Antique Arms & Militaria

A Most Scarce, Original, Early 17th Century English Civil War Infantry Musketeer's or Pikeman's Comb Morion Helmet. Used From The 30 Years War And Into The English Civil War.

Used as the pattern used by both musketeers and pikemen during both wars.

The musket soon became the dominant infantry weapon during the Civil War, likely due their ease at rapid deployment. Musketeers could move and react faster than the Pikeman in their heavy armour. They were easier to train and the musket could kill and maim the enemy up to 200 paces away. If you could keep your enemy at this distance you didn't have to close to hand to hand combat.
The role of musketeer is more technical than that of the pikeman. As a musketeer within the regiment, you will be using a replica period matchlock musket, and when appropriate, carrying a set of bandoliers, holding the required amount of gunpowder to fire it.

The pikeman of the English Civil War. A pike was a wooden pole up to 18 feet long with a sharp metal spike. Its name comes from the French piquer, meaning ‘pierce’. Although the pike evolved in the Middle Ages, pike blocks more closely resembled Ancient Greek phalanxes.

It was considered to be a more noble and traditional weapon than the musket – a weapon for gentlemen that needed strength, skill, and training to master and nerves of steel to fight with. Pike blocks could consist of up to 200 men and would form up in the centre of the line of battle; they could either protect musketeers from cavalry attack or be used as huge offensive infantry formations that would edge towards each other, their pikes levelled at ‘the charge’ before engaging in ‘push of pike’, where they would try and break the enemy’s formation.

At the beginning of the English Civil Wars, armies would have roughly one pikeman for every two musketeers. By the 1650s, this was closer to one to four or five and, as muskets became more effective and use of the bayonette became widespread, the pike become obsolete and the regular use of pikes ended with the beginning of the 18th Century.  read more

Code: 24006

Most Attractive, Antique, 19th Century Fire Bucket Decorated in Scarlet Red Livery, with Royal Crest. Such A Colour Is Synonymous With Britain. The Redcoats of the Royal Guard, The Red Pillar Boxes, Even Red Telephone Boxes & Once, The Entire British Army

It shows the same crest that one would find on fixtures and fittings within in a British royal residence. It’s condition for its purpose is very good, just natural aging and wear throughout.

Fire aboard a wooden ship or residence was a constant peril, from such as burning powder shot or cannon fire, or even from an enemy fire ship, and could be the destruction of a vessel and crew in a very short time, if not subdued as quickly as possible. Thus good and sturdy leather fire buckets were an essential piece of Royal Naval equipment aboard every vessel. We show in the gallery a row in an Earls stately home, and a row of Royal Naval issue fire buckets {reproductions} aboard Nelson's flagship, HMS Victory, now in permanent dock at Portsmouth.
It is still the flagship of the Royal Navy in honour of Nelsons famous victory at Trafalgar. Fire buckets have been popular with collectors and owners of period homes for a very long time, but especially the board of ordnance issue examples for naval warships. They represent a time long before most towns had established and well-equipped fire departments ready to respond at a moment’s notice to a house or shop fire, when people relied on their neighbours to come to their aid. The risk for catastrophe from fire was great. A single stand-alone house could be consumed in minutes. In towns, fire in densely populated neighbourhoods could quickly result in the destruction of dozens of buildings.

Between 1630 and 1700 Boston experienced at least six major fires that destroyed well over 200 buildings. Most fire buckets were likely purchased from merchant craftsmen who specialised in leather goods, or wholesalers who imported wares from England. The earliest reference for the sale of fire buckets in Boston comes from a 1743 newspaper where an advertisement from an unnamed merchant simply states, “A Parcel of Choice Fire Buckets to be sold.” it is very rare to find a mark or signature on a fire bucket that identifies its maker.  read more

Code: 25212

A Stunning Condition & Very Fine Original & Historical Antique Bowie Knife Made by Manson of Sheffield, An Absolute Delightful Piece of Iconic American Civil War History

19th century, a British import from the US Civil War period into the Wild West period, as almost all the Bowie knives used in America from the 1830’s to 80’s were British made. With almost all its original bright polish finish on the blade. Frosted etched motto "Never Draw Me Without Reason Nor Sheath Me Without Honour". Original nickel mounted scabbard in tooled red leather. Embossed grave vine pattern handle

The term "Bowie knife" appeared in advertising by 1835, about 8 years after the Bowie's famous sandbar knife brawl, while James Bowie was still alive. The first knife, with which Bowie became famous, allegedly was designed by Jim Bowie's brother Rezin in Avoyelles Parish, Louisiana and smithed by blacksmith Jesse Clift out of an old file. Period court documents indicate that Rezin Bowie and Clifft were well acquainted with one another. Rezin's granddaughter claimed in an 1885 letter to Louisiana State University that she personally witnessed Clift make the knife for her grandfather.
This knife became famous as the knife used by Bowie at the Sandbar Fight, a famous 1827 duel between Bowie and several men including a Major Norris Wright of Alexandria, Louisiana. The fight took place on a sandbar in the Mississippi River across from Natchez, Mississippi, and is the only documented fight in which Bowie was known to have employed his Bowie knife design. In this battle Bowie was stabbed, shot, and beaten half to death but managed to win the fight using the large knife.
From context, "Bowie knife" needed no description then, but the spelling was variable. Among the first mentions was a plan to combine a Bowie knife and pistol. Cutlers were shipping sheath knives from Sheffield England by the early 1830s. By 1838 a writer in a Baltimore newspaper (posted from New Orleans) suggested that every reader had seen a Bowie knife.

The Bowie knife found its greatest popularity in the Old Southwest of the mid-19th century, where several knife fighting schools were established to teach students the art of fighting with the Bowie knife pattern.

Bowie knives had a role in the American conflicts of the nineteenth century. They are historically mentioned in the independence of Texas, in the Mexican War, the California gold rush, the civil strife in Kansas, the Civil War and later conflicts with the American Indians. John Brown (the abolitionist) carried a Bowie (which was taken by J. E. B. Stuart). John Wilkes Booth (assassin of Abraham Lincoln) dropped a large Bowie knife as he escaped. "Buffalo Bill" Cody reportedly scalped a sub-chief in 1876 in revenge for Custer (the Battle of War bonnet Creek).

The popularity of the Bowie knife declined late in the nineteenth century. Large calibre reliable revolvers were available by the mid-1870s, reducing a knife advantage. The frontier rapidly vanished, reducing the number of hunters and trappers. Large knives had limited utility, so Bowies shrunk.
This is a superb small example that when made was just perfect for a boot, or even a ladies garter concealment.

9.75 inches overall, 5 inch blade. Only the scabbard throat button is lacking, very small grey finger print staining to small areas of the blade  read more

Code: 22760

A Fabulous, and Rare, 19th Century Imperial Russo-Prussian Grenadier's Mitre Cap The highly distinctive mitre cap was in use by grenadier regiments of three principle nations mostly British, Prussian & Russian Since the Mid 18th Century

A most rarely surviving form of European service helmet used by the Prussians & pre revolutionary Russians right though in fact to the early 20th century of WW1, yet they ceased to be used by the British in the end of the 18th century.

The mitre cap is an extraordinary interesting form of helmet that was both elaborate and decorative but also as a form of intimidation, to increase the perception of the height of a grenadier, yet still most functional for defence against sword cuts and slashes.

With the helmets construction, a combination of cloth and pressed metal, creating a most effective ‘crumple zone’ against a slashing blade impact upon the soldiers head. The rarest of all the surviving mitre caps is beyond doubt the British, as they were in use for the shortest period of time and were entirely made of cloth, and that material survives poorly over 3 centuries. However this example has survived beautifully.

The Russian and Prussian examples had elements of metal within the helmets stamped crest frontispieces and frame, and, they were in use for longer, some into the WW1 period. However, all surviving examples are now very scarce indeed, and complete examples are most especially rare. The 18th and 19th century examples being the most rarest of all.
The mitre cap, whether in stiffened cloth or metal, had become the distinguishing feature of the grenadier in the armies of Britain, Russia, Prussia and most German states during the late 17th and early 18th centuries. While Northern-European armies such as Britain, Russia, Sweden and various German states (perhaps most famously Prussia) wore the mitre cap, the southern countries, such as France, Spain, Austria, Portugal and various Italian states preferred the bearskin cap. By 1768 Britain too had adopted the bearskin. By the advent of the Napoleonic Wars, both mitres caps and fur caps had begun to fall out of use in favour of the shako. Two major exceptions were France's Grande Armee (although in 1812, regulations changed grenadier uniforms to those more similar to the ones of fusiliers, except in guard regiments) and the Austrian Army. After the Battle of Friedland in 1807, because of their distinguished performance, Russia's Pavlovsk Regiment were allowed to keep their mitre caps and were admitted to the Imperial Guard. In 1914 the Imperial German and Russian Armies still included a number of grenadier regiments. In the Russian Army these comprised the Grenadier Guards Regiment (L-G Grenadierski Polk) as well as the Grenadier Corps of sixteen regiments (plus an independent reinforced company of Palace Grenadiers, guarding the St. Petersburg Imperial residences). Five regiments of the Prussian Guard were designated as Garde-Grenadiers and there were an additional fourteen regiment of grenadiers amongst the line infantry of the German Empire. In both the Russian and German armies the grenadier regiments were considered a historic elite, distinguished by features such as plumed helmets in full dress, distinctive facings (yellow for all Russian grenadiers) or special braiding.

A grenadier derived from the word grenade, and was originally a specialized soldier, first established as a distinct role in the mid-to-late 17th century, for the throwing of grenades and sometimes assault operations. At that time grenadiers were chosen from the strongest and largest soldiers. By the 18th century, dedicated grenade throwing of this sort was no longer relevant, but grenadiers were still chosen for being the most physically powerful soldiers and would lead assaults in the field of battle. Grenadiers would also often lead the storming of fortification breaches in siege warfare, although this role was more usually fulfilled by all-arm units of volunteers called forlorn hopes, and might also be fulfilled by sappers or pioneers. A very similar, near identical example appears illustrated and described in the The Lyle Official Arms and Armour Review 1983, page 261  read more

Code: 22034

An Original, Rare Incredible & Historical Piece. Silver Imperial Roman Centurion or Tribune's Military Ring of Victory, 2nd Century AD Engraved with the Intaglio of Winged Victory, wearing her helmet and holding the laurel wreath of Victory

The rings surface shows combat service wear, yet has survived remarkably well considering it is near 2000 years old.

The laurel wreath was worn symbolically by the Imperial Roman Emperors. Military Roman bronze rings were allowed to be worn by the Legionary or Centurion, but silver grade was only for the ranks of such as the Centurion, Tribune or Legate.

Victoria, in Roman religion, personification of victory, the equivalent of the Greek goddess Nike. She was often associated with Jupiter, Mars, and other deities and was especially worshipped by the army. In later times she had three or four sanctuaries at Rome, including a temple on the Palatine Hill and an altar in the Senate House.

After the Marian reforms of 107 BC (subsequently further formalised by the emperor Claudius) created a professionalised military system, legions were commanded by a legionary legate (legatus). Six tribunes were still posted to a legion, but their duties and responsibilities had changed, becoming more a political position than a military rank. The second-in-command to the legate was the tribunus laticlavius or 'broad-stripe' tribune (named after the width of the stripe used to demarcate him on his tunic and toga),6 usually a young man of senatorial rank. He was given this position to learn and watch the actions of the legate. They often found themselves leading their unit in the absence of a legate, and some legions were permanently commanded by a broad-stripe tribune, such as those stationed in Egypt, as an Augustan law required that no member of the Senatorial Order ever enter Egypt.

A Centurion was a position in the Roman army during classical antiquity, nominally the commander of a century, a military unit originally consisting of 100 legionaries. The size of the century changed over time, and from the first century BC through most of the imperial era was reduced to 80 men.

In a Roman legion, centuries were grouped into cohorts and commanded by their senior-most centurion. The prestigious first cohort was led by the primus pilus, the most senior centurion in the legion and its fourth-in-command who was next in line for promotion to Praefectus Castrorum, and the primi ordines who were the centurions of the first cohort.

This fine ring was worn by higher ranked military officer's from the era of Emperor Marcus Aurelius, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus. the successor and son of Marcus Aurelias, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 24629

A Most Rare & Superb, Original, Imperial Roman Legionary's & Cavalryman's Spatha Long Sword, Late 3rd Century Over 1700 Years Old. The Very Form Of Sword As Our Tribune’s Ring Owner Would Use.

Made and used from the eras of Emperor Tacitus and Emperor Diocletian to Emperor Constantine the Great. Only the second example we have seen or offered in the past 15 years. A double-edged original Imperial Roman period spatha sword of the typology of Illerup Wyhl, with excellently preserved long blade, long tang, with triple fullers along its length, parallel cutting edges tapering down towards its point, Fine condition. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege. A wonderful example piece, from the ancient imperial age. Effectively, from this time of almost two thousand years ago, from a collectors point of view, almost nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.
The iconographic sources indicate that Roman swords underwent big changes in the later 2nd and 3rd centuries. Longer swords, more popular within Germanic and Celtic cultures, would have been useful for fighting on horseback, but they were soon spread among the infantrymen and massively produced in the Roman workshops, from which they were brought home by many barbarians after mercenary or auxiliary service in Roman army. This, together with the possibility of war booty, explains why the mass of these swords have been found in the territories of the Barbaricum. The graves and the ritual water deposits of the marshy areas of Illerup Adal, Thorsberg, Vimose and many other localities (Simris) have delivered an amount of swords. Illerup has produced fine well-preserved swords, some with rather unusual patterns. Dr. Miks refers to the spathae of the 'lllerup-Wyhl' type I as to a group of blades which in terms of their proportions, dimensions and shape, are probably a mixture of blades of the more classical 'Straubing-Nydam' and 'Lauriacum-Hromowka' types of long Roman swords. They are one of the most complicated category of Late Roman swords and therefore difficult to clearly identify.
The Spatha was first introduced to the Romans by Celtic Mercenaries during the Second Punic War. The Celts would have used weaponry and armour from their homeland, and one of the Celtic weapons would have been the Spatha. Many believe that the Spatha was adopted by the Romans due to contact with Germania, however this is not true.

The earlier gladius sword was gradually replaced by the spatha from the late 2nd to the 3rd century. From the early 3rd century, legionaries and cavalrymen began to wear their swords on the left side, perhaps because the scutum had been abandoned and the spatha had replaced the gladius.

In the imperial period, the Romans adopted the original Greek term, spáthē (σπάθη), as spatha, which still carried the general meaning of any object considered long and flat. Spatha appears first in Pliny and then Seneca with different meanings: a spatula, a metal-working implement, a palm-leaf and so on. There is no hint of any native Roman sword called a spatha.

Referring to an actual sword, the term first appears in the pages of Tacitus with reference to an incident of the early empire. The British king, Caractacus, having rebelled, found himself trapped on a rocky hill, so that if he turned one way he encountered the gladii of the legionaries, and if the other, the spathae of the auxiliaries. There is no indication in Tacitus that they were cavalry.

The next mention of spathae is in the 5th century, by Vegetius, now as a weapon carried by infantry. The term "Roman Iron Age" refers approximately to the time of the Roman Empire in north Europe, which was outside the jurisdiction of the empire, but, judging from the imported Roman artifacts, was influenced by Roman civilization. One source of artifacts from this period are the bogs of Schleswig, Holstein and Denmark. Objects were deliberately broken and thrown into the bog in the belief that they could go with a deceased chief on his voyage to a better place.

A cache of 90 swords was found at Nydam Mose in Denmark in 1858. They were in the form of the spatha and therefore have been classified as "Roman swords". They are dated to the 3rd to 4th centuries. Many connect the Nydam cache with the sword of Beowulf, who was supposed to be a contemporary. See two photos of these in the gallery. Another photo in the gallery is of a depiction of Roman spartha swords, with hilts fashioned in the shape of eagles' heads, in Roman carved statuary (Portrait of the Four Tetrarchs, c. AD 300) in Venice.
This is the typical sword used to great effect, for example at the Battle of Cibalae
The Battle of Cibalae was fought in 316 between the two Roman emperors Constantine I (r. 306–337) and Licinius (r. 308–324). The site of the battle near the town of Cibalae in the Roman province of Pannonia Secunda, was approximately 350 kilometers within the territory of Licinius. Constantine won a resounding victory, despite being outnumbered.
The opposing armies met on the plain between the rivers Sava and Drava near the town of Cibalae. The battle lasted all day. The battle opened with Constantine's forces arrayed in a defile adjacent to mountain slopes. The army of Licinius was stationed on lower ground nearer the town of Cibalae, Licinius took care to secure his flanks. As the infantry of Constantine needed to move forward through broken ground the cavalry was thrown out ahead, to act as a screen. Constantine moved his formation down on to the more open ground and advanced against the awaiting Licinians. Following a period of skirmishing and intense missile fire at a distance, the opposing main bodies of infantry met in close combat and fierce hand-to-hand fighting ensued. This battle of attrition was ended, late in the day, when Constantine personally led a cavalry charge from the right wing of his army. The charge was decisive, Licinius' ranks were broken. As many as 20,000 of Licinius' troops were killed in the hard-fought battle. The surviving cavalry of the defeated army accompanied Licinius when he fled the field under the cover of darkness.

See Bishop, M.C. & Coulston, J.C.N., Roman military equipment, from the Punic wars to the fall of Rome, London, 1993; Miks, C., Studien zur Romischen Schwertbewaffnung in der Kaiserzeit, I-II Banden, Rahden, 2007; D’Amato, R., Roman army Units in the Western Provinces, Oxford, 2019; for very similar specimens see Miks, 2007, n.A146,36,37,43 (Illerup).Blade weight 1.1 kg, 98.5cm (38 3/4"). In the world of collecting early weaponry a sword is defined as it’s blade, it’s hilt was separate often made of vulnerable woods and materials that do not survive the ravages of time. You simply do not often see such rare and iconic original ancient swords used by one of the most famed empires in the world, during the period of one of the greatest eras in classical history, let alone have the opportunity to own one. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23517

Ancient Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Another sword from an acquisition by us of the amazing Dove collection of original archaic Chinese bronze age weaponry. Anthony Dove and Alan Williams of The Wallace Collection co-wrote a seminal work on the identification, dating, and composition of swords from this era. See reference below.

This beauty from the Zhou dynastyis a stunning ancient sword around 2500 years old or more. From the area of the King's of Wu, in Chu. From a collection of antiquities, swords daggers, and rings. Many pieces, including our former Dove Collection pieces, were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name. 480mm long 450 gms

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams The Wallace Collection} 65 publications

As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24355

Fabulous, Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonet Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

All came to us from the collector who bought them in Japan from another collector, so by definition they conclusively were used in all of those campaigns, as the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war as army surplus after we had retired them from our war service in India, China, & Burma.

Absolutely bright as a button, hand polished and conserved, for the next 200 years, in our workshop. The blade is excellent as is the hilt grip, the leather on the scabbard has an old service repair at the join with the chape, and the pommel has old pitting.

This bayonet was part of a stunning collection of probably the most historical, service issue, bayonets ever used in the 19th century, and this one of these very bayonets was used in combat over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All are to be sold separately, most with scabbards, some without. Many have already been sold over the past two weeks

Original ordnance stamps and inspection marks abound, and regimental gun rack number on the hilt {possibly American}.

The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was first used in the late Indian Mutiny at the "Seige and Relief of Lucknow". With a chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather.
The regiments that used this bayonet sword also took part in the Second Opium War in China, the Third Anglo-Burmese War, and this bayonet, along with tens of thousands of other service issue rifles and bayonets, were then sold to America in the Civil war, purchased by both the North, and the South. {See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets.}
Then after the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war, and their Satsuma Rebellion by the samurai anti imperialist army.

A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:

Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):

"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.

We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including this one offered here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn had purchased them from England for the American Civil War. This one and all of the others were acquired by our English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago.

They are perfect historical examples of just how far traveled British made arms and bayonets were, journeying around the world in their combat service lifetime.

The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.

The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show an 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt,

Priced for UK mainland delivery only. For export delivery, please POA  read more

Code: 26002

An Original, French, Napoleonic Year 13 Modele, & Dated 1809 French Flintlock Line Cavalry Pistol, Mauberge Manufacture Imperial. Manufactured For Napoleon's Grande Armee.

One of the flintlocks from a fabulous & large original collection of finest Imperial French swords and pistols we recently acquired, this one is one of a near identical pair we purchased, but each is being sold separately, this one from the Grande Armee period, and the other from the period after the loss of the Grande Armee in Russia. Each part of this flintlock pistol bears the poincon stamps of Phillipe-Joseph Delmotte, inspector of Mauberge, plus B.Y. of Denis Brouilly premier controleur, and probably Antoine Chapelle Chef de Batallon, plus the date of 1809 on the stock, and 1809 repeated on the barrel. The gun lock shows it was made at the Maubeuge Manufacture Imperiale. It also has a most rare inspector's stamp on the gunlock plate of the B surmounted by an imperial eagle, of Daniel Bouyssavey of Maubeuge.

Excellent condition overall with a crisp spring action.

A true museum grade original souvenir from the Napoleonic Wars

This flintlock pistol was made at the French Imperial Arsenal at Maubeuge in 1809, during the time of Napoleon's Grande Armee during the Peninsular Campaign, before the Grande Armee's invasion of Russia, and five years before Napoleon's defeat in 1814 and exile to Elba, and later, after his return in 1815. Thus this pistol was made, and issued to the cuirassiers, that then years later transferred their loyalty to the King, then back once more back to their old emperor, Napoleon, upon his return from exile in Elba. It was used by the cuirassiers in the 100 Days War, culminating in Napoleon's final defeat at Quatre Bras and Waterloo by the Duke of Wellington, and this pistol being taken as war booty.

Used as a regimental issue sidearm, by and the very best French Napoleonic frontline cavalry, the carabineers, cuirassiers, chasseurs, dragoons and lancers, serving in Napoleon Bonaparte's army during the Napoleonic Wars. This is the pattern called the AN 13 {year 13} which represents the 13th year of French Ist Republic of 1792. The French Republican Calendar or French Revolutionary Calendar was a calendar proposed during the French Revolution, and used by the French government for about 12 years from late 1793. This is the pattern of pistol that would have first seen service in the Elite Imperial Guard, cavalry and dragoons, plus the Cuirassiers of Napoleon's great heavy cavalry regiments. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers pistols now in England very likely came from that field of conflict, after the battle, as trophies of war. This pistol may well have been taken from a vanquished Cuirassier pistol that was drawn for combat on the field of battle. One can imagine this pistol lying freely, or, maybe, even still clasped in his cold desperate hand, or even under his fallen steed, at the field of conflict at Waterloo. Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly super Napoleonic pistol. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. Made in the period that Napoleon was Emperor and ruling most of Europe, it was used through the Napoleonic period from 1813, later in the the Royal restoration period, when Napoleon was imprisoned at Elba, and then during the War of the 100 days, culminating at Waterloo .
All Napoleon's heavy Cavalry Regiments fought at Waterloo, there were no reserve regiments, and all the Cuirassiers, without exception fought with their extraordinary resolve, bravery and determination. The Hundred Days started after Napoleon, separated from his wife and son, who had come under Austrian control, was cut off from the allowance guaranteed to him by the Treaty of Fontainebleau, and aware of rumours he was about to be banished to a remote island in the Atlantic Ocean, Napoleon escaped from Elba on 26 February 1815. He landed at Golfe-Juan on the French mainland, two days later. The French 5th Regiment was sent to intercept him and made contact just south of Grenoble on 7 March 1815. Napoleon approached the regiment alone, dismounted his horse and, when he was within gunshot range, shouted, "Here I am. Kill your
Emperor, if you wish." The soldiers responded with, "Vive L'Empereur!" and marched with Napoleon to Paris; Louis XVIII fled. On 13 March, the powers at the Congress of Vienna declared Napoleon an outlaw and four days later Great Britain, the Netherlands, Russia, Austria and Prussia bound themselves to put 150,000 men into the field to end his rule. Napoleon arrived in Paris on 20 March and governed for a period now called the Hundred Days. By the start of
June the armed forces available to him had reached 200,000 and he decided to go on the offensive to attempt to drive a wedge between the oncoming British and Prussian armies. The French Army of the North crossed the frontier into the United Kingdom of the Netherlands, in modern-day Belgium. Napoleon's forces fought the allies, led by Wellington and Gebhard Leberecht von Blücher, at the Battle of Waterloo on 18 June 1815. Wellington's army withstood repeated attacks by the French and drove them from the field while the Prussians arrived in force and broke through Napoleon's right flank. The French army left the battlefield in disorder, which allowed Coalition forces to enter France and restore Louis XVIII to the French throne. Off the port of Rochefort, Charente-Maritime, after consideration of an escape to the United States, Napoleon formally demanded political asylum from the British Captain Frederick Maitland on HMS Bellerophon on 15 July 1815. The pistol is in very nice condition overall.  read more

Code: 25402