Antique Arms & Militaria

A Superb, Near Pristine, Antique French Gendarmerie Cavalry Helmet . Maker Marked, B. Frank, Aubervilliers

A simply beautiful example, in mint service polish, in parade ready condition, with fine crest and plume, with original chinscales, fully intact and with buckle. Maker stamped on the rear neck guard.

The Gendarmerie is the heir of the Maréchaussée, the oldest police force in France, dating back to the Middle Ages. The Gendarmerie has influenced the culture and traditions of gendarmerie forces around the world, especially in independent countries from the former French colonial empire.

Under Napoléon, the numbers and responsibilities of the gendarmerie—renamed gendarmerie impériale—were expanded significantly. In contrast to the mounted Maréchaussée, the gendarmerie were both horse and foot personnel; in 1800, these numbered approximately 10,500 of the former and 4,500 of the later, respectively.

In 1804 the first Inspector General of Gendarmerie was appointed and a general staff established—based out of the rue du Faubourg-Saint-Honoré in Paris. Subsequently, special gendarmerie units were created within the Imperial Guard for combat duties in French occupied Spain.

Following the Second Restoration of 1815, the gendarmerie was reduced in numbers to about 18,000 and reorganised into departmental legions. Under King Louis Phillippe a "gendarmerie of Africa" was created for service in Algeria and during the Second Empire the Imperial Guard Gendarmerie Regiment was re-established. The majority of gendarmes continued in what was now the established role of the corps—serving in small, sedentary detachments as armed rural police. Under the Third Republic the ratio of foot to mounted gendarmes increased and the numbers directly incorporated in the French Army with a military police role reduced

The French Republican Guard is part of the National Gendarmerie and provides security as guards of honour during official ceremonies.  read more

Code: 26044

A Fabulous, Museum Grade, Front Line Rank Issue, Napoleonic Wars and Waterloo 1796 Light Dragoon Trooper's Sabre. Ordnance Approved Stamped Blade With Maker Stamp of James Wooley, His Earliest Mark Circa 1796

With, two, original and very rarely seen, point of balance stamps to the back strap of the blade.

Part of one of the finest collections of near mint British swords we have ever seen and just acquired. From a collector that clearly filtered his collection to keep only the very best condition examples he could find.

As good as, if not better, than anything you will find at the Tower of London Armoury Collection, or, the National Army Museum Collection in Chelsea.

The scabbard is superbly bright and completely dent free, the hilt is as near to mint that a combat used sword ever could be, the leather bound grip still superbly bright lacquered, the blade excellent with the clear, regimental armourer's hand sharpened-by-wheel edge. We show an original, but of course later, Victorian photo in the gallery of blades being sharpened before combat by the British cavalry regimental armourer.

Complete with later, whitened, leather buff-hide sword knot. The maker mark of Wooley & Co was changed in 1800 to Wooley and Deakin.

The stamps found on the spine of some authentic British 1796 light dragoon (light cavalry) sword blades are "B" markings, which indicate the point of balance.
These "B" stamps were part of the manufacturing and quality control process used by some sword makers, such as Woolley & Co.
Quality Control: The marks ensured the blade was correctly shaped and balanced according to required specifications.
Multiple Marks: Some swords, like this sword, have two "B" marks:
One mark typically indicates the balance point of the bare blade.
The second mark indicates the balance point of the fully assembled and hilted sword.
Location: The marks are can found {although very rarely, stamped on the spine (back edge) of the blade, often near the hilt area.


The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity. This sword still has its original wooden liner in the scabbard present.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.

An extract from an 1862 publication;

A VOICE FROM
WATERLOO
A HISTORY OF THE BATTLE
FOUGHT ON THE 18TH JUNE 1815
WITH A SELECTION FROM THE WELLINGTON DISPATCHES, GENERAL ORDERS
AND LETTERS RELATING TO THE BATTLE.
ILLUSTRATED WITH ENGRAVINGS, PORTRAITS AND PLANS.
BY
SERGEANT-MAJOR EDWARD COTTON
(LATE 7TH HUSSARS).
“Facts are stubborn things.”
SIXTH EDITION, REVISED AND ENLARGED.


HOTEL DU MUSÉE,
AT THE FOOT OF THE LION MOUNT.
This Hotel, kept by a niece of the late Sergeant-Major Cotton, is situated in the very centre of the field of Waterloo, and is strongly recommended to visitors on account of its proximity to the scenes of interest connected with the great battle, and also for the excellent accomodation and comfort it offers at moderate charges.—See Bradshaw’s continental Guide.

Available from the Project Gutenberg.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 26041

Choose The Ideal Christmas Gift From Great Britain's Favourite Armoury Antiques & Collector's Shop. Some of The Best Ideas You Could Imagine, For Both Christmas & New Year, Have Come From The Lanes Armoury’. Our 105th Christmas in Brighton

Now moving on through early December as we all are, this would the perfect time to select a Christmas gift for a loved one {or oneself} from our unique and massive selection of original military antiques, ancient antiquities, and Ist edition novels. And time for deliveries worldwide to arrive before the Christmas festivities.

To one and all, we wish a Merry Christmas

Feliz Navidad
聖誕快樂
Joyeux Noël
عيد ميلاد مجيد
Frohe Weihnachten
Buon Natale
Prettige Kerstdagen
Feliz Natal
メリー クリスマス

This week we are sending some magical & fabulous historical gift choices to our clients in USA, Canada, Japan, Denmark, France, The Netherlands, Singapore, Australia & New Zealand plus of course, dozens in the UK too!
Keep an eye on our site this week for our latest arrivals due to be listed, as usual, fabulous bound volumes, some remarkable pieces from antiquity, more stunning samurai swords, plus a great collection of British swords from the past two hundred and fifty years. Only yesterday we added to our website a masterpiece of the French gunmakers art, possibly presented by the Emperor Napoleon himself. A magical combination of purest gold, finest juglans regia walnut, with masterfully chiselled steel and lustrous silver. A five figure piece that could easily be six figures if it was only known to whom it was presented. A secret lost into the mists of time!

This is our 105th year of family trading this coming Christmas, and the dawn of our 106th year. However, we have actually traded in Brighton for well over 200 years, but until WW1 we were principally involved in the fishing trade, especially seafood. In the early 19th century we used to supply the Brighton Royal Pavilion, the palace of King George IVth {formerly the Prince Regent} with shellfish.

Every year, many, many millions of people visit Brighton, and many hundreds of thousands of them find there way here to us. In fact up to two or three thousand often visit us every opening day.
The world famous New York Times included our gallery in their list as one of the very best places to visit in the UK when travelling to Europe from America. Where else in the UK could you leave a store, after a jolly Christmas holiday visit, with a selection of original WW2 Officer’s uniform buttons for only £1.50p each, or an original solid gold and gemstone intaglio carved seal ring once worn 1700 years ago by an Imperial Roman senator. Where you might rub shoulders with a former American President’s First Lady, a Hollywood superstar, {our latest recent superstar visitor was British actor Tom Hardy, (who returned once again for another visit this weekend) another recent customer, a professor of textiles from America, who very kindly arranged for us to receive some conservation papers from the Met, or a retired Scottish teacher on a regular visit from the Outer Hebrides.

Incredible things seem to happen here every day, for example, just two weeks ago a very nice gentleman arrived here, after travelling all the way from Hong Kong, just to view and purchase one of our most special Japanese swords we were offering, and just as it was being packed up, after our business together was concluded, for its long journey to his home, another gentleman called on the phone with sincere interest in order to buy that very same sword, just a few minutes after the Hong Kong gentleman bought it, and bearing in mind we have many hundreds of swords on offer, and many thousands of intriguing pieces.
This remarkable occurrence was witnessed by one of our oldest friends and a very special regular customer, who was seated witnessing the whole turn of events, and he was amazed at the incredible coincidence, yet, he exclaimed, that so many hundreds of times he has been here in the past near 20 years, and he has seen, first hand, just how often that happens. We are truly a shop of most remarkably diverse visitors, and extraordinary coincidences.

As a former client, world renowned author, John Osborne, once said to Mark,
“It’s quite extraordinary, you can see just about everyone you could imagine here, and if you haven’t seen them yet, there’re probably on their way!’

Unique, ancient, antique and vintage beautiful items are our specialty, and be sure and certain that anything from us will be the best choice you can make this Christmas time. Recently arrived !
A flintlock pistol the likes of only normally to be seen in the very finest museums, containing the very finest arms presented by Napoleon to Kings and Sultans, a collection of dozens of wonderful British swords from the past 230 years, another huge collection of original samurai swords, from 500 years old to ancestral swords last used in WW2, an incredible ships captain’s spring bayonet mounted cannon barrelled blunderbuss, superb 19th century British and French cavalry helmets, also some stunning cannon balls fired at Waterloo. Plus, our current selection ranges from a collection just acquired of really great and rare bayonets, British German & French, antique WW1 and WW2, from a collector who wanted the very best he could find over the past 40 years. Including rare French examples from the 'Russian contract' during WW1, that were uncovered in Ukraine in the late 90's, and some French Foreign Legion bayonets, acquired from a French Foreign Legion reserve armoury depot clear-out in the 70's. Plus stunning and rare Japanese samurai swords including a beautiful, original 'Tamashigiri Cutting Test' antique samurai katana signed by high rated master smith, Masashige Tegarayama, 手柄山正繁 with a highly rare Tamashigiri Cutting Test, By Gonnosuke Komatsubara, Dated 1799 to some super Ist Edition Charles Dickens novels, and various fabulous, wonderful and utterly beautiful antique Victorian dragoon dress helmets. Also a stunning collection of historical, provenanced original Napoleonic War cannon balls and a huge French Howitzer explosive round { now inert}.

All kinds of other unique and fabulous conversation pieces, including some delightful volumes, have been acquired lately, such as, for example, a 1st edition of The Third Man by Graham Greene, one of David senior’s fellow imbibers at our neighbours ancient establishment, The Cricketers, Brighton’s 500 year old inn.

Another part of our original Japanese katana acquisitions arrived, and as usual many are stunning beauties and A Superb Choice For This Christmas, And a Special Price Too! A Very Good World War II Imperial Japanese Army Officer's Katana with a famous family's silver clan mon

We have had arrive here recently, some more really wonderful, original pieces of history. And as usual, this occurs almost every single day, {except Sunday} sometimes many times in a day if we are fortunate. Being one of all the world’s collectors favourite stores, some incredible artifacts are almost magnetically drawn to our doorstep every opening hour.

Every item, as usual, will be accompanied with our unique, presentation quality, 'Certificate of Authenticity' that will not only fully certify it's genuineness, but it will detail the circumstance of it's origin, and where and when it may have been used in it's specific or generic history.
Where else in Britain could you walk out of the store this Christmas with an original souvenir from Alexander the Great's battle with the Persians in 334 B.C, from only £65, to a fabulous unique handmade gold, diamond and ruby 'Mystery Watch' once owned by movie legend, Elizabeth Taylor, for just under £180,000, or, a 2500 year old ancient Chinese sword that may very likely have once been the sword of a king!, and how about a fabulous 'Shaturnal' a Moghul War-Elephant cannon

We are very proud to offer a superb selection of ancient antiquities, swords, daggers and spears from all the major past empires and civilisations of the world from over the past 3,500 years. In fact many recognise our unique and original selection is likely the best and most comprehensive to be seen, and offered for sale, anywhere in Europe, and possibly even the world over.

This Christmas season we can offer thousands of pieces, including, such as, a fabulous complete set of Charles Dickens novels

"Outside of a dog, man's best friend is a book. Inside of a dog, it's too dark to read."

— GROUCHO MARX
{and yes, he was a visiting customer as well, in around March 1965}

And please be further assured, all gift purchases may be changed after Christmas for any form of suitable alternatives.

"Doesn't someone you know deserve something unique from The Lanes Armoury". Just look at a few of our thousands of pages of delectable offerings, that vary from a very rare Rowntree’s WW2 munitions factory Rescue Officer’s helmet, to an Iceni chieftain’s chariot rein mount from the Roman-Celtic war with Queen Boudicca in England 2000 years ago, to very rare Italian Renaissance 16th century prince's dagger, to crossbow bolts recovered from the Battle site of Bannockburn {23–24 June 1314}, to some exceptional swords from the Napoleonic Wars, some belonging to several of Napoleon's generals. One, is a presentational grade sabre, somewhat akin to the fabulous Lloyd’s Patriotic Fund swords awarded to hero’s of the wars with Napoleon {but fortunately, not for the 100,000 pounds plus cost that they can command today}, &, to a superb Gurkha’s WW2 military issue kukri for just a few hundred pounds. Everything is possible through our portals, for all budget ranges, from just a few pounds to six figures.

The Lanes Armoury described by the 'New York Times' as one of the very best stores and destinations to visit when in Europe.
A living, breathing gallery that is a huge walk around ‘Cabinet of Curiosities’, containing thousands of original historical and magical pieces from the ancient long past, to the near recent. In fact, from 300,000 years of human history, and 100 million years of world history.

We are certainly not the biggest premier store in Europe recommended by the New York Times, in fact we are probably the smallest, but what we lack in size, apparently, we more than make up for in amazement, and wonder, and, the family have been trading in antiques in Brighton for over 104 years. Prior to that, we traded in Brighton caught shellfish for the previous 100 plus years, with our licensed shellfish concessions for the entire Brighton coastline.

For example, we added recently items that range from a Samurai Ancestral Sword Around 600 years old {or more}, a WW2 Japanese Officer's Sword With An Ancestral Blade 450 Years Old, an original late Koto to shinto samurai’s daisho, a stunning ‘Agincourt’, hand-and-a-half knights sword, a Seige of Troy era Bronze Age sword, incredibly rare original Viking warriors sword around 1000 years old, a beautiful samurai’s disguised fan dagger, plus, Ancient Roman Gladiator's rings for both for a Gladiator and Gladiatrix, around 1700 years old.

Google just let us know our updated Google entry just past the amazing 1,000,000 { one million } searches in order to find out our location in order to visit us here in Brighton, England.

Twenty Four Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.


In the gallery, the first photo, is a wonderful daybreak photo, taken the at the farm two Christmas seasons ago, December 2023. Showing what some are calling the South of England's 'Sky-on-Fire' Daybreak. You can see in the far distance in his retirement paddock the late Judy Hawkins's beloved former UK 'Supreme Champion' Scottish Highland grey pony, that was a frequent competitor against the late queen's Highlands at Windsor Castle. In his prime, he had his own worldwide fan club, and competition followers. Photo 7 in the gallery is old “Governor’ and his little chum “Roger” waiting for their morning apples at our farm last year, sadly, they are now no longer with us. Photo 8 is a typical example of everyday new arrivals in the gallery. Photo 9 is Judy and Holly, ten years apart, first watching "Governor" in competition, then Holly alone, with her horse, following on in her late devoted grandmother's passion, and, the family tradition. Our family have been entranced by our love of animals since modern memory, but principally dogs and horses, for over 200 years. Of course, in regards to horses, the first 130 years was by necessity, as then you couldn’t get anything done, in both the domestic or business world, at all, without them, but the past 70 years has been for love, pleasure and joy alone.
This year has been a tough one for our equine life. First we lost Governor, then Roger, then just last week, Arrow. But the many decades of joy they brought us all, and hopefully the joyous life they all led with us here, more than makes up for our feelings of loss and sadness.

The last photo in the gallery is an autographed photo, given to Mark personally, by the late, great, 40th President of The United States, Ronald Reagan in the Oval Office of The White House.  read more

Code: 25540

A Simply Breathtaking Original Viking High Carat Fine Gold Bracelet, Most Likely By An Irish Master Goldsmith, In Twisted Gold Wirework That The Irish Goldworkers Were Most Famed, From The 1st Millenia BC to The Viking Era, Circa 10th Century

Composed of twisted gold wirework upon gold wire coils. The only place one can normally only see such a beautiful masterpiece would be in a National Museum Collection in Ireland, Britain or Scandinavia, yet to own such a unique piece could be such a joy for the admirer of original Viking historical artistry, and especially, by a likely Irish master craftsman.

Since the Vikings were famed for their constant renegade raiding and looting – it was paramount that Viking kings earls, lords and warriors cemented their alliances. One way to show bonds of loyalty was through the exchange of rings. Kings and Lords, who held most of the wealth, gifted rings or arm bracelets of precious metals to warriors as a means of redistributing treasure and giving thanks. Some might say a most ironic practice, that of using the invasion, pillage and raiding of others, in order to promote peace and prosperity for their own.

If you’ve ever read Beowulf, you know that dragons were among the mythical creatures most despised by the tribes of Northern Europe. Apart from breathing fire, dragons also represented a self-destructive force inherent in tribal culture. Dragons hoard treasure in dungeons and caverns far removed from villages and cities. For the Vikings, along with other Northern tribes, wealth was best served as a means for building communities. Lords who gifted treasure gained alliances, and thereby strengthened their own ranks. The distribution of wealth meant larger, safer, more vibrant populations. Lords who hoarded wealth like dragons weakened necessary social structures, and essentially rendered their wealth useless.

Gold jewelry was always reserved for the Viking elite, as a symbol of great wealth and power..

The Vikings smelted all sorts of looted art pieces and jewelry from their hoards. Worn by both men and women, Viking jewelry was mostly made of silver or bronze, with gold jewelry often reserved for the elite. Women wore brooches that fastened their clothes together, as well as necklaces. Men, on the other hand, wore rings and armlets. The rings were not limited to fingers, but also worn about the wrists, arms, and neck. Warriors also adorned their weapons, especially the sword hilt.

The Vikings acquired wealth in a few ways. Firstly, they were traders. Viking coins and runes have made it to many ends of the earth. Eventually, the Vikings realised that precious metals, along with other luxury goods, could be more easily acquired by raiding the monasteries of Britain, Ireland and Northern Europe. At the time, Viking ships were fast and coastal British monasteries were isolated and poorly defended. The Viking “reign of terror” is generally agreed to have begun in 793 after a raid on England’s Lindisfarne monastery. Archaeologist Colleen Batey of the Glasgow Museums wryly notes that the Vikings “had a preference for anything that looked pretty.” Eventually, the Vikings settled in many of these areas, choosing to colonize rather than extort their southern neighbours.

It has been observed that Viking Age gold finds in Scandinavia and Britain, especially Ireland are frequently associated with watery environments and may represent ritual or votive depositions. There is also evidence, literary and archaeological, for the ritual deposition of some silver hoards in the Viking world. This considers the evidence of those Viking Age gold and silver hoards and single finds from Ireland that derive from watery locations, including Irish crannogs and their environs. It is noted that all recorded gold hoards, with one exception, have an apparent association with water or watery places and thus conform to the patterns noted elsewhere. As with all our items it comes complete with our certificate of authenticity.

50mm, 5.88 gms  read more

Code: 24778

An Early Crusades Period 10th Century, Byzantine, Ceramic Greek Fire 'Grenade' Around 1,100 Years Years Old. A Fabulous Historical Collector's Item and Conversation Piece

Of rounded form. A rare collectable ancient artefact and a wonderful conversation piece. Circa 10th century AD. A grey ceramic globular vessel age cracking. Incised and decorated .

History of the grenade;
Although grenades rose to prominence as weapons during the 20th century, grenades have a very long history.

They are first thought to have been used by the Byzantine Empire from around the seventh century AD. Clay vessels were filled with flammable liquid known as Greek fire and flung at the enemy.
They were often piled into catapults to increase the range and devastation they caused.
They were popular weapons in naval battles as the fire could easily spread on ships and cause devastation. In its earliest form, Greek fire was hurled onto enemy forces by firing a burning cloth-wrapped ball, perhaps containing a flask, using a form of light catapult, most probably a seaborne variant of the Roman light catapult or onager. These were capable of hurling light loads, around 6 to 9 kg (13 to 20 lb), a distance of 350?450 m (380?490 yd). Greek fire, was invented in ca. 672, and is ascribed by the chronicler Theophanes to Kallinikos, an architect from Heliopolis in the former province of Phoenice, by then overrun by the Muslim conquests. The historicity and exact chronology of this account is open to question: Theophanes reports the use of fire-carrying and siphon-equipped ships by the Byzantines a couple of years before the supposed arrival of Kallinikos at Constantinople. If this is not due to chronological confusion of the events of the siege, it may suggest that Kallinikos merely introduced an improved version of an established weapon. The historian James Partington further thinks it likely that Greek fire was not in fact the discovery of any single person, but "invented by chemists in Constantinople who had inherited the discoveries of the Alexandrian chemical school".Indeed, the 11th-century chronicler George Kedrenos records that Kallinikos came from Heliopolis in Egypt, but most scholars reject this as an error. Kedrenos also records the story, considered rather implausible, that Kallinikos' descendants, a family called "Lampros" ("Brilliant"), kept the secret of the fire's manufacture, and continued doing so to his day.

The invention of Greek fire came at a critical moment in the Byzantine Empire's history: weakened by its long wars with Sassanid Persia, the Byzantines had been unable to effectively resist the onslaught of the Muslim conquests. Within a generation, Syria, Palestine and Egypt had fallen to the Arabs, who in ca. 672 set out to conquer the imperial capital of Constantinople. The Greek fire was utilized to great effect against the Muslim fleets, helping to repel the Muslims at the first and second Arab sieges of the city. Records of its use in later naval battles against the Saracens are more sporadic, but it did secure a number of victories, especially in the phase of Byzantine expansion in the late 9th and early 10th centuries. Utilisation of the substance was prominent in Byzantine civil wars, chiefly the revolt of the thematic fleets in 727 and the large-scale rebellion led by Thomas the Slav in 821?823. In both cases, the rebel fleets were defeated by the Constantinopolitan Imperial Fleet through the use of Greek fire The Byzantines also used the weapon to devastating effect against the various Rus' raids to the Bosporus, especially those of 941 and 1043, as well as during the Bulgarian war of 970?971, when the fire-carrying Byzantine ships blockaded the Danube.

The importance placed on Greek fire during the Empire's struggle against the Arabs would lead to its discovery being ascribed to divine intervention. The Emperor Constantine Porphyrogennetos (r. 945?959), in his book De Administrando Imperio, admonishes his son and heir, Romanos II (r. 959?963), to never reveal the secrets of its construction, as it was "shown and revealed by an angel to the great and holy first Christian emperor Constantine" and that the angel bound him "not to prepare this fire but for Christians, and only in the imperial city". As a warning, he adds that one official, who was bribed into handing some of it over to the Empire's enemies, was struck down by a "flame from heaven" as he was about to enter a church. As the latter incident demonstrates, the Byzantines could not avoid capture of their precious secret weapon: the Arabs captured at least one fireship intact in 827, and the Bulgars captured several siphons and much of the substance itself in 812/814. This, however, was apparently not enough to allow their enemies to copy it . The Arabs for instance employed a variety of incendiary substances similar to the Byzantine weapon, but they were never able to copy the Byzantine method of deployment by siphon, and used catapults and grenades instead. In its earliest form, Greek fire was hurled onto enemy forces by firing a burning cloth-wrapped ball, perhaps containing a flask, using a form of light catapult, most probably a seaborne variant of the Roman light catapult or onager. These were capable of hurling light loads?around 6 to 9 kg (13 to 20 lb)?a distance of 350?450 m (383?492 yd). Later technological improvements in machining technology enabled the devising of a pump mechanism discharging a stream of burning fluid (flame thrower) at close ranges, devastating wooden ships in naval warfare. Such weapons were also very effective on land when used against besieging forces.

Greek fire continued to be mentioned during the 12th century, and Anna Komnene gives a vivid description of its use in a {possibly fictional} naval battle against the Pisans in 1099. However, although the use of hastily improvised fireships is mentioned during the 1203 siege of Constantinople by the Fourth Crusade, no report confirms the use of the actual Greek fire, which had apparently fallen out of use, either because its secrets were forgotten, or because the Byzantines had lost access to the areas of the Caucasus and the eastern coast of the Black Sea where the primary ingredients were to be found.  read more

Code: 26042

A Stunning, Large, Original, Roman Classical Carved Carnelian Intaglio Seal of the Goddess Laetitia . This Amazing Roman Intaglio Could Make A Beautiful Ring With A Bespoke Mount

With the figure of the Goddess Laetitia leaning upon a shield of nine stars, with an anchor at her feet. A delightful object d'art in the typical classical Greco-Roman form, probably mounted in a pinchbeck type mount in Georgian England circa 1770, but the carnelian is probably 1st century bc to 2nd, 3rd century Roman, mounted in a gilded metal oval mount in the 18th century. Roman carved intaglio carnelian stone seals were very popular in the era of the English aristocracy's 'Grand Tours' with many brought back from trips to Rome and mounted as rings or seals in the time of King George IIIrd. Laetitia is the Roman Goddess of joy, gaiety, and celebration, and is especially linked with holidays and festivals. She was often shown with an anchor, as a representation of stability. Laetitia was given several epithets depending on the type of joy the Emperor was attempting to take credit for bringing to the Empire. On coins of the Emperors Gordian III and Gallienus, who both reigned in the mid 3rd century CE, She is Laetitia Augusta, "the Joy of the Emperor", which, in propaganda-style, can be taken to mean "the joy the Emperor brings to the people", though it may also have been a way of announcing the birth of a child into the imperial family. On these She is shown standing in Her typical pose, with a garland in one hand and an anchor supporting the other; The red variety of chalcedony has been known to be used as beads since the Early Neolithic in Bulgaria. The first faceted (with constant 16+16=32 facets on each side of the bead) carnelian beads are described from the Varna Chalcolithic necropolis (middle of the 5th millennium BC). The bow drill was used to drill holes into carnelian in Mehrgarh in the 4th-5th millennium BC. Carnelian was recovered from Bronze Age Minoan layers at Knossos on Crete in a form that demonstrated its use in decorative arts; this use dates to approximately 1800 BC. Carnelian was used widely during Roman times to make engraved gems for signet or seal rings for imprinting a seal with wax on correspondence or other important documents. Hot wax does not stick to carnelian. Sard was used for Assyrian cylinder seals, Egyptian and Phoenician scarabs, and early Greek and Etruscan gems. The Roman Empire was the seat of power and wealth in the Western world for hundreds of years. Because of their impressive span, they were able to trade with cultures throughout the world, not only in Europe, but also in northern Africa.

This gave them access to numerous gemstones which they could use to craft their jewelry. Because of their wealth, they were able to afford many precious and semi-precious stones, as well as detailed artisan craftwork.

We show in the gallery another similar Roman carnelian seal that has been re-mounted in a yellow gold ring mount, it looks spectacular. We show another similar sized that was remounted as a ring in the 19th century, it sold in auction for £8,125.

We also show in the photo gallery a similar Carnelion intaglio seal of Empress Catherine the Great sold recently for just under 30,000 gbp.

Pinchbeck is a durable yellow metal that resembles gold but is made with a combination of copper and zinc—much less zinc than the combo of the same two metals used to produce brass. The formula was developed by Christopher Pinchbeck, a London clockmaker who lived from about 1670 to 1732.
The seal is 32mm x 26mm in mount  read more

Code: 20846

A Beautiful Ancient Bronze and Enamel Book Clasp Around 1100 Years Old. From the Era of Anglo Saxon England & The Viking Incursions into Britain Through to The Early Crusades Period

Circa 10th-12th century AD. A stunning and most beautiful antiquity perfect for an antiquarian bibliophile as an example of the rarest of artefacts used to protect valuable volumes illuminated manuscripts and testaments.

A small and most intricate gem from the days of the Anglo Saxon’s and Vikings.

Originally from the Christian Eastern Roman Empire. A bronze tongue-shaped clasp with pelleted border and reserved peacock on an enamelled field. Anglo Saxon to early Norman period. Very fine condition. Two examples in the gallery show a 1000 year old book and a 1000 year old old testament that both had clasps such as this. The Bible is an ancient text. Like every other ancient text, the originals have not survived the ravages of time. What we have are ancient copies of the original which date to hundreds of years after their composition, for example from around 700 AD This is normal for ancient texts. For example, Julius Caesar chronicled his conquest of Gaul in his work On The Gallic War in the first century B.C. The earliest manuscript in existence dates to the 8th century AD, some 900 years later. The oldest biblical text is on the Hinnom Scrolls ? two silver amulets that date to the seventh century B.C. These rolled-up pieces of silver were discovered in 1979-80, during excavations led by Gabriel Barklay in a series of burial caves at Ketef Hinnom. When the silver scrolls were unrolled and translated, they revealed the priestly Benediction from Num 6:24-26 reading, ?May Yahweh bless you and keep you; May Yahweh cause his face to Shine upon you and grant you Peace.?6 The Ketef Hinnom scrolls contain the oldest portion of Scripture ever found outside of the Bible and significantly predate even the earliest Dead Sea Scrolls. They also contain the oldest extra-biblical reference to YHWH. Given their early date, they provide evidence that the books of Moses were not written in the exilic or postexilic period as some critics have suggested.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land. The book clasp is 10.4 grams, 38mm (1 1/2" inches long)

The dirt from the rear surface of the object was removed manually using a scalpel under magnification. Care was taken not to dislodge the powdery, corroding surface. With all hand conservation if the surface is in particularly sensitive condition the dirt was left in situ  read more

Code: 22940

Wonderful 12th-13th Century Crusader & Pilgrim Knight's Heraldic Seal Ring Of a Fantastical Beast The Manticore, A Human Headed Tiger or Lion. Used In Medeavil Heraldry On Shields, Banner, Accoutrements & Indicated To Which Noble Family A Knight Belonged

A superb naturally patinated bronze, realistically engraved with an intaglio of the Manticore a Man-Tiger or Man-Lion. For example, in the 1400's it was the Heraldic Badge of William Lord Hastings. Often used as a supporter for a noble coat of arms. The ring is also very unusual in that it is designed to be sectioned on the inside ring so as to be self adjusting for finger size.

The royal supporters of England are the heraldic supporter creatures appearing on each side of the royal arms of England. The royal supporters of the monarchs of England displayed a variety, or even a menagerie, of real and imaginary heraldic beasts, either side of their royal arms of sovereignty, including lion, leopard, panther and tiger, manticore, antelope and hart, greyhound, boar and bull, falcon, cock, eagle and swan, red and gold dragons, as well as the current unicorn.

In ancient Greek culture, the manticore represented the unknown lands of Asia, the area it was said to inhabit. In later times, the manticore was recognized by many Europeans as a symbol of the devil or of the ruthless rule of tyrants. This may have originated in the practice of using manticores as royal decorations, and heraldic devices.

The Manticore In Art, Literature, And Everyday Life
During the Middle Ages, the manticore appeared in a number of bestiaries, books containing pictures or descriptions of mythical beasts.

The manticore was also featured in medieval heraldry—designs on armour, shields, and banners that indicated the group or family to which a knight belonged.

The medieval Maniticore is featured in numerous medieval manuscripts known as Bestiary, a book written in the Middle Ages containing descriptions of real and imaginary animals, intended to teach morals, religion and to entertain.
The bestiary — the medieval book of beasts — was among the most popular illuminated texts in northern Europe during the Middle Ages (about 500–1500). Medieval Christians understood every element of the world as a manifestation of God, and bestiaries largely focused on each animal's religious meaning. Much of what is in the bestiary came from the ancient Greeks and their philosophers. The earliest bestiary in the form in which it was later popularized was an anonymous 2nd-century Greek volume called the Physiologus, which itself summarized ancient knowledge and wisdom about animals in the writings of classical authors such as Aristotle's Historia Animalium and various works by Herodotus, Pliny the Elder, Solinus, Aelian and other naturalists.

Following the Physiologus, Saint Isidore of Seville (Book XII of the Etymologiae) and Saint Ambrose expanded the religious message with reference to passages from the Bible and the Septuagint. They and other authors freely expanded or modified pre-existing models, constantly refining the moral content without interest or access to much more detail regarding the factual content. Nevertheless, the often fanciful accounts of these beasts were widely read and generally believed to be true. A few observations found in bestiaries, such as the migration of birds, were discounted by the natural philosophers of later centuries, only to be rediscovered in the modern scientific era.

Medieval bestiaries are remarkably similar in sequence of the animals of which they treat. Bestiaries were particularly popular in England and France around the 12th century and were mainly compilations of earlier texts. The Aberdeen Bestiary is one of the best known of over 50 manuscript bestiaries surviving today.These bestiaries held much content in terms of religious significance. In almost every animal there is some way to connect it to a lesson from the church or a familiar religious story. With animals holding significance since ancient times, it is fair to say that bestiaries and their contents gave fuel to the context behind the animals, whether real or myth, and their meanings.

UK size R1/2  read more

Code: 25481

A Spectacular Condition, Original, British 1885 Pattern Cavalry Trooper's Combat Sabre. The Sword Used to Incredible Effect At the Battle of Omdurman. Stamped WD Broad Arrow, And Issue Date 1885. {War Department} Complete With Buff Hide Sword Knot

A simply stunning 1885 Pattern Cavalry Sword. This sword has been incredibly well cared for and it is amazing condition. It would, without a shadow of a doubt, be impossible to improve upon with a better example. as good if not better than the very best examples in the National Army Museum or The Tower of London collection.

After a false start in 1882, the 1885 pattern was developed following committee input on improving the sword. The first opposite ringed scabbard came out of this process along with a slightly shorter blade. This sword saw extensive use in the campaigns in Egypt and the Sudan during the 1880s and 1890s. The shortening of the blade did allow some opponents along the Nile to lie on the ground, putting themselves out of the reach of the trooper's sword! This problem was rectified in the 1899 pattern. Still this sword represented an important step in the evolution of British Cavalry swords and was used by the 21st Lancers at the Battle of Omdurman in 1898; amongst the daring lancers was a young Winston Churchill.

The Battle of Omdurman was fought during the Anglo-Egyptian conquest of Sudan between a British–Egyptian expeditionary force commanded by British Commander-in-Chief (sirdar) major general Horatio Herbert Kitchener and a Sudanese army of the Mahdist State, led by Abdallahi ibn Muhammad, the successor to the self-proclaimed Mahdi, Muhammad Ahmad. The battle took place on 2 September 1898, at Kerreri, 11 kilometres (6.8 mi) north of Omdurman.

Following the establishment of the Mahdist State in Sudan, and the subsequent threat to the regional status quo and to British-occupied Egypt, the British government decided to send an expeditionary force with the task of overthrowing the Khalifa. The commander of the force, Sir Herbert Kitchener, was also seeking revenge for the death of General Gordon, who had been killed when a Mahdist army captured Khartoum thirteen years earlier.3 On the morning of 2 September, some 35,000–50,000 Sudanese tribesmen under Abdullah attacked the British lines in a disastrous series of charges; later that morning the 21st Lancers charged and defeated another force that appeared on the British right flank. Among those present was 23-year-old soldier and reporter Winston Churchill as well as a young Captain Douglas Haig.

The victory of the British–Egyptian force was a demonstration of the superiority of a highly disciplined army equipped with modern rifles, machine guns, and artillery over a force twice its size armed with older weapons, and marked the success of British efforts to reconquer Sudan. Following the Battle of Umm Diwaykarat a year later, the remaining Mahdist forces were defeated and Anglo-Egyptian Sudan was established.

Pictures in the gallery of photographs of the regimental armourers sharpening their 1885 cavalry swords before combat.  read more

Code: 26038

A Scarce US Civil War Service 1817 Model US Army Rifle, Dated 1826, Percussion Conversion For American The Civil War

Made in Middleton Connecticut by either Simeon North or Robert Johnson. The breech is marked in three lines with US / AH / (circle) P. The P proof mark is in a depressed rosette. The inspector initials AH are those of Asabel Hubbard who was a Springfield Armory armourer and contract arms inspector.

The M1817 nicknamed the 'common rifle' in order to distinguish it from the Hall rifle was a flintlock muzzle-loaded weapon issued due to the US Dept. of Ordnance's order of 1814, produced by Henry Deringer and used from 1820s to 1840s at the American frontier, and after conversion to percussion, in the American Civil War in the 1860's.

This type of rifle-musket was used in the Civil War with service in the 2nd Mississippi Infantry, CS. A seldom seen, good looking longarm to fit any military collection, with shortened fore-stock wood, smooth bored.

Under contract with the government, Henry Deringer converted some 13,000 such flintlocks to percussion, muzzleloader rifles with the ‘drum’ or ‘French’ style system.

Unlike the half-octagon barreled Model 1814 Rifle that preceded it, it had a barrel that was round for most of its length. The barrel was rifled for .54 calibre bullets. For rifling it had seven grooves. Like the Model 1814, it had a distinctive large iron oval patchbox in the buttstock.  read more

Code: 26036