Antique Arms & Militaria

A Superb, Late 18th Century Napoleonic Wars Volunteer Jäger Officer’s Rifle. With Finest Walnut Stock And High Quality Mounts, Fine Quality Rifled Barrel of Approx .75 Inch Bore. The Rifle Purchased & Issued By The Army Before The Baker Rifle Was Produced

This beauty is likely the best, and best value, original rifle {with ordnance crown inspection stamp} used by the British Army, under the command of The Duke of Wellington, during the Napoleonic Wars. The latest of just three 60th Rifles service Jägers we have be privileged to acquire in the past 15 years.

Fine walnut full stock, in great polish, with King George IIIrd crown stamp on the inner butt box slide, and carved rifle cheek-piece. Sighted barrel, with the with traditional wooden Jägers patch box, and very finely engraved brass mounts, traditional rifle trigger guard and the butt plate is numbered 4, it has its original rifle ramrod with carved bone end to match the carved bone forend. Superb set trigger action conversion to percussion, in its working life in order to extend its use, and enable its use in foul weather.

An original Napoleonic & Anglo-French wars period issue Officer’s grade rifle, used by an officer of the 60th Regiment, and the predecessor rifle to the world renown Baker Rifle, that was itself a Jager rifle copy, that was issued to the 95th. Another remarkable thing about this rifle is that is a little more than half the cost today of its equivalent, yet more well known successor, a regulation issue Baker Rifle. This is due to the fact it does not quite have the fame as associated with the Baker Rifle of the 95th Rifles, much due to the wonderful modern book and film series penned by Bernard Cornwall, ‘Sharp of the 95th’ etc.

These Austro-Prussian made rifles, used by the 60th Rifles Regt. Volunteers, are referred to in British Military Firearms 1650 to 1850 by Howard Blackmore. As Assistant Keeper of Arms at the Tower of London, Howard, personally showed Mark three such identical examples, used by the 60th Rifles, that were in the Tower Collection, around 50 years ago.

The story of the earliest British rifle regiment goes as follows; at the end of 1797 - the year in which the Duke of York became colonel in-chief -of the 60th, it was decided to increase British forces in America, and an Act of Parliament was passed authorizing the Crown "to augment His Majesty's 60th Regiment of Infantry by the addition of a Fifth Battalion," to serve in America only, and to consist of foreigners.

“De Rottenburg organized his new battalion entirely for the special duties of ‘Riflemen.’ They were to be the ‘eyes of the army.’ He instituted a perfect system of drill for riflemen, and out-post duties; this system he printed in a book, which was afterwards embodied in the book of ‘Field Exercise and Evolutions of the Army,’ with a complimentary order by the Duke of York, then Commander-in-Chief.

This battalion, the first green-coated rifle battalion in the Army, was organized under the command of Lieut-Colonel Baron de Rottenburg, of Hompesch's Corps. It was formed of 17 officers and 300 men from Hompesch's Chasseurs, and was dressed in bottle-green cut-away coats with scarlet facings, white waistcoats, blue pantaloons, with black leather helmets and black belts. They were armed, at first, with inferior 'contract' rifles imported from Germany, but after those were rejected this better type was chosen. This fifth or "Jager" battalion served in Ireland in 1798 during the Rebellion, and then proceeded to the West Indies, where, in June, 1799, it received 33 officers and 600 men from Lowenstein's Chasseurs, another regiment of foreigners, at the capture of Surinam in 1791 and afterwards in South and North America.
In 1804 an Act was passed authorizing 10,000 foreign troops to serve in England, and the 5th Battalion was brought home in consequence in 1806. It went to Portugal in June, 1808, and from the opening skirmish at Obidos, on 15th August, two days before the battle of Roleia or Rolica down to the end of the war, took part in Wellington's campaigns in Portugal, Spain and the South of France.
This rifle was used prior to and during the Napoleonic Wars, the Peninsular War, the War of 1812 in America, and in the period of War of the 100 Days at Waterloo. The men in Hompesch’s British rifle corps were of all nations, except English and French and four hundred of the ‘Mounted Riflemen’ formed the nucleus of the new battalion, but they were chiefly Germans, and in Germany Rottenberg placed recruiting officers for the purpose of raising men for Britain's 60th.". "The battalion thus formed was the original of those battalions now so well known, and so distinguished in every sense of the word, as ‘Riflemen.’
The men were dressed and equipped as Jägers. They were armed with rifles, and carried what were called ‘rifle bags’ made of leather, instead of knapsacks; they grew the moustache, and they were dressed in green. In this particular they claim priority, in time, to all other battalions in the British army….” A superbly effective rifle, and a super and fine historical example, with the traditional German style patch box in wood as opposed to the Baker's brass version. A very fine walnut stock, brass furniture, including large ramrod pipes, heavy steel ramrod. Superb tight and crisp action. 30 inch rifled octagonal barrel, 45.5 inches long overall. “The men in Hompesch’s British rifle corps were of all nations, except English and French and four hundred of the ‘Mounted Riflemen’ formed the nucleus of the new battalion, but they were chiefly Germans, and in Germany De Rottenberg placed recruiting officers for the purpose of raising men for Britain's 60th.". "The battalion thus formed was the original of those battalions now so well known, and so distinguished in every sense of the word, as ‘Riflemen.’ The men were dressed and equipped as Jägers. They were armed with rifles, and carried what were called ‘rifle bags’ made of leather, instead of knapsacks; they grew the moustache, and they were dressed in green. In this particular they claim priority, in time, to all other battalions in the British army….” On our previous example, we had a few years ago, it still had inside the patch box, its original hand written label circa 1800, in part English and German, that gave what we believed to be the name of the rifleman 'Kluge' that used it, it's calibre, the gun's number 157, promise right of supply, and notes on it's accuracy at 100 ,150, 200, 250, 300, 400, 500, 600 & 700. We can enclose with our compliments a copy photo of that list, in our previous Jager rifle of the 60th, just to show to the new owner of this rifle, what it once may also have had stuck within the patch box lid. Before the standard Baker rifle, which was a near direct copy of this Jäger rifle, replaced the Jäger rifles, this was the rifle acquired by England from Prussia, by the British ordnance, and was issued to the earliest British rifle regiment the 60th, formed in the late 18th century. They were then used in America and Ireland, and then in Spain, Portugal & France

The riflemen were the first to fight the French at Obidos on Aug. 15, and then again played a leading role in the Battle of Roliça two days later.

Following Roliça, Wellesley decided to take five companies of the 5/60th and place them in each of the other brigades. This would strengthen the light companies of the battalions in those brigades and give them some rifle-armed troops. The decision was quickly vindicated by the 5/60th’s performance at the Battle of Vimeiro on Aug. 21. Not only did the five companies that were still brigaded with the 95th help defeat an attack on Wellesley’s centre, but the detached companies were present wherever the French attacked.

They also quickly gained a reputation for targeting French officers. Charles Leslie of the 29th Foot wrote:

“In this battle the 60th Riflemen, who were all Germans, showed great tact in taking advantage of the ground and dexterity in the use of their arms. General Fane, who commanded the light troops, observing one of these men successfully hit one or two French officers who were gallantly exposing themselves in front leading on their men, exclaimed in the excitement of the moment, ‘Well done, my fine fellow! I will give you half a doubloon for every other one you bring down.’ The man coolly loaded again, fired, and hit another, then looking at the General, he said gravely, ‘By Got, I vill make my vortune’.”

This rifle is a superb piece, in fabulous condition in all parts, walnut brass and steel. The action is as tight as a drum. And the walnut patina is a beautiful golden brown.

In the picture in the gallery there is a photograph of a 60th Rifleman next to a 95th in the Peninsular War. And another photograph we show is of another 60th rifles rifle patch box lid that we had on another Jager rifle of the 60th, some years ago, and on that rifle, affixed on that patch box lid, were written his site windage adjustments. Note the photo in the gallery of the 60th Rifleman's patch box lid inner side on our past 60th Jäger Rifle, {not of this rifle}.
We noticed inside this rifles patchbox lid, a feint, GR crown military inspection stamp.
As with all our antique guns no license is required as they are all unrestricted antique collectables

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24769

A Very Fine & Most Rare, 'Lobed Pommel', 14th-15th Century, Noble's or Knight's Dagger. Used In the Era of The Battles of Crecy and Agincourt . An Original Wide Bladed Medieval 'Baselard' Knight's Dagger

In 1381 Wat Tyler was killed by a near identical 'baselard' dagger by the Mayor of London William Walworth. Wat Tyler (c. 1320/4 January 1341 – 15 June 1381) was a leader of the 1381 Peasants' Revolt in England. He led a group of rebels from Canterbury to London to oppose the institution of a poll tax and to demand economic and social reforms. While the brief rebellion enjoyed early success, Tyler was killed by officers loyal to King Richard II, including the mayor of London, during negotiations at Smithfield, London.

A most rare to survive dagger made of hand forged iron, narrow tanged of of heavy weight, and a very powerful dagger indeed, with a lentoid section triangular blade. The tang is pierced in two places for the riveting of a pair of grip plates towards its lobed pommel. The original grip plates, likely of horn, ivory or wood, would have rotted away, likely centuries ago, which is most usual for all swords and daggers of this era. Those hilts plates that you see present, in museum displays, of similar daggers, and indeed knightly swords, are almost always 19th century replacement grips.

Items such as this were oft acquired in the 18th century by British noblemen touring Northern France and Italy on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within his country house upon his return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe, acquiring antiquities and antiques for their private collections. Depictions of mid-14th-century examples are preserved as part of tomb effigies (figuring as part of the full military dress of the deceased knight). One early attestation of the German form pasler (1341) is from a court document of Nuremberg recording a case against a man who had injured a woman by striking her on the head with this weapon. Several German law codes of the 14th to 15th centuries outlaw the carrying of a basler inside a city. By the late 14th century, it became fashionable in much of Western Europe, including France, Italy, Germany and England. Sloane MS 2593 (c. 1400) records a song satirizing the use of oversized baselard knives as nobleman's fashion accessories. Piers Plowman also associates the weapon with vain gaudiness: in this case, two priests, "Sir John and Sir Geoffrey", are reported to have been sporting "a girdle of silver, a baselard or a ballok knyf with buttons overgilt."

Wat Tyler was slain with a baselard by the mayor of London, William Walworth, in 1381, and the original weapon was "still preserved with peculiar veneration by the Company of Fishmongers" in the 19th century. The point of most weapons was to incapacitate rather than to kill. Prisoners, especially those of high status, could be ransomed for money or leveraged for political influence. But when killing was ordered, as on Henry V's orders at Agincourt, the daggers came out.
Medieval knights often carried daggers designed not for cutting but for punching through the gaps in armour. These were used against incapacitated enemies, as happened to Richard III at the Battle of Bosworth Field. Based on Richard's remains, DeVries believes that his helmet was cut off with daggers, exposing him to the attacks that killed him.

This dagger is 15 inches long overall, approx 12 ozs 350gms in weight, and in fine condition for age, a strong and powerful dagger with just overall aged russetting. Pictures in the gallery of carved stone and marble tombs of medieval knights each bearing a knife such as this or a slight variant. The hilt-grip has long since perished away, as they all are from this era, would have been twin plates of wood, horn or ivory, with small carved quillons or crossguard and rivetted together through the two holes.

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 23018

Stunning 2000 Years Old Ancient Briton,Original Celtic Chief's Bronze Chariot Mount, From the Time of King Prasutagus & Used By Chiefs of The King and Queen Boadicea Queen of the Iceni, of Norfolk, The Ancient Britons. Found in Norfolk

Also known as Queen Boudicca. Circa mid 1st century A.D. Triple bronze radiating carinated knops, a substantial ring mounted on a supporting neck, with a hoop to the underside. Recovered in Norfolk, the site of the Iceni. Romano-British chariot fitting, a rein ring. These rings could be used in pairs and guided the reins from the chariot to the horse’s bit. This example is a superbly formed elegant example, with fine carrinated knop embellishments, made for a high born Iceni, and made from bronze. The Romans admired the British Iron Age chariots and the style and fittings and thus their version were continued to be used well into the Roman period

Sites of that period include the earthworks of a huge hillfort at Thetford Castle which the Normans built upon. An open space on a high point, at Gallows Hill, in Thetford, was once the location of a major ceremonial centre that Boudicca would have known.

The Iceni, whose name might have come from Iken, the original name of the River Ouse, where the tribe are said to have come from, had settlements across Norfolk, in north Suffolk and east Cambridgeshire. One of them was at Brettenham on the Peddars Way, east of Thetford, which was built by Romans to quickly transport troops up to The Wash and Brancaster, where they had a fort protecting north Norfolk.

Queen Boudicca waged war against the Romans in Britain from 60 AD after the Romans decided to rule the Iceni directly and confiscated the Norfolk property of the leading tribesmen. The uprising was motivated by the Romans' failure to honour an agreement they had made with Boudica's husband, Prasutagus, regarding the succession of his kingdom upon his death, and by the brutal mistreatment of Boudica and her daughters by the occupying Romans.
Boudicca's warriors successfully defeated the Roman Ninth Legion and destroyed the capital of Roman Britain, then at Colchester. They went on to destroy London and Verulamium (St Albans).
Thousands were killed. Finally, Boudicca was defeated by a Roman army led by Paulinus. Many Britons were killed and Boudicca is thought to have poisoned herself to avoid capture.
The site of the battle, and of Boudicca's death, are unknown.
Iceni warriors may have laid waste to Silchester
Professor Fulford said that in excavations at Silchester they had found evidence of a major military occupation at Calleva (now called Silchester) in 40 AD, then destruction between 60 and 80 AD, including wells that were filled in at this time and burned buildings. SE276001837GB
"The settlement is completely wiped out somewhere between 60 AD and 80 AD.

Not only an incredibly beautiful ancient work of art, it is a unique artefact of ancient Romano-British history, and a fabulous statement piece for any fine collection. It could look amazing frame mounted.

Queen Boudicea was also spelt Boudicca, or Boudica In the time of the Ancient Briton Celts revolt against the might of Rome. A wonderful original, cast bronze chariot mount that once a significant mount from an Ancient Briton Celt chieftain's war chariot. Early-Mid 1st century AD, the very time of Boudicca. This would have been mounted on the haft of the war chariot. And in an excavation one of maybe only a half dozen bronze pieces of the chariot that could have survived the ravages of time. There is so few opportunities to own a wonderful piece from the time of Boudicca Queen of the Iceni of ancient Briton. There are no known surviving artefacts of hers, but to own a significant part of maybe one of her chieftain's chariots is wonderful. About the time of Claudius' triumph in AD 43 (a century after Caesar's expeditions), Pomponius Mela, the first Roman geographer, says of the Britons that

"they fight not only on horseback and on foot, but also in wagons and chariots bigis et curribus, and are armed after the manner of the Gauls. They call those chariots covines which are set with scythes round about the naves falcatis axibus" (De Chorographia, III.43; first translated by Arthur Golding in 1585 and modernized here). In AD 60 or 61, when the Roman governor Gaius Suetonius Paulinus was campaigning on the island of Mona (modern Anglesey) on the northwest coast of Wales, Boudica led the Iceni, the Trinovantes, and others in revolt. They destroyed Camulodunum (modern Colchester), earlier the capital of the Trinovantes but at that time a colonia, a settlement for discharged Roman soldiers and site of a temple to the former Emperor Claudius. Upon hearing of the revolt, Suetonius hurried to Londinium (modern London), the 20-year-old commercial settlement that was the rebels' next target. He lacked sufficient numbers to defend the settlement, and he evacuated and abandoned Londinium. Boudicca led a very large army of Iceni, Trinovantes, and others against a detachment of Legio IX Hispana, defeating them, and burning Londinium and Verulamium.

An estimated 70,000-80,000 Romans and British were then killed in the three cities by those following Boudicca, many by torture. Suetonius, meanwhile, regrouped his forces, possibly in the West Midlands; despite being heavily outnumbered, he decisively defeated the Britons. The crisis caused Nero to consider withdrawing all Roman forces from Britain, but Suetonius's victory over Boudicca confirmed Roman control of the province. Boudicca then either killed herself to avoid capture (according to Tacitus), or died of illness (according to Cassius Dio) Beginning around the 3rd century BC, Celts of the regions around the Marne and the Moselle Rivers began burying their chieftains in light, two-wheeled chariots with their sword, shield, spears, and drinking vessels. Similar chariot graves from this era are also found in the British coastal regions of Yorkshire. The evidence for the use of these vehicles is clear. A Roman coin from 110 BC dramatically depicts the naked Gallic warrior-king Bituitus of the Averni casting spears from his chariot. And documentary evidence of the chariot in combat on the European continent is left to us by the Roman poet Propertius. In describing the fighting between the forces of Republican Rome and 30,000 howling Celtic warriors in 222 BC, Propertius depicts the chieftain Viridomar ‘clothed in striped trousers’ hurling javelins from his chariot with deadly accuracy. In fact, many of the Latin words for chariot-carpentium, carrus, essendum have Gaulish roots.

The use of chariots in combat in Gaul apparently died out before Caesar’s campaign of the 50s BC, because Caesar makes no mention of them, though he did of Gallic cavalry, in his Gallic Wars. But chariots certainly remained in Britain though few have been found there into the Caesarian era and beyond, because they are included in the writings of Caesar, Tacitus, and in the old Irish epic the ‘Tain Bo Cuailnge’ (The Cattle Raid of Cooley) composed in part around the 2nd century AD. Evidence of early Celtic chariot use is gleaned primarily from the excavation of graves of noble warriors.The first Roman expedition to Britain was a reconnoiter of the island by Julius Caesar in 55 BC, purportedly to suppress the reinforcements being given the native tribes in Gaul. There, chariots no longer were being used, and the ambush of a legion caught in the open and surrounded by the cavalry and chariots of the Britons provides an excursus by Caesar on their tactics, so unfamiliar to the Romans.

"In chariot fighting the Britons begin by driving all over the field hurling javelins, and generally the terror inspired by the horses and the noise of the wheels are sufficient to throw their opponents' ranks into disorder. Then, after making their way between the squadrons of their own cavalry, they jump down from the chariot and engage on foot. In the meantime their charioteers retire a short distance from the battle and place the chariots in such a position that their masters, if hard pressed by numbers, have an easy means of retreat to their own lines. Thus they combine the mobility of cavalry with the staying power of infantry; and by daily training and practice they attain such proficiency that even on a steep incline they are able to control the horses at full gallop, and to check and turn them in a moment. They can run along the chariot pole, stand on the yoke, and get back into the chariot as quick as lightning" (Gallic War, IV.33). An example from Ingolstadt, Germany, in Megaw, R.& V. Celtic Art. From its Beginnings to the Book of Kells,
London, 1989, item 225. The denarius coin in the gallery, shown for reference purposes only and not included, was minted by the moneyer Lucius Hostilius Saserna in 48 BC, following Caesar's campaign in Gaul. The reverse depicts a naked Celtic warrior holding a spear and small shield, while a crouched figure drives the horses with a whip. The survival of Roman chariot's rein mounts are certainly to be found, due to the number made, over such a long period, but an original Ancient Briton bronze rein mount, used by the Celt chieftains and Queen Boudicca, especially, from the site of Norfolk, Queen Boudicca's domain, and such a finest quality piece such as this, is a great rarity of Ancient Briton Celt history. only the second original bronze Iceni chiefs example we have had in 10 years.

7 cm overall

for reference;
Cf. Megaw, R.& V., Celtic Art. From its Beginnings to the Book of Kells, London, item 225, for type.
The Megaws investigate the antecedents of Celtic art, the styles and motifs employed, the relationship of the Celts and their art to the ancient civilizations of the Mediterranean, and the magnificent maturity of Celtic art in Britain and Ireland. They include major discoveries that have been made as the result of highway and rail construction and the results of detailed surveys of known sites, such as the recovery of the remarkable stone sculpture from the Glauberg northwest of Frankfurt. Continuing work at old sites such as the saltmining complex of the Durrnberg just south of Salzburg has produced new treasures, and important finds in Central and Eastern Europe and in the British Isles have necessitated a change in emphasis with regard to questions of origin and development. Vincent Megaw is currently Professor of Visual Arts and Archaeology, Flinders University, Adelaide, Australia, and Visiting Professor in the Department of Archaeology, University of Edinburgh; he is also Honorary Research Fellow in the Department of Archaeology, University of Glasgow.  read more

Code: 25572

The Lanes Armoury, World Renown As Britain’s Best Antique Museum-Shop and Gallery, Is Closed, As Usual, This Bank Holiday Monday 4th May. We Re-open Tuesday As Normal

Last Saturday, we had pass through our doors somewhere between 2,000 to 2,500 visitors, and, as usual, just about every one most kindly expressed we were probably the most interesting and incredible shop they had ever seen. And so many continually remarked we are not really a regular shop, we are far more like a museum and gallery, that happens to be a shop as well!. As literally, every single thing we show and offer for sale, is an incredible piece of history, and many pieces they have never before even seen, let alone offered for sale, anywhere else in the country.

One very polite young man said on Saturday afternoon
“ where else in the world can you buy an arrowhead, fired by Alexander the Great’s army, for £65, sitting next to a gold fob chain, in the shape of a Zeppelin, given by the former captain and survivor, of doomed Luftschiffer airship, The Hindenburg, to a colleague in the RAF.”

However, although closed Monday, we will re-open for our thousands of personal visitors and customers, this Tuesday as usual, but we are always contactable by email, or on 07721 010085 during our closing hours this Bank Holiday..

All website activity carries on 24-7 as usual .

Why not choose an ancient or antique original collectable for your loved one, or even you! Every day we try our utmost to supply all our customers with that something really special and unique, and as usual we believe have some simply amazing offerings, thousands of them from all over the world, from ancient to vintage, and every one a little part of history.
All our items supplied with our unique lifetime guarantee of authenticity, detailing its full history as known. The Lanes Armoury is proud to be known, as declared by many of our thousands of daily visitors, as their most favourite shop in all Great Britain!

Enjoy The Lanes Armoury Website, it Has Been Over 105 Years in the Making.

Probably the only shop in Europe where you can view, and buy, original collectables from over 300,000 years of human history, from almost every major civilisation

"Gloria Antika" { translated, from the Latin, ‘Glory of the Ancient’} our old family motto, and it has been for generations, are words we live buy every, single, day.  read more

Code: 24909

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale And New Fantastic Original Treasures From The Past Are Added, Every, Single, Day, Since 1921

Our beautiful pieces from history are not always just for looking at, some {such as the B3 Pilots Jacket} can still be enjoyed, and even worn, for every one to see.

The Lanes Armoury is incredibly fortunate that we occupy a position within the worldwide collectors market that we can, and do, every day, locate and pass on great and fantastic historical pieces, of great beauty and quality for just a small percentage of the cost that other antique stores, at the top of their area of interest, have to make available. In almost all the other top level areas of the sphere of collecting antiques, their offerings must often be in the hundreds of thousands, and even millions of pounds range. Colleagues in the profession we have personally known, that are similar leaders in their field, such as Renaissance bronzes and sculptures, and they can be up to 20 millions, fine art paintings, that can be millions or tens of millions, the finest French furniture that will be hundreds of thousands and even millions as well. In fact, we know of no other sphere of antique collecting, where the best available can be found so inexpensively, by comparison, to all other forms of antiques and art. Please view over the next 130 plus pages, detailing thousands of pieces of world class historical interest, and every single piece has brought, and will continue to bring, great joy for their owners, the new custodians of great artefacts of history.

Recently acquired, added to our web store and also, due to be added;
A collection of arms, helmets and armour from one of the foremost authorities, and late author of two seminal works, on Japanese polearms and combat techniques in the world. Sadly, not a rich man, so he wasn’t able to amass a huge collection, but what he did acquire, over the past 60 plus years, was simply incredible and we were most privileged to acquire the ‘museum pieces’ that we did. Including the ‘Green Dragon’ polearm naganata, his polearm of legend, and, his ‘great sword’ nagamaki, full length and unaltered, and almost six feet long. Plus armour, helmets, sword blades and polearms. Including a very rare momoyama nanban cuirass body armour. Nanban gusoku (南蛮具足): an interesting case of cross cultural exchange in East Asia. Japanese Samurai of the 16th century adopted and modified European breastplate and helmets into their own armour system. A fine, complete, and original momoyama nanban suit of gosuko today can cost between £50,000 to £100,000

A 1st Edition 1st Printing of The Great Gatsby, Publisher, Charles Scribners Sons, New York, Publication Date 1925, with the important words uncorrected, ‘chatter’ and ‘Northern’. Etc.
‘Now Under Offer’

Some superb French Napoleonic weaponry from the Grande Armee. A sword of the commander of the Grenadier Guards in the Crimean War, A fabulous quality and very good Napoleonic Wars Brown Bess, an incredible pair of Zulu War knopkerrie clubs, one a fabulous rare chiefs war club, the other a telegraph wire bound impi warriors war club, NOW BOTH SOLD, and one of the best and beautiful regimental pattern Napoleonic Wars swords, for one of the great Scottish regiments that saw incredible action in the Peninsular war and Waterloo. Also, a stunning Martini Henry 450-577 rifle {with both optional bayonet patterns} NOW SOLD one of the first 1400 ever made. And, one of the rarest Royal Marines pattern swords, 1796, we have ever seen. Trafalgar battle damaged. NOW SOLD
We also have two amazing Japanese swords both Museum pieces, by high ranked smiths, Dewa Daijo Fujiwara Kunimichi circa 1615, and Hamabe Toshizane, 1814. Plus, another super Brown Bess, (that now just sold ), but, another has arrived just the other day. Also a remarkable WW1 German snipers bullet proof armour shield. Some jolly nice Imperial and Third Reich German swords. And a super very rare Victorian tchapka lance cap of the 17th Lancers, of The Charge of the Light Brigade fame. Plus, lots, lots more!

“When can their glory fade?
O the wild charge they made!”

These words were made famous by Alfred Lord Tennyson in his poem, ‘The Charge of the Light Brigade’, and refer to that fateful day on 25th October 1854 when around six hundred men led by Lord Cardigan rode into the unknown.

The charge against Russian forces was part of the Battle of Balaclava, a conflict making up a much larger series of events known as the Crimean War. The order for the cavalry charge proved catastrophic for the British cavalrymen: a disastrous mistake riddled with misinformation and miscommunication. The calamitous charge was to be remembered for both its bravery and tragedy.

Recently we also have some superb, British, Victorian swords from the Crimean War, for a new young officer serving in The Zulu War, and one beauty, regimentally marked to the 1st Battalion The Welsh Regiment, for an officer that served in combat Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.

Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:

‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”

Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900

Also, cannon balls from the English Civil War seige. One ball was recovered {in living memory} almost five feet beneath the surface mud. And an incredibly very rare and historical.

Also, see our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka.

Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek short sword or long dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt {now sold}

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix

And Tom pops in again to pick up a few trinkets the other day, and Liz and Richard pop down to visit us in October 1970  read more

Code: 24055

A Superb 17th -18th Century Dutch East India Company Bronze Naval ‘Swivel’ Cannon on Carriage. A Cannon Of Stunning Quality And Exemplary Condition

A wonderful 17th to 18th century cast bronze swivel cannon, also called rail gun or a naval deck cannon, mounted on a beautiful antique carved hardwood carriage. The cannon can be hand lifted and easily removed in order to mount on other mounting blocks for swivels when used at sea. Solid bronze, with superb cast detailing, barrel measuring approximately 31.25 inches long, 31.75 inches long on carriage, with long ‘swivel spike’ on the underside of the barrel. The natural aged patination is absolutely fabulous and can only appear gradually over the passing of the centuries. This is truly a wonderful example worthy of any museum grade display. These cannon were made in the Netherlands and used by the VOC and by the legendary Malay pirates, and with suitable small cannon-balls it was a most powerful offensive weapon. Lantakas were manufactured during the 17th and early 18th century in the Netherlands by the Dutch East India Company for export to Indonesia, Malaysia and Philippines. This is a type of bronze swivel gun mounted on merchant vessels travelling the waterways of the Malay Archipelago. Its use was greatest in pre-colonial South East Asia especially in Malaysia, the Philippines, and Indonesia. The guns were used to defend against pirates demanding tribute for the local chief, or potentate. Cannon were frequently part of the bride price demanded by the family of an exceptionally desirable bride or the dowry paid to the groom.
Many of the small cannon, often called personal cannon or hand cannon, had been received as honours and were kept and passed down in families, but in times of need they also served as a form of currency that could keep the family fed. As a recognized form of currency, cannon could be traded for rice, drums, canoes, tools, weapons, livestock, debts of honour, and even settlement of penalties for crimes ranging from the accidental death of a fellow villager to headhunting against another tribe. Many of these finest cannon were given out by the Sultans of Brunei as part of ceremonies (such as birthdays or weddings) of the many princes and princesses of the extended Royal family. Cannon were frequently presented to guests along with awards and titles, and were meant to guarantee the recipients allegiance to the Sultan. In the 1840s, England began suppressing headhunting and piracy and Rajah James Brooke (a wealthy Englishman who established the dynasty that ruled Sarawak from 1841 until 1946) distributed numerous Brunei-cast hand cannon to guarantee the cooperation and allegiance of the local chiefs. Although most lantaka weighed under two hundred pounds, and many only a few pounds, the largest ones exceeded a thousand pounds with some weighing over a ton. Many of these guns were mounted on swivels and were known as swivel guns. The smaller ones could be mounted almost anywhere including in the rigging. Medium-sized cannon were frequently used in reinforced sockets on the vessel's rails and were sometimes referred to as rail guns. The heaviest swivel guns were mounted on modified gun carriages to make them more portable.

Typically the earliest cannon with beautiful ornaments from this region are from foundries in Malacca and Pahang, with later models from foundries in the Netherlands and Portugal, next from their respective settlements, and finally from Brunei and other local craftsmen.

The local population was unimpressed with the might and power of the heavily armed trading vessels from the VOC Dutch East India Company and Portugal. De Barros mentions that with the fall of Malacca, Albuquerque captured 3,000 out of 8,000 artillery. Among those, 2,000 were made from brass and the rest from iron. All the artillery is of such excellent workmanship that it could not be excelled, even in Portugal. - Commentarios do grande Afonso de Albuquerque, Lisbon 1576.

The Dutch and Portuguese quickly learned that they could trade cannon not only for spices and porcelain, but also for safe passage through pirate-infested waters. Local foundries continued to produce guns, using local patterns and designs from other local brass and bronze objects. This cannon can be lifted and mounted on any other form of swivel mount.  read more

Code: 21356

A Superb And Most Beautiful, Original, 19th Century Gaucho Cowboy Knife In Extraordinarily Decorative Repousse Alpaca With Gold Embellishments

The South American Cowboy or Gaucho was the first range cowboy, whose existence is first recorded back in the 1600's, they wandered the Pampas for centuries, working cattle and living off the land and the herd, just as the later North American Cowboy did in the 19th century.

Like the North American cowboys, gauchos were generally reputed to be strong, honest, silent types, but proud and capable of violence when provoked. The gaucho tendency to violence over petty matters is also recognised as a typical trait.

Gauchos' use of the famous "facón" (knife generally tucked into the rear of the gaucho sash) is legendary, often associated with considerable bloodletting. Historically, the facón was typically the only eating instrument that a gaucho carried.

As Charles Darwin said of the distinctive men who wore and used the facón,

"Many quarrels arose, which from the general manner of fighting with the knife often proved fatal."  read more

Code: 26079

Archaic Chinese Warrior's Bronze Sword, Around 2500 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword, however both the grip rings are now lacking, as is the pommel. Used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

From our wonderful collection of ancient Chinese weaponry we recently acquired, another stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu. as this sword bears old damage it is priced accordingly, yet it is still an ancient piece of great beauty and interest.

Swords of this type are called “two-ring” swords because of the prominent rings formerly located on the hilt. This is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top once had a round, likely dished pommel

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
As with all our items, every piece is accompanied by a certificate of authenticity  read more

Code: 24876

A Fantastic Looking Knight's Mounted Weapon, Medieval 15th Century Form 'Scorpion Tail' Chained Mace, or Battle Whip Head

A superb knight's 'scorpion tail' or 'battle whip' iron mounted knight's chained mace with screw pin to imbed into a wooden haft, composed of a carinated and facetted head with trapezoidal suspension loop, chain with figure-of-eight links with coiled wire collars, screw with tapering twisted shank and suspension loop with a facetted collar. This chained battle mace had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon as well as his sword, but as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.
According to the Cronica ecclesiae Pragensis Benesii Krabice de Weitmile, when told by his aides that the battle against the English at Crécy was lost and he better should flee to save his own life, John the Blind replied: "Absit, ut rex Boemie fugeret, sed illuc me ducite, ubi maior strepitus certaminis vigeret, Dominus sit nobiscum, nil timeamus, tantum filium meum diligenter custodite. --Far be it that the King of Bohemia should run away. Instead, take me to the place where the noise of the battle is the loudest. The Lord will be with us. Nothing to fear. Just take good care of my son-.

It is difficult to block with a shield or parry with a weapon such as this on a chain because it can curve over and round impediments and still strike the target.

It has a faceted orb mace head connected by a chain, and bar for holding in the hand or affixing to a wooden haft. . Modern works variously refer to this particular weapon as a "mace-and-chain" or "chain mace," and sometimes erroneously label them as simply a "mace" or morning star, terms which technically apply only to rigid weapons. Some historians refer to this weapon as a kettenmorgenstern ("chain morning star") to distinguish it from the rigid weapon. Despite being depicted in medieval manuscripts they were very likely most rare bespoke weapons in their day, and infrequently encountered, as rigid maces, iron or bronze weighted heads, affixed to a wooden hafts, were far simpler to make and thus much less expensive to create.
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French

Sir Walter Scott describes the flail in the hands of an unhinged Crusader in his 19th-century novel The Talisman:

“I am Theodorick of Engaddi,” he said,—“I am the walker of the desert—I am friend of the cross, and flail of all infidels, heretics and devil-worshippers.” … So saying, he pulled from under his shaggy garment a sort of flail or jointed club, bound with iron, which he brandished round his head with singular dexterity.

“Thou seest thy saint,” said the Saracen, laughing, for the first time, at the unmitigated astonishment with which Sir Kenneth looked on the wild gestures and heard the wayward muttering of Theodorick, who, after swinging his flail in every direction, apparently quite reckless whether it encountered the head of either of his companions, finally showed his own strength and the soundness of the weapon, by striking into fragments a large stone which lay near him.

“This is a madman,” said Sir Kenneth.

The gallery contains photos of original medieval paintings of chained maces used in knightly combat, and another of a Renaissance tapestry of another chained mace, and an original 17th century engraving. Another final variety the Iberian flail or mangual. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture 10 in the gallery is another a capture taken from a Renaissance painting

Very good, surface russetted condition, 22 inches long approx., and with great heft.  read more

Code: 24107

A Wonderful 16th Century Renaissance Era Italian 'Fusetto' Gunner's Dagger Used on Land By Venetian Artillery Chief Cannoneers, or At Sea by The Venetian and Papal States Navy Cannoneers

A supremely effective stiletto from the Italian Renaissance, for defending the guns and cannoneers during close combat, and measuring the bore of cannon to ensure the right size cannon ball was used, measuring powder charges, and lastly, for ‘spiking the guns’ during the imminent threat of capture.

Used in artillery combat in Papal armies such as were commanded by Cesare Borgia, who was an Italian cardinal and condottiero, an illegitimate son of Pope Alexander VI and member of the Spanish-Aragonese House of Borgia. His fight for power was a major inspiration for The Prince by Niccolò Machiavelli see his portrait in the gallery. The Prince, one of Machiavelli's greatest works, as Machiavelli admired Borgia's undimmed ruthlessness, but mainly, because Borgia, for Machiavelli, exhibited a unity and coherence of purpose and intents that was good for the polity. {see Casare’s portrait in the gallery}

Used during the same time as the great and legendary masters, Leonardo Da Vinci and Michelangelo were creating their masterpieces for the great families of Renaissance Italy, such as the Borgias or for Pope Sixtus IVth’s Vatican Palace Sistine Chapel.

While the greatest artists the world has ever seen, we’re creating their glorious works in Rome, Florence or Venice, the cannoneers were mastering their guns in the great battles against enemy Italian States, or foreign invaders, such as the Ottoman army and navy of the Grand Turk.

A superb and most rare museum piece, only normally to be seen today in the world great armoury collections, such as in the Doge’s Palace Armoury in Venice, or the Royal Armoury of Turin,

This stunning beauty of this piece is the elegance and simplicity of its form, and, it is in fantastic condition for its age, which is around, an amazing, 500 years. A wonderful example of an original ‘fusetto’, the chief gunner's dagger, carried by an Italian chief cannoneer during the Renaissance period.

The exact type as used at the Battle of Pavia, by the artillery, and the Battle of Lepanto by the Papal States and the Venetian Navy. The blade is of rare rounded section, as, more commonly, they were square section. For the specific use of the Chief Cannoner of artillery, for several important purposes, including, the clearing the vent touch hole from burnt powder build up, and, as it has an engraved blade with a number scale cuts, in order to measure across the bore of a cannon at the muzzle, in order to gauge the calibre of the cannon, thus to ensure the right size ball was used, and also, for the correct measure of powder, plus, if all hope of defence of the gun is lost, for 'spiking' a cannon's vent touchhole if the cannon are overrun by the enemy. Finally, and often just as importantly, for use in close combat by the chief cannoneer, for, if the guns are over run the chief gunner or cannoneer needs a vitally important weapon for personal defence.

The side notches in the blade were cut showing graduation of muzzle widths and called the Scala di Cattaneo. The rare round form blade, being long and graduated, in addition to enhancing the elegance of the blade, has a function of mechanical compliance, for, as mentioned before, if during a battle the cannon were about to be taken by the enemy, the bombers and of course the other troops beat the retreat. At this point the 'fuse' the bottom tip of the 'fusetto' blade was used to render the cannon ineffective, the blade's tip was stuck with force into a cannon’s vent (the small upper touch hole opening, into which the touch powder flowed into to the breech ) and then with a violent blow the ‘fuse’ or tip of the blade was snapped off into the hole. This rendered the cannon unusable, at least for the time of retreat. Italian early artillery, particularly field artillery, became an indispensable part of any first-rate army during the Italian Wars.

The naval Battle of Lepanto, is shown in the gallery, painted by unknown artist, in the late 16th century. Another painting In the gallery is of the siege of Constantinople painted by The great master Tintoretto.
A new chapter for Venice and the Venetian navy opened in 1453, with the Fall of Constantinople and the beginning in earnest of the Ottoman–Venetian wars, a centuries long confrontation with the Ottoman Empire.

Faced with a constant threat to its maritime possessions, Venice had little choice but to maintain a standing fleet of dozens of galleys on a war footing in peacetime, bolstered in times of actual war by over a hundred galleys held in reserve. To oversee the efficient supply and administration of such a force required an extensive organisational effort, leading to the creation of the office of the Magistrato alla milizia da mar "commissioner of naval forces" responsible for the construction and maintenance of ships and cannon, provision of hardtack and other ship's stores, weapons and gunpowder, recruitment of crews and the management of finances.

With the maturation of firearms technology, the previous Greek fire projectors were replaced with cannon positioned in the bow as chasers. This era saw the development of further ship types. During his invasion of Italy, Charles VIII employed the first truly mobile siege train: culverins and bombards mounted on wheeled carriages, which could be deployed against an enemy stronghold immediately after arrival. The French siege arsenal brought with it multiple technological innovations. Charles' army pulled cannons with horses rather than the oxen typically used at the time. Additionally, French cannons, created methods used to cast bronze church bells, and achieved a lightness and mobility previously unheard of. Perhaps the most important improvement the French made to cannons, however, was the creation of the iron cannonball. Before the Italian Wars, artillery fired stone balls that often shattered on impact. The invention of the water mill allowed furnaces to generate enough heat to melt iron to be smelted into cannonballs. With this technology, Charles’ army could level, in a matter of hours, Italian castles that had formerly resisted sieges for months and years.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

Overall 14 3/4 inches long, blade length 10 inches  read more

Code: 22445