An Incredibly Rare French Naval, Sabre D'Officier De Marine Model Prairelle An XII 1804. Officer's Sword, Most Likely Surrendered or Captured At Trafalgar in 1805. Possibly Even From the Redoutable or Bucentaure

Overall in very good condition for age, very tight and sound with no looseness, yet with commensurate wear for its age, considering its use as a hand to hand combat sword in the service of their emperor Napoleon Bonaparte.

It has a very finely engraved blade with feint traces of blue and gilt, and usual age and surface wear overall.
Almost all of the senior French naval officers at Trafalgar could have carried a sword just as this, and this sword may even have been likely surrendered at Trafalgar itself. Its official title is; Sabre d'officier du Marine, modele de Prairal an XII of 1804. Scabbard throat mount beautifully decorated with a Mermaid, with two tails and modest skirt, as was the identifying feature on a naval officer's sabre of the prairial model. The reverse side of the scabbard has a design of a pattern of the constellation of the stars.

It was by formal decree, dated the 7th of Prairial of the year XII May 28, 1804, that the French First Consul Napoleon Bonaparte approved the creation of the model of this stunning sabre. This is such a rare sword they are almost impossible to find, even in museums.

This French naval officer's combat sword is a stunningly beautiful sabre, and so very rare, as so many warships of the French Napoleonic navy, and their officer's and crew, were captured or destroyed so precious few survive. The British equivalent is the rare 1805 pattern Royal Naval officer's sword, which Nelson also took to at Trafalgar, but the French surviving equivalent, this sword, is at least 100 times the rarer sword. The last known example, of a surrendered French ship's captain's sword, we sold here over 5 years ago.

Sabre naval officer model of the 1st Prairial Year XII, guard a brass branch chiselled and gilded, bow body adorned with an anchor resting on two flags, half round langets chiselled with a radiant head, fluted ebony grip with carved grooves; flat-backed blade, one hollow pan and lateral throat, traces of blue and gilded in the third; leather scabbard with seam, two gilded brass fittings, the throat is provided with two long side hooks for the wearing of the sword with a belt or the harness, it is decorated with a mermaid with two tails, finely engraved with reeds; dart shaped shell;

Prairial was the ninth month in the French Republican Calendar. This month was named after the French word prairie, which means meadow. It was the name given to several ships.
Prairial was the third month of the spring quarter.
The Battle of Trafalgar (21 October 1805) was a naval engagement fought by the British Royal Navy against the combined fleets of the French and Spanish Navies, during the War of the Third Coalition (August–December 1805) of the Napoleonic Wars (1796–1815).

Twenty-seven British ships of the line led by Admiral Lord Nelson aboard HMS Victory defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The Franco-Spanish fleet lost twenty-two ships and the British lost none.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement, and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line.


During the battle,Victory locked masts with the French Redoutable, whose crew, including a strong infantry corps (with three captains and four lieutenants), gathered for an attempt to board and seize Victory. A musket bullet fired from the mizzentop of Redoutable struck Nelson in the left shoulder, passed through his spine at the sixth and seventh thoracic vertebrae, and lodged two inches below his right scapula in the muscles of his back. Nelson exclaimed, "They finally succeeded, I am dead." He was carried below decks.

Victory's gunners were called on deck to fight boarders, and she ceased firing. The gunners were forced back below decks by French grenades. As the French were preparing to board Victory, Temeraire, the second ship in the British windward column, approached from the starboard bow of Redoutable and fired on the exposed French crew with a carronade, causing many casualties.

At 13:55, the French Captain Lucas of Redoutable, with 99 fit men out of 643 and severely wounded himself, surrendered. The French Bucentaure was isolated by Victory and Temeraire, and then engaged by HMS Neptune, HMS Leviathan, and Conqueror; similarly, Santísima Trinidad was isolated and overwhelmed, surrendering after three hours.
Nelson was shot by a French musketeer As Nelson lay dying, he ordered the fleet to anchor, as a storm was predicted. However, when the storm blew up, many of the severely damaged ships sank or ran aground on the shoals. A few of them were recaptured, some by the French and Spanish prisoners overcoming the small prize crews, others by ships sallying from Cádiz. Surgeon William Beatty heard Nelson murmur, "Thank God I have done my duty"; when he returned, Nelson's voice had faded, and his pulse was very weak. He looked up as Beatty took his pulse, then closed his eyes. Nelson's chaplain, Alexander Scott, who remained by Nelson as he died, recorded his last words as "God and my country." It has been suggested by Nelson historian Craig Cabell that Nelson was actually reciting his own prayer as he fell into his death coma, as the words 'God' and 'my country' are closely linked therein. Nelson died at half-past four, three hours after being hit, before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. The battle resulted in 10 French ships captured,
one ship destroyed,
3,373 dead,
1,155 wounded,
over 4,000 men captured
Spain:
11 ships captured,
1,022 dead,
1,386 wounded,
3 to 4,000 captured
Total: about 15,000

It would be wonderful to know for certain that this sword was surrendered by such as a senior officer of the Redoutable or Bucentaure , and although it is certainly possible it may have been, in fact we can't say it wasn't, but in reality it is a speculation that may never be satisfied.

The sword is 36.5 inches long overall in its scabbard. The carved ebony grip has one slight split on one side, but still as tight as a drum, the leather scabbard has had a contemporary field service leather repair near the chape.  read more

Code: 25277

A Most Rare, Original, Late 18th Century Spanish Heavy Dragoon Cup Hilt Sword of the Napoleonic War Peninsular Campaign. An I8th Century or Earlier Form Spanish Rapier Hilt With a British 1796 Heavy Cavalry Ordnance Stamped Hadley Contract Blade

This is simply a fascinating and intriguing sword in that in it's service working life it has had a wide 1796 British Heavy cavalry trooper's sword blade, stamped and made by Ordnance contractor, Hadley of 47 Bull St. Birmingham, and supplied by their British allies. The hilt is actually a design and likely made from a 1650 Spanish Toledo cup hilt rapier.

Spanish cup hilt rapiers often originally had long and slender blades, however in the 18th century their blades became wider and of broadsword dimensions when used by Spanish heavy dragoons, especially in the Peninsular war from 1808, but they retained the cup hilt form of the traditional, Spanish cavalry sword.

We also acquired a rare, fully standard Napoleonic Peninsular War 1808 Spanish Heavy Dragoon sword, with its wide blade, and changed hilt pattern

We have never seen an original period Spanish sword mounted with a British ordnance blade before, and this is most intriguing.

We conclude it was added at the time of the Spanish alliance with Britain during the Peninsular War in Spain, against Napoleon's occupying forces. Possibly supplied and given by the British, from such as the 4th Heavy Dragoons or 3rd Dragoon Guards, to their Spanish allies to replace an unsuitable narrow earlier Spanish rapier blade. The 4th Dragoons were landed between the 22nd and 27th of April 1809 at Lisbon and were brigaded with the more senior 3rd Dragoon Guards under Major General Henry Fane forming the first British Heavy Cavalry brigade in the Peninsular War.

The sword's cup has some original combat impact damage and field repair on one side. Traditional long quilons of the late 18th century pattern up to 1808 when the hilt design was changed and the quillons deeply curved.

Crown 4 stamp to blade and maker's mark stamp on backstrap, ordnance contractor and supplier of 1796 Heavy Dragoon swords, Hadley of Birmingham.

The Spanish heavy cavalry in the Peninsular campaign, such as, The Battle of Bailen
Fought July 19, 1808, between 15,000 Spaniards under Castaflos, and 20,000 French under Dupont. The French were totally defeated with a loss of over 2,000 men, and Dupont surrendered with his whole army. The Battle of Bailen was contested in 1808 between the Spanish Army of Andalusia, led by Generals Francisco Castanos and Theodor von Reding, and the Imperial French Army's II corps d'observation de la Gironde under General Pierre Dupont de l'Etang. The heaviest fighting took place near Bailen (sometimes anglicised Baylen), a village by the Guadalquivir river in the Jaen province of southern Spain.

In June 1808, following the widespread uprisings against the French occupation of Spain, Napoleon organised French units into flying columns to pacify Spain's major centres of resistance. One of these, under General Dupont, was dispatched across the Sierra Morena and south through Andalusia to the port of Cadiz where an French naval squadron lay at the mercy of the Spanish. The Emperor was confident that with 20,000 men, Dupont would crush any opposition encountered on the way. Events proved otherwise, and after storming and plundering Cordoba in July, Dupont retraced his steps to the north of the province to await reinforcements. Meanwhile, General Castanos, commanding the Spanish field army at San Roque, and General von Reding, Governor of Malaga, travelled to Seville to negotiate with the Seville Junta a patriotic assembly committed to resisting the French incursions?and to turn the province's combined forces against the French.

Dupont's failure to leave Andalusia proved disastrous. Between 16 and 19 July, Spanish forces converged on the French positions stretched out along villages on the Guadalquivir and attacked at several points, forcing the confused French defenders to shift their divisions this way and that. With Castanos pinning Dupont downstream at Andujar, Reding successfully forced the river at Mengibar and seized Bailen, interposing himself between the two wings of the French army. Caught between Castanos and Reding, Dupont attempted vainly to break through the Spanish line at Bailen in three bloody and desperate charges, losing more than 2,500 men.

His counterattacks defeated, Dupont called for an armistice and was compelled to sign the Convention of Andujar which stipulated the surrender of almost 18,000 men, making Bailen the worst disaster and capitulation of the Peninsular War, and the first major defeat of Napoleon's Grande Armee. When news of the catastrophe reached the French high command in Madrid, the result was a general retreat to the Ebro, abandoning much of Spain to the insurgents. France's enemies in Spain and throughout Europe cheered at this first check to the hitherto unbeatable Imperial armies tales of Spanish heroism inspired Austria and showed the force of nation-wide resistance to Napoleon, setting in motion the rise of the Fifth Coalition against France.

The Portuguese and Spanish played an important part in the war. Retrained and reorganised by Marshal William Beresford, Portugal’s soldiers fought bravely alongside those of Britain. The stubborn Spanish defence of cities and towns tied down thousands of French troops. Spanish armies, though frequently defeated, kept reappearing, forcing France to send more armies against them.

French troops were also required to garrison hostile territory and wage a bitter war against Spanish and Portuguese insurgents, the ‘guerrillas’. French communications and supply lines were harassed by their raids and ambushes. By 1812, the French had over 350,000 soldiers in Iberia, but 200,000 were protecting lines of supply rather than serving as front-line troops.

All of these factors meant that although on paper the French heavily outnumbered the British armies in Iberia, they were never able to concentrate enough of their troops to win a decisive victory. The continual drain on French resources led Napoleon to call the conflict the ‘Spanish Ulcer’.

A picture in the gallery of an old watercolour of an officer of one of the British allies in a Spanish Heavy Dragoon regiment in the Peninsular War, with his identical broadsword bladed cup hilt sword drawn for combat.

42 inches long overall  read more

Code: 25114

A Simply Fabulous Original Antique Napoleonic Wars Sword Of The King of Spain's Elite, Heavy Cavalry Regiment. Used In The Spanish Peninsular Campaign, During Napoleon's Peninsular War in 1808 Until 1814. In Superb Condition.

From the invasion of Spain by Napoleon's forces, in 1808. The Peninsular War involved over 127 battles and engagements against Napoleon and the armies under his command, and this sword may well have been used in dozens of these ferocious conflicts

A fabulous, original, example of these very scarce Napoleonic, Spanish heavy cavalry long blade broadsword. A sword based Spanish late 18th century broadsword.
The hilt is in superb order, with excellent wire bound grip and large shaped bowl, as is the very long broadsword blade.
In 1796 (although there is a controversy around the precise date) a new model sword for Spanish cavalry troopers was adopted. This beautiful example, showing very classic lines and a very similar construction to the previous pattern, presents an almost full cup-hilt in a rapier style, curved quillons and knuckle-bow. The blade was very similar to that of 1728 pattern, having these dimensions: length 940 mm, width 35, thickness 6 mm. Alongside the later 1803 pattern change, these swords were predominantly used by cavalry at the Battle of Bailen {and subsequent battles}. It was the crushing defeat of Napoleon's Grande Armee in the Spanish invasion.
The Battle of Bailen
Fought July 19, 1808, between 15,000 Spaniards under Castaflos, and 20,000 French under Dupont. The French were totally defeated with a loss of over 2,000 men, and Dupont surrendered with his whole army. The Battle of Bailen was contested in 1808 between the Spanish Army of Andalusia, led by Generals Francisco Castanos and Theodor von Reding, and the Imperial French Army's II corps d'observation de la Gironde under General Pierre Dupont de l'Etang. The heaviest fighting took place near Bailen (sometimes anglicised Baylen), a village by the Guadalquivir river in the Jaen province of southern Spain.

In June 1808, following the widespread uprisings against the French occupation of Spain, Napoleon organised French units into flying columns to pacify Spain's major centres of resistance. One of these, under General Dupont, was dispatched across the Sierra Morena and south through Andalusia to the port of Cadiz where an French naval squadron lay at the mercy of the Spanish. The Emperor was confident that with 20,000 men, Dupont would crush any opposition encountered on the way. Events proved otherwise, and after storming and plundering Cordoba in July, Dupont retraced his steps to the north of the province to await reinforcements. Meanwhile, General Castanos, commanding the Spanish field army at San Roque, and General von Reding, Governor of Malaga, travelled to Seville to negotiate with the Seville Junta a patriotic assembly committed to resisting the French incursions?and to turn the province's combined forces against the French.

Dupont's failure to leave Andalusia proved disastrous. Between 16 and 19 July, Spanish forces converged on the French positions stretched out along villages on the Guadalquivir and attacked at several points, forcing the confused French defenders to shift their divisions this way and that. With Castanos pinning Dupont downstream at Andujar, Reding successfully forced the river at Mengibar and seized Bailen, interposing himself between the two wings of the French army. Caught between Castanos and Reding, Dupont attempted vainly to break through the Spanish line at Bailen in three bloody and desperate charges, losing more than 2,500 men.

His counterattacks defeated, Dupont called for an armistice and was compelled to sign the Convention of Andujar which stipulated the surrender of almost 18,000 men, making Bailen the worst disaster and capitulation of the Peninsular War, and the first major defeat of Napoleon's Grande Armee. When news of the catastrophe reached the French high command in Madrid, the result was a general retreat to the Ebro, abandoning much of Spain to the insurgents. France's enemies in Spain and throughout Europe cheered at this first check to the hitherto unbeatable Imperial armies tales of Spanish heroism inspired Austria and showed the force of nation-wide resistance to Napoleon, setting in motion the rise of the Fifth Coalition against France.

The Portuguese and Spanish played an important part in the war. Retrained and reorganised by Marshal William Beresford, Portugal’s soldiers fought bravely alongside those of Britain. The stubborn Spanish defence of cities and towns tied down thousands of French troops. Spanish armies, though frequently defeated, kept reappearing, forcing France to send more armies against them.

French troops were also required to garrison hostile territory and wage a bitter war against Spanish and Portuguese insurgents, the ‘guerrillas’. French communications and supply lines were harassed by their raids and ambushes. By 1812, the French had over 350,000 soldiers in Iberia, but 200,000 were protecting lines of supply rather than serving as front-line troops.

All of these factors meant that although on paper the French heavily outnumbered the British armies in Iberia, they were never able to concentrate enough of their troops to win a decisive victory. The continual drain on French resources led Napoleon to call the conflict the ‘Spanish Ulcer’.


Painting in the gallery by Theodore Gericault. Of a wounded cuirassier, said to be a French cuirassier at the Battle of Bailen. We also show a print of the Spanish Heavy Cavalry of the Line Trooper, 1804, holding his identical sword  read more

Code: 22330

A Very Fine Indeed Samurai Shinto Wakizashi with Original Edo Goto School Dragon Fittings of Shakudo and Gold & An Edo Tettsu Krishitan {Christian} Tsuba

With Goto school pure gold and shakudo fushi kashira decorated with dragons, on a hand punched nanako ground. A most interesting and beautiful quality o-sukashi Krishitan tsuba of a squared-off mokko form cross, decorated with flowing river water and inlaid gold dots representing stars. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions. It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian belief.
It also has its optional kodzuka, the hilt decorated with a dragon, and the blade that is signed and with a hamon. Superb original Edo period lacquered saya with a stripe and counter stripe pattern design. Three hole nakago and superb polished Edo blade of a gently undulating notare hamon displaying super grain in the hada. Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. Although they appear to be likely a relative expensive luxury compared to other antique swords from other nations, they are in fact incredible value for money, for example a newly made bespoke samurai style sword blade from Japan will cost, today, in excess of £11,000, take up to two years to complete, will come with no fittings at all, and will be modern naturally with no historical context or connection to the ancient samurai past in any way at all. Our fabulous original swords can be many, many, hundreds of years old, stunningly mounted as fabulous quality works of art, and may have been owned and used by up to 30 samurai in their working lifetime. Plus, due to their status in Japanese society, look almost as good today as the did possibly up to 400 years ago, or even more. Every katana, tachi, or wakazashi buyer will receive A complimentary sword stand, plus a silk bag, white handling gloves and a white cleaning cloth. .  read more

Code: 23913

A Most Beautiful Fine Quality Shinto Wakizashi With All Original Edo Period Fittings and Silver Mounts. Circa 1650

Japanese Wakizashi, with a signed Shinto, very good shinogi zukuri blade in fabulous polish, with a fine suguha hamon, and wazamono sharp.

The sword has a tsuka with gold ito bound over a pair of superb shakudo shishi lion dogs on samegawa, a shakudo kashira with nanako ground and decorated with takebori sage wearing a court cap, with gold highlights, and a plain silver fuchi and shakudo nanako tsuba decorated with plants.

It is in its original Edo period stunning saya, decorated with pine needle and abilone shell lacquer, an inlaid silver kojiri of elaborate scrolls, and a plain silver koi guchi that matches the silver fuchi, and a kozuka pocket for an optional kozuka to be housed.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. Although they appear to be likely a relative expensive luxury compared to other antique swords from other nations, they are in fact incredible value for money, for example a newly made bespoke samurai style sword blade from Japan will cost, today, in excess of £11,000, take up to two years to complete, will come with no fittings at all, and will be modern naturally with no historical context or connection to the ancient samurai past in any way at all. Our fabulous original swords can be many, many, hundreds of years old, stunningly mounted as fabulous quality works of art, and may have been owned and used by up to 30 samurai in their working lifetime. Plus, due to their status in Japanese society, look almost as good today as the did possibly up to 400 years ago, or even more. Every katana, tachi, or wakazashi buyer will receive A complimentary sword stand, plus a silk bag, white handling gloves and a white cleaning cloth.

Excellent condition overall, superb polished blade showing a fine suguha hamon, a crisp, razor sharp cutting edge without blemish.  read more

Code: 25032

A Rare Edo Sukashi Katana, Naganata & Yari Combination Tsuba Decorated With Pierced Birds in Flight

Made for a Katana but with a square section adaption to mount on a yari or naganata polearm as well.

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 19843

A Very Fine Original 16th Century Italian Field Armour Breast Plate Circa 1520

For field combat and with mountings for use in the tilt.

A very fine and original piece of finest Italian armour. Medially ridged breast plate with moveable gusset and roped arm and neck-openings. With two alligned holes for resting a lance for the tilt. The plate also has a key slot for an addition of reinforcing plate also for the tilt or joust. Jousting is a martial game or hastilude between two horsemen and using lances, often as part of a tournament. The primary aim is to strike the opponent with the lance while riding towards him at high speed, if possible breaking the lance on the opponent's shield or armour, or by unhorsing him.

Jousting emerged in the High Middle Ages based on the military use of the lance by heavy cavalry. It transformed into a specialised sport during the Late Middle Ages, and remained popular with the nobility both in England and Germany throughout the whole of the 16th century (while in France, it was discontinued after the death of king Henry II in an accident in 1559). In England, jousting was the highlight of the Accession Day tilts of Elizabeth I and James I, and also was part of the festivities at the marriage of Charles I. The medieval joust took place on an open field. Indeed the term joust meant "a meeting" and referred to arranged combat in general, not just the jousting with lances. At some point in the 14th century, a cloth barrier was introduced as an option to separate the contestants. This barrier was presumably known as tilt in Middle English (a term with an original meaning of "a cloth covering"). It became a wooden barrier or fence in the 15th century, now known as "tilt barrier", and "tilt" came to be used as a term for the joust itself by ca. 1510. The purpose of the tilt barrier was to prevent collisions and to keep the combatants at an optimal angle for breaking the lance. This greatly facilitated the control of the horse and allowed the rider to concentrate on aiming the lance. The introduction of the barrier seems to have originated in the south, as it only became a standard feature of jousting in Germany in the 16th century, and was there called the Italian or "welsch" mode. Dedicated tilt-yards with such barriers were built in England from the time of Henry VIII.

Specialized jousting armour was produced in the late 15th to 16th century. It was heavier than suits of plate armour intended for combat, and could weigh as much as 50 kg (100 lb), compared to some 25 kg (50 lb) for field armour; as it did not need to permit free movement of the wearer, the only limiting factor was the maximum weight that could be carried by a warhorse of the period

The suit of armour in the collection shown in the gallery, with a most similar breastplate, from the same period and country of origin, was manufactured in Italy around 1540. It would have been used in tournaments or battles fought on horseback. The armour is made of steel and also includes a tournament helmet, forged from a single piece. A holder for the kind of lance used in tournaments is bolted to the breastplate.  read more

Code: 22317

A Stunning Japanese 0-Tanto Signed Echizen Kuni ju nin Kanenori Circa 1615

A very large Japanese samurai dagger around 400 years old possibly Keicho era. Beautifully mounted in its all original Edo period fittings of very fine quality. The takebori tsuba is decorated with a most finely executed dragon with pure gold highlights, and bears a large cursive signature by its maker. The fushigashira are iron inlaid with pure silver wire decoration of tendrils and flowers. The menuki are absolutely delightful of pure gold decorated twin pairs of cockerals in differing poses. The wide and long blade is most imposing, with a very unusual carved hi groove configuration. The original Edo urushi ishime lacquer saya has a fine kozuka utility knife fitted in its pocket that has a gold spiny lobster in takebori on very finely defined nanako ground see below for the detail on the nanako work, the rear of the kozuka handle is raindrop engraved with gold overlay

This beautiful large samurai dagger was made in and around the time of the famous clan conflict at Osaka Castle. In 1614, the Toyotomi clan rebuilt Osaka Castle. At the same time, the head of the clan sponsored the rebuilding of Hoko-ji in Kyoto. These temple renovations included the casting of a great bronze bell, with inscriptions that read "May the state be peaceful and prosperous" (kokka anko), and "May noble lord and servants be rich and cheerful" (kunshin horaku). The shogunate interpreted "kokka anko" as shattering Ieyasu's the Shogun name to curse him, and also interpreted "kunshin horaku" to mean "Toyotomi's force will rise again," which meant treachery against the new Tokugawa shogunate. Tensions began to grow between the Tokugawa and the Toyotomi clans, and only increased when Toyotomi began to gather a force of ronin mercenary samurai who had lost their lord and enemies of the shogunate in Osaka. Ieyasu, despite having passed the title of Shogun to his son in 1605, nevertheless maintained significant influence.

Despite Katagiri Katsumoto's attempts to mediate the situation, Ieyasu found the ideal pretext to take a belligerent attitude against Yodo-dono and Hideyori. The situation worsened for September of that year, when the news reached Edo that in Osaka they were grouping a large quantity of ronin-you are missing without a lord-at the invitation of Hideyori.

Katsumoto proposed to Yodo-dono be sent to Edo as a hostage with the desire to avoid hostilities, to which she flatly refused. Suspect of trying to betray the Toyotomi clan, Yodo-dono finally banished Katsumoto and several other servants accused of treason from Osaka castle, and go to the service of the Tokugawa clan, consequently any possibility of reaching an agreement with the shogunate was dissolved.

This last movement of Yodo-dono, who acted as the guardian of Hideyori, led to the beginning of the siege of Osaka. The siege of Osaka ( Osaka no Eki, or, more commonly, Osaka no Jin) was a series of battles undertaken by the Tokugawa shogunate against the Toyotomi clan, towards the end of the Keicho era, and ending in that clan's destruction. Divided into two stages (winter campaign and summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. The end of the conflict is sometimes called the Genna Armistice ( Genna Enbu), because the era name was changed from Keicho to Genna immediately following the siege.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

22.5 inches long overall, 14 inches long blade tsuba to tip.  read more

Code: 22736

Probably The Rarest & Most Significant Artifact of WW2 Available in the World. A Superb 'Top Secret' 'Ball Race', A Spare Part of the World Famous 'Little Boy' Bomb , The Very First Atom Bomb Ever Made, and Used in WW2 To End The War in Japan

An amazing significant piece especially for this August, for the 80 year anniversary of the Victory Over Japan in August 1945.

This amazing piece of history has returned from use in a documentary on the Manhattan Project and Professor Oppenheimer, as can be seen in the current worldwide movie hit, 'Oppenheimer'

It is the second, 'back-up' spare part that we owned, the first spare part we sold previously to a private museum in Florida, and both were made for the world famous Manhatten Project at Los Alamos the create the 'Little Boy' bomb, the 1st ever Uranium Bomb, that ultimately led to the end of WW2 in Japan. Although obviously devastating to Japan, it saved many, many millions of lives, including the hundreds of thousands of allied WW2 POWs in Japanese slave and torture camps, who were to be instantly executed, under Imperial decree, the moment an allied soldier stepped foot on Japanese soil.
And, not forgetting the Japanese Imperial General Staff order that every man, woman, and child in Japan were instructed to kill an allied invading soldier, by whatever means, and every Japanese citizen was ordered to fight to the death, and never surrender.
Another most interesting and historical fact, not often known by most today, was that the emperor realised once the atom bombs were dropped, and their god like devastating power revealed, Japan was utterly lost, and what remained of his empire and his people must be saved at all costs, despite the likelyhood of an assassination attempt to kill their divine Emperor

Thus he decided to announce Japan's unconditional surrender, and thus the assassination conspiracy was enabled. Considerable elements of the general staff had other ideas to the Emperor's surrender order, and many passionately opposed this decision, so much so, despite him being regarded as a god, an assasination squad under command of Major Hatanaki, a fiery eyed zealot, was despatched to the imperial palace to kill thir emperor.
Fortunately for the world his most faithful and devoted aide hid him in a special protected room, and thus the emperor was able to escape and make his momentous surrender broadcast, and the rest, as they say, is history.

In the days that followed the emperor’s radio address, at least eight generals killed themselves. On one afternoon, Vice Admiral Matome Ugaki, commander of the Fifth Air Fleet on the island of Kyushu, drank a farewell cup of sake with his staff and drove to an airfield where 11 D4Y Suisei dive-bombers were lined up, engines roaring. Before him stood 22 young men, each wearing a white headband emblazoned with a red rising sun.

Ugaki climbed onto a platform and, gazing down on them, asked, “Will all of you go with me?”

“Yes, sir!” they all shouted, raising their right hands in the air.

“Many thanks to all of you,” he said. He climbed down from the stand, got into his plane, and took off. The other planes followed him into the sky.

Aloft, he sent back a message: “I am going to proceed to Okinawa, where our men lost their lives like cherry blossoms, and ram into the arrogant American ships, displaying the real spirit of a Japanese warrior.”

Ugaki’s kamikazes flew off toward the expected location of the American fleet. Fortunately they were never heard from again.

Although just 80 years old this year, it is probably one of the rarest items we are ever likely to offer, or will ever be seen again on the world market to buy.
A unique survivor of the most expensive and intense top secret project of WW2. A superb, micro engineered gyro ball race.
We had both spare part Gyro Ball Races, and the other one previously, that we had, we sold to an American private museum collector. This is the secondary spare part, that we acquired from the late collection of Professor Samuel Eilenberg, Emeritus Professor of Mathematics at Columbia University in WW2, that we are delighted to offer for sale. The first, 'principle' part, was used during the construction of 'Little Boy' Uranium Bomb, part of the ultra top secret 'Manhattan Project' and evaporated in the detonation. However, there were two spare parts made at Los Alamos, and we were delighted and most privileged to have acquired both of them. The 1st 'spare' part, we sold earlier, was engraved, this second back-up spare part, was not with it's Los Alamos part code; GYRO PT MK3 A. Code L.B.BOMB. That first spare part we sold recently to a private museum in Florida, USA, this, our second example another MK3 A, is plain and un-engraved, and the 'back-up' spare part.
Apparently most component parts of both bombs made at Los Alamos code names; 'Little Boy' and 'Fat Man' had spare parts, and 'back-up' spare parts, constructed. Importantly, if a main part was damaged in assembly they could not wait the many months it would take for a spare to be made, potentially at a cost of hundreds of thousands of dollars, thus prudently, emergency spares, and secondary spares, were required. Souvenirs of the Manhattan Project were later officially gifted or presented to many of the consultants and scientists working on, or associated with, the greatest secret project of the 20th century, once the project was officially closed down by the lead physicist Dr. Oppenheimer. For information purposes the diameter of the ball race is 160mm which is within a small tolerance of the diameter of the gun barrel 165mm that barrel was central to the construction of 'Little Boy'. This measurement may indeed be a clue to the relevance to the ball races actual function or use within the project. Unfortunately due to the top secret nature of the whole event Prof Eilenberg did not reveal the ball races specific function, or, even his, no doubt significant, personal contribution, within the project, before his death in January 1998, only that he acquired them at Los Alamos in August 1945, apparently personally given by Oppenheimer. Much of the full schematics are still officially 'Top Secret'.
The first spare that we sold was accompanied by top secret Royal Naval photos, and the id plate of the projector used to show the professors, physicists and scientists working on the project, the film of the dropping of 'Little Boy' by the Enola Gay. We show for information only those photos and id plate, but they are not included with this back-up spare part. We also show the engraving, as was on the original spare part we sold, but it is not on this 'back-up' spare. The Manhattan Project was the project to develop the first nuclear weapon (atomic bomb) during World War II by the United States, the United Kingdom, and Canada. Formally designated as the Manhattan Engineer District (MED), it refers specifically to the period of the project from 1941–1946 under the control of the U.S. Army Corps of Engineers, under the administration of General Leslie R. Groves. The scientific research was directed by American physicist J. Robert Oppenheimer.

The project succeeded in developing and detonating three nuclear weapons in 1945: a test detonation of a plutonium implosion bomb on July 16 (the Trinity test) near Alamogordo, New Mexico; an enriched uranium bomb code-named "Little Boy" on August 6 over Hiroshima, Japan; and a second plutonium bomb, code-named "Fat Man" on August 9 over Nagasaki, Japan.

The project's roots lay in scientists' fears since the 1930s that Nazi Germany was also investigating nuclear weapons of its own. Born out of a small research program in 1939, the Manhattan Project eventually employed more than 130,000 people and cost nearly $2 billion USD ($23 billion in 2007 dollars based on CPI). It resulted in the creation of multiple production and research sites that operated in secret.

The three primary research and production sites of the project were the plutonium-production facility at what is now the Hanford Site, the uranium-enrichment facilities at Oak Ridge, Tennessee, and the weapons research and design laboratory, now known as Los Alamos National Laboratory. Project research took place at over thirty different sites across the United States, Canada, and the United Kingdom. The MED maintained control over U.S. weapons production until the formation of the Atomic Energy Commission in January 1947. We also have an original photo print taken from HMS Colossus, part of 11th Aircraft Carrier Squadron, that was based in the Pacific, commanded by Rear Admiral Harcourt. It was taken on 7th August 1945 the day after Little Boy was detonated. It is a picture of two I/d profiles of two Japanese T/E fighters that were originally observed in July 1945. These photographs were sent to the Manhattan Project HQ, but why, to us, this remains a mystery. Also, another souvenir, the serial tag from the Army Air Corps Bell and Howell sound projector, that apparently showed the original film of the detonation of 'Little Boy' to Professor Eilenberg and others from the project after the Enola Gay mission. Those souvenirs we had accompanied the sale of the first and engraved spare ball race, and not this one. We show in the gallery, for information only, a Paul R. Halmos's photograph of Samuel Eilenberg (1913-1998, shielding his face left, and Gordon T. Whyburn (1904-1969) in 1958 at the International Congress of Mathematicians in Edinburgh. For example, in relation to the desirability of original items connected to this monumentally historical mission, two other souvenirs from Little Boy, the green safety plugs, were sold around 23 years ago in the US.
The Little Boy was armed on the mission flight by removing the green safety plugs, and arming it with red arming plugs. This was undertaken by 23 year old Lt. Morris Richard Jeppson, who armed the bomb during the flight. For this perilous task he was awarded the Silver Star for his unique contribution to the mission. Jeppson, however, kept a few of the green plugs that signified his role in the bombing as souvenirs. He sold two of them in San Francisco for $167,500, at auction, in 2002, however, the US federal government claimed they were classified material and tried, but failed dismally, to block the sale in the courts, however the presiding Judge ruled that all of the Little Boy artefacts, details etc., are effectively, now, in the public domain and free to be sold at will.
We were very fortunate to acquire these fascinating pieces, from Prof Eilenberg's collection, from a doctor and lecturer of oriental studies in London, who acquired them himself some years ago from a dear colleague of Prof Eilenberg. This rare piece, the back-up gyro ball race spare part, is plain does not bear engraving, but it does have Eilenberg's label from his personal collection. It does not come with the camera plate or official photos they went to the museum in Florida, but we can supply copy photo images of the originals.

Plus, every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 22797

A Scarce Large Antique Bali & Lombok Loncengan Hilt High Born Warriors Kris or Keris. With A Spectacular, Serpentine, 15 Luk {Curves} Blade

From the Bali or Lombok island of Indonesia. The very fine blade being also very finely polished likely leans towards Bali. Most keris or kris from other islands have course blades that are not meant to be highly polished as is this fine sword.

The Dutch first visited Lombok in 1674 and settled the eastern part of the island, leaving the western half to be ruled by a Hindu dynasty from Bali. The Sasaks chafed under Balinese rule, and a revolt in 1891 ended in 1894 with the annexation of the entire island to the Netherlands East Indies. This is a beautiful and scarce Kris with bound grip typically indicative of Lombok Keris,
Because some kris are considered sacred and believed to possess magical powers, specific rites needed to be completed to avoid calling down evil fates which is the reason warriors often made offerings to their kris at a shrine. There is also the belief that pointing a kris at someone means they will die soon, so silat practitioners precede their demonstrations by touching the points of the blades to the ground so as to neutralise this effect.

Reference; a Lanes Armoury *Special Conservation* Item, restored and conserved in our workshop, see info page for details on our conservation principles.

Painting in the Royal Collection by Frans Francken the Younger in the gallery, photo 10, painted in 1617, titled 'Cabinet of a Collector', clearly shows, top left, a 16th century Kris dagger, Even as early as the 16th century, awareness and collectability of the Indonesian kris had reached far into Europe.

The kris or keris is a distinctive, asymmetrical dagger from Indonesia. Both weapon and spiritual object, the kris is considered to possess magical powers. The earliest known kris go back to the tenth century and most probably spread from the island of Java throughout South-East Asia.

Kris blades are usually narrow with a wide, asymmetrical base. The sheath is often made from wood, though examples from ivory, even gold, abound. A kris’ aesthetic value covers the dhapur (the form and design of the blade, with some 40 variants), the pamor (the pattern of metal alloy decoration on the blade, with approximately 120 variants), and tangguh referring to the age and origin of a kris. A bladesmith, or empu, makes the blade in layers of different iron ores and meteorite nickel. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empus are highly respected craftsmen with additional knowledge in literature, history and occult sciences.

Kris were worn everyday and at special ceremonies, and heirloom blades are handed down through successive generations. Both men and women wear them. A rich spirituality and mythology developed around this dagger. Kris are used for display, as talismans with magical powers, weapons, sanctified heirlooms, auxiliary equipment for court soldiers, accessories for ceremonial dress, an indicator of social status, a symbol of heroism, etc. 19.5 inch blade, overall 24.75 inches.
No scabbard  read more

Code: 24676