Antique Arms & Militaria

Vintage, Household Cavalry Dress Uniform. A Wonderful Helmet, Cuirass Armour, Tunic, White Leather Panteloons, Jack Boots with Spurs, Buff Hide & Cotton Riding Gauntlets Of The Royal Mounted Bodyguard of Her Well Beloved Late Majesty Queen Elizabeth IInd

Post 1953 period. The full dress uniform helmet and armour of the Blues and Royals

The Household Cavalry are the only British regiments dressed as cuirassiers and has worn them since the coronation of William IV in 1830. The cuirass consists of a front and back polished steel plate shaped to fit the body. It had brass edges and studs on the sides and was secured on the shoulders by two gilt scales of regimental pattern. At the waist it is secured by a thin buff hide leather belt. The cuirass is lined with leather, The cuirass is only worn in mounted review order with the white leather panteloons and jack boots.

This unit is one of the two Household Cavalry regiments in the British Army, the other being The Life Guards. It was formed in 1969 by amalgamating The Royal Horse Guards with The Royal Dragoons (1st Dragoons), both of which had origins dating back to the mid-17th century.

19th century
In 1809, the unit moved to the Peninsular War (1808-14), helping to cover Wellington's retreat to Torres Vedras (1810) and charging at Fuentes de Onoro the following year. It also fought at Ciudad Rodrigo (1812), Badajoz (1812), Alba de Tormes (1813), Vitoria (1813) and Pamplona (1813).

In 1815, it fought at Waterloo with the Union Brigade. It captured the eagle of the French 105th Line Infantry Regiment there before being counter-attacked by French lancers.

A long period of home service followed until the Crimean War (1854-56), where the regiment charged with the Heavy Brigade at Balaklava in 1854.

The next three decades were spent on garrison duties in England, Ireland and Scotland. During this period, in 1877, the regiment was re-named the 1st (Royal) Dragoons. Then, in 1884, it sent a detachment to the Sudan that fought at Abu Klea (1885).

In 1899, it sailed to South Africa to fight in the Boer War (1899-1902), where it was immediately employed in the relief of Ladysmith.

The regiment deployed to the Western Front in 1914 and spent the entire First World War (1914-18) there with 3rd Cavalry Division. It fought in many battles including the First Battle of Ypres (1914), Second Battle of Ypres (1915), Loos (1915), Arras (1917) and Amiens (1918).

It was stationed in England, India, Palestine and Egypt during the inter-war period.

Shortly after the outbreak of the Second World War (1939-45), it became a mechanised unit, joining the Royal Armoured Corps in 1940. It served as an armoured reconnaissance regiment in Syria (1941) and North Africa, where it fought in the Gazala battles and at El Alamein in 1942. It then took part in the Sicily and Italian campaigns in 1943.

The regiment landed in Normandy in July 1944 and ended the war as part of the force which liberated Copenhagen in May 1945.

Although famous for its ceremonial duties, the new unit saw much active service during the 1970s and 1980s as a reconnaissance unit in West Germany with the British Army of the Rhine. Squadrons from the regiment also carried out several tours of Northern Ireland and served on Cyprus with United Nations forces.

In 1982, it sent detachments to the Falklands War, where they supported The Parachute Regiment in the Battle of Wireless Ridge.  read more

Code: 24993

A Letter Sent From Port Royal from Capt Vansittart, the Capture of a French Privateer. Dated April 5th 1804 from Capt. Henry Vansittart (1777-1843) of HMS Fortunee to Admiral James R. Dacres Admiral of the White

The letter informs the admiral that Capt Vansittart captured the French pirate ship, the Privateer Tayan with 46 men aboard. Capt Vansittart had a most distinguished career culminating in his appointment as Vice-Admiral. He served on on the Princess Royal, flagship of Rear-Admiral Goodall, the L'Aigle with Capt. Hood at the Battle of Calvi, on HMS Victory, and as Lieutenant of HMS Stately in the capture of the Cape of Good Hope, and Capt of HMS Fortunee for nine years
Born: 17th April 1777 at Hanover Square, Westminster, Middlesex
Vice-Admiral
Died: 21st March 1843 at Eastwood, Woodstock, Canada

Vice-Admiral Vansittart was the 5th son of George Vansittart (1745-1825) of Bisham Abbey in Berkshire, who married, on 24th October 1767, Sarah, daughter of the Rev. Sir James Stonhouse, bart. He was born in George Street, Hanover Square, on 17th April 1777 and grew up in Bisham. General George Henry Vansittart, was his elder brother; Henry Vansittart, the Governor of Bengal, and Professor Robert Vansittart were his uncles; and Nicholas, 1st Baron Bexley, his first cousin. Having been entered on the books of the Scipio, guard-ship on the Medway, in October 1788, he was afterwards nominally in the Boyne, guard-ship on the Thames, and probably actually served in the Pegasus on the Newfoundland station in 1791. In 1792, he was on the Hannibal, stationed in Plymouth, and, in 1793, went out to the Mediterranean on the Princess Royal, flagship of Rear-Admiral Goodall. During the Siege of Toulou by the Republican Army, he was severely wounded. After the evacuation of the place, he was moved into L'Aigle, with Captain Samuel Hood, served at the Siege of Calvi and was, in October 1794, moved onto the Victory in which he returned to England. On 21st February 1795, he was promoted to be lieutenant of the Stately, in which be was present at the capture of the Cape of Good Hope, and of the Dutch squadron in Saldanha Bay. He was then moved onto the Monarch, Elphinstone's flagship, and returned in her to England. He was next appointed to the Queen Charlott, Keith's flagship in the Channel; and, on 30th May 1798, was promoted to be commander of the Hermes, from her, he was moved to the Bonetta, which he took out to Jamaica; and, on 13th February 1801, he was posted to the Abergavenny, stationed at Port Royal. In the July, he returned to England in the Thunderer and, after a few months on half-pay, was appointed, in April 1802, to the Magicienne from which, in January 1803, he was moved, to the Fortuned of 36 guns. For upwards of nine years, he commanded this ship in the North Sea, off Boulogne, in the Channel, in the West Indies and in the Mediterranean, for the most part in active cruising and in convoy service. In August 1812, he was moved onto the 74-gun ship ?Clarence?, till March 1814. With the exception of a few months in 1801-2, he had served continuously from 1791. He became a Rear-Admiral on 22nd July 1830, Vice-Admiral on 23rd November 1841 and died on 21st March 1843 at his seat, Eastwood at Woodstock in Canada. He married, in 1809, Mary Charity (d. 1834), daughter of the Rev. John Pennefather, and was the father of five children including Vice-Admiral Edward Westby Vansittart. Paper bears Admiralty, Crowned oval bearing Brittania watermark, and maker name, Gater and date 1803.  read more

Code: 20833

The Lanes Armoury, Britain’s Favourite & Best Arms and Armour Gallery and Website. Its Been Over A Hundred Years In The Making. Whether You View Us Online Or Join The Hundreds & Thousands of People That Personally Visit Us Every Day {Except Sunday}

Over 3193 visitors came through our door last Saturday before Easter. That is more, apparently, than the daily visitors to the LAPADA Art and Antiques Fair in Grosvenor Square London, and that has over 100 of the UK’s finest and best art and antique dealer's exhibiting (and we are free!). Of course a £27 a head entry ticket to the Antiques Fair might have something to do with it.🤔

Another part of our original Japanese katana acquisitions will arrive to our site next week, and as usual many are stunning beauties

A fabulous Grande Armee sword of Napoleon’s cuirassiers just arrived. A truly out standing example, despite being used for around 10 years in combat service, including surviving the Russian campaign in 1812 to Moscow, that saw the decimation of Napoleon’s entire Grande Armee, it is in superb condition and truly a museum grade example, as good as any sword in Les Invalides Musee de L’Armee in Paris. Plus, Scottish Regt. Issue 'Tower Of London' GR Crown 'Brown Bess' Musket of the Napoleonic Wars, Peninsular War & Waterloo With Bayonet. Scottish Regimental Markings for Renfrewshire Regt. Then Transferred To The 42nd Foot the 'Black Watch' and An Incredibly Rare, 1000 Year Old, Original Viking-Norsemen Warrior’s, Four Plate Iron Helmet From the Late Viking Raids Era and The King Harold & William the Conquerer Battle of Hastings, & The Same Helmet Used By Knights Throughout The Early Crusades. Plus a collection of rare WW2 trophies, service combat badges, from one of the top secret 30 commando veterans, acquired while intelligence gathering for the Admiralty and James Bond author, Ian Fleming.

An Original Antique Edo Period Suit of Samurai Gesoku Armour With gilt Tomoe Mon, of the Kobayakawa Clan. With Dragon Cuirass & Momonari Kabuto With Hanbo, was just sold by us, and that was a stunning beauty, and another piece has now been added to a collection of wonderful pieces acquired from us by a most highly esteemed collector over the past decade.

A most rare late 17th early 18th century Japanese-Dutch ‘Black Ship’ captain’s sword we offer for sale was made by Japanese emigre sword koshirae makers from Nagasaki. A sawasa technique of gilded copper alloy with black shakudo detailing, a European style naval captain’s sword, made by Japanese samurai sword artisans, from Nagasaki, a sword of incredible beauty and rarity. Plus, a hanger sword, the same type as used by the notorious pirate, Blackbeard, and a most historical SA district leader signed presentation copy of Mein Kampf, a wedding gift to an SS nco, later, {and deservedly} executed by the DDR apparently, in East Germany.

Another collection has just arrived the other day and other pieces are arriving every day. Just two days ago an Indian Royal Princes museum grade sword just returned from curator polishing of the crucible steel Damascus blade of Mohammed’s Ladder pattern, one of the most beautiful we have ever seen. It’s near identical pair is in the Getty Collection Museum in LA.

Some seriously interesting and historical pieces, as usual are added every single day. Last week, Mark, one of the partners, helped last year to narrate a new documentary for the History Channel. Filming had been taking place for about three months, with Mark and all the various presenters, but once it is edited and ready for viewing, hopefully next year, we will let you know! The difficulty has been the logistics of filming, while simultaneously running our business here in The Lanes of Brighton. We have had the great pleasure to be involved directly, and indirectly, with dozens, if not hundreds of film and tv projects based here in Brighton. In fact since the 1930’s, although only for a brief period, we owned the Brighton film studios, that once it closed down production, became an auction house, Meads. We were involved in both productions of Graham Greene’s Brighton Rock movie, the first in 1947, with a very juvenile looking Dickie Attenborough, and the second re-make just 15 years ago, starring Sam Riley and Helen Mirren, involved us letting our shop be completely taken over for a week as a location film set. Ironically, almost all the Brighton location filming was cut from the movie as Brighton didn’t appear ‘Brighton’ enough, as it lacked the ‘1950’s seedy vibe’, so almost all the scenes in the film were re-created in Eastbourne around 15 miles east of Brighton.

Some other pieces that arrived were beautiful, and rare, superb Napoleonic period British French and American swords, wonderful antique pistols, stunning ancient rings, Roman and Crusaders, an ancient original Saxon Thegn’s war axe from the time of Alfred the Great and the Viking invasions of the Kingdom of Wessex, a wonderful Viking axe-hammer, ancient Roman silver and bronze armlets {bracelets} and, as usual, you can be confident everything is original, and they are all superb examples.

One of the rings that recently arrived is a fabulous knight’s ring, from Agincourt to the Wars of the Roses period, a 15th century ring with an intaglio naïve engraving of a knight on horseback holding aloft his knightly sword, a fabulous and beautiful piece. Another is a wonderful and superb status Roman seal ring, of senator to equites quality, from the time of the Emperors Augustus, Tiberius, Caligula, Cladius to Nero, it is a beautiful carved gemstone intaglio ring of an ancient portrait bust of Roman goddess {Now Sold}. Plus, one of the very rare ancient Roman talismanic rings, around 1900 years old, that were sought out by Heinrich Himmler’s team of archeological hunters to prove the ancient Roman source of the Germanic Aryan ancestry {also Sold}. As was interestingly featured as the basis of the movie Raiders of the Lost Ark, with the Third Reich artefact hunters seeking by any means the Ark of The Covenant, The ring displaid upon the ring a carved, engraved fylfot, the ancient and most important symbol of the Aryans {according to Himmler’s obedient historians} that was adopted by the national socialists in the early 30’s, and every proved ancient art treasure or jewel that featured this symbol was eagerly hunted down at any cost.

If you are a first time visitor, or one of our 40,000 online viewing regular customers, welcome {or welcome back} to our online shop. We hope you enjoy it as much as the many millions of past visitors have already, since we first went online in 1996. It was designed to accompany, and operate hand-in-hand, with our gallery-shop, that has been located in the Brighton Lanes since the reign of King George Vth. According to our statisticians our website has been {conservatively} viewed over 54 million 750 thousand times, since it launched in the 90’s. And in the same period, our shop has likely been personally visited {also conservatively} by over 5 1/2 million people since 1996. Of course, in the case of our shop, another 77 years of visitors could be added to that figure..

Every single day, due to our most fortunate status as one of Europe’s, and certainly Britain’s, oldest and favourite original specialist collector’s galleries, amazing historical, pieces, from all the major {and minor} civilisations, from the past 4000 years, arrive at our doorstep. Just two weeks ago another huge collection of 320 cloth bound hardback vintage books arrived, many based around historical artefact collecting themes, and 19th Century ornithological tomes. Recently we acquired an incredible six ‘pair’ sets of ‘The Descent Of Man’ by Charles Darwin London all the 1871 printing, English Volumes 1 & 2- They were all delivered here at our store, and our regular ‘collector book hunters’ eagerly devoured them. Some were very scarce limited print run examples from the Early Victorian to 1920’s period. The Charles Darwin books were a joy to own, even for just one day, in Mark’s 54 years here he can never remember having six twin volume Darwin sets from one years publication before, and even at almost a £1,000 a pair they were gone in less than an hour.

Such as, in this month alone, new arrivals included, a collection of museum grade original swords and French Napoleonic arms, and a Royal Navy ship’s cannon, Brown Bess muskets, and a sword of an Indian Maharajah Prince, plus several samurai swords, antique and WW2 as usual. Always online is a unique selection of original ancient Greek, Chinese and Viking antiquities, including rings, helmets, swords, spears and battle axes, plus, various dozens of rare, superb and intriguing original Roman antiquities. Most of our antiquities were acquired around 200 years ago by members of the British nobility that were once buying pieces from locals while on their 'Grand Tour' of Europe.
This site also contains up to 17,000 photographs of our currently available offerings to view. Enjoy!

Our History;
The Lanes Armoury, are Brighton Family Traders since 1919. Thousand’s of worldwide visitors to the UK come to visit us practically every day, and their most consistent and much appreciated comment includes that they believe that we were the most amazing and interesting shop they had ever visited in Britain, or even the whole of Europe. We are like a museum, as they consistently say, but, everything is for sale! One must say that if we were a museum, we would likely be the smallest in the UK, but, we contain thousands upon thousands of collectables, militaria and books, prehistoric, ancient, antique and vintage pieces, from an incredibly rare Zulu War artefact, the Zulu King's, carved horn sceptre knopkerrie, to a 66 million year old shark's tooth, to a samurai sword made around 800 years ago, with many hundreds of other fabulous swords, also from ancient Japan, to a section of a Roman Legionary’s armour, a Roman Tribune’s ring of victory, to a sporting gun made for a prince, or a 14 million year old impactite fragment from a meteor strike in Germany, a signal cannon from Admiral Nelson's navy, to a copy {now sold} of 'The Great Gatsby', an incredibly rare Ist Edition novel.

We offer magical and wondrous artefacts, each with a history beyond compare. We were honoured to be described by Victor Harris, England’s foremost & respected Japanese Sword expert, based at the British Museum, as the most unique and remarkable shop he has ever visited.

In the previous 100 plus years our past and present clients include; Hollywood movie star legends such as Edward G.Robinson, Elizabeth Taylor, Richard Burton and Bette Davis, the British aristocracy from the late Queen Mary onwards, famous academics in all known fields, curators of many British museums, and politicians of all colours from numerous countries around the world, and last, yet most importantly, private collectors from all walks of life and nations.
Mark was once personally thanked, by one of our more universally recognisable clients, in the 1980’s, by President Ronald Reagan, for his pair of Roman glass vases bought from our gallery, and he then, most generously, gave Mark an autographed photo of himself in the Oval Office.

We have had the greatest of privileges to have had pass through our hands some quite remarkable pieces, such as one incredible 'Royal Family' piece that springs to mind. Around 35 years ago, we acquired a fabulous ‘royal’ gentleman’s desk set, in magnificent cloisonné enamel, gifted by one British 20th century King, to another, King George VIth and King Edward VIIIth. Each piece was signed, within the intricate enamels design, personally, for the king, in King George VIth’s ‘family name’, ‘Bertie’, with a personal engraved dedication.
‘There, but for the grace of God’. We presumed it was given away by a member of the family during the period of enmity between the former royal princes. King George VIth, and certainly his well beloved wife, Queen Elizabeth, {the parents of our adored, late Queen Elizabeth} well deservedly, never truly forgave his weak and manipulated brother, for the betrayal to his duty, to his family and his nation. One might say ‘plus ça change, plus c'est la même chose.’. What a piece of history, and ironically, somewhat pertinent to today's unfolding events. We wish we had it now!

Our oldest regular collector was over 100 years old, and another client, our most regular customer, has been coming to us for over 77 years! Every month over 40,000 of our regular followers around the world request our weekly stock updates by email, and it is so easy to join them, on our home page, just enter your regular email address, and click go!

The photos we show in this gallery are of just a hint of the type of items we have bought and then sold online within the recent past, on just one day, and every item was accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper, however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us,  read more

Code: 23219

Fine Original English Civil War Cavalryman's Cuirass, Front Plate and Back Plate Armour, Formerly From the Fabulous 'Warwick Castle Collection', The Warwick Castle Armoury From The Time Of The Siege of The Castle During the English Civil War

A very fine original English Civil War New Model Army cavalry trooper's cuirass direct from the Armoury of Britain's greatest medieval castle, Warwick Castle. Possibly the very best full Civil War armour cuirass to come onto the market in 50 years. As good as the very best example in the British Royal Collection.

It was sold to assist the restoration of the great hall at the castle. This breast plate still has the Warwick castle armoury inventory metal tag still affixed to it. The breast plate has fine Civil War period armourer's marks of the London Armourers Company *see below of the 'A' mark for the Commonwealth, and also the helmet mark to the back plate. During the Civil War the Castle was besieged by the Royalists, they failed in their endeavours and they were captured and incarcerated within the castle dungeons. It most likely possible this armour was used in this conflict and placed in the armoury at the castle and remained there ever since until we bought it. William the Conqueror ordered the start of the building of Warwick in the 11th century, and by the 14th century the great Towers were completed. We consider ourselves very fortunate to have the opportunity to acquire some wonderful arms and weaponry from a small disposal from the Castle Armoury, in order to benefit the restoration of the Castle. In the year 1264, the castle was seized by the forces of Simon de Montfort, who consequently imprisoned the then current Earl, William Mauduit, and his Countess at Kenilworth (who were supporters of the king and loyals to the barons) until a ransom was paid. After the death of William Mauduit, the title and castle were passed to William de Beauchamp. Following the death of William de Beauchamp, Warwick Castle subsequently passed through seven generations of the Beauchamp family, who over the next 180 years were responsible for the majority of the additions made to Warwick Castle. After the death of the last direct-line Beauchamp, Anne, the title of Earl of Warwick, as well as the castle, passed to Richard Neville ("the Kingmaker"), who married the sister of the last Earl (Warwick was unusual in that the earldom could be inherited through the female line). Warwick Castle then passed from Neville to his son-in-law (and brother of Edward IV of England), George Plantagenet, and shortly before the Duke's death, to his son, Edward. Several Kings owned Warwick including King Henry VIIth, and Henry VIIIth, James Ist, and also Queen Elizabeth.* In 1322, in the reign of King Edward II, the Guild of St George of the Armourers was instituted, by ordinance of the City of London, which laid down regulations for the control of the trade. King Henry VI presented the Armourers with their first Royal Charter in May 1453. The New Model Army's elite troops were its Regiments of Horse. They were armed and equipped in the style known at the time as harquebusiers, rather than as heavily armoured cuirassiers. They wore a back-and-front breastplate over a buff leather coat, which itself gave some protection against sword cuts, and normally a "lobster-tailed pot" helmet with a movable three-barred visor, and a bridle gauntlet on the left hand. The sleeves of the buff coats were often decorated with strips of braid, which may have been arranged in a regimental pattern. Leather "bucket-topped" riding boots gave some protection to the legs.

Regiments were organised into six troops, of one hundred troopers plus officers, non-commissioned officers and specialists (drummers, farriers etc.). Each troop had its own standard, 2 feet (61 cm) square. On the battlefield, a regiment was normally formed as two "divisions" of three troops, one commanded by the regiment's Colonel (or the Major, if the Colonel was not present), the other by the Lieutenant Colonel.

Their discipline was markedly superior to that of their Royalist counterparts. Cromwell specifically forbade his men to gallop after a fleeing enemy, but demanded they hold the battlefield. This meant that the New Model cavalry could charge, break an enemy force, regroup and charge again at another objective. On the other hand, when required to pursue, they did so relentlessly, not breaking ranks to loot abandoned enemy baggage as Royalist horse often did
One picture in the gallery shows Warwick Castle today for information only, not included  read more

Code: 21825

A Rare & Huge, M1863 Single Action Starr Army 'Long Barrel' Revolver of the Civil War, .44 Calibre. Exactly As Can Be Seen Featured in Clint Eastwood’s Oscar Winning Movie, ‘The Unforgiven’

Single action 1863 model. Good external condition for age An impressive, big and powerful .44 cal revolver of the Civil War and early Wild West. Alongside the Colt Dragoon this was the biggest pistol of the Civil War, and it has amazing presence with an 8 inch barrel. Starr was the third largest producer of revolvers for the Union behind Colt and Remington.During the war the M-1863 Starr was issued to a number of US cavalry regiments, including the 1st Colorado Cavalry, the 6th & 7th Michigan Cavalry and the 11th New York Cavalry, just to name a few. While Starr double action revolver production started in 1858 they did not start production of the single action until 1863 finishing in 1865. Total Model 1863 S.A. production was approximately 25,000 revolvers making them rare finds today. The Model 1863 Single Action .44 calibre percussion Army Revolver was the third of the Starr revolvers produced for the military. Between September, 1863 and December 22, 1864, the Starr Arms Company delivered 25,002 Model 1863 Army revolvers to the Ordnance Department. The government's cost for this arm was $12.00 each. These arms and components were produced in Starr's plants in Yonkers, Binghamton and Moorisania. The grips on this gun are very good. The big long barrel Starr Army Revolver is the pistol that was chosen by the hero in Clint Eastwood's Academy Award winning movie 'The Unforgiven' played by Clint Eastwood, and the pistol was in fact featured as the main promotional part of the film in the 'Unforgiven' poster, see picture of the Starr Revolver, in the poster, in our gallery copyright Warner Bros.Single-action Army model of 1863 in .44 chambering with production numbers reaching 3,000, 21,454 and 23,000 respectively.
Design of the pistol fell to Ebanezar (Eban) Townsend Starr and all of the guns were manufactured out of the Starr Arms Company facility of Binghampton and Yonkers, New York for Federal service. The guns relied on a percussion cap system of operation with each chamber of the six-round cylinder loaded with a charge and a ball. Percussion caps were set upon the awaiting nipples found at each chamber. The hammer then fell on these caps to produce the needed ignition of the propellant charge within each chamber, the resultant forces propelling the ball out of the barrel. Externally, the revolver was of a conventional design arrangement. The handle was ergonomically curved for a good fit in the hand while being covered in useful grips. A solid frame was featured around the rotating six-shot cylinder which offered strength that open-frame revolvers of the period generally lacked. The hammer protruded from the rear of the frame within reach of the shooting hand's thumb for actuation as necessary. A loading arm was positioned under the barrel to help ram the contents of the chambers to the rear (and thus closer to the percussion cap's port). The barrel sat over this arm in the usual way, the ball projectiles guided into it by way of a proper seal from the cylinder's front face to the barrel's rear end. All in all, a traditional revolver arrangement that was proven to work. Sighting was by way of iron fittings over the top of the gun.

The gun has been made none actionable by the removal of such as the mainspring and cylinder ratchet pawl etc. { that are no longer present} very possibly as a simple way to temporarily deactivate its use for historical display. All the missing parts are relatively easy to be sourced in America, likely for a few hundred dollars, but its next owner may not wish to, or even need to bother, as it is no longer to be used, However, the price very much reflects the fact of the lack of the working internal action parts, which makes this revolver incredibly inexpensive and great value, due to its now completely non functioning condition, yet it is still a fascinating, original, historical souvenir of the US Civil War. FYI, Our last complete operable example we sold for £2850. Thus, one can acquire this 90% original, but only internally incomplete revolver of the Civil War, for considerablely less than 50% it’s worth.
As with all our antique guns no licence is required as they are all unrestricted antique collectables.  read more

Code: 25258

An 18th Century Highly Decorated North West Frontier Jazail, With The Iconic Recurved Butt Stock & Elaborate Inlaid Decor

With a long Damascus twist barrel and a captured British EIC flintlock. Formerly this type of elaborately decorated long gun were the weapons of regional tribal warlords in the 18th and early 19th century.

A very fine, attractive and incredibly significant historical example of a North West Frontier Afghan War long gun known as a Jazail. With a highly distinctive recurved butt. Likely Damascus steel twist barrel. The ordnance inspected lock was captured from an East India Co. musket. It has the EIC mark of the lion, plus probably traces of an ordnance inspector stamp number. The gunlock and it's maker is a most interesting historical aspect of this intriguing gun, it appears by the remaining surface it may have been made by Hirst of London. Hirst had his business based in Little Tower Hill, London, and he was a contractor to the Ordnance and the East India Co. His specialism was rare breech loading rifles, with screw mounted breeches, and wall mounted pivot guns with large flintlock mechanisms, just as this one is.

Jazails very often had captured British made locks, as their domestically made locks were often very basic matchlock types. The Jazail was used by the notorious North West Frontier tribesmen, in the 18th century, during the era of what was called The Great Game. The period when the British control of India was expanding, yet under considerable and constant threat by Russia, and it's attempted conspiracies in order to influence discord among the Indian populace for their own advantages, ‘plus ca change, plus c'est la meme chose’ .

Rudyard Kipling's novel Kim was based around this very geo political situation, and a most informative, accurate, and yet ripping tale that it is too. It would have also been used in the Ist Afghan War in the 1830's, in many ways the first major conflict of what became known as " The Great Game". The reasons for the British invasion and occupation of Afghanistan in the late 1830s are many and varied. They mainly revolve around what one of the 'victims' of the event referred to as 'the Great Game'. This was the name given by Arthur Conolly to denote the shadow boxing between Russia and Britain for influence in Central Asia for much of the 19th Century. Relations between Russia and Britain were strained in the 1830s as the British feared the expansionist and strong armed tactics of Tsar Nicholas I who came to the throne in 1825. He sought a policy that expanded Russian influence southwards and eastwards. This was bringing Russian influence towards Britain's own 'Jewel in the Crown' India.
India was still ruled by the East India Company, although the British government had constrained much of the company's freedom to act by this time and was ultimately guiding its policy on the wider international scene. The British were particularly concerned at Russian influence in Persia. They had heard reports that the Russians were helping the Shah of Persia beseige Herat on the western side of Afghanistan. If successful in taking this city, Russian influence would advance along the route that they would take if they were to invade India at any point in the future. But British alarm bells really began to ring when a rumour circulated that a Russian had arrived at the court of Dost Mohammed in Kabul. If this was true, then it was believed that Russian influence might extend to the borders of India itself. Steeped in classical education, most British decision makers knew the invasion route of India taken by Alexander the Great and assumed that the Russians would soon have the capability to make a similar incursion. As with all our antique guns no license is required as they are all unrestricted antique collectables Rudyard Kipling's poem of the Afghan War refers to the feared deadly accuracy of the Jazail, and it goes;

"A scrimmage in a Border Station
A canter down some dark defile
Two thousand pounds of education
Drops to a ten-rupee jezail".

Frizzen lacking on the lock, action weak. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22931

A Superbly Attractive, Native American Indian 'Spontoon Head' Style Tomahawk with Studded Haft, Glass Beads, and Eagle Feathers.

Great Lakes style. Rarely seen in Europe, a large spontoon trade style tomahawk axe head, with 2 large hook quillons on either side of the head. The head itself is a work of art, engraved with four spontoon heads at north south east and west, and nail point stamped create a circle. Possibly forged by an unknown blacksmith. The blade and head show a nice natural patina, and old brass tacks along the handle. They are domed head brass tacks set in an ash wood haft. The haft has a hole drilled for attaching an old beaded drop and eagle feathers with a piece of thin buckskin cord, the eagle feathers have been cut across the top, this is an old Lakota symbol of 'cutting an enemy's throat'. In excellent condition, It somewhat reminds us of the late 19th century spontoon head tomahawk of Chief Iron Tail of the Oglala Lakota Nation. He was a famed late 19th century celebrity Sioux, but it was as a star performer in Buffalo Bill's Wild West in the 1880s that brought this Sioux to the attention of world leaders and American audiences; as many as 12,000 people attended the live shows each day. It was the quintessential last vestige of the American West and passing century of discovery. When performances went overseas, Iron Tail was still Buffalo Bill's lead performer, and also his avowed best friend. He nicknamed Bill "Pahaska" or "Long Hair." In the West they hunted; in Europe, they toured historic sites, often hosted by royal aristocracy, traveling together until 1913.The spiked tomahawk, made along the lines of medieval European battle axes, had either a straight or curved spike projection at the top of the hatchet’s head.

The Missouri war axe, a large, thin-bladed hatchet with a short handle, was favoured by tribes along the great bend of the Missouri River.

The spontoon tomahawk, with its dagger-like blade and curled or winged-like appendages, suggested a fleur-de-lis-shaped battle axe.

Although least practical as a cutting or chopping tool, each one of these tomahawks made formidable hand weapons and held some favour with Indians because of their graceful and artistic shapes.

Regardless of style or shape, like the Indian’s bow and lance or the white man’s rifle and revolver, the tomahawk was as important a practical tool as it was a weapon of combat. Whether left plain or adorned with tacks, beads, coloured cloth, feathers, animal parts or even human appendages, the tomahawk also served as a symbol, representing the choice between peace or war, when white and red men met. While the first iron hatchets and tomahawks in America came from British and French sources in the northwestern territories and the Spaniards and French in the south and southwestern regions of the frontier, the first American tomahawks probably appeared in the Far West during Meriwether Lewis and William Clark’s 1804-1806 expedition. Nevertheless, by the early to mid-19th century, the iron tomahawk had become a standard trade item and fighting implement of frontier Indians. This tomahawk is not an 18th century or early 19th century example, today those examples are now valued in the tens of thousands of pounds, and furthermore may now never leave American shores. This axe is likely 19th century or later. Surface pitting to the iron and small blackened staining to the iron on one side. We cannot ship this item to the US, because Native American items are not permitted imports into America  read more

Code: 23398

A Superb, Medieval & Most Rare, 12th-13th Century Crusader Knights Iron Flanged Battle Mace & Scorpion Flail Mace Head

A rare example of mace, and, apparently, not many surviving examples of this type of flanged mace are still in existence.
An offensive battle mace that would be an amazingly effective piece against armour, helmet or shield. In almost spherical form with multi layered protruding flanges in hollow-cast iron that could be mounted on a haft, or with a chain and haft and used as a battle flail. They were also carried as a symbol of power and rank, as it is so now, for example such as the cosmetically huge parliamentary mace and the Queen's great mace of state being just two examples. In the Crusades era this was, on occasion, also an ecclesiastic weapon used by Bishops Popes, for an ecclesiastical warrior was not allowed to draw blood in combat a most novel distinction but far more usually used by mounted knights in noble combat. a flail mace for extra reach on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons.On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace head is approximately the size of a slightly flattened tennis ball.  read more

Code: 22686

A Beautiful Full Suit of 16th Century Tudor Style Knight’s Historismus Plate Hall Armour with Halbeard Polearm. Fully Leather Strapped & Buckled So Likely, and Potentially, Wearable

Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards.

Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.

In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the "medieval knight” is due to the specialised jousting armour which developed in the 16th century.

Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the Landsknechts also took to wearing lighter suits of "three quarters" munition armour, leaving the lower legs unprotected.

The use of plate armour began to decline in the early 17th century, but it remained common both among the nobility and for the cuirassiers throughout the European wars of religion. After the mid-17th century, plate armour was mostly reduced to the simple breastplate or (cuirass), worn by cuirassiers. This was due to the development of the musket, which could penetrate armour at a considerable distance. For infantry, the breastplate gained renewed importance with the development of shrapnel in the late Napoleonic wars.

Plate armour gave the wearer very good protection against sword cuts, as well against spear thrusts, and provided decent defense against blunt weapons.

The evolution of plate armour also triggered developments in the design of offensive weapons. While this armour was effective against cuts or strikes, their weak points could be exploited by thrusting weapons, such as estocs, poleaxes, and halberds. The effect of arrows and bolts is still a point of contention with regard to plate armour. The evolution of the 14th-century plate armour also triggered the development of various polearms. They were designed to deliver a strong impact and concentrate energy on a small area and cause damage through the plate. Maces, war hammers, and pollaxes (poleaxes) were used to inflict blunt force trauma through armour. Strong blows to the head could result in concussion, even if the armour is not penetrated.

Fluted plate was not only decorative, but also reinforced the plate against bending under striking or blunt impact. This offsets against the tendency for flutes to catch piercing blows. In armoured techniques taught in the German school of swordsmanship, the attacker concentrates on these "weak spots", resulting in a fighting style very different from unarmoured sword-fighting. Because of this weakness, most warriors wore a mail shirt (haubergeon or hauberk) beneath their plate armour (or coat-of-plates). Later, full mail shirts were replaced with mail patches, called gussets, which were sewn onto a gambeson or arming jacket. Further protection for plate armour was the use of small round plates called besagews, that covered the armpit area and the addition of couters and poleyns with "wings" to protect the inside of the joint.

Over the past century many visitors will have seen the numerous full suits of plate armour we have had the pleasure of displaying. 15th, 16th and 17th century originals, plus, historismus hall armours. Our most impressive, if some of you may remember, in the 1960’s, was a full suite of equestrian mounted ‘knight on horseback’ armour. And we displayed it in our shop just round the corner, in Prince Albert St, as it had 20 foot high ceilings. It looked just like the example we show as the last photo in the gallery of one such similar in a museum in America. This fabulous set was passed on to our friend and neighbour, the late arms dealer Paul Grafton, who owned the former ‘House of Correction’ for many years, and it occupied his whole shop!, but exceptionally memorable it was.
It was eventually passed on to Holland and Holland, we believe for their bespoke gun shop in London, and thence later, we understand, to an American billionaire who kept it next to his swimming pool, whereupon it became very wet and thus rusty. After that it travelled to New Jersey or Park Avenue, New York possibly, but we sadly lost track of it then

This beautiful full suit of Tudor hall plate armour is very likely circa to post 1900. We don't normally acquire or sell non original items but historismus pieces have always been desireable and most collectable in their own right.
It is offered complete with its bespoke fully fitted display stand as can be seen in the photographs. We can also facilitate bespoke hand delivery within the UK mainland by our own transport  read more

Code: 24964

Very Rare French 6 inch Howitzer Iron Cannon Ball. Recovered From Waterloo Battle Site and Weighing Around 24 Pounds. This Is One From An Amazing Collection of Waterloo Finds, The Other French 6 inch Howitzer Round Shot We Sold Immediately Two Weeks Ago

Very rare piece indeed, in that the Howitzer were sparsely used at Waterloo, due to their size, with 6 regular cannon, used in support, by the French artillery, for every two Howitzers used, and each Howitzer was operated with a 13 man crew. And of course, more than half of all the Howitzer six inch rounds were explosive, and thus detonated, leaving no residual cannonball to recover. This is the round shot non-explosive version

What an amazing, large and impressive historical centrepiece for any collector or collection. Imagine the family gatherings or dinner parties that would be enlivened by such an incredible historical artefact and conversanaturally failed to detonate.tion piece! To speculate the incredible hours of battle, with hand to hand combat and the frantic melee that this cannonball was involved within, fired by a French Howitzer crew at the heroic British infantry, or our valiant Prussian volunteer allies of the Kings German Legion, during the glorious defence of La Haye Saint, or the British Guards regiments defenders of Hougemont

The artillery of the French army was almost completely redesigned by Jean Baptiste Grimbeauval from 1765 onwards, standardising gun calibres and making gun carriages lighter and easier to transport, allowing for more flexible and efficient manoeuvring. A typical French artillery battery during the Napoleonic Wars was made up of four to six cannons with the support of two 6-inch howitzers. The shell we discovered would have had a maximum range of around 1100m and would have been most deadly at a range of 640m

Our shell would have been shot from a 6-inch howitzer, that fired, either hollow cast or solid round shot cannonballs. Around 24lb in iron weight for a hollow cast exploding mortar, and around 30lb in weight for round shot. It was the largest of the 3 sizes of howitzer used by the French during the Battle of Waterloo, which would have required 4 horses to draw it and 13 crewmen to fire it – an efficient team would have been able to fire one round ever minute.

A cannonball is a solid ball of metal, known as round shot, which could smash through the ranks of soldiers, causing massive devastation. In contrast, an explosive mortar howitzer shell is a hollow iron sphere filled with gunpowder, with a slow burning fuse fitted to the case. Once lit, it was intended to explode above the heads or at the feet of the Allied soldiers, causing enormous amounts of damage to their formations. A howitzer throws it shells high into the air with a sharp trajectory, and is designed to bring ‘indirect fire’ down on enemy formations either in buildings as at Hougoumont, or, as here, behind a ridge and out of direct sight. While the shell discovered at Mont Jean is known as a 6-inch howitzer shell, an Old French inch is actually equivalent to 1.066 modern inches, so the dug up shell was in fact 6.4 inches in diameter but with size losses due to surface erosion.

We show in the gallery the 6 inch French Howitzer cannon ball recently recovered at Mont St Jean at Waterloo, that when fired, impacted deep underground, and was latterly recovered from the dig. The engraving photographed in our gallery shows the farm house of Mont St. Jean. This house being close to the rear of the action, it was much dilapidated by random shot (1815). Engraver James Rouse. Note the round shot impacts through its walls.  read more

Code: 25699