A Most Beautiful Signed Koto Katana, Circa1500's. All Original Edo Mounts of Onlaid Pure Gold, Silver & Shakudo Fuchi-Kashira of A Samurai Warrior In Armour On Horseback

A circa 500 year old Koto period samurai katana blade, with a signed nakago, Bitchu ju Kuni... {the last part of the name can't be clearly read}.
It has a very good suguha hamon, and a traditional silk bound over samegawa gint rayskin tsuka, with stunning shakudo fuchi-kashira with gold and silver decoration of a takebori samurai on horseback on the kashira, and a samurai by a shoreline with overhanging trees and wave,s on the fuchi, beautiful gold bamboo leaves menuki, circular iron tsuba chiselled with leaves, in its black urushi lacquered saya. Black tsuka-ito over gold bamboo leaves, on samegawa giant rayskin.

The motif of this iron tsuba’s takebori design seems to be numerous conch shells, known as “Horagai” (法螺貝). The conch shell originates from Hinduism and is closely linked to the teachings of Buddha. Historically, Yamabushi (mountain ascetics) used it to convey sermons. The conch was brought to Japan around 806 AD by monks like Kukai (空海) and Saicho (最澄), who returned from Tang China, with five of the eight bringing conch shells. Its sound represents the teachings of Buddha, making it a sacred instrument in Japanese esoteric Buddhism. The conch is one of the Eight Auspicious Symbols in Tibetan Buddhism, symbolizing purity and the dissemination of Buddhist teachings.

Shellfish have been eaten all over the world since ancient times. At the same time, they have been used in a wide variety of applications, such as coins, ornaments, daily necessities, and toys, due to the beauty and preservability of their shells. In Japan, there is also a folk belief that seashells with prominent projections are hung from the eaves to ward off evil spirits, and their names are said to ward off fire, such as the Suijigai (水字貝, 水 means water in Japanese). In addition, ascetic monks who trained in the mountains blew trumpet shells to exorcise evil spirits. During the Warring States period (戦国時代, 1467-1615), trumpet shells were used to signal the formation of battle lines and to boost the fighting spirit. It is only natural that this shell, which was used as a cue in battle and to raise the fighting spirit of soldiers, was incorporated into the decoration of armour, which is the uniform of fighting.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means "one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some, it is said, warriors, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art.
Shakudo {that can be used to make samurai sword mounts and fittings} is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula.

Shakudo was historically used in Japan to construct or decorate the finest katana fittings such as fuchi-kashira, tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.
Blade surface has areas of the usual age surface micro thinning seen in Koto blades

Blade 27.25 inches long tsuba to tip, overall sword length in saya 38 inches long  read more

Code: 24182

A Very Attractive, Edo Era 17th to 18th Century Samurai's Tetsu Abumi Stirrup, Inlaid With Silver in a Pattern Of a Flower Mon

This Japanese stirrup, is made in the traditional dove's breast (hato mune) shape with an open platform lined slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is in ancient russetted iron in the distinctive Higo school style, with a large onlaid decorative mount of a bird and various flora.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.  read more

Code: 26134

A Fine & Beautiful Edo Period Iron Tsuba in Nikubori Jisukashi Of Waterfalls Rocks and River with A wooden Bridge Being Traversed by a Figure On Horseback Carrying a Parasol

The tsuba was possibly created by Yoshiharu (吉春), of the late Edo period .
He was living in the Hagi (萩) domain (another name of the Choshu domain) in Nagato no Kuni (長門国,

It is engraved with the Nikubori Jisukashi. Nikubori Jisukashi is a Japanese tsuba (sword guard) carving technique, translating to "relief-carved openwork" (肉彫地透). It combines thick, high-relief (nikubori) sculptural carving with openwork (sukashi) techniques on the iron plate (ji). Primarily used during the Edo period by schools like Shoami, this style creates a three-dimensional effect, making the motif stand out from the ground, often featuring detailed, rounded figures rather than simple silhouettes.

Technique: "Niku" (肉) refers to meat/flesh, implying thickness or rounding of the metal, while "Ji-sukashi" (地透) means openwork on the ground plate.  read more

Code: 26131

Most Interesting & Incredibly Rare 19th Century Cornish Tin Miner’s Leather 'Tull' Helmet

A most rare artefact of early English mining. this amazingly historical piece of the earliest British mining industry would make an incredible display for a former miner or miner's family.
These days they are only ever to be seen in museums or recreated for historical dramas such as 'Poldark'. A style of helmet that was copied by the British army to create the WW1 Brodie helmet. This helmet was formed from a single piece of boiled leather, some economy versions were made of shaped felt soaked in pine resin. Under the tull, miners would wear a strip of cloth; helping the tull to fit. Candles were attached to the tull using lumps of clay. While working the tull was usually removed and the candle stuck to a nearby ledge. 4 small holes to brim. GC  read more

Code: 20945

A Most Impressive Original 16th -17th Century Nuremberg 'Black and White' Comb Morion Helmet, The Very Same Form of Helmet As Was Made Famous by the Spanish Conquistador’s in Their Conquest of Central America

A most similar morion, was in the great historical collection of arms armour from the armoury of Fortress Hohenwerfen near Salzburg, Austria, that was augmented by H.I.R.H. Archduke Eugen. A collection that was sold, and entered the collectors market and various museums, in 1927, which contained some Nuremberg and Augsberg 'black and white' morion helmets such as this. Morion is a type of open helmet used from the middle 16th to early 17th centuries, such as by the Munich Town Guard, usually having a flat brim and a crest from front to back. Its introduction was contemporaneous with the exploration of North, Central, and South America. Explorers like Hernando de Soto and Coronado may have supplied them to their foot soldiers in the 1540s. The iconic morion, though popularly identified with early Spanish explorers and conquistadors, was not in use as early as the conquest of Mexico by Hernan Cortez or Francisco Pizarro's conquest of the Incas in South America. Thirty to forty years later, it was widely used by the Spanish, but also common among foot soldiers of many European nationalities, including the English; the first English morions were issued during the reign of Edward VI. The crest or comb on the top of the helmet was designed to strengthen it. Later versions also had cheek guards and even removable faceplates to protect the soldier from sword cuts.

The morion's shape is derived from that of an older helmet, the Chapel de Fer, or "Kettle Hat." Other sources suggest it was based on Moorish armor and its name is derived from Moro, the Spanish word for Moor. The New Oxford American Dictionary, however, derives it from Spanish morrion, from morro 'round object'. The Dictionary of the Spanish Language published by the Royal Spanish Academy indicates that the Spanish term for the helmet, morrion, derives from the noun morra, which means "the upper part of the head". A somewhat similar example is in the Metropolitan Museum in New York accession number 14.25.508

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 22718

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale

Our beautiful pieces from history are not always just for looking at, some can still be enjoyed and worn for every one to see.

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many other pieces, have been just been offered upon the site within the past week.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix  read more

Code: 24055

An Edo Period Tettsu ‘ Krishitan’ {Christian} Samurai Sword Tsuba {Sword Guard} Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

This beautiful iron tsuba, contains the hidden Edo period Christian symbols of the rope and the cross, and it serves as both a reminder to the violence and to the subsequent hiddenness that came out of the Japanese convert Christians’ suffering. The rope was symbol of obedience - the symbol of an untied rope.
It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum.  read more

Code: 25310

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

Briefe Napoleons des Ersten : in drei Banden ; Auswahl aus der gesamten Korrespondenz des Kaisers. Napoleon the First. Selection from all the correspondence of the emperor. Published in 1910; Napoleon's correspondence from 1809 until his death in 1821. Published in 3 volumes this is volume 3. Taken in 1946 from the family library of Field Marshal Keitel, and one of two books from the library we have acquired, the first one was sold. Bearing the Ex Libris Book Label of his family and eldest son, who he lost in the war, Karl-Heinz Keitel SS-Sturmbannfuhrer of 8th SS Cavalry Division Florian Geyer, awarded the German Cross in Gold, Iron Cross 1st Class for heroism, Iron Cross IInd class, Close Combat Clasp & Wound Badge in black. Wilhelm Bodewin Johann Gustav Keitel (22 September 1882 - 16 October 1946) was the most famous German field marshal of WW2 who served as chief of the Oberkommando der Wehrmacht (Supreme Command of the Armed Forces) for most of World War II, making him the Chief of Defence for Germany and Hitler's number two after Reichmarshall Goring. At the Allied court at Nuremberg, he was tried, sentenced to death, and hanged as a war criminal. He was the third highest-ranking German officer to be tried at Nuremberg. Karl-Heinz Keitel was born on 2 January 1914, in Wolfenbuttel, the eldest son of Wilhelm Keitel who would rise to become Chief of the OKW, the German Military High Command, during World War II. Karl-Heinz joined the Heer in 1934 and served in various cavalry units following the outbreak of war in 1939. In June 1943 he was assigned to the Kavallerie-Schule in Potsdam-Krampnitz, and served as a battalion commander, and later the regimental commander of the Kavallerie-Regiment Nord. On 5 August 1944, he transferred into the Waffen-SS and served with the 22. SS-Freiwilligen-Kavallerie-Division "Maria Theresia". On 20 October of that year, he was promoted to command SS-Freiwilligen-Kavallerie-Regiment 17 / 22.SS-Freiwilligen-Kavallerie-Division "Maria Theresia" in the area of Hungary. In November 1944, combined with the Florian Geyer division, the "Maria Theresia" was assigned to the garrison of Budapest. On 12 December he was wounded in action while defending against Red Army probing attacks into Budapest for which he was awarded the Wound Badge in Black.
In March he transferred to the 37. SS-Freiwilligen-Kavallerie-Division "Lutzow" as its commander, and led the 2000 strong remnants of the division in heavy fighting around Wiener-Neustadt as part of 6. SS-Panzer Armee. He was reportedly promoted Obersturmbannfuhrer (Lieutenant Colonel) in the closing months of the war. The book's label also bears the label of his wife Dorothee, the daughter of the Werner Eduard Fritz von Blomberg (2 September 1878 - 14 March 1946) was a German Generalfeldmarschall, Minister of War, and Commander-in-Chief of the German Armed Forces until January 1938. The marriage of Karl-Heinz and Dorothee was one of the reasons her father, Generalfeldmarschall von Blomberg, was forced to resign by Hitler in 1938 It was in order to avoid a damaging scandal caused by the Generalfeldmarschall's new wife's criminal history as a prostitute that was discovered by Himmler. It was an extraordinary discovery as both Hitler and Goring attended her wedding to Keitel. Another volume that we know of, also originally from Field Marshal Keitel's library, an 1827 first edition of Alexander Pushkin's 'The Robber Brothers' printed in Russian, was apparently given to Keitel in 1941/2, after it's liberation from another but unknown Russian Ex Libris collection during Operation Barbarossa. That volume was given, in its turn in 1945, to Marshal Zhukov, commander of the Army of the USSR, and bears his Red Star stamp, and also Keitel's military stamp. That volume may weel have bee liberated from the Keitel family home library as was this book alongside the other we are offering for sale. Napoleon Bonaparte was General of the French Revolution; the ruler of France as First Consul (Premier Consul) of the French Republic from 11 November 1799 to 18 May 1804; then Emperor of the French (Empereur des Francais) and King of Italy under the name Napoleon I from 18 May 1804 to 6 April 1814; and briefly restored as Emperor from March 20 to June 22 of 1815. This unique piece is exactly the kind of item we are seeking and finding every day, and thus duly offer for sale in our shop and website. Unique, original pieces for the discerning collector, and items that simply cannot be found any where else. We are now the only shop in Britain that offers such pieces, every day, and have done and hopefully will continue to do so  read more

Code: 19643

Most Rare,1920's, Magic Circle & Magician’s Club Artefacts, of Harry Houdini's Great Friend, & Early 20th Century Stage Magician. The Magician's Club of London, Founded by Harry Houdini, Gold Medal Mounted Badge, & A Magic Circle Gold Medal

Rare and highly interesting items of the early 1900’s London Magicians Club and The Magic Circle, are deservedly, incredibly sought after, and both of these superb quality pieces are directly connected to the great and legendary, Harry Houdini. The most famous magician of all time.

The aesthetics of the beauty and designs of these medals are wonderful. The Egyptian Sphinx and Pyramid in pure gilt, combined with the blue enamel, and the gold circle with magical symbology of the Zodiac also with contrasting rich blue enamelling, are both incredibly beautiful. With the marvellous Art Deco influence within the creation of their iconic artistry.

Both medals are of the finest pure gilt and enamel, and from the 1910’s and 1920's, each with blue water silk ribbon mount. A finest Magician’s Club medal, together with a Member of the Magic Circle medal, in gold and finest blue enamel, are named to Wilfred Allan M.M.C., who was Houdini's, and his great friend, Douglas Dexter's, principle pupil. The gold medal of the Magic Circle was awarded to Wilfred Allen M.M.C just a few months after Houdinis tragic death. Family legend was that he was awarded the medal in honour of the death of his friend Harry Houdini, who supposedly recommended him for the honour.

The Magicians' Club of London was formed in 1911 by Harry Houdini along with others including Servais Le Roy, Chris Van Bern, Carl Stakemann, and Stanley Collins.

It was a concept of Will Goldston who had taken umbrage with The Magic Circle (founded in 1905) and he decided to start his own society. He wrote an article titled "The League of Magicians - A Suggestion by Will Goldston" in his Magician Annual for 1910-11.

The first meeting was officially reported in Goldston's Magician Monthly.
Houdini was elected president, the rest as Vice-Presidents, with Stanley Collins as Secretary and Will Goldston as Treasurer. Nearly a hundred members were enrolled at the inaugural meeting on May 27, 1911. Houdini remained president until his death.

After the death of Houdini in 1926, Will Goldston was unanimously elected to succeed him. He held this office for the next three years, relinquishing it to Louis Gautier in 1929, but continuing to serve as Treasurer

The club seemed to have disbanded some time after Will Goldton passed away in 1948.

In Goodliffe's Abracadabra magazine July 1949, inquiries were made regarding the Magicians' Club, London, since the death of Will Goldston asking if it had died a natural death along with its founder. As far as they were able to ascertain, it had.

Wilfred Allan was the principle pupil of magician, and dear friend of co member Harry Houdini, Douglas Dexter. Douglas Dexter was once summoned to the Royal Palace for a personal Command Performance for the King, died in 1938 and Wilfred Allan died a year later in 1939.  read more

Code: 22437

A Most Elegant Ko Wakizashi, or Long Sunobi Tanto, Signed Blade Shinto Period Circa 1650The Entire Original Edo Period Koshirae {Mountings} Are In The Form Described As Shibui, {Quiet}

All original Edo mounts and a most fine and elegant blade with notare based on suguha hamon, signed, possibly Norishige, but the kanji are somewhat difficult to interpret, 15.5 inch blade measured from tsuba to tip.

Suite of matching koshirae mounts in tetsu with the tsuba gold inlaid with a stylized Buddhist dragon and clouds, in gold, 19th Century, similarly inlaid in the sayajiri and saya band inlaid, with a black stippled urushi lacquer, and a carved wood tsuka. The kozuka is a takebori dragon on the plain tetsu ground, the blade is carved wood. The blade has a fine silver foiled habaki engraved with oblique raindrop pattern.

In the context of Japanese aesthetics, Shibui (渋い) refers to a "simple, subtle, and unobtrusive beauty". Decorating with a katana in this manner moves away from extravagant displays toward a refined, understated elegance that emphasises craftsmanship and cultural respect.

Sunobi Tanto
The Tanto that varied from the traditional size were called Sunobi-Tanto or O-Tanto. These were larger versions of the Tanto which featured blades usually measuring between 13 to 14 inches long. It was close to the size of the Ko-Wakizashi, which is a shorter version of the Wakizashi. However as this blade is even longer that the usual 14 inches, that is why it can be considered as a transitional weapon that has a foot in both camps so to speak. Because of its often small size, the Samurai warriors were able to conceal the Tanto in their clothing. It was also the Shoto or small sword in the Daisho and was paired with the Tachi. This was before the Samurai chose to use the Wakizashi over the Tanto as an auxiliary sword.
The Wakizashi was a Samurai warrior’s backup weapon that was used for close-quarter battles. Aside from this, the sword was a Samurai warrior’s tool for beheading a defeated opponent. It was sometimes used for committing Seppuku, a ritualistic suicide.

In addition, the Wakizashi was one of the few short swords available to the Samurai warrior. Another sword they might use was called a Chisa Katana, effectively a short Katana perfect for use within buildings castles etc. and the prerogative of the personal full time bodyguard of a Daimyo lord, who were the usually the only samurai permitted to be armed in his presence day and night.

Because the sword was the main battle weapon of Japan's knightly man-at-arms (although spears and bows were also carried), an entire martial art grew up around learning how to use it. This was kenjutsu, the art of sword fighting, or kendo in its modern, non-warlike incarnation. The importance of studying kenjutsu and the other martial arts such as kyujutsu, the art of the bow, was so critical to the samurai a very real matter of life or death that Miyamoto Musashi, most renowned of all swordsmen, warned in his classic The Book of Five Rings: The science of martial arts for warriors requires construction of various weapons and understanding the properties of the weapons. A member of a warrior family who does not learn to use weapons and understand the specific advantages of each weapon would seem to be somewhat uncultivated. European knights and Japanese samurai have some interesting similarities. Both groups rode horses and wore armour. Both came from a wealthy upper class. And both were trained to follow strict codes of moral behaviour. In Europe, these ideals were called chivalry; the samurai code was called Bushido, "the way of the warrior." The rules of chivalry and Bushido both emphasize honour, self-control, loyalty, bravery, and military training

As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

The world of antique sword collecting is a fascinating journey into the past, offering a unique lens through which to view history and culture. More than mere weapons, these artifacts serve as tangible connections to the societies and ancient times where they originated. Each blade tells a story, not just of the battles it may have seen but of the craftsmanship, artistic trends, and technological advancement of its time.

The swords mountings can be equally telling. Engravings and decorative elements may enhance the sword’s beauty and hint at its historical context. The materials used for them can reveal the sword’s age

Collecting antique swords, arms and armour is not merely an acquisition of objects; it’s an engagement with the historical and cultural significance that these pieces embody. As collectors, we become custodians of history, preserving these heritage symbols for future generations to study and appreciate.

We are now, likely the oldest, and still thriving, arms armour and militaria stores in the UK, Europe and probably the rest of the world too. We know of no other store of our kind that is still operating under the control its fourth successive generation of family traders

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

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