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A Superlative and Beautiful Koto Katana Circa 1500, A Museum Quality Ancient Sword, Sengoku Era, with Stunning Original, Edo Period, Soten School Mounts of Shakudo & Gold, “Koushi Seiyu Zu” Tsuba

A Superlative and Beautiful Koto Katana Circa 1500, A Museum Quality Ancient Sword, Sengoku Era, with Stunning Original, Edo Period, Soten School Mounts of Shakudo & Gold, “Koushi Seiyu Zu” Tsuba

Soten school shakudo and gold fuchi kashira depicting gamboling pure gold and shakudo samurai ponies, on a nanako ground. Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself.
Complimented with a wonderful Soten school tsuba in iron and gold, depicting sages crossing a bridge below a temple. Tsuba design in the manner of Mogarashi Nyudo Soten 藻柄子 入道宗典, a tsuba we would suitably title, Koushi Seuyu Sukashi.

Mogarashi Nyudo Soten was the son of the first Soten, who was a famous metalworker in the middle of the Edo period. He was excellent at the same type of engraving technique as his father. This Tsuba describes “Koushi Seiyu Zu” with sukashi {openwork}. It is a popular motif that has been designed since ancient times. Koushi means an honourable person, and Seiyu means to travel. It would be a longing for sages to indulge in hobbies and arts in nature, far away from the world. Each wise sage's face is clearly and minutely engraved. All the trees, clouds, rocks, the sage's clothes and the temple are all inlaid with pure gold. It is easy to appreciate its stunning beauty. It was his notable technique that if you focus on sage’s clothes pattern, you will find be able to find a traditional Japanese good-luck pattern of oblique crosses called the kikkou pattern, named after the turtle shell which represents long life. Under the traditional black silk tsuka-ito {hilt binding} ,are copper and gold jumonji yari {trident spear form} samurai polearms, over same-gawa {giant rayskin}

A superb ancient samurai sword that would grace any fine collection of oriental art or compliment any residence albeit traditional or contemporary decorated. It is shown with a fresh gold and brown sageo sword saya wrap

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The era is beautifully depicted in Akira Kurowsawa’s films called Jidaigeki. The Sengoku Period (1467-1568 CE) was a lawless century-long era characterized by rising political instability, turmoil, and warlordism in Japan. During this period, field armies and soldiers rapidly rose in number, reaching tens of thousands of warriors. Many castles in Japan were built during the Sengoku Period as regional leaders and aristocrats alike competed for power and strong regional influence to win the favours of the higher-class Japanese at the time. Kurosawa’s film depiction of Macbeth, Throne of Blood, is set in this era of Japan’s feudal period. Original title 蜘蛛巣城, Kumonosu-jō, lit. 'The Castle of Spider's Web'

This then led to the creation of a more complex system within the military, the armoured infantry known as the ashigaru. Initiated by the collapse of the country’s feudal system during the 1467 Onin War, rival warlords or daimyō, continued to struggle to gain control of Japan until its reunification under Japan’s three “Great Unifiers” –– Nagoya Nobunaga, Hideyoshi, and Ieyasu Tokugawa –– thus, bringing the war-stricken era to an end in the siege of Osaka

The classical beauty of samurai swords is remarkable, in that there is barely any kind of decor that is not improved with their addition. With fine Soten mounts of pure gold ponies grazing in a meadow and an iron and gold inlaid Soten sukashi tsuba depicting mandarin and companion crossing a bridge with a warrior guard armed with a polearm. Blade with a fine sugaha straight hamon in original Edo polish. Fine black silk wrap covering menuki of long. Fine black Edo lacquer saya with sageo of gold and brown woven silk. Of all the weapons that man has developed since our earliest days, few evoke such fascination as the samurai sword of Japan. To many of us in the, the movie image of the samurai in his fantastic armour, galloping into battle on his horse, his colourful personal flag, or sashimono, whipping in the wind on his back, has become the very symbol of Japan, the Empire of the Rising Sun. And, truly, to the samurai of real life, nothing embodied his warrior’s code of Bushido more than his sword, considered inseparable from his soul.

Indeed, a sword was considered such a crucial part of a samurai's life that when a young samurai was about to be born, a sword was brought into the bedchamber during the delivery. When the time came for an old samurai to die and cross over into the White Jade Pavilion of the Afterlife, his honoured sword was placed by his side. Even after death, a daimyo, or nobleman, believed he could count on his samurai who had followed him into the next world to use their keen blades to guard him against any demons, just as they had wielded their trusty weapons to defend him against flesh-and-blood enemies in this life. In a samurai family the swords were so revered that they were passed down from generation to generation, from father to son. If the hilt or scabbard wore out or broke, new ones would be fashioned for the all-important blade. The hilt, the tsuba (hand guard), and the scabbard themselves were often great art objects, with fittings sometimes of gold or silver. The hilt and scabbard were created from the finest hand crafted materials by the greatest artisans that have ever lived. Often, too, they told a story from Japanese myths. Magnificent specimens of Japanese swords can be seen today in the Tokugawa Art Museum’s collection in Nagoya, Japan. Overall 37.5 inches long in saya  read more

Code: 19377

9995.00 GBP

A Nice Edo Period Round Iron Plate Tsuba Decorated with A Boy Riding a Water Buffalo

A Nice Edo Period Round Iron Plate Tsuba Decorated with A Boy Riding a Water Buffalo

After Hanabusa Itchō, a very popular subject in Japnese art in the late 17th to 18th century.Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. 68mm  read more

Code: 23952

245.00 GBP

A Very Fine Early 19th Century, Anglo-Spanish Sporting Gun by Ignacio Bascaran, Dated 1822, One of  Spain's Most Important Gunsmiths and Barrel Makers of His day, With His Bespoke Silver Inlaid Barrel

A Very Fine Early 19th Century, Anglo-Spanish Sporting Gun by Ignacio Bascaran, Dated 1822, One of Spain's Most Important Gunsmiths and Barrel Makers of His day, With His Bespoke Silver Inlaid Barrel

A fine English sporting gun bespoke mounted with a stunning Spanish barrel, by Bascaran of Eibar The main factory of arms, Bascarán de Eibar, was one of the most important Basque companies of the 19th century. It was founded by Bascarán in Eibar in 1820 and its factory continued working until year 1862, date in which the children and later their grandsons were given a position of the factory, the family name in gunsmithing goes back to the 18th century and a gun by Fernando Bascaran is in the Basque Museum . The last gunsmith of the Bascarán clan of which I have news was of Mr. Martín Bascarán, which made a semi-automatic pistol Ruby type until year 1918 to equip to the armies French and English during the I World war. The beautiful city of Eibar Guipúzcoa is a municipality belonging to the region of Bajo Deba in the Basque Country of Spain. It is known as the "City of Gunsmiths." In this illustrious city it has produced some of Spain's leading makers. The first written document referring to Eibar gunsmith industry is a request from Lombard dated 1481. Arms of this grade were incredibly expensive and more often than not made for presentation to important persons. As with all our antique guns no license is required as they are all unrestricted antique collectables.  read more

Code: 23889

995.00 GBP

A Fabulous Quality King George IIIrd Cased Double Barrel Sporting Gun By World Renowned Gunsmith S.Nock, Early Transitional Flintlock To Percussion

A Fabulous Quality King George IIIrd Cased Double Barrel Sporting Gun By World Renowned Gunsmith S.Nock, Early Transitional Flintlock To Percussion

Very fine sighted damascus barrels of the finest quality, engraved Saml. Nock 180 Fleet St. London Maker to His Majesty, case colour hardened gold lined breech engraved with a hound, border and foliate engraved, signed lock converted from flintlock using the drum and nipple principle, half stocked with chequered wrist, border and scroll engraved steel mounts, the trigger guard decorated with a hound, serial numbered to the underside of the barrels, contained in its green baize lined oak case, the lid with trade label for Samuel Nock at the Regent Circus address, complete with commensurate and later accessories.
Samuel Nock was the nephew of famed innovative gunmaker Henry Nock and apprenticed under him. He was also a highly rated and accomplished gunmaker and worked through the transitional period from flintlocks to percussion systems. He served as a royal gunmaker to the English monarchy from King George III in 1805 up to Queen Victoria starting in 1837. He died in 1851. To replicate such a fine hand made ‘bespoke’ double barrelled gun today, only Purdey or Boss of London could have the skills required to replicate it. A finely engraved, bespoke single Purdey side by side sporting gun, with a Damas barrels, costs today £113,500, with an 18 months to 2 year waiting time, and additional costs for casing and tools. The double-barrelled sporting gun was seen as a weapon of prestige and authority, especially in the days of the East India Company and the later Raj in India, where it was known as Dunali (literally "two pipes"). It was especially valued by the nobility in the Raj in Bihar, Purvanchal, Uttar Pradesh, Haryana and Punjab  read more

Code: 23371

7995.00 GBP

A Stunning & Rare Victorian US Civil War Period 'Whitworth' Rifle, One Of The Best Condition Examples We Have Seen in Over 20 Years. The Most Desirable & Highly Prized Gun Of The American Civil War. That Could Cost Over $1,000 During The War

A Stunning & Rare Victorian US Civil War Period 'Whitworth' Rifle, One Of The Best Condition Examples We Have Seen in Over 20 Years. The Most Desirable & Highly Prized Gun Of The American Civil War. That Could Cost Over $1,000 During The War

A rifle so highly prized for its quality of service and accuracy, it could cost, at the time, more than the value of an average home in America..

With an absolutely mouthwatering patina, as good as any Whitworth we have seen in the finest museum collections.
Serial number 198. One of the most famous types of rifles used by snipers in the US Civil War in the 1860's. In fact they can be such a significant and rare weapon that with known Confederate provenence with correct serial numbering stamping and the like a Whitworth rifle value has been known to approach $100,000 in today's collectors market. Sadly, this fabulous arm has no known provenence surviving, however, it is a most intriguing and an even rarer example in some respects, in that it was converted in the 1870's to the improved 'Snider' breech loading configuration. We have never seen another surviving example of a Snider converted 'Whitworth' rifle before in over 50 years.

A once recorded story of sniper and his Whitworth was detailed below;

‘From hundreds of yards away, a Confederate sharpshooter carefully aimed his prized Whitworth, the crosshairs of its Davidson telescopic sight outlined against the ramparts of Fort Stevens in Washington, D.C. Through the scope fitted to the left side of the stock his eye scanned the ample crowd of Union soldiers and plucky civilians who had ventured by, hoping to observe warfare up close. Suddenly, the shooter’s attention shifted to a tall bearded man wearing a stovepipe hat, realizing it was that Yankee president, within easy range of his English-made precision rifle. As he prepared to fire though, a Federal officer dragged Abraham Lincoln out of view.’

When issued, the rifles came with specific rules of engagement. The Whitworth sharpshooter would only use his gun against high-value targets. Artillery positions, cavalry scouts, exposed officers, and enemy sharpshooters were fair game. Furthermore, they were free to operate independently, choosing their own targets and locations on the battlefield. Some Confederate generals, especially Maj. Gen. Patrick Cleburne of the Army of Tennessee, consolidated their sharpshooters into dedicated companies, using them to divert enemy forces where needed.

While many high-ranking Union officers had fallen victim to sharpshooters armed with Whitworth rifles, Maj. Gen. John Sedgwick, in command of the 6th Corps at Spotsylvania, was the most noteworthy witness to their effectiveness. Sedgwick was no stranger to enemy bullets, having been wounded several times prior to Spotsylvania. Ironically, he was hit, but not injured, by a spent bullet on May 8, 1864. The next day, his luck ran out.

The story of the Whitworth and the Civil War; What the Confederacy needed as it prepared for war was a means of equalizing the disparity in arms fielded by the industrially superior North. Unable to produce what they needed, the South looked abroad. Arms buyers secretly visiting Great Britain obtained contracts for hundreds of thousands of regular P1853 Enfield rifles, and many other munitions that could be sent home by blockade-runners. But the available Whitworths were costly and difficult to come by.

Under wartime conditions, the price of a Whitworth rifle quickly jumped from $100 to $500, then again to $1,000 an expensive proposition considering how many regular muskets and rifles that same sum could buy, a Colt revolver in 1863 for example was just $20, and that was considered an expensive pistol at the time. $1,000 then was a simply mind boggling sum by today's standards.

The Whitworth projectiles were made by ‘swaging’, a unique forging process that were difficult for the South to manufacture, so cylindrical bullet moulds were added to shipments to supplement the smaller stores of hexagonal ammunition. These cylindrical moulds then went to Southern arsenals to produce additional loads for distribution, once the British rounds had run out.
Overall 52 inches long

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 23154

5750.00 GBP

A King George IIIrd  Late 18th Century English Fowling Musket By Smith

A King George IIIrd Late 18th Century English Fowling Musket By Smith

For the exponent of gentlemanly pursuits. Fine walnut stock, percussion action converted from flintlock in the 1840's, steel furniture with pineapple form trigger guard finial and rear scroll. Hook breech quick release barrel with barrel key attachment. Good condition for age, fine working action. Small very old pitting area on barrel near breech, very slight scuff mark on stock at reverse of lock plate area. Throughout much of its history, hunting in England was an activity of the upper class. Legally, only land owners could hunt in England and the vast majority of the land was in large estates owned by the wealthy. To reduce poaching, the right of a person to own a gun was greatly restricted unless he was a landowner. Thus, ownership of a gun was not even a choice for the average British citizens. Moreover, deer hunting was further restricted to the royalty and generally carried out on horseback with dogs.

The wealthy British sportsmen of the Eighteenth and Nineteenth Centuries were primarily interested in hunting various types of birds. Most of their arms were designed for wing shooting. Rifles were considered an oddity. In the book titled British Field Sports; William Henry Scott (1818) the author described rifle shooting as a ?nice and curious branch of gunnery.? Scott goes on to state that "Rifles ? were little known among us, in the first American War, when people were amused on this side of the water by the story of an American woodsman, who had actually shot an eagle with his rifle, when it was?out of sight, a thing by no means impossible."
Colonel Peter Hawker, one of the most prolific British hunters of the early nineteenth century, maintained detailed diaries relating to his hunting activities. Over the course of many seasons, Hawker shot more than ten thousand birds and other small game. Over the same period of time, Hawker harvested only three deer. Colonel Hawker records that the first time he ever fired a rifle was in June of 1813 (at the age of 27) in anticipation of shooting a deer which had been causing crop damage. (Colonel Hawker's Diary at page 74). As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20483

650.00 GBP

An 18th Century Hallmarked Solid Silver Butt Cap For A Gentleman's Musket

An 18th Century Hallmarked Solid Silver Butt Cap For A Gentleman's Musket

Heavy guage, cast, King George IIIrd London silver, dated either 1769 or 1789 [difficult to tell exactly]. This would enhance a musket or fowling piece up to a whole new level, either as a replacement for a plain brass type, or to replace a missing example. 147.5 grams weight, butt 50mm x 124mm, butt tang 105mm  read more

Code: 17249

225.00 GBP

A Very Fine & Rare, Signally Beautiful, Anglo-American War of 1812, 'Eagle Head' & Scroll Fretted Hilt, American Officer's Sabre. In Great Condition.

A Very Fine & Rare, Signally Beautiful, Anglo-American War of 1812, 'Eagle Head' & Scroll Fretted Hilt, American Officer's Sabre. In Great Condition.

It was quite extraordinary, but we acquired a pair of these fabulous and very rare American eagle head pommel and scroll fretted hilted sabres, that have been together since the war of 1812, possibly owned by brothers that served, but naturally, officer's swords were never sold as pairs, or indeed used as such, but, none the less, they have been together for almost 200 years. We are, however, selling them individually.

Eagle head pommel with fully feathered back strap, in brass, with scroll fretted knuckle guard, and carved bone grip. Almost all the deluxe grade American officer’s sabres had the expensive alternative option of a carved bone hilt, as opposed to carved ivory, as enjoyed by their British counterparts, as the new nation of America lost all its access to ivory after its split from being part of the British colonial forces. Another one of the long list of negative consequences resulting from the revolution of 1776. It has an engraved bright polished blade, and its original brass mounted leather scabbard, with both twin ring belt strap supports, and an alternative wear option of a frog mount stud. Overall in excellent condition, with usual aged blade etching surface wear.
Used in the War of 1812 period, and a very nice example of these very fine swords, For Canadians, historically, the War of 1812 was the successful defence of a small colony against attack by a much larger neighbour.
Canadians endured repeated invasions and occasional occupations, but each invasion ultimately ended with an American withdrawal. The Royal Navy and British Army supported by Canadian regulars, Canadian militia, and First Peoples warriors, successfully defended Canada. Isaac Brock, Charles de Salaberry, Laura Secord, and Tecumseh became, and remain, iconic Canadian figures. The successful defence of Canada allowed British North America to evolve into an independent transcontinental country.

The War of 1812 was fought between the United States of America and Great Britain and its colonies, Upper and Lower Canada and Nova Scotia, from 1812 to 1815 on land and sea. The Americans declared war on Britain on June 18, 1812, for a combination of reasons, outrage at the impressment (seizure) of thousands of American sailors, frustration at British restraints on neutral trade while Britain warred with France, and anger at British support for native attacks along the frontier which conflicted with American expansion and settlement into the Old Northwest. The war started poorly for the Americans as their attempts to invade Canada were repeatedly repulsed; later in the war, American land forces proved more effective. The Royal Navy lost some early single-ship battles but eventually their numbers told and the naval blockade of the eastern seaboard ruined American commerce, and led to extreme dissatisfaction in New England. Following the American raid and burning of York (now Toronto), the British raided the Chesapeake Bay area and burned parts of Washington D.C. but were repulsed at Baltimore and withdrew. The Americans gained naval control of Lake Erie and Lake Champlain, preventing the planned British invasion of New York. The Americans destroyed the power of the native people of the Northwest and Southeast. With the defeat of Napoleon in 1814, and the stalemate on the battlefields, both nations agreed to a peace that left the prewar boundaries intact.

The small thumb pictures in this gallery are of our other near identical matching American 1812 sword, the large photos are correct for this sword . Other photos to add on Monday

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25449

1595.00 GBP

Thousands of Books, 1st Editions & Hardback Books of Military Interest

Thousands of Books, 1st Editions & Hardback Books of Military Interest

Our book gallery on this site generally only shows our first additions or books of great rarity by famous 19th or 20th century authors, or of special interest, such incunabula or illuminated manuscripts, as well signed volumes and books bearing autographs of famous military or aeronautical heroes.

However, we also have thousands of books that we never list due to their quantity, based on military history, military biographies, or tomes on combat history of warfare. Our list is far too numerous to mention so please feel free to visit us to view our selection or contact us and we will see if we have a particular volume you are seeking.  read more

Code: 23329

Price
on
Request

A Very Rare, British Sword, But Used By Both Armies In The American War of Independence Era 1773-1780 Anglo American Light Dragoon Officer's Sword. Originally Purchased from The Tower of London Collection by A Private Collector Nearly 55 Years Ago

A Very Rare, British Sword, But Used By Both Armies In The American War of Independence Era 1773-1780 Anglo American Light Dragoon Officer's Sword. Originally Purchased from The Tower of London Collection by A Private Collector Nearly 55 Years Ago

One of the rarest ordnance issued swords to still exist today, and it was issued to the American Revolutionary War period cavalry, to both protagonists, British and American. This superb museum piece, is a sword that was formerly part of the world renown 'Tower of London Collection', and featured in "European Swords and Daggers in the Tower of London" by Arthur Richard Dufty Master of the Armouries. See photo plate 70 D. In fantastic, all over, bright condition. The edge has a few edge-to- edge close combat sword cuts.
Worthy of any 'museum grade' collection of the finest and rarest swords.

Although practised no longer by the Tower of London Executors, during the past two centuries, on just a very few occasions, the Tower of London has sold a few items by auction in order to facilitate an influx of funds for new acquisitions

A superb sword made by the British ordnance, and stamped as such, for the British dragoon and British colonial cavalry dragoon regiments, however, in the early war of 1775, the American dragoon regiments were of course, originally, British colonials, and therefore used the same issued weaponry,
A sword of incredible efficiency, for this sword was designed to do a very specific task of the cavalry charge, by an 18th century cavalryman, and it accomplished it very well indeed. A pattern of a near straight thrusting blade that continued in use by the British Heavy Dragoons in the Napoleonic wars. The Light Dragoons used a deeply curved slashing blade.

Brass stirrup hilt beautifully bright in superb condition, as is its very long 'clipped back' blade. It has all its original fishskin bound grip.
This English sword is most rarely seen, with very little known of it's design origins, likely as it was made in small numbers and quickly replaced by the 1788 pattern dragoon sword. Fortunately it clearly has its board of ordnance crown inspection stamp on the blade, and as so very few still remain in existance it rarely appears photographed in many reference books on British/American swords of the American Revolutionary War {or War of Independence as it is also known}. This fine and rare example was sold from the 'Tower of London Collection' in 1973 at Christie's auction rooms.

Little or no documentation on its original ordnance order, made some 250 years ago, regarding its manufacture, exists. What is known however, is that it is estimated it was made from 1773, but possibly slightly earlier, and it was replaced by the more abundant 1788 pattern version. That replacement 1788 sword is far more well recorded, and fair number of that type survive. A very few examples of this sword are kept in just a few, select American museums, that contain the military collections of captured British weapons, and also those used by former American born British officers that moved over to serve in the new American Continental Army Light Dragoons under George Washington in the American Revolutionary War.

We show two paintings of American Continental Dragoons using this pattern of sword. In our conversations in the 1980's with the eminent Howard Blackmore, Assistant Keeper of Weapons at the Tower of London, he believed these cavalry swords, when they surfaced, were possibly one of the most interesting of swords used in the Revolution in America, in that they were used by officers of both sides, but sadly so few survived the war itself that they are now considered to be one of the rarest swords of their type to exist. These swords were originally made for, and used by, the British Light Dragoon Regiments, including the infamous and well recorded through history 'Tarleton's Green Dragoons'. Banastre Tarleton, who carried this form of sword, was originally a young British officer of the 1st Dragoon Guards, who purchased his rank of cornet. He proved to be such a gifted horseman and leader of troops, due to his outstanding ability alone, he worked his way up through the ranks to Lieutenant Colonel without having to purchase any further commissions.

In December 1775, he sailed from Cork as a volunteer to North America where rebellion had recently broken out triggering the American War of Independence. Tarleton sailed with Lord Cornwallis as part of an expedition to capture the southern city of Charleston. After this failed, he joined the main British Army in New York under General Howe. His service during 1776 gained him the position of a brigade major of cavalry. After becoming the commander of the British Legion, a mixed force of cavalry and light infantry also called Tarleton's Raiders, he proceeded at the beginning of 1780 to South Carolina, rendering valuable services to Sir Henry Clinton in the operations which culminated in the capture of Charleston. This was part of the 'southern strategy' by which the British directed most of their efforts to that theater hoping to restore authority over the southern colonies where they believed there was more support for the crown. On 29 May 1780, Tarleton, with a force of 150 mounted soldiers, overtook a detachment of 350 to 380 Virginia Continentals led by Abraham Buford. Buford refused to surrender or even to stop his march. Only after sustaining heavy casualties did Buford order the surrender. What happened next is cause of heated debate. According to American accounts, Tarleton ignored the white flag and mercilessly massacred Buford's men. In the end, 113 Americans were killed and another 203 captured, 150 of whom were so badly wounded that they had to be left behind. Tarleton's casualties were 5 killed and 12 wounded.6 The British called the affair the Battle of Waxhaw Creek, while the Americans called it the "Buford Massacre" or the "Waxhaw Massacre." In recounting Tarleton's action at the scene, an American field surgeon named Robert Brownfield wrote that Col. Buford raised a white flag of surrender, "expecting the usual treatment sanctioned by civilized warfare". While Buford was calling for quarter, Tarleton's horse was struck by a musket ball and fell. This gave the loyalist cavalrymen the impression that the rebels had shot at their commander while asking for mercy. Enraged, the loyalist troops charged at the Virginians. According to Brownfield, the loyalists attacked, carrying out "indiscriminate carnage never surpassed by the most ruthless atrocities of the most barbarous savages." Tarleton's men stabbed the wounded where they lay. In Tarleton's own account, he virtually admits the massacre, stating that his horse had been shot from under him during the initial charge and his men, thinking him dead, engaged in "a vindictive asperity not easily restrained." However there are strange contraditions as to Tarleton's behaviour, for, contrary to his nature, as described by his conduct at Monticello, Thomas Jefferson himself later noted,

"I did not suffer by him. On the contrary he behaved very genteely with me. … He gave strict orders to Capt. Mcleod to suffer nothing to be injured." Tarleton materially helped Cornwallis to win the Battle of Camden in August 1780. He was completely victorious in an engagement with Thomas Sumter at Fishing Creek, aka "Catawba Fords", but was less successful when he encountered the same general at Blackstock's Farm in November 1780. Then in January 1781, Tarleton's forces were virtually destroyed by American Brigadier General Daniel Morgan at the Battle of Cowpens. Tarleton however managed to flee the battlefield with perhaps 250 men. Although Tarleton had a deservedly dastardly reputation, many other Light Dragoon forces were commanded by far more respected and gentlemanly officers, and the troops under their command fought in the most formative conflicts of both American and British history. A war that shaped the whole world that followed it, arguably more than any other war before it. Although in terms of casualties, fewer men perished in the whole war of Independence, that covered several years, than in a single day during the Battle of Gettysberg, less than 100 years later in the Civil War. This sword has a 35 inch blade. No scabbard, for we have never even seen a surviving original scabbard for such a rare sword. This is probably only the second such surviving example we have had in around 35 years.  read more

Code: 25914

SOLD