Antique Arms & Militaria

A Rare Original 1st Century Roman-Parthian Wars Period Dagger with Cross Guard. From The Time of Julius Caeser and Augustus Caeser

An iron double-edged dagger, triangular blade tapering to the sharp tip, quillons and hilt made of iron as well, fastening nail to the hilt, which once would have had organic material grips.

The Roman–Parthian Wars (54 BC – 217 AD) were a series of conflicts between the Parthian Empire and the Roman Republic and Roman Empire. It was the first series of conflicts in what would be 682 years of Roman–Persian Wars.

Battles between the Parthian Empire and the Roman Republic began in 54 BC. This first incursion against Parthia was repulsed, notably at the Battle of Carrhae (53 BC). The Battle of Carrhae (Latin pronunciation: ˈkarrae̯) was fought in 53 BC between the Roman Republic and the Parthian Empire near the ancient town of Carrhae (present-day Harran, Turkey). An invading force of seven legions of Roman heavy infantry under Marcus Licinius Crassus was lured into the desert and decisively defeated by a mixed cavalry army of heavy cataphracts and light horse archers led by the Parthian general Surena. On such flat terrain, the Legion proved to have no viable tactics against the highly-mobile Parthian horsemen, and the slow and vulnerable Roman formations were surrounded, exhausted by constant attacks, and eventually crushed. Crassus was killed along with the majority of his army. It is commonly seen as one of the earliest and most important battles between the Roman and Parthian Empires and one of the most crushing defeats in Roman history. According to the poet Ovid in Book 6 of his poem Fasti, the battle occurred on the 9th day of June.

Crassus, a member of the First Triumvirate and the wealthiest man in Rome, had been enticed by the prospect of military glory and riches and decided to invade Parthia without the official consent of the Senate. Rejecting an offer from the Armenian King Artavasdes II to allow Crassus to invade Parthia via Armenia, Crassus marched his army directly through the deserts of Mesopotamia. His forces clashed with Surena's troops near Carrhae. Surena's cavalry killed or captured most of the Roman soldiers. Crassus himself was killed when truce negotiations turned violent.

His death ended the First Triumvirate. The following four-year period of peace between the remaining two members of the Triumvirate, Julius Caesar and Pompey, argues against the view that Crassus had been a peacekeeper within the group and supports the views of most Roman historians that friction between Crassus and Pompey had always been a greater cause of tension than that between Caesar and Pompey.
During the Roman Liberators' civil war of the 1st Century BC, the Parthians actively supported Brutus and Cassius, invading Syria, and gaining territories in the Levant. However, the conclusion of the second Roman civil war brought a revival of Roman strength in Western Asia.

In 113 AD, the Roman Emperor Trajan made eastern conquests and the defeat of Parthia a strategic priority, and successfully overran the Parthian capital, Ctesiphon, installing Parthamaspates of Parthia as a client ruler. However he was later repulsed from the region by rebellions. Hadrian, Trajan's successor, reversed his predecessor's policy, intending to re-establish the Euphrates as the limit of Roman control. However, in the 2nd century, war over Armenia broke out again in 161, when Vologases IV defeated the Romans there. A Roman counter-attack under Statius Priscus defeated the Parthians in Armenia and installed a favored candidate on the Armenian throne, and an invasion of Mesopotamia culminated in the sack of Ctesiphon in 165.

In 195, another Roman invasion of Mesopotamia began under the Emperor Septimius Severus, who occupied Seleucia and Babylon, however he was unable to take Hatra.
15 3/8 in. Fine condition.

According to Pliny the elder the best steel was made by the Seres and then by the Parthians.  read more

Code: 24260

An Original & Beautiful Ancient Artefact of the Trojan Wars Era, A Bronze Long Dagger Circa 1200 bc

This is a most handsome ancient bronze long dagger from one of the most fascinating eras in ancient world history, the era of the so called Trojan Wars. A most similar dagger, but with its gold hilt panel intact, made from 1000 to1350bc, is on display in the Los Angeles County Museum of Art, a gift of The Ahmanson Foundation. We show this dagger and its hilt as the last two photos in the gallery. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This dagger comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throught the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are daggers exactly as this beautiful example. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords and daggers from this era were made in the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, it is the source of many bronzes, such as this dagger, that have been dated from 1500 to 500 BC and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as weapons, personal ornaments, different types of cult objects, and a number of household vessels.

An edged weapon found in the palace of Mallia and dated to the Middle Minoan period (2000-1600 BC), is an example of the extraordinary skill of the Cretan metalworker in casting bronze. The hilt of the weapon is of gold-plated ivory and crystal. A dagger blade found in the Lasithi plain, dating about 1800 BC (Metropolitan Museum of Art), is the earliest known predecessor of ornamented dagger blades from Mycenae. It is engraved with two spirited scenes: a fight between two bulls and a man spearing a boar. Somewhat later (c. 1400 BC) are a series of splendid blades from mainland Greece, which must be attributed to Cretan craftsmen, with ornament in relief, incised, or inlaid with varicoloured metals, gold, silver, and niello. The most elaborate inlays--pictures of men hunting lions and of cats hunting birds--are on daggers from the shaft graves of Mycenae, Nilotic scenes showing Egyptian influence. The bronze was oxidized to a blackish-brown tint; the gold inlays were hammered in and polished and the details then engraved on them. The gold was in two colours, a deeper red being obtained by an admixture of copper; and there was a sparing use of neillo. The copper and gold most likely came from the early mine centres, in and around Mesopotamia, see gallery and the copper ingots exported to the Cretans for their master weapon makers. This dagger is in very nice condition with a single fracture one one side of the hilt 14.75 inches long overall.  read more

Code: 20797

Sword of US General John H Eaton, President Jackson’s Personal Envoy, and Aide in the Creek War, and the War of 1812. A Superb Spanish Epee Presented by the Queen of Spain to US General J.H. Eaton in 1837

This fabulous sword was later worn, after its inheritance from General Eaton, by a friend of Ulysses S. Grant, Col. James A. Magruder, at the funeral of President Lincoln.

Since 1967, for several decades, this wonderful and historic sword was on display at Dumbarton House in Washington DC, a federal historic house museum

A simply stunning historical Spanish full dress epee, by tradition, presented to United States General John H Eaton, Envoy Extraordinary & Minister Plenipotentiary for President Andrew Jackson's America, to the Kingdom of Spain, by Her Majesty Maria Christina de Borbon, Queen Consort, and Regent for her daughter Isabella II Queen of Spain, in 1837. The sword has a fine tapering double-edged blade of flattened-hexagonal section, stamped 'Ano D 1837' and 'Fa Ntl Di Toledo' on the respective faces at the forte, finest gilt bronze hilt cast with wonderful classical ornament in relief, including oval shell-guard decorated with the Iberian eagle flanked by classical figures, the quillon-block bears the letter 'F' for Ferdinand' enclosed within a laurel wreath, a
pair of straight quillons, knuckle-guard and pommel, and integral grip all decorated en suite, in its blued iron scabbard (now oxidised to brown) with gilt-bronze suspensions mounts and drag 76.8 cm; 30 1/4 in blade
Provenance;
By tradition presented to General John H. Eaton US General J.H.Eaton, Envoy Extraordinary for President Andrew Jackson to Spain, who was married to the ward of President Andrew Jackson. It was presented by the Regent of Spain, Her Majesty Queen Maria Christina in 1837, when General Eaton was Envoy Extraordinary and Minister Plenipotentiary to Spain (1836-1840). Maria Christina of Spain (when Regent for her daughter, the future Isabella II) was Maria Cristina de Borbon, Princesa de las Dos Sicilias; 27 April 1806 - 22 August 1878) she was Queen Consort of Spain (1829 to 1833) and Regent of Spain (1833 to 1840). This sword was thence passed after his death to his friend and physician Dr William B. Magruder; thence to his brother Colonel James A. Magruder, a personal friend of General Grant, who wore the sword on full dress occasions including the funeral of President Lincoln, thence by descent to
Mrs. Millicent Magruder Nichols, Massachusetts who gifted the sword to Dumbarton House in 1967. Dumbarton House, is a Federal period historic house museum in Washington, DC. The house serves as the headquarters for The National Society of Colonial Dames of America, a group of women whose ancestors contributed to America’s founding. Eaton originally became active in the Tennessee militia, and attained the rank of major. He developed a close friendship with Andrew Jackson, and served as an aide to Jackson during the Creek War and the War of 1812. Eaton took part in all Jackson's major campaigns. He supported Jackson's controversial decision in November 1814 to attack Pensacola in Spanish Florida, claiming that Spain had put herself in a belligerent position by allowing its territory to be occupied by British soldiers. Eaton participated in the Battle of New Orleans, and became a major proponent of Jackson's presidential candidacy following the war. He was later appointed governor of Florida by President Jackson

The First Carlist War was a civil war in Spain from 1833 to 1840, the first of three Carlist Wars. It was fought between two factions over the succession to the throne and the nature of the Spanish monarchy: the conservative and devolutionist supporters of the late king's brother, Carlos de Borbón (or Carlos V), became known as Carlists (carlistas), while the progressive and centralist supporters of the regent, Maria Christina, acting for Isabella II of Spain, were called Liberals (liberales), cristinos or isabelinos. It is considered by some authors the largest and most deadly civil war of the period.

The Carlist forces were split in three geographically distinct armies: Norte ('North'), Maestrazgo and Cataluña ('Catalonia'), which by and large operated independently from each other.

Aside from being a war of succession about the question who the rightful successor to king Ferdinand VII of Spain was, the Carlists’ goal was the return to a traditional monarchy, while the Liberals sought to defend the constitutional monarchy. Portugal, France and the United Kingdom supported the regency, and sent volunteer and even regular forces to confront the Carlist army.

As with every item we sell it will be accompanied with a Certificate of Authenticity, our unique lifetime guarantee  read more

Code: 21497

An Antique Ethiopian Shotel - Gorode Officer's Sword Of Emperor Menelik IInd's Reign, & Then Into Emperor Hallie Selassie's Reign

Curved blade fully etched in its tooled red leather scabbard. These very unusual swords with very curved blades come from the "Horn of Africa," which includes Abyssinia, which we now know as Ethiopia. Made famous just before WWII by the Italian Invasion of that Country, and the appeal by it's Emperor Haile Selassie to the League of Nations, which the Western Powers basically ignored. It's Capital is Addis Ababa, a city dating back some 2,000 years and more. A country much in the news but also a land largely still in the middle ages in some respects.
The sword, oft described as a shotel but actually it is a gorade, with its very characteristic curved blade. The swords dates back to the reign of Amda Seyon the 1st, known as "the Pillar of Zion" who was Emperor from 1314 - 1344. Called shotel, while technically the proper term locally for sabre was 'gorade'. Shotel which is not an Amharic word, Amharic for sword is gorade .The blade is etched with the profile of Emperor Menelik II, and also the symbol of the emperor, the Lion of Judah. The rest of the blade is etched with fancy scrolls. Menelik II baptised as Sahle Maryam (17 August 1844 – 12 December 1913) was Emperor of Ethiopia from 1889 to his death in 1913 and King of Shewa from 1866 to 1889. At the height of his internal power and external prestige, the process of territorial expansion and creation of the modern empire-state was completed by 1898. He is widely honoured by many Ethiopians and commemorated during the celebration of the Battle of Adwa, which is celebrated on March 1 or 2 across Ethiopia and in the diaspora. Many Pan-Africans regard him as an advocate for African independence against European powers during the Scramble for Africa. Selassie
Haile Selassie was one of the most famous leaders in Ethiopian history. As the emperor, he was exiled during the Italian occupation of Ethiopia due to the status he held. Selassie would go onto return to Ethiopia and help in taking back control of the country from Italy. On April 2, 1930, Ras Tafari Makonnen became Emperor Haile Selassie. Selassie was the last reigning monarch of Ethiopia’s Solomonic Dynasty. The Solomonic Dynasty traces its ancient ancestry to King Solomon of Israel and the Queen of Sheba, biblical figures who may have lived during the 10th century BCE.

Ethiopia is often acknowledged as the only nation in Africa never to have been colonized, and Selassie emerged as a powerful international figure as other African countries sought independence in the 20th century. His long reign and enduring policies (such as support for African unity and the abolition of slavery in Ethiopia) earned him a privileged position at international summits. For instance, Selassie was one of the highest-ranking diplomats at the funeral of U.S. President John Kennedy.

Selassie’s greatest impact may have been on the island of Jamaica. Jamaican religious leaders adopted a version of his birth name, Tafari (Ras was an official title) and Rastafarians regard Selassie as a god. (Selassie himself remained a Christian throughout his life.). Photo in the gallery of Emperor Hallie Selassie in full dress uniform. 37.5 inches long overall in scabbard, blade 30 inch blade  read more

Code: 23573

A Fine Presentation George IIIrd Brass Barrel Blunderbuss By Thomas, London

Finest walnut stock with wonderous patination. Excellent action and overall in superb condition. Probably by Isaac Thomas. Presentation inscribed in 1800 to John Holmes from Vincent Drew Esq. The Blunderbuss (born of the Dutch word "Donderbus", appropriately meaning "Thunder Pipe" or "Thunder Gun") came to prominence in the early part of the 18th Century (1701-1800) and was more akin to the modern day shotgun than a "long gun" musket or heavy pistol of the time. As such, she excelled in close-in fighting, be it within the confines of naval warfare or walled nature of the urban environment, where her spread of shot could inflict maximum damage to targets at close ranges. Its manageable size, coupled with its spread shot, ensured some level of accuracy for even the novice user and its appearance was rather intimidating to those unfortunate enough to be staring down the business end. As with modern firearms, the Blunderbuss also made for an excellent security-minded weapon and soon found popularity amongst all matter of operators - military, civilian and, of course, criminal parties - by the middle of the 1700s. Even George Washington championed the Blunderbuss for Continental Army "Dragoon" units of the burgeoning American military as opposed to the carbine this being nothing more than a full-featured long gun of lesser overall length, proving suitable for horse-mounted handling. In fact, the short-form version of the Blunderbuss came to be known as the "Dragon", giving rise to the term "Dragoon" for such gun-wielding cavalrymen. Dragoons went on to form specialized units of mounted infantrymen within their respective armies during the end of the 17th Century and into the middle of the 18th Century - in a way, becoming an evolutionary step of the fabled mounted knight of the Middle Ages. Their use of Dragons soon gave way to the widely-accepted carbine musket. The Blunderbuss was also known as the "Blunderbess" As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 23068

A Very Good & Highly Desirable, 19th Century Pistol Powder Flask For Cased Duellers or Revolver

The most desirable kind of antique powder flask. The large fowling piece flasks can be very inexpensive, but the small 'cased pistol' sized flasks are incredibly sought after, as they can fit into cases were the flask is missing beautifully and complete a cased set perfectly..

A very good flask with crescent and bush embossed design, good spring and nice patination. All good seams. A great find for those that have a cased revolver single or pair or a pair of cased duellers lacking their flask. We show several cased pistols all with similar sized pistol flasks, including a cased pair of Colt pocket revolvers, and a pair of Durs Egg duellers.The flask is 4.75 inches long overall, max width 2 inches.  read more

Code: 21924

A Wonderful Victorian Dandy Cane, With the Head of an Expressive Monkey

The monkey's head is made of simulated amber, with decorated highlights. It conveys a somewhat wry expression. Monkeys have created a fascination in British art, design sculpture for over two centuries and their depiction in walking or dandy canes is nothing but a delight. This is an especially endearing large example. The cane haft is dark brown with a nickel collar beneath the head. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. Inches long, the ears appear to have had some old restoration. Inches long, the ears appear to have had some old restoration.  read more

Code: 23190

A Good English Box Lock Flintlock Pistol By Garratt of London

Good action with sliding safety, and a nice turn off barrel for breech loading. Good walnut stock. Made when William Garratt had a shop at Mile End Old Town, London, around 1800. A great conversational piece, and almost all gentlemen required such a piece of personal defense weaponry. Although one likes to think that jolly old Georgian England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways, wishing to do harm to their unsuspecting victim. As with all our antique guns there is no license required as they are all unrestricted antique collectables  read more

Code: 22805

An Original Ancient Egyptian Shabti, The Afterlife Servant of The Mummy, Partial Blue-Glazed Faience 664 to 332 BC

A stunning Grand Tour artefact.
Much of our Grand Tour historic artefacts were originally acquired by a noble Scottish family in the 1820's while on a Grand Tour of the Middle East and the Holy Land, plus Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine. And the great classical battle sites of Ancient Rome and Greece.

We also have at present the swordstick of the Scottish 10th Duke of Hamilton, the world renown Grand Tour collector, especially of ancient Egyptian pieces. He was the Ambassador to Catherine the Great as well as being Lord High Steward to both King William IV and Queen Victoria. He was so enamoured with his devotion to his collection of antiquities, he was mummified after his death, and buried in an ancient Egyptian sarcophagus within his family tomb.

From the 25th dynasty to the Late Period. One of a group of fine small tomb pieces we acquired. A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass. The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

The Late Dynasty Period era;

The Twenty-Eighth Dynasty consisted of a single king, Amyrtaeus, prince of Sais, who successfully rebelled against the Persians, inaugurating Egypt's last significant phase of independence under native sovereigns. He left no monuments with his name. This dynasty reigned for six years, from 404 BC–398 BC.

The Twenty-Ninth Dynasty ruled from Mendes, for the period from 398 to 380 BC. King Hakor of this dynasty was able to defeat a Persian invasion during his reign.

The Thirtieth Dynasty took their art style from the Twenty-Sixth Dynasty. A series of three pharaohs ruled from 380 to 343 BC. The first king of the dynasty, Nectanebo I, defeated a Persian invasion in 373 BC. His successor Teos subsequently led an expedition against the Achaemenid Empire in the Near East. The expedition was beginning to meet with some success. unfortunately for Teos, his brother Tjahapimu was plotting against him. Tjahapimu convinced his son Nectanebo II to rebel against Teos and to make himself pharaoh. The plan was successful and the betrayed Teos had no alternative but to flee and the expedition disintegrated. The final ruler of this dynasty, and the final native ruler of Egypt, was Nectanebo II who was defeated in battle leading to the re-annexation by the Achaemenid Empire.

31st Dynasty
Main article: Thirty-first Dynasty of Egypt
The Second Achaemenid Period saw the re-inclusion of Egypt as a satrapy of the Persian Empire under the rule of the Thirty-First Dynasty, (343–332 BC) which consisted of three Persian emperors who ruled as Pharaoh - Artaxerxes III (343–338 BC), Artaxerxes IV (338–336 BC), and Darius III (336–332 BC) - interrupted by the revolt of the non-Achaemenid Khababash (338–335 BC). Persian rule in Egypt ended with the defeat of the Achaemenid Empire by Alexander the Great, who accepted the surrender of the Persian satrap of Egypt Mazaces in 332BC, and marking the beginning of Hellenistic rule in Egypt, which stabilized after Alexander's death into the Ptolemaic Kingdom.  read more

Code: 24908

A Rare, Archaic Chinese Warrior's Bronze & Tinned Jian Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' wide bladed double edged Jian sword, of tin rich over bronze alloy construction used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). The surface amazingly still retains a lot of the fine tinned surface. Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC .

This is one of a stunning collection of original archaic bronze age weaponry we have acquired and we have been cataloguing. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. Many pieces we acquired were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword. We also show a photograph of warriors the world renown Chinese Tomb Army, discovered and excavated over the past recent decades. The figures apparently show the real image of the faces of each individual warrior of the first emperor of China, Qin Shi Huang, that each statue represents. Each one is adorned the typical combat armour that would have been worn by the past user of this sword, and used a same time as the Tomb Warriors were being created and buried for the tomb of Emperor Qin. China was the name created for the entire country, after their first emperor, although spelt Qin in the English form it is pronounced Chin, hence, China. The Qin emperors last resting place, the tomb and his buried imperial warrior army, covers a breathtaking 56.25 square kilometres, and may take the best part of another 100 years to excavate. By this measure one can see with respect and awe the size and power of ancient China, and this tomb region was created over 2300 years ago. Compare this to the only remaining example of the past recorded, and so called, Seven Wonders of the World, the great pyramid of Giza, it covers just one quarter of a square kilometre, yet it is still considered one of the largest single buildings ever created by man.

The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges from the hilt.
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.

In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. 22 inches long overall.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

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