Antique Arms & Militaria

A Most Interesting & Fine Original Antique Edwardian Bastinado or Whipping Cane

Very flexible bamboo cane with a London hallmarked silver top dated 1902. In superb 'whippy' condition. Flagellation was so common in England as punishment that caning, along with spanking and whipping, are called "the English vice".

Caning can also be done consensually as a part of personal 'amusement'
Foot whipping, falanga or bastinado is a method of inflicting pain and humiliation by administering a beating on the soles of a person's bare feet. Unlike most types of flogging, it is meant more to be painful than to cause actual injury to the victim. Blows are generally delivered with a light rod, knotted cord, or lash.

The receiving person is forced to be barefoot and soles of the feet are placed in an exposed position. The beating is typically performed with an object like a cane or switch. The strokes are usually aimed at the arches of the feet and repeated a certain number of times.

Bastinado is also referred to as foot (bottom) caning or sole caning, depending on the instrument in use. The German term is Bastonade, deriving from the Italian noun bastonata (stroke with the use of a stick). In former times it was also referred to as Sohlenstreich
The first clearly identified written documentation of bastinado in Europe dates to 1537, and in China to 960.2 References to bastinado have been hypothesised to also be found in the Bible (Prov. 22:15; Lev. 19:20; Deut. 22:18), suggesting use of the practice since antiquity
Foot whipping was used by Fascist Blackshirts against Freemasons critical of Benito Mussolini as early as 1923. It was reported that Russian prisoners of war were "bastinadoed' at Afion camp by their Turkish captors during World War I. However British prisoners escaped this treatment. Also, as used in days gone by at Eton, Harrow, & Rugby, and by Miss Doris Goodstripe, of 37 Railway Cuttings, East Cheam (apparently)  read more

Code: 23926

Rare, Victorian, British Board of Trade, Rocket Apparatus, Combination Gold Coin & Medal. 'Proof of Service at a Wreck'. This 19th Century Coin Medal Was A Value of 5/- For Rocket Launching Servicing A Wreck’ In Distress. {1/- Extra for Saving A Life}

Board of Trade, Life Saving Rocket Apparatus Service Gold Coin-Medal
Obverse: Port broadside view of a full-rigged ship at anchor. Legend: 'BOARD OF TRADE ROCKET APPARATUS'. Reverse: A large royal crown centre. 'PROOF OF SERVICE AT A WRECK'.

Interestingly, we had our first example in 20 years only a week or so ago, which we sold within just an hour or so, but one of our viewers saw our bronze example on our site and offered us this rarer still gold version which is the first we have seen in decades.

To attend a wreck at sea near a coast was very perilous indeed. Ships were only usually in such dire straights due to severe storms and the most foulest of weather. At such a time the crew of the rocket launching were at severe risk of death, that was almost as much as the ships crew. One had to remember the skill of swimming was not remotely as common as it is today, in fact most sailors purposely failed to learned to swim as a quick death by drowning was preferable to a long drawn out fate of swimming in a vast sea awaiting a most unlikely rescue.

The Board of Trade owned the apparatus which was held at Coastguard Stations. Users could claim expenses from the board. The rocket apparatus was used to fire a line to a ship in distress. The line then used to haul over hawsers and the block to be affixed to the mast. Once fixed a breeches buoy could be used, hauled on a continuous whip line, to take off passengers and crew one by one. It was used by Coastguards but also by Volunteer Life Brigades and Life Saving Companies. The first of these founded in Tynemouth in 1864. Coastguards trained the volunteers in the use of the rocket apparatus. This was a medal come coin that had a face value.

Afterwards all those who helped at a shipwreck were awarded one of these coin medals which they could redeem for cash if they so chose. The lesser version had a redemption value of 2/6 {two shillings and sixpence} For attending a wreck, or,.this superior type has a redemption value of 5/- {five shillings} For proof of rocket launching service at a wreck, but with an extra 1/- {one shilling} awarded for saving a life.

They came in three grades, as well as three classifications. There were gold, silver, and bronze grades apparently, although, not of course solid gold, just like the famous Olympic medals, but only in silver or gold finish, never solid gold.

the gold finish is excellent except one small section that has corrupted and now lost its gold surface {see the photos, in the 5,o'clock position on the sailing ship side}

Royal Mint (Tower Hill), London, United Kingdom.  read more

Code: 25777

Roman Ist Century AD Hippocampus Intaglio Engraved Bronze 'Status' Ring. Around 2000 Years Old. From The Time Of the Divine Augustus, The First Emperor of Rome

Henig type Xb bronze Roman ring around 1900 -2000 years old. In copper bronze with great, natural age patination

In the Iliad, Homer describes Poseidon, god of horses, earthquakes, and the sea, driving a chariot drawn by brazen-hoofed horses over the sea's surface, and Apollonius of Rhodes, describes the horse of Poseidon emerging from the sea and galloping across the Libyan sands.8 This compares to the specifically "two-hoofed" hippocampi of Gaius Valerius Flaccus in his Argonautica: "Orion when grasping his father’s reins heaves the sea with the snorting of his two-hooved horses." In Hellenistic and Roman imagery, however, Poseidon (or Roman Neptune) often drives a sea-chariot drawn by hippocampi. Thus, hippocampi sport with this god in both ancient depictions and much more modern ones, such as in the waters of the 18th-century Trevi Fountain in Rome surveyed by Neptune from his niche above.

The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25078

A Superb, Original Watercolour of a Victorian 1st Royal Dragoons NCO by H.R. Coombe

A most attractive portrait of a mounted Sergeant of Dragoons in full dress probably late Victorian. One of the non commissioned officers of one of the great historical regiments of the British Army. 14 x 19 framed picture 8.75 x 12.5 inches The regiment also fought at the Battle of Beaumont in April 1794 and the Battle of Willems in May 1794 during the Flanders Campaign. It served under Viscount Wellesley, as the rearguard during the retreat to the Lines of Torres Vedras in September 1810, and charged the enemy at the Battle of Fuentes de Onoro in May 1811 during the Peninsular War. The regiment also took part in the charge of the Union Brigade under the command of Major-General William Ponsonby at the Battle of Waterloo in June 1815 during the Hundred Days Campaign. Captain Alexander Kennedy Clark, an officer in the regiment, captured the French Imperial Eagle of the 105th Line Infantry Regiment during the battle.

In 1816 a detachment of the regiment was involved with suppressing the Littleport riots.

Rough Rider Robert Droash of the 1st Royal Dragoons after serving in the Crimean War in 1856
The regiment, under the command of Lieutenant-Colonel John Yorke, also took part in the charge of the heavy brigade at the Battle of Balaclava in October 1854 during the Crimean War. Having been re-titled the 1st (Royal) Dragoons in 1877, the regiment also saw action at the Battle of Abu Klea in January 1885 during the Mahdist War. In January 1900, during the Second Boer War, the regiment was part of a force that set out to discover the western flank of the Boer lines. It was able to ambush a column of about 200 Boers near Acton Homes and successfully trapped about 40 of them. Following the end of the war, 623 officers and men of the regiment left South Africa on the SS Kildonan Castle, which arrived at Southampton in October 1902.

The regiment, which had been serving at Potchefstroom in South Africa when the First World War started, returned to the UK and than landed at Ostend as part of the 6th Cavalry Brigade in the 3rd Cavalry Division in October 1914 for service on the Western Front.[9] It took part in the First Battle of Ypres in October 1914, the Second Battle of Ypres in April 1915, the Battle of Loos in September 1915 and the advance to the Hindenburg Line in 1917  read more

Code: 22549

A Simply Stunning Ancient Roman Museum Grade Fine Gold Seal Ring with Intaglio Portrait Engraved Garnet Gem Stone 2nd to 3rd Century A.D. Likely a Depiction of an Emperor Such As Hadrian, Marcus Aurelius, Lucius Verus, or Even A Parthian Vassal King.

A museum grade, around 1900 year old pure gold ancient Roman intaglio carved garnet gemstone seal ring.

Worn by such a noble as the rank of Imperial Legate { Legatus Augusti pro praetore}. The commander of two or more legions, who also served as the governor of an eastern province in which the legions he commanded were stationed. He was of Senatorial rank and was appointed by the Emperor for a term of 3 or 4 years.

The carved gem’s seal is depicting a profile hand carving, possibly of an Emperor such as Verus, or vassal King of Parthia. Possibly as a celebration of Verus’s ‘Triumph’ from the Parthian War. Classified by the seminal classification of ancient ring forms, by Dr. Martin Henig, as Ancient Roman, Henig type II

The Roman triumph was one of ancient Rome’s most important civic and sacred institutions. These spectacular processions were celebrations of Rome’s military victories, the courage of its soldiers, and the favour of the gods. They were also one of the highest honors a Roman man could achieve: designated a triumphator, he was awarded a grand procession through the imperial capital. The lavish parade of prisoners and captured treasures was sure to guarantee the eternal fame of the conquering general. Over time, the triumph became an important tool in the manipulation of Roman politics.

Made and worn by the highest ranking Roman, such as a Legate, possibly even a member of the Imperial household at the time from Emperors Marcus Aurelias, Lucius Verus, & Commodus, and just into the early following century.

Rings were one of the most popular pieces of jewellery in Roman culture. Under the Republic the wearing of gold rings was exclusively reserved to certain classes of persons or for specific occasions. In the late 3rd century BC only senators and knights equo publico had this privilege. Towards the end of the Republic, gold rings were also bestowed on civilians. Under the Roman Empire gold rings, although still regarded as a privilege and awarded as a military distinction

During the era of dual Emperors Marcus Aurelius, and Lucius Verus, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor Marcus Aurelias. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire. Ultimately, the Romans were victorious in the Parthian War of 161-167 CE. After the sacking of Ctesiphon and Seleucia, Lucius Verus took the title Parthicus Maximus. As a feature of his imperial titulature, the epithet conveyed his military might and power. But the question remains: to what extent can the Roman victory over the Parthian Empire be attributed to Verus?
Indeed, much of the successes the Romans enjoyed in this eastern war surely belong to the supremely able retinue of generals and administrators who were with Verus at the time. Regardless, upon his return from the campaign, Verus was awarded a triumph, the traditional celebration of Roman military conquest that had been used since the Republican era. This was to be the high point of Verus’ imperial story, however. In 169 CE, as he was journeying back from the Danubian frontier — where he had been fighting in the Marcomannic wars with Marcus Aurelius — Verus suddenly fell ill and died. It is highly probable, according to historians, that Verus was a victim of the pestilence that his soldiers had carried back to the empire with them from the Parthian War.

Commodus. the successor and son of Emperor Antoninus Pius,, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Jewellery in the Roman Republic
The core ideologies of the Roman Republic, centred around moderation and restraint, meant that elaborate jewellery was relatively unpopular until the transformation to imperial rule. The law of the Twelve Tables in the 5th century BC, limited the amount of gold which might have been buried with the dead. The Lex Oppia, 3rd century BC, fixed at half of an ounce the amount of gold which a Roman lady might have worn. During the Roman Empire, however, jewellery became a public display of wealth and power for the elite.
Rings of the higher ranks were often embellished with intaglios, cameos and precious gemstones. Mythology and Roman history were used as a repertoire of decorative themes. Roman rings featuring carved gemstones, such as carnelian, garnet or chalcedony, were often engraved with the depiction of deities, allegories and zoomorphic creatures.

1 inch across, UK size H1/2, {measured on the round inside the oval} 9.6 grams, approx 22 carat gold 91.16% Gold, 6.66% silver, 1.93% copper, which is a typical consistency of ancient Roman gold determined by x-ray flourescence analysis with Oxford Instruments in 2017
As with all our items it comes complete with our certificate of authenticity.  read more

Code: 24779

A Superb 'Tower of London' Made Front Line Regimental British Light Dragoon & Hussars Flintlock Pistol Circa 1802 Napoleonic Wars, Peninsular War and Waterloo Service use

Excellent walnut stock with original patina to all parts steel brass and walnut. All fine brass fittings and captive ramrod. In original flintlock, made byThe Tower of London Armoury. GR Crown Tower stamped lock plate. With numerous ordnance inspectors stamps throughout.

This is the pattern of pistol for use by British Light Dragoon & Hussars Cavalry regiments, and called the New Land Pattern, used initially from around 1802, during the Peninsular War, the War of 1812, and the Hundred Days War, culminating at Waterloo.
It is simply a superb Napoleonic wars original collector's item and good condition example. Certainly with usual signs of combat service use but with excellent natural age patina. Excellent perfect crisp action.

Introduced in the 1796 and in production by 1802, the New Land Pattern Cavalry Pistol provided one model of pistol for all of Britain's light cavalry and horse artillery. Another new element was its swivel all steel ramrod, which greatly improved the process of loading the pistol on horseback and ensuring no loss of ramrod due to miss-handling or dropping..
The regiments that used this very pistol under The Duke of Wellington's command were;
Hussars
7th (Queen's Own) Regiment of (Light) Dragoons (Hussars) — white facings, silver lace and buttons, blue and white sash
15th (King's) Regiment of (Light) Dragoons (Hussars) — red facings, silver lace and buttons, red and yellow sash
18th Regiment of (Light) Dragoons (Hussars) — white facings, silver lace and buttons, blue and white sash, grey dolmans
Light Dragoons
8th (King's Royal Irish) Regiment of (Light) Dragoons — red facings, silver lace and buttons, blue and red belt, grey dolmans
9th Regiment of (Light) Dragoons — red facings, gold lace and buttons, blue and yellow belt
10th (Prince of Wales's Own Royal) Regiment of (Light) Dragoons — red facings, silver lace and buttons, red and yellow sash
11th Regiment of (Light) Dragoons — buff facings, silver lace and buttons, blue and buff belt
12th (Prince of Wales's) Regiment of (Light) Dragoons — yellow facings, silver lace and buttons, blue and yellow belt
13th Regiment of (Light) Dragoons — buff facings, gold lace and buttons, blue and buff belt
14th (Duchess of York's Own) Regiment of (Light) Dragoons — orange facings, silver lace and buttons, blue and orange belts
16th (Queen's) Regiment of (Light) Dragoons — red facings, silver lace and buttons, blue and red belt
17th Regiment of (Light) Dragoons — white facings, silver lace and buttons, blue and white belt
19th Regiment of (Light) Dragoons — yellow facings, gold lace and buttons, blue and yellow belt
20th Regiment of (Light) Dragoons — orange facings, gold lace and buttons, blue and orange belt
21st Regiment of (Light) Dragoons — pink facings (black from 1814), gold lace and buttons, blue and pink belt
22nd Regiment of (Light) Dragoons — pink facings, gold lace and buttons, blue and pink belt, grey dolmans
23rd Regiment of (Light) Dragoons — red facings (maybe yellow), silver lace and buttons, blue and red belt
24th Regiment of (Light) Dragoons — grey facings, gold lace and buttons, blue and grey belt
25th Regiment of (Light) Dragoons — grey facings, silver lace and buttons, blue and grey belt, grey dolmans

The division between 'heavy' and light was very marked during Wellington's time: 'heavy' cavalry were huge men on big horses, 'light' cavalry were more agile troopers on smaller mounts who could harass as well as shock.

During the Napoleonic Wars, French cavalry was un-excelled. Later, as casualties and the passage of years took their toll, Napoleon found it difficult to maintain the same high standards of cavalry performance. At the same time, the British and their allies steadily improved on their cavalry, mainly by devoting more attention to its organization and training as well as by copying many of the French tactics, organization and methods. During the Peninsular War, Wellington paid little heed to the employment of cavalry in operations, using it mainly for covering retreats and chasing routed French forces. But by the time of Waterloo it was the English cavalry that smashed the final attack of Napoleon's Old Guard.

We show superb Napoleonic Light Dragoons illustration prints in the gallery by David Higham, that were gifted to us by a grateful client.
These can be bought at the link below, and they are extremely comfortably priced.
https://www.printsforartssake.com/products/7th-queens-own-british-regiment-of-light-dragoons-waterloo-1815.
This is a complimentary recommendation, for which we make no financial gain
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25762

A Superb, Original, Long Viking Spear Head 1000 to 1100 Years Old, In Superb Excavated Condition. A True Museum Piece

Overall in superb and well preserved condition. Only deeper pitting on the socket, and small impact damage to one outer edge of the diamond form blade. Remarkably the socket still has it remaining rivet for fixing to the wooden haft at the base on the inside. This almost certainly may be a traditional Viking pattern welded blade, in the traditional 'Wolf's Teeth' form, but the surface is too intact to tell, however its shape is very similar to the most famous recovered 'Wolf's Teeth' Viking spear head in Helsinki Museum see gallery. According to the older parts of the Gulating Law, dating back to before the year 900 AD covering Western Norway, a free man was required to own a sword or ax, spear and shield. It was said that Olaf Tryggvason, King of Norway from 995-1000 AD, could throw two spears at the same time. In chapter 55 of Laxdæla saga, Helgi had a spear with a blade one ell long (about 50cm, or 20in). He thrust the blade through Bolli's shield, and through Bolli. In chapter 8 of Króka-Refs saga, Refur made a spear for himself which could be used for cutting, thrusting, or hewing. Refur split Þorgils in two down to his shoulders with the spear. The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith flattened and drew out material to form the socket . This material was formed around a mandrel and usually was welded to form a solid socket. In some cases, the overlapping portions were left unwelded. Spear heads were fixed to wooden shafts using a rivet. The sockets on the surviving spear heads suggest that the shafts were typically round, with a diameter of 2-3cm (about one inch).

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Oðin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords. In regards to surviving iron artefacts of the past two millennia, if Western ancient edged weapons were either lost, discarded or buried in the ground, and if the ground soil were made up of the right chemical composition, then some may survive exceptionally well. As with all our items it comes complete with our certificate of authenticity 13.5 inches long 350 grams weight.  read more

Code: 23143

A Superb Ancient Bronze Age Mace Head 3000 to 4000 Years Old, From The Age Of Rameses The Great, The Greatest Pharaoh of Ancient Egypt.

Ist to 2nd Millennium B.C.Although displayed on a short stand In use it would have slotted onto a wooden haft. For over 100 years we have been delighted to acquire such fabulous historical original Items such as this, originally collected in the 18th and early 19th century by British noblemen and women touring Europe and the Middle East on their personal expeditions known as a ‘Grand Tour’. Originally placed, after being purchased on their journeys, to be placed on display in the family’s classical gallery or 'cabinet of curiosities', within their country house upon their return home.

A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen travelling for many months, or even years, throughout classical Europe, and the Middle East, and Western Asiatic region, acquiring antiquities and antiques for their private collections. The use of the stone headed mace as a weapon and a symbol od status and ceremony goes back to the Upper Palaeolithic stone age, but an important, later development in mace heads was the use of metal for their composition. With the advent of copper mace heads, they no longer shattered and a better fit could be made to the wooden club by giving the eye of the mace head the shape of a cone and using a tapered handle.

The Shardanas or warriors from Sardinia who fought for Ramses II against the Hittities were armed with maces consisting of wooden sticks with bronze heads. Many bronze statuettes of the times show Sardinian warriors carrying swords, bows and original maces. Persians used a variety of maces and fielded large numbers of heavily armoured and armed cavalry (see cataphracts). For a heavily armed Persian knight, a mace was as effective as a sword or battle axe. In fact, Shahnameh has many references to heavily armoured knights facing each other using maces, axes, and swords. The enchanted talking mace Sharur made its first appearance in Sumerian/Akkadian mythology during the epic of Ninurta. Roman though auxiliaries from Syria Palestina were armed with clubs and maces at the battles of Immae and Emesa in 272 AD. They proved highly effective against the heavily armoured horsemen of Palmyra. Photos in the gallery of original carvings from antiquity in the British Museum etc.; Ashurbanipal at the Battle of Til-Tuba, Assyrian Art / British Museum, London/ 650-620 BC/ Limestone,, An Assyrian soldier waving a mace escorts four prisoners, who carry their possessions in sacks over their shoulders. Their clothes and their turbans, rising to a slight point which flops backwards, are typical of the area; people from the Biblical kingdom of Israel, shown on other sculptures, wear the same dress, on a gypsum wall panel relief, South West Palace, Nimrud, Kalhu Iraq, neo-assyrian, 730BC-727BC.
A recovered tablet from Egypt's Early Dynastic Period (3150-2613 BCE) shows a Pharaoh smiting his foe with a war mace. The mace is complete with its display stand as shown. Part of an original collection we have acquired, of antiquities, Roman, Greek, Middle Eastern, Viking and early British relics of warfare from ancient battle sites recovered up to and around 220 years ago on a Grand Tour.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

This wonderful piece would have been made and traded throughout the Western Asiatic region. 10.5 inches high including stand.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading


Picture 10; Étiquette au nom du roi Den, ivoire, British Museum (EA 55586). Le roi Den est représenté debout brandissant une massue et tenant par les cheveux un personnage agenouillé qu'il s'apprête à frapper. {Multi-license with GFDL and Creative Commons CC-BY 2.5}  read more

Code: 23025

A Superb Boer War Period Royal Artillery Officer's Sable Busby With Near Mint Gilt Grenade Plume Holder With Royal Crested Badge of the Royal Artillery.

It still has the original leather lining with maker name in a gilt and leather seal, that reads; Jones Chalk and Dawson 6 Sackville St. London

The busby retains the original black leather chin strap gilt Royal Artillery coat of arms on gilt grenade helmet plate which is worn over the left ear together with the white horsehair brush plume. Finally the Busby has the rich red "bag" which hangs down the soldier's right side of the helmet. Officer helmets are always in very short supply and are sought for, but Sable helmets in this truly nice condition come along very infrequently.

The Second Boer War saw attempted application of bombardment as an alternative to the use of ground forces. In most battles fought during the conflict this was proved not to be possible. There was competition from the other side's ability to undertake evasive measures. The opponent was able to use cover to protect himself and hide his position. Nonetheless, the tactic of the creeping barrage, used at the Relief of Ladysmith, has been described as "revolutionary"
At the outbreak of the war the British army had some 100 guns available of which only twenty-seven were standard field artillery pieces of a reasonably modern design. The Royal Navy was able to contribute seven 12-pounders carried for use ashore. The rest had to be improvised and, as a result of the resourcefulness of Captain Percy Scott, shipboard 12-pounders, known as Long 12s, and 4.7-inch guns were given emergency carriages or mounts and rushed to the front. The defence of Ladysmith thus became possible. In the course of the war the Royal Field Artillery’s 15-pounders were augmented by another 322 guns, fifty Pom-Poms, eighteen 5-inch breech-loaders, thirty-nine 5-inch howitzers and twelve 6-inch guns. The Royal Horse Artillery brought out seventy-eight 12-pounders. Almost all these were out-ranged by Boer weapons of similar type. Furthermore, the British use of field artillery had to undergo a radical revision from the approved tactics that lost the guns at the Battle of Colenso to the fire-from-concealment approach that proved effective at the Battle of Magersfontein. In addition, new methods of coordinating artillery support and infantry movement had to be developed.

Royal Artillery in the Boer War;

Howitzer Batteries. These guns form part of the siege train sent out to South Africa under command of Lieutenant Colonel Perrott, and are engines of enormous destructive power. The howitzer is an old weapon newly introduced with far higher qualities than it ever possessed before. There are several calibres of the siege howitzer, that depicted being the 6-in. breech-loader, weighing 30-cwt., and when limbered up scaling nearly 4.5 tons in draught. The gun fires lyddite shrapnel, the shell complete weighing nearly 70-lb, and having a range of something like 10 miles. The breech mechanism is analogous to that of the field gun, with am interrupted screw, and buffers are provided to take the recoil. A vast amount of material accompanies a siege battery, ammunition being supplied to the extent of 500 rounds per gun, and the work of transport becomes therefore one of great difficulty. But it is in the hands of officers and men who thoroughly competent to undertake it. a siege train is, of course, the artillery formed for the reduction of fortified places. Such a train has nearly always to be organised specially for its particular purpose, and it rarely has any existence in peace-time. Thus when the war broke out the work of organising the siege train began, and the new siege material supplied was soon afloat, and reached South Africa in charge of a highly-trained force of experienced officers and men.
Siege train officers. In all about 32 officers, and over 1,100 men, drawn chiefly from Portsmouth, Plymouth, Exeter, and Devonport, are with the siege train in South Africa. They know the work thoroughly, and are all under command of Lieutenant-Colonel Perrott, Captain and Adjutant Currie, and Captain De Brett, DSO, Major Allen, Major Nicholls, and Captain Strange. These are the principal officers to whom the highly-important duties of the siege train are assigned, but the full exercise of their activity and experience will come later on in the war, when the time arrives for crushing the final opposition of the Boers. Meanwhile, however, the officers of the siege train have been very well employed.

Ammunition Column. These are representative types of the men who are concerned in the transport and distribution of ammunition. They are the sergeant-major, the gunner, the trumpeter, the sergeant, and the driver, and all are armed with revolvers, and certain of them with swords and rifles. There are two classes of ammunition columns. The first is attached to every division, as well as to the Corps Artillery and to the corps troops attached to the Army Corps, and brings up the ammunition reserve for all arms, the ammunition waggons feeding the batteries, and the small-arm carts supplying the infantry, while there are reserve waggons and carts for both. The other class of ammunition columns forms the ammunition parks, which consist of three sections, and are intended for the supply of the whole Army Corps and the cavalry brigades.

Formerly in the Roy Butler Collection.  read more

Code: 25756

Superb Antique Indian Tulwar 17th to 18th Century Silver Decor Hilted Sword With Hybrid Wootz Damascus Shamshir Blade. It Has Just Returned From Expert Museum Grade Conservation, Polishing & Etching of The Blade To Reveal Its Stunning Pattern

A superb period sword, with a very good superb hybrid wootz Damascus shamshir steel blade. Hybrid Damascus wootz has a more open wood type running grain with larger patterns than plain wootz that has often small tight curls.
Silver decorated iron Lahore hilt decorated with stunning design with matching lined cap pommel. Strong and powerful blade of substance. There are clear indications that this particular hilt is of Punjab manufacture: the fat vase shape of the grip section, the slightly forward angle of the quillons and the beautiful silver koftgari.

For those familiar with fine Japanese blades, we notice just how incredibly similar hybrid Wootz can appear by comparison to the hamon and hada of some early Japanese tamahagane steel blades. In fact, the similarity is quite remarkable.

A sword as popular within the Sikh Empire as the Mughal Empire.

The hilt also known as tulwar comprises langets with lotus-head outlines, domed quillons, and a centrally swollen grip. A knuckle guard with a terminal that recurves toward the disc-pommel which has been attached with a pointed sunburst plaque, a decorative feature further fitted at its centre with a dome and lotus bud finial.

Persian: شمشیر (type, which refers to a Persian or Iranian sword with a radical curve. The name is derived from the shamshīr, which means “lion’s claw or lions tale” in the Persian language – pointing towards the curve of the blade. These types of blades are normally used for slashing unarmored opponents either on foot or mounted; while the tip could be used for thrusting. In India, the term ‘Goliya’ (meaning circle) was used to describe these types of blades; referring to their curve.

The Tulwar had historically been the quintessential combat sword used by Sikhs as their sacred kirpan due to its superior handling while mounted on horseback. With a curved blade optimized for cutting and slashing with sweeping cuts delivered from the shoulder by a horseman the curved blade of the tulwar could strike repeated blows without the danger of the blade getting stuck in bone or armour. It allowed for fierce slashing on all sides cutting through enemy formations while mounted on horseback.

Emperor Aurangzeb was the last significant Mughal emperor of India. His reign lasted from 1658 to 1707. During this phase, the empire had reached its largest geographical expansion. Nevertheless it was during this time period that the first sign of decline of the great Moghul Empire was noticed. The reasons were many. The bureaucracy became corrupted and the army implemented outdated tactics and obsolete weaponry. The Moghul Empire was descended from Turko-Mongol, Rajputorigins. It reigned a significant part of the subcontinent of Asia from the initial part of the 16th century to the middle of the 19th century. When it was at the peak of its power, around the 18th century, it controlled a major part of the Asian subcontinent and portions of the current Afghanistan. To understand it's wealth and influence, in 1600 the Emperor Akbar had revenues from his empire of £17.5 million pounds per annum, and 200 years later, in 1800, the exchequer of the entire British Empire had revenues of just £16 million pounds. It has been asked, that, although he had the income per annum of around 500 billion pounds a year in today's value,but was he actually happy? Apparently,...yes, he was ecstatic.



31 inch blade measured across the curve. No scabbard  read more

Code: 22647