Antique Arms & Militaria

A Most Resplendent, Original, Antique and Rare, Victorian, Royal Household, Royal Horse Guards Fanfare Trumpet Banner. Not Only A Wondrous Piece of Pomp & Regalia An Object d’Art of Great History.

Rarely seen or available these wondrous pieces of magnificent, British, Royal Household regalia were never made for use other than for royal service within the bodyguard of the reigning British monarch, they are used on horseback or standing on trumpets and in pairs when they fit on the front of both kettle drums . They were and are always made of the finest quality materials, such as silk, purest gold and silver, by craftsmen and women with superlative skill and dedication. When taken from service these wonderful pieces were more often than not hung in churches or cathedrals to commemorate men or officers of the Household Cavalry lost in battle. This banner is composed of crimson silk damask, embroidered with the 1837 Royal Arms of Her Majesty Queen Victoria, in silks, gold and silver bullion wire. Edged with a gold thread fringe. It is now in faded and worn condition as to be expected for a piece of such age and use. The present royal service trumpet banner conforms to the design type first introduced in the reign of Charles II (1660-1685).
The history of the Band of The Life Guards began when King Charles II entered London accompanied by a throng of 20,000 horse and foot on his birthday, 29th May 1660. On this day, commemorated as Oakapple Day in recognition of his escape when a fugitive by hiding in the Boscobel Oak Tree, it is recorded that, at the public entry into London, he was escorted by three troops of The Life Guards each preceded by it's own kettledrummer and four trumpeters. The origins of the Band you hear today derive from this proud occasion. At this time the use of kettledrums and trumpets was confined to the Army and the nobility and, even among the Kings troops. The Life Guards alone had the privilege of using kettledrums. The musicians held warrants of appointment from the King were paid at the rate of five shillings per day. In 1678 they wore uniforms of velvet, silver laced, and their instruments had richly embroidered and trimmed banners, the whole cost defrayed by the King. This is the origin of the State Dress worn to this day by the Band and Trumpeters. The design was based on that of the King?s racing colours and, when Parliament refused to cover the full cost of the Gold Coats, the Lord Mayor of London met the outstanding debt. In recognition of this he is the only person outside the Royal Family for whom Gold Coats are worn.

The Royal Horse Guards were formed in 1661 from cavalry of the former New Model Army and were given the nickname of the Oxford Blues, in recognition of their first colonel, the Earl of Oxford, and to their blue uniforms. It is recorded that from the outset that the Regiment had kettledrummers and trumpeters. In 1661 the Tangier Horse was raised for service on the Mediterranean coast of Africa. By 1702 the Tangier had changed to a Dragon Regiment and evolved to be The Royal Dragoons (1st Dragoons) and had a band consisting of 8 drummers and 8 hautbois (an early form of oboe). Soon after, in 1710, kettledrummers were added and in 1766 the drummers were converted to trumpeters. The Royal Horse Guards (The Blues) had also acquired trumpeters and drummers and in 1805 King George III personally presented a pair of solid silver kettledrums as testimony to their Honourable and Military conduct on all occasions. These kettledrums continue to be used today and can be seen carried and played by the mounted drummer on the Queen's Birthday Parade on Horse Guards. In 1969 The Royal Horse Guards (The Blues) amalgamated with 1st The Royal Dragoons (The Royals) to become The Blues and Royals (Royal Horse Guards and 1st Dragoons). This banner would have been used in the eras of; First Opium War 1839-1842
First Anglo Marri War 1840
First Anglo-Sikh War 1845-1846
Second Anglo-Burmese War 1852-1853
Crimean War 1853-1856
Anglo-Persian War 1856-1857
Second Opium War 1856-1860
Indian Rebellion 1857
New Zealand land wars 1845-1872
Second Anglo-Sikh War 1848-1849
Second Ashanti War 1863-1864
Bhutan War 1864-1865
Third Ashanti War 1873-1874
Second Anglo-Afghan War 1878?1880
Anglo-Zulu War 1879
Second Anglo Marri War 1880
First Boer War 1880-1881
Third Anglo-Burmese War 1885
Mahdist War 1891-1899
Fourth Ashanti War 1894
Anglo-Zanzibar War 1896 Shortest war in history lasted 38 minutes
Boxer Rebellion 1899-1901
Second Boer War 1899-1902
Framed and glazed in a simple modern gilt frame. It could be so much complimented by a fine antique Georgian or Victorian frame  read more

Code: 22531

A Pair of late Ming to Early Ching Dynasty 16th-17th Century Cavalry Stirrups. A Delightful Pair Of Early Chinese Military Equestrian Historic Artifacts, And Superb Early Decor Pieces That Would Look Amazing In The Right Location Around 500 Years Old

In antiquity, the earliest foot supports consisted of riders placing their feet under a girth or using a simple toe loop. Later, a single stirrup was used as a mounting aid, and paired stirrups appeared after the invention of the treed saddle. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia. The use of paired stirrups is credited to the Chinese Jin Dynasty and came to Europe during the Middle Ages. Some argue that the stirrup was one of the basic tools used to create and spread modern civilization, possibly as important as the wheel or printing press. The stirrup, which gives greater stability to a rider, has been described as one of the most significant inventions in the history of warfare, prior to gunpowder. As a tool allowing expanded use of horses in warfare, the stirrup is often called the third revolutionary step in equipment, after the chariot and the saddle. The basic tactics of mounted warfare were significantly altered by the stirrup. A rider supported by stirrups was less likely to fall off while fighting, and could deliver a blow with a weapon that more fully employed the weight and momentum of horse and rider. Among other advantages, stirrups provided greater balance and support to the rider, which allowed the knight to use a sword more efficiently without falling, especially against infantry adversaries. The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

RISE OF THE MING DYNASTY

The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

Ming dynasty founder Emperor Taizu, or Zhu Yuanzhang, was born into poverty, and spent part of his youth wandering the country after his parents died following a series of natural disasters centered around the Yellow River.

The Qing or Ching dynasty, officially the Great Qing, also called the Qing Empire by itself or the Manchu dynasty by foreigners, was the last imperial dynasty of China, established in 1636 and ruling China from 1644 to 1912 with a brief, abortive restoration in 1917. It was preceded by the Ming dynasty and succeeded by the Republic of China. The Qing multi-cultural empire lasted almost three centuries and formed the territorial base for the modern Chinese state. After conquering "China proper", the Manchus identified their state as "China", and referred to it as Dulimbai Gurun in Manchu (Dulimbai means "central" or "middle," gurun means "nation" or "state"). The emperors equated the lands of the Qing state (including present-day Northeast China, Xinjiang, Mongolia, Tibet and other areas) as "China" in both the Chinese and Manchu languages, defining China as a multi-ethnic state, and rejecting the idea that "China" only meant Han areas. The Qing emperors proclaimed that both Han and non-Han peoples were part of "China". They used both "China" and "Qing" to refer to their state in official documents, international treaties (as the Qing was known internationally as "China" or the "Chinese Empire") and foreign affairs, and "Chinese language" (Dulimbai gurun I bithe) included Chinese, Manchu, and Mongol languages, and "Chinese people" referred to all subjects of the empire. In the Chinese-language versions of its treaties and its maps of the world, the Qing government used "Qing" and "China" interchangeably.  read more

Code: 20708

Most Scarce French Marine Flintlock M.1786 / An.IX 1800's Carbine. A French Sea Service Carbine of the Napoleonic Ships of the Line. Battle of Trafalgar Service Period. Made Circa 1803-4 Inspected by Joseph Guichard Napoleonic Inpector of Arms St Etienne

A most scarce sea service gun, made by the French imperial arsenals in Belgium. The main difference between this and the standard French Army An IX {year 9} carbine is that the Navy carbine’s centre band was brass and the Army’s was iron, brass not rusting at sea. These carbines were usually issued to sharpshooters manning the upper platforms of French warships, and it might well have been a carbine of this pattern that was used to shoot Admiral Nelson.

This is a version of French M.1786 carbine musket, which was shorter and lighter than the earlier issued pattern.
After some slight modifications, the weapon was distributed to various ships of the line in the Navy, with two brass barrel bands, and to hussar/ cavalry units, the cavalry versions would be supplied with a large sling swivel bar fitted to the near side of the carbine, combined with one steel, and one brass barrel slide. Barrel underside stamped G* by French inspector, Joseph Guichard, his An IX inspector stamp M1786/ Marine garnitures, 1803-5. Guichard was usually based at St. Etienne.

Napoleonic Belgium 1799-1814

Liège was the home of the fourth largest arms manufacturer in Napoleons period known as the 1st Empire. Between 1798 and 1813, the Belgian departments furnished over 200,000 troops and sailors, about 6 percent of the population, for Napoleon's armed forces.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy.  read more

Code: 25206

A Good And Most Scarce Napoleonic Wars Regimentally Marked East Prussian Life Grenadier 'Guard' Regt. Rifle Musket

Marked on the butt tang a weapon number, or possibly a company number,12, then L.St B., likely the Lieb Stabawache Bat. {Life {Grenadier} Guard Staff Battalion}.

Regulation 133 cm long overall, with a rifled barrel and three steel barrel bands in 1809 the barrel bands were often made from steel instead of brass to save costs. Good flintlock action, superb patination overall and good stock.

Life Grenadier Battalion (Leib-Grenadier-Bataillon)
fought in over 21 battles during the Napoleonic Wars including: in 1807 -
Verteidg,
Colberg,
Sellnow,
Ausfallgefechte and
Wolfsburg.
1813 - Groß-Görschen,
Bautzen,
Katzbach,
Naumburg,
Hochkirch,
Reichenbach,
Bischofswerda,
Hänichen,
Möckern,
Freiburg and Hörselberg,
1814 - Montmirail,
Château Thierry,
Laon,
Trilport and Paris.

And an army of 50,000 Prussians fought at Waterloo under Blucher, and this musket’s user was thus likely attached to this army, possibly one of the 8,000 Prussians that were lost on the field of combat.

Historically, the Prussian army went through a radical reorganisation following Napoleon’s downfall in 1814. In October of that year the six existing grenadier battalions became two regiments and, as a mark of respect, the King of Prussia named these regiments after his allies, Czar Alexander of Russia and Emperor Francis of Austria. The Kaiser Alexander Grenadier Regiment was formed of the 1st and 2nd East Prussian battalions and the Life; the Kaiser Franz regiment was formed of men from the Pomeranian, West Prussian and Silesian battalions.

Prussia's catastrophic defeat at the hands of Napoleon in 1806-07 reduced the once-proud kingdom to an abject vassal of the Emperor of the French. The Prussian Army had been practically destroyed: At the twin battles of Jena and Auerstedt alone (14 October 1806) 38,000 Prussian troops were killed, wounded or captured, and more than 300 colors and standards were lost. Thus when the work of military reconstruction began in 1807 many regiments had to be rebuilt from scratch. The military reformers under General Gerhard von Scharnhorst consolidated the remaining units, renumbering many regiments in the process. A Prussian infantry regiment was now to be composed of two musketeer battalions, one fusilier battalion and two grenadier companies. The latter, however, were detached to form composite grenadier battalions, each four companies strong. Later these independent battalions were consolidated into two grenadier regiments, titled in honor of the Austrian and Russian Emperors. The line infantry regiments acquired territorial titles reflective of their recruiting areas. Infantry Regiment Nr. 1, for example, became Infantry Regiment Nr. 1 (East Prussian Nr. 1). The infantry of the Royal Guard, in 1806 consisting of the Liebgarde Regiment (Nr. 15, two battalions) and the Lieb Grenadier Battalion (Nr. 6), was also reconstituted, at first as a single regiment of Foot Guards. By 1815 there were two, along with a Guard light infantry battalion and a Guard rifle battalion. The 2nd Foot Guards Regiment was formed by amalgamating the Guard Grenadier Battalion with two battalions drafted in from the line; the latter continued to carry the colours of their old regiments. The two Guard regiments were organised like the line infantry, with two musketeer battalions, a fusilier battalion and two grenadier companies. The latter were detached to form the Lieb Grenadier Battalion. The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.  read more

Code: 24731

A Superb Early Victorian Sailing Ship and Early Steamship Man O'War Naval Cutlass of 1845. Used In The Crimean War, and The Opium War In China, By The Naval Ship's Boarding Party. One Of The Best Condition Examples We Have Seen In a Long While

Naval cutlass with superb bright steel blade, and blackened sheet steel bowl guard with ribbed steel grip. The boarding cutlass was made and used without scabbards, and kept in numerous racks aboard the ship. The cutlass has clearly seen combat service, and thus signs of use, but many survivors today are in a sad state with rust issues {due to seawater}. This beauty has obviously been cared for since its retirement from its naval service aboard a man o'war.

By the 1850s, Royal Navy boarding parties were becoming less common in conventional fleet actions, replaced by long-range gunnery, but they remained crucial for close quarter boarding parties, anti-piracy, suppressing the slave trade, and coastal operations for landing parties. During this period of transition from sail to steam, boarding techniques evolved to include both direct ship-to-ship boarding and the use of smaller boats for landing parties.
Boarding parties were highly organized, often split into four divisions, each commanded by a Lieutenant, with teams of roughly 13 men, including marines and sailors.
Each ship’s crew had designated "boarders" and "repellers" (to stop enemy boarding). These parties often included 2 midshipmen and men selected from specific gun crews.
Specialization included men assigned to fire duty, and others assigned to climb aloft to manage rigging, often under fire

Anti-Slavery Operations: In the 1850s and 1860s, Royal Navy ships, particularly in East African waters (e.g., around Zanzibar), used boarding parties to intercept slave dhows. These involved small boat attacks on often well-armed vessels.
In the 1850s, especially during the Crimean War (1854-1855), the navy shifted focus to landing "Naval Brigades"—sailors and Royal Marines landed to fight as artillery or infantry on land.
Boarding was done by bringing ships alongside, using grappling hooks to lock hulls together, often with marines firing from "fighting tops" (high up in the masts) onto the enemy deck

Boarding was extremely hazardous, as small boats had to approach massive vessels under fire.
Boarders had to scale the side of the enemy ship, which was often slick with water or blood, while under fire from the defenders

28.5 inch blade, overall length approximately 34 inches  read more

Code: 26157

A Most Scarce Antique Ching Dynasty Chinese Shuāngjiàn (雙劍). A Twin-Sword Jian, Late 18th Early 19th century. Near Identical to Admiral Sir James Hanway Plumbridge's Sword in the National Maritime Museum Collection. And The Metropolitan In New York

A 19th century Chinese especially large sized double sword (Shuang Jian) with green, giant rayskin scabbard, and elaborate brass mounts, The cast brass mounted hilts are of classic form with zoomorphic guards depicting the taotie (饕餮), a monster from Chinese folklore that was so voracious that it devoured even its own lower jaw. This is quite like kirtimukha of the Hindu cultural sphere, and there is probably an ancient relationship between the two. The rendering of the faces is detailed, their presence strong, unlike very similar guards on most late Qing duanjian that lack detail and look weak.

A most rare sword arrangement where each sword has a rounded outer and a flat inner side hilt system, of two swords that fit back to back and parallel together, and are simultaneously worn in a single scabbard. The blades were designed to be used in pairs, one in each hand. During the Qing Dynasty, these were not just combat weapons but also popular symbols of high status. Many Jian were brought back to England by the earliest visitors to China, both before and after the Boxer rebellion.

A similar piece was exhibited in the British Museum, Chinese weapons and armour, 15th of December 1994 to the 15th of January 1995.

A Chinese jian double or twin sword, with two double edged blades retained in a single scabbard. Principle sword with a engraved brass mounts, the bats and longevity symbols on the brass mounts form the pun fúshòu (福壽), meaning a long and happy life, and a lined darkwood grip, the secondary sword has an identical matching hilt with buffalo horn grip, and both are simultaneously retained in a superb single giant rayskin covered scabbard, with two interior slots, one for each blade, with typical stylized brass mounts, typically decorated with a traditional, intricate, bat and seal design, fúshòu (福壽). The stylized longevity symbol called shòu (壽) surrounded by bats, fú (蝠)
Each sword has a double edged blade.

Overall with stunning original patination, this would be a Chinese antique sword, of the larger size than usual, that would likely be impossible to improve upon.

Likely brought back to England as a souvenir of the Opium War period to the Boxer Rebellion. Truly original, antique, Chinese weapons are very scarce indeed, as historically, few swords were ever brought back from China. Porcelain and silk were far more popular and preferable souvenirs and exports for Europeans, and in China, in the mid 20th century, nearly all the surviving antique edged weapons were melted down and destroyed in the era of Mao, under Chairman Mao's Cultural Revolutionary instructions, in order to create new steel.

A fabulous example that has breathtaking natural age patina. Effectively, in wondrous condition for its age.

A near identical sword {but withy a single blade} was once belonging to Admiral Sir James Hanway. His family believed he wore it as a midshipman at the Battle of Trafalgar in 1805. It is on display in the National Maritime Museum, exhibit number; WPN1157. Described as follows
Chinese sword, which belonged to Admiral Sir James Hanway Plumbridge (1787-1863). Description of the admirals sword; The hilt of the sword consists of a gilt pommel and crosspiece with very short down-turned quillons, and a fluted brown grip. The hilt is ornamented with a design of bats, which are a symbol of good luck. The steel blade is straight and double-edged. The point of the blade has evidently been broken off; it is about an inch too short for the scabbard and is rather roughly ground. The wooden scabbard is covered with lacquered paper actually tortoishell, and has four gilt lockets and a chape, which is ornamented with a design of bats. The two middle lockets are fitted with loops. This sword was offered to the National Maritime Museum as the sword which was worn by Admiral Sir James Hanway Plumbridge when he was a Midshipman at Trafalgar. It is inconceivable that he wore a Chinese weapon at Trafalgar. He probably obtained the sword during one of his three commissions in the East Indies. Admiral Sir James Hanway Plumbridge (1787-1863) entered the Royal Navy on the 6th September 1799 and was a Midshipman in HMS 'Leda' in the expedition to Egypt in 1801. At Trafalgar he was acting 6th Lieutenant in HMS 'Defence', and on the 20th August 1806 he was confirmed in rank. See photo 10 in the gallery, it shows the admiral's identical Jian sword on display in the National Maritime Museum, the photo is sadly of poor quality

The two paintings in the gallery are original Chinese gouache of a seated Ching Emperor, and his sword bearer, holding the very same type of Jian sword with green scabbard.

The antique Chinese jian is a straight, double-edged sword used in China for over 2,500 years, with the earliest examples dating to the 7th century BC. We actually have some original, ancient jian museum pieces, from this era, acquired by us from the world renown Dove Collection. See them offered for sale within our website.
It was a multi-purpose weapon, optimized for thrusting but also capable of cutting and slashing, and was a symbol of status. The design was effective and remained relatively consistent over long periods, with minor variations in length, weight, and balance.
The jian's most defining feature is its straight, double-edged blade. While it could be used for both cutting and thrusting, it was often considered more optimized for thrusting than the single-edged dao (sabre).
The jian was a symbol of power and status, wielded by the elite and sometimes carried as a symbol of authority.
Its use dates back to the Spring and Autumn period, with some of the earliest specimens being the Sword of Goujian.
Design variations: The length, balance, and weight of the jian varied significantly across different periods and purposes.
It is a crucial tool in traditional Chinese martial arts training.
Military use: It was a formidable weapon on the battlefield and, due to its length and reach, was sometimes used like a long spear to favour thrusting techniques.
The jian is a significant symbol in Chinese culture and history, frequently appearing in films, historical reenactments, and museum exhibits.
Antique jian are valuable as historical artifacts, collectibles, and striking decorative pieces.

A comparable set is held in the Metropolitan Museum, accession number 36.25.1480a–c

It weighs 2.2 lbs, overall length  read more

Code: 26174

An Incredibly Rare, Trafalgar and Napoleonic Wars Period, Historic Sword of Huge Collectable Interest. A Battle Damaged Royal Marines Officer’s Sword 1796 Pattern. A Sword Type Unknown To Us For Over 100 Years Of Our Extensive Experiance

As one of the worlds leading sword dealers, of over 100 years combined experience, we have handled probably more swords than any other, still thriving, military antiques company in the world today.

However, we cannot recall ever handling, examining or even seeing a specific 1796 pattern British infantry officers, sword of a Royal Marines officer's design before. Not even in the Royal Collection or the National Maritime Museum.

We have seen bespoke swords made earlier, before British sword patterns were regularised. Swords from non-regularised period, made in the 1760s to 1790s, that were swords thus clearly intended for infantry officers that fought at sea in the Marines {before it gained the honour and title, Royal Marines}. And, we have seen many later swords, such as several of the 1827 naval pattern, specifically made for Royal Marines officers, or, far more, of the infantry pattern swords, of the later designs, specifically bladed for Royal Marines service, but, never a single 1796 pattern infantry officers sword, a Royal Marines version, and used at the time, of Nelson‘s Navy, at Trafalgar etc.

What remains of this sword is still in superb condition, the remaining main portion of its hilt still has its near mint fire gilt, and its snapped blade bears no significant surface corruption at all, it even has clear traces of its original blue and gilt decor, and its engraving clearly reveals its George IIIrd Royal Marines credentials, including the Kings Royal Crest of King George IIIrd, alongside the naval anchor, and the engraved design, of a ship-of-the-line, and the all important, crossed, cannon and Royal Marines globe { the globe has been elongated to match the length of the cannon when crossed }. Also a naval crown with its masts and sails design over a coronet. Plus, its fine maker's name, within a scroll, of Henry Osborn. Henry Osborn was a major cutler who helped design the original 1796 pattern infantry sword. He went into partnership with gunsmith John Gunby in 1805, and was based in Birmingham, and also with a shop at 82 Pall Mall, London.

Clearly, it was damaged in combat, such as at Trafalgar, but, importantly, it was not then discarded, or, even lost into the depths at sea {where it would have corrupted into nothingness} and then later recovered, but, it was saved, preserved, and obviously superbly cared for, just as is post combat damage, from then until now, but by whom, we know not.

From the time of the battle of Trafalgar, then for the following 180 odd years, the Royal Navy of Great Britain was the finest Navy in the world, until it was eviscerated by today’s political minnows. Such shortsightedness, hopefully, the country will not live to regret.

From the time of the admirals, Nelson, Cochrane and Earl St. Vincent, this is a wonderful sword that has obviously suffered catastrophic combat damage, likely from the impact from such as shrapnel from cannon fire. It has remained completely untouched, 'as is', and Hors de Combat, since its return to Great Britain, possibly, to be returned to its owners family, in memory of his remarkable combat service

This sword, especially in its present condition, effectively encompasses the very essence of the of the entire beginnings of the worlds greatest naval service in all maritime history. From Trafalgar to the Falklands War, the indomitable power, spirit, skill and resourcefulness of the officers and men that fought at sea, on land, and later, in the skies above. It was, quite simply, second to none.

The Royal Marines were titled "Royal" in 1802 by King George III. This honour was bestowed to recognize their meritorious service, particularly after distinguished actions in battles on land and sea during the Revolutionary Wars. The title was instigated by Admiral the Earl St Vincent, making them a permanent, elite force.

Royal Marines at the Battle Of Trafalgar;

Ninety-three officers and 2610 other ranks of the Royal Marines were at their traditional stations on the upper decks of the British ships, Nelsons Flagship HMS Victory carried 165 Marines, led by Captain Charles Adair, and it was a Marine Sergeant who carried Nelson below after being shot.

By the end of the battle the Marines had 17 officers and 332 men killed or wounded, of these 4 officers and 117 men were killed or died of wound. (Total killed Navy and Marines was around 458)

It is potentially possible this sword may have been used by one of these RM officer's. If it was Capt Adair RM it might explain it being saved for posterity due to him perishing in combat in the battle.

Charles Adair RM Capt. {Killed in Action}
James Peake RM 1st Lt.
Lewis B Reeves RM 2nd Lt
Lewis Boatley RM 2nd Lt

Effectively, this is such an historical piece, despite its combat damage, and of such rarity, that it is priceless. However, we have placed a nominal price upon it, so it can hopefully be enjoyed, in, maybe a museum collection, or, by a collector, and generations to come.  read more

Code: 26172

18th Century, Very, Very Rare Butt Reservoir Air-Gun, Outside Lock, Circa 1785. Very Few People Realise Just How Far the Air Rifle Can Trace Back It’s History. And, Just How Amazingly Effective They Were

Likely German. Recently returned from being featured in a documentary on the Lewis and Clark Expedition. We have only had two such similar reservoir butt guns in the past 20 years. Fine resevoir guns such as this were made by Samuel Henry Staudenmayer around 1799, he was a former workman of John Manton, gunmaker to the Prince of Wales and the Duke of York. Two air weapons by this maker are recorded in the Hanoverian Royal Gunroom, one of which was sold at Sotheby's, Hanover, October 2005. He is also the maker of a Girandoni-system air rifle that resides in the Royal Collection at Windsor (inv. No. L 409). Georg Wolf is recorded in Wurzburg circa 1775. Two bellow guns by this maker are preserved in the Bargello, Florence and another was formerly in the gunroom of the Princes zu Salm-Reifferscheidt-Dyck at Schloss Dyck. A Girandoni System Austrian Repeating Air Rifle, Circa 1795, was believed to have been taken on the Lewis & Clark Army Corps of Discovery Expedition in 1803-1806. The Girandoni air rifle was in service with the Austrian army from 1780 to around 1815. The advantages of an air gun were a high rate of fire, no smoke from propellants, and low muzzle report, these features granted it acceptance as a military arm. It did have its problems and was eventually removed from service for several reasons, but decades after introduction. While the detachable air reservoir was capable of around 30 continual shots it took nearly 1,500 strokes of a hand pump to fill those reservoirs. Later, an improvement of a wagon-mounted pump was provided. The reservoirs, were made from hammered sheet iron held together with rivets and sealed by brazing, and they proved very difficult to manufacture using the techniques of the period, and were always in short supply.

In addition, the weapon was very delicate and a small break in the reservoir could make it inoperable. Finally, it was very different from any other weapon of the time and any soldier using it needed to be highly trained.

The Lewis and Clark Expedition used the rifle in the demonstrations that they performed for nearly every Native American tribe they encountered on the expedition

As far back as 250BC, Pharaoh Ktesbias II of Egypt, first described the use of compressed air to propel a projectile. Modern air gun history began in the 15th century. These weapons were known as wind chambers and were designed using an air reservoir connected to a cannon barrel. These devices were capable of propelling a four pound lead ball over a distance of 500 yards, and able to penetrate 3 inch oak board. These weapons rivaled the power of gun powder based firearms of that time and came into use in the Napoleonic wars in the late 18th and early 19th centuries. Due to the fact that high powered air guns were both silent and deadly, they were feared by many, Nobility tried to keep these air guns out of the hands of commoners, and air resevoir butt guns even saw much combat in battle, including the Austrian Army that used an air resevoir rifle designed by Grandoni in 1779 that shot 20 rounds of .44 cal. bullets at speeds as high as 1,000 feet per second. They fought well against Napoleon's Army and even though the Austrian Army was outnumbered and lost the battle, the Austrian's armed with air guns demoralized Napoleon's Army, and they suffered had a great number of casualties. Air guns were so feared by Napoleon's Army that any enemy soldier captured with a air rifle was executed as an assassin. One important reason Napoleon was so fearful about air guns was because there was no cloud of smoke upon firing which would allow the sniper to be pin-pointed and killed.

One of the most famous air guns in history is the .36 caliber air gun that Lewis and Clark took along with them on their expedition of 1803-06 see painting in the gallery. They took it along for hunting, just in case the black powder got wet and also used it to impress the Indians, the Indians call this air rifle, "The smokeless thunder stick.". In overall fine condition. The round, smoothbore, appox .44 calibre, sighted, steel barrel, has smooth untouched surfaces, fine bore with front site.. Exposed cocking "hammer" with an external mechanism and sculpted mainspring: matching, smooth, blued surfaces and in functional order. Complete with its original air release lever. Leather wrapped, conical, hollow, steel butt stock/air reservoir. Matching mechanism with all of its original components, a strong mainspring and air release valve. Very fine stock. A very nice and complete example of a rare late 18th century German or Austrian Reservoir-Butt gun. Overall length, 55". As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20919

A Fabulous, Circa 1804, Peninsular War & Waterloo British Light Dragoon Pistol From the Tower of London. GR Crown Tower Stamped Ordnance Issue, Superb Walnut Stock. Just Arrived Today & An Incredibly Inexpensive Light Dragoon Service Pistol

Traditional New Land pattern service issue brass mounts, trigger guard, side plate and skull crusher butt cap. Stunning piece with superb steel and amazing patination to the finest walnut stock. Converted and adapted in the 1830’s to the all new and improved percussion action system. A New Land pattern flintlock that was adapted and upgraded, for decades of future service, after around 20 years of prior service in the British Army front rank cavalry during the Napoleonic Wars, with a replacement self contained ram rod, and the new waterproof percussion action conversion.

There is an incredible saving of around £1000 to be made on this wonderful piece of original Tower of London issue British dragoon history.
This pistol was manufactured at the Tower armoury circa 1804, and its lock was inspected and stamped by Richard Duce, who was the official lock inspector from 1797 to 1818. His official ordnance stamp was the Crown over a broad arrow, alongside the regulation Crown GR mark and Tower. There are further ordnance stamps, such as a regulation GR stamped upon the finest walnut stock and its barrel tang. The barrel also has regulation proof stamps.

Introduced in the 1796 and in production by 1802, the New Land Cavalry Pistol provided one model of pistol for all of Britain's light cavalry and horse artillery.

The service of British Cavalry regiments, particularly the Light Dragoons, proved essential in the mastery of the Indian Subcontinent. The Duke of Wellington, then Arthur Wellesley, was primarily recognized for his military genius by his battles in India.

This fine pistol would have seen service in such as the 10th Light Dragoons aka 10th Hussars.
In 1806, the regiment was again re-designated, this time becoming a hussar regiment as the 10th (Prince of Wales's Own) Regiment of (Light) Dragoons (Hussars), and sailed for Corunna in Spain in November 1808. The regiment saw action at the Battle of Sahagún in December 1808 and the Battle of Benavente later in December 1808 during the Peninsular War. At Benavente the regiment captured General Charles Lefebvre-Desnouettes, the French cavalry commander.The regiment then took part in the Battle of Corunna in January 1809 before returning to England.

In 1813, having landed once more in Spain, the regiment fought at the Battle of Morales in June 1813.15 During the battle the regiment destroyed the 16th French Dragoons between Toro and Zamora, taking around 260 prisoners. The regiment also fought at the Battle of Vitoria later in the month while still in Spain and then, having advanced into France, fought at the Battle of Orthez in February 1814 and the Battle of Toulouse in April 1814. As part of the 6th Cavalry Brigade, the regiment charged the French cavalry and infantry at the Battle of Waterloo in June 1815

Cavalry was the 'shock' arm, with lances, pistols and sabres the principal hand weapons. The division between 'heavy' and light was very marked during Wellington's time: 'heavy' cavalry were huge men on big horses, 'light' cavalry were more agile troopers on smaller mounts who could harass as well as shock.
During the Napoleonic Wars, French cavalry was unexcelled. Later as casualties and the passage of years took their toll, Napoleon found it difficult to maintain the same high standards of cavalry performance. At the same time, the British and their allies steadily improved on their cavalry, mainly by devoting more attention to its organization and training as well as by copying many of the French tactics, organisation and methods. During the Peninsular War, Wellington paid little heed to the employment of cavalry in operations, using it mainly for covering retreats and chasing routed French forces. But by the time of Waterloo it was the English cavalry that smashed the final attack of Napoleon's Old Guard.
Small field service repair on the forward underside of the stock by the ramrod channel, with late replacement non swivel rammer, a nice strong main spring, and the action holds on one cocking action, likely due to slight age wear on the sear..

See picture 10 in the gallery; Another Reason To Visit Brighton-by-the-Sea This Summer. To Visit the Magnificent Pavilion Palace & View ‘The Encampment At Brighton’, a painting of British Light Dragoons on the hills at Brighton, by Francis Wheatley, RA, 1747-1801. Which We Were Most Proud To Assist & Enable Our Donation of the Painting to Brighton Museum 50 Years Ago

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25428

A Fabulous Solid Silver Mounted 'Naval' Captain or Admirals Sword, Near Matching Admiral Don Francisco Xavier Winthuysen's Sword, That Was Surrendered to Commodore Nelson at the Battle of Cape St Vincent in 1797

Superb French hunting hanger with carved hilt with fancy solid silver crossguard and mounts bearing French hallmark with pair of carved grip plates held with fancy flower head silver rivets and engraved silver rim edging. With superbly engraved blade bearing stunning mystical talismanic and cabbalistic engravings including the portrait bust of an Ottoman Grand Sultan. It was written centuries past that a fine blade might be engraved with; "a talisman to make one beloved, to defeat the ill wishes of all enemies". They could be a number or combination with a cabbalistic meaning known only to the owner and the magician who sold him the spell. The number might be, for example, 1441, thought to be a combination of the number 7, a specifically lucky number,

From a collection of very fine surrendered swords from senior officer's of French and Spanish warships that fought against Nelson's fleets.


An incredibly similar sword surrendered to Commodore Nelson at the battle of St Vincent 1797 that of Rear-Admiral Don Francisco Xavier Winthuysen the Spanish admiral who died aboard the San José that sword is now in Norfolk museum collection. See photo 9 in the gallery that shows the extremely similar French silver hilt mount close-up of the Spanish Admiral’s sword in the Norfolk Museum unpolished that shows it may have been made by the same French maker.
We also show the sword surrendered to Nelson at the battle of St Vincent, and standing next to Nelson painted by Sir William Beechy
Sir William Beechey (1753 - 1839)
Location:Norwich Castle.

The Battle of Cape St. Vincent (14 February 1797) was one of the opening battles of the Anglo-Spanish War (1796–1808), as part of the French Revolutionary Wars, where a British fleet under Admiral Sir John Jervis defeated a greatly superior Spanish fleet under Admiral Don José de Córdoba y Ramos near Cape St. Vincent, Portugal.

After a rendezvous with Jervis in the Atlantic off Cape St. Vincent on the previous day, Nelson on February 14, 1797, found himself sailing in mist through a Spanish fleet of 27 ships. The Spaniards were sailing in two divisions and Jervis planned to cut between the two and destroy one before the other could come to its assistance. But he had miscalculated, and it became clear that the British ships would not be able to turn quickly enough to get into action before the Spanish squadrons closed up. Without orders from Jervis, Nelson hauled out of line and attacked the head of the second Spanish division. While the rest of Jervis’ fleet slowly turned and came up in support, Nelson held the two Spanish squadrons apart, at one time fighting seven enemy ships. The efficiency of British gunnery was decisive, and he not only boarded and captured one enemy man-of-war but, from her deck, boarded and took a second.

The Battle of Cape St. Vincent won for Jervis the earldom of St. Vincent and for Nelson a knighthood, which coincided with his promotion by seniority to rear admiral. His first action in command of a major independent force, however, was disastrous. In the course of an assault on Tenerife, a grapeshot shattered his right elbow, and back in his flagship the arm was amputated.

Overall nice condition with some age pitting to blade.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24593