A Beautiful Antique Suit of Original Edo Period Samurai Gosuku Armour. Fully Laced With Shinari Kabuto With Hanbo Face Armour & Crescent Moon Maedate

Edo period 1598-1863. Completely untouched for the past 200 years. With shinari kabuto acorn shaped helmet of built up lacquer over leather construction. With fully laced shikoro neck armour lames. Open hanbo face guard, with laced nodowa throat armour. Dark brown lacquer thin plates with full lacing to the do in maru-do type form breast plate without hinge, single side opening. Chain mail over silk kote arm armour with plate tekko hand armour. Fully laced and plate sode shoulder armour Fully laced four panels of haidate waist armour Fully laced kasazuri thigh armour, without lower suneate. The armour is trimmed in printed and decorated doe skin and all the connection fittings are in traditional carved horn. This armour is absolutely beautiful. It's condition is very good indeed apart from some areas of lacquer wear to the helmet but this we can attend to, some silk perishing on part of the thigh armour top section, and some colour fading to one hand armour lacquer. Japanese armour is thought to have evolved from the armour used in ancient China and Korea. Cuirasses and helmets were manufactured in Japan as early as the 4th century.Tanko, worn by foot soldiers and keiko, worn by horsemen were both pre-samurai types of early Japanese cuirass constructed from iron plates connected together by leather thongs.

During the Heian period 794 to 1185 the Japanese cuirass evolved into the more familiar style of armour worn by the samurai known as the dou or do. Japanese armour makers started to use leather (nerigawa) and lacquer was used to weather proof the armor parts. By the end of the Heian period the Japanese cuirass had arrived at the shape recognized as being distinctly samurai. Leather and or iron scales were used to construct samurai armours, with leather and eventually silk lace used to connect the individual scales (kozane) which these cuirasses were now being made from.

In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours).Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.

The era of warfare called the Sengoku period ended around 1600, Japan was united and entered the peaceful Edo period, samurai continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for battles. During the Edo period light weight, portable and secret hidden armours became popular as there was still a need for personal protection. Civil strife, duels, assassinations, peasant revolts required the use of armours such as the kusari katabira (chain armour jacket) and armoured sleeves as well as other types of armour which could be worn under ordinary clothing.Edo period samurai were in charge of internal security and would wear various types of kusari gusoku (chain armour) and shin and arm protection as well as forehead protectors (hachi-gane).

Armour continued to be worn and used in Japan until the end of the samurai era (Meiji period) in the 1860s, with the last use of samurai armour happening in 1877 during the Satsuma Rebellion. This is one of the most attractive ones we have had since we supplied two full antique gosuko, with eight museum grade katana and tachi, to a world famous artist  read more

Code: 22649

A Simply Fabulous, Cased, Double Barrelled Percussion Sporting Gun by James Wilkinson, Successor To The Legendary Henry Nock, and Later To Become The World Famous Wilkinson Sword Co.

Only the third, originally fully cased 'Wilkinson' finest double barrel gun we have had in the past ten years, the last one was last year.

29 inch sighted damascus browned barrels engraved with the manufacturer's details on the sighting rib, serial no. 4105, border and scroll engraving of the finest quality, with signed back action locks, half stocked with chequered wrist, border and scroll engraved steel mounts, contained in a relined mahogany case with commensurate accessories, lid with later label. Prior to the death of Henry Nock in 1804 James Wilkinson had been foreman and general manager to his Father-in-Laws business. No doubt a very capable man clearly perfectly placed to carry on the business at hand managing not only the premises at Ludgate Hill but the many other workshops scattered around London.

History would show James Wilkinson every bit the equal to Henry Nock save for Nock’s inventive genius. However James would grow the reputation of the business with many of his fine sporting guns being the envy of sportsman and royalty a like.

After the death of Henry Nock in 1804 James Wilkinson had advertised himself as “ James Wilkinson Gunmaker, successor and son-in-law to the late Mr Henry Nock ” as was the fashion of that period. So when in 1824 Henry joined the family business this was changed to reflect the new situation. From then Father & Son would be trading under “ James Wilkinson & Son ” or more simply “ Wilkinson & Son ”.

To replicate such a fine hand made ‘bespoke’ double barrelled gun today, only Purdey or Boss of London could have the skills required to replicate it. A fine engraved bespoke single Purdey side by side shotgun, with a pair of Damas barrels, costs today £113,500, each, that is £227,000 for a pair, with an 18 months to 2 year waiting time, and additional costs for casing and tools. The double-barrelled sporting gun was seen as a weapon of prestige and authority, especially in the days of the East India Company and the later Raj in India, where it was known as Dunali (literally "two pipes"). It was especially valued in Bihar, Purvanchal, Uttar Pradesh, Haryana and Punjab  read more

Code: 23372

'The Beasts of Tarzan', First Edition, By Edgar Rice Burroughs -A.L.Burt & Co, New York, 1916. With Illustrations by J. Allen St. John, Bound In Full Green Morocco Leather, With Gold Tooling by Sangorski & Sutcliffe for Asprey of Bond St.London

Edgar Rice Burroughs - The Beasts of Tarzan, w/ Illustrations by J. Allen St. John, first edition, A.L.Burt & Co, New York, 1916, rebound in full green morocco by Sangorski & Sutcliffe. Overall in excellent condition.

The Beasts of Tarzan by Edgar Rice Burroughs is a must-read for all literature and fiction enthusiasts. This original 1916 first edition hardcover book is a collector's item with special attributes that make it unique. It takes readers on a thrilling adventure with the iconic character Tarzan in North America, filled with action and suspense. The publisher A L Burt has done a fantastic job printing this book in English, and it's a great addition to any collection.

The story begins a year after the conclusion of the previous book, Tarzan (Lord Greystoke) and Jane have had a son, whom they have named Jack. Tarzan has spent much time building an estate home on the Waziri lands in Uziri, Africa, but has returned to his ancestral estate in London for the rainy season.

Tarzan's adversaries from the previous novel, Nikolas Rokoff and Alexis Paulvitch, escape prison and kidnap the Greystoke heir. Their trap is elaborate and insidious, leading both Tarzan and Jane to be kidnapped as well. Rokoff exiles Tarzan on a jungle island, informing him that Jack will be left with a cannibal tribe to be raised as one of their own, while Jane's fate is to be left to his imagination.

Using his jungle skill and primal intelligence, Tarzan wins the help of Sheeta, the vicious panther, a tribe of great apes led by the intelligent Akut, and a native warrior, Mugambi. With their aid, Tarzan reaches the mainland and begins a lengthy pursuit to find Jane (who is actively engineering her own extrication) and Jack.

Sangorski & Sutcliffe is a firm of bookbinders established in London in 1901. It is considered to be one of the most important bookbinding companies of the 20th century, famous for its luxurious jeweled bindings that used real gold and precious stones in their book covers.

Sangorski & Sutcliffe was established by Francis Sangorski (1875–1912) and George Sutcliffe (1878–1943). They had met in 1896 at a bookbinding evening class taught by Douglas Cockerell at the London County Council's Central School of Arts and Crafts.

In 1898, Sangorski and Sutcliffe each won one of the ten annual craft scholarship awards, giving them £20 a year for three years to continue their training as apprentice bookbinders. They were employed at Cockerell's own bindery, and began to teach bookbinding at Camberwell College of Art. They were laid off in 1901 after a coal strike caused an economic slump, and they decided to set up on their own in a rented attic in Bloomsbury, starting on 1 October 1901. They soon moved to Vernon Place, and then, in 1905, to Southampton Row.

Sangorski's elder brother, Alberto Sangorski (1862–1932),1 worked for the firm. He became an accomplished calligrapher and illuminator, working for Rivière from 1910.

They quickly revived the art of jewelled bookbindings, decorating their sumptuous multi-colour leather book bindings with gold inlay and precious and semi-precious jewels. They were commissioned to create a most luxurious binding of the Rubaiyat of Omar Khayyam, the front cover of which was adorned with three golden peacocks with jewelled tails and surrounded by heavily tooled and gilded vines, that was sent on the ill-fated RMS Titanic in 1912. The book, known as the Great Omar, sank with the ship and has not been recovered. Shortly afterwards, Sangorski drowned.

Sutcliffe continued the firm, which became recognised as one of the leading bookbinders in London. The bindery moved to Poland Street, and managed to survive through the First World War, the Great Depression, the Second World War, and post-war austerity. It also created miniature books for Queen Mary's Dolls' House.  read more

Code: 25632

A Fabulous Set of The Rifle Brigade Chronicle, Only The Second Near Complete Set We Have Had in 10 Years, Yearbooks Over 300 Available. Priced Per Volume!

A unique set of original regimental year books published during the past 120 years for and on behalf of the officers and men of the rifle Brigade. Over 300 copies are remaining, bound in regimental green cloth, up to 1967, and containing unique and hard to find information on the Rifle Brigade from the past century. One has a very special reference being supplied by Buckingham Palace sold seperately

For example;

The Rifle Brigade Chronicle for 1916 (Twenty-Seventh Year) compiled and edited by Colonel Willoughby Verner (London...
Title: The Rifle Brigade Chronicle for various years
Author: Colonel Willoughby Verner
Edition: 1st edition
Binding: Hardcover
Publisher: John Bale, Sons & Danielsson
Date published: various
====
THE RIFLE BRIGADE CHRONICLE FOR 1938 (FORTY-NINTH YEAR). Hardcover – 1 Jan. 1939
by Major H. G. (edit). Parkyn (Author)
=====
THE RIFLE BRIGADE CHRONICLE
Published by The Rifle Brigade Club and Association, Peninsula Barracks., Winchester (1965)

Buyers may email first direct to enquire for their preferred year, although we have duplicates of years some years are lacking. Some years contain the only known surviving records of the names of the men that served in the regiment. The last set we had, was originally over 400 volumes, all the years of editions published, and 5 original copies per year.  read more

Code: 23385

A Fabulous Museum Grade Samurai Daimyo's Art-Sword. From The Koto Era. A Samurai Wakizashi Sword By Master Tadamitsu With Rare Gaku-mei Nakago. Blade, Circa 1440-1460. Mino Goto Koshirae, With Deep Red Ishime Lacquer Saya & Black Silk Binding

With very rare gaku-mei framed nakago, where the mei (signature) was moved from this original nakago tang, and inserted into the shortened tang, and framed in order to preserve the important master smith’s signature, upon his museum grade blade. Overall this stunning art-sword is in incredible near flawless condition. The term art-sword refers that highest grade of samurai sword, that was certainly made for all forms of combat use, yet are decorated with such beauty and skill that they are as much works of art as a samurai's combat arm. Likely made for for the highest ranking samurai or daimyo clan lord.

With its spectacular suite of beautiful, original, Edo period Mino-Goto fittings, with tsuba, in shakudo, and uttori of pure gold decor of flowers, cricket, catydid and praying mantis. Deep red ishime urushi stone finish lacquered saya, with carved buffalo horn fittings and a Mino-Goto throat mount.
Superb black silk tsuka-ito over fine pure gold decorated menuki.

A wonderful Muromachi era blade almost 600 years old, with a superb, incredibly active hamon, in a beautiful polish with gold foil habaki and blade smith shortened tang with its original preserved ‘folded over’ signature inlaid and inserted within the tang.

The hamon forms a delightful gunome pattern, mixing with clove (Choji) outline which is slanted generally. The founder of the sword maker school, Tadamitsu in Bizen, is referred in the Shouou period (1288-93) and the oldest existent Tanto by him has the date year, Teiji 3,1364) during the Nanbokucho period, then later generations shows the records of Ouei to Bunmei era (1394-1486) in Muromachi period. The preserved 'folded over' system, that can be seen beautifully done on this blade, in order to preserve the blade smith's signature, was only reserved for the best and most highly revered blades, often of historical significance to the samurai's family. The ancient province of Kibi (of which Bizen was the easternmost region; now Okayama prefecture) possessed excellent ironmaking technology, which helped make Kibi into a powerful state. The region is blessed with all the vital ingredients needed for Japanese sword making: iron sand, water, and charcoal of Japanese red pine, which has excellent thermal efficiency. Research on Japanese swords since the Meiji period has revealed five different features or styles based on the regions in which they were made: Yamashiro (Kyoto prefecture), Yamato (Nara prefecture), Bizen (Okayama prefecture), Sagami (Kanagawa prefecture), and Mino (Gifu prefecture. The characteristic styles of these five regions were passed down from master to disciple and from one region to the next. These are collectively known as Gokaden (five traditions of swordmaking). The province of Bizen was located far from Japan's political center throughout its history, allowing it to prosper regardless of the political state of sovereignty of the day. The most typical Bizen blade has a steel surface grain called itamehada (wooden board grained) with a unique pattern called chōji (clove-shaped) on the blade. This pattern is a feature of Bizen swords and it is what makes Bizen swords special.

The Gotō School of sword-fittings makers was founded in the fifteenth century by Gotō Yūjō, who is said to have been patronized by the shogun Ashikaga Yoshimasa (1435–1490). The work of the Gotō masters is characterized by painterly designs carved in high relief on a ground of shakudō (an alloy of copper and gold chemically treated to turn a rich blue-black), finished in nanako (tiny circles punched regularly over the surface to give it a granular appearance) with colorful accents in gold and silver. The succeeding generations of Gotō masters continued to work in these soft metals and concentrated on the smaller sword fittings, such as kozuka (the handle of the small utility knife fitted into a slot on some swords, on the the back of a sword’s saya or scabbard), kōgai (a skewer-like hairdressing tool carried in the front of the scabbard), and menuki (a pair of grip ornaments secured by the handle wrappings). The production of the stouter sword guards, or tsuba, was left to other masters. While earlier generations had not signed their work, some Gotō masters in about 1600 began to authenticate the work of their predecessors; the attributions usually were engraved on the backs of the pieces themselves. These attributions bear testimony to the keen interest in early sword fittings as status symbols for high-ranking samurai.
Fuchi kashira,menuki and tsuba from the Mino School. Sometimes known as an offshoot from the Goto School, the Mino tradition of kinko have their roots from the Koto period, Known as Ko-Mino, that style led to the Edo Mino tradition which used the difficult technique of Uttori, or gold foiling. The gold on these stunning pieces are not plated, but rather have generous hammered gold foil applied in a very difficult technique not seen today except in habaki work. Because it was so time consuming and difficult, there are relatively few works by this school. Design is very traditional of kiku (chrysanthemums) and flowering blossoms and leaves, with catydids and praying mantis etc. and is executed very well indeed.
As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords
As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Overall blade length from base of habaki to tip 21.5 inches long.  read more

Code: 23519

A Most Rare British Empire Raj Period XII Frontier Force Regt. Silver Cap or Turban Badge

Cast low grade silver, for NCO or officer, with needle pin fixing, which often indicates for wear on a puggaree or a turban. The King Emperor crown of King George, and a crossed pair of choora knives or Afghan Khyber knives. So far we can find no other example, and it is the first we have seen. The more commonly known 12th Frontier Force Regiment in the Indian Army was a Light Infantry regiment, with a bugle badge, so we don't know if this was their first and earliest badge, that was potentially replaced around 1922, or, another XIIth Frontier Force regiment altogether. Either way it is a most fine and intriguing authentic British Empire Raj period piece, but, surrounded by an element of mystery to us at least. The armies of the East India Company were recruited primarily from Muslims in the Bengal Presidency, which consisted of Bengal, Bihar and Uttar Pradesh, and high caste Hindus recruited primarily from the rural plains of Oudh. Many of these troops took part in the Indian Mutiny, with the aim of reinstating the Mughal Emperor Bahadur Shah II at Delhi.

The meaning of the term "Indian Army" has changed over time, initially as an informal collective term for the armies of the three presidencies–the Bengal Army, Madras Army and Bombay Army–between 1858 and 1894. In 1805, the Indian Army began its formal existence and was the "army of the government of India", including British and Indian (sepoy) units; this arrangement lasted until 1902.

Then in 1903, Lord Kitchener became the Commander-in-Chief of the Indian Army, his tenure continued until 1909. He instituted large-scale reforms, the greatest of which was the merger of the three armies of the Presidencies into a unified force. He formed higher level formations, eight army divisions, and brigaded Indian and British units. Following Kitchener's reforms, terminology used for military forces in India was altered, with the Indian Army referring to "the force recruited locally and permanently based in India, together with its expatriate British officers." Whereas the British Army in India referred to the British Army units posted to India for a tour of duty, and which would then be posted to other parts of the Empire or back to the UK. Comparatively, the term 'Army of India', meant the combined forces of both the Indian Army and the British Army in India. Militaria from the British Empire Indian Raj period over the past 30 years has become, extremely collectable, highly prized and most valuable. In many cases the rarer the better  read more

Code: 23703

Most Rare, Original Pair of Napoleonic War Period Issued Medals, The Prussian & Bavarian Battle of Waterloo & Battle of Leipzig, One Made From Captured Cannon, Just as The British Victoria Cross Was Made From Captured Russian Cannon.

Really rare to find, but exceptionally good value when one considers the British equivalent for two original medals for the Napoleonic campaigns would be between five and ten times this price. The Prussian Campaign Medal for 1813, a cross within a circle, made from captured cannon, and the Bavarian Military Campaign Medal for the Napoleonic Wars in 1813, 1814, 1815, for Officers and Other Ranks, awarded in 1817-1818.
Prussian Medal; Circular bronze medal with loop for ribbon suspension; the face with a cross pattee with rays between the arms, the date 1813 centrally within a laurel wreath; the reverse with the crowned cypher of Friedrich Wilhelm III above the inscription Preusens tapfern kriegern (Prussia's brave warriors) circumscribed Gott war mit uns, Ihn sey die Ehre (God was with us To Him the Glory); the edge inscribed AUS EROBERTEM GESCHUTZ (from captured cannon); some surface wear; on an old correct ribbon. The medal was instituted by King Friedrich Wilhelm III at Frankfurt-am-Main on 24 December 1813 and amended on 3 October 1815 to be awarded to all warriors who without exception, whether in the field or before a fortress, truly fought and uncompromisingly did their duty throughout this current conflict? (jeden Krieger ohne Ausnahme, der im Felde oder vor einer Festung wirklich mitgefochten und der wehrend der Dauer des jetzigen Krieges seinen Pflichten treugeblieben ist). The medal exists with the dates 1813, 1814, 1813/1814 and 1815 and with square and rounded ends to the cross. Prussia was a key member of the coalition that fought Napoleonic France and its allies, culminating with victory at Waterloo on 18 June 1815. Bavarian medal; Bronze cross pattee alise with loop for ribbon suspension; the face with a circular central medallion bearing the cipher of King Maximilian I Joseph within an oak leaf border, the upper, left, right and lower arms inscribed FUR DIE JAHRE 1813 / UND / 1814 respectively; the reverse with a circular central medallion bearing the Bavarian lion on a lozenge ground within an oak leaf border, the upper, left, right and lower arms inscribed KONIG UND VATERLAND (King and Fatherland) respectively; on replaced correct ribbon. The Medal was instituted on 4 December 1814 and confirmed in statutes on 25 May 1817 to be awarded to Bavarian military who fought in the Napoleonic Wars. 16 June 1815
Wellington and Blucher meet at the windmill of Bussy at 1 pm, where they agree that Napoleon seems to be about to attack Ligny, not Quatre-bras. The Prussians take responsibility for this battle, but the 4th corps, headed by General von Bulow, doesn't arrive in time, and the 80,000-strong Prussian army loses the Battle of Ligny against Napoleon. Blucher is injured in the attack when his horse is shot from underneath him.

Later that same afternoon, the French Marshal Ney leads an attack at Quatre-Bras against the British, but the latter's superior numbers and French indecision allow them to avoid defeat.

17 - 18 June 1815
Though badly mauled on 16 June, Blucher retreats not east towards Prussia but re-establishes his position around Wavre (north and east from Ligny), thereby staying in contact with the allied force which had retreated from Quatre-Bras to Waterloo.

One of Wellington's ADCs reaches Blucher at 11 pm on 17 June, informing the Prussian general that the British general would fight a defensive battle at Waterloo. Blucher, after consultation with Gneisenau, resolves to send Bulow's 4th corps to attack the enemy's right flank. This would be followed by the 2nd corps, with the 1st and 3rd held in reserve. The 4th, 2nd and 1st corps march in two columns from Wavre towards the battlefield at Waterloo. Whilst Blucher was to hold the French off at Wavre, Bulow and Pirch II were to lead the left column (that which would finally take Plancenoit, to the rear of Napoleon's right) and Zieten on the right column would finally emerge onto the battlefield alongside Wellington's left round about 7 pm.

Though the battle at Plancenoit was to be hard fought, the Prussians eventually overrun the French right, causing the French army to turn and flee. Blucher was famously to meet Wellington on the battlefield between 9 and 10 pm, close to the Belle-Alliance farm, where the Prussian general used the only French he knew: 'Quelle affaire !' are the words that history has recorded.

Given the battering the Allied army had received throughout the day, the relatively fresh Prussian troops were to take the lead in pursuing the fleeing French troops. The Prussians had nevertheless lost 7,000 men. Napoleon's carriage was to be seized by Prussian cavalry at Gemappes, and the routed French were to be given no quarter by the furious Prussian pursuit. Blucher's advance guard was finally to reach the outskirts of Paris on 29 June. With Napoleon's abdication on 22 June, the war would officially end upon the signature of the Convention of St-Cloud on 3 July 1815. The Bavarian story from 1813 up to 15. King Maximillan I Josef turned with a heavy heart away from the French and changed to the Allied camp shortly before the Battle of Leipzig. The attempt by Wrede to stop the victory of the Grande Armee in 1813 at the Battle of Hanau ended in a narrow defeat for his Austro-Bavarian corps. The campaign of 1814 began badly for the Allies, but Wrede made up for his earlier defeat with valuable victories over his former allies at the battles of Arcis-sur-Aube and Bar-sur-Aube.

In 1814, the Bavarian army consisted of a Grenadier Guard regiment, 16 regiments of Line Infantry, two battalions of Jager, seven regiments of light cavalry (of which one was territorial), one regiment of Uhlans, two Hussar regiments, one regiment of Garde du Corps (mounted royal bodyguard), two regiments of foot artillery and one of horse-artillery.

In 1815, the 7th (National) Light Cavalry regiment was formed into two Cuirassier regiments. A very early pair of Napoleonic Wars Germanic Kingdom medals from the Napoleonic Wars. By comparison these medals are extremely inexpensive for the equivalent, British Waterloo medal is now anything up 8,000 plus depending on regiment etc..

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo  read more

Code: 22369

After Waterloo By Frye Beautiful Leather and Gold Tooled Volume Published 1908

beautiful leather binding with gold tooling. bearing the ex libris label with family crest of its owner Cecil E Byas, reknown collector who died in 1938, and part of his collection was bequethed to the Fitzwilliam Museum in Cambridge.
Printed on handmade paper. The account by British Army major W E Frye of his travels around Europe in the aftermath of the Battle of Waterloo. As well as giving his opinions on the various European towns and cities he passes through, he vividly describes European culture in the early 19th Century, with detailed accounts of the Theatre, Opera and the Arts in France, Italy & Switzerland in particular. His experiences of post-Waterloo Europe left him with an generally positive view of Napoleon and the book gives an interesting insight into the contemporary opinions of the French leader and his effect on Continental Europe.  read more

Code: 23765

A Most Rare British Army Officer's 1801, Egyptian Campaign, Snake Goddess' Head Light Infantry Officer’s Sword. Used Throughout The Entire Napoleonic Wars Up To The Battle of Waterloo. Likely By An Officer of ‘The Glosters’

Specifically with British Army ‘Nile Club’ officer's connections, where officer members, who fought in the Egypt campaign, wore distinctive swords with zoomorphic hilts depicting animal gods and goddesses. A direct homage to Nelson's presentation zoomorphic hilted sword, dirk and sword versions of Nelson’s zoomorphic sword, as worn by his captains who served under his command, and by the marines and army officers who similarly fought in his Egypt campaign on land over the next three years, that were members of the so-called Egyptian or Nile Club. The wearing of such a sword {or a dirk} would clearly and distinctively set an officer apart as ‘one who served’ in the great hero’s victorious campaign.

Egyptian gods and goddesses, much famed in ancient Egypt, become hugely popular throughout Western artistic culture in the early 19th century.
Europe became beguiled by ancient Egyptian art and architecture in all its forms, and furniture designers and sculptors particularly, eagerly created the ‘Egyptian style’ in the Regency period England, and the Consular and Directoire period in France.

This is a most rare British officer's bespoke sword, commissioned circa 1800, with such a stylish hilt, of a rare, zoomorphic, ancient Egyptian animal god or goddess form, with its snake god head pommel, with engraved snake-scale body creating its back strap, plus, the Egyptian snake goddess Wadjet's form, as engraved hilt langets. This sword is based on the British 1796 pattern light infantry variant sabre, with its deeply curved slashing blade, superbly etched with King George’s royal cyphers. This sword was continually used throughout the Napoleonic Wars, and up to Waterloo in 1815. Very likely by an officer of ‘The Glosters” the 28th Regiment of Foot. No doubt the fact that the Goddess Wadget was the Ancient Egyptian symbol of divine authority and royal power likely had no small influence upon its choice of design.

In 1801 On the morning of March 21 a vastly superior French army, which easily outnumbered the British, attacked near Alexandria. By those times muzzle-loading rifles were in common use and the infantry fought in two ranks - one row kneeling and the rear rank firing over their shoulders.

At one point during the fierce fighting -when it looked as though the Glosters would be surrounded - the rear rank was commanded to "about face". This meant turning and fighting back-to-back against enemy soldiers coming from the rear. After much savage hand-to-hand combat the French were stopped and by mid-morning their entire army was in retreat.

As a reward for their vital contribution to the victory - and in memory of that back-to-back fighting - the Glosters were given the right to wear a badge at the back, as well as the front, of their caps - the famous sphinx Back Badge.

Napoleon's army in Egypt may have been defeated but on the European mainland his forces remained a serious threat. By 1810 both the 28th and 61st were in Spain with the task of clearing French troops from the entire Peninsular.

But it took another four years of difficult fighting - in which the Glosters lost 1,200 men - before the British, under the command of the "Iron" Duke of Wellington, finally expelled them.

In 1814, Napoleon, having escaped from Elba, once more rallied troops to his cause and the European allies - under the command of the Duke - were sent to face him.

In the summer of 1815, Napoleon was finally defeated at Waterloo and exiled to the island of St Helena. The Glosters were in the forefront of the fighting - and were the only regiment specifically mentioned by name in Wellington's famous despatch.

With a beautiful zoomorphic hilt, with its original mercurial gilt finish, of a beautifully chiselled and hand engraved snake's head and body, combined with two snake engraved langets, with its wire bound wooden grip, and deeply curved now russetted blade bearing King George IIIrd's cyphers. Deep sword cuts from close combat action on the blade edge and upon one langet. Combat damage inflicted likely in the Peninsular War up to Waterloo. Nelson's captains at the Nile formed the Egyptian Club often though referred to as the Nile Club to meet and commemorate the battle. Among their first actions were to present a sword to Nelson and commission his portrait. There were also weapons made, based on the one presented to Nelson, for the other members of the Egyptian Club, that had zoomorphic hilts in the form of crocodiles.
At the instigation, it is said, of Lady Hamilton and Captain Hardy, the Marquess of Queensbury laid out a plantation of trees on his estate near Stonehenge in Wiltshire in the formation of the fleets at the Battle of the Nile, known as the ‘Nile Clumps’. A ceremonial sword with its hilt in the shape of a crocodile commemorating Nelson's victory over the French at the Battle of the Nile in 1798, which was estimated at £40,000 to £60,000, sold at auction in 2002 for £270,650 to a private collector.

The engraved sword was one of a handful made for the elite Egyptian Club whose membership was restricted to the captains of ships which had fought at the Nile. Nelson called them his "band of brothers". However, Howard Blackmore late assistant keeper of the Tower of London Collection told us around 30 years ago, that there was a distinct possibility British army officers, that also fought at the Nile Campaign, but of course on land, formed their own version of Nelson's Egyptian Club, called the Nile Club, where officers in the campaign had zoomorphic Egyptian snake or camel hilted swords presented to each other. The snake hilted version were based on the snakes of the ancient Egyptian Goddess Wadjet, and the snake head on the Pharaoh's crown. There is a distinct possibility that this sword may well be one of those, its rare shape and form certainly shows as likely. We have heard of one serving example now in America, a Nile club officer’s sword with a zoomorphic camel head hilt. Its likely possibilities of provenance are most intriguing. Five years ago also we had a British camel headed version likely from the same club member. The French Campaign in Egypt and Syria (1798-1801) was Napoleon Bonaparte's campaign in the Ottoman territories of Egypt and Syria, proclaimed to defend French trade interests, weaken Britain's access to British India, and to establish scientific enterprise in the region. It was the primary purpose of the Mediterranean campaign of 1798, a series of naval engagements that included the capture of Malta.

On the scientific front, the expedition eventually led to the discovery of the Rosetta Stone, creating the field of Egyptology. Despite many decisive victories and an initially successful expedition into Syria, Napoleon and his Armee d'Orient were eventually forced to withdraw, after sowing political disharmony in France, experiencing conflict in Europe, and suffering the defeat of the supporting French fleet at the Battle of the Nile.

The last time we saw an Egyptian Club Zoomorphic crocodile hilted sword sold was at Sotheby's in 2020, estimated at £60,000 to £80,000 gbp, but the blue and gilt to the blade was present and it had its scabbard.

The second to last photo in the gallery is of a painting of ‘The Glosters’, that fought at Waterloo.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

No scabbard.  read more

Code: 22179

A Large & Superbly Impressive Circa 20 Million Year Old Megalodon Giant Shark Tooth

Miocene period and one of the largest we have seen in years.
Megalodon (Otodus megalodon), meaning "big tooth", is an extinct species of mackerel shark that lived approximately 23 to 3.6 million years ago (Mya), from the Early Miocene to the Pliocene epochs. It was formerly thought to be a member of the family Lamnidae and a close relative of the great white shark (Carcharodon carcharias). However, it is now classified into the extinct family Otodontidae, which diverged from the great white shark during the Early Cretaceous.

While regarded as one of the largest and most powerful predators to have ever lived, the megalodon is only known from fragmentary remains, and its appearance and maximum size are uncertain
Extrapolating from a vertebral column and reconstructing a 3D model with dimensions based on all extant lamnid sharks suggests that a 16-meter-long (52 ft) individual, but it may have been much larger than that compared to previous estimates, possibly reaching an excess 90 feet, and weighing 61.5 metric tons (67.8 short tons) or more, in body mass; and an individual megaladon of this size would have needed to consume at least 98,175 kcal per day.

Their teeth were thick and robust, built for grabbing prey and breaking bone, and their large jaws could exert a bite force of up to 108,500 to 182,200 newtons (24,400 to 41,000 lbf) with the ability to bite a whale in half with one bite.

The tooth is length top to bottom
As with all our items it comes complete with our certificate of authenticity  read more

Code: 24809