Antique Arms & Militaria

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An Original Medieval Caltrop 13th to 15th Century, Recovered From the Battle Sites of Crecy, Poitiers, and Agincourt

An Original Medieval Caltrop 13th to 15th Century, Recovered From the Battle Sites of Crecy, Poitiers, and Agincourt

Part of an incredible collection of Roman, Viking, and Medieval antiquities we have just acquired, including a few original battlefield recovered caltrops from the Anglo French wars of the 14th and early 15th centuries, all from a Grand Tour of 1820, either from the close regions surrounding the battle sites of Agincourt, Poitier or Crecy. Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

The caltrop is an ancient anti-personnel weapon made up of two or more sharp nails or spines arranged in such a manner that one of them always points upward from a stable base. In the wars with France they could be issued to foot soldiers to caste behind if they made a rapid withdrawal and were likely to be pursued. They would also be cast in significant numbers in order to remove or deny an area of a battlefield or defences from the enemy’s access. Iron caltrops were used as early as 331 BC at Gaugamela according to Quintus Curtius (IV.13.36). They were known to the Romans as tribulus or sometimes as Murex ferreus, the latter meaning 'jagged iron'.

Caltrops were recorded as used in the Battle of Carrhae in 51 BC.
The late Roman writer Vegetius, referring in his work De Re Militari to scythed chariots, wrote:

The armed chariots used in war by Antiochus and Mithridates at first terrified the Romans, but they afterwards made a jest of them. As a chariot of this sort does not always meet with plain and level ground, the least obstruction stops it. And if one of the horses be either killed or wounded, it falls into the enemy's hands. The Roman soldiers rendered them useless chiefly by the following contrivance: at the instant the engagement began, they strewed the field of battle with caltrops, and the horses that drew the chariots, running full speed on them, were infallibly destroyed. A caltrop is a device composed of four spikes or points arranged so that in whatever manner it is thrown on the ground, it rests on three and presents the fourth upright. Undoubtedly the most unusual weapon or military device surviving from seventeenth-century Virginia in America was a caltrop, a single example of which has been found at Jamestown.
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French.  read more

Code: 23981

195.00 GBP

A Most Scarce 17th Century Tanjore Battle Axe From The Era of Moghul Emperor Aurangzebe

A Most Scarce 17th Century Tanjore Battle Axe From The Era of Moghul Emperor Aurangzebe

From the era of Emperor Aurangzebe, from Lahore, in the Punjab. Iron combat axe head of iconic backswept form with elongated rectangular socket mount, on likely a later haft. Sobriquet Aurangzeb (Persian: "Ornament of the Throne") or by his regnal title Alamgir (Persian: "Conqueror of the World"), was the sixth, and widely considered the last effective Mughal emperor. His reign lasted for 49 years from 1658 until his death in 1707.

Aurangzeb was a notable expansionist and during his reign, the Mughal Empire reached its greatest extent, ruling over nearly all of the Indian subcontinent. During his lifetime, victories in the south expanded the Mughal Empire to 4 million square kilometres, and he ruled over a population estimated to be over 158 million subjects, with an annual yearly revenue of more than ten times that of his contemporary King Louis XIV of France, around 39 million pounds (almost 3 billion rupees) in 1690. Under his reign, India surpassed China to become the world's largest economy, nearly a quarter of world GDP in 1700.

Aurangzeb is considered one of India's most controversial kings. Some historians argue that his policies abandoned his predecessors' legacy of pluralism and religious tolerance, citing his destruction of Hindu temples and execution of a Sikh guru, while other historians question this, arguing that his destruction of temples has been exaggerated and were politically motivated, and noting that he built more temples than he destroyed, also destroyed Islamic mosques, paid for the maintenance of temples, employed significantly more Hindus in his imperial bureaucracy than his predecessors did, and opposed bigotry against Hindus and Shia Muslims.

It was at the end of his reign that the downfall of the Mughal Empire began. Rebellions and wars eventually led to the exhaustion of the imperial Mughal treasury and army. He was a strong-handed authoritarian ruler, and following his death the expansionary period of the Mughal Empire came to an end. Nevertheless, the contiguous territory of the Mughal Empire still remained intact more or less until the reign of Muhammad Shah.  read more

Code: 20915

895.00 GBP

A Most Rare British Army Officer's 1801, Egyptian Campaign, Snake Goddess' Head Light Infantry Officer’s Sword. Used Throughout The Entire Napoleonic Wars Up To The Battle of Waterloo. Likely By An Officer of ‘The Glosters’

A Most Rare British Army Officer's 1801, Egyptian Campaign, Snake Goddess' Head Light Infantry Officer’s Sword. Used Throughout The Entire Napoleonic Wars Up To The Battle of Waterloo. Likely By An Officer of ‘The Glosters’

Specifically with British Army ‘Nile Club’ officer's connections, where officer members, who fought in the Egypt campaign, wore distinctive swords with zoomorphic hilts depicting animal gods and goddesses. A direct homage to Nelson's presentation zoomorphic hilted sword, dirk and sword versions of Nelson’s zoomorphic sword, as worn by his captains who served under his command, and by the marines and army officers who similarly fought in his Egypt campaign on land over the next three years, that were members of the so-called Egyptian or Nile Club. The wearing of such a sword {or a dirk} would clearly and distinctively set an officer apart as ‘one who served’ in the great hero’s victorious campaign.

Egyptian gods and goddesses, much famed in ancient Egypt, become hugely popular throughout Western artistic culture in the early 19th century.
Europe became beguiled by ancient Egyptian art and architecture in all its forms, and furniture designers and sculptors particularly, eagerly created the ‘Egyptian style’ in the Regency period England, and the Consular and Directoire period in France.

This is a most rare British officer's bespoke sword, commissioned circa 1800, with such a stylish hilt, of a rare, zoomorphic, ancient Egyptian animal god or goddess form, with its snake god head pommel, with engraved snake-scale body creating its back strap, plus, the Egyptian snake goddess Wadjet's form, as engraved hilt langets. This sword is based on the British 1796 pattern light infantry variant sabre, with its deeply curved slashing blade, superbly etched with King George’s royal cyphers. This sword was continually used throughout the Napoleonic Wars, and up to Waterloo in 1815. Very likely by an officer of ‘The Glosters” the 28th Regiment of Foot. No doubt the fact that the Goddess Wadget was the Ancient Egyptian symbol of divine authority and royal power likely had no small influence upon its choice of design.

In 1801 On the morning of March 21 a vastly superior French army, which easily outnumbered the British, attacked near Alexandria. By those times muzzle-loading rifles were in common use and the infantry fought in two ranks - one row kneeling and the rear rank firing over their shoulders.

At one point during the fierce fighting -when it looked as though the Glosters would be surrounded - the rear rank was commanded to "about face". This meant turning and fighting back-to-back against enemy soldiers coming from the rear. After much savage hand-to-hand combat the French were stopped and by mid-morning their entire army was in retreat.

As a reward for their vital contribution to the victory - and in memory of that back-to-back fighting - the Glosters were given the right to wear a badge at the back, as well as the front, of their caps - the famous sphinx Back Badge.

Napoleon's army in Egypt may have been defeated but on the European mainland his forces remained a serious threat. By 1810 both the 28th and 61st were in Spain with the task of clearing French troops from the entire Peninsular.

But it took another four years of difficult fighting - in which the Glosters lost 1,200 men - before the British, under the command of the "Iron" Duke of Wellington, finally expelled them.

In 1814, Napoleon, having escaped from Elba, once more rallied troops to his cause and the European allies - under the command of the Duke - were sent to face him.

In the summer of 1815, Napoleon was finally defeated at Waterloo and exiled to the island of St Helena. The Glosters were in the forefront of the fighting - and were the only regiment specifically mentioned by name in Wellington's famous despatch.

With a beautiful zoomorphic hilt, with its original mercurial gilt finish, of a beautifully chiselled and hand engraved snake's head and body, combined with two snake engraved langets, with its wire bound wooden grip, and deeply curved now russetted blade bearing King George IIIrd's cyphers. Deep sword cuts from close combat action on the blade edge and upon one langet. Combat damage inflicted likely in the Peninsular War up to Waterloo. Nelson's captains at the Nile formed the Egyptian Club often though referred to as the Nile Club to meet and commemorate the battle. Among their first actions were to present a sword to Nelson and commission his portrait. There were also weapons made, based on the one presented to Nelson, for the other members of the Egyptian Club, that had zoomorphic hilts in the form of crocodiles.
At the instigation, it is said, of Lady Hamilton and Captain Hardy, the Marquess of Queensbury laid out a plantation of trees on his estate near Stonehenge in Wiltshire in the formation of the fleets at the Battle of the Nile, known as the ‘Nile Clumps’. A ceremonial sword with its hilt in the shape of a crocodile commemorating Nelson's victory over the French at the Battle of the Nile in 1798, which was estimated at £40,000 to £60,000, sold at auction in 2002 for £270,650 to a private collector.

The engraved sword was one of a handful made for the elite Egyptian Club whose membership was restricted to the captains of ships which had fought at the Nile. Nelson called them his "band of brothers". However, Howard Blackmore late assistant keeper of the Tower of London Collection told us around 30 years ago, that there was a distinct possibility British army officers, that also fought at the Nile Campaign, but of course on land, formed their own version of Nelson's Egyptian Club, called the Nile Club, where officers in the campaign had zoomorphic Egyptian snake or camel hilted swords presented to each other. The snake hilted version were based on the snakes of the ancient Egyptian Goddess Wadjet, and the snake head on the Pharaoh's crown. There is a distinct possibility that this sword may well be one of those, its rare shape and form certainly shows as likely. We have heard of one serving example now in America, a Nile club officer’s sword with a zoomorphic camel head hilt. Its likely possibilities of provenance are most intriguing. Five years ago also we had a British camel headed version likely from the same club member. The French Campaign in Egypt and Syria (1798-1801) was Napoleon Bonaparte's campaign in the Ottoman territories of Egypt and Syria, proclaimed to defend French trade interests, weaken Britain's access to British India, and to establish scientific enterprise in the region. It was the primary purpose of the Mediterranean campaign of 1798, a series of naval engagements that included the capture of Malta.

On the scientific front, the expedition eventually led to the discovery of the Rosetta Stone, creating the field of Egyptology. Despite many decisive victories and an initially successful expedition into Syria, Napoleon and his Armee d'Orient were eventually forced to withdraw, after sowing political disharmony in France, experiencing conflict in Europe, and suffering the defeat of the supporting French fleet at the Battle of the Nile.

The last time we saw an Egyptian Club Zoomorphic crocodile hilted sword sold was at Sotheby's in 2020, estimated at £60,000 to £80,000 gbp, but the blue and gilt to the blade was present and it had its scabbard.

The second to last photo in the gallery is of a painting of ‘The Glosters’, that fought at Waterloo.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

No scabbard.  read more

Code: 22179

2650.00 GBP

A Very Good British 42

A Very Good British 42" Barrel Second Pattern 'Brown Bess' Musket, Used From the Revolutionary War Until Waterloo

A superb 18th century .750 inch bore, Brown Bess volunteer's musket, the pattern used from the Revolutionary War period and into the war with France. Superb walnut stock, traditional brass furniture with full side plate, two sling swivels complete. Engraved flintlock, with good sound and strong action, partly distinct naming, which could be Harvey or Hadley of London. Britain's "Brown Bess" flintlock musket is simply one of the most important military arms ever devised. Beginning its life almost 300 years ago, it created one of the greatest empires the word has ever seen and, among other achievements, made the 'British Square' the almost undefeated form of infantry defence throughout the world. Made in four distinct patterns it originally started life as a 46 inch barrel musket called the Long Land or Ist pattern Brown Bess.

Then in around 1768 the gun evolved and the barrel was shortened to 42 inches as 46 was deemed unwieldy and renamed the Short Land or 2nd pattern. Although the Long Land was made continually for another 20 years. With the onset of the Napoleonic Wars in the 1790s, the British Board of Ordnance found itself woefully short of the 250,000 muskets it would need to equip its forces. It managed to produce around 20,000 short land pattern muskets but this was simply not sufficient. At that time the British East India Company maintained it own troops and had contracted with makers to produce a simplified version of the Brown Bess musket with a 39-inch barrel and less ornate furniture and stock work. It was generally felt that the standard of these "India pattern" muskets was not up to the standard of the earlier Besses, but necessity required action so the authorities convinced Company officials to turn over their stores to the Crown.

By 1797 the urgencies of war ultimately created the demise of the Short Pattern, and all manufacture was turned to building the more simple 'India' pattern. For the most part, the gun underwent few changes from its introduction until Waterloo, with the exception of the cock, which was altered from the traditional gooseneck style to a sturdier, reinforced version in around 1809. As well as British usage, some were also carried by King George's allies, among them the Russians and Prussians. The stock has an old hairline combat service partial crack in the stock at the wrist on just the reverse side but perfectly sound.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 23180

3450.00 GBP

An Early 19th Century French Monarchy Period Silver and Gilt Cavalry Officer's Belt Buckle

An Early 19th Century French Monarchy Period Silver and Gilt Cavalry Officer's Belt Buckle

Bourbon restoration
Main article: Bourbon Restoration in France

This period of time is called the Bourbon Restoration and was marked by conflicts between reactionary Ultra-royalists, who wanted to restore the pre-1789 system of absolute monarchy, and liberals, who wanted to strengthen constitutional monarchy. Louis XVIII was the younger brother of Louis XVI, and reigned from 1814 to 1824. On becoming king, Louis issued a constitution known as the Charter which preserved many of the liberties won during the French Revolution and provided for a parliament composed of an elected Chamber of Deputies and a Chamber of Peers that was nominated by the king
The rooster played an important role as the revolutionary symbol, but it would become an official emblem under the July Monarchy and the Second Republic when it was seen on the pole of regiments’ flags. In 1830, the "Gallic Rooster" replaced the fleur-de-lis as the national emblem, and it was again discarded by Napoleon III.

Silver French crest centre, applied a gilt plate and belt loop, with very unusually its original leather uniform protecter intact.  read more

Code: 24758

295.00 GBP

A Most Attractive Kurdish 19th Century Jambiya.

A Most Attractive Kurdish 19th Century Jambiya.

Carved wooden hit brass embossed and leather scabbard over wood. Double edged steel blade. The blade would polish nicely. The janbiya was given its name because it is worn on the side of a person – the word janbia is derived from the Arabic word "janb" which mean "side". A janbia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the janbia can be made of tanned leather, or, wound some thick cloth.

The janbiya handle often tells of the social status of the man who wears it.  read more

Code: 16537

245.00 GBP

A Superb & Most Gruesome Collectors & Conversation Piece, A King George IIIrd “Man Trap’ Only The Second Original Example We Have Had in 10 years

A Superb & Most Gruesome Collectors & Conversation Piece, A King George IIIrd “Man Trap’ Only The Second Original Example We Have Had in 10 years

Scarce Wrought Iron Man Trap, probably 18th or very early 19th century, comprising 2 large sprung iron ‘jaws’ each lined with a row of interlocking teeth and released by a trip plate.
Here's a nice gory object to attract interest and conversation.
In the 18th and early 19th centuries common land and shared fields were being enclosed in pursuit of more efficient and productive farming, as well as for fashionable parkland. William Cobbett (born in Farnham in 1763) wrote passionately about the resulting loss of livelihood for the rural poor and there were other protests. In 1721 a masked gang, led by 'King John' killed 11 deer at the Bishop's Park at Farnham and then rode through the market place in triumph.
In 1723 the 'Black Act' authorised the death penalty for more than 50 poaching offences. It remained law for nearly a century and when it was repealed poachers were transported instead. Landowners also used man traps, as well as spring guns and dog spears operated by trip wire, to deter poachers. Man traps were made illegal in 1826 but in 1830 a new law was passed enabling landowners to apply for a licence to use them. They were finally banned in 1861, although Gertrude Jekyll, famous ornamental garden designer writing in 1904, observed that "notices of such dangers were posted on the outsides of properties to within a comparatively recent date."
Our man trap probably dates to the late 18th to 19th century. To set it, the metal jaws were forced apart and held down by a finely balanced catch. The slightest movement of the central plate would release the catch, causing the jaws to slam shut. It is hard to imagine that the poacher would not lose his foot. The hooks on the plate were to hold down the leaves and grass used to camouflage the trap.
Gertrude Jekyll includes a photograph of a man trap in Old West Surrey, along with the story of how this "curious relic of cruel old days" was found - "it was discovered in a wood on a beautiful property owned by a lady who had four then unmarried daughters. Luckily no one enjoyed the obvious joke more than these dear ladies themselves." Maximum length 113cms, jaws 37cms diameter. Fair condition, some old damage, now covered with old black preserving paint. Used to deter trespassers and poachers and therefore left outside. Spring 'Trap Spring' not functioning for safety.  read more

Code: 23563

1200.00 GBP

A Letter Sent From Port Royal from Capt Vansittart, the Capture of a French Privateer

A Letter Sent From Port Royal from Capt Vansittart, the Capture of a French Privateer

Dated April 5th 1804 from Capt. Henry Vansittart (1777-1843) of HMS Fortunee to Admiral James R. Dacres Admiral of the White. The letter informs the admiral that Capt Vansittart captured the French pirate ship, the Privateer Tarzan with 46 men aboard. Capt Vansittart had a most distinguished career culminating in his appointment as Vice-Admiral. He served on on the Princess Royal, flagship of Rear-Admiral Goodall, the L'Aigle with Capt. Hood at the Battle of Calvi, on HMS Victory, and as Lieutenant of HMS Stately in the capture of the Cape of Good Hope, and Capt of HMS Fortunee for nine years
Born: 17th April 1777 at Hanover Square, Westminster, Middlesex
Vice-Admiral
Died: 21st March 1843 at Eastwood, Woodstock, Canada

Vice-Admiral Vansittart was the 5th son of George Vansittart (1745-1825) of Bisham Abbey in Berkshire, who married, on 24th October 1767, Sarah, daughter of the Rev. Sir James Stonhouse, bart. He was born in George Street, Hanover Square, on 17th April 1777 and grew up in Bisham. General George Henry Vansittart, was his elder brother; Henry Vansittart, the Governor of Bengal, and Professor Robert Vansittart were his uncles; and Nicholas, 1st Baron Bexley, his first cousin. Having been entered on the books of the Scipio, guard-ship on the Medway, in October 1788, he was afterwards nominally in the Boyne, guard-ship on the Thames, and probably actually served in the Pegasus on the Newfoundland station in 1791. In 1792, he was on the Hannibal, stationed in Plymouth, and, in 1793, went out to the Mediterranean on the Princess Royal, flagship of Rear-Admiral Goodall. During the Siege of Toulou by the Republican Army, he was severely wounded. After the evacuation of the place, he was moved into L'Aigle, with Captain Samuel Hood, served at the Siege of Calvi and was, in October 1794, moved onto the Victory in which he returned to England. On 21st February 1795, he was promoted to be lieutenant of the Stately, in which be was present at the capture of the Cape of Good Hope, and of the Dutch squadron in Saldanha Bay. He was then moved onto the Monarch, Elphinstone's flagship, and returned in her to England. He was next appointed to the Queen Charlott, Keith's flagship in the Channel; and, on 30th May 1798, was promoted to be commander of the Hermes, from her, he was moved to the Bonetta, which he took out to Jamaica; and, on 13th February 1801, he was posted to the Abergavenny, stationed at Port Royal. In the July, he returned to England in the Thunderer and, after a few months on half-pay, was appointed, in April 1802, to the Magicienne from which, in January 1803, he was moved, to the Fortuned of 36 guns. For upwards of nine years, he commanded this ship in the North Sea, off Boulogne, in the Channel, in the West Indies and in the Mediterranean, for the most part in active cruising and in convoy service. In August 1812, he was moved onto the 74-gun ship ?Clarence?, till March 1814. With the exception of a few months in 1801-2, he had served continuously from 1791. He became a Rear-Admiral on 22nd July 1830, Vice-Admiral on 23rd November 1841 and died on 21st March 1843 at his seat, Eastwood at Woodstock in Canada. He married, in 1809, Mary Charity (d. 1834), daughter of the Rev. John Pennefather, and was the father of five children including Vice-Admiral Edward Westby Vansittart. Paper bears Admiralty, Crowned oval bearing Brittania watermark, and maker name, Gater and date 1803.  read more

Code: 20833

1250.00 GBP

A Simply Stunning Ancient & Historical Era Greek Leaf Shaped Bronze Sword With a Distinctive Blood Channel. From the Most Iconic Period Of Ancient Greek Classical History. Around 3200 Years Old

A Simply Stunning Ancient & Historical Era Greek Leaf Shaped Bronze Sword With a Distinctive Blood Channel. From the Most Iconic Period Of Ancient Greek Classical History. Around 3200 Years Old

A wonderful original artefact of classical history, made and used by a Greek warrior from circa 1200 b.c. A Superb ancient Greek bronze age sword blade with fabulous areas of crystallised malachite blue/green patina. From the era of the legendary Mycenaean Greek Trojan Wars.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen’s jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam’s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. 15.5 inches long overall  read more

Code: 22069

2750.00 GBP

A Simply Stunning 1796 Infantry Officer's Sword, Monogrammed With Its Owner's Title and Monogram, Plus His Patriotic Motto

A Simply Stunning 1796 Infantry Officer's Sword, Monogrammed With Its Owner's Title and Monogram, Plus His Patriotic Motto

The mercurial gilt hilt is near to mint as possible, and it has a folding guard, but with an extraordinarily rare form of blued steel hinge arrangement. The diamond section blade has overall salt and pepper pitting, and bears, in fine etching, the owners title initial, H above his monogram, A. A., and below the monogram, is a Tarlton helmet, and below that a patriotic motto, within three scrolls, The Love Of, My Country, & Freedom. A most unusual form of bespoke blade for the 1796 infantry pattern sword, far better for combat than the standard single edged straight blade, perfect if one is a trained swordsman in the art of hand to hand rapier combat. Perfect for the thrust due to its strength and rigidity, ideal for the cut being double edged. And superb for the parry being quatrefoil, which gives it extra strength. An officer trained to use such a sword would be a formidable foe indeed. One can easily see this by simply by looking at its full length profile in the photographs. It’s appearance of a rigid reinforced needle is incredibly impressive.

After considerable research this incredible sword may indeed have been most likely commissioned for the Hon Alexander Abercromby, we can find no other British army serving officer with this rank and initials. He first served in the Gordon Highlanders, then he transferred to command the 29th Foot, the North Gloucestershires, in Busaco in the Peninsular War, then in 1815 he served under Wellington as Wellington's Assistant Quartermaster General for the 2nd Foot Guards, at Quatre Bras and Waterloo, in the War of 100 Days, Napoleon's last battles and his final foiled attempt to regain his empire.

Born on 4 March 1784, Abercromby entered the army at an early age, and served as a volunteer with the 92nd Regiment, the Gordon Highlanders, in the expedition to the Helder in 1799. He soon obtained a commission, and saw service with his regiment in Egypt. He was appointed aide-de-camp to his father's old lieutenant and friend, Sir John Moore, during his command in Sicily in 1806, but was not with him in Spain.

Like his brother, Sir John, he was rapidly promoted, and in 1808, when only twenty-four, became lieutenant-colonel of the 28th Regiment. He accompanied his regiment when it was sent to Portugal to reinforce Lord Wellesley after the battle of Talavera. He commanded it at the battle of Busaco, and in the lines of Torres Vedras, and as senior colonel had the good fortune to command his brigade at the battle of Albuera. His services there were very conspicuous, and his brigade has been immortalised by Napier. He was soon superseded, but commanded his regiment at the surprise of Arroyo de Molinos and the storming of the forts at Almaraz.

In 1812 he was removed to the staff of the army, and was present as assistant-quartermaster-general at the battles of Vittoria, the Pyrenees, and Orthes. He served in the same capacity in 1815, and was present at Quatre-Bras, Waterloo, and the storming of Péronne. Péronne, on the banks of the Somme, was captured on 26 June during the Allied advance on Paris following the victory at Waterloo

He was the son of Lieutenant General Sir Ralph Abercromby KB (7 October 1734 – 28 March 1801) who was a British soldier and politician. He rose to the rank of lieutenant-general in the British Army, was appointed Governor of Trinidad, served as Commander-in-Chief, Ireland, and was noted for his services during the French Revolutionary Wars, ultimately in the Egyptian campaign. His strategies are ranked amongst the most daring and brilliant exploits of the British army. No doubt Alexander gained his considerable combat tactical skills from his father. To be Colonel of a regiment at 24 and to be in command of a battle was no mean feat based entirely on merit.

For his active services he was promoted to a colonelcy in the 2nd or Coldstream Guards,

The last photo in the gallery of the other 10th hussars sword shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.  read more

Code: 24749

1495.00 GBP