Antique Arms & Militaria

A Most Fabulous, Large, Ancient Bronze Coiled Serpent Armilla or Armlet Arm Ring, From The 2nd Millenium B.C., From the Eras of the Pharoahs Ahmenhotep To Tutankhamun

One of two we acquired from an ancient antiquity collection, not quite a pair but very similar from the same period and country of origin, and we are offering them separately, but they were in fact often worn with one on each arm and may indeed came from the same tomb etc. 200 years or so ago. This example has a small pattern of indents at both ends, to appear like serpent's heads.

Over 3,300 to 3500 Years Old, 18th dynasty ancient Egyptian period, that includes Pharoah Ahmenhotep, Queen Nefertari, the most venerated Queen in Egyptian history, Pharoah Thutmose III, who became known as the greatest military pharaoh ever, and the most famous Pharoah in history, Tutankhamun.

A bronze serpent armilla arm ring that could be worn at the top of the arm or on the forearm, as it was adjustable in its day, expanding to the size required.

Worn by ancient Egyptian men or women of status, and we show pictures of original tomb art depicting figures of Egyptian dieties such as Osiris, almost all wearing armillae, but in their case likely made of gold, but the bronze type such as this would be polished bright and appear as gold as well.
Arm decoration and ornamentation was a very important sign of status and position in Ancient Egyptian society, and as it did in all the empires that followed over the next two thousand years. An intricate gold armlet from the artifacts of Nubian Queen Amanishakheto is displayed in the State Museum of Egyptian Art, in Munich, Germany. The armlet features a gold winged goddess. Another beautiful gold armlet is exhibited in Cairo Museum bearing the name of the pharaoh, Ahmose I, founder of the 18th Dynasty. The ancient Greeks and Romans also wore armlets, which were usually made from bronze or gold, and some of which were in the shape of serpents, winding plants, or embellished with images of gods and goddesses. Large, heavy armlets had hoops on the backs that attached to garments to help support their weight.

The Ancient Egyptian Dynasty XVIII was founded by Pharoah Ahmose I, the brother or son of Kamose, the last ruler of the 17th Dynasty. Ahmose finished the campaign to expel the Hyksos rulers. His reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose's consort, Queen Ahmose-Nefertari was "arguably the most venerated woman in Egyptian history, and the grandmother of the 18th Dynasty." She was deified after she died. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful.

Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign, the borders of Egypt's empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates and in the south up to Kurgus beyond the fourth cataract of the Nile. Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut, who was the daughter of Thutmose I. After her husband's death and a period of regency for her minor stepson (who would later become pharaoh as Thutmose III) Hatshepsut became pharaoh in her own right and ruled for over twenty years.

Thutmose III, who became known as the greatest military pharaoh ever, also had a lengthy reign after becoming pharaoh. He had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, whose reign is seen as a high point in this dynasty.

Amenhotep III's reign was a period of unprecedented prosperity, artistic splendour, and international power, as attested by over 250 statues (more than any other pharaoh) and 200 large stone scarabs discovered from Syria to Nubia, Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III's consort was the Great Royal Wife Tiye, for whom he built an artificial lake, as described on eleven scarabs.

Akhenaten, the Amarna Period, and Tutankhamun

Akhenaten and his family adoring the Aten. Second from the left is Meritaten, daughter of Akhenaten.
Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV. There is much debate about this proposed co-regency, with different experts considering that there was a lengthy co-regency, a short one, or none at all.

In the fifth year of his reign, Amenhotep IV changed his name to Akhenaten and moved his capital to Amarna, which he named Akhetaten. During the reign of Akhenaten, the Aten became, first, the most prominent deity, and eventually came to be considered the only god. Whether this amounted to true monotheism continues to be the subject of debate within the academic community. Some state that Akhenaten created a monotheism, while others point out that he merely suppressed a dominant solar cult by the assertion of another, while he never completely abandoned several other traditional deities.

Later Egyptians considered this "Amarna Period" an unfortunate aberration. After his death, Akhenaten was succeeded by two short-lived pharaohs, Smenkhkare and Neferneferuaten, of which little is known. In 1334 Akhenaten's son, Tutankhaten, ascended to the throne: shortly after, he restored Egyptian polytheist cult and subsequently changed his name in Tutankhamun, in honour to the Egyptian god Amun. His infant daughters, represent the final genetically related generation of the Eighteenth Dynasty

Ancient Egyptian art shows both men and women wearing pairs of armlets.

The 10th Duke of Hamilton had a strong interest in Ancient Egyptian mummies, and was so impressed with the work of mummy expert Thomas Pettigrew that he arranged for Pettigrew to mummify him after his death. He died on 18 August 1852 at age 84 at 12 Portman Square, London, England and was buried on 4 September 1852 at Hamilton Palace, Hamilton, Scotland. In accordance with his wishes, Hamilton's body was mummified after his death and placed in a sarcophagus of the Ptolemaic period that he had originally acquired in Paris in 1836 ostensibly for the British Museum. We have been acquiring similar such items from Duke's descendants from the family's 'Grand Tour' collection for the past 30 years or more.

82mm across at its widest point.  read more

Code: 24880

A Fabulous Original Knights Templar Cross Antiquity, 12th Century, Hammered Gold Covered Bronze, Between 800 to 900 Years Old,

This is an original gold and bronze Knights Templar cross patee within a circle. The original surface of thin hammered gold is very worn to expose the bronze and the engraving, but gold can still be seen in areas. It was obviously once an important piece of Templar symbolism, and may well have been a central mount for the lid of a Templar treasure casket, or a Knights Templar Holy Reliquary casket [see a similar casket, photo 8, in the gallery, of a 13th century reliquary casket now in Germany. Note the applied golden disc plaques, the same size as this one].

This is still very impressive and an absolute iconic example of the Knights Templar cross symbol, the same symbol as worn, for example, upon their tabards, shields and ship's sails, and chisseled on tombs or templar buildings. Photos in the gallery of two carved Templar Crosses, one Templar Cross, perhaps, is an indication of the church's connection with the Knights Templar in the 12th century. Photo of St Mary's Church, Temple Guiting, Gloucestershire. another an stone carving, at Borthwick Church, Midlothian, Scotland. Burial place of a Knight, and Lord Borthwick and his lady.
The Poor Fellow-Soldiers of Christ and of the Temple of Solomon also known as the Knights Templar, or simply the Templars, was a Catholic military order founded in 1118, and were headquartered on the Temple Mount in Jerusalem through 1128 when they went to meet with Pope Honorius II. They were recognised in 1139 by the papal bull Omne datum optimum of Pope Innocent II. The order was active until 1312, when it was perpetually suppressed by Pope Clement V by the bull Vox in excelso.

The Templars became a favoured charity throughout Christendom, and grew rapidly in membership and power. Templar knights, in their distinctive white mantles with a red cross, were amongst the most skilled fighting units of the Crusades. They were prominent in Christian finance, non-combatant members of the order, who made up as much as 90% of their members,managed a large economic infrastructure throughout Christendom.They developed innovative financial techniques that were an early form of banking, building its own network of nearly 1,000 commanderies and fortifications across Europe and the Holy Land,

The Templars were closely tied to the Crusades; With its clear mission and ample resources, the order grew rapidly. Templars were often the advance shock troops in key battles of the Crusades, as the heavily armoured knights on their warhorses would set out to charge at the enemy, ahead of the main army bodies, in an attempt to break opposition lines. One of their most famous victories was in 1177 during the Battle of Montgisard, where some 500 Templar knights helped several thousand infantry to defeat Saladin's army of more than 26,000 soldiers, When the Holy Land was lost, support for the order faded. Rumours about the Templars' secret initiation ceremony created distrust, and King Philip IV of France, while being deeply in debt to the order, took advantage of this distrust to destroy them to erase his debt. On Friday the 13th of October 1307, he had many of the order's members in France arrested, tortured into giving false confessions, and burned them at the stake.

Pope Clement V disbanded the order in 1312 under pressure from King Philip. The abrupt reduction in power of a significant group in European society gave rise to speculation, legend, myth, and legacy through the ages.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 23984

A Most Incredible and Finest Quality King George IIIrd Napoleonic Wars Scottish Presentation Sword, Presented In The Months Following the Battle of Trafalgar, by The New ‘Battle Company’ of the Midlothian Regiment

This is a magnificent ‘royal grade’ museum piece, a sublime quality presentation sword, made with the finest copper-gilt mounts, silver panels, and a stunning blue and gilt blade with deluxe engraving and etched presentation panel. A sword of the highest rank, commissioned to be hand made by Rundell & Bridge, personal goldsmiths to King George IIIrd, and one of the worlds finest makers of objects of magnificence, including the British Crown Jewels, universally recognised as the finest suite of royal regalia in the world.

Formerly in the world famous Smithsonian Collection in Washington, America, sold by them over 25 years ago to raise an urgent need of funds.
In the days it was commissioned it would have been made by Rundell and Bridge for the equivalent and likely same cost of the £100 Lloyds Patriotic Fund Presentation Swords, that were presented to the heroes of the Royal Navy, such as that fought at Trafalger etc. Bearing in mind the value of £100 in 1806 was a simply remarkable sum, for example only 6% of the families in Britain had a total income of £100 in an entire year in 1806, an equivalent today of around £80,000.

Presentation inscription motto etched onto the blade reads;
‘Into whose hand
this sword is put,
It’s hop’t will not
fear Buonaparte,

So draw me out
I shine so clear
and if I strike
my foes may fear”

This fabulous sword, was made by Philip Rundell and George Bridge whose company later made The British Imperial State Crown, the most famous and important royal crown of state ever made, and last used by her Majesty Queen Elizabeth II for her coronation in 1953. This wondrous sword was formerly from the Smithsonian Collection in Washington, and is remarkably similar to the most valuable and highest quality presentation British swords of the Napoleonic Wars, the Lloyds Patriotic Fund sabres, that today can fetch up to £220,000, considerably more than they were achieving 40 years ago when we sold a fine £100 pound Lloyds sword, and even 20 years ago when we sold our last Lloyds £100 pound sword. This sword's makers were King George IIIrds personal goldsmiths, and made the Irish Crown Jewels in 1830, and Queen Victoria's Imperial State Crown " expressly made for the solemnity of the Coronation" That was last used by Her Majesty Queen Elizabeth IInd for her coronation. This spectacular sword is inscribed that its bearer should fight Napoleon Bonaparte without fear, but his foes The French will fear its startling brightness and beauty. It has a sharply curved blade, decorated with stands of arms, a crowned GR cypher, the king's Royal arms, a figure of Britannia, and the motto see photo in the gallery and another further Scottish regimental presentation panel on the opposing side of the blade see photo. The dedication reads;

Presented by the New battle company of
The Eastern Regt. of Midlothian Volunteer
Infantry, to David White Esq, their Captain
as a Mark of their Regard and Esteem, 1806


It has a superbly detailed classically styled stirrup hilt decorated with acanthus scrolls, oak leaves and acorns, with the langets decorated with stands of arms, it has a copper gilt simulated wire and ribbon bound grip, contained in its ornately mounted silver and copper gilt leather scabbard, each mount finely engraved and decorated with acanthus leaf bouquets and featuring a central oval silver plaque decorated with stands of arms, the upper mount with maker's panel. This amazing sword was formerly in the collection of the Smithsonian in Washington, USA, bequeathed to them by a famed American collector of Napoleonic arms, which they sold for the benefit of the Smithsonian's funds over 25 years ago. Blade 75 cm approx. Maker marked by Philip Rundell and George Bridge of London. The firm was appointed as one of the goldsmiths and jewellers to the king in 1797 and Principal Royal Goldsmiths & Jewellers in 1804, and the firm held the Royal Warrant until 1843. They served four monarchs: George III, George IV, William IV and Victoria. After the Congress of Vienna (1814–1815), the firm prepared 22 snuff-boxes to a value of 1000 guineas each to be given as diplomatic gifts.

In 1830–1831, the firm created the Irish Crown Jewels from 394 precious stones taken from the English Crown Jewels of Queen Charlotte and the Order of the Bath star of her husband George III, and Queen Victoria's Imperial State Crown for her coronation. Despite the incredible success of the Battle of Trafalgar, and the routing of Napoleon’s French and Spanish fleet by Admiral Nelson, concern was still great amongst the people of Britain, in fact it was never greater, of the fear that Bonaparte would continue his efforts to confound and attempt to conquer Britain and its empire, and thus to create his own empire controlling all of Europe And Russia. Rundells quality of workmanship was so fine and renowned throughout the world that there are over 100 items by Rundells in the Royal collection alone.

This wonderful sword was obviously worn with pride by its recipient officer, thus the blade shows commensurate signs of light surface wear as to be expected.

We can, if required, commission a contemporary, bespoke glazed & framed display cabinet made by our local specialist artisan. Perfectly suitable for table or wall mounting. With several options of wood framing types, such as gilt, black or silver, also with coloured velvet backing options, and a suitably engraved brass plaque if required.

The scabbard has a blank silver panel on the inner throat mount that could have been presentation engraved but hasn't been  read more

Code: 23375

Beautiful, Inscribed, Elizabethan Tudor & Renaissance Nobleman’s Rapier 16th Century, Circa 1570

A stunning Renaissance rapier with tapered blade of flattened hexagonal section, fullers on both sides of the forte inscribed with Fio Nio, [abbreviated Latin] opposite armourer’s marks of crescents plus circle with cross on the blade, nicely defined long ricasso; with an elaborate, swept hilt with thumb ring, and three, hand guard bars, the quillon finials with shaped knobs very nicely embossed. It has a restored leather grip surface and a beautifully pronounced ovoid egg form pommel.

Often used in duels in conjunction with a maine gauche off-hand parrying dagger.

Exactly the same form of sword rapiers as worn by all of the great admirals and knights in Queen Elizabeth the 1st's court. See the three original portraits of such as Sir Walter Raleigh, Sir Francis Drake, & Earl Dudley.

Sir Francis Drake while commanding the English fleet against the Spanish Armada, plus all his senior captains and command officers, carried and used the very same form of rapier, despite its length being somewhat impractical to hand to hand combat aboard ship. It wasn’t for some time that logic prevailed and swords for use aboard ships became much shorter, such as hunting swords, and thus far more practical when hampered by low slung rigging aboard the main deck of all ships.

It was also the very form of sword carried by the senior Spanish Conquistadors on their conquest of the South Americas in the 16th century.

From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand.

For further reference as to type;
C. Foulkes, Inventory and Survey of the Armouries of the Tower of London, published 1916; and A.R. Dufty, European Swords and Daggers in the Tower of London, published 1974, see letter D on plate 21
From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand. The maker's mark shows comparisons with a rapier in the Tower of London Armoury see Foulkes, no.107 p.274, 1916

41 1/3" overall length. Fine condition.  read more

Code: 24093

An Original English Civil War Period Portrait of General George Monk & General Monk's Early Leather Bound Biography

A fine portrait After Samuel Cooper of George Monk, 1st Duke of Albemarle. Oil on canvas laid on board, inscribed Gen: Monk, Duke of Albermale upper centre. And a fine volume of The Life of General Monk, Duke of Albemarle 2nd Edit. 1724. George Monk, 1st Duke of Albemarle, KG (6 December 1608 - 3 January 1670) was an English soldier and politician and a key figure in the Restoration of Charles II. During the operations on the Scottish border in the Bishops' Wars (1639-1640) he showed his skill and coolness in the dispositions by which he saved the English artillery at the Battle of Newburn (1640).

At the outbreak of the Irish rebellion (1641) Monck became colonel of Robert Sidney, 2nd Earl of Leicester's regiment under the command of James Butler, 1st Duke of Ormonde. All the qualities for which he was noted through life his talent for making himself indispensable, his imperturbable temper and his impenetrable secrecy were fully displayed in this post. The governorship of Dublin stood vacant, and Leicester recommended Monck.

However, Charles I overruled the appointment in favour of Charles Lambart, 1st Earl of Cavan, and Monck surrendered the appointment without protest. James Butler, 1st Duke of Ormonde viewed him with suspicion as one of two officers who refused to take the oath to support the Royal cause in England and sent him under guard to Bristol.

Monck justified himself to Charles I in person, and his astute criticisms of the conduct of the Irish war impressed the king, who gave him a command in the army brought over from Ireland during the English Civil War. Taken prisoner by Parliament's Northern Association Army under Sir Thomas Fairfax, 3rd Lord Fairfax of Cameron at the Battle of Nantwich in January 1644, he spent the next two years in the Tower of London. He spent his imprisonment writing his Observations on Military and Political Affairs Monck's experience in Ireland led to his release. He was made major general in the army sent by Parliament against Irish rebels. Making a distinction (like other soldiers of the time) between fighting the Irish and taking arms against the king, he accepted the offer and swore loyalty to the Parliamentary cause. He made little headway against the Irish led by Owen Roe O'Neill and concluded an armistice (called then a "convention") with the rebel leaders upon terms which he knew the Parliament would not ratify. The convention was a military expedient to deal with a military necessity. When in February 1649 Scotland proclaimed Charles, Prince of Wales, as Charles II, King of Scotland, the Protestant Ulster Scots settlers did the same and following Charles's lead took the Solemn League and Covenant. Most of Monck's army went over to the Royalist cause, placing themselves under the command of Hugh Montgomery, 1st Earl of Mount Alexander. Monck himself remained faithful to Parliament and returned to England.

Although Parliament disavowed the terms of the truce, no blame was attached to Monck's recognition of military necessity. He next fought at Oliver Cromwell's side in Scotland at the 1650 Battle of Dunbar, a resounding Roundhead victory. Made commander-in-chief in Scotland by Cromwell, Monck completed the subjugation of the country.

In February 1652 Monck left Scotland to recover his broken health at Bath, and in November of the same year he became a General at Sea in the First Anglo-Dutch War, which ended in a decisive victory for the Commonwealth's fleet and marked the beginning of England's climb to supremacy over the Dutch at sea.

On his return to shore Monck married Anne Radford (n?e Clarges).In 1653 he was nominated one of the representatives for Devon in Barebone's Parliament. He returned to Scotland, methodically beating down a Royalist insurrection in the Highlands. At Cromwell's request, Monck remained in Scotland as governor During the confusion which followed Cromwell's death on 3 September 1658, Monck remained silent and watchful at Edinburgh, careful only to secure his hold on his troops. At first he contemplated armed support of Richard Cromwell, but on realising the young man's incapacity for government, he gave up this idea and renewed his waiting policy. In July 1659 direct and tempting proposals were again made to him by the future Charles II. Monck was elected Member of Parliament for both Devon and Cambridge University in the Convention Parliament of 1660. Though he protested his adherence to republican principles, it was a matter of common knowledge that the parliament would have a strong Royalist colour. Monck himself, in communication with Charles II, accepted the latter's Declaration of Breda of 4 April 1660, which was largely based on Monck's recommendations. On 1 May the newly convened Convention Parliament formally invited Charles, as King Charles II, to be the English monarch in what has become known as the Restoration. The painting size is 27cm x 23.5 cm., and in its frame it is 16.75 inches x 15.5 inches  read more

Code: 22723

A Beautiful, Original, Large Size Roman Empire Bronze Seal Ring With The Engraved Fulminata of Julius Caeser's XIIth Legion & Ancient Greek Script

Circa 1st Century. A good still wearable large size, in bronze copper ally, engraved with a traditional seal in Greco-Roman, and the symbol onf the 12th legion 'Fulminata' The Lighting Twelfth. It was another Roman legion established by Julius Caesar. Named after the unit’s symbol, the thunderbolt, the Twelfth could trace its origins to 58 BCE. The legion served in some of Caesar’s most famous battles in Gaul, including the Siege of Alesia. It also saw a fair share of fighting in the civil war against Pompey, participating in the decisive showdown at Pharsalus. Following victory in the war, Caesar changed the legion’s name to Victrix (“winner”). Another cognomen was later added by Mark Antony—Antiqua—meaning the “old one” (as in “reliable one”).

During Caesar's war against his fellow-triumvir and rival Pompey the Great, which broke out in January 49, the Twelfth participated in the invasion of Italy, and a year later, it was with Caesar during the battle of Pharsalus (9 August 48). After Caesar's victory, the men were pensioned off and received land in the neighborhood of Parma .

We know that it was called Victrix ("winner") after the civil war, which is a bit confusing because later, there was another legion called XII Victrix.

Mark Antony brought the Lighting Twelfth to the East to join his war against Parthia. While the campaign ended in defeat, the legion remained in the East during the imperial period, continuing the fight against the Parthian and the Sassanid Empires. The unit still guarded the Euphrates crossing next to its base—Melitene—at the beginning of the fifth century. This longevity makes Legio XII Fulminata another one of the longest-standing Roman legions on record.

Likely the ring of a serving centurion of the 12th, with a traditional motto somewhat similar to 'good soul'. It bears KAAH {in reverse, as it was the centurion's seal} which, depending on context can be mean to represent good, faithful or beautiful.  read more

Code: 24761

Very Early Production, Factory Engraved & Cased, Sharps 4 Shot Derringer Pistol with Tools in Its Superb Walnut Case, Serial Number 52

Early second model, superb presentation quality engraving to the copper-bronze frame, re-freshed blued barrels, ebony grips, forward sliding barrel action for loading. Sharps company maker marks to the frame, good tight action. .30 rimfire caiibre.

In the 1850s, the extreme popularity of antique derringer pistols swept the nation like wildfire. Henry Deringer, the man who made the first Philadelphia Deringer, created a small and concealable pistol for people to carry for protection. When searching for an antique derringer pistol for sale, one will notice that derringers are made by a number of different brands and manufacturers. Many people wanted to make their design number one and stick out among the rigorous competition. One man that took the idea into his own hands and became a favorite in the Old West for pocket sized guns was Christian Sharps

Sharp had been in the business of rifle making before he endeavored into pocket pistol designs. He started his career in Harpers Ferry, Virginia with John Halls Rifle Works. He patented his own Sharps rifle in 1848 and, interestingly enough, a year later in December 1849, he patented his first design for the antique derringer pistol he desired to create. Unfortunately, it was a poorly constructed and fragile design in need of some work before it could be sold commercially.

Sharps antique derringers became known as the

‘hideout pistol’ westerners. the prominence of these small multi shot pocket pistols as a gambler’s gun arose in the the Old Wild West . The gun was very commonly used by gamblers and tavern frequenters since they could slide it up their sleeve or in their pocket without the people around the being any the wiser. Western outlaws loved the conceal ability and carried the gun as an extra side arm. The gun is sometimes referred to as the perfect concealable pistol since it was about the same size as a pocket watch.

The first two Sharps Derringer models were made before 1862. In that year, William Hankins joined the firm and the company changed its name Sharps & Hankins. Sharps, forever with his money struggles, brought on Hankins for funding, and his new capital funded an additional factory to make both rifles and antique derringer pistols. The other remaining models also began manufacturing under this partnership.

No licence is required to own and collect this antique pistol  read more

Code: 24946

Simply Fabulous 'Battle of Austerlitz' & Napoleonic Wars Period, Early 19th Century Austrian Field Marshal Grade Officer's Sword, Remarkably Similar To The Lloyds Patriotic Fund Swords Awarded to Napoleonic Wars Heroes

This sword must be ranked in quality to equal the swords made for the Lloyds Patriotic Fund Sword heroic recipients, and the Napoleons Marshal's of France. One could even see it might have once been the sword of Lieutenant Field Marshal Franz von Weyrother. Of course this can be nothing more than conjecture. Formerly this magnificent sword was part of the world renown collection of WW2 French hero Dr Raymond Wagnier. It has a curved slender blade finely etched with scrolling foliage and the imperial crowned F cypher of the last Holy Roman Emperor, Francis of Austria. The sword's impressive and magnificent chiselled gilt hilt is incredibly finely decorated with scrolling serpents, forming the cross and knuckle guard emanating from the mouth of the Nemean lion's pommel, and and binding the lion's skin to the snakeskin pattern chiselled grip, contained in its finest gilt mounted leather wrapped wooden scabbard, the mounts decorated with acanthus, strapwork and flowerheads. The Nemean lion's head and skin and intertwined serpents were also the dominant design of the fabulous hilt's of all the Lloyds Patriotic Fund swords, that were awarded to heroes of the Napoleonic Wars, that today can fetch up to £220,000, This sword must be ranked of similar quality to those Lloyds swords. This sword was formerly in the private, world renown collection, of Dr Raymond Wagnier. He was a French hero of the occupation of France during WW2, and during raids by the RAF in 1943-44, on the Lille Railway, at extreme risk of reprisal, he rescued a wounded British airman, who would have been undoubtedly executed. After the Liberation of France he was offered an honour by the King and British government, but to his extraordinary credit, he refused, stating he was doing nothing more than his duty. His first collection was looted by the German's and Vichy, but after the war he was able to reassemble his eminent collection once more. After his death in 1989 his collection, including this incredible sword, was sold by his estate in 1990 in Monaco. It was one of the foremost collections of Belles Armes Anciennes and Objet Napoleonique in the world. The Battle of Austerlitz (2 December 1805/11 Frimaire An XIV FRC), also known as the Battle of the Three Emperors, was one of the most important and decisive engagements of the Napoleonic Wars. In what is widely regarded as the greatest victory achieved by Napoleon, the Grande Armée of France defeated a larger Russian and Austrian army led by Emperor Alexander I and Holy Roman Emperor Francis II. The battle occurred near the town of Austerlitz in the Austrian Empire (modern-day Slavkov u Brna in the Czech Republic). Austerlitz brought the War of the Third Coalition to a rapid end, with the Treaty of Pressburg signed by the Austrians later in the month. The battle is often cited as a tactical masterpiece, in the same league as other historic engagements like Cannae or Gaugamela. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The awards were highly publicized to help raise morale during wartime. In 1807 the fund also donated £61,000 to the Royal Naval Asylum, giving Lloyd's Patriotic Fund the enduring right to nominate children to the school.

On 24 August 1809 the Fund held a general meeting of its subscribers. The subscribers decided at that time to discontinue awards for merit. The Peninsular War was putting such demands on the Fund that it was felt that priority would have to go to support for the wounded and the dependents of those killed. Still, when the Fund awarded officers money for wounds received, some officers asked that the Fund give them an inscribed sword instead.The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet. We actually have Captain Dance’s regular high rank combat sword, fully named to him, that he used as commodore of the fleet, plus, his from life portrait.  read more

Code: 23374

A Superb & Very Rare Original Grouping, 5th to 7th Century Roman & Goth Period 'Ceremonially Folded' Sword, From a Pagan Ritual, A Warrior or Legionary's Spartha Sword, and War Shield Mounts

A very similar find of a Roman sword and shield boss was excavated in Greece last May, and caused a sensation and world news. The 'astonishing' findings have been shared by Errikos Maniotis, an archaeologist at Aristotle University of Thessaloniki in Greece, who believes the man likely served in the Roman imperial army.

'Usually, these types of swords were used by the auxiliary cavalry forces of the Roman army,' Maniotis told Live Science.

'Thus, we may say that the deceased, taking also into consideration the importance of the burial location, was a high-ranking officer of the Roman army.

It's rare to find a 'folded' sword in an urban landscape, let alone in this part of Europe, Maniotis pointed out. The term 'folded' sword describes that it has been believed to have been ceremonially killed and bent, in a pagan rite, to sacrifice the sword from current use, to represent a warrior passing into the afterlife, for it to be used in the afterlife by the warrior, and thus buried with his shield and offerings to the gods. Our sword group is around 1400 to 1600 years old. It was likely recovered more up to two centuries ago, probably a ‘Grand Tour’ find, from the area historically known as Merovingian Roman-Frankish Germany or France. The shield boss and handle have survived remarkably well, naturally the leather covered wooden shield body and sword hilt have rotted away over its 1200 plus years underground. The organic parts of shields and swords simply never survive this great period of time being buried. For example, we know not of a single complete Viking wooden shield in existence today, the only way we know today of their appearance is from ancient texts and poems that have survived. The spatha is a type of straight and long sword, measuring between 0.75 and 1 m , with a handle length between 18 and 20 cm , in use in the territory of the Roman Empire during the 1st to 6th centuries AD. Later swords, from the 6th to 10th centuries, like the Viking swords, are recognisable derivatives and sometimes subsumed under the term spatha.

The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the 1st century AD as a weapon used by presumably Germanic auxiliaries and gradually became a standard heavy infantry weapon, relegating the gladius to use as a light infantry weapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.

Archaeologically many instances of the spatha have been found in Britain and Germany. It was used extensively by Germanic warriors. It is unclear whether it came from the Pompeii gladius or the longer Celtic swords, or whether it served as a model for the various arming swords and Viking swords of Europe. The spatha remained popular throughout the Migration Period. It evolved into the knightly sword of the High Middle Ages by the 12th century. Picture of combating Frankish warrior knights using spartha and shields of the same type, from the Stuttgart Psalter.

The Merovingians were a Salian Frankish dynasty that ruled the Franks for nearly 300 years in a region known as Francia in Latin, beginning in the middle of the 5th century. Their territory largely corresponded to ancient Gaul as well as the Roman provinces of Raetia, Germania Superior and the southern part of Germania. The semi legendary Merovech was supposed to have founded the Merovingian dynasty, but it was his famous grandson Clovis I (ruled c.481-511) who united all of Gaul under Merovingian rule. Charles de Gaulle is on record as stating his opinion that "For me, the history of France begins with Clovis, elected as king of France by the tribe of the Franks, who gave their name to France. Before Clovis, we have Gallo-Roman and Gaulish prehistory. The decisive element, for me, is that Clovis was the first king to have been baptized a Christian. My country is a Christian country and I reckon the history of France beginning with the accession of a Christian king who bore the name of the Franks. The Merovingians are featured in the book The Holy Blood and the Holy Grail (1982) where they are depicted as descendants of Jesus, inspired by the "Priory of Sion" story developed by Pierre Plantard in the 1960s. Plantard playfully sold the story as non-fiction, giving rise to a number of works of pseudohistory among which The Holy Blood and the Holy Grail was the most successful. The "Priory of Sion" material has given rise to later works in popular fiction, notably The Da Vinci Code (2003), which mentions the Merovingians in chapter 60 . The ritual 'killing' of swords, such as bending or breaking have been found in thousands of examples of this practice across Europe, indicating that it was a ritual common to all the pan-Celtic tribes. However, although many theories have been postulated, for now the exact significance of this mysterious custom remains unclear. Some suggest it may be for all to know that the blade is not to recovered by grave robbers, or, possibly, the warrior or knight owner has been killed in battle, and thus his sword, as part of him, is also now dead. Or, maybe an offering to the gods of the afterlife. A Merovingian Frankish sword in 'un-killed' condition, is such a rare piece to survive to today, would likely be valued comfortably into five figures £12,000 plus. In May 2021 An iron sword deliberately bent as part of a pagan ritual has been discovered in a Roman soldier's grave in Greece, an archaeologist has revealed.

The deformed or 'folded' sword was buried with an as yet unidentified soldier about 1,600 years ago in the Greek city of Thessaloniki.

His 'arch-shaped' grave was found in the underground remains of a basilica – a large public building and place of worship – dating from the fifth century AD. 'Folded swords are usually excavated in sites in Northern Europe,' he said.

'It seems that Romans didn't practise it, let alone when the new religion, Christianity, dominated, due to the fact that this ritual was considered to be pagan.'

Archaeologists are yet to assess the remains of the soldier, described as likely a 'Romanized Goth or from any other Germanic tribe who served as a mercenary'.

'We don't know anything about his profile – age of death, cause of death, possible wounds that he might have from the wars he fought,' Maniotis said.

The soldier's grave was one of seven found in the basilica, but not all of them were found containing artefacts. in the third century A.D., the Goths launched a series of raids into the Roman Empire. “The first known attack came in 238, when Goths sacked the city of Histria at the mouth of the river Danube. A series of much more substantial land incursions followed a decade later,” writes Peter Heather, a professor at King’s College London, in his book “The Goths” (Blackwell Publishers, 1996).

He notes that in A.D. 268, a massive expedition of Goths, along with other groups also called barbarians, broke into the Aegean Sea, wreaking havoc. They attacked a number of settlements, including Ephesus (a city in Anatolia inhabited by Greeks), where they destroyed a temple dedicated to the goddess Diana.

“The destruction wrought by this combined assault on land and sea were severe, and prompted a fierce Roman response. Not only were the individual groups defeated, but no major raid ever again broke through the Dardanelles,” writes Heather.

The Goths' tumultuous relationship with Rome would continue into the fourth century. While Goths served as Roman soldiers, and trade took place across the Danube River, there was plenty of conflict.

Heather notes that a Gothic group called the Tervingi intervened in Roman imperial politics, supporting two unsuccessful claimants to the emperorship. In A.D. 321, they supported Licinius against Constantine, and in A.D. 365, they supported Procopius against Valens. In both instances this backfired, with Constantine and Valens launching attacks against the Tervingi after becoming emperor.

As contact with Rome intensified, a form of Christianity known as Arianism spread among the Goths.

“In the 340s, the Arian Gothic bishop Ulfilas or Wulfila (d. 383) translated the Bible into the Gothic language in a script based chiefly upon the uncial Greek alphabet and said to have been invented by Ulfilas for the purpose,” writes Robin Sowerby, a lecturer at the University of Stirling, in an article in the book “A New Companion to the Gothic” (Wiley, 2012).
In time, the Goths would adopt the Catholic form of Christianity that came to be used in Rome. ; From a private collection of an English gentleman acquired in the 1940's. As with all our items it comes complete with our certificate of authenticity. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a relative good state and condition. We show in the gallery two photos of the excavated Roman's tomb in Thessaloniki, and the Roman's folded spartha sword. In the photo of the tomb interior one can plainly see the folded sword and shield boss, the shield boss has been crushed flat. Another photograph is of the exhibit in the museum of Nuremberg Germany showing another original spartha sword unfolded and a fully formed shield boss, both are extremely similar to ours.

A sword was still so valued in the much later Norse society that good blades were prized by successive generations of warriors. There is even some evidence from Viking burials for the deliberate and possibly ritual "killing" of swords, a ritual from ancient times, which still involved the blade being bent so that it was unusable. Because Vikings were often buried with their weapons, the "killing" of swords may have served two functions, namely a ritualistic function in retiring a weapon with a warrior, and a practical one in deterring any grave robbers from disturbing the burial in order to get one of these costly weapons. Indeed, archaeological finds of the bent and brittle pieces of metal sword remains testify to the regular burial of Vikings with weapons, as well as the habitual "killing" of sword  read more

Code: 21852

A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft

Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.

This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.

It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.

King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.

Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.

Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888.  read more

Code: 21534