Antique Arms & Militaria

A Superb Ancient Chinese Warring States Period 480-222bc Gold & Bronze Chariot Crossbow Mount in Gold with Tiger Head Finial

Being bronze overlaid with gold, with a stunning tiger head finial, this is not the crossbow fitting of a mere officer, but likely of a young Chinese prince, or certainly a very high ranking noble in the chariot ranks of an army.

The history of the chariot and the development of the crossbow in ancient China are interrelated. The chariot is considered the world’s first war machine. As early as the Warring States period, the Chinese attempted to mount the crossbow on the chariot like a machine gun on a modern scout car. Excavation of ancient Chinese chariots has confirmed the descriptions of them in the earliest historical texts.

For the ancient Chinese philosopher, the chariot was the supreme symbol of success. It’s light weight and speed remained the wonder of ancient China. The effective commander was compared to the crossbow. Sun Tsu, in The Art of War, argued that the momentum of one really skilled in war is irresistible, because his overwhelming attack is precisely determined. His ability to strike exactly when required resembles a drawn crossbow, for he is quick as the release of the trigger.

The most significant advantage of the crossbow over the composite bow was the longer range. To be a cross bowman was an important military position in the Han period. However, it was not unusual for captive crossbowmen to be executed upon capture by the opposing army, such was the dread of the weapon and its power.

This exceptional example contains the decorative elements of a status symbol as well as the strength to be used as a deadly tool of war. The sensuous curves of the gilded handle taper into stylized dragon finials that were used to hold the taut bowstring in place. In our opinion, the style, craftsmanship and subject matter of this of gilded bronze crossbow handle indicate a Warring States dynastic date.

Fittings of this type have been excavated in pairs in association with chariots, and their function has long been a research topic of scholars. A pair of silver-inlaid bronze crossbow fittings were discovered from a Warring States tomb in Luoyang, Henan province, published in Luoyang Museum, 'The Chariot Pit Found at Chung-chou-lu', Kaogu , no . 3, 1974, p. 174, fig. 1. According to the archeological report, this pair of fittings were unearthed in front of the wooden shaft of a crossbow, near the left side of a chariot. Based on this finding, the report theorized that they were fitted to the front of a crossbow shaft to support the bow, and the upcurved terminals were meant to be the aiming mechanism. See a reconstruction drawing illustrated in Luoyang Museum, ibid., p. 177, fig. 7.

Other scholars have developed a different theory and propose that these fittings in fact functioned as crossbow supports on a chariot. Both fittings were attached horizontally to the front left panel of a chariot, adjacent to the occupants. The crossbow was placed facing down, with its bow resting on the curved shafts and its handle positioned obliquely upward, ready at hand for a quick draw.

The present fitting is notable for its bird-head terminal, which appears to be rare among extant examples. Related examples include: a silver-inlaid crossbow fitting, also with a bird-head terminal, in the Avery Brundage Collection, published in René-Yvon Lefebvre d'Argencé, Ancient Chinese Bronzes in the Avery Brundage Collection , Berkeley, 1966, pl. XLIX, fig. B. Compare also a pair of gold and silver-inlaid crossbow fittings, with a serpent-head terminal, included in the exhibition Chinese Art of the Warring States Period. Change and Continuity, 480-222 BC , Freer Gallery of Art, Washington, DC, 1982, cat. no. 26; another pair published in Chinese Gold und Silver. Die Sammling Pierre Uldry, Rietberg Museum, Zürich, 1994, cat. no. 28a; a single fitting from the Ernest Erickson Foundation,  read more

Code: 24837

A Truly Exceptional & Rare 15-16th Century Italian Renaissance Sfondagiaco Eared Dagger, Named From The Protruding Twin ‘Ears’ of the Pommel

An original and rare dagger used by Princes, Dukes and Kings, capable of perforating chainmail and sliding between metal armour plates. An exceptionally rare and important 'Ear-Dagger', from 15th century Venice, Italy. With a traditional form brass hilt, finely engraved, with a pair of ear pommels, in the form of two simply stunning full relief masks of horned goats, backed with clam shell decoration. Double edged graduating blade. What has been described the most valuable dagger in the world was another, most similar 'Ear Dagger', from the same era the 15th century. It was from the Nasrid dynasty in Spain and it sold in Sotheby's Auction house nine years ago for an incredible $6 million dollars. However that example was decorated with Islamic decoration in gold. Ear Daggers are considered the most important contribution to the Nasrid panoply of arms and armour. Ear Daggers probably originated from North Africa, although ancient Asiatic versions existed from 1200 bc. They were used in Spain during the 15th and 16th centuries, and also introduced to Italy and Christian Europe in the 15th century. Daggers of this type were once extremely fashionable among great and powerful nobles, princes and kings, and there exists a portrait of the young King Edward VI of England, now in the Royal Collection at Windsor Castle, clutching an Ear Dagger at his waist. Deriving its name from the striking design of the hilt pommel, the Ear Dagger (dague oreilles in French and alla Levantina in Italian) comprises two flattened, embossed or conical discs which resemble ears, issuing from either side of the grip a. Only a handful of comparable examples of the Nasrid daggers exist, and mainly in museum collections. Original 15th century ear daggers are only generally to be found in the finest national museums such as the Louvre, the British Royal Collection, the Metropolitan Museum, Fifteenth-century Italy was unlike any other place in Europe. It was divided into independent city-states, each with a different form of government. Florence, where the Italian Renaissance began, was an independent republic. It was also a banking and commercial capital and, after London and Constantinople, the third-largest city in Europe. Wealthy Florentines flaunted their money and power by becoming patrons, or supporters, of artists and intellectuals. In this way, the city became the cultural centre of Europe, and of the Renaissance. Italian Wars, (1494-1559) series of violent wars for control of Italy. Fought largely by France and Spain but involving much of Europe, they resulted in the Spanish Habsburgs dominating Italy and shifted power from Italy to north-western Europe. The wars began with the invasion of Italy by the French king Charles VIII in 1494. He took Naples, but an alliance between Maximilian I, Spain, and the pope drove him out of Italy. In 1499 Louis XII invaded Italy and took Milan, Genoa, and Naples, but he was driven out of Naples in 1503 by Spain under Ferdinand V. Pope Julius II organized the League of Cambrai (1508) to attack Venice, then organized the Holy League (1511) to drive Louis out of Milan. In 1515 Francis I was victorious at the Battle of Marignano, and in 1516 a peace was concluded by which France held onto Milan and Spain kept Naples. Fighting began in 1521 between Emperor Charles V and Francis I. Francis was captured and forced to sign the Treaty of Madrid (1526), by which he renounced all claims in Italy, but, once freed, he repudiated the treaty and formed a new alliance with Henry VIII of England, Pope Clement VII, Venice, and Florence. Charles sacked Rome in 1527 and forced the pope to come to terms, and Francis gave up all claims to Italy in the Treaty of Cambrai (1529). By the Peace of Cateau-Cambr?sis (1559), the wars finally ended. 16 inches long overall, blade 11 inches.  read more

Code: 22159

A Beautiful, Impressed Twin Head Profile Roman Oil lamp 1st to 2nd Century, Imperial Period

Clay with impressed twin busts of bearded men back to back. Footed base. Oil lamps are ubiquitous at archaeological sites across the Mediterranean region. They were a crucial part of life in many cultures. Practically speaking, they were a source of portable artificial light, much like a candle or modern torch or flashlight. They were also important in sacred settings. They were frequently used in ceremonies, given as votive offerings, or placed in burial chambers. Age of the Roman Emperors
Augustus’ rule restored morale in Rome after a century of discord and corruption and ushered in the famous pax Romana–two full centuries of peace and prosperity. He instituted various social reforms, won numerous military victories and allowed Roman literature, art, architecture and religion to flourish. Augustus ruled for 56 years, supported by his great army and by a growing cult of devotion to the emperor. When he died, the Senate elevated Augustus to the status of a god, beginning a long-running tradition of deification for popular emperors.

Augustus’ dynasty included the unpopular Tiberius (14-37 A.D.), the bloodthirsty and unstable Caligula (37-41) and Claudius (41-54), who was best remembered for his army’s conquest of Britain. The line ended with Nero (54-68), whose excesses drained the Roman treasury and led to his downfall and eventual suicide. Four emperors took the throne in the tumultuous year after Nero’s death; the fourth, Vespasian (69-79), and his successors, Titus and Domitian, were known as the Flavians; they attempted to temper the excesses of the Roman court, restore Senate authority and promote public welfare. Titus (79-81) earned his people’s devotion with his handling of recovery efforts after the infamous eruption of Vesuvius, which destroyed the towns of Herculaneum and Pompeii.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 23747

A Boer War Queen's South Africa Medal for a South Lancashire Regt. Soldier With 3 Bars

The 1st Battalion sailed on the Canada about 1st December 1899 and arrived at the Cape about 20th December. Along with the 2nd Royal Lancaster, 2nd Lancashire Fusiliers, and 1st York and Lancaster Regiment, they formed the 11th Brigade under Major General Woodgate, and part of the Vth Division under Lieutenant General Sir Charles Warren. The work of the brigade is sketched under the 2nd Royal Lancaster, and that of the Natal Army generally under the 2nd Queen's, Royal West Surrey.

At Venter's Spruit, 20th to 22nd January 1900, the 11th Brigade were on the right. The Royal Lancaster and South Lancashire Regiments were not so heavily engaged as the Lancashire Fusiliers and York and Lancaster, the casualties in the South Lancashire Regiment from the 19th to the 23rd being about 20.

On the night of the 23rd Spion Kop was taken, part of the battalion being in General Woodgate's force, —unofficial accounts say two companies, but the despatches take no notice of their existence beyond announcing their casualties, which were severe for the small number engaged. The losses on the Spion were 2 officers and 3 men killed, 22 wounded, and some missing.

On 5th February the brigade made the feint attack on Brakfontein.

After the failure at Vaal Krantz the Royal Lancaster and South Lancashire Regiments went with General Buller to the old position at Chieveley, the other two battalions remaining behind to watch the British left and rear.

The South Lancashire took part in the fighting between the 13th and 27th February, having at times a very prominent part. On the 22nd, when General Wynne was endeavouring to capture the hills between Onderbrook and Langerwachte Spruits, the South Lancashires led in the chief assault. Many positions were captured, including the "principal objective"; but the crest could not be held, the fire from other surrounding positions being so severe. The situation must have reminded some of the never-to-be-forgotten 24th of January. General Wynne was wounded on 22nd February.

The brigade, now under Major General F Kitchener, with the West Yorkshire in place of the Composite Rifle Battalion, which had been temporarily in the brigade, had very hard work on the 27th February (see 2nd Queen's and 2nd Royal Lancaster). In the quotation from Sir Redvers Buller's despatch, already given under the latter regiment, it will be seen that he specially mentions the South Lancashire Regiment and the loss of their colonel, "who fell while gallantly leading his regiment". In his telegraphic despatch of 28th February General Buller says, "The enemy's main position was magnificently carried by the South Lancashire Regiment about sunset". Between 13th and 27th February the South Lancashires lost 1 officer and 10 men killed, and 3 officers and 81 men wounded.

Five officers and 11 men were mentioned in despatches for the relief operations, 2 men being recommended for the distinguished conduct medal.

Like the rest of the Vth Division, the South Lancashire Regiment took part in General Hildyard's march from Ladysmith to Newcastle, his operations in the Wakkerstroom district, in the taking of Botha's Pass, and the turning of Laing's Nek.

In General Buller's final despatch of 9th November 1900, 6 officers, 1 non-commissioned officer, and 1 private were mentioned; and in Lord Roberts' final despatch 10 officers and 15 non-commissioned officers and men.

After the battle of Alleman's Nek the division was chiefly employed about the north of Natal and southeast of the Transvaal; and when Major Gough's force of 200 Mounted Infantry was ambushed at Blood River on 17th September the battalion lost 8 wounded and 17 men taken prisoners.

In the splendid defence of Fort Itala (see 2nd Royal Lancaster) the South Lancashire shared the heavy losses and the resultant glory. Out of 21 men killed 7 belonged to the battalion, and in addition they had 9 wounded.  read more

Code: 24833

A King George IIIrd Royal Naval Fire Bucket Issued by the Board of Ordnance Circa 1790's. As Used on HMS Victory and The British Ship's-of-the-Line

Hardened leather with all riveted seams in excellent condition, and part leather handle. Bears the remainder of an applied royal crest. Broad arrow & Board of Ordnance stamp to the base. Fire aboard a wooden ship was a constant peril, from such as burning powder shot or cannon fire, or even from an enemy fire ship, and could be the destruction of a vessel and crew in a very short time, if not subdued as quickly as possible. Thus good and sturdy leather fire buckets were an essential piece of Royal Naval equipment aboard every vessel. We show a row of Royal Naval issue fire buckets {reproductions} aboard Nelson's flagship, HMS Victory, now in permanent dock at Portsmouth. It is still the flagship of the Royal Navy in honour of Nelsons famous victory at Trafalgar. Fire buckets have been popular with collectors and owners of period homes for a very long time, but especially the board of ordnance issue examples for naval warships. They represent a time long before most towns had established and well-equipped fire departments ready to respond at a moment’s notice to a house or shop fire, when people relied on their neighbours to come to their aid. The risk for catastrophe from fire was great. A single stand-alone house could be consumed in minutes. In towns, fire in densely populated neighbourhoods could quickly result in the destruction of dozens of buildings.

Between 1630 and 1700 Boston experienced at least six major fires that destroyed well over 200 buildings. Most fire buckets were likely purchased from merchant craftsmen who specialised in leather goods, or wholesalers who imported wares from England. The earliest reference for the sale of fire buckets in Boston comes from a 1743 newspaper where an advertisement from an unnamed merchant simply states, “A Parcel of Choice Fire Buckets to be sold.” it is very rare to find a mark or signature on a fire bucket that identifies its maker.

At Christies auction house on the 17th December 2015 a fire bucket from HMS Victory, Nelson's flagship, sold for £6875
Leather handle split in two parts remaining  read more

Code: 24830

An Incredibly Beautiful and Impressive Khanda 17th Century Two Handed Combat Sword With Koftgari Silver Hilt. The Sword Of A Noble High Born Warrior of Considerable Status

The name Firangi (Foreigner) was apparently given to these swords somewhat later in the 17th Century, as they were mounted with European (Foreign) blades, imported by the Portugese, which were highly valued. Some blades were locally made in the European style. The blades were mounted on the Khanda style hilt and with the long spike extending from the pommel which enabled them to be used as two handed swords.

A fabulous sword, equally as popular with the Mughal, Marathas, Rajput, Hindu and Sikh warriors

The firangi sword characteristically had a straight blade of backsword form (single edged). The blade often incorporated one, two, or three fullers (grooves) and had a spear-tip shaped point. The sword could be used to both cut and thrust. Examples with narrow rapier blades have survived, though in small numbers. The hilt was of the type sometimes called the "Indian basket-hilt" and was identical to that of another Indian straight-bladed sword the khanda. The hilt afforded a substantial amount of protection for the hand and had a prominent spike projecting from the pommel which could be grasped, resulting in a two-handed capability for the sword. Like other contemporary Indian swords the hilt of the firangi was usually of iron and the tang of the blade was attached to the hilt using a very strong resin, additionally, the hilt to blade connection was reinforced by projections from the hilt onto either face of the forte of the blade which were riveted together though a hole passing through the blade. Because of its length the firangi is usually regarded as primarily a cavalry weapon. Illustrations suggest a 16th-century date for the development of the sword, though early examples appear to have had simpler cross-guard hilts, similar to those of the talwar. The sword has been especially associated with the Marathas, who were famed for their cavalry. However, the firangi was widely used by the Mughals and those peoples who came under their rule, including Sikhs and Rajputs. Images of Mughal potentates holding firangis, or accompanied by retainers carrying their masters' firangis, suggest that the sword became a symbol of martial virtue and power. Photographs of Indian officers of Hodson's Horse (an irregular cavalry unit raised by the British) show that the firangi was still in active use at the time of the Indian Mutiny in 1857-58 The khanda can generally be a double-edge but can be a single edged straight sword. It is often featured in religious iconography, theatre and art depicting the ancient history of India. Some communities venerate the weapon as a symbol of Shiva. It is a common weapon in the martial arts in the Indian subcontinent. Khanda often appears in Hindu, Buddhist and Sikh scriptures and art The word khanda has its origins in the Sanskrit meaning "to break, divide, cut, destroy". Used from the time of Abu'l-Fath Jalal-ud-din Muhammad Akbar (15 October 1542 ? 27 October 1605 ), popularly known as Akbar I literally "the great" and later Akbar the Great, he was the third Mughal emperor, who reigned from 1556 to 1605.
29 inch blade to hilt, 35 inches overall  read more

Code: 21005

A Rare Pair of 14th Century Medeavil Bronze Winged Polygonal 'Raven's Head' Mace Heads Likely Twin Headed Flail Mace, Mongol Invasion Period

Cast bronze and each mace head had four ravens heads that can be viewed from both above and upside down, below, creating eight ravens per mace. The remaining surfaces are decorated in the circular ‘all seeing eye’, or ‘evil eye’ pattern, that has been used since the time of the ancient Greeks as a feature to ward off evil spirits. When used by the Knight hussars they were called a kisten, and the double headed flail mace were adopted by the hussar knights from those used by Mongols, Turks and Tartars in their invasions into Eastern Europe in the 14th century.

The eyes design creates a zoomorphic design of several back to back ravens heads. We have read of the notorious 'Raven's Head' maces for many years, and more often they appear today in fantasy role play games, but this may be the very first, original, 14th century examples we have ever had the privelege to see and own.

Together, the wolf and raven embody the Mongol or Turkic warrior as he saw himself: a ferocious, predatory being who hunts his enemies, raiding is inherently a predatory action, after all. In addition, the connection of these animals to warfare in the Mongol mindset is also reinforced since both the wolf and raven appear in the aftermath of battle to feed on the dead.

Detail from Battle of Orsha painting, 1520–1534
With Lithuanian hussar in yellow tunic with kisten in his belt.

A flail mace avails the user extra reach used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.
King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights, both friends and companions, to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace heads are approximately the size of a walnut  read more

Code: 24822

A Most Rare Early, 14th Century, circa 1340, Medievil Iron Hand Cannon or 'Handgonne' Made in the Period, & Used From the Battle of Crecy and Poitier Era.

An absolutely beauty and an incredibly significant historical piece, effectively the handgonne, was the very first iron hand held powder and ball piece, that began the evolution into the pistol, almost 700 years ago, and around 500 years before Mr Colt developed his first revolver in the 1840's.

From a collection of original rare antiquities collection we acquired, and this is the third extraordinarily rare original handgonne from that collection. We normally find only one or two every ten years or so, or even longer, but to buy all three from the collection was amazing.

The earliest design of conical form. Small enough and light enough to be manoeuvred by hand and thus then loosely fixed, or semi-permanently fixed, in either an L shaped wooden block and used like a mortar, or, onto a length of sturdy wooden haft, from three feet to five foot long to be used almost musket like and bound with wrought iron bands see illustration in the photo gallery of these medievil variations of mounting. The precursor to the modern day pistol and musket from which this form of ancient so called handgonne developed into over the centuries. It is thought that gunpowder was invented in China and found its way to Europe in the 13th Century. In the mid to late 13th Century gunpowder began to be used in cannons and handguns, and by the mid 14th Century they were in relatively frequent use for castle sieges. By the end of the 14th Century both gunpowder, guns and cannon had greatly evolved and were an essential part of fortifications which were being modified to change arrow slits for gun loops. Hand cannon' date of origin ranges around 1350. Hand cannon were inexpensive to manufacture, but not accurate to fire. Nevertheless, they were employed for their shock value. In 1492 Columbus carried one on his discovery exploration to the Americas. Conquistadors Hernando Cortez and Francisco Pizzaro also used them, in 1519 and 1533, during their respective conquests and colonization of Mexico and Peru. Not primary arms of war, hand cannon were adequate tools of protection for fighting men.. Approx, 4 inches long 1 1/2 inch bore, and weighs around 5.1 lbs

See Funcken, L. & Funcken F., Le costume, l'armure et les armes au temps de la chevalerie, de huitieme au quinzieme siecle, Tournai,1977, pp.66-69, for reconstruction of how such hand cannons were used.
At the beginning of the 14th century, among the infantry troops of the Western Middle Ages, developed the use of manual cannons (such as the Italian schioppetti, spingarde, and the German Fusstbusse).  read more

Code: 24816

A Simply Superb 'Parker Warranted' Constabulary Police Cutlass With Large Etched W. Parker Makers Panel

Very good condition overall. Blade with large W. Parker Warranted panel. The leather hide scabbard has gained a breathtaking bright full polish patina worthy of a King's guardsman's leather boots.

Brass D hilt with sharkskin bound wooden grip, single brass mount to the leather scabbard that has a little shrinkage. the blade is bright an supperb with just minor age staining and a fabulous large panel of etching by the maker W. Parker of Holborn, stating 'W.Parker. Warranted' one of the best looking examples we have seen in quite sometime, especially with Parker's large etched name & Warranted panel on the blade face, which is very rarely seen

W. Parker was also one of England's pre-eminent gunmakers makers of the 19th century, William Parker of 233 High Holborn, was gun maker to Prince Edward, to King William IV (1830-1837) and the Duke of Kent. As a gun maker William Parker was a well known for producing a range of weapons from standard issue items to fine duelling pistols. He later started to produce truncheons and other articles such as handcuffs, swords and rattles.

Current Police Officers, on late night duty, do, what is now very commonly called the 'graveyard shift'. This old English term, is now used worldwide by almost all professions that has a night duty, it is in fact derived from the early days of the British constabulary force, when undertaking the late night duty of patrolling graveyards, which was called by the Victorian constabulary, the 'graveyard shift'. It was a regular patrol made in order to prevent body-snatchers from defiling late burials, and the stealing bodies, for medical experimentation. This was however, a highly dangerous part of Victorian policing, as grave robbing was a capital crime, so, the police constables were armed with these swords to protect them from grave assault. These swords were also issued in case of riot, and in various times for general service wear as well.

Metropolitan Police patrols took to the streets on 29 September 1829, despite resistance from certain elements of the community who saw them to be a threat to civil liberties. The initial force consisted of two Commissioners, eight Superintendents, 20 Inspectors, 88 Sergeants and 895 Constables. Patrolling the streets within a seven-mile (11 km) radius of Charing Cross, in order to prevent crime and pursue offenders.

Between 1829 and 1830, 17 local divisions each with a central police station were established, with each division assigned a letter. These divisions were:

A (Whitehall)
B (Westminstera)
C (St James's)
D (Marylebone)
E (Holborn)
F (Covent Garden)
G (Finsbury)
H (Whitechapel)
K (Stepneyb)
L (Lambeth)
M (Southwark)
N (Islington)
P (Camberwell)
R (Greenwich)
S (Hampstead)
T (Kensingtonc)
V (Wandsworth)

On 28 June 1830, Constable Joseph Grantham became the first member of the force to be killed in the line of duty, an incident described by the Coroner's Inquest as "justifiable homicide". Other indications of the Constabulary's unpopularity of the time, were such nicknames as 'Raw Lobsters', 'Blue Devils' and 'Peel's Bloody Gang'. Officers were physically assaulted, others impaled, blinded, and on one occasion held down while a vehicle was driven over them.  read more

Code: 24819

A Beautiful Harlequin Pair Chinese Ching Dynasty 18th Cent. 'Shoe' Stirrups

Shaped like chinese shoes and worn as protective armour for the feet when a mandarin or officer travelled around the Ching empire on horseback. The more regular type we are used to seeing today were used, but this most scarce high quality bronze 'shoe-form' type is very rarely seen to survive. Peasants in Qing China were not permitted to travel and certainly never on horseback. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia. The use of paired stirrups is credited to the Chinese Jin Dynasty and came to Europe during the Middle Ages. Some argue that the stirrup was one of the basic tools used to create and spread modern civilization, possibly as important as the wheel or printing press. The stirrup, which gives greater stability to a rider, has been described as one of the most significant inventions in the history of warfare, prior to gunpowder. As a tool allowing expanded use of horses in warfare, the stirrup is often called the third revolutionary step in equipment, after the chariot and the saddle. The basic tactics of mounted warfare were significantly altered by the stirrup. A rider supported by stirrups was less likely to fall off while fighting, and could deliver a blow with a weapon that more fully employed the weight and momentum of horse and rider. Among other advantages, stirrups provided greater balance and support to the rider, which allowed the knight to use a sword more efficiently without falling, especially against infantry adversaries. The Qing [or Ching] dynasty, officially the Great Qing, also called the Qing Empire by itself or the Manchu dynasty by foreigners, was the last imperial dynasty of China, established in 1636 and ruling China from 1644 to 1912 with a brief, abortive restoration in 1917. It was preceded by the Ming dynasty and succeeded by the Republic of China. The Qing multi-cultural empire lasted almost three centuries and formed the territorial base for the modern Chinese state. After conquering "China proper", the Manchus identified their state as "China", and referred to it as Dulimbai Gurun in Manchu (Dulimbai means "central" or "middle," gurun means "nation" or "state"). The emperors equated the lands of the Qing state (including present-day Northeast China, Xinjiang, Mongolia, Tibet and other areas) as "China" in both the Chinese and Manchu languages, defining China as a multi-ethnic state, and rejecting the idea that "China" only meant Han areas. The Qing emperors proclaimed that both Han and non-Han peoples were part of "China". They used both "China" and "Qing" to refer to their state in official documents, international treaties (as the Qing was known internationally as "China" or the "Chinese Empire") and foreign affairs, and "Chinese language" (Dulimbai gurun I bithe) included Chinese, Manchu, and Mongol languages, and "Chinese people" referred to all subjects of the empire. In the Chinese-language versions of its treaties and its maps of the world, the Qing government used "Qing" and "China" interchangeably.  read more

Code: 20698