A Superb Excavated & Fragmented Bronze Age Sword 3200+ Years Old. Seige of Troy Period

A very inexpensive pre-history period antiquity of immense beauty and age. A short sword or long dagger traded between the Eastern Mediterranean Scythians, Persians and Greeks during the the Ist millennium B.C. around 2700 to 3200 years ago. Made in bronze in the Western Asiatic region.

Western Asiatic bronzes refer to items dating from roughly 1500-500 BC that have been excavated since the late 1920's in the Harsin, Khorramabad and Alishtar valleys of the Zagros Mountains especially at the site of Tepe Sialk. Scholars believe they were created by either the Cimmerians or by such related Indo-European peoples as the early Medes and Persians.
Weapons from this region were highly sought after by warriors of many cultures because of their quality, balance and durability. Graduating blade with integral hilt, with open panels for organic inserts of wood, bone, or ivory, fabulous areas of crystallized malachite naturally aged blue/green patination.

The acinaces, also spelled akinakes or akinaka is a type of short sword used mainly in the first millennium BC in the eastern Mediterranean region, especially by the Medes, Scythians and Persians, then by the Greeks.
The akinakes was worn at the hip in an elaborate scabbard. The chape, generally a rounded triangle, could be made of bronze, chased gold or carved ivory, and probably lots of other materials. Just above the chape, a cord was tied around the scabbard, passed around the thigh and then through a slipknot next to the chape. The throat had a large tab, which at its own upper corner was tied through a hole in the weapon belt.

We show another most similar Bronze Age short sword or long dagger, in a similar state, excavated near Stonehenge, in the U.K. now in a museum collection. This piece is 17 1/2 inches long overall.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 23012

A Rare Victorian Bengal Native Light Infantry Badge in Silver

They were a rifles infantry regiment of the Bengal Army, later of the united British Indian Army. They could trace their origins to 1803, when they were the 1st Battalion, 22nd Bengal Native Infantry. Over the years they were known by a number of different names the 43rd Bengal Native Infantry 1824?1842, the 43rd Bengal Native (Light) Infantry 1842?1861, the 6th Bengal Native (Light) Infantry 1861?1897 and finally after the Kitchener reforms of the Indian Army the 6th Jat Bengal (Light) Infantry. The regiment was involved in the First Anglo-Afghan War, the First Anglo-Sikh War, the Second Anglo-Afghan War, the Boxer Rebellion and World War I. After World War I the Indian Government reformed the army moving from single battalion regiments to multi battalion regiments. The 6th Jat Light Infantry became the new 1st Battalion, 9th Jat Regiment. After India gained independence they were one of the regiments allocated to the Indian Army.  read more

Code: 20971

A Large Half Bowl Brass Hilted Cutlass With Steel Single Edged Blade. Wide Single Blade Fuller, No Maker Markings.

The pattern design is based on a similar looking American civil war pattern cutlass, or, the very similar Prussian version, but this sword is neither of those. The US pattern versions, were said to have been in service use into the 20th century, had full length, steel flat riveted, leather scabbards { this one is stitched}, domed head riveted brass half bowl hilts, with a rounded pommel band, this has a flat pommel band.
It’s grip wire intact but exposed. Scabbard leather with overall surface age cracking, but nicely intact and firm, it has replaced frog button leather mount. Riveted half bowl with flat head flush rivets.

The cutlass is a short usually curved bladed sword used by both sailors or infantrymen, mostly frog button mounted upon a belt. Highly effective as a secondary, defensive, close quarter action weapon  read more

Code: 25652

A British 1885 Pattern Cavalry Troopers Sabre The Sword Used At the Battle of Omdurman.

1885 Pattern Cavalry Sword After a false start in 1882, the 1885 pattern was developed following committee input on improving the sword. The first opposite ringed scabbard came out of this process along with a slightly shorter blade. This sword saw extensive use in the campaigns in Egypt and the Sudan during the 1880s and 1890s. The shortening of the blade did allow some opponents along the Nile to lie on the ground, putting themselves out of the reach of the trooper's sword! This problem was rectified in the 1899 pattern. Still this sword represented an important step in the evolution of British Cavalry swords and was used by the 21st Lancers at the Battle of Omdurman in 1898; amongst the daring lancers was a young Winston Churchill.

The Battle of Omdurman was fought during the Anglo-Egyptian conquest of Sudan between a British–Egyptian expeditionary force commanded by British Commander-in-Chief (sirdar) major general Horatio Herbert Kitchener and a Sudanese army of the Mahdist State, led by Abdallahi ibn Muhammad, the successor to the self-proclaimed Mahdi, Muhammad Ahmad. The battle took place on 2 September 1898, at Kerreri, 11 kilometres (6.8 mi) north of Omdurman.

Following the establishment of the Mahdist State in Sudan, and the subsequent threat to the regional status quo and to British-occupied Egypt, the British government decided to send an expeditionary force with the task of overthrowing the Khalifa. The commander of the force, Sir Herbert Kitchener, was also seeking revenge for the death of General Gordon, who had been killed when a Mahdist army captured Khartoum thirteen years earlier.3 On the morning of 2 September, some 35,000–50,000 Sudanese tribesmen under Abdullah attacked the British lines in a disastrous series of charges; later that morning the 21st Lancers charged and defeated another force that appeared on the British right flank. Among those present was 23-year-old soldier and reporter Winston Churchill as well as a young Captain Douglas Haig.4

The victory of the British–Egyptian force was a demonstration of the superiority of a highly disciplined army equipped with modern rifles, machine guns, and artillery over a force twice its size armed with older weapons, and marked the success of British efforts to reconquer Sudan. Following the Battle of Umm Diwaykarat a year later, the remaining Mahdist forces were defeated and Anglo-Egyptian Sudan was established.

Pictures in the gallery of photographs of the regimental armourers sharpening their 1885 cavalry swords before combat.  read more

Code: 25013

An Original, Incredibly Rare 'Damascus' Presentation Sword, An Imperial German, Damascus Steel and Gold, Sword Presented by One of Germany’s Most Powerful and Influential Families in 1887

This is a magnificent example of one of the rarest most desirable and valuable German swords made in 200 years. Made by Numan of Berlin, personally, for Baron Von Hammerstein. One of two similar museum grade Imperial German swords we were delighted and privileged to acquire, and certainly one of the very best examples, with the highest of provenanced pedigrees ever to come onto the open market.

The highest grade possible of German military sword to be commissioned during the 19th and 20th centuries, encompassing the Imperial, Weimar and Third Reich eras of Germany.

This fabulous sword was presented by Baron von Hammerstein, one of the great military commanders, from one of the greatest of families of the Imperial German empire, whose influence and power continued through the demise of the empire in 1918, right through the post WW1 Weimar period and into the notorious Third Reich. This sword would have been used by the recipients family’s officers, right through all of those eras, and continually into the end of the WW2, despite the Von Hammerstein family being fervent anti-nazi. Which in of itself shows just how powerful the family once was, to survive, indeed thrive, being such vocal opponents of Hitler, at least, in private.

A 'Grosse Degan', translates to the ‘great size sword’ is around 50% heavier, wider and substantial, and a far superior quality than the regular officer’s sword of the day. Presented in the late 19th century, these significant and important Damascus swords were effectively, the swords of Kings, worn by the highest ranking officers Generals, Field Marshals, Dukes and Kings right through WW1 and also WW2. For example we show in the gallery Field Marshal von Kleist with his identical family sword, that was also an antique Imperial sabre, but worn by him in WW2.

Also, a photograph of His Majesty King George Vth the Queen's grandfather and Kaiser Wilhelm of Prussia King George's cousin in their ceremonial Colonel-in-Chief uniforms. King George Vth is in his full dress ‘honorary’ Imperial German uniform with pickelhaub helmet and also wearing his identical grade of sword to ours. Before WW2 it was common for foreign kings to be made honorary colonels to other countries regiments. For example until WW1 Kaiser Willhelm was an honorary colonel of a British regiment, the Kaiser’s Own.

Superb condition for age, with its original steel scabbard. German Damascus swords, made with the traditional ‘Damascus steel’ method are incredibly scarce and valuable, and from Imperial Germany are the most desirable of all German swords. This superb example was presented by one of the members of the great German noble families, in Cassel, in 1887. It bears a presentation inscription, given by Ernst Baron von Hammerstein to his friend Rudolf Frank. On the obverse, For Service, Cassel 1887. Ernst von Hammerstein attended high school in Hildesheim, Hanover, the Royal Corps of Cadets, the University of Gottingen and the Forest Academy Mariabrunn in Austria. In 1857 he was a lieutenant in the 3rd Hanoverian Infanterie-Regiment Infantry Regiment and in 1858 First Lieutenant. In 1866 he took part in the Battle of Langensalza. He was, until 1871, in the personal service of King George V of Hanover. The Von Hammersteins had a most influencial part in German history from the 1600's. Ernst's later relative was Commander of the German Army until Hitler took power, and was also a fervent anti Nazi, taking part in several conspiricies, but never caught or imprisoned, until his natural death in 1943Born to a noble family in Hinrichshagen, Mecklenburg-Strelitz, Germany in 1878, Baron von Hammerstein-Equord joined the German Army on 15 March 1898. In 1907 Hammerstein married Maria von Luttwitz, the daughter of Walther von Luttwitz. He was attached to the General Staff during World War I and participated in the Battle of Turtucaia. Hammerstein-Equord was loyal to the Weimar Republic, opposing the Kapp-Luttwitz putsch in 1920. He served as Chief of Staff of the 3rd Division from 1924, as Chief of Staff of the I Group Command in 1929, and as Head of Troops in the Office Ministry of War from 1929. A close friend of Kurt von Schleicher, he was appointed Commander-in-Chief of the Reichswehr in 1930, replacing General Wilhelm Heye. Another was a U Boat Commander in WWII Adolf-Wilhelm von Hammerstein-Equord joined the Kriegsmmachinearine in 1937. He went through U-boat training from Oct 1940 to April 1941. He went through U-boat familiarization (Baubelehrung from April to May 1941 and then became First Watch officer (1WO) on the new U-402 (Kptlt. Siegfried von Forstner) from May to Oct 1941. He left the boat just prior to its first patrol at the end of Oct 1941 (Busch & R?ll, 1999).

He then became the First Watch officer (1WO) on the U-71 (Kptlt. Walter Flachsenberg) in Oct 1941 and served on the boat until April 1942 (Busch & R?ll, 1999). During this time he went out on 2 war patrols, 92 days at sea, and took part in sinking 5 ships for almost 39,000 tons.

Von Hammerstein-Equord then went through U-boat Commander training with the 24th Flotilla and U-boat Commander sea training on the "duck" U-149 from April to July 1942

Adolf-Wilhelm Baron von Hammerstein-Equord took command of his old boat U-149 on 1 Aug 1942, commanding the boat until 14 May 1944 (Busch & R ll, 1999). The boat was a school boat and von Hammerstein-Equord never went out on patrol with it.
Leaving his boat he joined the Staff of the U-boat Command in Norway and stayed in staff positions there until the end of the war in May 1945  read more

Code: 21918

A Wonderful & Captivating Ancient Nambokochu Period Samurai Sword of the Nambokochu Era Circa 1370. With Beautiful Polished Kairagi-Gawa {Giant Rayskin} Saya. From The Era of The Great Bizen Smiths

Made in the transitional period, almost 700 years ago, between the Nambokochu era, and Muromachi era. It has a super, ancient, iconic Koto form narrow blade, with wonderful curvature, and typical medium narrow, undulating hamon as was popular in the Nambokochu era. It also has a much desired but rarely seen defensive, single combat, blocking cut on the back edge, these are never removed with polishing, and they are a highly desirable sign of a close combat defensive move. much revered and respected by historical collectors.
It has delightful original Edo fittings including its superb Edo saya, made with polished giant rayskin, decor, called Kairagi-Gawa, with some natural age wear.
The Edo fushi kashira, are decorated in pure gold. The iron Koto period round wheel shaped iron tsuba is beautifully carved with elements of inlaid gold spirals.

Looking at the late Nanbokucho period, for an example of sword makers in that era, the main Bizen smiths of the 'last signed eras' (the last dated examples do not always coincide with the end of the smith's career) were Joji for Motoshige, Koryaku for Chogi, and Oei for Omiya Morishige.
Many of the Bizen dates moved up to Eiwa, Koryaku, Eitoku, Shitoku, Kakei, Ko-o, and Meitoku, and the tachi shapes changed to become narrower. Chojis Koryaku era tachi are narrow, but without other style changes. Morikages work from the end of the Nanbokucho period have a narrow shape with small hamon which is similar to Kosori work. Also, there are many Bizen smiths who are not belong to famous schools and do not have a clear school style, and people called all of these smiths Kosori smiths. Overall, at the end of the Nanbukucho period, Bizen swords became narrower, and at the same time, the mainstream schools characteristics gradually disappeared and smaller hamon become popular.
There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available, and we are fortunate to have likely one of the most varied and largest selection of original swords, from all nations, in the world. There are swords in our gallery from all over the globe and from every period of history, going back almost 4000 years, Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval swords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

The blades polish is beautiful with just the usual minuscule age surface mark

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading

Overall length 37.5 inches blade 25.5 inches.  read more

Code: 21795

A Delightful Edo Period 1600 Japanese Noh Mask, Possibly Amazakuro Akujo

From the ancient Japanese tradition of mask drama that can trace its origins to the Bugaku Imperial Court dancing of the 9th century. Noh is the classical theatre of Japan which was codified in the 14th century under the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. The performances utilise masks and elaborate costume. This is a substantial though small size mask, robustly carved from a thick piece of hinoki, with the carving confidently executed. The original colour of the mask appears to be of a predominantly a pinkish skin colour over a very thin layer of gofun, with details of the lips painted in red. The whites of the deep-set eyes are with details. The high domed forehead and the raised eyebrows together with the delicately carved wrinkles add to the overall image of a benevolent deity. It is significant that the mask is called Omote, which means the front surface facing the audience. But there is a reverse side, too, called Ura, behind which the actor conceals himself. Unlike the smooth finished outer surface of a Noh mask, the Ura is a roughly finished indented shell with just two tiny holes, more rudimentary than what we might call eyes. By including himself in this primitive space, the Noh actor transforms himself into a person of another world and attempts to draw the audience after him, by radiating a sense of the existence and non existence of an inhabitant of that other world. This mask is of symbolic size, not a wearing type.

The Ayakashi mask expresses god or ghost possessed of mysterious powers. It is also used for a vindictive warrior. Okina (Old man masks) This type of mask originated from sarugaku, the predecessor of noh, in the latter part of the Heian period. This is the oldest type of noh mask.

The surface still has a large proportion of fleshy skin tones remaining, with areas of loses overall. This intriguing piece would make a superb display piece of famous Japanese traditional art.

6 inches x 4.25 inches.  read more

Code: 20901

A Japanese Edo Period Processional or Ceremonial Pole Arm Yari

Set on a very good mother o'pearl decorated haft. With a over lacquered blade cover. A yari on it's pole can range in length from one metre to upwards of six metres (almost 20 feet). The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari. Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century. The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods. Ceremonial yari were used for parades of Daimyo travelling through regions or traditional public ceremonies in the Edo era. MOP losses to haft.  read more

Code: 19524

A Most Unusual Antique, Ceremonial, Edo Period Samurai's Weapon Representation of a Ninja's Kama, the Hook or Sickle

Haft decorated with fine quality abilone and lacquer with copper bands and traditional knotted string bound base to the abilone inlay. With its original black wrist cord {see photo} A single hand-held piece that is the correct size of the weapon, but higher quality to designate its use by a samurai as a ceremonial ninja weapon, but with a votive hook as opposed to a functional hook. We also show in the gallery a photo of the ninja weapons decorating a samurai tsuba, from an early sword we have. This ideally demonstrates that although the ninja was not thought of as samurai, and certainly their methods frowned upon by the samurai, but their methods and weaponry were still part of samurai art and worn by samurai.

A kama is a ninja weapon of a hook or sickle as a defence against swords, the extended version has a ball and chain called a kusarigama (Japanese: 鎖鎌, lit. "chain-sickle") is a traditional Japanese weapon that consists of a kama (the Japanese equivalent of a sickle or billhook) on a kusari-fundo – a type of metal chain (kusari) with a heavy iron weight (fundo) at the end. The sickle blade has a full tang the same as Yari pole arms, held in position within the handle by two mekugi.

The kusarigama is said to have been developed during the Muromachi period. The art of handling the kusarigama is called kusarigamajutsu.
From the 12th century, until the time of the Tokugawa shogunate, many fighters specialized in the use of the weapon. One of these fighters was Yamada Shinryukan, a man who defeated many swordsmen; he was trapped in a bamboo grove by Araki Mataemon and killed. Yamada did not have enough room in the bamboo grove to swing around the chain of his kusarigama. This weapon was used by the infamous Japanese assassins known as the ninja.

In his Buke Myōmokushō, military historian Hanawa Hokinoichi writes of the ninja:

They travelled in disguise to other territories to judge the situation of the enemy, they would inveigle their way into the midst of the enemy to discover gaps, and enter enemy castles to set them on fire, and carried out assassinations, arriving in secret.
The ninja were stealth soldiers and mercenaries hired mostly by daimyos. Their primary roles were those of espionage and sabotage, although assassinations were also attributed to ninja. In battle, the ninja could also be used to cause confusion amongst the enemy. A degree of psychological warfare in the capturing of enemy banners can be seen illustrated in the Ōu Eikei Gunki, composed between the 16th and 17th centuries:

The warlord Oda Nobunaga's notorious reputation led to several attempts on his life. In 1571, a Kōga ninja and sharpshooter by the name of Sugitani Zenjubō was hired to assassinate Nobunaga. Using two arquebuses, he fired two consecutive shots at Nobunaga, but was unable to inflict mortal injury through Nobunaga's armor. Sugitani managed to escape, but was caught four years later and put to death by torture. In 1573, Manabe Rokurō, a vassal of daimyo Hatano Hideharu, attempted to infiltrate Azuchi Castle and assassinate the sleeping Nobunaga. However, this also ended in failure, and Manabe was forced to commit suicide, after which his body was openly displayed in public. According to a document, the Iranki, when Nobunaga was inspecting Iga province — which his army had devastated — a group of three ninja shot at him with large-caliber firearms. The shots flew wide of Nobunaga, however, and instead killed seven of his surrounding companions.

The first specialized training began in the mid-15th century, when certain samurai families started to focus on covert warfare, including espionage and assassination. Like the samurai, ninja were born into the profession, where traditions were kept in, and passed down through the family. According to Turnbull, the ninja was trained from childhood, as was also common in samurai families. Outside the expected martial art disciplines, a youth studied survival and scouting techniques, as well as information regarding poisons and explosives. Physical training was also important, which involved long distance runs, climbing, stealth methods of walking63 and swimming. A certain degree of knowledge regarding common professions was also required if one was expected to take their form in disguise. Some evidence of medical training can be derived from one account, where an Iga ninja provided first-aid to Ii Naomasa, who was injured by gunfire in the Battle of Sekigahara. Here the ninja reportedly gave Naomasa a "black medicine" meant to stop bleeding.

We show in the gallery a Koto period tsuba (from one of our katana) that is decorated with a ninja’s weapons and his peasants disguise. A peasants jingasa hat, a willow fish basket, a kusarigama and a shikomezue hidden sword stick. We further show in the gallery an early woodblock print of a ninja in hand to hand combat using his identical kasurigama against the katana of a swordsman. Shown gor illustrative purposes only.  read more

Code: 21321

A Sengoku Era Samurai Battle Katana, Koto Period, With An Amazing Blade, & All Original Edo Fittings Circa 1500.

With all original Edo period mounts, the fuchi is of pure gold decoration on dragon over shakudo on a nanako ground see below for the details on nanako-ji, the fuchi of gilt dragon on shakudo on a nanako ground. A very attractive patinated copper tsuba with gold highlights, on the takebori decoration of two samurai kabuto helmets and a pair of abumi samurai stirrups with a background of prunus blossom on a nanako ground. The blade has an amazing hamon, and grain {somewhat akin to woodgrain} in the hada, and the polish is simply beautiful. The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The era is beautifully depicted in Akira Kurowsawa’s films called Jidaigeki. The Sengoku Period (1467-1568 CE) was a lawless century-long era characterized by rising political instability, turmoil, and warlordism in Japan. During this period, field armies and soldiers rapidly rose in number, reaching tens of thousands of warriors. Many castles in Japan were built during the Sengoku Period as regional leaders and aristocrats alike competed for power and strong regional influence to win the favours of the higher-class Japanese at the time. Kurosawa’s film depiction of Macbeth, Throne of Blood, is set in this era of Japan’s feudal period. Original title 蜘蛛巣城, Kumonosu-jō, lit. 'The Castle of Spider's Web'

This then led to the creation of a more complex system within the military, the armoured infantry known as the ashigaru. Initiated by the collapse of the country’s feudal system during the 1467 Onin War, rival warlords or daimyō, continued to struggle to gain control of Japan until its reunification under Japan’s three “Great Unifiers” –– Nagoya Nobunaga, Hideyoshi, and Ieyasu Tokugawa –– thus, bringing the war-stricken era to an end in the siege of Osaka.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

it has been said that part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut they could still fight with their right arm. Samurai that tossed and turned at night might be cured of the habit by having two knives placed on either side of their pillow, but that may be part myth.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

In the current photos the saya lacquer appears slightly bruised, these slight marks have been removed and now the urushi lacquer looks perfect. Blade length 26.75 inches, overall in saya 37 inches

Akira Kurowsawa & Jidaigeki


Did you know? the most valuable sword in the world today is a samurai sword, it belongs to an investment fund and has appeared illustrated in the Forbes 400 magazine. It is valued by them at $100 million, it is a tachi from the late Koto period 16th century and unsigned. That sword's blade is now grey and now has no original polish remaining.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24387