and in Hinduism with the decline of Buddhism in India during the Gupta Empire. It followed the silk road with Buddhism to reach Tibet and China. The symbol was also introduced
to Bali with Hinduism by Hindu kings. The use of the swastika by the Bon faith of Tibet, as well as later religions like Cao Dai of Vietnam and Falun Gong of China, can also be traced to Buddhist influence. The oni is the demon of Japanese folklore. It takes on many other names, sometimes referred to as a devil. Unlike most western cultures, the oni is not necessarily seen as an evil being. It is said to be of a dual nature, meaning it's powers can be good or evil, depending on if it likes the subject it attaches itself too. Oni are credited with bringing good health, safety, peace and avoiding disaster. A typical oni mask has horns, bulging eyes, a sinister looking smile and sharp teeth.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery read more
4750.00 GBP
A Beautiful Suit of Edo Samurai Armour in Gold and Black Lacquer With Blue and Black Lacing, Multi Plate Helmet with Dragon Fly Fukegaeshi, With Ressai {Fierce Face} Menpo
This is a wonderful piece of Japanese Samurai 'art' made for warfare, in a mixture of golds and black lacquer with blue and black with multi plate kabuto {helmet} with a dragonfly on the lacquer oneach front wing, and ressai {fierce face} mento face armour, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type.
Gold and black lacquer do with blue lacing, kazuri with blue lacing, gold and blue laced shirokoro, kusazuri in gold lacquer and purple lacing, armoured sleeve kote.
This armour has remained untouched since it arrival in England likely over a hundred years ago, and probably for longer than that when it was in Japan, and only the two red cords have been replaced on the helmet and waist. We are leaving it exactly as is
Samurai used dragonfly motifs on their armour, clothing and weapons in hope of success in battle.
The urushi lacquer saya is in ishime stone finish pattern.
Japan was once known as the “Land of the Dragonfly”, as the Emperor Jimmu is said to have once climbed a mountain in Nara, and looking out over the land, claimed that his country was shaped like two Akitsu, the ancient name for the winged insects, mating.
Dragonflies appeared in great numbers in 1274 and again in 1281, when Kublai Khan sent his Mongol forces to conquer Japan. Both times the samurai repelled the attackers, with the aid of huge typhoons, later titled Kamikaze (the Divine Winds), that welled up, destroying the Mongol ships, saving Japan from invasion. For that reason, dragonflies were seen as bringers of divine victory.
Dragonflies never retreat, they will stop, but will always advance, which was seen as an ideal of the samurai. Further, although the modern Japanese word for dragonfly is Tombo, the old (Pre Meiji era) word for dragonfly was Katchimushi. “Katchi” means “To win”, hence dragonflies were seen as auspicious by the samurai.
Insects in general have been celebrated in Japanese culture for centuries. The Lady Who Loved Insects is a classic story of a caterpillar-collecting lady of the 12th century court; the Tamamushi, or Jewel Beetle Shrine, is a seventh century miniature temple, once shingled with 9,000 iridescent beetle forewings. In old Japanese literature, poems upon insects are to be found by thousands, Daisaburo Okumoto is director of the Fabre Insect Museum. An avid insect collector and a scholar of French literature, he has translated many of Fabre's works. He ascribes the popularity of insects in Japan to national character. It seems like Japanese eyes are like macro lenses and Western eyes are wide-angle, he says. A garden in Versailles, it's very wide and symmetrical. But Japanese gardens are continuous from the room and also very small. We feel calm when we look at small things. The medieval Japanese monk Yoshida Kenko put it this way: “If man were never to fade away like the dews of Adashino, never to vanish like the smoke over Toribeyama, how things would lose their power to move us!
In the 16th century, Japan began trading with Europe, during what would become known as the Nanban trade. This was the first time matchlock muskets were imported, and as they became mass-produced domestically, samurai needed lighter and more protective armour. As a result, a new style of armour called tosei-gusoku (gusoku), which means modern armour, appeared. After the Battle of Sekigahara and the victory of the Tokugawa, a united Japan was created and entered the so-called 'peaceful Edo period', however, then from henceforth, the shoguns promoted rivallry between his daimyo fuedal clan lords, in order for their military ambitions, attention and suspicions to be upon each other, rather than the shogun. So there were no wars, as such, for over 250 years, but, hundreds of internecine battles, thus samurai continued to combat as usual, using both plate and lamellar armour. This practice, of a version of divide and conquer, of internal factions, rather than external forces, was adopted by many despots ever since, including Sadam Hussein of Iraq, extremely efficiently, and for over 20 years in his case.
Ōyamazumi Shrine is known as a treasure house of Japanese armour. It houses 40% of Japanese armour that has been designated as a National treasure and an Important Cultural Property. Kasuga Grand Shrine is also known as a treasure house of valuable armour
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery read more
12950.00 GBP
A Simply Beautiful, Edo Era Chrysanthemum Silver Kiku Mon Crested, Samurai Abumi Stirrup. Used By Samurai on Horseback, For Standing Archery in Combat, And As A Close Combat Kick Motion Weapon Against Enemy Foot Samurai
This Japanese stirrup, 17th to 18th century, is made in the traditional 'dove's breast' (hato mune) shape with an open platform lined with abilone shell slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is fine decorated in engraved and inlaid silver with the Kiku Mon {chrysanthemum} the imperial flower of Japan pattern has 16 petals, however this is the most rare 18 petal type which means that they likely belonged to a Samurai of a branch of the Imperial family. During the Meiji period, no one was permitted to use the Imperial Seal except the Emperor of Japan, who used a 16-petalled chrysanthemum with sixteen tips of another row of petals showing behind the first row. Therefore, each member of the Imperial family used a slightly modified version of the seal. Shinto shrines either displayed the imperial seal or incorporated elements of the seal into their own tag.
Earlier in Japanese history, when Emperor Go-Daigo, who tried to break the power of the shogunate in 1333, was exiled, he adopted the seventeen-petalled chrysanthemum in order to differentiate himself from the Northern Court's Emperor Kōgon, who kept the imperial 16-petalled mon.
It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.
During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.
The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.
Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.
Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan lords of Japan.
Shogun (Military Dictator)
The apex of the samurai, the Shogun was the most prestigious rank possible for a samurai. Shoguns were the military leaders of the country, { the Emperors from around 1600 were purely ceremonial leaders } and thus the Shogun were regarded as the most powerful men of all Japan, and thus the samurai. read more
1950.00 GBP
A Superb US 'Wild West' Period Marlin Fire-Arms Co. Lever Action Repeating Rifle Manufactured in 1883. Nr. Exactly As Used By Apache Indian Fighter Brig. Gen. George C. Crook. A Superior Gun Compared To The Winchester Lever Repeater.
A very rare and good all original Marlin .40-60 lever action repeating rifle. Model 1881 in an obsolete calibre.
This has a very good rifle indeed and has gathered a beautiful patina. Serial no. 4456, for 1883. octagonal barrel, the top-flat signed ‘MARLIN FIRE-ARMS CO. NEW-HAVEN C.T. USA’ over patent dates to ‘1880’, dove-tailed fore-sight, elevating buckhorn rearsight, slab-sided receiver with sliding load gate and top ejection.
Bolt with integral dust-cover walnut butt-stock and fore-end and full-length under-barrel magazine, overall length 45.5in., weight approx
According to Flayderman’s Guide To Antique American Firearms, “The Model 1881
was years ahead of the Model 1886 Winchester, and proved a very popular rifle.”
In October 1881, the Miles City, Montana Territory, gun dealer Broadwater, Hubbell
& Co. advertised that a case of the Model 1881 Marlins had already been sold to “Hunters,” adding that, “these guns promise to be very popular and take preference over all others.” In March 1882, another of their advertisements lauded
the Model 1881: “The New Buffalo Gun. A large Stock on hand, of various weights,
from 8 to 16 lbs., from which to make selection. These are THE Buffalo Gun.” In 1882 other dealers—such as W.H. Bradt in Leadville, Colo., and C.D. Ladd in San Francisco—were also advertising the Model 1881. The Marlin Company itself promoted the Model 1881 in July 1885 in Denver’s Rocky Mountain News as “The Best In The World.” And in April 1889, Marlin advertised in the Sitka Alaskan, “The Best And Simplest Rifles Made, Strongest Shooting, Easiest Working.”
Apache Indian fighter Brig. Gen. George C. Crook, who coined the frontier axiom that “the only way to catch an Apache is with another Apache,” used a Model 1881 Marlin. Crook spent most of his military career trying to placate, instead of kill, renegade Indians from the Pacific Northwest to the central Plains. But he is most famous for bringing a semblance of peace to the Apache-ravaged southeast corner of Arizona Territory in the 1870s and again in the 1880s at a time when another frontier axiom was “the only good Indian is a dead Indian.”
One of the rifles that Crook passed down to his godson, Webb C. Hayes (son of President Rutherford B. Hayes), is a Model 1881 Marlin, serial number 4254. It was Webb Hayes’ favourite rifle on hunting trips with his godfather. The gun now resides in the Rutherford B. Hayes Presidential Center in Fremont, Ohio.
Mickey Free, (part Mexican, Irish and Apache) one of Crook’s most trusted Apache-wars Indian scouts, is also known to have favoured a 'brass-tack Indian-decorated' Model 1881 Marlin, which is now in the private collection of the Frontier Gun Shop in Tucson, Ariz.
On January 27, 1861, Apache Indians had kidnapped 12-year old Free from the ranch of his stepfather, John Ward, near Sonoita, Arizona Territory. The incident sparked the killing of Apache prisoners by the U.S. Army and white prisoners by the Apaches and drove Chief Cochise on a bloody warpath until 1872. Blinded in the left eye when he was young, the reddish blond–haired Free was raised by White Mountain Apaches.
Free joined the U.S. Army’s Indian Scouts on December 2, 1872, and served with them until 1893.
A .40-60-calibre Model 1881 Marlin that was used by Oklahoma Territory outlaw “Red Buck” Waightman is now on display at the Ralph Foster Museum, College of the Ozarks, Point Lookout, Mo.
In spite of the Model 1881 repeating rifle’s reputation for quality and simplicity, John Marlin discontinued it in 1892 after having produced only about 20,000 of
them.
Section 58 (2) antique / obsolete calibre no licence required to own and collect/display read more
3500.00 GBP
Italian Hunting Dagger, Republic of Genoa, Ligurian 17th - 18th Century. Spiral Twist Carved Multi Coloured Horn with Silver Inserts. Blade with Baluster Shaped Forte Of A Finely Engraved Ricasso, Two Symmetrical Edges To The Tip.
Just returned from a no expense spared museum grade expert hand polishing and cleaning conservation in the workshop.
This Italian hunting dagger has a long history. Its shape and engraved blade type is typical of the Genoa region, and it can be dated to the 17th and 18th century. This dagger was likely used for more than a century
This is the typical blade of Ligurian daggers. It begins with a baluster-shaped part, ricasso, and continues by two symmetrical cutting edges up to the tip.
On the ricasso, there is a deeply engraved bird of paradise decoration, the central spine has fine line ribbon form engraving which continues up to around half of the blade.
These intriguing and most attractive daggers were produced in Italy, Sardinia and Spain from the late 17th to the 18th century.
17th-century Ligurian daggers, often stilettos or parrying daggers (like the main-gauche), were used by civilians for self-defense and by gentlemen as a fashion accessory and tool, while specific types like the swordbreaker were for dueling and others were favored by the lower classes. The exact usage and user depended on the dagger's specific style and design, such as its lethality, ornamentation, or utility. Daggers were an important part of everyday dress and could enhance apparel, with more lavishly decorated daggers carried by the gentry and aristocracy.
The blade has a few minuscule edge to edge combat contact marks, and tip has a very slight inward curve.
9 inches long overall. read more
Price
on
Request
A Superb & Rare French Modele 1733-1766 Flintlock Pistol, Manufactured For The King of France, King Louis XVIth, For the American Revolutionary War Supply, To Aid General Washington's Forces in 1776
We were thrilled to acquire a pair of these most rare pistols {to be sold separately, and the first we listed is now sold} The first of the pair was dated 1776, this example is undated, just as was the other very rare identical example sold at Rock Island Auction in the USA, in 2020 for $7,475.
Manufactured at Maubeuge, with M. Maubeuge Manufacture signed lock, and interior lock stamp P.G. the monogram of the nom de maitre platineur
A most rare and superb example of the form of pistol made in France in 1776 for King Louis XVI of France and supplied to the armed forces of the United States Continental Congress, for the use of General George Washington's revolutionary rebel forces in 1776, and also for use for the French volunteer regiments that fought in America. France, at first surreptitiously, and later, less covert, gave America over 5 billion livres in aid and materials, weapons, men and ammunition. However, as it was effectively never actually repaid, it resulted in the ruination of the French economy, which led to the French Revolution, and thus the fall of the monarchy, and execution of the King and Queen France, King Louis and Marie Antoinette, as well as most of the French aristocracy that didn’t have the foresight to switch loyalties {during 'The Great Terror'}. Plus, after Americas successful victory, France, not entirely surprisingly, expected preferential trade deals and treaties with the new United States of America, by way of thanks, which failed to materialise, in fact it was far worse for France, as a very advantageous trade deal and treaty was in fact struck instead, between Britain and America. It’s strange that things often never quite turn out how one might imagine, but it shows how it is not a modern phenomenon, that politics can turn things completely on its head, and ones bitterest enemies can become ones most welcome allies in just a matter of a few months.
French involvement in the American Revolutionary War of 1775–1783 began in 1776 when the Kingdom of France secretly shipped supplies to the Continental Army of the Thirteen Colonies when it was established in June 1775. France was a long-term historical rival with the Kingdom of Great Britain, from which the Colonies were attempting to separate.
A Treaty of Alliance between the French and the Continental Army followed in 1778, which led to French money, matériel and troops being sent to the United States. An ignition of a global war with Britain started shortly thereafter. Subsequently, Spain and the Dutch Republic also began to send assistance, which, along with other political developments in Europe, left the British with no allies during the conflict (excluding the Hessians). Spain openly declared war in 1779, and war between British and Dutch followed soon after.
France's help was a major and decisive contribution towards the United States' eventual victory and independence in the war. However, as a cost of participation in the war, France accumulated over 1 billion livres in debt, which significantly strained the nation's finances. The French government's failure to control spending (in combination with other factors) led to unrest in the nation, which eventually culminated in a revolution a few years after the conflict between the US and Great Britain concluded. Relations between France and the United States thereafter deteriorated, leading to the Quasi-War in 1798.
France bitterly resented its loss in the Seven Years' War and sought revenge. It also wanted to strategically weaken Britain. Following the Declaration of Independence, the American Revolution was well received by both the general population and the aristocracy in France. The Revolution was perceived as the incarnation of the Enlightenment Spirit against the "English tyranny." Ben Franklin traveled to France in December 1776 in order to rally the nation's support, and he was welcomed with great enthusiasm. At first, French support was covert. French agents sent the Patriots military aid (predominantly gunpowder and weapons) through a company called Rodrigue Hortalez et Compagnie, beginning in the spring of 1776. Estimates place the percentage of French-supplied arms to the Americans in the Saratoga campaign at up to 90%. By 1777, over five million livres of aid had been sent to the American rebels.
A painting in the gallery is of Washington and Lafayette. The Marquis De Lafayette was a french volunteer who joined Washington's General Staff. Lafayette was wounded at Brandywine, the first battle in which he fought for the American cause. While recuperating, he wrote to his wife, “Do not be concerned, dear heart, about the care of my wound…. When he Washington sent his chief surgeon to care for me, he told him to care for me as though I were his son, for he loved me in the same way.” Washington and Lafayette fought side by side in several other battles.
Overall in excellent condition, good crisp action.
A near identical, rare, undated example of this pistol, that only bears its model number 1763, was sold at an American Auction, Rock Island Auction in September 2020 for $7,475. https://www.rockislandauction.com/detail/80/3089/french-navy-model-176366-flintlock-pistol read more
3750.00 GBP
A Stunning & Rare 5th Royal Irish Lancers Tchapka Helmet Plate
In superb condition, fabulous bronze patina and two helmet screw posts. Battle honours up to the Boer War. King Edward VIIth's crown. The regiment was originally formed in 1689 as James Wynne's Regiment of Dragoons. They fought in the Battle of the Boyne and at the Battle of Aughrim under William of Orange. Renamed the Royal Dragoons of Ireland, they went on to serve with the Duke of Marlborough during the Spanish War of Succession and earned three battle honours there.In 1751, they were retitled 5th Regiment of Dragoons and in 1756 the 5th (or Royal Irish) Regiment of Dragoons. As such, they served in Ireland and were active during the Irish Rebellion of 1798. However, they were accused of treachery; their accusers claimed their ranks had been infiltrated by rebels. (According to Continental Magazine, April 1863, the unit refused to attack a group of rebels.) This accusation appears to have been false, but nevertheless they were disbanded at Chatham in 1799. The regiment was reformed in 1858, keeping its old number and title, but losing precedence, being ranked after the 17th Lancers. It was immediately converted into a lancer regiment and titled 5th (or Royal Irish) Regiment of Dragoons (Lancers). In 1861, it was renamed the 5th (or Royal Irish) Lancers and then the 5th (Royal Irish) Lancers. The regiment served in India and a section served in Egypt in 1885, taking part in the battles at Suakin. It served with distinction in the Second Boer War from 1899 to 1902, gaining battle honours at Battle of Elandslaagte and The Defence of Ladysmith.
The regiment then returned to England where it stayed until the outbreak of World War I, when it became part of the British Expeditionary Force and saw action continually from 1914 to 1918 in some of the war's bloodiest battles. During the battle of Bourlon Wood George William Burdett Clare received the Victoria Cross posthumously. The 5th (Royal Irish) Lancers won a total of 20 battle honours during the Great War.
The 5th (Royal Irish) Lancers also has the grim honour of being the regiment of the last British soldier to die in the Great War. This was Private George Edwin Ellison from Leeds, who was killed by a sniper as the regiment advanced into Mons a short time before the armistice came into effect.
The regiment was renamed 5th Royal Irish Lancers and disbanded in 1921, but a squadron was reconstituted in 1922 and immediately amalgamated with the 16th The Queen's Lancers to become the 16th/5th Lancers The Royal Irish Lancers were in Mons at the time of retreat in 1914 but escaped and returned on Armistice Day. The last cavalry regiment out and the first back!. The memorial panel we show in the gallery records the return welcomed by the Maire and the Cur?. The scene is taken from a painting, ?5th Lancers, Re-entry into Mons?, last heard of in the private collection of a Belgian citizen. This in turn is almost a mirror image of a painting ?5th Lancers, Retreat from Mons? (whereabouts unknown). In the former, the troopers are heading in the opposite direction to the ?Retreat?, and a middle-aged priest and a pregnant woman watching the departure of the regiment among a worried-looking crowd of Belgian citizens have subtly changed: the priest is now white-haired and the mother holds up her four-year-old child, having lived through the occupation of the German forces in Mons for four years. The Great War 1914
The 5 Lancers, as part of the 3rd Cavalry Brigade, were heavily involved and played a major role in the initial mobile actions fought by the BEF. They gained the distinction of being the last cavalry regiment to withdraw from Mons during the retreat; they also had the privilege to be the first British regiment to re-enter Mons after the pursuit in November 1918. Generally the First World War is described as a war of trench deadlock primarily fought by the infantry, gunners and engineers, this assessment is correct. It must however be remembered that cavalry regiments were expected to take their place in the line from time to time and did share the privations of trench warfare suffered by the infantry. On a number of occasions 5 L particularly distinguished themselves: in the defence of Guillemont Farm, June 1917, 3 MCs, and 4 MMs were won and during the defence of Bourlon Wood in 1918 Private George Clare won a posthumous VC. While the main focus of the First World War remained with the armies fighting on the western front it was by no means the only theatre of war. In 1918 Allenby, a 5th Lancer and later a Field Marshal, reorganised British forces in the Middle East pushing his lines forward into northern Palestine. Allenby's Army broke through at Megiddo resulting in the collapse of Turkish resistance. 8.25 inches x 5 inches approx. read more
225.00 GBP
An Original Artwork of the London Blitz, 1939-1945, by WW2 Emigre German Artist Hellmuth Weissenborn, Famous Artist and Volunteer London Blitz Fireman
Original London blitz artworks by renown artists are most rare, especially by German born artists, and most collectible as subjective visual interpretations of the damage and destructions of the great buildings and streets of London. They are personal representations of living history by witnesses of Hitler’s attempt to destroy one of the greatest capital cities of the world, the very heart of the last remaining empire in 1939, that was determined to thwart his plans to create a new German era of conquest under his Third Reich.
It was London’s most perilous period of history since the Great Fire of 1666, and although the damage was catastrophic and incredibly extensive, the stubborn determination of Londoner’s, with the benefit of the Shakespearean like inspirational speeches of Winston Churchill, showed Herr Hitler that Londoners had other ideas, that didn’t entirely align with Hitler’s ambitions. Needless to say, both Reichsmarschall Goring’s Luftwaffe, and Adolf Hitler were somewhat disappointed with the eventual outcome.
It is probably in the medium of pastel, and charcoal. The German-born artist Hellmuth Weissenborn (1898-1982) spent the first half of his life in his native Leipzig and the second in London. He was forced to flee his homeland in early 1939 in the face of Nazi terror and found refuge in Britain. Unlike many of his fellow refugees, he never lost his sense of German heritage. German private served as machine gunner with German Army in France and Russia, 1916-1918; student and academic with Leipzig Academy, Leipzig, Germany, 1919-1937; refugee in Denmark and GB, 1937-1940; internee in Warff Mills Internment Camp, Bury and Hutchinson Internment Camp, Douglas, Isle of Man, GB, 1940; fireman served with Auxiliary Fire Service in London, GB, 1941 Weissenborn was among a number of German émigré artists who had a unique opportunity to contribute to the British art world through their creativity, craftsmanship, and innovation.
After his conscription into service in World War I he returned home with diaries and sketchbooks and enrolled at the world-famous Leipzig Academy of Graphic and Book Arts, studying art, typography, and printmaking. Artistic success came early, and soon he moved up into the staff, becoming one of the Academy's youngest professors. When the Nazis took power, he lost his post for marrying a Jewish woman and was forced to leave Germany.
Detailed on the foreground in ink, London Bomb Scene 1939-1945 WW2
He was also a noted book illustrator.
Size 9cm x 13cm frame size 26 cm x 32cm
one of the biography's of his life [see photo] From Leipzig to London, The Life and Work of the Emigre Artist, Hellmuth Weissenborn by Anna Nyburg.
Photo in the gallery of the artist at work in his studio in the interment camp in the Isle of Man
Photos for illustrative purposes only
Other examples of his works are in the Imperial War Museum
Monotype prints of some of his works are currently available from Childs Gallery in Boston MA. USA from $2,200 to $2,800 each read more
485.00 GBP
A Superb, Victorian, Scottish Lord Lieutenant's Belt Plate and Silver Bullion, Belt and Sword Straps. Queen Victoria's Personal Representative in Scotland When She Was Not Available
Belt. Silver bullion belt backed with morocco leather, silver scrolling thistle pattern to the silver lace brocade belt. Since 1831 this has been analogous to the uniform worn by a General Staff Officer, but with silver lace in place of the gold worn by Regular General officers. The Lord-Lieutenant is the British monarch's personal representative in each county of the United Kingdom. Historically, the Lord-Lieutenant was responsible for organising the county's militia. Lieutenants were first appointed to a number of English counties by King Henry VIII in the 1540s, when the military functions of the sheriff were handed over to him. He raised and was responsible for the efficiency of the local militia units of the county, and afterwards of the yeomanry, and volunteers. He was commander of these forces, whose officers he appointed. These commissions were originally of temporary duration, and only when the situation required the local militia to be specially supervised and well prepared; often where invasion by Scotland or France might be expected.
Lieutenancies soon became more organised, probably in the reign of his successor King Edward VI, their establishment being approved by the English parliament in 1550. However, it was not until the threat of invasion by the forces of Spain in 1585 that lieutenants were appointed to all counties and counties corporate and became in effect permanent. Although some counties were left without lieutenants during the 1590s, following the defeat of the Spanish Armada, the office continued to exist, and was retained by King James I even after the end of the Anglo-Spanish War.
The office was abolished under the Commonwealth, but was re-established following the Restoration under the City of London Militia Act 1662, which declared that:
The King's most Excellent Majesty, his Heirs and Successors, shall and may from Time to Time, as Occasion shall require, issue forth several Commissions of Lieutenancy to such Persons as his Majesty, his Heirs and Successors, shall think fit to be his Majesty's Lieutenants for the several and respective Counties, Cities and Places of England and Dominion of Wales, and Town of Berwick upon Tweed.
Although not explicitly stated, from that date lieutenants were appointed to "counties at large", with their jurisdiction including the counties corporate within the parent county. For example, lieutenants of Devon in the seventeenth and eighteenth centuries appointed deputy lieutenants to the City of Exeter, and were sometimes described as the "Lieutenant of Devon and Exeter" The origin of this anomaly may have lain in the former palatine status of Pembrokeshire.
The City of London was uniquely given a commission of lieutenancy, and was exempt from the authority of the lieutenant of Middlesex. The Constable of the Tower of London and the Warden of the Cinque Ports were ex-officio lieutenants for the Tower Hamlets and Cinque Ports respectively, which were treated as counties in legislation regarding lieutenancy and militia affairs.
The official title of the office at this time was His or Her Majesty's "Lieutenant for the county of ..", but as almost all office-holders were Peers of the realm, they were referred to as "Lord-Lieutenant". read more
325.00 GBP