Antique Arms & Militaria

A Wonderful, Very Early Period, 17th Century Flintlock Long Buccaneer's 'Fleet Captain's' or Pirate Pistol By Martin of Angers, Anjou, France. From The Real Pirates of The Caribbean & Port Royal Period The So-Called 'Golden Age of Piracy' Circa 1680

An absolute typical and beautiful form of the earliest and most elegant flintlocks of the 17th century, and just as favoured by Pirate Fleet Captains and Buccaneers during the golden age of piracy. Superb walnut stock, earliest form steel mounts, long barrel, and early barrel form ramrod pipes. Long eared steel 'skull crusher' buttcap, and early, typical 17th century 'banana shaped' lock, with florid scroll engraving to the lock plate and engraved with the gunsmiths name, Martin, Angers {Angers is partially obscured through age wear}. Twin nearside lock screws.
Martin is recorded in Angers sometime before 1680 and up to 1710, but his Christian name is not known. Angers was one of the principal provincial gunmaking centres - other significant Angers gunmakers were Boular, Bleiberg, and Pierre Monlong.

In the mid to late 17th century,m in the Western world, the period from the 1680s to the 1720s, has come to be known as the ‘Golden Age’ of piracy.

This was a time of heightened pirate activity, when thousands of ships in the Atlantic and beyond became the prey of roving bands of sea-robbers. Many of the most infamous pirates and buccaneers from history come from this era, Edward 'Blackbeard' Teach, Captain William Kidd, Anne Bonny, 'Calico' Jack Rackham, Henry Morgan, Stede Bonnet and more.

The Caribbean and the east coast of North America were the main areas that saw a surge in activity in the early 1700s. Ships carrying expensive cargoes were often intercepted, and stolen goods were sold in nearby islands and European colonies. Some pirates operated further afield, off the West African coast or in the Indian Ocean, where the island of Madagascar became a key base.

The real Pirates of the Caribbean
"The ‘golden age’ of piracy coincided with the expansion of English, later British, colonial activity around the Caribbean," writes Blyth. "This began in earnest with the capture of Jamaica from Spain in 1655." While piracy has been traditionally portrayed as a male-dominated pursuit, historical evidence suggests that women actively participated in piratical activities during various periods. In the Golden Age of Piracy, from the late 17th to the early 18th centuries, the presence of women in pirate crews became more pronounced. Anne Bonny and Mary Read are two notable examples of women who defied societal norms and navigated the perilous waters of piracy alongside their male counterparts. Their inclusion in pirate crews challenged prevailing gender roles and added a layer of complexity to the maritime lore of the era.

The story of Henry Morgan

Henry Morgan, a British privateer turned pirate, rose to prominence as a cunning strategist and a master of raiding Spanish colonies. Born circa 1635 in Wales, Morgan's early life remains relatively obscure, with scant historical records providing details about his upbringing. His maritime career began as a privateer, authorized by English authorities to harass Spanish colonies and shipping interests in the Caribbean during a period marked by geopolitical tensions between England and Spain.

Sir Henry Morgan was a unique individual in the history of buccaneering. He started out life as an indentured servant on a plantation in Barbados, but worked himself up to become one of the most notorious buccaneers there ever was, receiving not only praise from his uncouth brethren of the coast, but also from his king, who rewarded him with the a knighthood and a lofty position. Morgan had connections running in all levels of society, from the lowest dregs, his mutinous crewmen, to the highest echelons of nobility. Together with his loyal friend and crony, Sir Thomas Modyford, he rampaged the Spanish territories in the Caribbean, his name inspiring fear along the vast coastline of New Spain and its dependencies. Through his network he was able to operate as a broker between criminals from various countries and a nation state, culminating in the biggest amphibious buccaneering raid ever in the Caribbean and the destruction of the once proud city of Panama, of which the ruins can still be visited today. The expected end for a man of his making would be at the gallows, or swinging from the gibbet in some port or another. But not for Sir Henry Morgan. His networking skills protected him, set him up with a respectable position after his career as a buccaneer, and provided him with the luxury of drinking himself to death in the comfort of his own home at the ripe age of 53; a fate most other pirates must have surely envied him for. His exploits in the plunder of Port Royal and the attack on Spanish merchant ships contributed to the era’s rich folklore and became the stuff of legends. Sabatini based the first part of the story of Blood on Henry Pitman, a surgeon who tended the wounded Monmouth rebels and was sentenced to death by Judge Jeffreys, but whose sentence was commuted to penal transportation to Barbados where he escaped and was captured by pirates. Unlike the fictional Blood, Pitman did not join them, and eventually made his way back to England where he wrote a popular account of his ordeal. For Blood's life as a buccaneer, Sabatini used several models, including Henry Morgan and the work of Alexandre Exquemelin, for historical details

The motivations for women to join pirate crews were as diverse as those of their male counterparts. Some, like Anne Bonny and Mary Read, disguised themselves as men to gain access to the adventurous and lucrative world of piracy. Their ability to conceal their gender allowed them to operate freely within the confines of a pirate ship, participating in raids, engaging in combat, and earning the respect of their fellow crew members. The reasons for adopting a pirate's life were multifaceted, often stemming from a desire for economic independence, a rejection of societal constraints, or a quest for personal freedom in an era when opportunities for women were limited.

Original engravings in the gallery of;

Anne Bonny, as pictured in Charles Johnson’s 1724 book A General History of the Robberies and Murders of the most notorious Pyrates. Anne Bonnya (disappeared after 28 November 1720) was a pirate who served under John Rackham. Amongst the few recorded female pirates in the Golden Age of Piracy, she has become one of the most recognized pirates of the era, as well as in the history of piracy in general.
The first biography of Bonny comes from Captain Charles Johnson's 1724 book A General History of the Pyrates. In August 1720, Bonny, Rackham, and another woman, Mary Read, together with about a dozen other pirate crewmembers, stole the sloop William, then at anchor in Nassau harbor, and put out to sea. The crew spent months in the West Indies attacking merchant ships. Bonny took part in piracy alongside the men, handing out gunpowder to fellow pirates, a job usually referred to as a powder monkey. On 5 September 1720, Governor Rogers put out a proclamation, later published in The Boston Gazette, demanding the arrest of Rackham and his associates. Among those named are Anne Bonny and Mary Read

Portrait of Capt. Sir Henry Morgan, as pictured in Alexandre Exquemelin's Piratas de la America (1681) It is probable that in the early 1660s Morgan was active with a group of privateers led by Sir Christopher Myngs attacking Spanish cities and settlements in the Caribbean and Central America when England was at war with Spain. It is likely that in 1663 Morgan captained one of the ships in Myngs' fleet, and took part in the attack on Santiago de Cuba and the Sack of Campeche on the Yucatán Peninsula

Engraving of Capt. Stede Bonnet with a Jolly Roger flag from A General History of the Pyrates (1724) Stede Bonnet (c. 1688 – 10 December 1718) was an English pirate who was known as the Gentleman Pirate because he was a moderately wealthy landowner before turning to a life of crime. Bonnet was born into a wealthy English family on the island of Barbados, and inherited the family estate after his father's death in 1694. Despite his lack of sailing experience, Bonnet decided he should turn to piracy in the spring of 1717. He bought a sailing vessel, the Revenge, and traveled with his paid crew along the Eastern Seaboard of what is now the United States, capturing other vessels and burning other Barbadian ships.

Bonnet set sail for Nassau in the Bahamas, to the haven for pirates known as the "Republic of Pirates", but he was seriously wounded en route during an encounter with a Spanish warship. After arriving in Nassau, Bonnet met the infamous pirate Blackbeard. Incapable of leading his crew, Bonnet temporarily ceded his ship's command to Blackbeard. Before separating in December 1717, Blackbeard and Bonnet plundered and captured merchant ships along the East Coast. After Bonnet failed to capture the Protestant Caesar, his crew abandoned him to join Blackbeard aboard the Queen Anne's Revenge. Bonnet stayed on Blackbeard's ship as a guest, and did not command a crew again until summer 1718, when he was pardoned by North Carolina governor Charles Eden and received clearance to undertake privateering against Spanish shipping interests. Bonnet was tempted to resume his piracy but did not want to lose his pardon, so he adopted the alias "Captain Thomas" and changed his ship's name to Royal James. He had returned to piracy by July.

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

Overall in super condition for age, very nice and crisp action, good steel all over with just minor traces of usual old surface pitting, very small contemporary repairs to the walnut stock with small losses to the forestock wood trim, bottom half of the brass tipped rammer lacking.
19.5 inches long overall.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 25750

A Very Fine British ‘Brown Bess’ India Pattern Infantry Musket, Of The Napoleonic Wars Period. For Over One Hundred Years The British ‘Brown Bess’ Was The Most Famed and Feared Musket In The World. No Army In The World Failed To Respect Them

You would have to go a long way to find a better untouched example of a regulation ‘3rd Pattern’ ‘Brown Bess’ from the Napoleonic wars, and most importantly used from Quatre Bras and Waterloo

The stock has super patina, very sound, great condition, untouched and devoid of restoration and a great and fabulous feel of quality and heft.
A perfect example of an historic original Napoleonic ‘sleeper’ A musket, that once retired from British Army combat service, was placed in sound and dry storage, and has remained untouched for nigh on 200 years.

All the fittings are very good, a superb regulation length barrel, lock, trigger guard, butt plate, etc, ramrod, sling swivels and brass mounts. With a fine leather strap, good action, good proof marks, good inspection stamps, good dating. Effectively, everything you would want to see in an infantryman’s musket, that was contracted, supplied to the British infantry, and used in the last great battles of Napoleon from 1814 when he was first defeated, and most importantly, in his last Hurrah, the 100 Days War, Napoleonic lady desperate gamble to reclaim his title, his throne and empire, culminating at Quatre Bras and Waterloo, what a historical beauty!

In fact he very nearly succeeded, if it wasn’t for the tactical skill of the iron Duke, and his indomitable army, of fearless English, Scottish, Irish and Welsh infantryman and the great Prussian volunteers of the KGL. With the able last minute assistance from Field Marshal Blucher (*who, interestingly, and allegedly, believed he was pregnant during Waterloo) and his Prussians, direct from their battle and defeat at Ligny.

One of the 142,970 British contract made 'India Pattern' muskets turned over by the East India Co. army to the British Board of Ordnance for the Napoleonic wars, due to the urgent need for arms to counter Napoleon's massive armament reserve.

The lock is stamped by the primary, senior ordnance inspector, Richard Duce {his mark of Crown 2}. Who was also the controller of tempering & hardening of locks, after their arrival from the stores for fitting to the musket, and apparently he inspected all the EIC bess that were handed over to the British Ordnance for the Napoleonic Wars. An account that was confirmed to us by our friend and historic colleague, Howard Blackmore of the Tower of London armoury.

The musket was the standard weapon issued to the British soldier throughout the 18th and early-19th centuries. It would be the 'India', also known as the 'Third Pattern' Brown Bess musket that would play a central and pivotal role in the wars against Revolutionary and Napoleonic France.

By the end of the American Revolutionary War in 1783, the British Army was armed with the Pattern 1777 and Pattern 1779(S) Short Land Pattern musket. This was a musket made to the strict quality guidelines of the Board of Ordnance, and was characterised by its 42 in barrel. After the war the expectation was for a period of peace, a time when the need for Ordnance materials would be low, so the standing contracts for the Pattern 1777 and the Pattern 1779(S) musket were cancelled. Parliament was not prepared to fund equipment it deemed unnecessary, so financial retrenchment was the order of the day. No change there then

The world changed in 1793, a mere 10 years after the loss of the American colonies. Britain found itself once again at war, this time with Revolutionary France. An army now reduced in size to an authorized strength of only 44,432 men had to be expanded rapidly, along with the local militia and volunteer forces. The call for muskets was huge. Indeed, in 1793 the total stock of muskets in armouries around Britain, including the central arsenal at the Tower of London, was around a mere 60,000. The stocks held in French arsenals amounted to over a very sensible 700,000.

Something needed to be done. At first the Board of Ordnance tried to ramp up production of the Short Land Pattern muskets by engaging new contractors. Yet despite producing over 31,000 muskets in 1793 the numbers were still woefully inadequate for the expanding forces.

The Board of Ordnance had to fill the gap. They did this by ordering 10,000 muskets from the Birmingham gun trade and 10,000 from their usual emergency suppliers in Liege, Belgium. However this was still not enough, especially as the private contractors in both Birmingham and London were hard at work fulfilling orders for the private trade and for the East India Company, one of the biggest private purchasers of military arms. To begin to solve this lack of supply the Master General of the Ordnance, the Duke of Richmond, suggested to the government that they persuade the East India Company to sell their stocks of muskets to the government and also to agree not to place any further orders until the Ordnance's requirements were met.

The duke wrote to the Home Secretary, Henry Dundas, on the matter. As Chairman of the Board of Control of the East India Company Dundas had earlier been instrumental in securing parliamentary approval for the renewal of the East India Company's monopoly. The duke stated that he was: 'aware how unpleasant it must be to take such a step, and to deliver out to our troops these East India Company muskets, but ... the least important must give way to the most; and you will be best able to judge whether the East India Company can admit of a delay in respect of theses arms. And altho' they might not be quite so perfect as ours, they undoubtedly must be serviceable ones, and such as the new Raised Corps must put up with on the current Emergency.'

This suggestion was met with agreement, and the idea of introducing the East India Company's arms into British Army service was conceived. By the end of 1794 the East India Company had delivered 29,920 muskets into government stores, all that they could spare. Indeed transactions for East India Company muskets would continue throughout the duration of the Revolutionary and Napoleonic wars. By 1815, the East India Company had sold the Board of Ordnance at least 142,970 small arms.

The musket that the East India Company supplied was one originally designed by General Lawrence for East India Company service, altered and simplified by Lieutenant Colonel Edward Windus in 1771. The musket in Company service became known as the 'Windus' pattern. In 1795, the Board of Ordnance began to order 'India Pattern' muskets on its own account and by 1797 it officially adopted the musket as the Model 1793 and began to place substantial orders for it with the Birmingham gun trade.

The Model 1793 India Pattern musket was standardized by the Board of Ordnance in 1797, taking account of its comparable cheapness, simplicity of design and ease of manufacture. By the end of 1797, the Birmingham gun trade was able to deliver some 72,000 muskets to the government proof house at Bagot Street. The success of this model was self evident, along with its slightly modified successor the Model 1809 India Pattern. They produced at an average price of 18 shillings and 5 pence (roughly £3,000 in today's money).

This fabulous example was one of those desperately required Brown Besses.

The Brown Bess musket was the standard weapon of the British infantry for more than a century. Soldiers on both sides of the War of 1812 employed it in battle, staring down its barrel at opponents across distances of less than a hundred yards.

Flintlock musket
The Brown Bess musket was the standard weapon of the British for more than a century.
British foot soldiers marched into battle with this musket—nicknamed “Brown Bess”—for more than 100 years. British redcoats used the Brown Bess to fight the War of Independence in the colonies, and many of their opponents in the Americans’ Continental army used it as well. British soldiers fighting in the Napoleonic wars carried it into battle, and it was the principal firearm used by the infantrymen who fought the War of 1812.

The Brown Bess had several distinctive features. It was a large-calibre weapon: the bullet it fired was a lead ball up to three-quarters of an inch in diameter, three times the diameter of a modern .22-caliber rifle round. The inside of its barrel was smooth: unlike more accurate “rifled” muskets used by the famous rifle regiments, the Brown Bess had a smooth bore with no grooves to make its fire more accurate. Soldiers loaded the musket through the muzzle, which meant that each bullet had to be forced down a longer than three foot barrel before firing. Even trained soldiers could only launch two or three shots per minute.

Because the weapon was slow to load and relatively inaccurate (experienced soldiers generally estimated its range between 50 and 100 yards), armies developed tactics that helped compensate for its shortcomings. The limitations of smoothbore muskets like the Brown Bess forced units employ “linear tactics,” in which a hundreds of soldiers stood in neat lines, shoulder-to-shoulder and out in the open. While such tactics appear decidedly unstealthy to twenty-first century eyes, they proved essential on the battlefields of all the conflicts which Britain was involved.
There, stealth was a low priority. Packing the men into blocs allowed officers to coordinate their troops’ fire into synchronized volleys. Firing a hundred guns in the same direction at once helped ensure that at least some, often most of the inaccurate musket balls found their targets. And grouping the men into neat lines out in the open helped commanders ensure that few of their troops gave in to the natural instinct to flee.

Of course, packing troops into blocks and fighting in the open required tremendous discipline from the individual soldiers. Infantrymen had to stand exposed to enemy fire as they loaded and fired their own muskets. And in some situations, soldiers learned the grisly dangers of fighting in lines—as at the Battle of New Orleans in the 1812 war, where American artillery attacked the exposed British formations with devastating effect.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

*While Blucher’s "pregnancy" was a metaphor, it was widely joked about by contemporary figures as a sign of his mental exhaustion and stress following the war.  read more

Code: 26181

A Super & Historical Brown Bess Flintlock Musket. In Its Final Service Days, Part of the Arms Used by The Expeditionary Sailing Schooner & Steam Ship of the River Niger. Engraved With the Name of The 1st Propeller Driven Exploring Steamship

The Schooner and expedition was under the command of Dr. William Balfour Baikie, R.N. a famed explorer and renown anti-slaver.

The musket is in super condition made by Bond of London. Complete with its standard, regulation, bayonet {pitted overall} Regulation Brown Bess barrel .750 inch bore, and of 39 inches long, stamped with Board of Ordnance view and proof markings of circa 1790. Typical all brass mounts and fittings, trigger guard side plate fore-end and butt plate, with both steel sling swivels present, and a fine walnut stock. the ships name, 'Pleiad' engraved to the butt tang with the ship's gun's gun-rack numbering, '4'. The regulation trigger guard has a large number engraved, 22 this may likely be a previous use regimental number such as the Cheshire Regt, {the 22nd Foot}

Edward Bond was at 45 Cornhill, London, from 1800 to 1830, during this time he was joined by William, they moved to Lombard St. in around 1830

The vessel, named the Pleiad, was an extremely interesting and historical sailing ship. It was built by John Laird, and she was a sailing schooner, and, an auxiliary steam ship, with a unique 'lifting' propeller, and is said to have been the first exploring vessel to have been fitted with an additional propeller. Her length was 105 feet and her beam 24 feet. She had a 40-horse-power engine.

The Pleiad was schooner rigged, and the lifting propeller prevented the screw from retarding her speed under sail. This was before coaling stations were established on the route, and the vessel was intended to carry her coal from England under sail and to reserve it for use on the Niger.

William Baikie M.D. (1825-1864) was born in Orkney and studied medicine at Edinburgh University. He joined the Royal Navy in 1848 and soon attracted the notice of Sir Roderick Murchison who secured Baikie the post of surgeon and naturalist to the Niger Expedition in 1854. One of Baikie’s most important observations was on the use of quinine to prevent malaria as no one on the expedition contracted the disease. During the expedition, the senior officer, Consul John Beecroft, died and Baikie took command. Ascending the Benue about 250 miles beyond the point reached by former explorers, he returned and reached the mouth of the Niger, after a voyage of 118 days, without the loss of a single man. The expedition was partly funded by Laird of Birkenhead -- the 266-ton screw yacht Pleiad was designed by William Laird Jr and built by John Laird of Birkenhead to meet whatever unknown challenges cropped up, and was well armed with a single 12pdr gun, four swivel guns, a number of Minie guns together with pistols, shotguns and trade muskets. Baikie also used it for his second expedition of 1857 but it was wrecked in rapids. Baikie determined to carry out the purposes of the Expedition. He first considered establishing a British Consular Agency at Kabba but faced opposition from the local king of the region of Niger -- probably because Baikie was an anti-slaver firmly against the slave trade, which still provided a generous income for some tribal leaders and especially the local king. Instead, he chose Lokoja as the base of his future operations, it being the site of the model farm established by the Niger Expedition of 1841, and abandoned on the death of most of the white settlers. After Baikie's death, the British government abolished the consulate (1866), but the trading post remained influential. The district where Baikie had worked so successfully was finally secured for the UK through private enterprise some 20 years later and Lokoja became the capital of the Northern Nigeria Protectorate. Baikie wrote up the 1854 Expedition in his Narrative of an exploring voyage up the rivers Kwóra and Binue (commonly known as the Niger and Tsádda) in 1854.

Thanks to Laird’s forethought on all points she did well. Knowing the climate by experience, he insisted on keeping the number of Europeans to the minimum. The Pleiad left under the command of Dr. William Balfour Baikie, R.N., who dosed the ship’s company with quinine night and morning. When she reached Fernando Po, Dr. Baikie learned that Beecroft had died. Baikie decided to go up the river. He had engine trouble and the Pleiad ran aground several times, but he reached the confluence of the Niger and the Benue. Baikie ascended the Benue farther than any white man before him. Unfortunately the river began to fall. Baikie left the little vessel and went on farther by canoe until he was sure that Barth was not in the district. Then he returned to the Pleiad.

He traded her cargo, and she sailed back to England without the loss of a man by disease or accident, a new and wonderful event in the story of the Niger. He established that the river which Barth had reached was the one which flowed into the Niger.

The National Maritime Museum, Greenwich, have two matched examples of pistols from the set of the arms in the ship's arms locker, also named for the Pleiad, and similarly made by Bond of London, Object IDs AAA2432 & AAA2432.2. Another brace of pistol from the gun locker of the Pleiad and named as such sold at auction for just shy of £4,000.

To demonstrate the historical interest and status of the ship's voyage of exploration, an original copy of the book written by Dr. William Balfour Baikie, R.N., detailing his voyage aboard the Pleiad, published in 1856, can fetch upwards of £1,000. See a photo of his book in the gallery. For information and education purposes only, book not available

Narrative of an exploring voyage up the rivers Kwóra and Binue (commonly known as the Niger and Tsádda) in 1854.
Baikie, William Balfour
Published by London : Murray, 1856

The gun and action are very good for age, with an incredibly tight and crisp action, with just age and wear commensurate for its period and use both at sea and river. Small sliver of wood lacking forward of the lockplate, on the inside, beneath the barrel. The bayonet pitted overall.  read more

Code: 24859

A Very Good, Original, Napoleonic Wars Period, Imperial Russian Romanov Cavalry Sabre Engraved With The Russian Double Eagle Crest. French Invasion and Retreat From Moscow Period of 1812

Probably 18th to early 19th century from the era of Catherine the Great to Czar Alexander Ist. Russian campaign sabre from the 1812 Russian campaign, Borodino, Smolensk and Moscow. In the cossack sasqua style, worn with the blade cutting side up. With walrus tooth hilt and engraved quillon bearing the Russian Romanov double crowned twin headed eagle crest with two cyrillic letters English equivalent M E within a shield. Leather scabbard with chequered decoration and wire decorative seaming at the throat.
A little known fact about the Napoleon's campaign into Russia is that Napoleon’s army actually lost more men on the way to Moscow than on the way back. The heat, disease, battle and desertion meant that by the time the Russian capital was seen on the horizon he had lost half his men. Nevertheless, what was important to the Corsican General was that he had reached the city. Battles at Smolensk and Borodino along the way had been costly and hard-fought, but nothing Tsar Alexander had done had been able to halt the Imperial juggernaut in its tracks though he had managed to extricate most of the Russian army intact from the fighting. In September the exhausted and bloodied Grand Arm?e reached Moscow with its promise of food and shelter, but it was not to be. So determined were the Russians to resist the invader that they burned their own old and beautiful capital in order to deny its uses to the French. Camped in a burned and empty shell, Napoleon dithered about whether to remain over the bitter winter or claim victory and march home. He was mindful of earlier campaigns into Russia such as that of Charles XII of Sweden a century earlier and made the fateful decision to return to friendly territory rather than face the snows without adequate shelter.

When it became clear that the Russians would not accept a favourable peace, Napoleon marched his troops out of the city in October. It was already too late. As the once-great army trudged across the empty vastness of Russia, the cold set in, as early as the French generals could possibly have feared. And that was the least of their worries. The horses died first, for there was no food for them. Then after the men ate them they started dying too, for all the supplies in Moscow had been burned a month earlier. All the time, hordes of cossacks harassed the increasingly bedraggled rearguard, picking off stragglers and making the survivor’s lives a constant misery. Meanwhile, Alexander ? advised by his experienced generals refused to meet Napoleon’s military genius head-on, and wisely let his army dribble away in the Russian snows. Astonishingly, by the time the remnants of the Grand Armee reached the Berezina river in late November it numbered just 27,000 effective men. 100,000 had given up and surrendered to the enemy, while 380,000 lay dead on the Russian steppes. 89.5 cm long overall  read more

Code: 20830

A Most Rare 18th-19th Century Nepalese Battle Kora With Highly Unusual Distinctive Flared Gold Inlaid Blade and Inside Cutting Edge and Skull Crusher Pommel

An exceptional example intended for both warfare and sacrifice, the hilt with guard and pommel in the form of flattened spheres, retaining all their original polish. The robust blade of characteristic form, with brass ferrule intact, expanding toward the cusped and obliquely-angled tip and sharpened on the convex edge. Grip retains original velvet fabric covering with silver wire binding applied.

The blade is beautifully engraved, including a sunburst and an armoured arm holding a kora in the hand.
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The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises.

Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal” published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 10 in the gallery is of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. They are Koras used from the battle of Kirtipur during the 1760`s.  read more

Code: 25517

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. Also, Of Notorious Pirates 🏴‍☠️. Armourers Stamped Blade with Crescent Moon and Stars

The sword of choice for senior officer's {Admirals and Captain's} serving in the Royal Navy during the 17th and early 18th century. However, such swords were also the sword of choice of notorious 🏴‍☠️ pirates of the day. We show portraits in the gallery of British admirals of the age each bearing their same swords. Some with straight blades, others curved. This was purely a bespoke option for the original owner of the sword. Another painting in the gallery is of the infamous Blackbeard, Edward Teach notorious privateer. He is depicted using the exact same for of sword as this one.
Overall in superb condition for its age. The blade has just returned from artisan hand polishing and looks amazing. The blade is shown in the gallery pre-polishing, it is now beautifully bright.

Another very similar 'William and Mary period cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. And infamous Pirate captains. Such as Admirals Benbow, Shovel et al. we show a portrait in our gallery, of Admiral Hopsonn,

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

28.5 inches long overall, 23.5 inch long blade, quillon and guard shell removed.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25525

A Wonderful Collection of Napoleonic War 'Grande Armee' Cuirassier & Officer's Pistols, & Cuirassier Dragoon Musket, Crimean War General's Sword, Waterloo Hussar's Sword. Antique 17th Lancers Helmet {Death} ‘Or Glory’ Arriving This Week

Plus, a Napoleonic Wars officers sword of a British Light Dragoon regiment, plus 19th century British swords, helmets and Japanese swords. Including, the sword of the Colonel of the 3rd Battalion Grenadier Guards in the Crimean War, {see pictures 8 and 9} later Major General, {see portrait picture 6}.
We show a Portrait of Major Hodge of the 7th Light Dragoons with his same mameluke sword {see portrait picture 7} Before 1815, during the Napoleonic Wars and the Battle of Waterloo, the Mameluke-hilted sword was a fashionable, often personal, choice for British light cavalry officers (such as Hussars) and high-ranking staff officers, rather than a standard infantry rifle officer's weapon.
The style was adopted following campaigns in Egypt and India, influenced by Napoleon's Mameluke units and the personal preference of the Duke of Wellington

Also due in, a good and rare Victorian 17th Lancers Helmet { a tchapka lance cap } One of the great British cavalry regiments that took part in the Charge of the Light Brigade in the Crimean War.

“When can their glory fade?
O the wild charge they made!”

These words were made famous by Alfred Lord Tennyson in his poem, ‘The Charge of the Light Brigade’, and refer to that fateful day on 25th October 1854 when around six hundred men led by Lord Cardigan rode into the unknown.

The charge against Russian forces was part of the Battle of Balaclava, a conflict making up a much larger series of events known as the Crimean War. The order for the cavalry charge proved catastrophic for the British cavalrymen: a disastrous mistake riddled with misinformation and miscommunication. The calamitous charge was to be remembered for both its bravery and tragedy.

The Grande Armée was formed in 1804 from the L'Armée des côtes de l'Océan (Army of the Ocean Coasts), a force of over 100,000 men that Napoleon had assembled for the proposed invasion of Britain. Napoleon later deployed the army in Central Europe to eliminate the combined threat of Austria and Russia, which were part of the Third Coalition formed against France. Thereafter, the Grande Armée was the principal military force deployed in the campaigns of 1806/7, the French invasion of Spain, and 1809, where it earned its prestige, and in the conflicts of 1812, 1813–14, and 1815. In practice, however, the term Grande Armée is used in English to refer to all the multinational forces gathered by Napoleon in his campaigns.

Upon its formation, the Grande Armée consisted of six corps under the command of Napoleon's marshals and senior generals. When the Austrian and Russian armies began preparations to invade France in late 1805, the Grande Armée was quickly ordered across the Rhine into southern Germany, leading to Napoleon's victories at Ulm and Austerlitz. The French Army grew as Napoleon seized power across Europe, recruiting troops from occupied and allied nations; it reached its peak of one million men at the start of the Russian campaign in 1812,3 with the Grande Armée reaching its height of 413,000 French soldiers and over 600,000 men overall when including foreign recruits.4

In summer of 1812, the Grande Armée marched slowly east, and the Russians fell back with its approach. After the capture of Smolensk and victory at Borodino, the French reached Moscow on 14 September 1812. However, the army was already drastically reduced by skirmishes with the Russians, disease (principally typhus), desertion, heat, exhaustion, and long communication lines. The army spent a month in Moscow but was ultimately forced to march back westward. Cold, starvation, and disease, as well as constant harassment by Cossacks and Russian partisans, resulted in the Grande Armée's utter destruction as a fighting force. Only 120,000 men survived to leave Russia (excluding early deserters); of these, 50,000 were Austrians, Prussians, and other Germans, 20,000 were Poles, and just 35,000 were French. As many as 380,000 died in the campaign.

Did you know, we now have five times as many traffic wardens in the UK than combat ready soldiers { 82000 traffic wardens compared to 18000 ‘combat ready’ soldiers.} When Hitler invaded, and occupied Norway, it was achieved with just 10,000 troops and barely 1,500 falshirmjager took Oslo, the capitol city. But it is very comforting to know London is a ‘perfectly safe’ city, as quoted by the mayor, who, interestingly has 15 permanent, fully armed 24/7 bodyguards. Goodness knows how many he would need if it wasn’t safe ?

Before WW1 the British Army stood at 700,000 men in 1914, which increased in total in the armed forces to 8.7 Million, and alongside the French, The Canadians, Australians, and The Indians, {another 11 million } thus, with an allied armed forces total of around 20 million, it still took 4 years of bloody conflict to beat the Germans. This was when Britain’s population was around half what is is today.  read more

Code: 26183

A Very Inexpensive Original Scarce English Transitional Revolver Circa 1840 By Cook of London

The stepping stone between the 1830's pepperbox revolver, and the later first double action revolver patented by London's Robert Adams in 1851. Some of the most ground breaking work in the early design and manufacture of revolvers was undertaken in England long before the world famous American revolver makers, such as Colt and Remington, became famous for their fine pistols. This most interesting piece is fully, and most finely engraved, on the frame and grip, with a highly detailed micro chequered walnut butt.

Good operating action, several areas of old surface pitting interspersed with areas of no pitting at all.
Trapdoor percussion cap container in the butt.
Made by one of England's 19th century makers and innovators of fine revolver pistols, of London. A classic example of one of the earliest English cylinder revolvers that was favoured by gentleman wishing to arm themselves with the latest technology and improvement ever designed by English master gunsmiths. They were most popular with officers that could afford them in the Crimean War and Indian Mutiny. A picture in the gallery is of Robert Adams himself, loading his patent revolver for HRH Prince Albert, Queen Victoria's Consort. He was also manager for the London Armoury and he made many of the 19,000 pistols that were bought by the Confederate States for the Civil War. The US government also bought Adams revolvers from the London Armoury, at $18 each, which was $4.00 more than it was paying Colt for his, and $6.00 more than Remington.The action on this beautiful gun is good very nice, and tight, but the surface has areas of old corrosion. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22364

A Wonderful 18th Century French Small-Sword of Parcel Gilt and Blued Steel A Simply Stunning Museum Grade Piece. A Stunning Example of This French Master Craftsman’s Artistry and Skill in Service in The Royal Court of King Louis XVth

A sword that is certainly worthy of a finest collection of all forms of object d'art, antiquities, antiques and militaria.

Likely made at Versailles, at the royal workshops, by a royal swordsmith of King Louis XVIth, such as the master swordsmiths of the king, Lecourt, Liger or Guilman. A very finest grade sword of the form as was made for the king to present to favoured nobles and friends. He presented a similar sword to John Paul Jones see painting in the gallery now in the US Naval Academy Museum.

Three near identical swords to this now reside in the Metropolitan

A simply superb small-sword, with stunningly engraved chiselled steel hilt, overlaid with pure gold over a fish-roe background, decorated with hand chiselled scenes in the rococo Italianate renaissance style depicting various hunting scenes, of hunting hounds and game birds.
The multi wire spiral bound grip is finest silver, in with Turks head finials. The blade is in the typical trefoil form, ideal for the gentleman's art of duelling.

The degree of craftsmanship of this spectacular sword is simply astounding, worthy of significant admiration, it reveals an incredible attention to detail and the skill of it's execution is second to none.
Other similar swords are in also in the British Royal Collection and in Les Invalides in Paris. Trefoil bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example. For example of the workmanship in creating this sword for such as the King and Marie Antoinette we show the keys for the Louis XVI Secretary Desk (Circa 1783) made for Marie-Antoinette by Jean Henri Riesener, one of the worlds finest cabinetmakers, and whose works of furniture are the most valuable in the world.

The steel and gold metalwork key for Marie Antoinette's desk, is attributed to Pierre Gouthoire (1732-1813), the most famous Parisian bronzeworker of the late eighteenth century who became gilder to the king in 1767. This sword bears identical workmanship and style to that magnificent key. This is the quality of sword one might have expected find inscribed upon the blade 'Ex Dono Regis' given by the King.

Very good condition overall, with natural aged patination throughout.

The painting in the gallery is titled John Paul Jones and Louis XVI, by the American artist Jean Leon Gerome Ferris depicts John Paul Jones and Benjamin Franklin at the court of Louis XVIth and being presented a similar sword now in US Naval Academy Museum.
39.1/4 inches long overall.  read more

Code: 23138

A Museum Quality Original & Ancient, Crusades Period, King Edward Ist Medieval Knights Sword, 13th century. Used During The Time of Edward Longshanks, William Wallace and Robert The Bruce, Used By Both English & Scottish Knights During That Historic Era

The type known in academic circles as the Oakshott Type XII. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.
A wonderful example piece, from the ancient knightly age. Effectively, from this time of almost eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.A simply stunning historical original double-edged original knight's crusades period iron longsword of Oakeshott's Type XII (Oakeshott, 1991, p.105). Incredibly, still complete with its iron scabbard mount. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. The swords' broad, flat, evenly tapering blade is typical of specimens of its category, with the blade tending to widen below the hilt; incredibly the iron mouth of its original scabbard is also still present decorated with an openwork flower, but now in 2 pieces; the fuller is well defined, extending from below the guard for a little more than half of the blade's length;
This is the dominant style of knightly sword in use during the time of King Edward 1st of England Edward Longshanks such as in the first War with Scotland against Robert the Bruce and Sir William Wallace. The frequent myth is that the Scots mostly used the great sword Claymore, as seen in Braveheart, but the reality is very few of those were used, and even the so called William Wallace Claymore in the Wallace museum display in Stirlingshire, Scotland is iust an amalgam of various mixed sword parts, a Ship of Theseus of sorts.

The 'Great Seal of Robert The Bruce' shows him holding the very same type of sword.
This type was frequently made in Venice, by their great armourers, and many king's around all Europe had this form of sword. King Edward's sword, for example, was very similar to this sword, in its shape and form, but the king's sword would have been thinly coated with gold on the hilt. The Battle of Falkirk, (22 July 1298) was the initial Scottish victory over the English at the Battle of Stirling Bridge in 1297, but was soon avenged by Edward at the Battle of Falkirk. English rule was thus re-established over Scotland, forcing William Wallace to wage a lengthy guerrilla campaign until he was hunted down, betrayed, and eventually executed for treason in 1305. After the disaster of Stirling Bridge, King Edward I of England determined to crush the Scots once and for all. He headed north to invade the country in 1298, advancing with an army of around 2,500 mounted knights many using swords just as this one and 12,500 infantry, including large numbers of Welsh and English archers armed with longbows. In response, Wallace tried to avoid a pitched battle, because his own forces were smaller than the English, totalling around 1,000 mounted knights and 5,000 infantry. Wallace preferred to conduct guerrilla warfare against the invading army, but was eventually forced into battle at Falkirk.
On the morning of battle, Wallace formed his pikemen up into four schiltrons, hedgehog like circular formations of pikemen standing shoulder to shoulder with their pikes facing outward through an outer row of men in armour. The gaps between the schiltrons were filled with archers. The four schiltrons withstood the initial English cavalry and infantry attacks but then became vulnerable to steady fire from Edward?s longbowmen, the first time significant use had been made of this deadly weapon in battle. As the arrows poured down, supplemented by crossbow and slingshot, the schiltrons were soon broken up by the charging English cavalry. The Scots then fled into the neighbouring woods. Wallace escaped, although he lost many supporters. English losses, too, were high, testimony to the effectiveness of the schiltrons in battle.

Losses: English, 2,000 of 15,000; Scottish, 2,000 of 6,000. This sword's blade's cross-section, being of lenticular design, was originally from thirty to thirty-two inches long; the grip is a little longer than previous Oakshott type XI; the style of guard is short and straight, with a flattened cross-section at the edges; the pommel is a thick spherical piece, slightly flattened at the centre. Nice condition for age.

To see references on this sword see Oakeshott, J, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. 'Records of the Medieval Sword', Woodbridge, 1991; Nicolle, D., 'Arms and Armour of the Crusading Era', 1050-1350, vol I,, London, 1999; Scalini, M., 'A bon droyt, spade di uomini liberi, cavalieri e santi', Milano, 2007.

Oakeshott considered this category of sword as one of the most difficult to interpret, because of the affinity of the hilt with the types X and XVI (Oakeshott, 1991, p.65). Characteristics are the noticeable taper blade, with acute point, and the grip quite short, never of hand-and-a-half length. The fuller is usually running for at least half of the length of the blade. The sword was the most typical chivalry weapon diffused in all the Europe, largely attested by archaeological finds and artefacts from historical collections. Among the most famous specimen of such sword we should remember the one of Sancho IV (El Bravo) of Castilla, died in 1295 AD see photo in the gallery, which show a slightly curved hilt, and a cross-guard also expanded at the edges (Nicolle, 1999, cat.391). Our sword finds a good parallel in a Venetian sword preserved in Padova Museum (inv. IG 321119, s. Scalini, 2007, pp.126-127, cat.19), realised by an unknown Italian craftsman. Many of these swords were taken as booty from the Muslims taken from the vanquished crusader knights initially and preserved until recent times in the Arsenal of the Imperial Palace in Istanbul. Such weapons were mainly of Venetian origin, with slightly broader blades than our specimen. Scalini has suggested that such swords could also have been employed during the XIII-XIV century by the Venetian infantry in the operations of the Aegean Sea against Muslims and Eastern Romans. If this is true, the importance of the weapon consists in its functional use, not only reserved to the European and British knights, but also army of the Venetian Republic. The early flat disc pommels appear in the Mediterranean Sea at the beginning of the 12th century (for similar pommels s. Oakeshott, 1991, p.69) and persist in use until the 15th century and even later, although with significant variations. In art and medieval iconography, the best samples of swords of XII types can be seen on the famous Bible of Maciejowski made in approximately 1250 (Nicolle, 1999, 49a-49 as). Many of the swords illustrated therein seem to indicate a full length fuller; this might seem to indicate a Type X. However, most of the illustrations feature far too much profile taper to be a true Type X. Given the period of the Bible's manufacture they are far more likely to indicate swords of Type XII design. There is also an Apocalypse in the library of Trinity College, Cambridge (Nicolle, 1999, 189a-b) that was made around twenty years earlier that features illustrations of the type. Many of the illustrations from the Royal Armouries Manuscript I.33 can be interpreted as being of type XII pattern. More specifically, the typology of our specimen is visible on the sculpture of a warrior in the Church of Saint Justyna in Padua, confirming again the Venetian origin of such swords.

"Most probably our specimen is from a battlefield or, most probably, a river find. Type XII (Oakeshott, 1960 (1999) p.206), is generally dated between about 1180 and 1320, It has a large blade, very similar in shape to the Ulfberht ones but generally with a more acute point, and a well-marked and slightly narrower fuller starting in the tang and running about halfway along the blade; this occasionally is of two or more grooves. The pommel is generally in the form of a thick disc, sometimes with the edges bevelled off, sometimes of the so-called "wheel" form. Its cross is generally straight, circular in section and widening at the ends, but it may be of a square section; or it may be curved or have decorated terminals. Inscriptions on examples of these swords dating after about 1220 are slightly different again; the letters are closer together, often so dose that it is nearly impossible to make them out; and instead of the clearly legible religious phrase there is a jumble of repetitive letters which seems meaningless. Typical of the High Middle Ages, these swords begin to show greater tapering of the blade and a shortened fuller, features which improve thrusting capabilities while maintaining a good cut. The Cawood sword is an exceptionally well preserved type XII specimen, exemplifying a full-length taper and narrow fuller, which terminates two thirds down the blade. A number of Medieval examples of this type survive. It certainly existed in the later 13th century, and perhaps considerably earlier, since the Swiss National Museum in Zurich possesses an example that has a Viking Age-type hilt but clearly a type XII blade." Above quote on this sword from Dr Raffaele D'Amato. Small hole damage to central fuller and extreme tip missing. As with all our items they are accompanied with a Certificate of Authenticity and thus Guaranteed for Life. Just under a kilo in weight, 74.5cm (29 1/4" inches long overall). As usual the wooden handle and scabbard leather perished centuries past. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. This sword will be accompanied by a complimentary wooden display stand. It could also be enhanced by affixing to a rectangular bespoke display panel.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 22938