Antique Museum Worthy 17th-18th Century Sinhalese Nobleman's Dagger Piha Kaetta, From The Royal Workshops of The King Of Kandy, Sri Lanka, With Fabulous Chisseled,Engraved Gold Alloy, Silver, & Carved Black Coral Grip

A most stunning, ornate, pihas, and made exclusively by the Pattal Hattara (The Four Workshops). They were employed directly by the Kings of Kandy. Kandy, the independent kingdom, that was first established by King Wickramabahu (1357-1374 AD).

From our latest incredible collection of early 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King Kandy of Sri Lanka. Each one a masterpiece of the early craftsman’s art

The last Kandyan king was in the early 1800's, and the workshops are no longer in existence today.
From these knives there are all transitions to the finest versions of nobles and princes, the most elaborate and costly of silver or gold inlaid and overlaid knives worn by the greatest chiefs as a part of their formal dress. The workmanship of many of these is most exquisite but this fine work is done rather by the higher craftsmen, the silversmiths and ivory carvers, than by the mere blacksmith. Many of the best knives were made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.

"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu Golden Arms, the Abarana Regalia, the Sinhasana Lion Throne, and the Otunu Crown these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace.This beautiful noble's dagger is stunningly decorated with veka deka liya vela double curve vine motif and the flower motif sina mal, and a bold vine in damascene silver. The blade is traditonal iron and the hilt beautifully carved black coral

From the sixteenth century, the Kandyan kingdom was drawn into the Wars of Kotte Succession after the Kingdom of Kotte was divided among three brothers. It was also at this time that the Portuguese Empire intruded into the internal affairs of Sri Lanka, establishing control over the maritime regions of the island and seeking to control its lucrative external trade. During this civil war the Kandyan kingdom almost lost its independence the Kingdom of Sitawaka who occupied it for a decade. The Crisis culminated in the collapse of the Kotte kingdom in 1597 and all of its successor states, including the Sitawaka kingdom. Kandy was the only independent Sinhalese kingdom to survive thus beginning the Kandyan period (1592–1815). Kandyan rulers, in an effort to protect their independence, alternated between resistance and diplomacy when dealing with the Europeans.
In the seventeenth century, the kingdom formed an alliance with the Dutch East India Company to expel the Portuguese from the island. Although the Portuguese were eventually removed, the Dutch double-crossed the Kandyans and retained control of the coastal regions and relations between Kandy and the Dutch became strained. The Kandyans and the Dutch would engage in two wars with the later resulting in loss of all of Kandy's remaining coastal territory, making it a landlocked country.
A related but less ornate example also without a scabbard currently is on display in London’s Victoria & Albert Museum. Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.

https://collections.vam.ac.uk/item/O452562/knife-and-sheath/

Occasionally, as we are Great Britain’s leading gallery of our kind, we had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

Code: 14577