A Superb, Original, 1879 Zulu War Small Cow-Hide Zulu Shield. Likely A Zulu Iwahu Shield. From the Time Of Islandwana, Rorke's Drift and Ulundi. Souvenir of the Zulu War

The ideal size for a historical display today, of a private collector or museum, such as combined with original Zulu War pieces, such as spears & knopkerrie {war clubs}.

Small cow-hide shields such as this were developed into larger versions, known as Isihlangu, in the early 19th century by Shaka kaSenzangakhona, a great warrior king and innovator who transformed Zulu warriors into a potent military machine. Shaka also introduced a new short, stabbing spear and a new style of fighting whereby the Zulu could barge his enemy off balance with the shield, or use it to hook around hid enemy's shield, pull it across his body and stab him under the left arm. These new weapons and methods, combined with tactical brilliance on the battlefield allowed the Zulu to conquer their neighbours, consolidate economic and military power, and resist European invasion for a long period.


The Zulu military system was based on the close bonding of unmarried men grouped by age. Brought together in a barracks at about 18-20 years old, a group of 350-400 men developed a strong identity as a 'regiment' or impi thanks to insignia such as the patterning on their shields. Each impi had its own kraal of cattle, and King Shaka assigned each a specific hide patterning. Impi kept their shields turned face-inwards under their arms while charging the enemy, until the last moment when the entire regiment turned their shields to face the enemy - who would only realise which of Shaka's regiments they faced with seconds to spare. This idea that the shield represented one's military identity is enshrined in the Zulu expression, "to be under somebody's shield", meaning to be under their protection.

Yet the different colours and markings on shields did more than just identify a specific impi. Great warriors had white shields with one or two spots, the young and inexperienced had black shields whilst the middle warriors had red shields. This demarcation formed the basis of the Zulu's famous battle formation imitating the horns, chest and loins of a cow, which is thought to have originated in hunting as a means of encircling game. During combat, the youngest and swiftest warriors, carrying dark shields, made up the 'horns', attempting to surround the enemy and draw him into the 'chest', whereupon the elite white shields would destroy him.


After a year of basic training, young warriors were sent home to tend their family cattle herds, mobilising for active service for four months of each year thereafter. Impi were disbanded when the men reached their late thirties and, under Shaka, it was only then they could marry. However, by the time of Zulu War of 1879, in the reign of Cetewayo, the marriage age was much younger and married warriors were no longer regarded as inferior and could bear a white shield in battle. Whether a Zulu warrior was active or retired, his shield remained an important symbol of his status upon entering marriage.

The Zulus, 22,000 strong, attacked the camp at Isandlwana and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.


54cm long inc haft  read more

Code: 25535

An Original WW1 M17 Imperial German Stick Grenade Stielhandgranate {aka The Potato Masher}. A Training Smoke Version For Distributing Smoke or Gas To Cover Assaults, Attacks or Retreats By German Shock Troops In The Trenches

Overall in sound condition for age with surface russetting and its end cap is present {often lost}. Heavy rolled steel head, with gas perforations and belt hook and good wooden haft. Original alloy end cap. Übung Stielhandgranate. One side of the stick is marked 5 1/2 Sekunde, indicating that the fuse is a 5 1/2 Second delay. When in training it would contain a small detonation charge

Germany entered World War I with a single grenade type: a heavy 750-gram (26 oz) ball-shaped fragmentation grenade (Kugelhandgranate) for use only by pioneers in attacking fortifications. It was too heavy for regular battlefield use by untrained troops and not suitable for mass production. This left Germany without a standard-issue grenade and improvised designs similar to those of the British were used until a proper grenade could be supplied.

Germany introduced the "stick grenade" in 1915, the second year of the conflict. Aside from its unusual appearance, the Stielhandgranate used a friction igniter system. This had been used in other German grenades, but was uncommon internationally.

During World War I, the Stielhandgranate, under the name M1915 (Model 1915), competed technologically with the British standard-issue Mills bomb series. The first Mills bomb – the grenade No. 5 Mk. 1 – was introduced the same year as the German Model 1915, but due to manufacturing delays it was not widely distributed into general service until 1916. Thus, there was a small period of time where German troops had large supplies of new Model 1915 grenades, while their British opponents only had a small number.

As World War I progressed, the Model 1915 Stielhandgranate was improved with various changes. These variants received designations such as the Model 1916 and the Model 1917.

Otto Dix's Stormtroops Advancing Under a Gas Attack, from his 1924 set of first world war drawings, Der Kreig.

Inert and fully safe. Not suitable for export.  read more

Code: 25538

A Superb, Original, WW1 British Brodie 'Tommy' Combat Helmet. Veteran Painted With WW1 Cartoon & Theatre Character 'Old Bill'

Unlike the closure of most wars, every WW1 Tommy veteran was allowed to take home his helmet. A very few then decorated the surface with comedic scenes or regimental devices etc.

Old Bill is a fictional character created in 1914–15 by cartoonist Bruce Bairnsfather. It became a worldwide sensation. Old Bill was depicted as an elderly, pipe-smoking British "tommy" with a walrus moustache. The character achieved a great deal of popularity during World War I where it was considered a major morale booster for the British troops. Old Bill and his younger troopmate little Alphie were private infantrymen in the British Expeditionary Force.

Many claims have been put forth as being the model for "Old Bill" but the most likely appears to be Thomas Henry Rafferty, a lance corporal from Birmingham in Bairnsfather's regiment, the Royal Warwickshires, who was killed in the same action that invalided Bairnsfather in April 1915. Rafferty was featured in the Weekly Dispatch in 1917, referred to as "Old Bill," along with a photograph taken by Bairnsfather.

Bill & Alphie's, the Royal Military College of Canada on-campus cadet pub in Kingston, Ontario is named after Bruce Bairnsfather's Great War cartoon characters. Yeo Hall at the Royal Military College of Canada features sculptures of Bill and Alphie.

After the huge success of his first theatrical sketch Bairnsfatherland or the Johnson 'Ole (written in collaboration with Basil Macdonald Hastings) in the London Hippodrome revue Flying Colours in September 1916 , and with a second sketch due to open in See-Saw at the Comedy Theatre in Spring of 1917, the suggestion was made that Bruce Bairnsfather should write a full length play based around his popular character Old Bill,

The idea was taken up by Bairnsfather and, in collaboration with Capt. Arthur Eliot, he wrote a comedy-drama titled The Better 'Ole. It was made up of two acts and eight scenes (described in the programme as "Two explosions, Seven Splinters and a Short Gas Attack"): at a "Gaff" behind the lines, outside the Cafe des Oiseaux near the front, in billets behind the line, on the way back "in," in the trenches, at Headquarters, on the Leave Train and back at Old Bill's home in England.

First produced by Charles B Cochran at the Oxford Theatre, London on 4 August 1917, The Better 'Ole was an instant hit. Within a few months Cochran had sent out several touring companies, which took the play to all corners of the UK over the next 2 years. It was also produced around the world - from New York to Sydney, and Bombay to Tokyo - by several theatrical companies, and met with huge success wherever it was played.  read more

Code: 25537

A Rare, Original, Japanese Antique Edo Period Samurai War Bow 'Daikyū ' With Urushi Lacquered Woven Rattan Quiver 'Yabira Yazutsu' With 3 'Ya' Arrows

A wonderful, original, antique Edo period {1603-1863} Samurai long war bow 'Yumi', made in either yohonhigo or gohonhigo form {4 piece or 5 piece bamboo laminate core, that is surrounded by wood and bamboo, then bound with rattan and lacquered}

Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

Edo Era, 1600 to 1700's, with practice arrows, unfeathered, that fit into in a lacquer quiver {yabira yazutsu} with three arrows {ya}. we show a photo in the gallery from a samurai museum display that shows a practice arrow stand with the same form of flightless 'ya' inbedded in sand within the stand.

The arrows are made using yadake bamboo (Pseudosasa Japonica), a tough and narrow bamboo long considered the choice material for Japanese arrow shafts. The lidded quiver is a beautiful piece of craftsmanship in hardened urushi lacquer on woven rattan. Practice arrows were a fundamental part of samurai bowmanship.

These sets are very rarely to be seen and we consider ourselves very fortunate, indeed privileged, to offer another one.
It was from the use of the war bow or longbow in particular that Chinese historians called the Japanese 'the people of the longbow'. As early as the 4th century archery contests were being held in Japan. In the Heian period (between the 8th and 12th centuries) archery competitions on horseback were very popular and during this time training in archery was developed. Archers had to loose their arrows against static and mobile targets both on foot and on horseback. The static targets were the large kind or o-mato and was set at thirty-three bow lengths and measured about 180cm in diameter; the deer target or kusajishi consisted of a deer's silhouette and was covered in deer skin and marks indicated vital areas on the body; and finally there was the round target or marumono which was essentially a round board, stuffed and enveloped in strong animal skin. To make things more interesting for the archer these targets would be hung from poles and set in motion so that they would provide much harder targets to hit. Throughout feudal Japan indoor and outdoor archery ranges could be found in the houses of every major samurai clan. Bow and arrow and straw targets were common sights as were the beautiful cases which held the arrows and the likewise ornate stands which contained the bow. These items were prominent features in the houses of samurai. The typical longbow, or war bow (daikyu), was made from deciduous wood faced with bamboo and was reinforced with a binding of rattan to further strengthen the composite weapon together. To waterproof it the shaft was lacquered, and was bent in the shape of a double curve. The bowstring was made from a fibrous substance originating from plants (usually hemp or ramie) and was coated with wax to give a hard smooth surface and in some cases it was necessary for two people to string the bow. Bowstrings were often made by skilled specialists and came in varying qualities from hard strings to the soft and elastic bowstrings used for hunting; silk was also available but this was only used for ceremonial bows. Other types of bows existed. There was the short bow, one used for battle called the hankyu, one used for amusement called the yokyu, and one used for hunting called the suzume-yumi. There was also the maru-ki or roundwood bow, the shige-no-yumi or bow wound round with rattan, and the hoko-yumi or the Tartar-shaped bow. Every Samurai was expected to be an expert in the skill of archery, and it presented the various elements, essence and the representation of the Samurai's numerous skills, for hunting, combat, sport and amusement, and all inextricably linked together.

The mounted archer mainly controls his horse with his knees, as he needs both hands to draw and shoot his bow. As he approaches his target, he brings his bow up and draws the arrow past his ear before letting the arrow fly with a deep shout of In-Yo-In-Yo (darkness and light).

Yabusame (流鏑馬) is a type of mounted archery in traditional Japanese archery. An archer on a running horse shoots three special "turnip-headed" arrows successively at three wooden targets.

This style of archery has its origins at the beginning of the Kamakura period. Minamoto no Yoritomo became alarmed at the lack of archery skills his samurai possessed. He organized yabusame as a form of practice.

Nowadays, the best places to see yabusame performed are at the Tsurugaoka Hachiman-gū in Kamakura and Shimogamo Shrine in Kyoto (during Aoi Matsuri in early May). It is also performed in Samukawa and on the beach at Zushi, as well as other locations.
On his final day in Japan in May 1922, Edward, Prince of Wales was entertained by Prince Shimazu Tadashige (1886–1968), son of the last feudal lord of the Satsuma domain. Lunch was served at Prince Shimazu’s villa, followed by an archery demonstration. Afterwards, the Prince of Wales was presented with a complete set for archery practice, including an archer’s glove, arm guard and reel for spare bowstrings  read more

Code: 25534

One Million Viewers!! Google Just Informed Us 1,000,000 People Searched To Find Our Location on Google Maps Since We Updated Our Company Entry Recently.

Google just let us know our updated Google entry just past the amazing 1,000,000 { one million } searches in order to find out our location in order to visit us here in Brighton, England.

Twenty Three Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.

It was a great honour for Mark and David, especially considering at the beginning of the new millennium, in the year 2000, there was over 7,000 established antique and collectors shops in the UK, according to the official Guide to the Antique Shops of Britain, 1999-2000, and we were nominated, and voted into in the top four in Britain.

We were also very kindly described and listed as one of the most highly recommended visitors attractions in the whole of Europe and the UK by nothing less than the 'New York Times ' within their travel guide "New York Times, 36 Hours, 125 Weekends in Europe  read more

Code: 25531

A Superb, Original, Antique Japanese Shinshinto Period, 19th Century, Samurai's, Secret, Hidden Fan-Dagger, A Kanmuri-Otoshi Form Kakushi Ken

A fantastic original antique samurai conversation piece, a samurai tanto {dagger} disguised as a folded fan, that the blade is concealed within. A wide and very attractive kanmuri-otoshi form kakushi ken, with clip back return false edge, overall bright polish and just the faintest traces of miniscule old age pitting. Edo period secret bladed tanto,19th century, with carved wood and bi-colour urushi lacquered fittings, in ishime black and golden yellow, beautifully simulated to look like a traditional Japanese folded fan.

A photo in the gallery from Edo Japan of a seated high ranking samurai holding his tachi and war fan. Another samurai standing also with fan and daisho through his obi. Samurai sometimes disguised their blades as inoffensive items, such as cleverly made walking sticks or other common objects such as fans. Their ancestors, the classical warriors, overlooked nothing which could be used as a weapon. Also, deprived of their swords by law in the Meji era, late 19th century samurai had to rely even more on their own ingenuity and resourcefulness for protection against thieves, hoodlums, bandits and intrigue. The blade nakago sealed in place, so there was no telltale visible mekugi blade affixing peg.
A Japanese war fan is a fan designed for use in warfare. Several types of war fans were used by the samurai class of feudal Japan and each had a different look and purpose. One particularly famous legend involving war fans concerns a direct confrontation between Takeda Shingen and Uesugi Kenshin at the fourth battle of Kawanakajima. Kenshin burst into Shingen's command tent on horseback, having broken through his entire army, and attacked; his sword was deflected by Shingen's war fan. It is not clear whether Shingen parried with a tessen, a dansen uchiwa, or some other form of fan. Nevertheless, it was quite rare for commanders to fight directly, and especially for a general to defend himself so effectively when taken so off-guard.

Minamoto no Yoshitsune is said to have defeated the great warrior monk Saito Musashibo Benkei with a tessen.

Araki Murashige is said to have used a tessen to save his life when the great warlord Oda Nobunaga sought to assassinate him. Araki was invited before Nobunaga, and was stripped of his swords at the entrance to the mansion, as was customary. When he performed the customary bowing at the threshold, Nobunaga intended to have the room's sliding doors slammed shut onto Araki's neck, killing him. However, Araki supposedly placed his tessen in the grooves in the floor, blocking the doors from closing. Types of Japanese war fans;
Gunsen were folding fans used by the average warriors to cool themselves off. They were made of wood, bronze, brass or a similar metal for the inner spokes, and often used thin iron or other metals for the outer spokes or cover, making them lightweight but strong. Warriors would hang their fans from a variety of places, most typically from the belt or the breastplate, though the latter often impeded the use of a sword or a bow.
Tessen were folding fans with outer spokes made of heavy plates of iron which were designed to look like normal, harmless folding fans or solid clubs shaped to look like a closed fan. Samurai could take these to places where swords or other overt weapons were not allowed, and some swordsmanship schools included training in the use of the tessen as a weapon. The tessen was also used for fending off knives and darts, as a throwing weapon, and as an aid in swimming.
Gunbai (Gumbai), Gunpai (Gumpai) or dansen uchiwa were large solid open fans that could be solid iron, metal with wooden core, or solid wood, which were carried by high-ranking officers. They were supposedly used to ward off arrows, as a sunshade, and to signal to troops.

12 inches long overall. approx 7.5 inch blade. The black ishime lacquer is near pristine, the golden yellow urushi lacquer has some natural, dark, handling age staining.  read more

Code: 25529

A Rare, Antique, Kamakura, {鎌倉時代}, Kamakura Jidai, 1185–1333 Style, Ageha 'V' Shaped 'Swallow Tail' War Arrow Of Yadake Bamboo, With Good Sea Eagle Flights and Steel Head

The ageha swallow tail war arrows of this type appear mostly in the Kamakura period, the steel head may indeed be from that period, and the Edo period sea eagle feathers are in superb condition. Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

Experienced Kamakura archers were allowed to use arrows with the V-shaped swallowtail prong {ageha}. If armour is struck, it will splinter, so, the optimum target for a lethal blow on any opponent, wearing full traditional samurai armour (O-Yoroi), is the space just beneath the helmet visor that is often bare. It was once told to us by a very aged and respected Japanese sensei visitor, who was a master of Yabusame mounted archery, that to hit a samurai at the bridge of the nose, beneath his kabuto helmet peak, with the swallowtail ageha ya, it would penetrate both eyes at once. It may not be instantly lethal but the samurai would be immediately blinded, and thus have no function in combat. The samurai’s Ya could also be made with tamehagane steel, the same as used for swords, with similar tempering, despite potentially being a ‘fire and forget’ weapon, used only once for barely a minute of combat for each arrow.

In the post Kamakura era, in the Edo period, the swallow tail arrow was changed slightly and used with two interior sharpened edges, and its use was changed to cut the retaining straps of cuirass armour and the like.

The arrows are made using yadake bamboo (Pseudosasa Japonica), a tough and narrow bamboo long considered the choice material for Japanese arrow shafts. The black {now faded to brown} and white feather flights {hane} are likely Steller's sea eagle feather. Period 1599 -1863. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers. Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of some archery in battle. In the Edo period archery was also considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai.

Picture 8 in the gallery shows a different arrow head, but the same form of elongated tang, similar to yari, is used to hold the arrow head firmly in place. Some are signed by the smith. Naturally this ageha head cannot be removed to show this.  read more

Code: 25533

Stunningly Beautiful, Museum Piece. Original Scythian Warrior's Helmet. Made & Used From the 6th Century BC, to The Battles Against Alexander the Great, Until the 3rd Century AD, The Scythian Women Warriors Are Believed To Be The Original Amazons

A bronze 'Illyrian' variant helmet, used by the so called 'barbarian' warriors, both men and women, that Herodotus classed as Amazons, that fought Darius The Great of Persia in 512bc, Alexander the Great of Macedon in 329bc, and both the Legions of the Roman Republic, and later, the Legions of the Roman Empire.

With a traditional domed skull and carination to the rear, a row of perforations to the rim around the face, and a flared neck-guard; Weight 396 grams, 26cm (10 1/4"). Fine condition, some overall aged restoration.

From the realm of the ancient Scythian warriors of ancient history that uniquely fought alongside their female warriors. The Scythian women were as famous as warriors, in fact as much as we’re the Scythian men, it is said the legend of the Amazonian warriors is entirely based on the Scythian women warriors. Herodotus provides the first detailed description of the Scythians. He classes the Cimmerians as a distinct autochthonous tribe, expelled by the Scythians from the northern Black Sea coast. Herodotus also states that the Scythians consisted of the Auchatae, Catiaroi, Traspians, and Paralatae or "Royal Scythians".

For Herodotus, the Scythians were outlandish barbarians living north of the Black Sea. In 512 BC, when King Darius the Great of Persia attacked the Scythians, he allegedly penetrated into their land after crossing the Danube. Herodotus relates that the nomadic Scythians frustrated the Persian army by letting it march through the entire country without an engagement In 329 BC Philip's son, Alexander the Great, came into conflict with the Scythians at the Battle of Jaxartes. A Scythian army sought to take revenge against the Macedonians for the death of Ateas, as they pushed the borders of their empire north and east, and to take advantage of a revolt by the local Sogdian satrap. However, the Scythian army was defeated by Alexander at the Battle of Jaxartes. Alexander did not intend to subdue the nomads: he wanted to go to the south, where a far more serious crisis demanded his attention. He could do so now without loss of face; and in order to make the outcome acceptable to the Saccae, he released the Scythian prisoners of war without ransom in order to broker a peace agreement. This policy was successful, and the Scythians no longer harassed Alexander's empire.

Although the classical Scythians may have largely disappeared by the 1st century BC, Eastern Romans continued to speak conventionally of "Scythians" to designate Germanic tribes and confederations or mounted Eurasian nomadic barbarians in general: in AD 448 two mounted "Scythians" led the emissary Priscus to Attila's encampment in Pannonia. The Byzantines in this case carefully distinguished the Scythians from the Goths and Huns who also followed Attila. Their women, after all, were trouser-wearing, horse-riding warriors, Amazons, according to Herodotus. In his Histories, the Amazons sleep with the Scythian men but refuse to cohabit with the existing Scythian women because they are not outdoorsy enough. The Amazons therefore set off with their Scythians to establish a new people.

The next known event from Scythian history is the campaign of Alexander the Great's general, Zopyrion, which took place in 331/30 BC and was directed against the Getae and the Scythians (Just., Epit., 12.1, 4). The Macedonian army of 30,000 men reached Olbia and laid siege to it, but was unable to take it and was completely routed by the Scythians. Zopyrion himself met his death.

One other Scythian king of the 4th century BC mentioned in the sources was Agaros, who had probably taken part in the internecine war between the sons of the Bosporan king Pairisades in 310/9 on the side of Satyros II; after his defeat, Satyros's son Pairisades sought refuge with Agaros. He was probably king of those Scythians who dwelt in the Crimean steppes immediately adjacent to the Bosporus.The helmet appears to have been made originally on the Corinthian model with close-fitting skull, lateral cheek-plates and projecting nasal. At some point in its combat history, it has been modified, while retaining the undulating brow profile. The perforated leading edge may have been for permanent attachment of an organic padded liner. Beyond the scope of inspired workmanship, by 5th century BC, many of the Scythian kings and nobles also opted for 'foreign' styled Greek helmets and greaves, possibly as a show of prosperity. Archaeological excavations that pertain to this period have unearthed over 60 fascinating specimens of Greek helmets (of Corinthian, Chalcidian, and Attic types) that were actually manufactured in mainland Greece and then shipped across the Black Sea into Scythian heartland via the wealthy Greek Bosporan colonies. The ancient scope in itself mirrored a wide-ranging trade network that not only entailed arms and military equipment but also slaves. Furthermore, the Scythians themselves exported profitable items like grain, wheat, flocks, and even cheese to Greece. From examination the front nasal section has been considerably restored. It has been sometime in the past extensively, though nicely, fully cleaned overall, during conservation a small supporting interior patch has been applied at the nasal area. Helmets from this era and region in unrestored condition are now so rare as to be almost unavailable, but if found, can be expected to be from 20,000 to 50,000 pounds today.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading


Literature on this helmet type see;
Cf. Egg, M. & Waurick, G. Antike Helme, Romisch-Germanisches Zentralmuseum, Mainz, 1990, item 2 for original type.  read more

Code: 22060

A 18th to Mid 19th Century Steel, Indo Persian, Double Crescent Blade Headed War Axe and Spike, Known as a Tabarzin

Of a type carried into battle by Indo-Persian/Mughal warriors. With engraved bird and floral decoration to the axe heads. Iron shaft.

The double head war axe with spike would have been a very effective battlefield weapon and had excellent balance.

The term tabar is used for axes originating from the Ottoman Empire, Persia, Armenia, India and surrounding countries and cultures. As a loanword taken through Iranian Scythian, the word tabar is also used in most Slavic languages as the word for axe.

The tabarzin (saddle axe) (Persian: تبرزین‎; sometimes translated "saddle-hatchet") is the traditional battle axe of Persia. It bears one or two crescent-shaped blades. The long form of the tabar was about seven feet long, while a shorter version was about three feet long or less. What makes the Persian axe unique is the very thin handle, which is very light and always metallic. The tabarzin was sometimes carried as a symbolic weapon by wandering dervishes (Muslim ascetic worshippers). The word tabar for axe was directly borrowed into Armenian as tapar (Armenian: տապար) from Middle Persian tabar, as well as into Proto-Slavonic as "topor" (*toporъ), the latter word known to be taken through Scythian, and is still the common Slavic word for axe.

A delightful example of a ceremonial axe in war axe form  read more

Code: 25036

A Wonderful & Rare Bronze Minoan Era Spear of Pre Ancient Greek Antiquity, Around 4000 Years Old. It Was Already At Least 1700 Years Old when Alexander The Great Began His Expedition to Conquer the Known World

Examples similar have been found elsewhere in Cyprus and Crete from the same era. Three similar were discovered some years ago in Vounous, Cyprus dated around 2300-2000 BC from the tomb 78 of the ancient cemetery in Vounous.

These kind of spear heads have a tang, ending in a hook, which was fixed into the wood. The blade was than further secured to the wood shaft by a wrap of laching cord.

Minoan Crete, named after the legendary King Minos, was ruled from great palaces, most of which were founded around 2000 BC. Material from the palace of Knossos is displayed in the British Museum, along with pottery, bronzes and stone vases from elsewhere in Crete, including from tombs and shrines. There is also evidence for writing in the form of the undeciphered Linear A script. The later Greek Bronze Age is named after Mycenae, the capital city of Agamemnon who according to myth led the Greeks at the siege of Troy. Mycenaean culture extended throughout mainland Greece, the Aegean islands and Crete. The Greek language is first recorded in this period in the Linear B script derived from Minoan Crete. Following the collapse of this civilisation in the 12th century BC, Greece entered a period of relative poverty and isolation when writing was forgotten. During this time, stories about the grand lifestyles of Mycenaean rulers continued to be told, influencing later poets such as Homer, whose Iliad and Odyssey were set in what we call the Bronze Age. In the epic poem The Odyssey, the Greek poet Homer praised an island that lies “out in the wine-dark sea . . . a rich and lovely sea-girt land, densely peopled, with 90 cities and several different languages.” This sophisticated place is not just a random spot in the Mediterranean—Homer is describing Crete, southernmost of the Greek islands and home to one of the oldest civilizations in Europe. Located some 400 miles northwest of Alexandria in Egypt, Crete has been inhabited since the Neolithic period, around 7000 B.C. The culture that developed there during the second millennium B.C. spread throughout the entire eastern Mediterranean world. Crete’s command of the seas would allow its stunning art and architecture to deeply influence the Mycenaean Greek civilization that would succeed it. Photo in the gallery of a Bull’s head rhyton ritual pouring vessel from the palace at Knossos, c. 1550-1500 B.C.E., in black steatite, jasper, and mother-of-pearl, 26 cm high (Archaeological Museum of Heraklion, From a private collection formed in the Netherlands before the 1980's .

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

20cm long spear head  read more

Code: 23582