An Absolutely Superb & Beautiful Quality Victorian Repousse Silver Handled Presentation Sword-Stick of Wonderful Elegance.

Long silver repousse silver handle, presentation dated in 1895, and monogrammed top. Dark cherry wood type cane, bearing a concealed quatrefoil blade. Overall in stunning condition for age

Lord Byron's was a most exponent of the use and carrying of the gentleman’s sword stick. His was exhibited in King's College London, bearing a mercurial gilt collar bearing his name, coronet and adopted surname Noel. Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" so as to inherit

An interesting 19th century conversation and collector's piece, and one can ponder over of the kind of gentleman who would have sought and required such a piece of personal defence paraphernalia. Although one likes to think that jolly old England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways. The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.

The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

On Byron’s sword cane was the name NOEL BYRON, upon the ferrule of his one indicated that it was used after 1822, when Byron added the surname Noel after the death of his mother-in-law.

There are several references to sword sticks in the correspondence of Byron and his circle. Byron wrote to Hobhouse from Switzerland on 23 June 1816 asking him to Bring with you also for me some bottles of Calcined Magnesia a new Sword cane procured by Jackson he alone knows the sort (my last tumbled into this lake ) some of Waite's red tooth-powder & tooth-brushes a Taylor's Pawrsanias Pausanias and I forget the other things. Hobhouse responded on 9 July: Your commissions shall be punctually fulfilled whether as to muniments for the mind or body pistol brushes, cundums, potash Prafsanias Pausanias tooth powder and sword stick.

In the entry for 22 September 1816 in Byron's Alpine Journal he describes how, at the foot of the Jungfrau,
"Storm came on , thunder, lightning, hail, all in perfection and beautiful, I was on horseback the Guide wanted to carry my cane I was going to give it him when I recollected it was a Sword stick and I thought that the lightning might be attracted towards him kept it myself a good deal encumbered with it & my cloak as it was too heavy for a whip and the horse was stupid & stood still every other peal."

In a letter to Maria Gisborne of 6-10 April 1822, Mary Shelley described the "Pisan affray" of 24 March, in which Sergeant-Major Masi was pitch-forked by one of Byron's servants. She recounted how Byron rode to his own house, and got a sword stick from one of his servants.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

Repoussé silver came into popularity during the rococo revival period in decorative arts. Silversmiths nationwide used the technique, but Baltimore was its greatest champion. The silversmiths there created a regional style featuring masses of repoussé flowers with chased details. (Chasing is opposite to repoussé, as it refines the front of the piece, and the two techniques are often used together). Known today as “Baltimore repoussé,” Samuel Kirk introduced this type of decoration in 1828. It was thoroughly copied soon after, but unlike his competitors, Kirk’s iconic pattern, simply called Repoussé, is still made today under the name Kirk Stieff.

And while America fell under the spell of neoclassicism, art nouveau, and other decorative styles, repoussé silver—outfitted in its rococo glory—has never fallen out of favour. When accounting for the style’s longevity, writer Jack Tanis noted the following in an article for Silver magazine: “What you see is what you get, and what you get is an eyeful of pretty—drippingly saturated pretty.”

Overall 36.5 inches long, blade 27.5 inches long, silver handle, 7.75 inches long.  read more

Code: 25251

A Very Rare Ching Dynasty Imperial Chinese Military Matchlock Musket Around 1750. The Long Octagonal Barrel Bears an Imperial Seal Stamp Beneath the Breech

Long fine stamped seal marked barrel, fine Chinese hardwood stock, with two engraved barrel bands. Iron matchlock ignition system. An arquebuss from China is very rare indeed in Europe as so few were brought back by the British and Europeans after the Opium War or the Siege of Peking period in the last Imperial Manchu era

Qianlong {aka Chien lung period}, used until the Boxer Rebellion. Most likely brought back to England by a British soldier that either served in the Opium War, or defended the legations at the siege in Peking.

China pioneered the use of gunpowder for fireworks and artillery in the thirteenth and fourteenth centuries. Sophisticated firearms technology, however, developed more rapidly in Europe during the fifteenth and sixteenth centuries and was then introduced into China by merchants, diplomats, and missionaries during the seventeenth century. Improved designs for cannons and practical types of hand-held guns were eagerly promoted and officially adopted as regulation military equipment under the Qing emperors Kangxi (reigned 1662–1722) and Qianlong (reigned 1736–1795). In addition to mastering the use of bow and arrow and other weapons, both Kangxi and Qianlong owned and used guns, particularly for hunting. This was in keeping with their overall belief in the importance of martial training, which they encouraged by personal example.

The Qing dynasty (English pronunciation; Ching), officially the Great Qing, was a Manchu-led imperial dynasty of China (1636–1912) and the last imperial dynasty in Chinese history.
It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Russian Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the fourth-largest empire in world history in terms of territorial size. With 419,264,000 citizens in 1907, it was the most populous country in the world at the time.

The height of Qing glory and power was reached in the reign of the Qianlong Emperor (1735–1796). He led Ten Great Campaigns that extended Qing control into Inner Asia and personally supervised Confucian cultural projects. After his death, the dynasty faced foreign intrusion, internal revolts, population growth, economic disruption, official corruption, and the reluctance of Confucian elites to change their mindsets. With peace and prosperity, the population rose to some 400 million, but taxes and government revenues were fixed at a low rate, soon leading to fiscal crisis. Following China's defeat in the Opium Wars, Western colonial powers forced the Qing government to sign "unequal treaties", granting them trading privileges, extraterritoriality and treaty ports under their control. The Taiping Rebellion (1850–1864) and the Dungan Revolt (1862–1877) in Central Asia led to the deaths of over 20 million people, from famine, disease, and war. The Tongzhi Restoration in the 1860s brought vigorous reforms and the introduction of foreign military technology in the Self-Strengthening Movement. Defeat in the First Sino-Japanese War in 1895 led to loss of suzerainty over Korea and cession of Taiwan to Japan. The ambitious Hundred Days' Reform of 1898 proposed fundamental change, but the Empress Dowager Cixi (1835–1908), who had been the dominant voice in the national government for more than three decades, turned it back in a coup.

Pictured in the gallery is a Ching soldier bearing the very similar musket, wearing a bandolier of powder charges around his waist. The long cord tied around his finger is the lit smouldering cord called the 'match' that attaches at the other end to the trigger lever.

72 inches overall long  read more

Code: 25247

A Fabulous And Incredibly Rare Museum Piece. An Original WW2 SOE {Special Operations Executive} Secret Espionage Agent's Suitcase Radio Transmitter & Reciever of an Agent of the Secret Army 1942/3 Issue

SOLD

SOE Special forces
Role; Espionage Irregular warfare (especially sabotage and raiding operations) Special reconnaissance
Nickname "The Baker Street Irregulars" "Churchill's Secret Army" "Ministry of Ungentlemanly Warfare"

A phenomenally rare, complete mid war WW2 SOE spy radio set, transceiver, with Morse key, earphone headset and various and numerous components, including five crystal units and four frequency ranges, L1B, L2A, L3A and L4A. in it's original case with the early central lock and two catches. {later models changed to just two catches}. Handle detached. Parts with some damage, overall, completely untouched condition since the 1940's. An iconic and most rarest of so-called ‘barn finds’. It may indeed be one of the rarest in the world, and as such an incredible and unique piece of original spy-craft history.
Developer of the transceiver was Captain John Brown (SOE).

The type used by SOE and OSS agent Virginia Hall. Dubbed by the Gestapo as the Limping Lady, as she had a wooden leg! { that she called Cuthbert}.
She had all the makings of a diplomat. Impeccably educated, fluent in multiple languages, and worldly from her years spent abroad from her native Baltimore, Virginia’s dream of a life in the foreign service was shattered when a hunting accident led to the amputation of her left leg. Attitudes toward disabilities were different in the 1930s, and even fitted with a prosthetic leg (which she named “Cuthbert”) Virginia was deemed unfit for the life of a diplomat.

The outbreak of WWII changed that attitude. Virginia, by then living in France, was well-placed to act as a forward agent for the Allies. Volunteering first for the British Special Operations Executive (SOE), Virginia worked agents, ran safehouses, and reported intelligence from Vichy France. Later, she volunteered with the US Office of Strategic Services (OSS), forerunner to the CIA. Her efforts earned her a place on the Gestapo’s “Most Wanted” list as “The Limping Lady”. She and Cuthbert continued to work against the Nazis right up through the Normandy invasion and liberation and earned a Distinguished Service Cross for her efforts – a rare honour for a civilian, and rarer still for a woman.

This is the first we have ever seen, in 80 years since WW2, to be complete, original, and untouched, outside of the Imperial War Museum or the very few dedicated spy and espionage museums. In the world of the most valuable vintage car collecting, this would be an iconic ‘barn find’ of the very rarest kind. In that most exclusive of worlds ‘barn finds’ are now achieving prices equal to fully restored and now mint equivalent motor cars. Millions of pounds can now change hands for an abandoned rarely seen car newly discovered as a total wreck in, say, a barn, garage or field, that has lain untouched, rotting and unloved for many decades.

After France signed an armistice with Germany in June 1940, Great Britain feared the shadow of Nazism would continue to fall over Europe. Dedicated to keeping the French people fighting, Prime Minister Winston Churchill pledged the United Kingdom’s support to the resistance movement. Charged with “set(ting) Europe ablaze,” the Special Operations Executive, or SOE, was born.

Used by the most dedicated and bravest of people, men and women, who have ever served their country. Agents, such as Violette Szabo and Noor Inayat Khan, code name Madeleine, who only too well knew their chances of surviving without capture, torture and execution were slim at best. For them, and many, many others, survival was not to be.

Headquartered at 64 Baker Street in London, the SOE’s official purpose was to put British special agents on the ground to “coordinate, inspire, control and assist the nationals of the oppressed countries.” Minister of Economic Warfare Hugh Dalton borrowed irregular warfare tactics used by the Irish Republican Army two decades before. The “Baker Street Irregulars,” as they came to be known, were trained in sabotage, small arms, radio and telegraph communication and unarmed combat. SOE agents were also required to be fluent in the language of the nation in which they would be inserted so they could fit into the society seamlessly. If their presence aroused undue suspicion, their missions could well be over before they even began.

Portable communication devices were of utmost importance as radio and telegraph communication ensured the French resistance (and SOE agents) were not cut off from the outside world. Radio operators had to stay mobile, often carrying their radio equipment on their backs as they moved from safe house to safe house. Their survival depended on their ability to transmit messages rapidly and move quickly.
Along with irregular tactics and unusual materiel, the British government knew an irregular war required irregular warriors. Women proved to be invaluable as couriers, spies, saboteurs and radio operators in the field. Though female agents received the same training as the men, some balked at the idea of sending women behind enemy lines. They grudgingly agreed female spies would have distinct advantages over the men on the ground. Women could travel freely because they were not expected to work during the day. Gender stereotypes also helped keep the women above suspicion. After all, who could possibly imagine a woman could be a viable combatant in war?
Women were more than viable, however: they were critical to SOE mission success. Though they would later be honored for their “conspicuous courage,” the female spies of the SOE were successful because they learned to be inconspicuous. They took on secret identities, went on secret missions and were trusted with their nation’s greatest secrets. Thirty-nine of the 470 SOE agents in France were women, with an additional sixteen deployed to other areas.
The Gestapo gave Nancy Grace August Wake the nickname “the white mouse” because of her uncanny ability to evade capture. When she learned one of the resistance groups no longer had a radio for communication, she rode almost 300 kilometers on a bicycle to make radio contact with the SOE headquarters and arrange for an equipment drop. Despite many close calls, Wake survived the war. First Aid Nursing Yeomanry (FANY) member Odette Hallowes also cheated death. Embedded with the resistance in Cannes, Hallowes was captured and sent to the Ravensbrück concentration camp. She survived two years in prison, often in solitary confinement, before the camp was liberated by the Allied forces.
Other women were not so fortunate. Noor Inayat Khan, code name Madeleine, was a radio operator in France. After her entire team was ambushed and arrested, she was betrayed to the Gestapo by a French national hoping for a large reward. Khan did not break during interrogation and attempted escape from her captors several times. Sent to Dachau in September 1944, she was executed upon arrival. Violette Szabo, an agent inserted into Limoges, faced a similar fate at Ravensbrück. She was 23 years old.
By Kate Murphy Schaefer {abridged}. Kate Murphy Schaefer holds a MA in History with a Military History concentration for Southern New Hampshire University. She is also the author of a woman’s history blog, www.fragilelikeabomb.com.

Type 3 Mk. II B2
Clandestine suitcase transceiver · 1942
Type 3 Mark II, commonly referred to as B2, is a British WWII portable clandestine transceiver, also known as a spy radio set, developed in 1942 by (then) Captain John Brown at SOE Station IX, and manufactured by the Radio Communication Department of the SOE at Stonebridge Park. The set was issued to agents, resistance groups and special forces, operating on occupied territory. The official designator is Type 3 Mk. II but the radio is also known as Type B Mk. II, B.II and B2.

The B2 came in two versions. The initial version came in an unobtrusive leather suitcase that allowed an agent to travel inconspicuously. This is the most well-known variant. Later in the war it was dropped by parachute in two water-tight containers, that were more suitable for use by resistance groups operating in the field.

The images show the Type 3 Mk.II in its original brown simulated leather suitcase, which can easily be recognized as it has three locks at the front: two simple locks at the sides, and one that can be locked with a key at the centre.
Operating the Type 3 Mark II (B2)

The radio set consists of three units: a receiver (RX), a transmitter (TX) and a Power Supply Unit (PSU), plus a box with spares and accessories. When mounted in the suitcase, the transmitter is located at the center top, with the receiver mounted below it. The PSU is at the right in such a position that the two other units can be connected to it. The spares box is generally positioned at the left, with the Morse key mounted on its lid. When operating the B2, the lid of the spares box should be placed on the table, so that the Morse key can be operated.

The Type 3 Mk.II (B2) was relatively small for its day and produced an HF output power of 20 Watts. Nevertheless, it was too big to carry around unobtrusively especially when travelling by public transport. For this reason, later radios, such as the Model A Mk. III (A3) were made much smaller, albeit with a limited frequency range (3.2-9.55 MHz) and reduced power output (5 Watt).
The most well-known appearance of the B2 is the suitcase version, but hardly any surviving B2 is found in its original red leather suitcase. In fact, the B2 was delivered in a variety of different suitcases, ranging from sturdy leather cases to simple cardboard and even wooden variants.

The original leather case is easily recognised, as it has three locks rather than the usual two. In many cases, the original case was swapped for a more common two-lock version, as it was easily recognised by the enemy. Later in the war, cheaper cardboard suitcases were used instead.

Louis Meulstee's excellent book Wireless for the Warrior, volume 4 even shows an example of a wooden carpenter's toolbox in which a B2 is fitted. The dimensions of the suitcase are pretty standard for the era. This B2 in it's original issue simulated leather cardboard covered wood frame suitcase with 3 locks. The cases were changed later in the war for twin catched cases, as three, one lock and two catches, became too identifiable by the Gestapo.

A photograph in the gallery was taken during WWII, probably in 1942 or 1943, and shows this B2 radio's production line at the Bontex Knitting Mills, which became SOE Station VIIa (7a) . This facility is also known as Stonebridge Park,

While Virgina Hall {see her photo in the gallery} was adept in all aspects of tradecraft, one of the most powerful tools at her disposal was the suitcase radio, a catch-all term used to describe any transceiver small enough to be transported into the field and operated covertly. A suitcase was often used to house the radio as it would be less likely to arouse suspicion if the spy’s lair was discovered. The B2 suitcase radio was also a great form factor for a portable transceiver – just the right size for the miniaturized radios of the day, good operational ergonomics, and perfect for quick setup and teardown. You can even imagine a spy minimally obfuscating the suitcase’s real purpose with a thin layer of folded clothing packed over the radio.

Great care was given to ensure that the field agent would have every chance of using the radio successfully and that it would operate as long as possible under adverse conditions. With a power budget often limited to five watts or so, these radios were strictly QRP affairs. Almost every suitcase rig operated on the high-frequency bands between 3 MHz and 30 MHz, to take advantage of ionospheric skip and other forms of propagation. An antenna optimized for these bands would likely be a calling card to the enemy, especially in an urban setting, so controls were provided to tune almost any length of wire into a decent antenna.

Footnote; it is estimated around 7,000 of this form of clandestine spy-craft equipment were made by the British. It’s historical WW2 Nazi equivalent, the German made Enigma Machine, over 100,000 of those were manufactured, almost 15 times as many. Yet, surviving examples of the Enigma Machine can now achieve between $250,000 to $800,000. Thus, it is entirely possible that these suitcase transceivers can one day approach these figures, if not even likely. In fact in almost all respects they should be on a value parity already, as the operators of the Enigmas were based in relatively comfortable German bases, ships or field commands. Safe and relatively well protected and far away from fear and terror. The operators of these transceivers, men and women, many barely out of their teenage years, were, every single minute of every single day at appalling risk of capture and the inevitable, unspeakable torture {especially the women}, at the hands of the Gestapo, and summary execution, after being transferred to a concentration camp, sometimes simply within a few weeks of the start of their clandestine service in Nazi occupied Europe.

A dear friend of the partners {Mark and David's} late mother, Camilla Hawkins, was Anita Vulliamy, daughter in law of Major-General C.H.H. Vulliamy. She was a simply a remarkable lady, who, during the war, was captured by the Gestapo, horrifyingly tortured, but managed to survive captivity. During her months in the Gestapo prison she crocheted a holy cross, made of prison cell straw bedding. After the war, her cross was exhibited alongside a similar piece, a straw doll, made by British SOE heroine Odette Churchill at a Charity event in London in 1956 and they raised £875 for the Polio Fund in one week. A huge sum in those days. Camilla mentioned that her friend, Anita, almost always wore fine leather gloves in company, as her finger nails had been torn out by her Gestapo interrogators. They grew back in part, but not well enough for Anita to feel comfortable to show her hands in public. Anita and Odette survived, and both considered themselves to be the extraordinarily lucky ones.  read more

Code: 25249

An Original WW2 SOE Issue, Special Operations Executive, Sabotage Clam Mine From Section XV. Designed by Charles Fraser Smith, The Inspiration For James Bond's 'Q'

With its original wooden 'dummy' time pencil as issued before use.
During the Second World War Britain’s Special Operations Executive (SOE) developed a whole series of sabotage devices for use behind enemy lines.

The SOE was created in 1940 on the orders of Winston Churchill. The organization was so secret that not even Parliament was aware of its existence. Among its successes were the destruction of the Nazi nuclear program and the capture of Nazis.

Charles Fraser Smith was the man who organized Section XV of the SOE, and who developed the secret tools used by their agents. He is often mentioned as being the inspiration for the character Q from the James Bond novels and movies. Other creations of Section XV included the cat bomb, bat bomb, and limpet mine

The MKIII Clam is a small time-device with a magnetic base which enables it to be attached instantly to any flat iron or steel surface. It consists in the main of a Bakelite shell in the form of an oblong box with rounded corners. The base of this box has a detachable lid to a compartment intended to hold the explosive, in this case completely empty and inert, whilst at each end are powerful magnets.
It was also designed as pocket sized so if an SOE agent was in civilian dress it could be easily concealed and be withdrawn at just a second's notice and attached to, say, a German staff car, an ammunition truck or the boiler of a train

The Clam is a small time-device with a magnetic base which enables it to be attached instantly to any flat iron or steel surface.

It consists in the main of a bakelite or metal shell in the form of an oblong box with rounded corners.
The base of this box has a detachable lid, whilst at each end is a powerful magnet.

In the top of the box is a recess or tube to take a standard "L" Delay time pen.
The units are so designed that they can be paired, the magnet faces being put together.

Each Clam was supplied and equipped with a lid held in position by 4 countersunk screws and with a wooden dummy to take the place of an "L" Delay time pencil with a detonator.
The standard "L" Delays used are issued in cartons of 10, and in timings of: 1-hour, 6-hours, 12-hours, 24-hours, 3-days, 7-days, 14-days and 28-days.

Delay ("No. 9 delay switch")
Another, subsequent type was developed by Millis Jefferis of MD1 known as the "Lead Delay switch" or officially "Switch, No. 9, L Delay". Instead of relying on the chemical action of a corrosive liquid on metal (which was subject to temperature variation), it used a piece of metal under stress – the metal in question being a lead alloy that was extremely affected by mechanical creep. A piece of this lead was notched to a set diameter, the diameter setting the time delay. When the starting pin was removed, this wire was placed under tension by the spring-loaded striker, and began to gradually stretch. After a certain time, it would snap at the notch and allow the striker to hit the percussion cap.

The delay could be set from a matter of minutes to hours. Manufacture was entirely by MD1. Generally speaking L-delays were slightly less reliable and had shorter delays, but were more reliable underwater (if a No. 10 fuze developed a leak, water would dilute the corrosive liquid and increase the delay or stop the fuze from working).

One type, the British Number Ten Delay Switch (official name, "Switch, No. 10, Delay" and often referred to as a "timing pencil"), was made of a brass (or in later versions aluminium) tube, with a copper section at one end which contained a glass vial of cupric chloride (the liquid was widely and erroneously reported to be sulfuric acid, while beneath the vial was a spring-loaded striker under tension and held in place by a thin metal wire. The timer was started by crushing the copper section of the tube to break the vial of cupric chloride, which then began to slowly erode the wire holding back the striker. When the wire eventually parted, the striker was propelled down the hollow centre of the detonator, hitting the percussion cap at the other end of the detonator.

Number ten delay switches had delays ranging from 10 minutes to 24 hours and were accurate to within plus or minus two or three minutes in an hour's delay, and plus or minus an hour in a 12-hour delay, though environmental conditions could affect this. The switches were typically issued in packs of five, all the switches in a pack having the same delay.

The briefcase bomb used in the July 20 plot to assasinate Hitler, used a captured British pencil detonator inserted into a block of British plastic explosives weighing approximately two pounds. The bomb was set to 30 minutes and detonated as planned, but Hitler survived with minor injuries. Stauffenberg could not prepare the second block, though. He got rid of it while driving through the forest to the airfield. His driver, Leutnant Erich Kretz, reported seeing Werner von Haeften throw something into the woods in his mirror.

Empty, inert, and safe.  read more

Code: 25250

A French 1st Empire Year XI French Light Cavalry Sabre by Nicolas Noel Boutet of the Imperial Workshop At Versailles Circa 1805. Early Napoleonic Grande Armee Period

1805 circa Napoleonic sabre from the period of the Grande Armee. Curved, single-and-false-edged blade with wide fuller, brass hilt with three bar guard and long narrow langets; leather-covered grip. Heavy grade sheet iron scabbard with two suspension rings. Traces of Boutet’s maker's- director’s poincon mark within a lozenge form on the blade face near the ricasso. Plain blade back strap, the month and date of manufacture were only added as inscriptions after an imperial decree of 29 April 1810. There are no other inspection marks remaining as they were often removed if the sword was captured as war booty, and became in the possession of a foreign combatant, as many swords of this pattern were absorbed into their own armies, such as, for example, the Russian cavalry. The Russians actually created their own near identical version in 1827.
Bright polished, heavy grade sheet iron, likely associated scabbard, with traditional Napoleonic brass seam.

Nicolas-Noël Boutet (31 August 1761 – 1833) was a French gunsmith and bladesmith who was director of the Versailles state arms factory. More than 600,000 weapons were produced under his directorship.
Boutet was born in Paris, the son of the royal gunsmith Noël Boutet, and became his father's assistant. In 1788, he married Leonie-Emilie Desainte, the daughter of his father's colleague, which gave him an even better position at court and the title of "gunmaker-in-ordinary" to King Louis XVI of France.
During the revolution he worked for Napoleon as director of the state arms manufactory.
He died in Paris

Grande Armée (French for 'The Great Army'; was the main military component of the French Imperial Army commanded by Emperor Napoleon Bonaparte during the Napoleonic Wars. From 1804 to 1808, it won a series of military victories that allowed the French Empire to exercise unprecedented control over most of Europe. Widely acknowledged to be one of the greatest fighting forces ever assembled, it suffered enormous losses during the disastrous Peninsular War followed by the invasion of Russia in 1812, after which it never recovered its strategic superiority and ended in total defeat for Napoleonic France by the Peace of Paris in 1815.
The Grande Armée was formed in 1804 from the L'Armée des côtes de l'Océan (Army of the Ocean Coasts), a force of over 100,000 men that Napoleon had assembled for the proposed invasion of Britain. Napoleon later deployed the army in Central Europe to eliminate the combined threat of Austria and Russia, which were part of the Third Coalition formed against France. Thereafter, the Grande Armée was the principal military force deployed in the campaigns of 1806/7, the French invasion of Spain, and in the War of the Fifth Coalition, where the French army slowly lost its veteran soldiers, strength and prestige, and in the conflicts of 1812, 1813–14, and 1815. In practice, however, the term Grande Armée is used in English to refer to all the multinational forces gathered by Napoleon in his campaigns  read more

Code: 25248

16th Century Militia Man’s “Morgernstern” or "Holy Water Sprinkler"Mace Flail Possibly From Germany. Also A Weapon of The City Guard and Watchmen of Germany or Switzerland

Long wooden haft with large protruding blacksmith nail spikes. An extraordinary intimidating weapon, crude, yet incredibly effective. A rare German PoleArm known as a Morgenstern ‘morning star’ or ‘Holy Water Sprinkler’. The holy water sprinkler (from its resemblance to the aspergillum used in the Catholic Mass), was a morning star used by the English army in the sixteenth century and made in series by professional smiths. One such weapon can be found in the Royal Armouries and has an all-steel head with six flanges forming three spikes each, reminiscent of a mace but with a short thick spike of square cross section extending from the top. The wooden shaft is reinforced with four langets and the overall length of the weapon is 74.5 inches (189 cm). This kind of war flail originated as a peasant weapon and was particularly popular in Germany and central Europe, also used by city guards and watchmen in Germany and Switzerland. Typically a long wooden shaft, with cylindrical head and arrangements of iron spikes. These weapons were frequently found in German armouries, and large fortified houses, and used by local standing militias and guards. A fine example believed to have been made for Henry VIII combining a gun mechanism with the spiked head is in the Royal Armouries collection in Leeds. This example is an iconic example, the head bears a long spike and further rows below of shorter spikes, very strong and four-sided. In good stable condition, old woodworm to surface not active. Length approximately cms. Dating to the 16th century.

Morning Stars were first popularized in Germany during the fourteenth century. The name (originally Morgenstern) seems to reference the shape of the head like a star – although this is not confirmed.

The Morning Star resembles a mace, which was developed somewhat independently. As the mace transitioned to being constructed of metal, the morning star kept its wooden shaft.

There are two very impressive examples of morning stars housed in the museums of Vienna. The first measures 2.35 meters in length (7 ft 9 in) and has a separate wooden head slipped over the top of the shaft and reinforced with steel straps. The spikes are arranged asymmetrically. The second has a head entirely made of steel and four V-shaped spiked mounted o a long shaft. There are also 183 specimens in Graz, made in series in the 1600s.

Morning stars have been depicted in medieval art, carried by armoured knights. In a 1486 poem, one is mentioned and described as “a rather simple morning star with spiked mounted in an asymmetrical pattern”.

The morning star was used by both infantry and cavalry. There were three types of weapon differing in quality.

The first was a well-crafted military type used by professional soldiers and made in series by expert weapon smiths in town arsenals.

The second, this example, was used by militia men and crafted from wood fitted with nails and spikes by a local blacksmith. For this type, the shaft and head were usually made of one piece which was sometimes reinforced with an iron band.

The third type was mostly decorative, made of metal and with a shorter shaft.

Overall 83 inches 6 ft 11 inches, {211 cm}

UK mainland delivery only, by our own company courier, {due to size} allow up to 14 days for delivery. Too long to ship overseas.  read more

Code: 25245

An American Civil War Union Trooper's Sword by Rare Maker Friedrich Potter, Made and Supplied During The First Part of the Early War in 1861

A very good condition sword indeed, and amazingly the blade still has its original cross grain counter polish at the forte section of the blade. The maker mark "Hare's Head" logo is for Friedrich Potter, a smaller German sword maker, that had contracts to supply the Northern States America in the Civil War, cavalry, infantry and musician's swords, but his company closed down in 1861, so only a limited number satisfied his contracts. His company traced its origins in Solingen back to 1580. Leather bound grip, and traditional three bar brass hilt.

Cavalry were forces that fought principally on horseback, armed with carbines, pistols, and especially sabres. Only a small percentage of Civil War armed forces of both sides met this definition—primarily Union mounted forces in the Eastern Theatre during the first half of the war. Many Southern State’s Confederate cavalry forces in the East generally carried neither carbines nor sabres. A few Confederate regiments in the Western Theatre carried shotguns, especially early in the war, and of course many did use sabres but for the South they were in very short supply. In the second half of the war, most of the units considered to be cavalry actually fought battles using the tactics of mounted infantry. An example of this was the celebrated "Lightning Brigade" of Col. John T. Wilder, which used horses to quickly arrive at a battlefield such as Chickamauga, but they deployed and fought using standard infantry formations and tactics. By contrast, at the Battle of Gettysburg, Federal cavalry under John Buford also dismounted to fight Confederate infantry, but they used conventional cavalry tactics, arms, and formations.

At the time of the Civil War, the cavalry had five major missions, in rough priority:
1.Reconnaissance and counter-reconnaissance screening
2.Defensive, delaying actions
3.Pursuit and harassment of defeated enemy forces
4.Offensive actions
5.Long-distance raiding against enemy lines of communications, supply depots, railroads, etc. After the civil war the swords were retained for use by the cavalry regiments, that remained in service, in the wild west frontier campaigns, usually against native American Indians. No scabbard  read more

Code: 25244

A Rare National Socialist Flyers Corps Flyers Helmet, 1930's In Brown Cotton With Bullion NSFK Badge

In superb condition overall. The National Socialist Flyers Corps (German: Nationalsozialistisches Fliegerkorps; NSFK) was a paramilitary aviation organization of the Nazi Party.
NSFK was founded 15 April 1937 as a successor to the German Air Sports Association; the latter had been active during the years when a German air force was forbidden by the Treaty of Versailles. The NSFK organization was based closely on the para-military organization of the Sturmabteilung (SA). A similar group was the National Socialist Motor Corps (NSKK). During the early years of its existence, the NSFK conducted military aviation training in gliders and private airplanes.

The National Socialist Flyers Corps was originally founded in January 1932, but it was quickly absorbed into the pro-Nazi Deutscher Luftsportverband(DLV – ‘German Air Sports Association’) on 25 March 1933. The DLV’s widespread amalgamation of Germany’s air sports associations and glider clubs reflected the overarching Gleichschaltung(‘co-ordination’) of Germany’s institutions and systems by the Nationalsozialistische Deutsche Arbeiterpartei(NSDAP – ‘Nazi Party’). On 17 April 1937, however, Adolf Hitler resurrected the National Socialist Flyers Corps from the ashes of the DLV. The NSFK’s handbook would later claim that ‘everything had to be developed out of the slightest beginnings, almost out of nothing’. 6The DLV’s main task, as the handbook continues, had been ‘clear and distinct, but also huge: “cooperation in the reconstruction of German aviation”.’

Ultimately, the National Socialist Flyers Corps was able to wield a significant level of both military and political control over its sizeable membership: influencing everything from their anti-Semitic views and strengthening their support for the Führer, to fostering a military brotherhood ready for the air war. Along with its blatant appealing to the ‘airmindedness’ of its members, the NSFK combined its National Socialist propaganda with a diverse and dedicated pre-military training scheme. The effectiveness with which such training was delivered could be inconsistent and, in certain cases, was insufficient. Nevertheless, the NSFK’s instructors still provided a well-rounded foundation for its members that enabled many of them to enjoy successful careers in the Luftwaffe.

Politically, the NSFK was unequivocally steeped in National Socialist dogma: its men were intensely bombarded with Nazi slogans in every medium available, from songs and posters to magazines and lectures. The extent to which this politicisation was successful is somewhat difficult to measure, but given its strong influx of young, impressionable Flieger-HJ boys, it can be assumed that many NSFK members were susceptible to the continuation of their political indoctrination. What is less open to debate, however, is that the National Socialist Flyers Corps served as a crucial supplier of keen and ambitious young men to the Luftwaffe – whether their enthusiasm was for politics, flying, or a mixture of the two. The NSFK’s contribution to the main air force in this respect, then, should certainly not be overlooked

Photo from; EIN JAHR NS-FLIEGERKORPS 1937-1938
(THE FIRST YEAR OF THE NATIONAL SOCIALIST
FLYING CORPS 1937 - 1938)

For ref; Victoria Taylor, an aviation historian based at the University of Hull and Sheffield Hallam University  read more

Code: 25243

A Stunning Carved Intaglio Stone Seal Ring, Ancient Greek Era, Depicting a Winged Gryphon, 2500 to 2700 Years Old With Rotating Gold Finger Ring Mount, In Rotating Scarab Form

A stunning example of original ancient Phoenician carved intaglio seal in scarab form artistry, made for the ancient Greek market around 2700 years ago.

Phoenician artists carved seals, especially scarab seals created from semi-precious stones where the base is incised with names and decorative devices. Not only used as seals they were also carried as amulets and worn as rings and pendants. Once again sphinxes, winged deities, and solar disks were created. Finally, jewellery was also produced, often in gold or glass, and finds include necklaces, bracelets, pectorals, pins, earrings, and medallions. Some of the gold examples have repoussé decoration. Agate, onyx, and crystal were also used to produce beads for jewellery whilst small circular glass plaques were pierced with holes so that they might be sewn onto clothing.
Phoenician art spread to its colonies throughout the Mediterranean from the 8th century BCE and none more so than at the most successful Phoenician off-shoot: Carthage. Artists there were strongly influenced by and perpetuated Phoenician styles and subject matter up to the 2nd century BCE. Meanwhile, with the rise of Greece from the 5th century BCE, Phoenician art in the homeland became increasingly Hellenized as it continued its eclectic path towards mixed forms, which led to such oddities as Egyptian anthropoid sarcophagi with very Greek-looking faces carved on their exteriors. Long famous as traders and sailors, the Phoenicians, then, are slowly, as more and more of their art is discovered and known pieces are correctly attributed, gaining wider recognition as having been capable of producing just as fine art pieces as their contemporaries in Egypt and Mesopotamia.
Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions.3

The griffin, griffon, or gryphon. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. The earliest classical writings derive from Aristeas (7th cent. BC), preserved by Herodotus and Aeschylus (mid 5th century BC), but the physical descriptions are not very explicit. Thus even though they are sharp-beaked, their being likened to "unbarking hounds of Zeus" has led to the speculation they were seen as wingless.

Pliny the Elder (1st century) was the first to explicitly state that griffins were winged and long eared. But Apollonius of Tyana wrote that griffins did not have true bird wings, but only membranous webbed feet that only gave them capability of short-distanced flight. Writers after Aelian (3rd century AD) did not add new material to griffin lore, except for the later lore that griffins deposited agate stone among the eggs in their nest.

Pliny placed the griffins in Æthiopia, and Ctesias (5th century BC) in greater India. Scholars have observed that legends about the gold-digging ants of India may have contaminated griffin lore.

In the Christian era, Isidore of Seville (7th century AD) wrote that griffins were a great enemy of horses. This notion may have readily developed from the tradition that horseback-riding Arimaspians raided the griffin gold.

The stone is very good condition, as is the gold swivel rotating mount, which enables the carved intaglio to be either showing or hidden during wear, the gold ring mount was made from a later yet unknown period.

size, UK, 'U'  read more

Code: 24918

An Absolutely Beautiful Original 2nd Century Imperial Roman Officer or Noble's Carved Intaglio, Carnelian Gem Stone, Status Seal Ring, Depicting a Dolphin

In Rosemary Sutcliff’s Eagle of the Ninth series of books, a Dolphin ring was first owned by a Roman soldier and passed down the family over the centuries.

The carvings on rings and seals are known as Intaglio, and a seal ring was part of Roman society for nobles, military officers and citizens. They were personal signets, and the more valuable were made from a small gemstone, with a design cut into the surface by skilled craftsmen, and usually set within a ring. They were used to seal important documents, and objects by making an impression on soft clay or wax. Wearing a carved carnelian signet ring immediately showed that you were of rank, and thus had status, wealth and influence. Some surviving rings have been found across Roman Britain, in towns and military sites alike, including two at the Waddon Hill former Roman military fort site..

Dolphins, like those seen on the Venus Mosaic found at Kingscote in Gloucestershire, are a fairly popular image in Roman art. They have a rich background in Greek and Roman mythology, literature, and folklore. They were often included in sculptures to improve the stability of the main figures!

Dolphins are featured in many Greek and Roman myths. Here, they are symbols of romance, illustrating the theme established by the depiction of Venus, the Roman Goddess of Love, in the central roundel of the mosaic. The presence of these dolphins alongside Venus also serves as a reminder of the myth that Venus was born from the sea, famously depicted in Botticelli’s late fifteenth century painting ‘The Birth of Venus’.

Their association with Venus is by no means their only significance in Greek and Roman mythology. In the sixth/seventh century B.C. ‘Homeric Hymns’, Dionysus, the Greek God of Wine and Theatre (who later became Bacchus in Roman mythology), was kidnapped by pirates. He turned into a lion to punish the kidnappers and, terrified, they jumped overboard. When they hit the water, Dionysus turned them into dolphins. The ‘Homeric Hymns’ also describe Apollo, a Greek and Roman God, turning into a dolphin to guide a ship into harbour. Another myth tells that Apollo’s son, Eikadios, was shipwrecked and carried to shore by a dolphin. This is one of many myths about dolphins rescuing drowming men, or bringing bodies back to shore for burial.

Dolphins are also often associated with minor sea deities. The Roman author Statius wrote in his first century A.D. epic poem ‘Achilleid’ that the sea-nymph Thetis rode a chariot through the sea that was pulled by two dolphins. Similarly, Philostratus’ ‘Imagines’describes a scene in which the one-eyed cyclops Polyphemus falls in love with the sea-nymph Galatea while she is riding four dolphins.


3/4 of an inch across.  read more

Code: 24626