Antique Arms & Militaria
An Original Ancient Briton, Pre-History, Bronze Age Axe Head, Loop and Socket Form, Formerly From the Sir Alfred McAlpine Collection. 3500 to 4,000 Years Old
A bronze age axe head with square, collared socket and rectangular cheeks with flared, D-section cutting edge, small loop to attach the axe head with sinew cord binding to an axe haft.
Likely recovered from a Bronze age barrow many decades past, formerly in the Sir Alfred McAlpine collection.
A Barrow is an ancient mound where treasure and artifacts were buried with warriors as offerings. There are many ancient Iron Age and Bronze age Barrows covering Britain's ancient lands, some are simple mounds other are long or shaped. However, artifacts and treasure from most of these sights are now long since gone, or, possibly, some remain but are too deep to disturb the precious site, so wonderful finds such as this are a rare joy to see and even rarer to own.
We show another similar, earlier bronze age axe head axe found with Otzi the Ice Man, and a recreation of him in the museum holding his similar axe. We show a photo of his original axe.
The Iceman was discovered in the Otztal Alps in the fall of 1991, the location giving him his now famous name: Otzi. His preserved body and equipment have given us a wealth of information about the time in which he lived.
He died and was buried within glacial ice 5,300 years ago, alone and in pain, yet the remains of his body and equipment are teaching us more than any previous discovery about that time in history when our ancestors were moving out of the stone age and into the age of metal.
He was prepared for his trek through the Tyrolean Alps as well as any modern climber, knowing the dangers of sudden snowstorms that can occur in the spring of the year. He did die, but it was not the weather or the mountains that killed him. It was an arrow shot into his left shoulder that shattered his scapula and tore through blood vessels and nerves. Although he escaped his attacker, the combination of blood loss and the immobility of his left arm had doomed his chances of surviving.
His pain must have been great as he kept climbing, finally stopping at an altitude of 10,400 ft. He slipped his quiver over his shoulder and dropped it to the ground. Staggering a few more yards, he removed his pack frame and laid it down against a stone outcropping. Using only his right arm, he carefully removed two birchbark containers from his pack, one he set on top of the rock, the other he kept close to him, a familiar smell momentarily comforting him. He then placed his copper axe and his bow stave with the pack. Clutching his birchbark cylinder, he struggled a few more steps before he stumbled, but even then, twisting to avoid landing on his left side and protecting the treasure in the container. He painfully pulled the birch bark close to his face, inhaled the last vestiges of the smoke from the failing ember inside and died.
The axe head weighs just under 200 grams, around 3 1/2". Fine condition. read more
995.00 GBP
A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft
Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.
This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.
It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.
King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.
During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.
Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.
Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888. read more
1250.00 GBP
Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu
Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).
Formerly from the Dove collection, Anthony Dove one of the worlds leading authorities on ancient Chinese swords, and the analysis of their metallurgical structure. He was also a leading authority on early spoons.
Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.
The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.
The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.
In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.
Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".
Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.
Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.
The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.
This is one of a stunning collection of original archaic bronze age weaponry we acquired Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams, The Wallace Collection} 65 publications
A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity. read more
2595.00 GBP
Superb Zulu War Period Original 1845 Pattern Victorian Wilkinson Infantry Officer’s Deluxe Grade Sword. Traditional Gothic Style VR Cypher Pierced Half Basket Hilt With Queen Victoria’s Cypher. Exactly As Worn By Lt Bromhead Made by Contractor Robert Mole
An absolute beauty of an original historical sword. Overall in superb condition. A sword that would compliment any form of decor. Exactly the form of sword used by Lt Bromhead in the Zulu war, as was portrayed and carried in the film 'Zulu' by Sir Michael Caine. One may find it very difficult indeed to see another as fine and beautiful as this sword. With its original, bright bespoke fully etched Wilkinson blade, bearing the cypher and crest of H.M. Queen Victoria, Wilkinson name and address and in such delightful condition. Gothic pieced half basket hilt, fine wire bound sharkskin grip. Bespoke made to commission order in 1878-9 by Wilkinson Sword London. Sword Maker, By Royal Appointment, To The HRH Prince of Wales
Traditional gilt hilt of Gothic form, pierced with Queen Victoria's cypher, a very fine deluxe etched finest bespoke made blade, and gilt brass scabbard, that denotes the owner to be of 'field rank' that is for the use of Majors, Colonels, Brigadiers and above whilst serving within the British Infantry. More photos to add later today.
Photo in the gallery from the film "Zulu" and Michael Caine as Bromhead with his sword for information only not included.
The 1822/45 pattern of sword has a Gothic hilt and Queen Victoria's cypher within the pierced oval centre. This sabre would have seen service by an officer at the very cusp of England's Glory of Empire. A sabre fit to represent the age and used throughout the Zulu War and numerous other great and famous conflicts of the Victorian era. The 1822 pattern infantry with it's elegant pierced Gothic style hilt, and the graceful monogram of Queen Victoria make it one of the most attractive patterns of sword ever used by British Army officers, and it was a pattern that saw service for almost 80 years. The blade is by Henry Wilkinson, who developed in 1845 pattern blade. Many swords of British officers were continually used for many decades, until the 1890's in fact, as swords were quite often passed on from father to son, down the generations, in many military families. During the period of this sword's use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).
The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.
The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.
After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.
The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.
The stand at Rorke's Drift was immortalised in the 1964 movie Zulu, and Michael Caine is carrying this very same pattern of sword.
Overall in excellent condition for age. Very nice and snug fit to the scabbard with all its original wood liner read more
1025.00 GBP
A Superb 1821 Pattern, Victorian British Officer's Light Cavalry Sabre, For Light Dragoon's, Lancer's or Hussars. Used in the Crimean War, Such As the Famous and Renown 'Charge of the Light Brigade'.
In superb naturally bright and patinated condition. Excellent fishkin grip, copper wire bound. In its original bright steel combat scabbard. As usual we are offering this fabulous officer's sword that we believe to be a 5 star example, and that would be very difficult to find a better example available today.
A most impressive sabre, and very good indeed. The very type of regulation Hussar's, Lancer's and Horse Artillery officer's sabre, as used by British Cavalry in the ill fated 'Charge of the Light Brigade' in the Crimean War against Russia.
All steel three bar steel hilt, combat blade with fine-fishskin ribbed grip with original copper triple wire binding.
Absolutely used at the time, and as used, by all the serving officer's of the light cavalry in the famous 'Charge'.
In the Crimean War (1854-56), the Light Dragoons, Hussars and Lancers were in the forefront of the famous Charge of the Light Brigade, immortalised by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
For example in 1854 the 13th Hussars regiment received its orders from the War Office to prepare for service overseas. Five transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne ? embarking between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left flank, although the regiment?s role in the battle was minimal. With the Russians in full retreat by late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy.
However, the brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry in reserve.
During the 25 October the regiments, the Light Brigade, took part in the Battle of Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the 4th and 8th.
It was not long before the brigade came under heavy Russian fire. Lord Cardigan, at the front of his men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting down the artillerymen that had remained at their posts. Once the Russian guns had been passed, they engaged in a hand-to-hand fighting with the enemy that was endeavoring to surround them by closing in on either flank.
However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement.
Great all round steel condition, and excellent grip patina.
Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee. read more
1225.00 GBP
A Stunning 1845 Pattern '1st Battalion Welch Regiment' Senior Officer's Sword. with The Field Service Brass Scabbard For Senior Officer's, Majors and Above. Made by Robert Mole
Traditional VR Cypher Gothic hilt with wire binding over the sharkskin grip. Excellent plus blade with numerous stamps and ordnance quality inspection marks.Overall in excellent plus condition, but, the scabbad does have some combat denting.
Regimentally marked to the 1st Battalion The Welch Regiment, for an officer {a major and above} that served under Colonel Kitchener, in combat in the Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.
Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:
‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”
Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900
The Welsh Regiment (1st Battalion) served with distinction in the Second Boer War (1899–1902), notably in Kelly-Kenny's division at Paardeberg, Driefontein, and Poplar Grove, where they used the bayonet to break Boer positions. They also served as mounted infantry and in blockhouse duties to end the war, with significant losses to enteric fever.
The Welsh Regiment (1st Bn): Engaged heavily at Paardeberg (Feb 1900), where they suffered notable casualties (15 men killed, 57 wounded), Driefontein, and Poplar Grove.
Actions: Lord Roberts mentioned the 1st Battalion's gallantry in dispatches, particularly in bringing the fight to the enemy at the point of the bayonet, notes Anglo Boer War - Home.
A maxim gun detachment and a company of mounted infantry served with Columns (Alderson's and De Lisle's).
Based on records related to the Welch Regiment (41st/69th Foot) and its service in the Sudan, here are some officers of major rank or who attained it, who served or were attached during the Mahdist War era (1881–1899) and associated Sudan campaigns:
Major William Dowdeswell: Served in the Welch Regiment and later became a Lieutenant Colonel, holding significant command during the late 19th-century operations.
Major A Derry: Recorded as serving with the Welch Regiment/Staff during this general period.
Major C P Graham: Recorded as serving with the Welch Regiment/Staff.
Major G D Melville: Listed as a Captain/Temporary Major with the Welch Regiment/Staff.
Major H C Rees: Listed as a Major and Brevet Lieutenant Colonel/Temporary Brigadier General with the Welch Regiment. read more
1250.00 GBP
Superb Napoleonic Wars, British Officer's Sabre With Captured French 'Trophy' Mamluk Consular Guard Officer's Damascus Blade, With An Ancient Egyptian Serpent Goddess Hilt. For an Officer Who Served in The Nile Campaign
New photographs added to include the identical Damascus blade, bearing a Mamluk officer's portrait bust within its design, of the Philippe Missilier Collection exceptionally rare sword of an officer of the Mamluk Imperial {formerly Consular} Guard, Ist Empire, {see photo 9 in the gallery}
Gilt bronze entwined twin serpent zoomorphic hilt, influenced by the Egyptian Goddess Wadget, chisselled in great detail and of very fine quality. Talisman symbolic, Napoleonic Damascus blade, of an officer of the elite Napoleonic Mamluke Guard Circa 1800. There is another blade known, an identical example, on another sword from an officer of the French Napoleonic Mamluke Guard, formerly in the Philippe Missillier collection, that appears in Aries seminal work on French Napoleonic swords, and Michel Pétard's work of similar renown, with all the same iconography within the design, and, also upon a damascus blade {see photo 9 in the gallery}.
This sword is extraordinarily rare, as the officer corps of Napoleon's Mamluk Consular Guard would likely number less 15. For example in 1802 there were just 13 officers recorded who would have carried this sword, and how many survive to today, may possibly be less than two or three.
Certainly a war trophy blade and scabbard used by a British officer that served at the Battle of the Nile, thus, it also has Nile Club connections. There are numerous examples of snakes depicted in zoomorphic hilted Napoleonic swords, such as the Lloyds Patriotic Fund swords, but usually combined with other beasts, such as lions, tigers or hounds, but to have two opposing entwined serpents is very rare indeed. Without a doubt this hilt design was inspired by Wadjet, the ancient Egyptian serpent goddess, in order to reflect the direct connection to a Battle of the Nile British officer veteran.
Snake sculpture - the Staff of Aesculapius, the Staff of Mercury, and the Embodiment of Wisdom Snakes are fairly frequent in Georgian sculpture, and of course from other periods. In art generally in fact from medieval times onwards, the snake is also associated with wisdom, and in this capacity is often found with statues of Prudence. The way this sword is constructed shows it is a trophy blade, of a Mamluk officer, thus captured in combat by the British, and then re-mounted. The Mamluk officer’s sword, was etched with talismanic symbols of a crescent moon, sun, a Mamluks turbaned officers portrait bust head, and a stand of arms, upon fine Damascus pattern steel.
In fact the whole sword may indeed now be described as iconically talismanic. The blade is in superb condition, with its original steel combat scabbard, also in excellent condition, and the English zoomorphic hilt is, furthermore, excellent too .
Egyptian gods and goddesses, much famed in ancient Egypt, become hugely popular throughout Western artistic culture in the early 19th century.
Europe became beguiled by ancient Egyptian art and architecture in all its forms, and furniture designers and sculptors particularly, eagerly created the ‘Egyptian style’ in the Regency period England, and the Consular and Directoire period in France.
The Nile Club" (often referred to historically as the Egyptian Club) was an exclusive group of senior British officers who fought under the command of Rear-Admiral Sir Horatio Nelson at the decisive Battle of the Nile on August 1–3, 1798.
Key details regarding this group and its connection to the Napoleonic Wars include:
Following their massive victory at Aboukir Bay, which stranded Napoleon in Egypt, the captains of Nelson’s fleet formed this most exclusive club to celebrate and commemorate the action.
The club included the captains of the ships present at the battle, such as Captains Sir F. Berry (Vanguard), T. Trowbridge (Culloden), R.W. Miller (Theseus), and A.J Ball (Alexander).
The "Nile" Dirks/Swords: Members were entitled to wear a special sword or dirk featuring a zoomorphic Nile Crocodile on the hilt to signify their participation. Marines and Army may have had the associated Egyptian zoomorphic snake god hilt, or, another option, the zoomorphic camel head hilted sabre. We had a zoomorphic Nile Club camel head hilted officer’s sword a few years ago that we sold to an esteemed American dealer.
These weapons are now considered very rare historical artifacts.
Connection to Trafalgar: Many of the officers in the Nile Club continued to serve under Nelson and were likely present at the Battle of Trafalgar in 1805, where they would have worn their Nile-associated swords with pride.
The Mamluks service in the Napoleonic Wars;
At the Battle of Austerlitz, the Mamluks were in the reserve, under Rapp, with the rest of the Imperial Guard cavalry, when the Russian cavalry charged onto the Pratzen Heights and dispersed two French regiments of the Vandamme division. After an unsuccessful counterattack by two squadrons of mounted chasseurs supported by three squadrons of mounted grenadiers, Napoleon ordered Rapp to charge at the head of the last two squadrons of chasseurs and the Mamelukes in order to restore the situation. The Mamelukes threw themselves into the mêlée, but the impact of their charge was mitigated by the mass of men and horses. Lieutenant Renno rushed at a Russian square and opened a breach, which was quickly exploited by the Mamelukes, who broke through the formation and took 120 prisoners. Encouraged by this success, Rapp's cavalrymen seized a battery before contributing to the rout of the Russian Imperial Guard cavalry. Following this victorious engagement, two Mamelukes each came to throw an enemy standard at Napoleon's feet. The company's losses amounted to one dead and five wounded.
In 1808, Napoleon ordered Marshal Murat to enter Spain and occupy Madrid. The Mamluks took part in this expedition. Staunchly Catholic, the Spanish people remembered the period of Muslim rule in the Iberian Peninsula by the Moors, and was offended by the presence of the Mamluks who entered the capital on 24 March 1808. The abdication of King Charles IV and then of his son Ferdinand in favour of Joseph Bonaparte, the Emperor's brother, exacerbated tensions between the Spanish and the French.
In April, the company of Mamluks numbered 86 men. Seeking to expand this force, chef d'escadron Daumesnil, commanding the detachment of chasseurs of the Guard in Spain, asked permission to enlist foreigners, former Mamelukes but also Greeks or Spaniards, which Napoleon refused: "I created this corps to reward those men who served me in Egypt, and not to make a collection of adventurers." On 2 May, the people of Madrid revolted and attacked isolated soldiers. Murat then ordered the cavalry to enter the city to suppress the riot. The mounted chasseurs of the Guard led by Daumesnil advanced first, followed by the Mamelukes and the rest of the Guard cavalry. Passing through Alcalá Street, where they had rocks thrown at them, the French cavalrymen reached the Puerta del Sol where many Spaniards had gathered.
The Mamluks arrival marked the beginning of merciless fighting. The Madrid rebels assaulted the horsemen with knives, jumped onto their mounts behind them and tried to dismount them. For their part, the Mamluks responded with scimitar strikes and skillfully cut off heads, a hundred "in an instant" according to Marbot. In the mêlée, Lieutenant Chahin saved chef d'escadron Daumesnil, who had fallen to the ground after having his horse killed from under him, before being struck in turn; the residents of a house on San Geronimo Street were also massacred by the Mamluks in retaliation for the killing of two of their comrades. At the end of the fighting, the company had its five officers injured as well as three horsemen killed or mortally wounded, losses that Ronald Pawly considered as "relatively limited" compared to the painter Goya's depictions. Edward Ryan instead mentions only two killed.
See picture 8 in the gallery to see Admiral Nelson with his Nile Club zoomorphic hilted sword
Overall in superb condition, Small scabbard throat mount lacking to the scabbard. Overall 39 inches long, blade 32 inches read more
5950.00 GBP
A Stunning Antique 18th Century Indonesian Silver Mounted Kris With Pamour Meteorite Blade
Keris Melayu Semenanjong with a serpentine blade with 7 Luk seven curves or waves. A very good and rare example of a keris from the southern Malaysian peninsular region of Johor or Selangor. Handle in the jawa demam form. This form of hilt is common in central or southern Sumatra, as well as the Malay peninsular regions. The Minang variant is usually more upright with a more flaring top.
The top sheath in the typical Malay tebeng form, are made from very well selected kemuning woods with flashing grains. Bottom stem is likely made from well selected angsana woods with tiger stripe graining. It has a beautifully tooled silver sheath and a plain silver pendoko or ferrule completes the wonderful fittings.
Pamor patterns are arranged in the mlumah technique of the wos utah or scattered rice variations which is said to enhance the owner?s material well being. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids. read more
495.00 GBP
An Absolute Beauty! A 19th Century, Highly Attractive, Antique Stiletto Bladed Gambler's Boot Dagger Spiral Carved Bone Hilt. With Quatrefoil Blade And Scabbard.
Spiral carved bone hilt, powerful quatrefoil 'armour piercing' blade, steel teardrop quillon crossguard, nickle scabbard. A superbly effective concealment gambler's boot dagger from North America
A very fine quality dirk, perfect for concealment for the gamblers of the Wild West frontier, and the Mississippi river boat gamblers. Carved horn grip with small hairline cracking. Steel double edged blade of very fine and substantial quality. The strength of a blade that could punch through almost anything, ball end straight quillon in steel. Carved grip with shell form pommel. Original leather covered wooden scabbard with German silver mounts. Whether on a riverboat atop the Mighty Mississippi, or in the smoky dimness of a mining camp saloon, a lucky draw could turn a broken man into a winner. In the days of the frontier west, poker was king with the mustachioed likes of Wild Bill Hickok, Doc Holliday, "Canada" Bill Jones, Wyatt Earp, Bat Masterson, and hundreds of others.
In the old west towns of Deadwood, Dodge City, Tombstone, and Virginia City, gamblers played with their back to the wall and their guns at their sides, as dealers dealt games with names such as Chuck-A-Luck, Three Card Monte, High Dice, and Faro, by far the favourite in the wild west saloons. Gambling took many forms on riverboats. Gambling with one's life with the boilers aside, there were sharks around willing to fleece the unsuspecting rube. As cities passed ordinances against gaming houses in town, the cheats moved to the unregulated waters of the Mississippi aboard river steamers.
There was also gambling with the racing of boats up the river. Bets were made on a favourite vessel. Pushing the boilers hard in races would also cause fires to break out on the wooden deck structures. Size 10 inches long overall, blade 5 1/4 inches. A very similar example was sold in Butterfields Auction, San Francisco in 1992 for £1,030. As is usual for these small knives it has no maker markings
The carved handle has some feint natural line age markings read more
675.00 GBP
A Superb Original Waterloo Recovered Souvenir '6 Pounder ' Royal Artillery Cannon Ball Fired at La Haye Sainte During The Battle, Recovered From The Farm. With Clear Impact Site To The Ball.
Napoleonic Wars cannon ball recovered from a Waterloo excavation well over 190 years ago. One of three we just acquired that were brought back from Waterloo to England over 190 years ago, the first was sold by us recently.
At the Battle of Waterloo, the British Royal Artillery deployed 6-pounder cannons, from which this ball was fired, a relatively light artillery piece that fired a 6-pound (approximately 2.7 kg) solid iron ball. These cannons, introduced in 1793, were crucial for supporting cavalry charges and were easier to manoeuvre than heavier guns.
The 6-pounder was designed to provide lighter, yet still effective, artillery support to the cavalry and infantry.
They fired various types of ammunition, including round shot (solid iron balls), canister shot (a type of scatter shot), and spherical case shot (a type of shell).
The effective range of the 6-pounder with round shot was around 800-900 yards (732-823 metres), though it could reach up to 1700 yards (1554 metres).
The cannonballs were devastating, capable of inflicting serious injury and damage to both men and horses.
At Waterloo, the 6-pounders were primarily used by the Royal Horse Artillery and some field artillery units, with variations in the types of 6-pounders used.
Captured at Waterloo:
Some French 6-pounder cannons were also captured by the British as trophies of war.
La Haye Sainte:
The strategic farmhouse of La Haye Sainte was a focal point of fighting, where the 6-pounder was used extensively.
We show in the gallery a photo of a Waterloo cannon ball embedded in a cemetery wall, from Waterloo Relics by Bernard & Lechaux
Another identical cannon ball is now in the National Army Museum, see gallery.
NAM Accession Number
NAM. 1999-05-8-1
Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee. read more










