Antique Arms & Militaria

The type known in academic circles as the Oakshott Type XII. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.
A wonderful example piece, from the ancient knightly age. Effectively, from this time of almost eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.A simply stunning historical original double-edged original knight's crusades period iron longsword of Oakeshott's Type XII (Oakeshott, 1991, p.105). Incredibly, still complete with its iron scabbard mount. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. The swords' broad, flat, evenly tapering blade is typical of specimens of its category, with the blade tending to widen below the hilt; incredibly the iron mouth of its original scabbard is also still present decorated with an openwork flower, but now in 2 pieces; the fuller is well defined, extending from below the guard for a little more than half of the blade's length;
This is the dominant style of knightly sword in use during the time of King Edward 1st of England Edward Longshanks such as in the first War with Scotland against Robert the Bruce and Sir William Wallace. The frequent myth is that the Scots mostly used the great sword Claymore, as seen in Braveheart, but the reality is very few of those were used, and even the so called William Wallace Claymore in the Wallace museum display in Stirlingshire, Scotland is iust an amalgam of various mixed sword parts, a Ship of Theseus of sorts.

The 'Great Seal of Robert The Bruce' shows him holding the very same type of sword.
This type was frequently made in Venice, by their great armourers, and many king's around all Europe had this form of sword. King Edward's sword, for example, was very similar to this sword, in its shape and form, but the king's sword would have been thinly coated with gold on the hilt. The Battle of Falkirk, (22 July 1298) was the initial Scottish victory over the English at the Battle of Stirling Bridge in 1297, but was soon avenged by Edward at the Battle of Falkirk. English rule was thus re-established over Scotland, forcing William Wallace to wage a lengthy guerrilla campaign until he was hunted down, betrayed, and eventually executed for treason in 1305. After the disaster of Stirling Bridge, King Edward I of England determined to crush the Scots once and for all. He headed north to invade the country in 1298, advancing with an army of around 2,500 mounted knights many using swords just as this one and 12,500 infantry, including large numbers of Welsh and English archers armed with longbows. In response, Wallace tried to avoid a pitched battle, because his own forces were smaller than the English, totalling around 1,000 mounted knights and 5,000 infantry. Wallace preferred to conduct guerrilla warfare against the invading army, but was eventually forced into battle at Falkirk.
On the morning of battle, Wallace formed his pikemen up into four schiltrons, hedgehog like circular formations of pikemen standing shoulder to shoulder with their pikes facing outward through an outer row of men in armour. The gaps between the schiltrons were filled with archers. The four schiltrons withstood the initial English cavalry and infantry attacks but then became vulnerable to steady fire from Edward?s longbowmen, the first time significant use had been made of this deadly weapon in battle. As the arrows poured down, supplemented by crossbow and slingshot, the schiltrons were soon broken up by the charging English cavalry. The Scots then fled into the neighbouring woods. Wallace escaped, although he lost many supporters. English losses, too, were high, testimony to the effectiveness of the schiltrons in battle.

Losses: English, 2,000 of 15,000; Scottish, 2,000 of 6,000. This sword's blade's cross-section, being of lenticular design, was originally from thirty to thirty-two inches long; the grip is a little longer than previous Oakshott type XI; the style of guard is short and straight, with a flattened cross-section at the edges; the pommel is a thick spherical piece, slightly flattened at the centre. Nice condition for age.

To see references on this sword see Oakeshott, J, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. 'Records of the Medieval Sword', Woodbridge, 1991; Nicolle, D., 'Arms and Armour of the Crusading Era', 1050-1350, vol I,, London, 1999; Scalini, M., 'A bon droyt, spade di uomini liberi, cavalieri e santi', Milano, 2007.

Oakeshott considered this category of sword as one of the most difficult to interpret, because of the affinity of the hilt with the types X and XVI (Oakeshott, 1991, p.65). Characteristics are the noticeable taper blade, with acute point, and the grip quite short, never of hand-and-a-half length. The fuller is usually running for at least half of the length of the blade. The sword was the most typical chivalry weapon diffused in all the Europe, largely attested by archaeological finds and artefacts from historical collections. Among the most famous specimen of such sword we should remember the one of Sancho IV (El Bravo) of Castilla, died in 1295 AD see photo in the gallery, which show a slightly curved hilt, and a cross-guard also expanded at the edges (Nicolle, 1999, cat.391). Our sword finds a good parallel in a Venetian sword preserved in Padova Museum (inv. IG 321119, s. Scalini, 2007, pp.126-127, cat.19), realised by an unknown Italian craftsman. Many of these swords were taken as booty from the Muslims taken from the vanquished crusader knights initially and preserved until recent times in the Arsenal of the Imperial Palace in Istanbul. Such weapons were mainly of Venetian origin, with slightly broader blades than our specimen. Scalini has suggested that such swords could also have been employed during the XIII-XIV century by the Venetian infantry in the operations of the Aegean Sea against Muslims and Eastern Romans. If this is true, the importance of the weapon consists in its functional use, not only reserved to the European and British knights, but also army of the Venetian Republic. The early flat disc pommels appear in the Mediterranean Sea at the beginning of the 12th century (for similar pommels s. Oakeshott, 1991, p.69) and persist in use until the 15th century and even later, although with significant variations. In art and medieval iconography, the best samples of swords of XII types can be seen on the famous Bible of Maciejowski made in approximately 1250 (Nicolle, 1999, 49a-49 as). Many of the swords illustrated therein seem to indicate a full length fuller; this might seem to indicate a Type X. However, most of the illustrations feature far too much profile taper to be a true Type X. Given the period of the Bible's manufacture they are far more likely to indicate swords of Type XII design. There is also an Apocalypse in the library of Trinity College, Cambridge (Nicolle, 1999, 189a-b) that was made around twenty years earlier that features illustrations of the type. Many of the illustrations from the Royal Armouries Manuscript I.33 can be interpreted as being of type XII pattern. More specifically, the typology of our specimen is visible on the sculpture of a warrior in the Church of Saint Justyna in Padua, confirming again the Venetian origin of such swords.

"Most probably our specimen is from a battlefield or, most probably, a river find. Type XII (Oakeshott, 1960 (1999) p.206), is generally dated between about 1180 and 1320, It has a large blade, very similar in shape to the Ulfberht ones but generally with a more acute point, and a well-marked and slightly narrower fuller starting in the tang and running about halfway along the blade; this occasionally is of two or more grooves. The pommel is generally in the form of a thick disc, sometimes with the edges bevelled off, sometimes of the so-called "wheel" form. Its cross is generally straight, circular in section and widening at the ends, but it may be of a square section; or it may be curved or have decorated terminals. Inscriptions on examples of these swords dating after about 1220 are slightly different again; the letters are closer together, often so dose that it is nearly impossible to make them out; and instead of the clearly legible religious phrase there is a jumble of repetitive letters which seems meaningless. Typical of the High Middle Ages, these swords begin to show greater tapering of the blade and a shortened fuller, features which improve thrusting capabilities while maintaining a good cut. The Cawood sword is an exceptionally well preserved type XII specimen, exemplifying a full-length taper and narrow fuller, which terminates two thirds down the blade. A number of Medieval examples of this type survive. It certainly existed in the later 13th century, and perhaps considerably earlier, since the Swiss National Museum in Zurich possesses an example that has a Viking Age-type hilt but clearly a type XII blade." Above quote on this sword from Dr Raffaele D'Amato. Small hole damage to central fuller and extreme tip missing. As with all our items they are accompanied with a Certificate of Authenticity and thus Guaranteed for Life. Just under a kilo in weight, 74.5cm (29 1/4" inches long overall). As usual the wooden handle and scabbard leather perished centuries past. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. This sword will be accompanied by a complimentary wooden display stand. It could also be enhanced by affixing to a rectangular bespoke display panel.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 22938

11275.00 GBP

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A Beautiful 1803 pattern British combat infantry regimental sword for the Royal Scots, the 1st Regiment of Foot. A glorious museum piece for its combination of beauty and incredible combat history

This wonderous sabre looks as good as anything you will see on display in the Tower of London Armoury museum. This beauty could be the prize 'star' piece of any collection of rare Napoleonic swords

Copper gilt 1803 pattern slotted hilt with lion's head pommel royal crest GR knuckle bow, slotted hilt with four regimental badges of the 1st Regiment of Foot The Royal Scots, with figure of the Sphinx battle honour. Wooden ribbed grip and original copper gilt mounted scabbard with maker engraving of John Salter of 35 the Strand, London. Maker to the Duke of Sussex, and a famed maker of swords for Admiral Lord Nelson, and Lloyds Patriotic Fund.

The overall condition of the sword is very good indeed, yet it has clearly been used, in impressive hand to hand combat, as the sword blade’s cutting edge has numerous attacking and defensive edge-to-edge sword cuts. Very likely acquired during its last combat service use at Quatre Bras and Waterloo, as the cuts would have been removed by the regimental armourer in order to restore a smooth cutting edge ready for the next battle, that never occured of course, thanks to the Duke of Wellington's magnificent victory over Napoleon.

A remarkable regiment of incredible combat history. They fought, with honours awarded, in the Egyptian Campaign against Napoleon, serving in the Mediterranean. This included Toulon (1793), Corsica (1794), Aboukir (1801) and Alexandria (1801). In 1799, the battalion also took part in the unsuccessful Anglo-Russian invasion of Holland. In the Peninsular war, they fought at Corunna (1809), before being evacuated and sent on the Walcheren Expedition. It returned to Iberia, taking part in many engagements, including Fuentes de Onoro (1811), Salamanca (1812), Vitoria (1813) and the Battle of Nive (1813), before advancing into France in 1814. It later fought magnificently at Quatre Bras and Waterloo (1815).

The 1st Regiment of Foot (Royal Scots), 3rd Battalion, played a key role at Waterloo in Kempt’s Brigade (1st Division), positioned along the Ohain Road. They withstood heavy artillery, held their position during intense infantry attacks, and advanced in the late afternoon. They previously fought at Quatre Bras, forming a successful square with the 28th Foot.

Positioned on the left of the allied line, they were heavily involved in defending against French advances.
They held their position, forming lines and squares to combat French infantry and cavalry charges. During lulls, they withdrew to the reverse slope to avoid artillery fire.

Fighting at Quatre Bras on June 16, forming a combined square with the 28th Foot to repel cavalry.

During Waterloo, the regiment was involved in close-quarters fighting against initial French attacks, later supported by the Union Brigade cavalry.
Major Campbell was wounded, with command falling to Captain Robert Macdonald.
The regiment advanced towards the ridge after the fall of La Haye Sainte around 5:00 PM.

The 3rd Battalion was part of Major General Sir James Kempt's 8th British Brigade.

The Royal Scots (1st Regiment of Foot) was the oldest and most senior infantry regiment of the line in the British Army, raised in 1633 and serving until 2006. Known as "Pontius Pilate's Bodyguard," it was formed by Sir John Hepburn for service in France before joining the British establishment in 1678. The regiment was amalgamated into the Royal Regiment of Scotland.
Originally raised in 1633 by King Charles I as a Scottish regiment for French service during the Thirty Years War, later known as the Regiment de Douglas or Regiment de Dumbarton.
Precedence: It was recognized as the 1st Regiment of Foot in 1751.
Major Campaigns: Served in the War of Spanish Succession (Blenheim, Ramillies, Oudenarde, Malplaquet), 7 Years War, Napoleonic Wars (including Waterloo).
The Napoleonic Wars: During the Napoleonic Wars, they were heavily involved in the Peninsular War and at Waterloo in 1815
The development of the Pattern 1803 Flank Officer's sword originates with formation of grenadier and light companies in the late 18th century. These were considered the elite of both the Foot Guards and line infantry, and could be detached and deployed separately. The grenadier company was the senior company of any infantry battalion and would typically lead an assault. The light company fulfilled the skirmishing role for the battalion. When a battalion was deployed in line, the grenadier and light companies were deployed on the right and left flanks respectively, and both companies could be could be called upon to operate in looser formations and semi-independently. The added element of risk associated with detached skirmishing in looser formations meant that the officers of these companies needed a more robust fighting sword than the straight 1796 pattern.  read more

Code: 26176

3750.00 GBP

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Due to its superlative quality it was likely formerly the the property of a duke, prince, or an aristocrat of the highest status. It is also very similar to the the Walpole-Suckling Hunting Hanger Sword believed Carried by Capt. Horatio Nelson, sold by Sotheby's special treasures sale in 2003, see photo 10 in the gallery.

Originally intended for use in the boar or stag hunt, but most usually used in the early part of the 18th century by British senior officers in the Royal Navy. There are many portraits of Queen Anne period Naval admirals and the like carrying their hunting swords while in service aboard ship, as it was the perfect size for close combat use, aboard a well and profusely rigged man o’ war.
In the gallery is a portrait of Admiral Benbow holding his very similar hunting sword, another of Admiral George Churchill with his same sword, and once again with his same hunting sword Admiral Sir Cloudsley Shovell.

In the seminal works, 'Swords for Sea Service' by May and Annis, shown in photographed plates 80 and 81, are two other 18th century hunting swords used by noted naval officer's, one by Galfridus Walpole, said to have been used by Nelson and the other sword of Admiral Don Francisco Xavier Winthuysen, that was surrendered to Commodore Nelson at the Battle of St Vincent in 1797

Finest gilt bronze hilt engraved and cast throughout of scenes of hunts. With sharkskin grip, cast repousse decorated shell guard, knuckle bow and pommel, decorated with full relief very finely engraved blade with hunting scenes of wild boar. The wild boar is the ancestral species of the domestic pig. It is native across much of Central Europe
Unlike the Romans for whom hunting boar was considered a simple pastime, the hunting of boars in Medieval Europe was mostly done by nobles for the purpose of honing martial skill. It was traditional for the noble to dismount his horse once the boar was cornered and to finish it with a dagger. To increase the challenge, some hunters would commence their sport at the boars mating season, when the animals were more aggressive. Records show that wild boar were abundant in medieval Europe. A charging boar is considered exceptionally dangerous quarry, due to its thick hide and dense bones, making anything less than a kill shot a potentially deadly mistake. Hunting dogs have been used to hunt boar since ancient times. Boar hunting dogs are loosely divided into two categories, bay dogs, and catch dogs.
Bay dogs harass and harry the boar, keeping it cornered in one place and barking loudly. This behaviour is known as "baying" or keeping the boar "at bay". The bay dogs' barking alerts the hunters to the bay, so that the hunter may catch up and kill the boar.the clergy demanding tribute from commoners in the form of boar carcasses or body parts. In 1015 for example, the doge Ottone Orseolo demanded for himself and his successors the head and feet of every boar killed in his area of influence.

In this period, because of the lack of efficient weapons such as guns, the hunting of boars required a high amount of courage, and even the French king Philip IV died from falling off his horse when charged by a boar.

The sword is in fine condition for its age. It lacks the small quillon end  read more

Code: 21041

1195.00 GBP

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The blade has an unusual shaped tip, inlaid with brass cross devices within fine engraved borders and bands, twin disc guards, iron grip, stupa-shaped pommel. The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises. Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal?" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 9 in the gallery of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. they are Koras used from the battle of Kirtipur during the 1760`s.

Blade 55cms, overall 70.5cms. Jolly nice condition for age.  read more

Code: 21790

995.00 GBP

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Another collection of fine antiquities will be added soon, including this most rare scholar’s tablet ring from the time of Alexander the Great. A ring as could be worn by such as one of the greatest philosophers in history, Aristoteles. Very fine naturally aged bronze ring, in rectangular tablet form, with crosshatch engraving of stylized pre-Euclidean geometry

The great philosopher Aristoteles taught Alexander the Great in Naoussa
In the year 342 bc King Philip II of Macedonia invited. in the area of Naoussa, the great philosopher Aristoteles to educate his 13 year old son Alexander, who will be later known throughout the world as Alexander the Great.
Aristoteles accepted to undertake the education of Alexander and the children of Macedonian nobles in the Temple of the Nymphs near Naoussa. Many of these students would become Alexander’s friends and future generals. Aristotle taught Alexander and his friends about medicine, philosophy, morals, religion, logic, and art. Under Aristotle’s tutelage, Alexander developed a passion for the works of Homer. Aristotle gave him an annotated copy, which Alexander later carried on his campaigns.
This location of the Temple of the Nymphs near Naoussa is rounded with nature, trees, a river and a small swamps. Walking through the nature the philosopher Aristoteles taught Alexander using the epic poems of Homer.
The location is an incredible area that has more than 2300 years of history.

Alexander the Great himself famously wore jewelry that was full of imagery and symbolism. He frequently commissioned and wore jewelry, of bronze, silver and gold, with themes that celebrated his divinity, his victories, and his idea of a unified universe. He expressed his divine background and goals by using mythical creatures. Additionally, to emphasize his status as a monarch.

Steles have also been used to publish laws and decrees, to record a ruler's exploits and honours, to mark sacred territories, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both.

Picture in the gallery of Stele of Arniadas.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25437

595.00 GBP

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This is a really rare original piece, and it has been many decades since we last even saw an intaglio seal ring, made for a knight of the realm, that is actually depicting an engraved armoured knight as the body of the seal itself, but as one that is holding his sword aloft for combat, this must be the rarest of all.
Overall it is in fabulous condition with a stunning naturally aged bronze patination. Around 600 years old probably worn for a 100 years, or possibly much more. The intaglio seal engraving is superb. Armour-protected knights charged on horseback wielding their knightly swords and lances ten to eleven feet long (cut down to as short as five feet by both the French and English at the Battle of Agincourt). The age of the lance ended with the rise of the bowmen in the fourteenth century. While the devastating volleys of English longbow men had initiated the change at Crecy on August 26, 1346, it was massed bodies of pikemen that really thwarted cavalry charges, as they did at the Battle of Pavia in 1525. Large quantities of lances would also have been used at Agincourt by men-at-arms, the sword by knights and some men-at-arms. The small mounted French force at the battle tasked with driving off the English archers would have been equipped with this lance type weapon. The vast majority of the French men-at-arms, and all of the English, were dismounted but still used lances at Agincourt. The English had an advantage over the French at the battle however, because the latter had decided to shorten their lances to give them greater control over their weapons prior to the battle. This proved to be a mistake during the melee as the longer English lances meant that they had a greater reach and were able to push over the French. One account of the lance used at Agincourt involved an assault on King Henry himself." under the banner of the Lord of Croy, eighteen gentlemen banded themselves together of their own choice, and swore that when the two parties should come to meet they would strive with all their might to get so near the King of England that they would beat down the crown from his head, or they would die, as they did; but before this they got so near the said King that one of them with the lance which he held struck him such a blow on his helmet that he knocked off one of the ornaments of his crown. But not long afterwards it only remained that the eighteen gentlemen were all dead and cut to pieces; which was a great pity; for if every one of the French had been willing thus to exert himself, it is to be believed that their affairs would have gone better on this day. And the leaders of these gentlemen were Louvelet de Massinguehem and Garnot de Bornouille" King Henry V of England led his troops into battle and participated in hand-to-hand fighting, sword in hand. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopeadia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French.

The Wars of the Roses were a series of dynastic wars for the throne of England. They were fought between supporters of two rival branches of the royal House of Plantagenet, the Houses of Lancaster and York. They were fought in several sporadic episodes between 1455 and 1487, although there was related fighting before and after this period. The conflict resulted from social and financial troubles that followed the Hundred Years' War, combined with the mental infirmity and weak rule of Henry VI, which revived interest in the alternative claim to the throne of Richard, Duke of York.

The final victory went to a claimant of the Lancastrian party, Henry Tudor, who defeated the last Yorkist king, Richard III, at the Battle of Bosworth Field. After assuming the throne as Henry VII, he married Elizabeth of York, the eldest daughter and heiress of Edward IV, thereby uniting the two claims. The House of Tudor ruled England and Wales until 1603. Queen Margaret and her son had fled to north Wales, parts of which were still in Lancastrian hands. They later travelled by sea to Scotland to negotiate for Scottish assistance. Mary of Gueldres, Queen Consort to James II of Scotland, agreed to give Margaret an army on condition that she cede the town of Berwick to Scotland and Mary's daughter be betrothed to Prince Edward. Margaret agreed, although she had no funds to pay her army and could only promise booty from the riches of southern England, as long as no looting took place north of the River Trent.

The Duke of York left London later that year with the Earl of Salisbury to consolidate his position in the north against the Lancastrians who were reported to be massing near the city of York. He took up a defensive position at Sandal Castle near Wakefield over Christmas 1460. Then on 30 December, his forces left the castle and attacked the Lancastrians in the open, although outnumbered. The ensuing Battle of Wakefield was a complete Lancastrian victory. Richard of York was slain in the battle, and both Salisbury and York's 17-year-old second son, Edmund, Earl of Rutland, were captured and executed. Margaret ordered the heads of all three placed on the gates of York.

A fine, ancient, but even wearable ring size N1/2  read more

Code: 25457

1495.00 GBP

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