Antique Arms & Militaria

A Simply Stunning And Historical Persian Kulah Khud Helmet, Qajar Era, Surmounted with an Ancestor's War Trophy, A 12th Cent. Crusaders Arrow, To Represent the Traditional Kulah Khud Helmet Spike

A fabulously beautiful 18th to 19th century helmet, crowned at the peak with an surmounted battle souvenir of an original Crusader's arrow head from the victory of Saladin's army at the Battle Hattin in the 12th century.

The helmet of hemispherical form, the brim hammer welded to the bowl, fitted at its apex, with a moulded base, with the arrow head, and at the front a sliding nasal bar secured by a thumb-screw and with a plume-holder on each side, decorated throughout with a framework of gold cartouches filled with mounted warriors and calligraphy, the brim encircled by a calligraphic panel of text from the Koran, framed by gold lines, and lamellar mail neck defence of butted links, with a small resin repair. The apex of the helmet bears a 12th century Crusader's iron arrow head, said by legend to have come from the booty of the Battle of Hattin, Saladin's great victory against the Crusaders. The Battle of Hattin took place on 4 July 1187, between the Crusader states of the Levant and the forces of the Ayyubid sultan Salah ad-Din, known in the West as Saladin. It is also known as the Battle of the Horns of Hattin, from a nearby extinct volcano.

The Muslim armies under Saladin captured or killed the vast majority of the Crusader forces, removing their capability to wage war. As a direct result of the battle, Muslims once again became the eminent military power in the Holy Land, re-conquering Jerusalem and most of the other Crusader-held cities. These Christian defeats prompted the Third Crusade, which began two years after the Battle of Hattin. The Crusader army was composed of knights from the: Kingdom of Jerusalem
Knights Templar
Knights Hospitaller
Order of Saint Lazarus
Order of Mountjoy.

The fitting of ancient relics within the warriors armour, from the greatest battles of Saladin, is a profound statement of connection the the historic past, we have seen once before on another very fine kulah khud helmet that we had about 15 years ago. Antique Arabian jambiya of the highest quality often have ancient Europen coins inset within their hilts for a similar purpose. The field restored chainmail has been repaired aroundthe equivalent area of medium sized coin, this could likely be fairly easily tidied much better.  read more

Code: 21500

A Most Scarce and Beautiful Antique Balinese Executioner's Keris. Bayou Hindu God of Wind Hilt, 17th to 18th Century Blade, Possibly Made From Meteorite Steel

Not only a rare and beautiful example of an antique Indonesian traditional weapon of high status, it is a stunning work of art, with a spectacular hilt that is a gilt metal representational figure likely of Bayu, the Hindu god of wind, seated on a rock, with his right hand holding the flask with life-elixir, the left a part of his shawl, and his face with ferocious expression and bulging eyes, and studded with extravagant coloured glass-beads.

It has a very nice, very long blade, of the traditionally Balinese executioner's form. In many parts of Indonesia, the long straight bladed kris used to be the weapon of choice for ceremonial execution. The executioner's kris had a long, straight, slender blade exactly as this fine piece. The condemned knelt before the executioner, who placed a wad of cotton or similar material on the subject's shoulder or clavicle area. The blade was thrust through the padding, piercing the subclavian artery and the heart. Upon withdrawal, the cotton wiped the blade clean. Death came within seconds.

This is stunningly nice piece and a most unusually seen variation of these interesting weapons, called the Kris or Keris. Fine, Indonesian antique, gold coloured metal sword hilts of Bayu, studded with glass beads such as this, are rare and highly collectable, and they occasionally appear, on the collector's market, frequently mounted on a base, without their blades, and sold as Asian Object D'art.

In Sale No.2501, at Christie's, in their sale of Asian Ceramics and Works of Art, on the 8 May 2001, in Amsterdam, a gold coloured metal figure of this very kind, also studded with similar glass beads, sold for $9,390 US Dollars.  read more

Code: 22268

A Super Balinese Carved Wooden 'Demon Kris Stand Probably Representing One of the Vanaras, Forest Dweller Human-Ape Like Demi-God Warriors That Helped Rama Defeat Ravana

Possibly representing Hanuman, or Anoman, one of the Vanara human-apes of Ramayana epic. In Hindu mythology, Vanara forest-dwellers, either refers to the monkeys or a race of forest dwelling people. In the epic the Ramayana and its various versions, the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes or monkeys. Vanaras are created by Brahma to help Rama in battle against Ravana. They are powerful and have many godly traits. Taking Brahma's orders, the gods began to parent sons in the zion of Kishkindha (identified with parts of present-day Karnataka, Andhra Pradesh & Maharashtra). Rama first met them in Dandaka Forest, during his search for Sita. An army of Vanaras helped Rama in his search for Sita, and also in battle against Ravana, Sita's abductor. Nala and Nila built a bridge over the ocean so that Rama and the army could cross to Lanka. As described in the epic, the characteristics of the Vanara include being amusing, childish, mildly irritating, badgering, hyperactive, adventurous, bluntly honest, loyal, courageous, and kind

Carved in one piece of wood vividly decorated in polychrome colours, approx 18 inches high, 9 inches deep.
The respect with which krises were always treated extended to the careful attention given to them even when they were not being worn. The weapons were stored in fitted bags, custom-made boxes and chests, and on wall-mounted display boards, as well as in kris stands. The use of three-dimensional sculptures as kris stands, however, was limited to the islands of Bali and Lombok. Not including the kris as shown. The kris or kêrìs "to slice"; is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). While most strongly associated with the culture of Indonesia the kris is also indigenous to Malaysia, Thailand, Brunei, Singapore and the Philippines where it is known as kalis with variants existing as a sword rather than a dagger. The kris is famous for its distinctive wavy blade, although many have straight blades as well. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. As a result, in Indonesia the kris is commonly associated with Javanese culture, although other ethnicities are familiar with the weapon as part of their culture, such as the Balinese, Malays, Sundanese, Madurese, Banjar, Thais, Bugis, Makassar, and Filipinos. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850).
However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. The best material for creating kris pamor, was acquired in a quite unusual way, as it is made from rare meteorite iron. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids  read more

Code: 24195

A Wonderful Antique Meteorite Steel Indonesian Kris with Engraved Royal Crown With a 'Diamond' Hilt Collar

The whole sword is beautiful, the hardwood scabbard has a fabulous age patina as has the carved hardwood hilt which also has a 'diamond' collar. They are all somewhat crude 'old cuts' that are poor at refracting light, therefore they might be Indian Moghul diamonds, or even 'old cut' rock crystal stones, it is near impossible to tell, they have not a great deal of intrinsic value either way, due to their cut, but most intriguing none the less.
the traditional steel of the best indonesian kris often contain meteorite steel that fell from the heavens, and the Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. The Kris Panjang is worn generally by the Malayan aristocracy. I have seen some beautiful specimens of this weapon in Rumbowe, worn by the chiefs of that state.
Thomas John Newbold, in 1839 wrote lamination patterns that are created in their forging can be simply stunning, as this this beautiful piece. The yellow-white metal scabbard cover is beautifully engraved, on the outer side, and mostly plain on the inner side, but both sides bear an elaborate engraved royal crown.
Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern. 15 inch blade  read more

Code: 23974

A Stunning Moghul Indo Persian Jade Handled Tiger Tooth Blade Khanjar

With wootz blade. A 19th century dagger khanjar, curved double edged watered wootz blade 24cms long, cut with a pair of deep fullers with medial ridge, mounted with a fine one piece jade hilt engraved and incised overall with foliage and inlaid with cabochon turquoise at the corners and on the pommel. he Mughal (or Moghul) Empire was an early-modern empire in South Asia. For some two centuries, the empire stretched from the outer fringes of the Indus basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan plateau in South India.

The Mughal empire is conventionally said to have been founded in 1526 by Babur, a warrior chieftain from what today is Uzbekistan, who employed aid from the neighboring Safavid and Ottoman empires to defeat the Sultan of Delhi, Ibrahim Lodhi, in the First Battle of Panipat, and to sweep down the plains of Upper India. The Mughal imperial structure, however, is sometimes dated to 1600, to the rule of Babur's grandson, Akbar. This imperial structure lasted until 1720, until shortly after the death of the last major emperor, Aurengzeb, during whose reign the empire also achieved its maximum geographical extent. Reduced subsequently, especially during the East India Company rule in India, to the region in and around Old Delhi, the empire was formally dissolved by the British Raj after the Indian Rebellion of 1857.

Although the Mughal empire was created and sustained by military warfare,it did not vigorously suppress the cultures and peoples it came to rule, but rather equalized and placated them through new administrative practices, and diverse ruling elites, leading to more efficient, centralised, and standarized rule.The base of the empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in the well-regulated silver currency, and caused peasants and artisans to enter larger markets.

The relative peace maintained by the empire during much of the 17th century was a factor in India's economic expansion.Burgeoning European presence in the Indian ocean, and its increasing demand for Indian raw- and finished products, created still greater wealth in the Mughal courts. There was more conspicuous consumption among the Mughal elite, resulting in greater patronage of painting, literary forms, textiles, and architecture, especially during the reign of Shah Jahan. The Taj Mahal, which is described as, "The jewel of Muslim art in India, and one of the universally admired masterpieces of the world's heritage.  read more

Code: 22507

A Scarce Lancaster Oval Bore Rifle Sword Bayonet, Sappers and Miners 1855, Shortened Quill Back Blade

Brass mounted hilt, three rivet wooden grips and screw mounted spring would have originally permanently fixed with a rivet, but an improvement replacement of a screw meant an armourer of the regiments could repair it in the field, a fixed rivet meant the bayonet would have to return to the regiment for repair if required.

Two-Band Rifle-Musket by Charles Lancaster, manufactured in London, England circa 1850's. Charles William Lancaster (1820-1878) was devoted to his craft and was among the best England had to offer in the field of firearms making and invention. It was around the year 1850, when he conceived the idea of the oval bore. Indeed, it is very slightly oval, almost imperceptibly and the rifling is very subtle and this rifle could easily be mistaken for a smooth bore. The rifling is also “gain twist”, meaning that the twist gets faster as the projectile approaches the muzzle. He believed that the oval bore was the future form all rifles and cannons should take due to the design’s inherent ability to mitigate the fowling that came from using black powder, as well as their accuracy.

He would put his idea to the test when he entered the government trials for what would become the Pattern 1853. He would spend much of 1852 and 1853 in doing so. His oval bore proved more accurate and less prone to foul than the competition, though the very subtle rifling was prone to wear out sooner with much use than conventional rifling. His system was not ultimately adopted for the Pattern 1853 infantry rifle-musket, but it was adopted in smaller numbers for sapper muskets.


No scabbard overall 20.5 inches long, blade 15.5 inches hilt from ricasso base 5 inches.  read more

Code: 25179

An Extraordinary Document, & Piece of Original & Highly Relevant History Today. A 'Particulars of Claim For Compensation' For The Freedom of 253 Slaves In Barbados For the President Of Barbados, John Rycroft Best & 556 Slaves Owned By John Higginson

An original stamped and dated claim form. For John Rycroft Best’s 253 slaves in St Andrew, plus,, the numerous claims of John Higginson of Barbados

John Rycroft Best was a 'plantocrat' and militia commander who played an important part in the suppression of the Barbados rebellion of 1816, though he was to withdraw from the Barbados Assembly committee which reported on the uprising.

John Rycroft Best
recorded in official record as
‘of Blackmans, in the Parish of St Joseph, Barbadoes sic, President of this Island.’

He played an important role in Barbados Council politics including, for example, rallying opposition to the impending threat of abolition. At a meeting of representatives of Barbados, Antigua, Demerara and Essequibo, Dominica, Grenada, Nevis, St Christopher, St Vincent, Tobago and the Virgin islands, chaired by Best, there were strong protests against the British Government’s treatment of the West Indies, the threat of abolition (unless there was adequate recompense) and praise for how the planters had improved the conditions of the slaves.

John Rycroft Best was last recorded as perishing aged around 73 in a fire and subsequent explosion aboard RMS Amazon. Quite a lot of detail is known of this event, and we detail it as follows;

RMS Amazon was a wooden three-masted barque, paddle steamer and Royal Mail Ship of the Royal Mail Steam Packet Company. She was one of a set of five sister ships built at the beginning of the 1850s for RMSP's routes between Southampton and the Caribbean.

On Friday, 2 January 1852, Amazon, commanded by Captain William Symons, loaded mail, embarked 50 passengers and late that day she sailed for the Caribbean. In the next 24 hours she twice hove to as her engine bearings overheated. She entered the Bay of Biscay and about 12:40 on Sunday, 4 January, smoke was sighted rising from a hatch ahead of her forward funnel. Captain Symons and his chief officer, Roberts, were quickly on deck and organised crewmen with buckets and a hose to fight the fire. Men started to move hay away from the fire, but after they had moved only two bales all the remainder caught alight.

The fire spread out of control. The starboard lifeboat rescued the five occupants of the dinghy and tried to approach the ship to rescue more people, but came in danger of being swamped and so abandoned the attempt. Amazon was still under way, rolling in the heavy sea while Symons and his crew still tried to keep her course steady.

By 04:00 the fire brought down the ship's foremast and mainmast. At 05:00 her magazine exploded and her mizzen mast was brought down. Her funnels glowed red-hot6 and about half an hour later she sank about 110 miles (180 km) west-south-west of the Isles of Scilly.

On the same documentation are the details of John Higginson of St Philip and his approved compensation claim of his numerous properties and slaves therein, also the details of his claims finalised by his executor for his son, a naval captain, as he died long before the compensation was actually paid.

Details of one claim in public record of John Higginson of St Philip; 288 slaves, compenstion paid £2,491 10s 2d to Robert Richard Deane as executor of John Higginson's Estate

Richard Deane appears as the attorney of William Barton, George Irlam and John Higginson in Essequebo in 1808.

Enslaved persons were registered in 1834 by Richard Deane, as the attorney to John Higginson.

Deane appears in the Slave Compensation records mainly as the executor of John Higginson, the last of the original partners in Barton, Irlam and Higginson, who died in 1834.

Public record shows amounts claimed were £2,491 10s 2d for his Sandy Lane slaves and £3,594 10s 9d for his Congo Road slaves

From public record; 'In 1833 ... Barton, Irlam & Higginson owned a number of Barbadian plantations with at least 1,232 slaves, making the firm one of the biggest slave owners on the island.' They were awarded the compensation for 12 claims in Barbados as executor of John Higginson (q.v.). Deane himself appears to have spent much of his life in Barbados and no trace of his death in Britain has yet been discovered.

Liverpool and Barbados merchant and slave-owner. The executor of John Higginson, Richard Deane (q.v.) was awarded the compensation under 12 awards in Barbados as executor.

Father of Jonathan Higginson (q.v.) and partner in Barton, Irlam and Higginson. Died 21/12/1834 at Liverpool. Buried St George Everton 26/12/1834 aged 58.

The will of John Higginson at present of St Michael Barbados made in 1833 was not proved until 14/12/1840 in London. Under the will he left an annuity of £600 p.a. to his wife Sarah Ann, to be reduced to £100 p.a. if she intermarried, together with his house on Everton Terrace. He instructed his trustees to provide £150 p.a. for the support of each of his children until 15, and then amounts at their discretion up to £250 p.a. for each child until 21, when each was to receive £5000. His son Jonathan inherited his estates at 'Over Peevor' in the County of Chester. He made his sons his co-residuary legatees, failing whom his sisters.

Interestingly John Higginson may well have been a descendant of a Reverend Higginson who was of Salem Mass. during the infamous Witch Trials, and his daughter was accused of witchcraft. The Reverend's son, Henry, later emigrated to Barbados. Henry Higginson became a merchant in Barbados and died of small pox in 1685.

Portrait of William Ansah Sessarakoo, circa 1749. In the 18th century, it was not uncommon for wealthy African leaders to send their sons, like William Ansah Sessarakoo, to Europe to be educated. In 1744, Sessarakoo boarded a ship to England when he was abruptly captured and sold into slavery when the ship stopped in Barbados. His father was able to secure his son’s freedom, and he continued his travel to England, where his portrait was taken.  read more

Code: 24393

A Stunningly Beautiful and Superb Ghurka’s Antique Koftgari Decorated Silver Hilted Kora

The Kora is the second best but little known weapon of the Ghurkas of Nepal, the first being the legendary Kukri (Khukuri), both edged weapons are national weapons of Nepal. The third used sword is the forward curved blade of Nepal, the Ram Dao, it is only used in religious affairs and was doubtfully used in times of war.

Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepaul" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria! Lord Egerton and Rawson share the main idea that the forward curved blade most likely goes back to the Egyptian Khopesh and from there over to the Grecco-Roman world where it was called Kopis. Most authors, collectors and people with knowledge will agree on this, so far it?s the best option we have. So much of the past, its history is forgotten, unrecorded and often only minor fragments remain
Similarly with the Kora (or Kukri), for that sake we only know a small drop of water in a great ocean?and can not blindly focus on only that but gather more info, facts, discuss and contemplate upon the matter to perhaps reach a better understanding. It is believed this is what specially Lord Egerton and Rawson did, added knowledge, expanded our understanding and shed some light on the little known weapons, of the Indian sub-continent, thus it why they can be held in such high regard.  read more

Code: 22405

Ancient Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Another sword from an acquisition by us of the amazing Dove collection of original archaic Chinese bronze age weaponry. This beauty is from the Zhou dynasty. From the area of the King's of Wu, in Chu. A stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu. From a collection of antiquities, swords daggers, and rings, many pieces apparently sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name. 480mm long 450 gms

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams The Wallace Collection} 65 publications

As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24355

A Scarce, Black Leather, Victorian Gloucestershire Yeomanry Cavalry Ammunition Cross-Belt Pouch.

A good example of these scarce and very desirable items of militaria from one of Queen Victoria's Yeomanry Cavalry regiments. Leather pouch, with tin box interior and gilt brass regimental device to flap.

New troops of yeomanry were raised in the 1830s in response to the Swing Riots. The first such troop established in Gloucestershire was the Marshfield and Dodington Troop, raised in 1830 by William Codrington, from which the Royal Gloucestershire Hussars dated its formation. The troop comprised three officers, a quartermaster, four non-commissioned officers, a trumpeter and fifty troopers, and was recruited from the tenants of Codrington's estate and those of his neighbours, including that of the Duke of Beaufort. In 1831, six more troops were raised by members of the Gloucestershire gentry in Fairford and Cirencester, Stroudwater, Tetbury, Gloucester, Winterbourne and Stapleton, and Alveston. That same year, the Dodington and Tetbury Troops were sent to Bristol in response to civil unrest following the defeat of the Second Reform Bill in the House of Lords.

In 1834, all of the Gloucestershire yeomanry captains met in the hamlet of Petty France in south Gloucestershire and agreed to combine their troops into a single regiment, to be named the Gloucestershire Yeomanry Cavalry. Its first commanding officer was the Marquis of Worcester, who became the 7th Duke of Beaufort in 1835, thus beginning the regiment's long association with the Beaufort family. The new regiment was ranked 24th in the yeomanry order of precedence and comprised seven troops with a total strength of 26 officers and 382 other ranks. Adopting the uniform of light dragoons, each man was armed with sword and pistol, and twelve skirmishers in each troop were armed with muzzle-loading carbines. The regiment's first deployment came in 1838, when the Dodington and Winterbourne Troops helped police a Chartist rally in Bristol.The 'Royal' prefix was granted in 1841, and in 1847 the regiment adopted a blue hussar uniform and the name Royal Gloucestershire Hussars. The authority of the Duke of Beaufort is evident in his order, in 1846, that all members should grow moustaches "in the form of a carving knife", an instruction that was derided in the pages of Punch magazine at the time, and his insistence the next year that the regiment wear the second jacket over the back, Hungarian style, instead of the usual English-style over the shoulder.

The influence of the social order on the composition of the regiment at this time can be observed from an incident in 1847. It involved a disagreement between Lord FitzHardinge, Lord-Lieutenant of Gloucestershire, and his brother, Grantley Berkeley, a member of parliament and captain of the Berkeley Troop, which had joined the regiment in 1840. In pursuing his grievance against his brother, FitzHardinge pressured his tenants into resigning from the troop and threatened some with the loss of their farms if they did not. Further insight into the regiment's strong ties to the farming community can be found in the records of the annual exercises. In 1865, the permanent duty was deferred until the autumn due to an early harvest, and participation in a major 14-day exercise in 1871 was cancelled due to a late harvest. Attendance at the annual assemblies dropped below 300 men in the late 1870s and early 1880s, compared to 445 in 1875, due to a succession of bad harvests. In 1890, the regiment boasted four Masters of Hounds and a large number of fox hunters in its membership, both officers and other ranks, and that year it adopted an old hunting song, D'ye ken John Peel, as its regimental march.
Picture in the gallery of Captain Surman, adjutant of the Royal Gloucestershire Hussars 1834 - 1858

The cross belt was predominantly used from the 1700s (American Revolutionary War) to the 1840s they were not part of a soldier's equipment in the American Civil War and Anglo-Zulu War/First Boer War.

For most line infantry, skirmishers, light infantry, grenadiers and guard regiments during much of Europe's Age of Gunpowder, either a cross belt or two shoulder belts were worn.citation needed One configuration for the belts would be the cartridge box on the right hip and sword scabbard on the left. Such equipment would be attached to the belt at its lowest point, where it rests on the hip. Officers almost never carried muskets or rifles, so they typically wore only one shoulder belt, such as for the pistol cartridge box or for a sabre scabbard. As officers were often aristocratic and used many independent symbols for their family, rank, and command, their uniforms and gear organisation could be highly variable.

For British infantry, the cross belt had a metal belt plate with the regiment of the soldier inscribed on it. We show in the gallery an old print of officers of another regiment but wearing the pouch.  read more

Code: 16622