An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market

An Fabulous Museum Grade Sword 18th Century Silver and Enamel, Makara, Of The ' Palace of the Nawab of Lucknow’, Damascus Bladed. Probably One of The Most Beautiful & Fine Indian Swords Available in World Collecting Market

A near identical pair to another prize example Makara enamel sword in the Getty Museum in America.

A magnificent work of art, and the sword of a prince. It has a fabulous Mahomed's Ladder Kirk Narduban pattern Damascus blade, with a gold inscription and gold cartouches. In very good condition for age, the polychrome enamels are inlaid into the solid silver hilt, that is further decorated with three heads of the mythical beast, the Makara, including the pommel and both quillon ends, with just very minor enamel surface losses. The fine Damascus blade has small areas of surface pitting and a re-shaped tip. One of the finest Lucknow Damascus swords you could find today, from the one time rulers of Lucknow, and most likely originated from the palace of the Nawab of Lucknow. A Nawab was a Sovereign Prince and Governor of the Moghul Empire. An almost identical princely form of Lucknow Makara enamel silver hilted sword is in the Getty Research Institute, in LA, California. Centuries ago Lucknow emerged as one of the most important centres in the world for courtly crafts such as fine enamelling on silver. It was the capital of the state of Oudh which was established in 1750. The flourishing arts scene was largely on account of the patronage of the local, wealthy Nawabs of Oudh. By the mid-19th century, Lucknow was India's largest and wealthiest city. Lucknow Moghul daggers and swords, especially with Damascus blades, are considered to be some of the most valuable and desirable in the world of antique weaponry art. Representations of such are in the finest collections, such as the British Royal Collection, The British Museum and the Getty Museum. Dwelling in the Indian Ocean, the Makara is traditionally looked upon as a powerful deity, which was capable of harming or guarding seafarers, depending upon its whims. Many scholars naturally assume that the tales of the Makara are nothing more than myths based upon ancient eyewitness accounts of Indian elephants swimming off the coast of India, as they are sometimes known to do. Until 1719, the subah of Awadh was a province of the Mughal Empire administered by a Governor appointed by the Emperor. Persian adventurer Saadat Khan, also known as Burhan-ul-Mulk, was appointed Nizam of Awadh in 1722 and established his court in Faizabad, near Lucknow.

Many independent kingdoms, such as Awadh, were established as the Mughal Empire disintegrated. The third Nawab, Shuja-ud-Daula (r. 1753-1775), fell out with the British after aiding the fugitive Nawab of Bengal, Mir Qasim. Roundly defeated at the Battle of Buxar by the East India Company, he was forced to pay heavy penalties and surrender parts of his territory. Awadh's capital, Lucknow rose to prominence when Asaf-ud-Daula, the fourth Nawab, shifted his court to the city from Faizabad in 1775. The British East India Company appointed a resident (ambassador) in 1773 and by early 19th century gained control of more territory and authority in the state. They were, however, disinclined to capture Awadh outright and come face to face with the Maratha Empire and the remnants of the Mughal Empire. In 1798, the fifth Nawab Wazir Ali Khan alienated both his people and the British and was forced to abdicate. The British then helped Saadat Ali Khan take the throne. He became a puppet king, and in a treaty of 1801, yielded large part of Awadh to the East India Company while also agreeing to disband his own troops in favour of a hugely expensive, British-controlled army. This treaty effectively made the state of Awadh a vassal of the East India Company, although it continued to be part of the Mughal Empire in name until 1819. The treaty of 1801 proved a beneficial arrangement for the East India Company as they gained access to Awadh's vast treasuries, repeatedly digging into them for loans at reduced rates. In addition, the revenues from running Awadh's armed forces brought them useful returns while the territory acted as a buffer state. The Nawabs were ceremonial kings, busy with pomp and show. By the mid-nineteenth century, however, the British had grown impatient with the arrangement and demanded direct control over Awadh.

In 1856 the East India Company first moved its troops to the border, then annexed the state for alleged maladministration. Awadh was placed under a chief commissioner Sir Henry Lawrence. Wajid Ali Shah, the then Nawab, was imprisoned, then exiled by the East India Company to Calcutta. In the subsequent Indian Rebellion of 1857, his 14-year-old son Birjis Qadra, whose mother was Begum Hazrat Mahal, was crowned ruler. Following the rebellion's defeat, Begum Hazrat Mahal and other rebel leaders sought asylum in Nepal. Ghazi-ud-Din Haidar Shah became Nawab Wazir of Oudh on 11 July 1814 after the death of his father. In 1818, under the influence of Warren Hastings, the British Governor of the Presidency of Fort William (Bengal), he declared himself as the independent Padshah-i-Awadh (King of Oudh). This sword would likely have been part of his treasure.

Code: 22605

18995.00 GBP