A Beautiful Early Sikh Khanda Hilt Firangi Sword 17th to 18th Century

Long double fuller straight firangi blade, single knuckle bow and double plate guard. overall in nice condition for age. Early swords appear in the archaeological record of ritual copper swords in Fatehgarh Northern India and Kallur in Southern India. Although the Puranas and Vedas give an even older date to the sacrificial knife. Straight swords, (as well as other swords curved both inward and outward), have been used in Indian history since the Iron Age Mahajanapadas (roughly 600 to 300 BC), being mentioned in the Sanskrit epics, and used in soldiers in armies such as those of the Mauryan Empire. Several sculptures from the Gupta era (AD 280-550) portray soldiers holding khanda-like broadswords. These are again flared out at the tip. They continued to be used in art such as Chola-era murtis.

There is host of paintings depicting the khanda being worn by Rajput kings throughout the medieval era. It was used usually by foot-soldiers and by nobles who were unhorsed in battle. The Rajput warrior clans venerated the khanda as a weapon of great prestige.


Goddess Durga wielding khanda sword, 7th century.
According to some, the design was improved by the Great Rajput Emperor Prithviraj Chauhan. He added a back spine on the blade to add more strength. He also made the blade wider and flatter, making it a formidable cutting weapon. It also gave a good advantage to infantry over light cavalry enemy armies.

Rajput warriors in battle wielded the khanda with both hands and swung it over their head when surrounded and outnumbered by the enemy. It was in this manner that they traditionally committed an honourable last stand rather than be captured. Even today they venerate the khanda on the occasion of Dasara.

Maharana Pratap is known to have wielded a khanda. The son in law of Miyan Tansen, Naubat Khan also wielded khanda and the family was known as Khandara Beenkar. Wazir Khan Khandara was a famous beenkar of 19th century.

Many Sikh warriors of the Akali-Nihang order are known to have wielded khandas. For instance, Baba Deep Singh is famous for wielding a khanda in his final battle before reaching his death, which is still preserved at Akaal Takhat Sahib. Akali Phula Singh is also known to have wielded a khanda, and this practise was popular among officers and leaders in the Sikh Khalsa Army as well as by Sikh sardars of the Misls and of the Sikh Empire. The Sikh martial art, Gatka also uses khandas.

Hari Singh Nalwa was the commander-in-chief of the Sikh Empire (Sarkar Khalsa) under Maharaja Ranjit Singh. The Times of London wrote an article in 1881 where they not only noted his battlefield prowess but also his success as an administrator and foresight. The article went onto state that "had he had the money and resources of available to European states, it would have been entirely possible that he could have reached the border of Europe."

Despite reaching lofty heights, Hari Singh Nalwa had humble beginnings. Born in 1791 as Hari Singh Uppal, the youngster, like so many others on this list, lost his father at an early age. In 1804 his mother sent him to the court of Maharaja Ranjit Singh to resolve a property dispute. While there Hari Singh explained that his father and grandfather had both fought under Ranjit Singh's Sukerchak Misl for both his father Maha Singh and his grandfather Charat Singh. The Maharaja decided the arbitration in Hari Singh's favour and impressed by his skill as a musketeer gave him a job as a personal attendant. Hari Singh's climb to fame began later that year during a hunt where his party was attacked by a tiger. In one of the most famous stories in Sikh history, Hari Singh killed the tiger by ripping it apart using his hands, this earned him the nickname Baagh Maar, or Tiger Killer. As his reputation grew from the story, he was commissioned as a Sardar and given 800 horses and footmen under his command.

Hari Singh led his first independant contingent into battle in 1807 at Kasur under the leadership of the Maharaja, Jodh Singh Ramgharia and Akali Phula Singh Nihang. Hari Singh's performance was rewarded by a jagir (land based revenue) and his fame continued to grow. A year later Hari Singh led his first command of an army at the Battle of Sialkot where the 17 year old defeated Jiwan Singh.

The young Hari Singh fought numerous battles over the coming years in Attock, Kashmir and Mahmudkot. During the Battle of Multan in 1818, Hari Singh Nalwa led a division of Sikhs against Muzzaffar Khan. The Muslim ruler put up one of the strongest fights the Sikhs had encountered and although instrumental in the victory, Hari Singh Nalwa was badly burnt from a firepot thrown from the fort, putting him out of action for a number of months. However, he was fully recovered by 1819 to lead the reaguard of the Sikh conquest of Kashmir. The victory ended 5 centuries of Muslim rule and the cities of Lahore and Amritsar were lit up in celebration for three nights.

The conquest of Kashmir ushered in a decade of rapid Sikh conquest, and Hari Singh Nalwa was involved in or led most of the major battles. The 1827 Battle of Saidu was one of the most comprehensive. Sayed Bareli had proclaimed himelf to be a messenger of the Prophet Muhammed tellling all his tribesmen that he would deliver the Muslims from Sikh rule As local Muslim rulers began to heed his call, he eventually managed to command an army of over 15,000 Muslims, ready to raise Jihad against the Sikhs. On 23 February, the Sikhs under Hari Singh and Budh Singh Sandhanwalia met the self proclaimed messenger in battle and routed his army. They then pursued the enemy for 6 miles, plundering and pillaging as they went. By 1834 the Sikhs occupied Peshawar. At this point Hari Singh's reputation had become so widespread that Afghan women used to scare their children to sleep by mentioning that if they stayed awake "Hari Singh and his Sikhs would get them".

31.5 inch blade  read more

Code: 24207

An Edo Period, 1603 -1867 Tanto Tsuba, Tetsu With Silver Inlaid Rim

A charming tsuba with traces of silver inlays around the entire rim. Probably made around 1680.
Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi.
46mm

 read more

Code: 24234

14 Million Year Old Meteorite Rock, Impactite (Suevite) of Nordlingen Ries Now Understood To Possibly Be The Closest Match to the Surface of Mars on Earth. Likely The Most Intriguing Conversation Piece & Geological Collectors Item Available Today

From the Meteorite Strike Crater in Germany, collected by an official geological survey. The crater was caused by a binary asteroid that struck approximately 14 million years ago in the Meocene era. It was an impact of a magnitude of 1.8 Million times the size of the Hiroshima Bomb. Which created a single Faunel Event which meant the extinction of all large reptiles. In that crater a German city was built, naturally, millions of years later.

The incredible German town that sits in that asteroid crater, from whence this impactite came, is smothered in 72,000 tonnes of diamonds
The tiny diamonds were created by an asteroid smashing into the earth. So small though they are technically valueless.
Nördlingen featured in the 1971 film Willy Wonka & The Chocolate Factory

What a huge and magnificent conversational piece and collectors item, potentially the closest and most accurate example of the surface of Mars today, and since the Mars Rover sampling it is now believed by NASA and scientific research to be the very best and closest match to the surface of Mars on Earth, and certainly the best preserved from anywhere else on earth.

This is a large 14 million year old meteorite strike rock that is also a simply stunning piece of art that would superbly compliment any decor, in any home, both vintage, antique or modern. It would look amazing on a display stand of any suitable material, such as glass, perspex, marble or wood. This is an unusually large piece of molten meterorite rock, the very few pieces we have had in the past of this type have all been small of just a few ounces. Suevite rock consisting partly of melted material, typically forming a breccia containing glass and crystal or lithic fragments, and often thousands of microscopic diamonds formed during an impact event. It forms part of a group of rock types and structures that are known as impactites.

The Nordlinger Ries is an impact crater, large circular depression in western Bavaria, Germany, located north of the Danube in the district of Donau-Ries. The city of Nordlingen is located inside the depression, about 6 kilometers (3.7 mi) southwest of its centre. Recent computer modeling of the impact event indicates that the impactors probably had diameters of about 1.5 kilometers (4,900 ft) (Ries) and 150 meters (490 ft) (Steinheim), had a pre-impact separation of some tens of kilometers, and impacted the target area at an angle around 30 to 50 degrees from the surface in a west-southwest to east-northeast direction. The impact velocity is thought to have been about 20 km/s (45,000 mph). The resulting explosion had the power of 1.8 million Hiroshima bombs, an energy of roughly 2.4 1021 joules. This exceptionally large piece is 4.55 kilos. 13 inches x 11 inches x 3.5 inches As with all our items it complete complete with our Certificate of Authenticity, our unique lifetime guarantee of originality. Photo number 7 in the gallery is a clip from an article on the unique matching relation of this Suevite from Nordlingen Ries and the surface of Mars by
JULES BERNSTEIN in the University of California Science and Technology magazine  read more

Code: 21959

A Good Collection Of Original British WW2 Enfield No4 Rifle Spike Bayonets MKII’s In MKI Scabbard.{ Plus 200 Other Mixed Antique & WW1 Bayonets Yet To Be Added }

In very nice condition, all from one collector, kept in storage since the 1950’s, including the rarest of all a MKI in MKI scabbard {sold separately}. All were originally in full storage grease and slightly different forms and makers of the eponimous WW2 British armed forces Enfield No.4 bayonets, MKII’s, used in WW2.
We also acquired, just two days ago, within the collection over 200 early and mid Victorian British bayonets, including early 20th century mixed world bayonets, and these MKII Enfield No4 bayonets, all from within the entire single collection, that he {the late collector} acquired in the 1950’s and 1960’s, all of which will be sorted and catalogued, when we have time, over the next six months. The antique and WW1 bayonets will likely vary in price from £120 to £395.

Here, and now, we show under stock code 24589, these eight WW2 issue Enfield No.4 Bayonets MKII’s. Act fast the collection was made available yesterday and four have been sold already so far, yesterday morning in the shop and last night online. Only 4 MKII’s with regular MKI scabbards are still available.

They are now priced each, at £45.

British troops pulled off a number of bayonet charges in the brief campaign to drive Argentine forces from the Falkland Islands in 1982. Grunts from the Scots Guards and the Gurkhas chased 500 enemy troops off the summit of Mount Tumbledown in the pre-dawn darkness of June 14. The British suffered 63 casualties in the battle; 160 Argentine soldiers were either killed, wounded or captured. Two weeks earlier a 2 Para private by the name of Graham Carter led his comrades in a bayonet charge against a force of enemy troops across Goose Green.

In the last 20 years, British troops have resorted to the bayonet to break impasses in combat both in Iraq and Afghanistan. In May, 2004, a detachment from the Argyll and Sutherland Highlanders surprised a force of 100 insurgents near Al Amara, Iraq with a bayonet charge. British casualties were light, but nearly 28 guerrillas were killed. And as recently as October of 2011, a British Army lance corporal named Sean Jones led a squad of soldiers from the Prince of Wales Royal Regiment in a bayonet charge against Taliban fighters in Helmand Province, Afghanistan. After being ambushed and pinned down by militants, the 25-year-old ordered his squad to advance into a hail of machine gun fire. “We had to react quickly,” Jones remarked. “I shouted ‘follow me’ and we went for it.” He was awarded the Military Cross for his actions. Even in an age of GPS-guided bombs, unmanned drones and network-centric warfare, 300-year-old technology — like the simple bayonet — can still carry the day.

A couple of years or so ago Burundi was preparing to send a peace keeping contingent to the Congo and Somalia yet they knew that their army was not up to it and begged for a UN training team to come and train it. On being asked who they would like, they decided to look at the Americans, French, Canadians, Germans and Swedes but it was the British that they chose to train their army because they said they wanted to be trained by the best.

The last photo in the gallery of lance corporal Sean Jones recieving his Military Cross for gallantry from the former Prince of Wales, now H.M.King Charles IIIrd, for his famous heroic command of the bayonet charge in Helmand  read more

Code: 24589

Very Rare & The Most Collectable Bayonet of WW2. A WWII British Lee Enfield No 4 MK 1 Cruciform Spike Bayonet By ‘SM’ (Singer Manufacturing Co) With MK 1 Scabbard. The Earliest, & Briefly Issued Bayonet Of The No4 Rifle in WW2

The No. 4 Mk. I was the first beautifully made bayonet for the earliest Enfield No.4 rifle, with its distinctive cruciform blade. The bayonet and socket were one solid forging.

Only thousands of the MKI bayonet were made, before it was simplified in 1942 as the new MKII bayonet version of the MKI, in order to enable the saving of production costs. Over 3,000,000 were made of the new MKII bayonet for the Enfield No. 4 rifle, up to one hundred times more than were made of the MKI. Production initially occurred for the MKI during the latter half of 1941 and into the early months of 1942. The only maker was the Singer Manufacturing Co. (the famous sewing machine people), at their Clydebank, Scotland plant. One influence in the selection of Singer was that Scotland was felt to be safer from German bombers than England. No. 4 Mk. I markings were reminiscent of how Pattern 1907 bayonets were marked, with the royal cypher, type, and maker.
Socket: "G (Crown) R" over No 4 Mk I" over "S M"

Sheffield Steel Products of Sheffield, Yorkshire. Sheffield Steel Products produced approximately Mk. 1 scabbards. Stamped N64 = Sheffield Steel Products

One of the most interesting points about the Mark l bayonet was the likelihood that near all were used in the desert campaign against Rommel or at the D Day Normandy invasions, by such as the commandos, due to their date of manufacture, but the later MKlls may, or may not have have been used as they were later made and many made post war .
It is further relatively certain they were the issued bayonet used in the ill fated Dieppe Raid in 1942 which meant almost all those MKI bayonets issued were lost due to capture by the occupying German forces.

As an aside, for decades since the war it was assumed the Dieppe Raid was a rehearsal for the Normandy landings, and in many respects a terrible and tragic failure involving tens of thousands of men, mostly Canadian heroes, lost or captured, including many ships lost by the Royal Navy.

Information has now been recently released to reveal that the raid was in fact an incredibly super top secret planned diversion in order to capture the highly secret German cypher machine in a safe within one particular building in the town. Organised by an ultra top-secret section of the SAS and SIS, even the men chosen by the British Secret Service to take part were not even told of the raids purpose until minutes after they arrived to actually carry out the operation. All of the sacrifices made by thousands of men were to ensure the secrecy that the ultra top secret purpose of the plan, that it was actually a diversion, and not a rehearsal, that may, and in fact did, sacrifice thousands of men, in order to save hundreds of thousands, or even millions of lives, in the later planned Normandy invasion. This plans true aim was never revealed, until very recently. And many in command of the war in Britain, were, as such, blamed by the families of the lost, and felt the unending guilt of the terrible losses. Regretably , in the cold hard reality and truth of war, just like in medical surgery, sometimes a limb must be sacrificed and lost in order to save the body. And the unenviable thankless task of making such decisions, can often create a massive tactical victory, yet from those viewing from outside the circle of knowledge, it appears to be a tragic mistake.

Lord Louis Mountbatten, as the chief of Combined Operations, and Ian Fleming, a future James Bond author and naval intelligence officer, were involved in the allegedly disastrous Dieppe Raid (Operation Jubilee) in 1942, a so-called failed Allied amphibious attack on the German-occupied port of Dieppe. Even today you can find blame still being apportioned to Mountbatten and his aide, Ian Fleming, for the raid’s failure. It is a mark of the stature of such men that in their lifetimes they never revealed the truth, and lived with scorn and admonition, and even unto death still do by many.  read more

Code: 25682

A Sublime 'Queen Anne', Circa 1720, Cannon Barrel Flintlock Holster Pistol of Sidelock Action, With Solid Silver Mounts Including a Silver, Maned Lion Head Butt Cap, and Silver Dragon Sideplate

with silver leaf shaped escutcheon. Three stage steel cannon barrel with chisseled octagonal breech, conical second stage and flared long blunderbuss third stage. Fine jugland regia walnut stock. Horn tipped wood ramrod with octagonal rear ramrod pipe and typical barrel type forend ramrod pipe

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.  read more

Code: 25007

An Original Congolese Songye Fetish Female 'Power Figure'. A Most Beautiful and Perfect Example Of The Combination of Esoteric, Spiritually Symbolic & Cultural African Tribal Art From The Last Century. Late 19th to Early 20th Century.

Songye fetish figures were used as an effective instrument for healing, fertility and protection from evil spirits, sorcerers and hostile powers. The figure is in good condition. The face has sensitively rendered features, with semi-circular eyes that are closed they anlmost extend on either side towards the jaw lines. These give the face its distinctive V-shape, interrupted by the short horizontal line of the chin The chest binding is in hide leather, with hands to the abdomen, and a hide skin waist skirt, The figure’s feet and circular base, carved from the same piece of wood as the rest of the figure, and overall it has a rich reddish brown patina.

Nkisi, in west-central African lore, any object or material substance invested with sacred energy and made available for spiritual protection. One tradition of the Kongo people of west-central Africa holds that the god Funza gave the world the first nkisi. Africans uprooted during the Atlantic slave-trade era carried with them some knowledge of nkisi making. In places throughout the United States, particularly in the Deep South, African descendants still create minkisi. Nkisi making is also found throughout the Caribbean and South America, in places such as Cuba, Haiti, and Brazil.

This wild appearance of the Nganga was intended to create a frightening effect, or kimbulua in the Kongo language. The nganga's costume was often modeled on his nkisi. The act of putting on the costume was itself part of the performance; all participants were marked with red and white stripes, called makila, for protection.

The "circles of white around the eyes" refer to mamoni lines (from the verb mona, to see). These lines purport to indicate the ability to see hidden sources of illness and evil.

Yombe nganga often wore white masks, whose color represented the spirit of a deceased person. White was also associated with justice, order, truth, invulnerability, and insight: all virtues associated with the nganga.

The nganga is instructed in the composition of the nkondi, perhaps in a dream, by a particular spirit. In one description of the banganga's process, the nganga then cuts down a tree for the wood that s/he will use to construct the nkondi. He then kills a chicken, which causes the death of a hunter who has been successful in killing game and whose captive soul subsequently animates the nkondi figure. Based on this process, *Gell writes that the nkondi is a figure an index of cumulative agency, a "visible knot tying together an invisible skein of spatio-temporal relations" of which participants in the ritual are aware

After a tribal carver artist completed carving the artifact, the "nganga" transformed it into an object capable of healing illness, settling disputes, safeguarding the peace, and punishing wrongdoers. Each work of this kind or "nkisi" is associated with a spirit, that is subjected to a degree of human control.
Europeans may have encountered these objects during expeditions to the Congo as early as the 15th century. However, several of these fetish objects, as they were often termed, were confiscated by missionaries in the late 19th century and were destroyed as evidence of sorcery or heathenism. Nevertheless, several were collected as objects of fascination and even as an object of study of Kongo culture. Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba. In Hollywood these figures have morphed into objects of superstition such as New Orleans voodoo dolls covered with stick pins. Nonetheless, minkisi have left an indelible imprint as visually provocative figures of spiritual importance and protection.


Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Each power figure has a distinct personality, ranging from contemplative to angry to soulful to reserved to compassionate. The ability to suggest those qualities visually with such immediacy and precision is one of the most impressive aspect of the surviving figures.

Kongo religion Kikongo: Bukongo. Bakongo religion was translocated to the Americas along with its enslaved practitioners. Some surviving traditions include conjure, dreaming, possession by the dead to learn wisdom from the ancestors, traditional healing and working with minkisi. The spiritual traditions and religions that have preserved Kongo traditions include Hoodoo, Palo Monte, Lumbalú, Kumina, Haitian Vodou, Candomblé Bantu, Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba.

Similar examples in the Smithsonian and Metropolitan in the USA. One very similar nkisi, from the late 19th to mid 20th century has been a highlight of the Rockefeller collection since its acquisition in 1952. we show examples of the similar Kongo type as ours, from around the same time, in the gallery of photographs

Photo 7 shows a male example from the The Michel Gaud collection
Sothebys Important African Art: ‘The Michel Gaud collection’, London, 29th November 1993, lot 132

Photo 8 a larger but similar Nkisi male version of the Songye people’s in the Rockefeller Wing in the Met, although not on view at present.

9 inches high.

For a serious student of such stunning pieces a visit to the The Met is a must for those that reside or able to travel to the US.
Further reading
Hersak, Dunja. 1986. Songye. Masks and Figure Sculpture. London: Ethnographica.

Hersak, Dunja. 2010. "Reviewing power, process, and statement: the case of Songye figures". African Arts. 43: 38-51.

Neyt, François. 2009. Songye: The Formidable Statuary of Central Africa. Munich: Prestel.

Petridis, Constantine. 2009. Art and power in the central African Savanna: Luba, Songye, Chokwe, Luluwa. Cleveland, Ohio: Cleveland Museum of Art  read more

Code: 25680

A Superb & Rare Original Victorian London-Scottish Rifle Volunteer Regiment Doublet. Superbly Tailored By Hobson and Sons of London in Hodden Grey

In wonderful condition for age, and all the original regimental buttons are present.
The tunic and buttons were tailored by Hobson & Sons of London, and it bears a makers label and an original old storage label. In 1859 the London Scottish Rifle Volunteers were raised, sponsored by the Highland Society and the Caledonian Society of London, and commanded by Lieutenant-Colonel Lord Elcho.
The soldiers were given a uniform of homespun cloth known as Hodden Grey to avoid inter-clan rivalry and kilts today are still made of this distinctive material.


During the Boer War, the Regiment supplied contingents of Volunteers who served with the Gordon Highlanders and those links survive still. In 1908 the Volunteer Force ceased to exist and became the Territorial Force. The 7th Middlesex (London Scottish) Volunteer Rifle Corps changed its name to the 14th (County of London) Battalion, The London Regiment (London Scottish).
The 1st Battalion was mobilised on 5 August 1914 and was the first Territorial battalion to go into action against the Germans at Messines, near Ypres on 31 October. The Battalion continued to serve in France and Flanders throughout the War taking part in all the major offensives. The 2nd Battalion served in France, the Balkans and Palestine, while a 3rd Battalion was a Reserve Battalion and supplied drafts to the other two. Two Victoria Crosses and nineteen Distinguished Service Orders were awarded to members of the Regiment.
We show in the gallery a picture of a London Scottish soldier in profile wearing his same doublet from the Zulu War period, holding his Martini Henry MK 1/11 Rifle  read more

Code: 21066

A Beautiful 19th Century Damascus Twist Barrelled Sporting Gun By Manton of London. One Of The Greatest Names In the Realm of English Gunsmiths

Back action lock bearing Manton's name and decorative pattern engraving. It has a hook breech with double platinum lining and very attractive fine Damascus browning, walnut half stocked with steel furniture bearing further overall engraving.

Joseph Manton (6 June 1766 - 29 June 1835) was a British gunsmith who innovated in sport shooting, improved the quality of weapons and paved the way to the modern artillery shell. Joseph was also a sports shooter in his own right and a friend of Colonel Peter Hawker. There were two Manton brothers, John was the elder and Joseph the younger. John Manton was born in 1752 and after his apprenticeship, set up in London in Piccadilly.

Manton began producing percussion guns in 1825 and Manton himself died in 1834, leaving the business in the hands of his son. Some of Manton's weapons are considered the finest of the flintlock and percussion age. They can fetch more at auction than Holland & Holland's shotguns. His workforce included James Purdey (who went on to found Purdey's), Thomas Boss, William Greener and Charles Lancaster. These four all went on to establish major firms of gun makers, which continue to this day. The true English Damascus barrel is prepared from three rods, twisted as described and put together as shown in the twisted riband, and is known technically as three-iron Damascus ; the silver-steel Damascus is similarly made, but of different metal piled in a different order. The rods having been twisted, and the required number welded together, they are sent to the iron-mill and rolled at a red heat into ribands, which have both edges bevelled the same way. There are usually two ribands required for each barrel, one riband or strip to form the breech-end, and another, slightly thinner, to form the fore, or muzzle, part of the barrel. Upon receiving the ribands of twisted iron, the welder first proceeds to twist them into a spiral form. This is done upon a machine of simple construction, consisting simply of two iron bars, one fixed and the other loose ; in the latter there is a notch or slot to receive one end of the riband. When inserted, the bar is turned round by a winch-handle. The fixed bar prevents the riband from going round, so that it is bent and twisted over the movable rod like the pieces of leather round a whip-stock. The loose bar is removed, the spiral taken from it, and the same process repeated with another riband. The ribands are usually twisted cold, but the breech-ends, if heavy, have to be brought to a red heat before it is possible to twist them, no cogs being used. When very heavy barrels are required, three ribands are used; one for the breech-end, one for the centre, and one for the muzzle-piece. The ends of the ribands, after being twisted into spirals, are drawn out taper and coiled round with the spiral until the extremity is lost, as shown in the representation of a coiled breech-piece of Damascus iron. The coiled riband is next heated, a steel mandrel inserted in the muzzle end, and the coil is welded by hammering. Three men are required one to hold and turn the coil upon the grooved anvil, and two to strike. The foreman, or the one who holds the coil, has also a small hammer with which he strikes the coil, to show the others in which place to strike. When taken from the fire the coil is first beaten upon an iron plate fixed in the floor, and the end opened upon a swage, or the pene of the anvil, to admit of the mandrel being inserted. When the muzzle or fore-coil has been heated, jumped up, and hammered until thoroughly welded, the breech-end or coil, usually about six inches long, is joined to it. The breech-coil is first welded in the same manner, and a piece is cut out of each coil; the two ribands are welded together and the two coils are joined into one, and form a barrel. The two coils being joined, and all the welds made perfect, the barrels are heated, and the surplus metal removed with a float; the barrels are then hammered until they are black or nearly cold, which finishes the process. This hammering greatly increases the density and tenacity of the metal, and the wear of the barrel depends in a great measure upon its being properly performed. A very nice and tight action and overall in nice condition for age. A very small piece of wood lacking from the breech tang area. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20766

A Very Good & Most Rare Viking Period Javelin Spear, A 'Frakka' Head, ᚠᚱᛅᚴᚴᛅ. During the War Between The Aesir & The Vanir, Odin Threw A Javelin Into The Vanir Host. Circa 900 AD.

Medially ridged leaf shaped blade, with a long tapering spiked tang. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. This form of long throwing javelin spear has an iron socket spike at the base, that in order to create a javelin, its bottom spike would be driven into a suitable haft by around 4.5 inches, up to the end of the socket, and this would thus create a most devastating long distance throwing weapon of warfare.

Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Swords are considered a most valuable historical find, as is a same era spear, however, a similar condition surviving Viking era sword could cost today well over 18,000 pounds, so the cost of this large spear by comparison is very good value indeed.
A fine example of a 10th century spear that can be found in England, that came from Viking invaders, who used such spears from Eastern Europe, all Scandinavia, Northern Europe, Central Europe and Britain. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear. In Voluspo (from the Norse Poetic Edda) line 24 onwards -we read :

Vápnum sínum skal-a maðr velli á
feti ganga framar,
því at óvíst er at vita,
nær verðr á vegum úti geirs of þörf guma

let fly a spear, hurled it over the host;
that was still the first war in the world,
the palisade surrounding the Aesir's stronghold was breached
by the Vanir battle-magic, as they strode the plain.
During the War between the Aesir and the Vanir, Odinn threw a javelin into the Vanir host to signal the commencement of hostilities. The practice of symbolically throwing a spear into the enemy ranks at the start of a battle was sometimes used in historic clashes, to seek Odinn’s blessing.

17.5 inches long overall. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the later swords of kings, that have been preserved in national or Royal collections, are today still in a good state and condition, but due to rarity no Viking swords remain that are still in a good surface condition.  read more

Code: 22759