Fabulous Collection of Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonets Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

All came to us from the collector of finest bayonets, who bought them in his turn decades ago, from Japan from another collector of weapons used in the Boshin War and the Satsuma rebellion, so, by definition they conclusively were used in all of those campaigns. As the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war, as army surplus, after we had retired them from our war service in India, China, & Burma

Absolutely bright as a button, all have been hand polished and conserved, for the next 200 years, in our workshop. As good as any you may see in a museum collection.

Probably the most historical service issue bayonets ever used in the 19th century, and these very bayonets were used in combat in over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All are to be sold separately, most with scabbards, some without.

Original British ordnance stamps and inspection marks abound, maker marks, and some regimental gun rack numbers on the hilts British or American.

The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was the type used in the late Indian Mutiny at the "Seige and Relief of Lucknow". Chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather. The regiments that used this bayonet sword took part in the Second Opium War, the Indian Mutiny and the Third Anglo-Burmese War, and tens of thousands of service issue rifles and bayonets were sold to America in the Civil war, purchased by both the North, and the South. See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets. After the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war and the Satsuma Rebellion.The Boshin War (戊辰戦争, Boshin Sensō), sometimes known as the Japanese Revolution or Japanese Civil War, was a civil war in Japan fought from 1868 to 1869 between forces of the ruling Tokugawa shogunate and a coalition seeking to seize political power in the name of the Imperial Court.

The war stemmed from dissatisfaction among many nobles and young samurai with the shogunate's handling of foreigners following the opening of Japan during the prior decade. Increasing Western influence in the economy led to a decline similar to that of other Asian countries at the time. An alliance of western samurai, particularly the domains of Chōshū, Satsuma, and Tosa, and court officials secured control of the Imperial Court and influenced the young Emperor Meiji. Tokugawa Yoshinobu, the sitting shōgun, realizing the futility of his situation, abdicated and handed over political power to the emperor. Yoshinobu had hoped that by doing this the House of Tokugawa could be preserved and participate in the future government.

A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:

Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):

"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.

We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including those here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn purchased them from England for the American Civil War. All of these were acquired by the English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago. As the perfect examples of just how far travelled British made arms and bayonets journeyed around the world in their combat service life.

The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.

The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show two 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt, and a similar carbine version.

They will be priced for UK mainland delivery only. For export delivery, please POA.  read more

Code: 25994

A Beautiful Late 18th Century Sikh Empire Prince's or High Status Noble's Lahore Tulwar, Gold Inlaid Koftgari Hilt & Finest Wootz Damascus Steel Blade. Returned From a Museum Grade Blade Conservation

The hilt is covered in pure gold koftgari decor, as a symbol of the owner's rank and status.

A superb blade just returned from specialist cleaning and etching to reveal the Damascus steel patterning.

Gold decorated steel Lahore hilt decorated with stunning design with matching pommel disc. Strong and powerful blade of substance. There are clear indications that this particular hilt is of Punjab manufacture: the fat vase shape of the grip section, the very slightly forward angle of the lotus head quillons and the beautiful gold koftgari.

The Tulwar had historically been the quintessential combat sword used by Sikhs as their sacred kirpan due to its superior handling while mounted on horseback. With a curved blade optimized for cutting and slashing with sweeping cuts delivered from the shoulder by a horseman the curved blade of the tulwar could strike repeated blows without the danger of the blade getting stuck in bone or armour. It allowed for fierce slashing on all sides cutting through enemy formations while mounted on horseback.

This tulwar has a curved blade of approximately 72cm in length with a graduating blade where it eventually begins its taper to the point. With its curved blade the point of the sword cannot be very effectively used for thrusting and the Tulwars defensive capabilities are limited. In this circumstance defence was taken up by using the shield (Dhal) in tandem with the Tulwar as an integral duo on the battlefield.

The blade was firmly attached to the hilt of the Tulwar commonly using a heated paste of lac or red dye from the papal tree which when it hardened provided a solid and effective adhesive between the two parts of the sword.

The hilt of the Tulwar has a button on top and a circular dished pommel disk {without domed pommel cap or knuckle bow} featuring the koftgari inlaid design patterns of flowers, in pure hammered gold inlaid into the traditional steel hilt of the Sixh tulwar.
The grip of the Tulwar below the pommel disk narrows at the top and bottom while bulging out in the middle. The crossguard between the grip and the blade features two short but very thick rounded domed quillions.

The index finger could be wrapped around a quillion rather than the grip providing the swordsman with extra maneuverability of the sword. Some Tulwars feature a knuckle guard extending from the quillion to the pommel disk, while others do not, both styles of Tulwars were commonly used by Sikhs. This sword once had a knuckle guard, but removed likely by the prince owner for comfort .

Guru Hargobind, the 6th Sikh Guru is said to have always carried two Tulwars representing his temporal and spiritual authority. They both had gold onlaid hilts.  read more

Code: 22814

A Superb Original Waterloo Recovered Souvenir '6 Pounder ' Royal Artillery Cannon Ball Fired at La Haye Sainte During The Battle, Recovered From The Farm. With Clear impact Site To The Ball.

Napoleonic Wars cannon ball recovered from a Waterloo excavation well over 190 years ago. One of three we just acquired that were brought back from Waterloo to England over 190 years ago, the first was sold by us recently.

At the Battle of Waterloo, the British Royal Artillery deployed 6-pounder cannons, from which this ball was fired, a relatively light artillery piece that fired a 6-pound (approximately 2.7 kg) solid iron ball. These cannons, introduced in 1793, were crucial for supporting cavalry charges and were easier to manoeuvre than heavier guns.

The 6-pounder was designed to provide lighter, yet still effective, artillery support to the cavalry and infantry.
Ammunition:
They fired various types of ammunition, including round shot (solid iron balls), canister shot (a type of scatter shot), and spherical case shot (a type of shell).
The effective range of the 6-pounder with round shot was around 800-900 yards (732-823 metres), though it could reach up to 1700 yards (1554 metres).
The cannonballs were devastating, capable of inflicting serious injury and damage to both men and horses.

At Waterloo, the 6-pounders were primarily used by the Royal Horse Artillery and some field artillery units, with variations in the types of 6-pounders used.
Captured at Waterloo:
Some French 6-pounder cannons were also captured by the British as trophies of war.
La Haye Sainte:
The strategic farmhouse of La Haye Sainte was a focal point of fighting, where the 6-pounder was used extensively.

We show in the gallery a photo of a Waterloo cannon ball embedded in a cemetery wall, from Waterloo Relics by Bernard & Lechaux

Another identical cannon ball is now in the National Army Museum, see gallery.
NAM Accession Number
NAM. 1999-05-8-1

Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 25996

A Good German Third Reich Issue Karabinier Kurz Mauser K98k Seitengewehr 84/98. German Kar98k Rifle Bayonet. Fully Blued Finish

Early bakelite gripped, serial numbered blade by 'bym' maker code for Genossenschafts Machinenhaus der Buchsenmacher Ferlach/Karten. Dated 1943.

Waffenamt inspector markings to the pommel, Bayonet blade blued as is the scabbard and hilt. The bayonet fits and extracts perfectly, with perfect functioning rifle button catch.

A bayonet for the standard Mauser arm used by the Heer Army, Kriegsmarine Navy, used before and during the allied liberation of France, and subsequently the whole of the enslaved Western Europe, until, finally, the capture of Berlin by the Red Army. The Karabiner 98 kurz (German; "carbine 98 short", often abbreviated Kar98k or K98k and often incorrectly referred to as a "K98" (which was a Polish Carbine), is a bolt-action rifle chambered for the 7.92 ×57mm Mauser cartridge that was adopted on 21 June 1935 as the standard service rifle by the German Wehrmacht. It was one of the final developments in the long line of Mauser military rifles. Although supplemented by semi- and fully automatic rifles during World War II, it remained the primary German service rifle until the end of the war in 1945.

Overall the bayonet is in very sound and clean condition with a good scabbard. Signs of combat use as usual, but nicely cared for.  read more

Code: 25992

A Most Rare & Beautiful 16th-17th Century Italian Maine Gauche. A Renaissance Period Duellist's Parrying, Shell Guard Dagger, For Combined Use With The Cup Hilt Or Swept Hilt Rapier

Long single edged blade with part false edge, and fine armourer's mark at the ricasso.
Triple section grip in horn and bone, bronze pommel cap. Beautifully pierced steel shell guard with scalloped edge. A most beautiful example of an early, Renaissance period 'main gauche' left hand duellist parrying dagger. When combined with a long swept or cup hilt rapier the pair make two formidable duo offensive and defensive duelling or combat weapons.

The parrying maine gauche dagger falls within the category of small hand-held weapons from the European late Middle Ages and early Renaissance. These weapons were used as off-hand weapons in conjunction with a single-handed sword. As the name implies they were designed to parry, or defend, more effectively than a simple dagger form, typically incorporating a wider guard, and often some other defensive features to better protect the hand, as well. The main-gauche is used mainly to assist in parrying incoming thrusts, while the dominant hand wields a rapier or similar longer weapon also intended for one-handed use.
It may also be used for attack if an opportunity arises. The general category includes two more specific kinds of weapon: sword breakers and trident daggers.

Its beautifully pierced shell guard was designed to be used as either, a hand protector, or, a sword blade catcher when reversed, depending of the swordsman's preference of his combat style.

The use of an off-hand weapon gradually fell out of favour as sword fighting evolved into the modern sport of fencing. The use of progressively lighter primary weapons such as the small sword, epee, and foil allowed for greater speed. Under these circumstances the use of just a primary weapon offered improvements in balance as well as a stance that offered a smaller target.  read more

Code: 22288

A Superb Spanish Cup Hilt Rapier Circa 1660. Double Shell Asymmetrical Hilt Guard With Long Crossguard, Octohedral Double Conical Pommel & Large Pas Dans

Highly complex geometric woven plaited steel wire bound spiral twist grip. Long single fullered blade double edged and graduating to a fine point, with armourers marks and text within the fuller.

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust combat of progressively complex techniques, the rapier is characterised by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. In Spain swords of this form were often categorized as Bilbo as the steel was exported from Bilbao

The term comes from the Basque city of Bilbao, Bilbo in Basque where the metal (bilbo steel) was extracted and later sent to Toledo, a city in the centre of the Iberian peninsula, where these swords were forged and many exported to the New World of 17th century America.

The espada ropera of the 16th century was a cut-and-thrust civilian weapon for self-defense and the duel, while earlier weapons were equally at home on the battlefield. Throughout the 16th century, a variety of new, single-handed civilian weapons were being developed. In 1570, the Italian master Rocco Bonetti first settled in England advocating the use of the rapier for thrusting as opposed to cutting or slashing when engaged in a duel.citation needed Nevertheless, the English word "rapier" generally refers to a primarily thrusting weapon, developed by the year 1600 as a result of the geometrical theories of such masters as Camillo Agrippa, Ridolfo Capo Ferro, and Vincentio Saviolo.citation needed

The rapier became extremely fashionable throughout Europe with the wealthier classes, but was not without its detractors. Some people, such as George Silver, disapproved of its technical potential and the dueling use to which it was put.1516

Allowing for fast reactions, and with a long reach, the rapier was well suited to civilian combat in the 16th and 17th centuries. As military-style cutting and thrusting swords continued to evolve to meet needs on the battlefield, the rapier continued to evolve to meet the needs of civilian combat and decorum, eventually becoming lighter, shorter and less cumbersome to wear. This is when the rapier began to give way to the colichemarde, which was itself later superseded by the small sword which was later superseded by the épée. Noticeably, there were some "war rapiers" that feature a relatively wide blade mounted on a typical rapier hilt during this era. These hybrid swords were used in the military, even on the battlefield. The sword carried by King Gustavus Adolphus in the Thirty Years' War is a typical example of the "war rapier".

By the year 1715, the rapier had been largely replaced by the lighter small sword throughout most of Europe, although the former continued to be used, as evidenced by the treatises of Donald McBane (1728), P. J. F. Girard (1736) and Domenico Angelo (1787). The rapier is still used today by officers of the Swiss Guard of the pope

36.5 inch blade overall 44 inches, excellent condition for age

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24940

A Rare, Original, Japanese Antique Edo Period Samurai War Bow 'Daikyū ' With Urushi Lacquered Woven Rattan Quiver 'Yabira Yazutsu' With 3 'Ya' Arrows

A wonderful, original, antique Edo period {1603-1863} Samurai long war bow 'Yumi', made in either yohonhigo or gohonhigo form {4 piece or 5 piece bamboo laminate core, that is surrounded by wood and bamboo, then bound with rattan and lacquered}

Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

Edo Era, 1600 to 1700's, with practice arrows, unfeathered, that fit into in a lacquer quiver {yabira yazutsu} with three arrows {ya}. we show a photo in the gallery from a samurai museum display that shows a practice arrow stand with the same form of flightless 'ya' inbedded in sand within the stand.

The arrows are made using yadake bamboo (Pseudosasa Japonica), a tough and narrow bamboo long considered the choice material for Japanese arrow shafts. The lidded quiver is a beautiful piece of craftsmanship in hardened urushi lacquer on woven rattan. Practice arrows were a fundamental part of samurai bowmanship.

These sets are very rarely to be seen and we consider ourselves very fortunate, indeed privileged, to offer another one.
It was from the use of the war bow or longbow in particular that Chinese historians called the Japanese 'the people of the longbow'. As early as the 4th century archery contests were being held in Japan. In the Heian period (between the 8th and 12th centuries) archery competitions on horseback were very popular and during this time training in archery was developed. Archers had to loose their arrows against static and mobile targets both on foot and on horseback. The static targets were the large kind or o-mato and was set at thirty-three bow lengths and measured about 180cm in diameter; the deer target or kusajishi consisted of a deer's silhouette and was covered in deer skin and marks indicated vital areas on the body; and finally there was the round target or marumono which was essentially a round board, stuffed and enveloped in strong animal skin. To make things more interesting for the archer these targets would be hung from poles and set in motion so that they would provide much harder targets to hit. Throughout feudal Japan indoor and outdoor archery ranges could be found in the houses of every major samurai clan. Bow and arrow and straw targets were common sights as were the beautiful cases which held the arrows and the likewise ornate stands which contained the bow. These items were prominent features in the houses of samurai. The typical longbow, or war bow (daikyu), was made from deciduous wood faced with bamboo and was reinforced with a binding of rattan to further strengthen the composite weapon together. To waterproof it the shaft was lacquered, and was bent in the shape of a double curve. The bowstring was made from a fibrous substance originating from plants (usually hemp or ramie) and was coated with wax to give a hard smooth surface and in some cases it was necessary for two people to string the bow. Bowstrings were often made by skilled specialists and came in varying qualities from hard strings to the soft and elastic bowstrings used for hunting; silk was also available but this was only used for ceremonial bows. Other types of bows existed. There was the short bow, one used for battle called the hankyu, one used for amusement called the yokyu, and one used for hunting called the suzume-yumi. There was also the maru-ki or roundwood bow, the shige-no-yumi or bow wound round with rattan, and the hoko-yumi or the Tartar-shaped bow. Every Samurai was expected to be an expert in the skill of archery, and it presented the various elements, essence and the representation of the Samurai's numerous skills, for hunting, combat, sport and amusement, and all inextricably linked together.

The mounted archer mainly controls his horse with his knees, as he needs both hands to draw and shoot his bow. As he approaches his target, he brings his bow up and draws the arrow past his ear before letting the arrow fly with a deep shout of In-Yo-In-Yo (darkness and light).

Yabusame (流鏑馬) is a type of mounted archery in traditional Japanese archery. An archer on a running horse shoots three special "turnip-headed" arrows successively at three wooden targets.

This style of archery has its origins at the beginning of the Kamakura period. Minamoto no Yoritomo became alarmed at the lack of archery skills his samurai possessed. He organized yabusame as a form of practice.

Nowadays, the best places to see yabusame performed are at the Tsurugaoka Hachiman-gū in Kamakura and Shimogamo Shrine in Kyoto (during Aoi Matsuri in early May). It is also performed in Samukawa and on the beach at Zushi, as well as other locations.
On his final day in Japan in May 1922, Edward, Prince of Wales was entertained by Prince Shimazu Tadashige (1886–1968), son of the last feudal lord of the Satsuma domain. Lunch was served at Prince Shimazu’s villa, followed by an archery demonstration. Afterwards, the Prince of Wales was presented with a complete set for archery practice, including an archer’s glove, arm guard and reel for spare bowstrings  read more

Code: 25534

A Fine Shinto Samurai Katana Signed By Mino Swordsmith, Nodagoro Fujiwara Kanesada Circa 1720 Around 300 Years Old, With a Horai-zu Style Tsuba

He also signed Kinmichi. see Hawley’s Japanese Swordsmiths, ID KAN533 who was active in the Mino province between 1716-1736. A beautiful sword with a fabulous hamon mounted handachi style. The photos showpresent It is an original Edo period mounted handachi semi tachi form katana with iron mounts of fine quality. The original Edo saya has a beautiful rich red lacquer with flecks of pure gold.
The Edo tsuba is o-sukashi, in iron, a Horai-zu style tsuba that has a motif of crane, the symbol of long life. The crane and/or turtle and/or rocks and/or pine trees and/or bamboo are often referred to as a 蓬莱図 (Hōrai-zu) crane pattern design. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry. Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai).
Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they could be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony. The blade shows a super hamon, and polish with a couple of very small edge pits near the habaki on just one side.  read more

Code: 23998

A Stunning Edo Period Tettsu {iron Plate} Krishitan {Christian.} Tsuba, Of The Holy Cross, Heavenly Eight Pointed Stars in Gold, & The River Of Life in Silver. In Superb Condition & From A Very Fine Collection of Tsuba.

A stunning Krishitam sukashi piercing of the cross with a silver river and gold eight pointed star inlays. With a kozuka hitsu-ana, and kogai hitsu ana
The Bible starts with an account of a river watering the Garden of Eden. It flowed from the garden separating out into four headwaters. The rivers are named, flowing into different areas of the world,

Eight pointed stars symbolise the number of regeneration and of Baptism. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions.
The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Some wear to the gold and silver inlays on the reverse side.  read more

Code: 25311

A Beautiful, Edo Period, 18th century Hanbo, A Samurai Warrior's Face Armour Mask

Black lacquer decor throughout, with vermillion lacquer interior. The expression is fierce/noble with protruding chin, the shape is elegant and very well refined. three lame yodarekake, with hooked standing cord pegs. Face armour, of this type is called hanbo.

They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. There are 4 types of face armour mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.


The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The face armour was not designed to have any nose protection fitted, the lacquer is original Edo period throughout with vermilion red lacquer in the interior face portion, the exterior lacquer has a fair amount of age flaking over around 6-8% of the neck defence lames.  read more

Code: 23686