Antique Arms & Militaria

A Most Desirable Original Souvenir, A Collector's Item From The Zulu War of 1879, a War Club, Iwisa, Of A High Ranked Zulu 'isiKhulu', A Warrior's Long Knopkerrie, With a Telegraph Wire Geometric Wirework Bound Haft. In Fantastic Condition

The longer, or the larger the head, denotes the rank of the impi, that bears the rank name of 'isiKhulu'. The larger the head for the elite chiefs or 'kinglets' the longer length for the veteran warriors, the Zulu generals or 'isiKhulu' equivalent

One of two original 1879 Zulu War souvenirs of a serving soldier we acquired last week. This one was from a high ranking Zulu 'isiKhulu' warrior. A simply superb quality example, in stunning condition, bearing two geometrically patterns wire bound bands of scavenged, Victorian, early British telegraph wire. The other one was a rare Zulu Chiefs war club that was sold to a collector last weekend

The Zulus would frequently cut down the British military telegraph wires, strip them, and create wirework decorative patterns on their spear and knopkerrie hafts. That is a most desirable and specifically historical feature of quality, when bound upon the spears and clubs, of the Zulu War period Zulu warriors

The wirework is still beautifully intact and the native hardwood has a impeccable natural age patina.

Ceremonial and Functional Distinctions: While a standard knobkerrie was an indispensable, everyday accessory for a Zulu man, it was also used in ceremonial roles. For example, some were finely decorated with copper or iron wire for elite,

During the period of this knopkerries use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.

Each Impi was made up of several ibutho, each approximately 1,000 warriors strong plus the young boys acting as servants and scouts for the army. Each had its own shield colours, and other emblems such as head dresses. The amount of black and white on a shield allowed the Zulu commanders to know exactly what regiment was where on the battlefield, much like the colours of the regiments did for the European armies. Shaka needed a fast mobile army, as early in his campaigns he was outnumbered and needed to manoeuvre quickly, so to ensure this the warriors were made to run bare foot so the loss of a sandal wouldn’t disable them and their feet were hardened, by frequent runs over the hot stony ground and by stamping thorns into the ground so that scar tissue would form.

In battle the troops were lightly equipped apart from a shield - any armour would have been impractical and useless anyway when facing European armies with guns. The elaborate dress seen in many films is a misconception and mainly ceremonial. Standard weapons were a short broad bladed stabbing spear and a heavy club, Shaka introduced the short stabbing spear and warriors did not carry spares so did not throw them in battle. Some regiments re-introduced throwing spears when facing the European and Boer armies but by this time they were also using looted firearms and primitive muskets traded to them by Arab traders. Although lacking the fire power of the modern armies European armies they later faced the Zulus were well disciplined and brave and once they closed with the enemy their greater training in close combat and the advantage of having a shield made them lethal. They were also know for the ritual of “washing of the spears” - a tradition of cutting open fallen enemies’ bellies so that their ghost/ spirit would be free and not haunt the person who killed him. This was seized upon by the media to help portray the Zulus as blood thirsty savages. Discipline was harsh but not exceptionally so if compared to contemporary European armies, cowards were shamed and normally executed and the brave honoured, basic battlefield medicine was practised but the Zulus had surprisingly good causality recovery rates.

Not only a superb historical collectors item, but also, a perfect walking stick!

33 inches long, knob, 2.4 inches across, weight 14.5 ounces {almost a pound}  read more

Code: 26186

An Early 17th Century ‘Pillow’ Sword, Around 420 Years Old, by Arnoldt Brach of Solingen. The Simplest of Sword Types Made, From The Era Of King James Ist, But None The Less Effective For That. Short Rapier Form Blade, Walnut Hilt

Arnoldt Brach (1573-1640): A bladesmith active in the late 16th and early 17th century in Solingen, sometimes associated with the "crowned T" mark. Armourer stamped Arnoldt Rot. Bras {Brach} Me Fecit { translation from the 17th century Latin; ‘Arnoldt Brach I Made This’ } On the obverse blade side, Arnoldt Rot. Bras {Brach} Salingen {sic} plus armourer’s stamps of cross symbols to both sides.

A pillow sword is a small, light 17th-century European sword, often featuring a straight double-edged blade, designed as a compact personal weapon. Popularly believed to be kept under a pillow for bedroom protection—hence the name—it was more likely a practical, stylish "town sword" worn daily, often associated with a waist sash. 17th century status symbols and for personal defence, particularly in busy cities like Amsterdam, London, Seville, or Rome where long rapiers were impractical.

There has been a long held belief that the naming of the sword type was due to a flat sword that could be kept under the nobles pillow in order to make a rapid defence, during a nighttime’s slumber, against an assassin’s nefarious attack. There is no specific evidence to confirm this likely myth, however, as the saying goes ‘alls fair in love and war’, thus, if needs must, a flat ‘pillow’ sword would be the only form of sword that could be concealed at close quarter, and at instant reach, within the bedchamber, by a fearful potential victim.

17th-Century Dueling: Noblemen of this period, such as those in France or Naples, frequently engaged in duels of honour, often using rapiers, daggers, or sabres to settle disputes, sometimes over trivial matters

These weapons featured smaller hilts, sometimes with a single side-ring, or none at all, making them far less cumbersome than full-sized rapiers. Many examples may or may not include cross-guards and plain wooden or wire-bound wooden grips. Often the simpler the better, and one couldn’t get more simple than this example. The blade is very fine with superb and clear named armourer maker stamps of Arnold’s Brach of Solingen

33.5 inches long overall. Blade in good condition for age, old pitting at the bottom quarter, wooden hilt good with small losses at the ricasso.  read more

Code: 26184

A Very Inexpensive Original Scarce English Transitional Revolver Circa 1840 By Cook of London

The stepping stone between the 1830's pepperbox revolver, and the later first double action revolver patented by London's Robert Adams in 1851. Some of the most ground breaking work in the early design and manufacture of revolvers was undertaken in England long before the world famous American revolver makers, such as Colt and Remington, became famous for their fine pistols. This most interesting piece is fully, and most finely engraved, on the frame and grip, with a highly detailed micro chequered walnut butt.

Good operating action, several areas of old surface pitting interspersed with areas of no pitting at all.
Trapdoor percussion cap container in the butt.
Made by one of England's 19th century makers and innovators of fine revolver pistols, of London. A classic example of one of the earliest English cylinder revolvers that was favoured by gentleman wishing to arm themselves with the latest technology and improvement ever designed by English master gunsmiths. They were most popular with officers that could afford them in the Crimean War and Indian Mutiny. A picture in the gallery is of Robert Adams himself, loading his patent revolver for HRH Prince Albert, Queen Victoria's Consort. He was also manager for the London Armoury and he made many of the 19,000 pistols that were bought by the Confederate States for the Civil War. The US government also bought Adams revolvers from the London Armoury, at $18 each, which was $4.00 more than it was paying Colt for his, and $6.00 more than Remington.The action on this beautiful gun is good very nice, and tight, but the surface has areas of old corrosion. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22364

A Wonderful 18th Century French Small-Sword of Parcel Gilt and Blued Steel A Simply Stunning Museum Grade Piece

A sword that is certainly worthy of a finest collection of all forms of object d'art, antiquities, antiques and militaria.
Likely made at Versailles, at the royal workshops, by a royal swordsmith of King Louis XVIth, such as the master swordsmiths of the king, Lecourt, Liger or Guilman. A very finest grade sword of the form as was made for the king to present to favoured nobles and friends. He presented a similar sword to John Paul Jones see painting in the gallery now in the US Naval Academy Museum.

Three near identical swords to this now reside in the Metropolitan A simply superb small-sword, with stunningly engraved chiselled steel hilt, overlaid with pure gold over a fish-roe background,, decorated with hand chiselled scenes in the rococo Italianate renaissance style depicting various hunting scenes, of hunting hounds and game birds. The multi wire spiral bound grip is finest silver, in with Turks head finials. The blade is in the typical trefoil form, ideal for the gentleman's art of duelling. The degree of craftsmanship of this spectacular sword is simply astounding, worthy of significant admiration, it reveals an incredible attention to detail and the skill of it's execution is second to none. Other similar swords are in also in the British Royal Collection and in Les Invalides in Paris. Trefoil bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example. For example of the workmanship in creating this sword for such as the King and Marie Antoinette we show the keys for the Louis XVI Secretary Desk (Circa 1783) made for Marie-Antoinette by Jean Henri Riesener, one of the worlds finest cabinetmakers, and whose works of furniture are the most valuable in the world. The steel and gold metalwork key for Marie Antoinette's desk, is attributed to Pierre Gouthoire (1732-1813), the most famous Parisian bronzeworker of the late eighteenth century who became gilder to the king in 1767. This sword bears identical workmanship and style to that magnificent key. This is the quality of sword one might have expected find inscribed upon the blade 'Ex Dono Regis' given by the King. Very good condition overall, with natural aged patination throughout. This painting, entitled John Paul Jones and Louis XVI, by the American artist Jean Leon Gerome Ferris depicts John Paul Jones and Benjamin Franklin at the court of Louis XVIth and being presented a similar sword now in US Naval Academy Museum.
39.1/4 inches long overall.  read more

Code: 23138

A Wonderful Collection of Napoleonic War 'Grande Armee' Cuirassier & Officer's Pistols, & Cuirassier Dragoon Musket, Crimean War General's Sword, Waterloo Hussar's Sword. Arriving Next Week

Plus, a Napoleonic Wars officers sword of a British Light Dragoon regiment, plus 19th century British swords, helmets and Japanese swords. Including, the sword of the Colonel of the 3rd Battalion Grenadier Guards in the Crimean War, {see pictures 8 and 9} later Major General, {see portrait picture 6}. We show a Portrait of Major Hodge of the 7th Light Dragoons with his same mameluke sword {see portrait picture 7} Before 1815, during the Napoleonic Wars and the Battle of Waterloo, the Mameluke-hilted sword was a fashionable, often personal, choice for British light cavalry officers (such as Hussars) and high-ranking staff officers, rather than a standard infantry rifle officer's weapon. The style was adopted following campaigns in Egypt and India, influenced by Napoleon's Mameluke units and the personal preference of the Duke of Wellington

The Grande Armée was formed in 1804 from the L'Armée des côtes de l'Océan (Army of the Ocean Coasts), a force of over 100,000 men that Napoleon had assembled for the proposed invasion of Britain. Napoleon later deployed the army in Central Europe to eliminate the combined threat of Austria and Russia, which were part of the Third Coalition formed against France. Thereafter, the Grande Armée was the principal military force deployed in the campaigns of 1806/7, the French invasion of Spain, and 1809, where it earned its prestige, and in the conflicts of 1812, 1813–14, and 1815. In practice, however, the term Grande Armée is used in English to refer to all the multinational forces gathered by Napoleon in his campaigns.

Upon its formation, the Grande Armée consisted of six corps under the command of Napoleon's marshals and senior generals. When the Austrian and Russian armies began preparations to invade France in late 1805, the Grande Armée was quickly ordered across the Rhine into southern Germany, leading to Napoleon's victories at Ulm and Austerlitz. The French Army grew as Napoleon seized power across Europe, recruiting troops from occupied and allied nations; it reached its peak of one million men at the start of the Russian campaign in 1812,3 with the Grande Armée reaching its height of 413,000 French soldiers and over 600,000 men overall when including foreign recruits.4

In summer of 1812, the Grande Armée marched slowly east, and the Russians fell back with its approach. After the capture of Smolensk and victory at Borodino, the French reached Moscow on 14 September 1812. However, the army was already drastically reduced by skirmishes with the Russians, disease (principally typhus), desertion, heat, exhaustion, and long communication lines. The army spent a month in Moscow but was ultimately forced to march back westward. Cold, starvation, and disease, as well as constant harassment by Cossacks and Russian partisans, resulted in the Grande Armée's utter destruction as a fighting force. Only 120,000 men survived to leave Russia (excluding early deserters); of these, 50,000 were Austrians, Prussians, and other Germans, 20,000 were Poles, and just 35,000 were French. As many as 380,000 died in the campaign.  read more

Code: 26183

A Museum Quality Original & Ancient, Crusades Period, King Edward Ist Medieval Knights Sword, 13th century. Used During The Time of Edward Longshanks, William Wallace and Robert The Bruce, Used By Both English & Scottish Knights During That Historic Era

The type known in academic circles as the Oakshott Type XII. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.
A wonderful example piece, from the ancient knightly age. Effectively, from this time of almost eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.A simply stunning historical original double-edged original knight's crusades period iron longsword of Oakeshott's Type XII (Oakeshott, 1991, p.105). Incredibly, still complete with its iron scabbard mount. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. The swords' broad, flat, evenly tapering blade is typical of specimens of its category, with the blade tending to widen below the hilt; incredibly the iron mouth of its original scabbard is also still present decorated with an openwork flower, but now in 2 pieces; the fuller is well defined, extending from below the guard for a little more than half of the blade's length;
This is the dominant style of knightly sword in use during the time of King Edward 1st of England Edward Longshanks such as in the first War with Scotland against Robert the Bruce and Sir William Wallace. The frequent myth is that the Scots mostly used the great sword Claymore, as seen in Braveheart, but the reality is very few of those were used, and even the so called William Wallace Claymore in the Wallace museum display in Stirlingshire, Scotland is iust an amalgam of various mixed sword parts, a Ship of Theseus of sorts.

The 'Great Seal of Robert The Bruce' shows him holding the very same type of sword.
This type was frequently made in Venice, by their great armourers, and many king's around all Europe had this form of sword. King Edward's sword, for example, was very similar to this sword, in its shape and form, but the king's sword would have been thinly coated with gold on the hilt. The Battle of Falkirk, (22 July 1298) was the initial Scottish victory over the English at the Battle of Stirling Bridge in 1297, but was soon avenged by Edward at the Battle of Falkirk. English rule was thus re-established over Scotland, forcing William Wallace to wage a lengthy guerrilla campaign until he was hunted down, betrayed, and eventually executed for treason in 1305. After the disaster of Stirling Bridge, King Edward I of England determined to crush the Scots once and for all. He headed north to invade the country in 1298, advancing with an army of around 2,500 mounted knights many using swords just as this one and 12,500 infantry, including large numbers of Welsh and English archers armed with longbows. In response, Wallace tried to avoid a pitched battle, because his own forces were smaller than the English, totalling around 1,000 mounted knights and 5,000 infantry. Wallace preferred to conduct guerrilla warfare against the invading army, but was eventually forced into battle at Falkirk.
On the morning of battle, Wallace formed his pikemen up into four schiltrons, hedgehog like circular formations of pikemen standing shoulder to shoulder with their pikes facing outward through an outer row of men in armour. The gaps between the schiltrons were filled with archers. The four schiltrons withstood the initial English cavalry and infantry attacks but then became vulnerable to steady fire from Edward?s longbowmen, the first time significant use had been made of this deadly weapon in battle. As the arrows poured down, supplemented by crossbow and slingshot, the schiltrons were soon broken up by the charging English cavalry. The Scots then fled into the neighbouring woods. Wallace escaped, although he lost many supporters. English losses, too, were high, testimony to the effectiveness of the schiltrons in battle.

Losses: English, 2,000 of 15,000; Scottish, 2,000 of 6,000. This sword's blade's cross-section, being of lenticular design, was originally from thirty to thirty-two inches long; the grip is a little longer than previous Oakshott type XI; the style of guard is short and straight, with a flattened cross-section at the edges; the pommel is a thick spherical piece, slightly flattened at the centre. Nice condition for age.

To see references on this sword see Oakeshott, J, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. 'Records of the Medieval Sword', Woodbridge, 1991; Nicolle, D., 'Arms and Armour of the Crusading Era', 1050-1350, vol I,, London, 1999; Scalini, M., 'A bon droyt, spade di uomini liberi, cavalieri e santi', Milano, 2007.

Oakeshott considered this category of sword as one of the most difficult to interpret, because of the affinity of the hilt with the types X and XVI (Oakeshott, 1991, p.65). Characteristics are the noticeable taper blade, with acute point, and the grip quite short, never of hand-and-a-half length. The fuller is usually running for at least half of the length of the blade. The sword was the most typical chivalry weapon diffused in all the Europe, largely attested by archaeological finds and artefacts from historical collections. Among the most famous specimen of such sword we should remember the one of Sancho IV (El Bravo) of Castilla, died in 1295 AD see photo in the gallery, which show a slightly curved hilt, and a cross-guard also expanded at the edges (Nicolle, 1999, cat.391). Our sword finds a good parallel in a Venetian sword preserved in Padova Museum (inv. IG 321119, s. Scalini, 2007, pp.126-127, cat.19), realised by an unknown Italian craftsman. Many of these swords were taken as booty from the Muslims taken from the vanquished crusader knights initially and preserved until recent times in the Arsenal of the Imperial Palace in Istanbul. Such weapons were mainly of Venetian origin, with slightly broader blades than our specimen. Scalini has suggested that such swords could also have been employed during the XIII-XIV century by the Venetian infantry in the operations of the Aegean Sea against Muslims and Eastern Romans. If this is true, the importance of the weapon consists in its functional use, not only reserved to the European and British knights, but also army of the Venetian Republic. The early flat disc pommels appear in the Mediterranean Sea at the beginning of the 12th century (for similar pommels s. Oakeshott, 1991, p.69) and persist in use until the 15th century and even later, although with significant variations. In art and medieval iconography, the best samples of swords of XII types can be seen on the famous Bible of Maciejowski made in approximately 1250 (Nicolle, 1999, 49a-49 as). Many of the swords illustrated therein seem to indicate a full length fuller; this might seem to indicate a Type X. However, most of the illustrations feature far too much profile taper to be a true Type X. Given the period of the Bible's manufacture they are far more likely to indicate swords of Type XII design. There is also an Apocalypse in the library of Trinity College, Cambridge (Nicolle, 1999, 189a-b) that was made around twenty years earlier that features illustrations of the type. Many of the illustrations from the Royal Armouries Manuscript I.33 can be interpreted as being of type XII pattern. More specifically, the typology of our specimen is visible on the sculpture of a warrior in the Church of Saint Justyna in Padua, confirming again the Venetian origin of such swords.

"Most probably our specimen is from a battlefield or, most probably, a river find. Type XII (Oakeshott, 1960 (1999) p.206), is generally dated between about 1180 and 1320, It has a large blade, very similar in shape to the Ulfberht ones but generally with a more acute point, and a well-marked and slightly narrower fuller starting in the tang and running about halfway along the blade; this occasionally is of two or more grooves. The pommel is generally in the form of a thick disc, sometimes with the edges bevelled off, sometimes of the so-called "wheel" form. Its cross is generally straight, circular in section and widening at the ends, but it may be of a square section; or it may be curved or have decorated terminals. Inscriptions on examples of these swords dating after about 1220 are slightly different again; the letters are closer together, often so dose that it is nearly impossible to make them out; and instead of the clearly legible religious phrase there is a jumble of repetitive letters which seems meaningless. Typical of the High Middle Ages, these swords begin to show greater tapering of the blade and a shortened fuller, features which improve thrusting capabilities while maintaining a good cut. The Cawood sword is an exceptionally well preserved type XII specimen, exemplifying a full-length taper and narrow fuller, which terminates two thirds down the blade. A number of Medieval examples of this type survive. It certainly existed in the later 13th century, and perhaps considerably earlier, since the Swiss National Museum in Zurich possesses an example that has a Viking Age-type hilt but clearly a type XII blade." Above quote on this sword from Dr Raffaele D'Amato. Small hole damage to central fuller and extreme tip missing. As with all our items they are accompanied with a Certificate of Authenticity and thus Guaranteed for Life. Just under a kilo in weight, 74.5cm (29 1/4" inches long overall). As usual the wooden handle and scabbard leather perished centuries past. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. This sword will be accompanied by a complimentary wooden display stand. It could also be enhanced by affixing to a rectangular bespoke display panel.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 22938

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale And New Fantastic Original Treasures Added, Every, Single, Day.

Happy Easter, everybody!!

As all our regulars know we close on all bank holidays and Sundays, but, the shop was open on the Saturday, in between Good Friday and Easter Sunday & Monday, and we had over 3,200 visitors!!!, but if you want to pop in after the holiday, then everyone will be very welcome.

During our closure days etc we are contactable by email or calling our mobile 07721 010085. Our resident staff will be able to assist calls as usual

Mark and David, will also be consulting and filming a documentary till the 14th, so that will prove interesting again.

Our third floor resident security staff are available for drop-off deliveries and collection every day though, but by appointment only.

Our beautiful pieces from history are not always just for looking at, some {such as the B3 Pilots Jacket} can still be enjoyed, and even worn, for every one to see.

Recently acquired and added to our web store and also due to be added.

A fabulous quality and very good Napoleonic Wars Brown Bess, an incredible pair of Zulu War knopkerrie clubs, one a fabulous rare chiefs war club, the other a telegraph wire bound impi warriors war club, and one of the best and beautiful regimental pattern Napoleonic Wars swords, for one of the great Scottish regiments that saw incredible action in the Peninsular war and Waterloo. Also a stunning Martini Henry 450-577 rifle {with both optional bayonet patterns} one of the first 1400 ever made. And, one of the rarest Royal Marines pattern swords, 1796, we have ever seen. Trafalgar battle damaged.
We also have two amazing Japanese swords both by high ranked smiths Dewa Daijo Fujiwara Kunimichi circa 1615, and Hamabe Toshizane, 1814, both absolute beauties! they will both be available in around two weeks. Plus another super Brown Bess, (now sold ) and a remarkable WW1 German snipers bullet proof armour shield. Some jolly nice Imperial and Third Reich German swords. Plus, lots, lots more!

Recently we also have some superb, British, Victorian swords from the Crimean War, for a new young officer serving in The Zulu War, and one beauty, regimentally marked to the 1st Battalion The Welsh Regiment, for an officer that served in combat Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.

Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:

‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”

Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900

Also, cannon balls from the English Civil War seige. One ball was recovered {in living memory} almost five feet beneath the surface mud. And an incredibly very rare and historical.

Also, see our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka.

Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek short sword or long dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt {now sold}

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix

And Tom pops in again to pick up a few trinkets the other day, and Liz and Richard pop down to visit us in October 1970  read more

Code: 24055

A Very Rare, And Incredibly Beautiful, Regimental British Sword Museum Piece, From The Napoleonic Wars. A 1st Regiment Of Foot Sabre With Battle Honour Crest Of The Sphinx. For The Egyptian Campaign {For the Battles of Aboukir 1801 & Alexandria 1801}

A Beautiful 1803 pattern British combat infantry regimental sword for the Royal Scots, the 1st Regiment of Foot. A glorious museum piece for its combination of beauty and incredible combat history

This wonderous sabre looks as good as anything you will see on display in the Tower of London Armoury museum. This beauty could be the prize 'star' piece of any collection of rare Napoleonic swords

Copper gilt 1803 pattern slotted hilt with lion's head pommel royal crest GR knuckle bow, slotted hilt with four regimental badges of the 1st Regiment of Foot The Royal Scots, with figure of the Sphinx battle honour. Wooden ribbed grip and original copper gilt mounted scabbard with maker engraving of John Salter of 35 the Strand, London. Maker to the Duke of Sussex, and a famed maker of swords for Admiral Lord Nelson, and Lloyds Patriotic Fund.

The overall condition of the sword is very good indeed, yet it has clearly been used, in impressive hand to hand combat, as the sword blade’s cutting edge has numerous attacking and defensive edge-to-edge sword cuts. Very likely acquired during its last combat service use at Quatre Bras and Waterloo, as the cuts would have been removed by the regimental armourer in order to restore a smooth cutting edge ready for the next battle, that never occured of course, thanks to the Duke of Wellington's magnificent victory over Napoleon.

A remarkable regiment of incredible combat history. They fought, with honours awarded, in the Egyptian Campaign against Napoleon, serving in the Mediterranean. This included Toulon (1793), Corsica (1794), Aboukir (1801) and Alexandria (1801). In 1799, the battalion also took part in the unsuccessful Anglo-Russian invasion of Holland. In the Peninsular war, they fought at Corunna (1809), before being evacuated and sent on the Walcheren Expedition. It returned to Iberia, taking part in many engagements, including Fuentes de Onoro (1811), Salamanca (1812), Vitoria (1813) and the Battle of Nive (1813), before advancing into France in 1814. It later fought magnificently at Quatre Bras and Waterloo (1815).

The 1st Regiment of Foot (Royal Scots), 3rd Battalion, played a key role at Waterloo in Kempt’s Brigade (1st Division), positioned along the Ohain Road. They withstood heavy artillery, held their position during intense infantry attacks, and advanced in the late afternoon. They previously fought at Quatre Bras, forming a successful square with the 28th Foot.

Positioned on the left of the allied line, they were heavily involved in defending against French advances.
They held their position, forming lines and squares to combat French infantry and cavalry charges. During lulls, they withdrew to the reverse slope to avoid artillery fire.

Fighting at Quatre Bras on June 16, forming a combined square with the 28th Foot to repel cavalry.

During Waterloo, the regiment was involved in close-quarters fighting against initial French attacks, later supported by the Union Brigade cavalry.
Major Campbell was wounded, with command falling to Captain Robert Macdonald.
The regiment advanced towards the ridge after the fall of La Haye Sainte around 5:00 PM.

The 3rd Battalion was part of Major General Sir James Kempt's 8th British Brigade.

The Royal Scots (1st Regiment of Foot) was the oldest and most senior infantry regiment of the line in the British Army, raised in 1633 and serving until 2006. Known as "Pontius Pilate's Bodyguard," it was formed by Sir John Hepburn for service in France before joining the British establishment in 1678. The regiment was amalgamated into the Royal Regiment of Scotland.
Originally raised in 1633 by King Charles I as a Scottish regiment for French service during the Thirty Years War, later known as the Regiment de Douglas or Regiment de Dumbarton.
Precedence: It was recognized as the 1st Regiment of Foot in 1751.
Major Campaigns: Served in the War of Spanish Succession (Blenheim, Ramillies, Oudenarde, Malplaquet), 7 Years War, Napoleonic Wars (including Waterloo).
The Napoleonic Wars: During the Napoleonic Wars, they were heavily involved in the Peninsular War and at Waterloo in 1815
The development of the Pattern 1803 Flank Officer's sword originates with formation of grenadier and light companies in the late 18th century. These were considered the elite of both the Foot Guards and line infantry, and could be detached and deployed separately. The grenadier company was the senior company of any infantry battalion and would typically lead an assault. The light company fulfilled the skirmishing role for the battalion. When a battalion was deployed in line, the grenadier and light companies were deployed on the right and left flanks respectively, and both companies could be could be called upon to operate in looser formations and semi-independently. The added element of risk associated with detached skirmishing in looser formations meant that the officers of these companies needed a more robust fighting sword than the straight 1796 pattern.  read more

Code: 26176

A Very Fine British ‘Brown Bess’ India Pattern Infantry Musket, Of The Napoleonic Wars Period. For Over One Hundred Years The British ‘Brown Bess’ Was The Most Famed and Feared Musket In The World. No Army In The World Failed To Respect Them

You would have to go a long way to find a better untouched example of a regulation ‘3rd Pattern’ ‘Brown Bess’ from the Napoleonic wars, and most importantly used from Quatre Bras and Waterloo

The stock has super patina, very sound, great condition, untouched and devoid of restoration and a great and fabulous feel of quality and heft.
A perfect example of an historic original Napoleonic ‘sleeper’ A musket, that once retired from British Army combat service, was placed in sound and dry storage, and has remained untouched for nigh on 200 years.

All the fittings are very good, a superb regulation length barrel, lock, trigger guard, butt plate, etc, ramrod, sling swivels and brass mounts. With a fine leather strap, good action, good proof marks, good inspection stamps, good dating. Effectively, everything you would want to see in an infantryman’s musket, that was contracted, supplied to the British infantry, and used in the last great battles of Napoleon from 1814 when he was first defeated, and most importantly, in his last Hurrah, the 100 Days War, Napoleonic lady desperate gamble to reclaim his title, his throne and empire, culminating at Quatre Bras and Waterloo, what a historical beauty!

In fact he very nearly succeeded, if it wasn’t for the tactical skill of the iron Duke, and his indomitable army, of fearless English, Scottish, Irish and Welsh infantryman and the great Prussian volunteers of the KGL. With the able last minute assistance from Field Marshal Blucher (*who, interestingly, and allegedly, believed he was pregnant during Waterloo) and his Prussians, direct from their battle and defeat at Ligny.

One of the 142,970 British contract made 'India Pattern' muskets turned over by the East India Co. army to the British Board of Ordnance for the Napoleonic wars, due to the urgent need for arms to counter Napoleon's massive armament reserve.

The lock is stamped by the primary, senior ordnance inspector, Richard Duce {his mark of Crown 2}. Who was also the controller of tempering & hardening of locks, after their arrival from the stores for fitting to the musket, and apparently he inspected all the EIC bess that were handed over to the British Ordnance for the Napoleonic Wars. An account that was confirmed to us by our friend and historic colleague, Howard Blackmore of the Tower of London armoury.

The musket was the standard weapon issued to the British soldier throughout the 18th and early-19th centuries. It would be the 'India', also known as the 'Third Pattern' Brown Bess musket that would play a central and pivotal role in the wars against Revolutionary and Napoleonic France.

By the end of the American Revolutionary War in 1783, the British Army was armed with the Pattern 1777 and Pattern 1779(S) Short Land Pattern musket. This was a musket made to the strict quality guidelines of the Board of Ordnance, and was characterised by its 42 in barrel. After the war the expectation was for a period of peace, a time when the need for Ordnance materials would be low, so the standing contracts for the Pattern 1777 and the Pattern 1779(S) musket were cancelled. Parliament was not prepared to fund equipment it deemed unnecessary, so financial retrenchment was the order of the day. No change there then

The world changed in 1793, a mere 10 years after the loss of the American colonies. Britain found itself once again at war, this time with Revolutionary France. An army now reduced in size to an authorized strength of only 44,432 men had to be expanded rapidly, along with the local militia and volunteer forces. The call for muskets was huge. Indeed, in 1793 the total stock of muskets in armouries around Britain, including the central arsenal at the Tower of London, was around a mere 60,000. The stocks held in French arsenals amounted to over a very sensible 700,000.

Something needed to be done. At first the Board of Ordnance tried to ramp up production of the Short Land Pattern muskets by engaging new contractors. Yet despite producing over 31,000 muskets in 1793 the numbers were still woefully inadequate for the expanding forces.

The Board of Ordnance had to fill the gap. They did this by ordering 10,000 muskets from the Birmingham gun trade and 10,000 from their usual emergency suppliers in Liege, Belgium. However this was still not enough, especially as the private contractors in both Birmingham and London were hard at work fulfilling orders for the private trade and for the East India Company, one of the biggest private purchasers of military arms. To begin to solve this lack of supply the Master General of the Ordnance, the Duke of Richmond, suggested to the government that they persuade the East India Company to sell their stocks of muskets to the government and also to agree not to place any further orders until the Ordnance's requirements were met.

The duke wrote to the Home Secretary, Henry Dundas, on the matter. As Chairman of the Board of Control of the East India Company Dundas had earlier been instrumental in securing parliamentary approval for the renewal of the East India Company's monopoly. The duke stated that he was: 'aware how unpleasant it must be to take such a step, and to deliver out to our troops these East India Company muskets, but ... the least important must give way to the most; and you will be best able to judge whether the East India Company can admit of a delay in respect of theses arms. And altho' they might not be quite so perfect as ours, they undoubtedly must be serviceable ones, and such as the new Raised Corps must put up with on the current Emergency.'

This suggestion was met with agreement, and the idea of introducing the East India Company's arms into British Army service was conceived. By the end of 1794 the East India Company had delivered 29,920 muskets into government stores, all that they could spare. Indeed transactions for East India Company muskets would continue throughout the duration of the Revolutionary and Napoleonic wars. By 1815, the East India Company had sold the Board of Ordnance at least 142,970 small arms.

The musket that the East India Company supplied was one originally designed by General Lawrence for East India Company service, altered and simplified by Lieutenant Colonel Edward Windus in 1771. The musket in Company service became known as the 'Windus' pattern. In 1795, the Board of Ordnance began to order 'India Pattern' muskets on its own account and by 1797 it officially adopted the musket as the Model 1793 and began to place substantial orders for it with the Birmingham gun trade.

The Model 1793 India Pattern musket was standardized by the Board of Ordnance in 1797, taking account of its comparable cheapness, simplicity of design and ease of manufacture. By the end of 1797, the Birmingham gun trade was able to deliver some 72,000 muskets to the government proof house at Bagot Street. The success of this model was self evident, along with its slightly modified successor the Model 1809 India Pattern. They produced at an average price of 18 shillings and 5 pence (roughly £3,000 in today's money).

This fabulous example was one of those desperately required Brown Besses.

The Brown Bess musket was the standard weapon of the British infantry for more than a century. Soldiers on both sides of the War of 1812 employed it in battle, staring down its barrel at opponents across distances of less than a hundred yards.

Flintlock musket
The Brown Bess musket was the standard weapon of the British for more than a century.
British foot soldiers marched into battle with this musket—nicknamed “Brown Bess”—for more than 100 years. British redcoats used the Brown Bess to fight the War of Independence in the colonies, and many of their opponents in the Americans’ Continental army used it as well. British soldiers fighting in the Napoleonic wars carried it into battle, and it was the principal firearm used by the infantrymen who fought the War of 1812.

The Brown Bess had several distinctive features. It was a large-calibre weapon: the bullet it fired was a lead ball up to three-quarters of an inch in diameter, three times the diameter of a modern .22-caliber rifle round. The inside of its barrel was smooth: unlike more accurate “rifled” muskets used by the famous rifle regiments, the Brown Bess had a smooth bore with no grooves to make its fire more accurate. Soldiers loaded the musket through the muzzle, which meant that each bullet had to be forced down a longer than three foot barrel before firing. Even trained soldiers could only launch two or three shots per minute.

Because the weapon was slow to load and relatively inaccurate (experienced soldiers generally estimated its range between 50 and 100 yards), armies developed tactics that helped compensate for its shortcomings. The limitations of smoothbore muskets like the Brown Bess forced units employ “linear tactics,” in which a hundreds of soldiers stood in neat lines, shoulder-to-shoulder and out in the open. While such tactics appear decidedly unstealthy to twenty-first century eyes, they proved essential on the battlefields of all the conflicts which Britain was involved.
There, stealth was a low priority. Packing the men into blocs allowed officers to coordinate their troops’ fire into synchronized volleys. Firing a hundred guns in the same direction at once helped ensure that at least some, often most of the inaccurate musket balls found their targets. And grouping the men into neat lines out in the open helped commanders ensure that few of their troops gave in to the natural instinct to flee.

Of course, packing troops into blocks and fighting in the open required tremendous discipline from the individual soldiers. Infantrymen had to stand exposed to enemy fire as they loaded and fired their own muskets. And in some situations, soldiers learned the grisly dangers of fighting in lines—as at the Battle of New Orleans in the 1812 war, where American artillery attacked the exposed British formations with devastating effect.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

*While Blucher’s "pregnancy" was a metaphor, it was widely joked about by contemporary figures as a sign of his mental exhaustion and stress following the war.  read more

Code: 26181

A Wondrous Quality 18th Century Gilt Bronze Hilted Royal Naval Officers Sword of Hunting Hanger Form

Due to its superlative quality it was likely formerly the the property of a duke, prince, or an aristocrat of the highest status. It is also very similar to the the Walpole-Suckling Hunting Hanger Sword believed Carried by Capt. Horatio Nelson, sold by Sotheby's special treasures sale in 2003, see photo 10 in the gallery.

Originally intended for use in the boar or stag hunt, but most usually used in the early part of the 18th century by British senior officers in the Royal Navy. There are many portraits of Queen Anne period Naval admirals and the like carrying their hunting swords while in service aboard ship, as it was the perfect size for close combat use, aboard a well and profusely rigged man o’ war.
In the gallery is a portrait of Admiral Benbow holding his very similar hunting sword, another of Admiral George Churchill with his same sword, and once again with his same hunting sword Admiral Sir Cloudsley Shovell.

In the seminal works, 'Swords for Sea Service' by May and Annis, shown in photographed plates 80 and 81, are two other 18th century hunting swords used by noted naval officer's, one by Galfridus Walpole, said to have been used by Nelson and the other sword of Admiral Don Francisco Xavier Winthuysen, that was surrendered to Commodore Nelson at the Battle of St Vincent in 1797

Finest gilt bronze hilt engraved and cast throughout of scenes of hunts. With sharkskin grip, cast repousse decorated shell guard, knuckle bow and pommel, decorated with full relief very finely engraved blade with hunting scenes of wild boar. The wild boar is the ancestral species of the domestic pig. It is native across much of Central Europe
Unlike the Romans for whom hunting boar was considered a simple pastime, the hunting of boars in Medieval Europe was mostly done by nobles for the purpose of honing martial skill. It was traditional for the noble to dismount his horse once the boar was cornered and to finish it with a dagger. To increase the challenge, some hunters would commence their sport at the boars mating season, when the animals were more aggressive. Records show that wild boar were abundant in medieval Europe. A charging boar is considered exceptionally dangerous quarry, due to its thick hide and dense bones, making anything less than a kill shot a potentially deadly mistake. Hunting dogs have been used to hunt boar since ancient times. Boar hunting dogs are loosely divided into two categories, bay dogs, and catch dogs.
Bay dogs harass and harry the boar, keeping it cornered in one place and barking loudly. This behaviour is known as "baying" or keeping the boar "at bay". The bay dogs' barking alerts the hunters to the bay, so that the hunter may catch up and kill the boar.the clergy demanding tribute from commoners in the form of boar carcasses or body parts. In 1015 for example, the doge Ottone Orseolo demanded for himself and his successors the head and feet of every boar killed in his area of influence.

In this period, because of the lack of efficient weapons such as guns, the hunting of boars required a high amount of courage, and even the French king Philip IV died from falling off his horse when charged by a boar.

The sword is in fine condition for its age. It lacks the small quillon end  read more

Code: 21041