Antique Arms & Militaria

An Early Roman Empire Period 1st Century Status Seal Ring Depicting Winged Pegasus and Bellerophon Slaying the Monstrous Chimaera With His Spear

A superb Henig type Xb ring. Wide oval bezel affixed to flattened shoulders engraved copper bronze alloy with gilt highlights. Almost identical shape and form to one found in the UK near Hadrian's Wall. And another similar, with the very same style of workmanship and engraving from the era, was discovered 50 years ago, and believed to be once the ring of the infamous Pontius Pilate, the Governor of Judea for Rome

Although an Ancient Greek legend, all the gods and myths of Ancient Greece were highly revereed and eagerly adopted by the Romans, for their art especially. However, once they adopted the Greek gods they Romanised and re-named them, such as the God of the Sea, Poseiden, who thus became Neptune, God of the Sea, for the Romans. Traditional stylized engraving, typical for a Roman status ring, for a citizen or noble.

Pegasus is fabled winged-horse from Greek mythology which was fathered by Poseidon and was born from the severed neck of the gorgon Medusa, slain by Perseus. At the same time and in the same way, Chryasor was also born. Poseidon gave Pegasus to his son Bellerophon who put Pegasus to good use in his famous battle with the Chimaera.

The myth of Bellerophon begins with the hero visiting Tiryns and enjoying the hospitality of the city's king Proitos. However, trouble started when Stheneboia, the king's wife, fell in love with the hero and made inappropriate advances. Bellerophon, being a good guest, politely rejected these advances but predictably, Stheneboia saw red and went before the king and accused the visitor of attempting to seduce her. In punishment, Bellerophon was sent by Proitos to serve his father-in-law Iobates, King of Lykia. On arrival, Bellerophon was set a series of dangerous and impossibly difficult tasks, chief amongst them being to destroy the fearsome and rather bizarre Chimaera. This fire-breathing creature was a terrible mix of a lion's body with a snake for a tail and the head of a goat sprouting from its back. To aid him in this task, Bellerophon was fortunate to have at his disposal Pegasus. In some accounts he found the horse at the fountain of Pirene near Corinth, and Hesiod suggests this fact explains the name Pegasus, derived from 'water'- pēgē. Taming the horse with the help of Athena, Bellerophon rode (and flew) Pegasus and managed to kill the monstrous Chimaera with his spear.

Bellerophon and Pegasus went on to enjoy further success with other challenges Iobates set the hero including a battle with the Amazons. However, becoming rather boastful and thinking he could fly high enough on his winged steed to take his place amongst the immortal gods, Bellerophon was thrown by Pegasus and fell unceremoniously back to earth. Meanwhile, Pegasus kept on going and on reaching Mt. Olympus, he was given to Eos who was responsible for bringing Dawn across the sky each day. According to Hesiod in his Theogony, Pegasus also brought Zeus his thunder and lightning whenever needed.
Pegasus appeared on Greek pottery, the earliest being Corinthian wares from the 7th century BCE. Pegasus was also a popular design on coins, in particular from Corinth from the 6th century BCE. A famous representation in sculpture is from the pediment of the Temple of Artemis on Corcyra (c. 580 BCE). The Bellerophon and Pegasus myth was also a popular subject in Roman art - especially engraved semi-precious stone cameos and floor mosaics - where the horse became symbolic of immortality.

A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. See its image in the gallery, with a detailed drawing of the traditional stylized engraving.

Being around 2000 years old, it has a heavily encrusted, natural, well aged patina

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24889

An Ancient Archaic Chinese Dagger, From the Warring States Period to Han Dynasty circa 520 to 225 BC.

All bronze, graduating double edged blade, with central rib and slightly swollen tip. Cylindrical grip and flared disc pommel, showing the aperture to the grip. The blade bears two curlique stamps, one an inverted version of the other, that may be caligraphy kanji or symbolic, stylised decor

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. Many pieces we acquired were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

The Warring States Period lasted 254 years it started from 475 BC and ended in 221 BC. It was the last period of the Zhou Dynasty (1046–221 BC). The Zhou Dynasty era consisted of three periods: Western Zhou (1046–771 BC), the Spring and Autumn Period (770–476 BC), and the Warring States Period.

The Warring States Period began because the nobles stopped supporting the Zhou Dynasty, and Zhou's vassal states declared themselves independent from Zhou and fought for territory, becoming kingdoms or warring states.

The independence of vassal states was caused by the Zhou Dynasty’s system of enfeoffment: in order to strengthen the Zhou king’s power, nobles who contributed to the dynasty were awarded land.
Then vassal states formed. Vassal states could manage their own lands and raise their own armies. Once a vassal state became strong enough, its ambition went beyond being a small state.
The Warring States Period was dominated by 7 warring states.
Powerful vassal states constantly annexed smaller vassal states, and by the middle of the Warring States period, there were seven vassal states: Qin, Chu, Zhao, Wei, Han, Yan, and Qi.

Qin was in the far west, occupying today's Shaanxi Guanzhong, Hanzhong, southeast Gansu, central and eastern Sichuan.
Chu enjoyed the largest area. It dominated the south, with its core territory around the Yangtze River, controlling today’s Hubei, and part of Henan, Anhui, Hunan, Jiangsu, and Zhejiang.
Zhao was in the north, roughly most of today's Shanxi and Hebei and part of Inner Mongolia.
Wei was located in the middle, roughly part of today's Henan.
Han was situated in the middle too, occupying part of Henan and Shanxi.
Yan, in the northeast, controlled today’s Beijing, Liaoning, and Jilin.
Qi controlled the east, centred on the Shandong Peninsula.

315 mm long overall.

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24885

A Super, Large, Spinosaurus Tooth Cretacous Period Around 100 Million Years Old. One of The Great Dinosaurs. Thought Possibly Larger Than The T- Rex

Spinosaurid specimen tooth of good proportions with excellent colour tones and morphology, exhibiting attractive caramel glossy enamel patina, collected in the continental Red sands fossil formation, part of the continental intercalate, Tegana formation, province de Kasr-es-Souk, Kem Kem. Approximately 25km from Erfoud. The fossil beds are situated in southeastern Morocco, an area of the North Western Sahara desert, this area is the northern Sahara of Africa. The Hamada, is a raised plateau and is a distinct topographical feature of this region lying across the borders of Morocco and Algeria.

Spinosaurus (meaning "spine lizard") is a genus of theropod dinosaur that lived in what now is North Africa, during the upper Albian to upper Turonian stages of the Cretaceous period, about 112 to 93.5 million years ago. This genus was known first from Egyptian remains discovered in 1912 and described by German paleontologist Ernst Stromer in 1915. The original remains were destroyed in World War II, but additional material has come to light in the early 21st century. It is unclear whether one or two species are represented in the fossils reported in the scientific literature. The best known species is S. aegyptiacus from Egypt, although a potential second species, S. maroccanus, has been recovered from Morocco.

Spinosaurus was among the largest of all known carnivorous dinosaurs, nearly as large as or even larger than Tyrannosaurus, Giganotosaurus and Carcharodontosaurus. Estimates published in 2005, 2007, and 2008 suggested that it was between 12.6 to 18 metres (41 to 59 ft) in length and 7 to 20.9 tonnes (7.7 to 23.0 short tons) in weight. New estimates published in 2014 and 2018 based on a more complete specimen, supported the earlier research, finding that Spinosaurus could reach lengths of 15 to 15.6 m (49 to 51 ft). The latest estimates suggest a weight of 6.4 to 7.2 tonnes The skull of Spinosaurus was long and narrow, similar to that of a modern crocodilian. Spinosaurus is known to have eaten fish, and most scientists believe that it hunted both terrestrial and aquatic prey; evidence suggests that it lived both on land and in water as a modern crocodilian does. The distinctive spines of Spinosaurus, which were long extensions of the vertebrae, grew to at least 1.65 meters (5.4 ft) long and were likely to have had skin connecting them, forming a sail-like structure, although some authors have suggested that the spines were covered in fat and formed a hump. Multiple functions have been put forward for this structure, including thermoregulation and display.

Accompanied by our Certificate of Authenticity.
Tooth is 72mm long overall  read more

Code: 24879

An Imposing & Elegant ‘Morituri’ Walking Cane, Cast Bronze Skull With & Ebony Stick & Carved Bone Ferrule

Likely 20th century. A gentleman’s walking out cane of the most distinct esoteric style of a weighted cast skull set upon an elegant, earlier, Victorian ebony cane with a carved bone ferrule.
Skull mounted canes for gentlemen have been most popular in all forms since the 18th century, and one of the most famed was the cane made for, and used by, Charles Darwin.
Darwin called his skull stick his ‘morituri’, a type of ‘memento mori’. These objects remind their owners of the short time people live on earth. Charles Darwin (1809-82) is famous for his theory of evolution outlined in The Origin of Species, first published in 1859. Darwin’s walking stick was collected by Henry Wellcome as a relic of someone Wellcome considered a ‘great man.’ Darwin's carved whalebone Morituri cane is shown in the gallery on a black ground.

Walking canes have been in use for centuries and have come to represent both elegance and practicality. An elegant walking cane, in particular, is more than just a tool to aid in walking. It is a statement of style, sophistication, and grace. In this article, we will delve deeper into the concept of an elegant walking cane, its history, and its contemporary significance

A brief history of walking canes
Walking canes have been in use since ancient times, with evidence of their use found in several civilizations around the world. The Egyptians, Greeks, and Romans all used walking sticks for both functional and ceremonial purposes. In medieval times, walking canes were an accessory of the wealthy and powerful, often adorned with precious metals and jewels.

By the 17th century, walking canes had become an essential part of men's fashion. They were not only used as a symbol of wealth and status but also as a practical tool to aid in walking. During the 18th century, walking canes became even more ornate, with intricate designs and carvings, and the addition of handles made from exotic materials such as ivory and tortoiseshell.

In the 19th century, walking canes became more utilitarian in nature, with the introduction of collapsible canes and adjustable handles. They continued to be popular among the wealthy, with some canes serving as a form of self-defense, fitted with sword or dagger blades. And a weighted cane often made a most effective 'club' stick


90cm long  read more

Code: 24855

A Stunning, Indian Tiger Head, of 'Tipu Sultan' Form, Dagger's Pommel, The Tiger of Mysore, in Silver and Copper With Gem Stone Eyes

Likely used in the era of the Battle of The Siege of Seringapatam (4 May 1799) potentially by one of his highest rank military or vassal. It was the final confrontation of the Fourth Anglo-Mysore War between the British East India Company and the Kingdom of Mysore. The British achieved a decisive victory after breaching the walls of the fortress at Seringapatam (as Srirangapatna was then known) and storming the citadel. Tippu Sultan, Mysore's ruler, was killed in the action. The British restored the Wodeyar dynasty to the throne after the victory, but retained indirect control of the kingdom. All copper gilt hilt and mount. Decorated with a Tiger's head pommel, and fully designed with mask suspension mounts and all over patterning. Tipu Sultan (c.1753–99) the Sultan of Mysore from (1782–99). He inherited the kingdom recently created by his father, Hyder Ali and was a formidable enemy to both the British and neighbouring Indian states. Failure to secure active French support left him without allies in resisting the British. He was finally besieged in his own capital, Seringapatam, when unfounded rumours that he had secured an alliance with Revolutionary France gave the British the necessary pretext for a final assault. He was killed in the attack.

On a number of Tipu's swords, such as those at Powis Castle, near Welshpool; British Museum, London; and Museo Stibbert Museum, Florence, tigers form the hilt, with Tiger of Mysore pommel, Each tiger is of a slightly different design. The tiger and tiger's head denotes the certainty of it having belonged to royalty as none but Princes are allowed to introduce it,' wrote Lord Mornington, the Governor General, in 1800.

Islam did not directly forbid representational, figurative art, but there is no religious tradition governing it as there is with calligraphy and the more geometric decorative arts. Islamic figurative art is generally secular (separated from religion). Representational examples of Islamic art often illustrate battles or animal hunts, and were used to decorate the private apartments of the nobility. Although unfortunately there is no known remaining direct connection with this sword pommel and Tipu Sultan, or Seringapatam, as his swords were usually solid gold, yet it is so similar to the Tiger of Mysore's solid gold tiger heads thus it is to be logically concluded to possibly have been used by a noble/prince in his service, or, at the very least an admirer-supporter.

A photo in the gallery shows the solid gold, Tiger of Mysore, pommelled sword of Tipu Sultan, and a Tipu Sultan, Tiger of Mysore, pommelled dagger. Both gold silver and jewelled, and another Tiger of Mysore, in gold and jewels taken from his disassembled from his throne over 223 years ago, and that tiger of Mysore head sold for around 1.4 million pounds a few years ago.  read more

Code: 24857

Antique 17th-18th century Sinhalese Nobleman's Dagger Piha Kaetta, With Fabulous Carved Black Coral Grip, and Very Unually With its Original Scabbard.

A single edged robust steel blade with fuller along the back edge. The forte and spine of the blade are heavily encrusted in silver with scrolling foliage, encased on each side with chased silver alloy bolster panels, over the base, decorated with finely chased floral and vine scrolling foliage, with finely carved black coral grip.The hilt is finely carved and detailed with a

liya-pata pattern hilt. The end is encased in a broad rounding of metal that has been chased in high relief with particularly fine Ceylonese scrolling foliage and flower motifs. From this is emitted a rounded tang button. In its wood scabbard with fluted finish and small wood part lacking.

These elaborately decorated knives are usually the product of the Pattal-hatara (four workshops), the blades being supplied by smiths. This was a mainly hereditary corporation of the best craftsmen who worked exclusively for the king in Kandy. Originally there was only one pattala but this was subsequently divided into sections which included a Randaku pattala (golden sword armoury or workshop). As well as being worn by courtiers, these knives were given by the king to nobles and to the temples. "The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu [Golden Arms], the Abarana [Regalia], the Sinhasana [Lion Throne], and the Otunu [Crown] these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months.
A related but less ornate example but without a scabbard currently is on display in London’s Victoria & Albert Museum. Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.  read more

Code: 20007

A Superbly Attractive, Native American Indian 'Spontoon Head' Style Tomahawk with Studded Haft, Glass Beads, and Eagle Feathers.

Great Lakes style. Rarely seen in Europe, a large spontoon trade style tomahawk axe head, with 2 large hook quillons on either side of the head. The head itself is a work of art, engraved with four spontoon heads at north south east and west, and nail point stamped create a circle. Possibly forged by an unknown blacksmith. The blade and head show a nice natural patina, and old brass tacks along the handle. They are domed head brass tacks set in an ash wood haft. The haft has a hole drilled for attaching an old beaded drop and eagle feathers with a piece of thin buckskin cord, the eagle feathers have been cut across the top, this is an old Lakota symbol of 'cutting an enemy's throat'. In excellent condition, It somewhat reminds us of the late 19th century spontoon head tomahawk of Chief Iron Tail of the Oglala Lakota Nation. He was a famed late 19th century celebrity Sioux, but it was as a star performer in Buffalo Bill's Wild West in the 1880s that brought this Sioux to the attention of world leaders and American audiences; as many as 12,000 people attended the live shows each day. It was the quintessential last vestige of the American West and passing century of discovery. When performances went overseas, Iron Tail was still Buffalo Bill's lead performer, and also his avowed best friend. He nicknamed Bill "Pahaska" or "Long Hair." In the West they hunted; in Europe, they toured historic sites, often hosted by royal aristocracy, traveling together until 1913.The spiked tomahawk, made along the lines of medieval European battle axes, had either a straight or curved spike projection at the top of the hatchet’s head.

The Missouri war axe, a large, thin-bladed hatchet with a short handle, was favoured by tribes along the great bend of the Missouri River.

The spontoon tomahawk, with its dagger-like blade and curled or winged-like appendages, suggested a fleur-de-lis-shaped battle axe.

Although least practical as a cutting or chopping tool, each one of these tomahawks made formidable hand weapons and held some favour with Indians because of their graceful and artistic shapes.

Regardless of style or shape, like the Indian’s bow and lance or the white man’s rifle and revolver, the tomahawk was as important a practical tool as it was a weapon of combat. Whether left plain or adorned with tacks, beads, coloured cloth, feathers, animal parts or even human appendages, the tomahawk also served as a symbol, representing the choice between peace or war, when white and red men met. While the first iron hatchets and tomahawks in America came from British and French sources in the northwestern territories and the Spaniards and French in the south and southwestern regions of the frontier, the first American tomahawks probably appeared in the Far West during Meriwether Lewis and William Clark’s 1804-1806 expedition. Nevertheless, by the early to mid-19th century, the iron tomahawk had become a standard trade item and fighting implement of frontier Indians. This tomahawk is not an authentic 18th century or early 19th century example, today those examples are now valued in the tens of thousands of pounds, and furthermore should never now leave American shores. This axe is likely 19th century or later, . Surface pitting to the iron and small blackened staining to the iron on one side. We cannot ship this item to the US, because not only are Native American artefacts are not permitted to leave American shores, it is also, most peculiarly, not allowed to be imported back into the US either. To us lesser mortals it reads as; ‘ One is no longer allowed to remove our NA artefacts from the US, but we don’t want what you already have back either’ Somewhat of a puzzle methinks.  read more

Code: 23398

A Most Fine Presentation 2nd Manchester, 33rd Lancashire Rifle Volunteers Antique Victorian Sword of 1869

Presented to Captain Henry Lewis Rocca, [Later Colonel of the regiment] by the members of No.10 Company. This sword was likely presented by his volunteer company on his promotion to captain in November 1869. Stunning bright polished steel fittings, revealed after over 12 hours of no expense spared, specialist artisan hand conservation, and an absolutely amazing condition deluxe presentation blade with mirror bright finish.
He was born in Hamburg, Germany in 1831, and came to England in 1851, he settled in Manchester and in 1857 became a naturalised British subject. Later he became the principal of a firm of merchants and shippers. He joined the 2nd Manchester 33rd Lancashire Rifle Volunteers, the Ardwick Corps in the summer of 1866 and, although offered a commission, he insisted on drilling in the ranks until he became proficient.
He was appointed Lt on 19th November 1866. Capt on 3rd November 1869, Maj on 10th January 1877 and Lt-Col 10 Jan. 1885.
He was one of the first recipients of the first
issue of the Volunteer Officers' decoration. he died on the 27 Dec. 1916.

Henry Rocca aged 43 took over command as Colonel of the Ardwick Corps in December 1885, the headquarters were still in the original old house at 1 Ardwick Green. One of his first priorities was the provision of a proper home for the Volunteers. It was decided that the most sensible and practical course was to buy the existing building which had been their HQ for so many years and at the same time acquire the free-hold of the site. Rather than carry out the usual methods of raising funds for such a
project by soliciting donations and holding fund-raising bazaars, Colonel Rocca generously provided the necessary funds at a low rate of interest. This to be repaid out of the Government capitation grants as circumstances permitted, and this arrangement was sanctioned by the War Office, allowing planning to proceed

Manchester and its neighbouring townships were no strangers to the raising of volunteer soldiers and their mustering for war.
Following the capitulation of 'Gentleman Johnny' Burgoyne's army on 17 October 1777 at Saratoga there were many offers of armed and financial assistance from patriotic citizens. Manchester raised the 'Royal Manchester Volunteers' or 72nd Regiment of Foot who serve with distinction in the garrison of Gibraltar throughout the siege 1783. There was much local enthusiasm both to subscribe money and to this Regiment. Within four months the Regiment had been completely officered, equipped and was ready for service. All of this was from local resources. In 1793 the outbreak of yet another war with France produced a wave of s enthusiasm, resulting in the formation of a Manchester Military Association raising of the Royal Manchester Volunteers or 104th Regiment of Foot.

The fear of invasion saw the raising of two battalions of Manchester and Salford volunteers in February 1797. In 1798 Colonel Ackers raised a second Volunteer Regiment.
Enthusiasm continued and in December there was a proposal to raise yet another body of men to be known as The (Town's Own) Loyal Regiment of Infantry  read more

Code: 24302

Possibly The Finest 17th Century Silver Sword Cum Plug-Bayonet, Complete With It’s Original Scabbard & Belt Mount, Outside of the Royal Collection..

A sword cum plug bayonet is a belt mounted short sword that doubles as a defensive sword, but when thrust into the muzzle of a musket becomes the very first form of bayonet, that converts a musket into a long pike or spear. In fact it is named after the French town of Bayonne, where it was said to have been first used, and thus technically invented, and it is the very first form of bayonet ever made, and whence every future bayonet therefore gets its name.
It further bears in silver bullion, stitched into the baldric [belt ‘frog’ mount] behind the two retaining cross straps, twin, inverted and elongated capital letter ‘L’s’, the personal cypher mark and symbol of King Louis XIVth of France. The highly distinctive cypher mark of all the King’s of France bearing the name Louis. This may likely indicate that this sword-bayonet was actually owned and used within the service of the King of France, by one of his highest ranking officers, or indeed an officer of his personal guard. One of finest quality pieces of its type we have ever had the privilege to own, and incredibly still in its original silver mounted scabbard and silk and silver bullion baldric. Probably this can be seen as the best available within the worldwide collecting market today.
It is also probably the most complete example, from the mid to late 1600's, we have ever seen, certainly in over 40 years, including those we have handled within the Royal Collections. This magnificent plug bayonet-cum-short sword would be the prize of any of the finest worldwide collections of the rarest short swords that can double as the very rare, so called ‘plug’ bayonet, as they are ‘plugged’ into the muzzle of a musket, to convert it to a pike or spear. It is remarkably complete with it's silver bullion and silk baldrick frog belt mount with three tongues. It has finest quality solid silver mounts, with decorated quillons bearing profile heads of men adorned with caps, very similar to the armourer's marks on the blade. And the silver scabbard mounts and fittings also beautifully match, with an acorn frog mount. The original scabbard leather is superb condition, crosshatch patterned, with the so called ‘bullets and lines’ stamped decor. It has a wonderful blade, in stunning order, with two large matching armourer's marks of a profile head [on both blade sides]. The grip handle is birds-eye maplewood with a silver pommel. The late 17th century saw the final demise of the pike, and its replacement by the bayonet. The plug bayonet, which blocked the muzzle of the musket and needed to be removed for firing, did not catch on. The earliest military use of bayonets was by the French Army in 1647, at Ypres. These were plug-fitted into the barrel. That prevented firing once they were mounted, but allowed musketeers to act as their own pikemen, which gave infantry formations greater firepower. By 1650 some muskets had bayonets fixed to the gun at manufacture, hinged and foldable back along the barrel. French fusiliers adopted the plug bayonet as standard equipment in 1671; English fusiliers followed suit in 1685. The trouble with firing in successive lines was that it was only practical on a narrow front. In open country, the musketeers could easily be flanked, especially by cavalry. In most battles, the musketeers relied on pikemen to protect them while reloading. Infantry practiced various formations and drills that allowed musketeers to hide behind the pikes while reloading and to take up firing positions as soon as their weapons were ready to use. This system worked pretty well, but it obviously cut down the army’s firepower-sometimes by more than half.

The solution to the problem was to turn the musket into a spear. According to some sources, this was the idea of Sebastien le Prestre de Vauban, the great French military engineer in the armies of Louis XIV. It was a solution at least for soldiers. Hunters in France and Spain had for some time been jamming knives into the muzzles of their muskets for protection against dangerous game. It seems that Bayonne, a French city noted for its cutlery, made a type of hunting knife that was favoured for this use. When the French army adopted this weapon, it was called a ‘bayonet’. The earliest reference to the use of the bayonet is in the memoirs of a French officer who wrote that on one campaign, his men did not carry swords, but knives with handles one foot long and blades of the same length. When needed, the knives could be placed in the muzzles of the guns to turn them into spears. The bayonet proved to be a much more effective defense against cavalry than the sword.

There were some drawbacks to the use of plug bayonets when mounted in muskets, When the bayonet was inserted within in the muzzle of a loaded musket and then fired by accident, the gun might indeed explode. This sort of accident seems to have been much more prevalent among civilians who, unlike soldiers, did not load and fire on command. It was so prevalent that in 1660, Louis XIV had to issue a proclamation forbidding the placing of short sword-daggers in the muzzles of hunting guns. The trouble with plug bayonets in military guns was that, when the bayonet was in place, the gun could not be loaded or fired, although there were situations when it would be most helpful to be able to do either with the bayonet in place. In the Battle of Killicrankie, General Hugh Mackay of Scourie a Scotsman, had learned his trade in the famous Scots Brigade of the Dutch Army. A friend of King William, he came over with William’s forces and was appointed to command in Scotland. Most of his detachment were Scottish. In fact, some of his Dragoon officers may have been feeding information to Dundee, and seem to have been responsible for Dundee to have been able to evade capture. Mackay had his own regiment and two others who had fought the French on the continent, and Leven’s newly raised Edinburgh regiment. At this point in history, British or government troops were equipped with the matchlock musket and plug bayonet. To make matters worse, MacKay’s troops were also equipped with the plug bayonet. As its name suggests, this fitted like a plug into the barrel of a musket. When inserted, the infantryman had the equivalent of a short pike to counter the broadsword and Targe of the Highland gentleman. Once inserted, he could not fire his weapon until the plug was removed. If he did have success and actually stuck an enemy with this type of bayonet, it would likely remain in the body of the person stuck, leaving him with virtually no defense. If his officers miscalculated and gave the order to fix bayonets late, he could get chopped to pieces. And of course, the plug bayonet didn?t always fit or hold in the barrel, which could leave the poor infantryman basically defenseless. This magnificant piece would have been used by a highest ranking officer who used a musket, or a nobleman for hunting boar or dangerous beasts. Plug bayonets were continually used into the American Revolution, most usefully turning any musket into a spontoon or pike. King Louis XIVth, was known as King Louis the great, or the Sun King. During Louis's long reign, France emerged as the leading European power and regularly asserted its military strength. A conflict with Spain marked his entire childhood, while during his reign, the kingdom took part in three major continental conflicts, each against powerful foreign alliances: the Franco-Dutch War, the War of the League of Augsburg, and the War of the Spanish Succession. In addition, France also contested shorter wars, such as the War of Devolution and the War of the Reunions. Warfare defined Louis's foreign policy and his personality shaped his approach. Impelled by "a mix of commerce, revenge, and pique", he sensed that war was the ideal way to enhance his glory. In peacetime he concentrated on preparing for the next war. He taught his diplomats that their job was to create tactical and strategic advantages for the French military  read more

Code: 22160

A Pair Of French, Chassepot Rifle Sword Bayonets. 1870's

Very Good Chassepot Rifle Sword Bayonets. Stunning examples, with very good steel and brass, They could look super displayed just as we show them. The hilts have been polished as could the blades.
Its inventor was, Antoine Alphonse Chassepot, and it became the French service weapon in 1866. It was first used at the battlefield at Mentana, November 1867, where it inflicted severe losses on Garibaldi's troops. The event was reported at the French Parliament: "Les Chassepots ont fait merveille!", {The Chassepots did marvelous execution !} In the Franco-Prussian War (1870-1871) it proved greatly superior to the German Dreyse needle gun, outranging it by 2 to 1. Although it was a smaller caliber but the chassepot ammunition had more gunpowder and thus faster muzzle velocity. The Chassepots were responsible for most of the Prussian and other German casualties during the conflict. This is the most widely copied of all the sword bayonets. Many countries - including the United States, Egypt, Belgium, and Argentina - have manufactured or used very similar bayonets. The French model was designed to fit on the French Model 1866 Chassepot Rifled Infantry Musket (the musket was revolutionary in itself). It was manufactured from 1866 to about 1874 and was replaced by the French Model 1874 "Gras" Bayonet.
The bayonets are brass-hilted The crossguard is iron (steel) and has a screw-type tightening arrangement on the muzzle-ring. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." The blades marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion
Arsenals encountered may be such as Chatellerault, Mutzig, St. Etienne, Paris-Oudry, Tulle, and perhaps Steyr (not confirmed on the 1866). The French wars during the life-span of this bayonet were: French Intervention in Mexico (1861-1867);
Franco-Prussian War (July 19, 1870 - May 10, 1871)
French Indo-China (1873-1874, 1882-1883);
Sino-French War (1883-1885);
Madagascar Wars (1883-1885, 1895);
1st Mandingo-French War (1883-1886);
1st Dahomeyan-French War (1889-1990);
2nd Dahomeyan-French War (1892-1894);
Franco-Siamese War of (1893)
2nd Mandingo-French War (1894-1895);
Conquest of Chad (1897-1914);
3rd Mandingo-French War (1898);
Moroccan War (1907-1912);
The Wadai War (1909-1911);
World War I (early).

These bayonets were widely copied and used by many countries - including the United States, Belgium, and Germany. Many of the actual French-marked bayonets can be found with German manufactured blades. It is believed some of these were used during the American Civil War when many European arsenals were emptied of their surplus arms.
These bayonets are the French Model 1866 "Chassepot" Bayonet.
The crossguard are iron (steel) and with a "cock's comb" muzzle-ring finial. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." One blade is marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion. No scabbards  read more

Code: 24843