Antique Arms & Militaria

An Extremely Rare Example of an Incredibly Impressive Vijayanagara Hooded Katar From South India,16th To Early 17th century. Engraved at the Grip With Two Facing Yali or Leogryph (a Part Lion and Part Griffin), With Some Bird-Like Features.

Graduating triangular blade, engraved at the grip with two facing yali or leogryph (a part lion and part griffin), with some bird-like features. This mythological creature could be added to fine hooded katars by engraving to the hooded Katars as a means of spiritual protection in the battlefield. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse. The Vijayanagara Empire originated in the South of India through small Hindu Kingdoms as a resistance to the Muslim invasions from the North. These types of Hooded Katars are seen in the statues at Seshagiri Rayar Mandapam and were the staple of the Empire. As the Vijayanagara Empire slowly declined in the 17th century, this style of Katar declined and Katars without the hood became prominent.
This most rare Vijaynagara Katar exhibits the classical and traditional design, staying true to its roots. The blade is long, strongly tapering, with multiple grooves and fullers. The blade is also very sturdy and tight. Also if you notice the examples provided by Elgood, some of the katars do feature this type of blade. The grooves are deep and precisely cut and hold a consistent spacing and design, which adds to its aesthetic appeal. The blade is longer than the usual hooded Katars, which points towards this being an original blade, rather than a cut down european blade that is found on most other hooded katars on the market. The shield (hood) is a thick solid steel with a clean finish, engraved with floral designs and a yali. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse, and in similar shapes. Also, it has been sometimes described as a leogryph (part lion and part griffin), with some bird-like features. This mythological creature was added to the hooded Katars as a means of spiritual protection in the battlefield.

The handle bars are wide and larger than the typical Katar to match the aesthetic and size of the Vijaynagara Katar. The width of the handle bars provide an excellent protective layer for the user, but also creates an imposing presence when held due to the sheer size of the Katar. The grips features balls which give the user a good grip.

The world of antique sword and dagger collecting is a fascinating journey into the past, offering a unique lens through which to view history and culture. More than mere weapons, these artifacts serve as tangible connections to the societies and ancient times where they originated. Each blade tells a story, not just of the battles it may have seen but of the craftsmanship, artistic trends, and technological advancement of its time.

The hilt and guard can be equally telling. Engravings and decorative elements may enhance the sword’s beauty and hint at its historical context.

Collecting antique swords, arms and armour is not merely an acquisition of objects; it’s an engagement with the historical and cultural significance that these pieces embody. As collectors, we become custodians of history, preserving these heritage symbols for future generations to study and appreciate.

We are now, likely the oldest, and still thriving, arms armour and militaria stores in the UK, Europe and probably the rest of the world too. We know of no other store of our kind that is still operating under the control its fourth successive generation of family traders.

For more information and comparable examples of this type of Katar and other Arms and Amour, see Elgood, Hindu arms and Ritual, Eburon Publishers, Delft. There is a comparable Vijaynagara hooded katar in the Metropolitan Museum in New York, accession number 36.25.905  read more

Code: 25353

A Wonderful, Original, Antique Victorian Helmet of the 6th Dragoons the Inniskillins. One of the Great Irish Cavalry Regiments in the British Army & One of The Most Desirable of All The Victorian Regimental Helmets

One of the best surviving examples one can see in or out of a museum

They served in the Crimea in 1854, losing all its horses en route in a fire on board its troop ship, but still managing to take part in the charge of the Heavy Brigade at Balaklava.

The regiment was deployed to the Crimea in April 1854 but during the voyage the regiment's transport ship Europa sank with the loss of the commanding officer, Lieutenant Colonel Willoughby Moore, and 17 of his men. Lieutenant-Colonel Henry Dalrymple White took over command of the regiment and led it in action at the Battle of Balaclava in October 1854.

The first assault line consisted of the Scots Greys and one squadron of the Inniskillings, a total of less than 250 sabres. Only when the RSMs declared themselves happy with the alignment did Scarlett order his bugler to sound the 'Charge'. The idea of a charge conjures up images of the Light Brigade dashing forward at speed but Dragoons were larger men with much heavier equipment so their charge was more of a trot. Floundering at obstacles such as ditches or coppices they headed towards the massed ranks of Russian cavalry, pressing on inexorably at a mere 8 miles an hour. Slow they may have been but the effect of these heavy cavalrymen slamming into the much lighter Russian cavalry stunned their enemy. A letter from a Captain of the Inniskillings illustrates the mellee which followed:

"Forward - dash - bang - clank, and there we were in the midst of such smoke, cheer, and clatter, as never before stunned a mortal's ear. it was glorious! Down, one by one, aye, two by two fell the thick skulled and over-numerous Cossacks.....Down too alas! fell many a hero with a warm Celtic heart, and more than one fell screaming loud for victory. I could not pause. It was all push, wheel, frenzy, strike and down, down, down they went. Twice I was unhorsed, and more than once I had to grip my sword tighter, the blood of foes streaming down over the hilt, and running up my very sleeve....now we were lost in their ranks - now in little bands battling - now in good order together, now in and out."
In the words of Colonel Paget of the Light Brigade "It was a mighty affair, and considering the difficulties under which the Heavy Brigade laboured, and the disparity of numbers, a feat of arms which, if it ever had its equal, was certainly never surpassed in the annals of cavalry warfare, and the importance of which in its results can never be known.
It then took on peacekeeping roles in India in 1857 after the Mutiny and in South Africa in 1880 after the Zulu War.

It fought as mounted infantry in the Boer War. After the outbreak of the Second Boer War in October 1899, the regiment was sent to South Africa. It formed part of General French′s force in the operations around Colesberg, and afterwards one squadron took part in the relief of Kimberley in February 1900.22 The squadrons of the regiment then rejoined, and formed part of the cavalry brigade which served in all the engagements in the general advance on Pretoria, one of the Boer capitals, which was captured on 5 June 1900. They took part in the battles of Diamond Hill (June 1900) and Belfast (August 1900), and in the following cavalry advance on Barberton in the Eastern Transvaal. The regiment subsequently joined a column under the command of Colonel Michael Rimington in the Orange River Colony, taking part in miscellaneous raids and drives there throughout the last year of the war, which ended with the Peace of Vereeniging on 31 May 1902. Following the end of the war, 257 officers and men of the regiment left Cape Town on the SS Orissa, which arrived at Southampton in late October 1902,23 and another 138 men arrived at Queenstown the following month on the SS Orient.After their return, the regiment was stationed at Curragh. One of its lieutenants, Lawrence Oates, was recommended for the Victoria Cross and is best known for his last words - 'I am going out, I may be some time' - shortly before his death on Scott’s expedition to the South Pole in 1912.

The unit served mainly as infantry on the Western Front during the First World War, suffering heavy casualties on the rare occasions it charged as cavalry.  read more

Code: 25325

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. & Notorious Pirates 🏴‍☠️ Gold Inlaid Flower Head Stamped Blade

From a superb family collection we just acquired, that was accumulated over decades, of fine early swords, pistols and cutlasses.

The sword of choice for senior officer's {Admirals and Captain's} serving in the Royal Navy during the 17th and early 18th century. We show three portraits in the gallery of admirals of the age each bearing their same swords, plus notorious pirates Blackbeard using the same sword.

Short flat sided blade. Antler handle made of antler of a male deer, called “hartshorn,” brass single knuckle bow bar hilt with cap pommel.
Blade bears two armourer's marks, of an 8 petealed flower stem and leaf with gold inlay. Overall in superb condition for its age.

Another very similar 'William and Mary period cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. Such as Admirals Benbow, Shovel et al. we show three such portraits in our gallery, of Hopsonn, Shovel and Benbow.

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

22.75 inches long overall, 17.5 inch long blade  read more

Code: 25381

A Fantastic and Phenomenally Powerful Two Handed Viking War Hammer Axe. Weighing Just Under Four Pounds. Wheeler Classification As A, Type I Circa 840 AD, Around 1200 Years Old. As used By The Huscarls, Danish Vikings, The Bodyguards Of Kings

This is a monstrously powerful axe of incredible heft. Used with the long haft somewhat akin to the axe of a Huscarl, the Danish Viking mercenaries that were famously the personal guard of King Harold at the battle of Hastings. Incredibly well preserved for its age, and remarkably still bears the remains of the wooden haft in the affixing aperture. Axes like this are categorized by the 1927 Wheeler classification system of Viking armaments, which groups pieces based off their shape, size, and intended use.

Danish Huscarls (Old Norse for "house-men") were elite, professional Viking warriors and bodyguards for Scandinavian and Anglo-Danish kings, renowned as fearsome shock troops in the 10th-11th centuries, serving as personal guards, heavy infantry, and the core of armies, famous for their heavy armour, Dane axes, and loyalty, notably forming King Harold Godwinson's elite at the Battle of Hastings.
Unlike militia (fyrd), Huscarls were full-time, well-trained, paid warriors. They served directly in the king's household, guarding his person and wealth.
Accordingly they held high status, ate at the king's table, and were bound by strict honour codes.
Provided personal protection for kings, notably Cnut the Great and Harold Godwinson, Earl Godwinson, later, King Harold of England
They formed the backbone of armies, equipped for brutal close-quarters combat.
The Dane Axe was famous for wielding large, two-handed axes, of incredible heft weighing near 2 kilos, or even more, that were devastating to enemy formations.
They wore chainmail, helmets, and carried shields (round or kite-shaped).
Central to military power during Danish rule under Cnut the Great (1015-1035).
Battle of Hastings (1066): King Harold's Huscarls formed his elite core, fighting ferociously but ultimately overwhelmed by Norman forces.
In essence, Danish Huscarls were the medieval equivalent of special forces, representing the pinnacle of warrior skill and loyalty in their era

Introduced by King Cnute, The Huscarls were the Royal Bodyguard and the elite fighters in the English field armies of the time. Highly trained, highly paid and highly motivated, they were the best and most highly feared troops in Europe, armed with long two handed axes, often in the later Viking age, they had an axe with a broader cutting edge, but the earlier Viking age around the 800's to 900's they had narrower cutting edges, as has this one, and it is said they were especially good for smashing helmets and piercing or crushing chain mail armour.
In the early Viking Age, the cutting edge of big axes measured from 7cms, {as is this one}, to 15 centimetres, while later Viking and Danish axes became wider. The later Danish Huscarl axe had a crescent-shaped cutting surface that measured 22 to 45 cms. The earlier 800's a.d. double handed axes were far more dedicated as single purpose weapons, with such a limited cutting edge they had no servicable use for cutting wood at all, crushing smashing and killing was there sole purpose. The later 11th century examples, could, if absolutely neccessary be used to cut down a tree.

Royal Huscarls are thought to have numbered three thousand - a great number of men to pay in those days. A special tax of one silver mark per ten hides was levied to pay the Huscarls. Further to their pay in coin (deemed to have been monthly) they were housed and fed initially from the king's coffers. Whether the king armed them as well is not known for certain. Gifts of weapons and equipment would have been made periodically to maintain their loyalty, in the manner of Scandinavian kings being 'ring-givers' in the early days of the Vikings. They would have had to have means of their own, as a king might easily dismiss them from his service for 'conduct unbecoming', to pay for their own armament and at least one horse to take him to fight (although in common with most other warriors of the northern world they fought on foot in time-honoured fashion). A huscarl's equipment amounted to mail-shirt (later mail-coat similar to the Normans' hauberk), one or more helmets, shields, spears and 'Dane-axe', the very effective long-shafted, two-handled fighting axe.

Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.

The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.

Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.

Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.

Weighing just under 4 pounds, 9 inches {23 cms} x 2.5 inches {7cms}  read more

Code: 25471

Most Rare & Desirable, Status Ring, An Original Ancient Roman Bronze Ring Engraved With A Roman Legion’s Eagle Standard. An Image Of An Ancient Roman Legion's Standard Possibly For The Legion's Aquilfer {Standard Bearer} Circa 1700 Years Old

A fabulous Ancient Roman bronze Legionary's ring, from the era of Emperor Constantine The Great. The ovoid bezel is intaglio engraved with a Legionary Eagle, with its head turned to the viewers left (Aquila) with what appears to be the lightning bolt within its left claw. In superb, original, natural age patina of a rich dark bronze colour. The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence. Unusually, it is a comfortably wearable sized ring {which is somewhat rare due to original ancient Roman rings and armilla being usually smaller sized} In copper bronze with stunning, natural age patination.. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 percent, were engraved in the realism form. This is one of those rare types of more realistic engravings. The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, and legionaries. Some gladiators always aspired to but rarely achieved the ring likely due to their short life span within their violent craft. However, some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

The decisive moment in the civil war of 312 ad came when Constantine I defeats his rival’s armies at the Battle of Turin – Constantine I also defeats forces loyal to Maxentius. At the Battle of Verona – Constantine I defeats more forces loyal to Maxentius. An on the 28 October – Battle of Milvian Bridge – Constantine I defeats Maxentius and takes control of Italy. Constantine was now in full control of the Roman West. But, more importantly, the victory over Maxentius marked a crucial threshold in the Roman Empire’s history. Apparently, prior to the battle, Constantine saw a cross in the sky and was told: “In this sign shall you conquer.” Encouraged by the vision, Constantine ordered his troops to paint their shield with the chi-rho emblem (initials symbolizing Christ). The Arch of Constantine, built to commemorate the victory over Maxentius, still stands in the centre of Rome.


The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence.

During a battle, the standard was carried by the aquilifer, or "eagle-bearer."

The standard was the mode of communication for generals and troops. A horn blast would instruct the soldiers to look to the emblem, then the aquilifer would wave, raise, or lower it to direct the troops on their next move.

The bearer was also tasked with guarding the standard. In terms of rank, aquilifers fell just underneath centurions. Within the legion, they received higher pay and better rations than the typical soldier.

The standard served as a symbol to place the legion as a collective above the individual. Losing a standard was emotionally devastating because of its intense symbolism. When one was lost in battle, the surviving legionaries were left in shame for failing their fallen brothers in arms. The group promptly disbanded and members devoted themselves to reacquiring the lost icon.
Standards often included an image of the reigning emperor or his name beneath the eagle, adding to the importance of the symbol. In many instances, the eagle on the standard was perched above an orb, signifying Rome's dominion over the entire world.

Subdivisions of legions each carried a smaller standard that identified their group number or name. These were used to quickly assemble the components of the legion when mobilizing for battle.
Some of the most famous standards in Roman history were the ones lost at the Battle of Teutoburg Forest in 9 AD. During a long campaign to conquer Germania, the tribes lured three legions into the forest and launched a guerilla warfare campaign, slaughtering the Roman soldiers.

In 16 AD, General Germanicus led his Roman troops into Germania to seize the lost standards, crossing borders established by Augustus.
Eagles played a central role in Roman life and culture, right from the society's inception.

The aquila, or eagle, is one the most enduring symbols of Roman civilization.

While different animals and mythological creatures served as meaningful signifiers throughout the Republic and Imperial eras, the eagle continuously symbolized power and authority.

In the city's founding myth, the brothers Romulus and Remus agreed to settle their dispute over where to build their kingdom by letting the gods decide. Remus spotted six eagles and Romulus later spotted twelve of the birds.
The eagle was considered majestic and transcendent, to the point that live birds were often caged on emperors' funeral pyres. Once they broke free and flew skyward, the Romans considered it a manifestation of the deceased emperor's transition to godhood.

Ancient Romans esteemed the eagle and adopted it as a symbol of victory. Pliny the Elder wrote extensively on eagles, noting that they possessed excellent eyesight and were skilled parents.

Symbolically, he claimed eagles were the only creature immune to lightning strikes, underscoring their divinity. Up to modernity, eagles are depicted with lightning bolts clutched in their talons.
The earliest standard used by the Roman army was a bundle of straw affixed to a tall staff. Over time, the Romans began using emblems of eagles, wolves, minotaurs, horses, and boars.

Following a crushing defeat in 105 BC at the Battle of Arausio during the Cimbrian War, the Romans completed a self-assessment. The consul Gaius Marius led a reorganization of the military structure. Marius' reforms transformed the Roman legions from a loose militia into a professional fighting force.

As part of the restructure, he declared the eagle as the military's standard and retired the other four creatures mentioned above. Putting the emphasis on the eagle was meant to place its central qualities, bravery and power, at the forefront of the army's identity.

From the mid-Republican era onwards, the standard was a bronze or silver Aquila with spread wings.

Emperor Constantine the Great
Emperor Constantius died in York, England. The system of succession at the time demanded that another Caesar should become emperor but the soldiers in York immediately proclaimed Constantine their leader. It proved to be a pivotal moment in history. He is known as Constantine the Great for very good reasons.

After nearly 80 years, and three generations of political fragmentation, Constantine united the whole of the Roman Empire under one ruler. By 324 he had extended his power and was sole emperor, restoring stability and security to the Roman world.

Constantine also abandoned Rome as the most important city in the empire, building a new capital modestly named Constantinople (now Istanbul). In the next two centuries, Rome and Italy became vulnerable to barbarian invasions. The much more easily defensible Constantinople lasted for another thousand years.

Finally, and perhaps most famously, Constantine’s strong support for Christianity had an incalculable impact on European history. He is said to have been converted to the faith in AD 312, although this has not been corroborated.

At the time only around ten per cent of the Roman empire’s population was Christian. The majority of the ruling elite worshipped the old gods of Rome. Constantine was the first emperor to allow Christians to worship freely, helping to unite and promote the faith. He went on to instigate the celebration of the birth of Christ we call Christmas.

One image in the gallery is of The Battle of the Milvian Bridge that took place between the Roman Emperors Constantine I and Maxentius on 28 October AD 312. It takes its name from the Milvian Bridge, an important route over the Tiber. Constantine won the battle and started on the path that led him to end the Tetrarchy and become the sole ruler of the Roman Empire. Maxentius drowned in the Tiber during the battle; his body was later taken from the river and decapitated, and his head was paraded through the streets of Rome on the day following the battle before being taken to Africa.
*Note behind the mounted figure of emperor Contantine is the emperor's legion's eagle standard, held aloft by his aquilfer.

Outside diameter: 22mm, UK size Q1/2, US 8.25 Signs of light wear consistent with age and use, yet still wearable.  read more

Code: 25475

A Rare Original Roman Gladiatrix, {A Female Gladiator} Size Bronze Ring, Early Imperial Roman Period. Featuring A Coliseum Barbary Lion in a Combat Pose Around 1900 Years Old

An amazing original historical ancient Roman artefact featuring a detailed intaglio hand engraving of a lion, in a gladiatorial standing pose, with its large mane and proud tail, from such as the gladiator and gladiatrix's arena in the Colosseum in Rome, from the time just before the Emperor's Marcus Aurelias and Commodus. The era superbly depicted in Sir Ridley Scott's blockbuster movie, Gladiator, starring Russell Crowe, and soon to be released Gladiator II.

The gladiatrix was a female gladiator of ancient Rome. Like their male counterparts, gladiatrices fought each other, or wild animals, to entertain audiences at games and festivals

Very little is known about female gladiators. They seem to have used much the same equipment as men, but were few in number and almost certainly considered an exotic rarity by their audiences. They are mentioned in literary sources from the end of the Roman Republic and early Roman Empire, and are attested in only a few inscriptions. Female gladiators were officially banned as unseemly from 200 AD onwards, but the word gladiatrix does not appear until late antiquity.
Tacitus writes of women of high status flaunting themselves in the arena during the time of Nero (Annals 15.32). Cassius Dio tells of the Emperor Titus putting on a combat where women were pitted against foes (Historia Romana, 67.8.4).

Petronius mentions a troupe of professional gladiators which included a woman fighting on a chariot (Satyricon 45). According to the gossipy Suetonius, the Emperor Domitian sponsored torch-lit combats at night between men and also between women (Domitian 4). Many Roman oil lamps feature gladiators, a handful of which show what seem to be female gladiators.

In copper bronze with stunning, natural age patination, in a regular female size of the time. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 of a percent, were engraved in the realism form. This is one of those rare types of more realistic engravings.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

Romans seem to have found the idea of a female gladiator novel and entertaining, or downright absurd; Juvenal titillates his readers with a woman named "Mevia", a beast-hunter, hunting boars in the arena "with spear in hand and breasts exposed", and Petronius mocks the pretensions of a rich, low-class citizen, whose munus includes a woman fighting from a cart or chariot.

Some regarded female gladiators of any class as a symptom of corrupted Roman sensibilities, morals and womanhood. Before he became emperor, Septimius Severus may have attended the Antiochene Olympic Games, which had been revived by the emperor Commodus and included traditional Greek female athletics. Septimius' attempt to give Romans a similarly dignified display of female athletics was met by the crowd with ribald chants and cat-calls.26 Probably as a result, he banned the use of female gladiators, from 200 AD.27

There may have been more, and earlier female gladiators than the sparse evidence allows; *McCullough speculates the unremarked introduction of lower-class gladiatores mulieres at some time during the Augustan era, when the gift of luxurious, crowd-pleasing games and abundant novelty became an exclusive privilege of the state, provided by the emperor or his officials. On the whole, Rome's elite authorities exhibit indifference to the existence and activities of non-citizen arenari of either gender. The Larinum decree made no mention of lower-class mulieres, so their use as gladiators was permissible. Septimius Severus' later wholesale ban on female gladiators may have been selective in its practical application, targeting higher-status women with personal and family reputations to lose. Nevertheless, this does not imply low-class female gladiators were commonplace in Roman life. Male gladiators were wildly popular, and were celebrated in art, and in countless images across the Empire. Only one near-certain image of female gladiators survives; their appearance in Roman histories is extremely rare, and is invariably described by observers as unusual, exotic, aberrant or bizarre.
The following historical quote from Antiquity is from Cassio Dios book of Roman History and is translated by Earnest Cary and Herbert Baldwin Foster. The succeeding quote is from Juvenals book Satire; which is translated by Niall Rudd.

“There was another exhibition that was once most disgraceful and most shocking, when men and women not only of the equestrian but even of the senatorial order appeared as performers in the orchestra, in the Circus, and in the hunting-theatre Colosseum, like those who are held in lowest esteem. Some of them played the flute and danced in pantomimes or acted in tragedies and comedies or sang to the lyre; they drove horses, killed wild beasts and fought as gladiators, some willingly and some sore against their will.”

“What sense of shame can be found in a woman wearing a helmet, who shuns femininity and loves brute force… If an auction is held of your wife’s effects, how proud you will be of her belt and arm-pads and plumes, and her half-length left-leg shin guard! Or, if instead, she prefers a different form of combat, how pleased you’ll be when the girl of your heart sells off her greaves! Hear her grunt while she practices thrusts as shown by the trainer, wiling under the weight of the helmet.”

A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.

Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Most gladiators paid subscriptions to "burial clubs" that ensured their proper burial on death, in segregated cemeteries reserved for their class and profession. A cremation burial unearthed in Southwark, London in 2001 was identified by some sources as that of a possible female gladiator (named the Great Dover Street woman). She was buried outside the main cemetery, along with pottery lamps of Anubis (who like Mercury, would lead her into the afterlife), a lamp with the image of a fallen gladiator, and the burnt remnants of Stone Pine cones, whose fragrant smoke was used to cleanse the arena. Her status as a true gladiatrix is a subject of debate. She may have simply been an enthusiast, or a gladiator's ludia (wife or lover).17 Human female remains found during an archaeological rescue dig at Credenhill in Herefordshire have also been speculated in the popular media as those of a female gladiator

As with all our items it comes complete with our certificate of authenticity

*McCullough, Anna, “Female Gladiators in the Roman Empire”, in: Budin & Turfa (eds), Women in Antiquity: Real Women across the Ancient World, Routledge (2016), p. 958, citing Scholia in Iuvenalem Vetustiora, on Juvenal, Satire 6, 250-251 nam vere vult esse gladiatrix quae meretrix "for she really wants to be a gladiator who is a harlot"

Detail from the Villa Borghese gladiator and gladiatrix mosaic, AD 320, and discovered in 1834 (Galleria Borghese, Rome, Italy).

UK {female} size I approx. Slightly ovoid through ancient wear  read more

Code: 25465

A Most Scarce Victorian Antique Honourable Artillery Company Officer's Sword. In Field Service Scabbard

Typical gilt metal hilt with the HAC grenade. Etched blade, with surface wear. Regulation field service steel mounted leather scabbard.

The South African War: 1899-1902
Around 200 members of the Company fought in the South African War with various units. The majority of these members served with the artillery, infantry or mounted infantry sub-units of the City Imperial Volunteers (CIV) between January and October 1900. The CIV was formed under the auspices of the Lord Mayor of London. The HAC’s Colonel and Commanding Officer, the Earl of Denbigh and Desmond, was instrumental in raising and equipping the CIV Battery, which was officered and, for the most part, manned by members of the HAC. This was the first occasion that the Company’s membership saw active service overseas and six members died whilst serving during this war.

The HAC can trace its history as far back as 1296, but it received a Royal Charter from Henry VIII on 25 August 1537, when Letters Patent were received by the Overseers of the Fraternity or Guild of St George authorising them to establish a perpetual corporation for the defence of the realm to be known as the Fraternity or Guild of Artillery of Longbows, Crossbows and Handgonnes. This body was known by a variety of names until 1656, when it was first referred to as the Artillery Company. It was first referred to as the Honourable Artillery Company in 1685 and officially received the name from Queen Victoria in 1860.

The regiment has the rare distinction of having fought on the side of both Parliament and the Royalists during the English Civil War 1642 to 1649.

Pictures in the gallery of the HAC HQ, the HAC Armoury, and the HAC parade and cricket ground, all in the heart of the City of London  read more

Code: 25484

A Cased Pair Of Attractive, Antique, Victorian, Belgian Percussion Boxlock Pistols. A Pair of 'Barkers' Set in a Walnut Box Case In The French Style. Walnut Bag-Shaped Pistol Grips

Just returned from the workshop in order to have considerable conservation to both pistols, taking several days, in order to have both their surface finishes hand cleaned, polished, re-blued and conserved, plus, their actions oiled. Walnut box is a later casing in the French style.

The nickname 'Barkers' was popularized in 19th-century literature. For example, in Charles Dickens' 1837 novel Oliver Twist, a character prepares for a robbery by arming himself with a pair of "barkers".

A very similar percussion 'Barker' appears in a photograph, in the book 'Crimean Memories', by Hutchinson, Vice and Small, {Page 169} used by Surgeon M.B. Munro of the 93rd {Sutherland Highlanders} of Foot in the Crimean war, as one of a pair of his personal defence weapons. Now in the Regimental Argyll and Sutherland Highlanders Museum.

Boxlock pistols were pocket pistols popular in the late 1700s and early 1800s. Effectively the first Derringers. The most unique feature of their design was the boxlock mechanism. Unlike most firearms which have the hammer located off to the side of the pistol, a boxlock pistol had the hammer located directly on top of the pistol. They were called a boxlocks because all of the working mechanisms for the hammer and the trigger was located in a box or receiver directly below the top mounted hammer. While the hammer obstructed the aim of the user, this system had the advantage of making the gun more compact and concealable than other pistols. The first boxlock pistols were flintlock and where later made in percussion lock. Unlike modern firearms, these pistols were not mass produced, but were hand made in gunsmith's workshops.

In 18th and 19th-century slang, a pistol was called a
barker because its loud explosion was thought to resemble the "bow-wow" or barking of a dog.

The term originated as "barking iron," an Irish expression recorded in the 1785 Dictionary of the Vulgar Tongue. Over time, it was shortened simply to "barker." It was initially "cant" (thieves' slang) used by footpads and highwaymen during robberies.
The term was also adopted by Royal Navy seamen to refer to both small Sea Service pistols and larger lower-deck artillery pieces.

While other colourful nicknames like "pops," "snappers," and "meat in the pot" were also used during this era, "barker" remained a common term until the end of the 19th century.

Overall blued with light natural aged russet surface beneath, both actions are tight with good springs, one action fires well on double cocking, the second just on first cocking. The walnut box is good, with some old surface scratching, key lock works well.

Box case 8 inches x 10 1/5 inches x 2 inches, pistols, overall 8 1/2 inches each, barrel's 4 inches each.

Priced once the conservation cost has been calculated  read more

Code: 26088

A Superb Later 19th Century French Chassepot M1866 Sword Bayonet, Post Franco Prussian War Issue, Manufactured at the Armoury of St Etienne. Japanese Purchase Import Used In The Japanese Russian War 8 February 1904 – 5 September 1905

Stunning example, with very good steel and brass, manufactured at the French arsenal at St Etienne to mount upon the service issue Chassepot rifle. Acquired by us from an exclusive high quality and rare service use bayonet collection, and this bayonet was bought by the collector in Japan as one of the rare survivors after service in the Russian- Japanese War, {as well as his Enfield Yataghan bayonets bought by Japan from America after the Civil War}. Although by the time of the war the Japanese generally used the type 22 Murata, some naval land troops were still in service with the 1880's French Chassepot-Murata conversions with Chassepot bayonets.

The Russo-Japanese War (8 February 1904 – 5 September 1905) was fought between the Russian Empire and the Empire of Japan over rival imperial ambitions in Manchuria and the Korean Empire. The major land battles of the war were fought on the Liaodong Peninsula and near Mukden in Southern Manchuria, with naval battles taking place in the Yellow Sea and the Sea of Japan.

Its inventor was, Antoine Alphonse Chassepot, and it became the French service weapon in 1866. It was first used at the battlefield at Mentana, November 1867, where it inflicted severe losses on Garibaldi's troops. The event was reported at the French Parliament: "Les Chassepots ont fait merveille!", {The Chassepots did marvelous execution !} In the Franco-Prussian War (1870-1871) it proved greatly superior to the German Dreyse needle gun, outranging it by 2 to 1. Although it was a smaller caliber but the chassepot ammunition had more gunpowder and thus faster muzzle velocity. The Chassepots were responsible for most of the Prussian and other German casualties during the conflict. This is the most widely copied of all the sword bayonets. Many countries - including the United States, Egypt, Belgium, and Argentina - have manufactured or used very similar bayonets. The French model was designed to fit on the French Model 1866 Chassepot Rifled Infantry Musket (the musket was revolutionary in itself). It was manufactured from 1866 to about 1874 and was replaced by the French Model 1874 "Gras" Bayonet.
The bayonets are brass-hilted The crossguard is iron (steel) and has a screw-type tightening arrangement on the muzzle-ring. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." The blades marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion
Arsenals encountered may be such as Chatellerault, Mutzig, St. Etienne, Paris-Oudry, Tulle, and perhaps Steyr (not confirmed on the 1866). The French wars during the life-span of this bayonet were: French Intervention in Mexico (1861-1867);
Franco-Prussian War (July 19, 1870 - May 10, 1871)
French Indo-China (1873-1874, 1882-1883);
Sino-French War (1883-1885);
Madagascar Wars (1883-1885, 1895);
1st Mandingo-French War (1883-1886);
1st Dahomeyan-French War (1889-1990);
2nd Dahomeyan-French War (1892-1894);
Franco-Siamese War of (1893)
2nd Mandingo-French War (1894-1895);
Conquest of Chad (1897-1914);
3rd Mandingo-French War (1898);
Japanese Russian War ( 8 February 1904 – 5 September 1905)
Moroccan War (1907-1912);
The Wadai War (1909-1911);
World War I (early).

These bayonets were widely copied and used by many countries - including the United States, Belgium, and Germany. Many of the actual French-marked bayonets can be found with German manufactured blades. It is believed some of these were used during the American Civil War when many European arsenals were emptied of their surplus arms.
These bayonets are the French Model 1866 "Chassepot" Bayonet.
The crossguard are iron (steel) and with a "cock's comb" muzzle-ring finial. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." One blade is marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion.

France sold large quantities of Chassepot rifles to Japan during the late 19th century, which Japan used alongside other imported arms, eventually leading to their conversion and adaptation into the indigenous Murata rifle, Japan's first domestically produced standard infantry rifle. Japan acquired Chassepots as part of broader efforts to modernize its military after opening from isolation, initially using them with their needle-fire system before converting them for metallic cartridges

Picture in the gallery {photo 7} of an anti-Russian satirical map that was produced by a Japanese student at Keio University during the Russo–Japanese War. It follows the design used for a similar map first published in 1877.  read more

Code: 26092

An Original, Antique, Continental 'Derringer' Back-Action Percussion Lock Pocket Pistol Circa 1840. Fancy Engraved Lock. Blued Steel Finish

This pistol is singularly attractive. It was acquired with a pair of cased, Belgian, percussion 'Barkers' boxlock pistols. This pistol required full servicing, and hand conservation by our artisans, and after three intensive days work it has been completed and looks dramatically improved and very charming indeed. The percussion action has now been hand cleaned and conserved to be as tight and crisp as it was 185 years ago.

This 'Derringer type of pocket pistol was actually made before the Philadelphia, US, Henry Deringer pistol, by varied makers, but the Henry Deringer pistol was made famous, by being used in the notorious assassination of President Abraham Lincoln in 1865.

This is the very same style and form as the Lincoln Deringer pistol, and it is not known if the American, original Henry Deringer pistol example was a design made first, by his company, or other way round.

One of the scarcest and most collectable small pistol of American history, is the original US, Philadelphia manufactured, Henry Deringer's back action lock 'Deringer' pistol. The pistol that was used by Henry Wilkes Booth to assassinate probably the most famous American President to have ever lived, Abraham Lincoln. It was this Deringer gun after which all small pocket pistols have since been named. A pistol and name that shall live on in memory, for as long as American history is recorded.
.
In the century and a half since it happened, populist history has largely boiled down the assassination of Abraham Lincoln to the story of a single perpetrator: John Wilkes Booth. Four of the eight convicted for participating in the conspiracy to assassinate Lincoln in April of 1865 died on the gallows three months later.
But in his appearance at the Camden County Historical Society, Lincoln scholar Hugh Boyle made clear that the real story is a sprawling epic. It involves a gang of Confederate operatives and sympathizers that first plotted to kidnap the President and, when that failed, decided to murder not only him, but the Vice President and Secretary of State as well. Their goal was to decapitate and destabilize the federal government in hopes of forcing a settlement to the war that would avoid the South's total defeat. In the end, they managed to kill Lincoln and seriously injure Secretary of State William Seward.

By 1865, the South was a vast swath of utter destruction.
It was a time of massive upheaval, great danger and high emotion for the South, so the idea that someone might be thinking about attacking the President or other high government officials was not a crazy one in the atmosphere of the times."
The frustrations and angst of the Southern cause came to a boil in April of 1865. Its capital, Richmond, Va. -- now a burned out hulk of a city -- was captured and occupied by Ulysses S. Grant's forces on April 3. Six days later, Robert E. Lee's Army of Northern Virginia surrendered and was disarmed at Appomattox. Three days after that -- April 11 -- President Lincoln, standing in a second-story window of the White House, spoke to a huge crowd in a city gone wild in celebration of the Appomattox surrender. But among those listening in that crowd were John Wilkes Booth and 21-year-old Lewis Thornton Powell.

John Wilkes Booth, one of America's most famous actors of the time, and Lewis Thornton Powell were enraged by the President's White House speech on April 11. Three days later, Booth killed Lincoln in Ford's Theater while Powell tried to kill Secretary of State William Seward in his home. Booth was one of the country's most famous actors and an ardent supporter of the Confederacy. His young companion, Powell, was a Confederate army veteran and a second cousin of Confederate general John B. Gordon
The gang leader -- 27-year-old John Wilkes Booth -- was tracked down and shot to death by Union soldiers in Virginia. Eight others were convicted of being conspirators with Booth. Four were sentenced to death and hung, including the first woman ever executed by the U.S. government. The other four were sent to a remote prison island off the coast of Florida.
John Wilkes Booth killed President Lincoln with a shot in the back of the head near his left ear. The Henry Deringer pistol was the weapon he used. Manufactured by Henry Derringer. The weapon was found on the floor of the State Box in Ford's Theatre after the assassination, but it located today in the basement of Ford's Theatre.

10.8cm / 4 1/4 inches barrel length, 8 inches / 20cm long overall

Priced once the conservation cost has been calculated  read more

Code: 26091