A Dyak Of Borneo, Tribesman's Mandau. A Tribal Head Hunter's Sword, From Kalimantan Island

A Dyak sword mandau, swollen Single edged blade flat on one side and slightly tapered on the other with inlaid dots. A scarce Mandau of the Dayak people, of Borneo, Indonesia. With carved hilt, complete with some tufts hair. Traditional blade with convex obverse and concave reverse. The handle and sheath of this Dayak sword is made of wood and are both decorated with waxed and braided rattan, which afterwards was richly decorated with many decorations such as: Goath hair, beads, rattan wickerwork, teeth from monkeys and wild boars.
The whole is also richly decorated with painted signs, such as beringjan, circles, leeches, dashes and zigzag lines.The blade was apparently designed convex in such a way as the head could be decapitated more easily by a swinging arc while running. The last photo in the gallery is a period photo of an indigenous Head Hunter, holding his 'prize', achieved with his Mandau.

According to the Dayaks themselves, the most sacred and powerful mandaus are those which were made by Panglima Sempung and Panglima Bungai, who are considered to be the two highest skilled masters.
The mandau is one of the most romanticised, albeit macabre, weapons of Borneo. The way of life of the Dayak aborigines, maintaining their ancient customs, habits and religious beliefs, has always involved the taking of heads. They became feared as head-hunters and only in recent years has the practice been “largely” abandoned. (Officially, headhunting doesn’t exist in Borneo despite the occasional report of an isolated jungle beheading). The swords are also “working” swords, capable of separating a branch from a jungle tree as much as a head from man.
Literature:
Art of Island Southeast Asia, The Fred and Rita Richmann Collection in The Metropolitan Museum of Art (New-York). FLORINA H. CAPISTRANO. Ed Baker, 155p, 1994.
Forgotten Islands of Indonesia, The Art & Culture of the Southeast Moluccas. NICO DE JONGE & TOOS VAN DIJK. 160p, 1995.
Age: Est. from early-mid 20th century

The Engraving of the Dyak Method Of Drying Heads is from the Illustrated London News {Public Domain}  read more

Code: 25186

Original. Most Rare, A1929 Zeppelin Orientfahrt Over Egypt. The Zeppelin's Oriental Flight Over The Pyramids & Sphinx'. An Awarded Table Medal In Solid, Fine Silver. Len Deighton, World Renown Thriller & Spy Novelist Wrote a Book on The Very Flight

Only the second we have had or seen in 25 years. the only other we have seen is in the Landesmuseum in Wurttemberg.

Of all the medals issued in Europe for the very significant aeronautical occasions involving balloons and airships, this is one of the most artistically beautiful, capturing the flight over the great pyramids spectacularly in the typical Art Deco style. Just regard the amazing font, simple elegant but unique to that brief period. It was just a few short years since Carter had discovered the finest and fabulous golden treasures ever excavated in the history of the world, from the tomb of the boy king, the Pharoah Tutankhamen, and just three years before the great Boris Karloff starred in the iconic Hollywood movie, The Mummy.
Egypt and the art it inspired was all the rage around the world, in the news, art, film and decor, and this is just a fabulous representation of that amazing period.

This is a very rare and valuable medal, in super condition, made in fine silver, awarded and issued in 1929, for Dr. Hugo Eckener, depicting the Orientfahrt Orient flight of the airship Graf Zeppelin in 1929 Another rare surviving example of this fine medal is in the Landesmuseum in Wurttemberg.

In Britain it is regarded that a medal is only a wearable decoration, worn using either a chest ribbon, neck ribbon, or sash, or with a rear mounted uniform dress mounting pin, but in Europe, a medal is more often than not a display piece, issued for the same reasons as a wearable medal, for individuals as a reward, for commemoration or celebration, but not for personal adornment. Either displayed in a table mounted glass case or free standing cabinet.

On 24/03/1929 - the LZ127 Graf Zeppelin Orient Flight was launched for the reintroduction of air flight post-office mail.
Len Deighton, world renown thriller and spy novelist, under his psuedonym Cyril Deighton, wrote a rare and desirable book on this very flight, due to his love of airships and philately.

The Orientfahrt is distinguished for being one of the most controversial - in purely philatelic terms - of the Graf Zeppelin's history, mostly because there are no detailed sources of the flight that are completely reliable. The book records in great detail the flight from Germany which was like a theatrical event, where dinner was served over the Dead Sea and breakfast would be over the Acropolis; the ship subsequently flew over Rome, Naples and Cyprus.
Dropping mail at Jaffa, Athens, Budapest, Vienna
And flew over Palestine and Egypt.

Dr Eckner Born in Flensburg in 1868. Hugo Eckener came into contact with Count Zeppelin as a correspondent for the Frankfurter Zeitung through one of his reports on the Zeppelin airship. This resulted in a long-term cooperation. At the end of the 1890s, Eckener moved from Flensburg to Friedrichhafen and became tour leader and authorized representative of the German Airship Company (DELAG), founded in 1909. After the death of Count Zeppelin, Eckener awoke the interest in airships through the Atlantic crossing of the Zeppelin 126 and the world tour of LZ 127 in the 1920s. Between 1931 and 1937 a regular transatlantic regular service between Frankfurt, the USA and Brazil with the two Zeppelinen 127 and 129 was furnished.

The front of the medal from 1929 shows the bust of Eckener to the left. The back shows an airship over the sphinx and pyramids, behind the rising sun. See in reference to this medal; Hans Kaiser, 1998: medals, plaques, badges of German aviation. The coined chronicle of the German aviation, Gutersloh, S. 137 No. 494.1 &
Kienast, Gunter W., 1967: The medals of Karl Goetz, Cleveland, Ohio, S. II, 284 S.: No. op.428  read more

Code: 22151

A Super Balinese Carved Wooden 'Demon Kris Stand Probably Representing One of the Vanaras, Forest Dweller Human-Ape Like Demi-God Warriors That Helped Rama Defeat Ravana

Possibly representing Hanuman, or Anoman, one of the Vanara human-apes of Ramayana epic. In Hindu mythology, Vanara forest-dwellers, either refers to the monkeys or a race of forest dwelling people. In the epic the Ramayana and its various versions, the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes or monkeys. Vanaras are created by Brahma to help Rama in battle against Ravana. They are powerful and have many godly traits. Taking Brahma's orders, the gods began to parent sons in the zion of Kishkindha (identified with parts of present-day Karnataka, Andhra Pradesh & Maharashtra). Rama first met them in Dandaka Forest, during his search for Sita. An army of Vanaras helped Rama in his search for Sita, and also in battle against Ravana, Sita's abductor. Nala and Nila built a bridge over the ocean so that Rama and the army could cross to Lanka. As described in the epic, the characteristics of the Vanara include being amusing, childish, mildly irritating, badgering, hyperactive, adventurous, bluntly honest, loyal, courageous, and kind

Carved in one piece of wood vividly decorated in polychrome colours, approx 18 inches high, 9 inches deep.
The respect with which krises were always treated extended to the careful attention given to them even when they were not being worn. The weapons were stored in fitted bags, custom-made boxes and chests, and on wall-mounted display boards, as well as in kris stands. The use of three-dimensional sculptures as kris stands, however, was limited to the islands of Bali and Lombok. Not including the kris as shown. The kris or kêrìs "to slice"; is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). While most strongly associated with the culture of Indonesia the kris is also indigenous to Malaysia, Thailand, Brunei, Singapore and the Philippines where it is known as kalis with variants existing as a sword rather than a dagger. The kris is famous for its distinctive wavy blade, although many have straight blades as well. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. As a result, in Indonesia the kris is commonly associated with Javanese culture, although other ethnicities are familiar with the weapon as part of their culture, such as the Balinese, Malays, Sundanese, Madurese, Banjar, Thais, Bugis, Makassar, and Filipinos. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850).
However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. The best material for creating kris pamor, was acquired in a quite unusual way, as it is made from rare meteorite iron. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids  read more

Code: 24195

A Wonderful Antique Meteorite Steel Indonesian Kris with Engraved Royal Crown With a 'Diamond' Hilt Collar

The whole sword is beautiful, the hardwood scabbard has a fabulous age patina as has the carved hardwood hilt which also has a 'diamond' collar. They are all somewhat crude 'old cuts' that are poor at refracting light, therefore they might be Indian Moghul diamonds, or even 'old cut' rock crystal stones, it is near impossible to tell, they have not a great deal of intrinsic value either way, due to their cut, but most intriguing none the less.
the traditional steel of the best indonesian kris often contain meteorite steel that fell from the heavens, and the Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. The Kris Panjang is worn generally by the Malayan aristocracy. I have seen some beautiful specimens of this weapon in Rumbowe, worn by the chiefs of that state.
Thomas John Newbold, in 1839 wrote lamination patterns that are created in their forging can be simply stunning, as this this beautiful piece. The yellow-white metal scabbard cover is beautifully engraved, on the outer side, and mostly plain on the inner side, but both sides bear an elaborate engraved royal crown.
Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light coloured silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns have specific meanings and names which indicate the special magical properties they are believed to impart. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern. 15 inch blade  read more

Code: 23974

A Scarce Lancaster Oval Bore Rifle Sword Bayonet, Sappers and Miners 1855, Shortened Quill Back Blade

Brass mounted hilt, three rivet wooden grips and screw mounted spring would have originally permanently fixed with a rivet, but an improvement replacement of a screw meant an armourer of the regiments could repair it in the field, a fixed rivet meant the bayonet would have to return to the regiment for repair if required.

Two-Band Rifle-Musket by Charles Lancaster, manufactured in London, England circa 1850's. Charles William Lancaster (1820-1878) was devoted to his craft and was among the best England had to offer in the field of firearms making and invention. It was around the year 1850, when he conceived the idea of the oval bore. Indeed, it is very slightly oval, almost imperceptibly and the rifling is very subtle and this rifle could easily be mistaken for a smooth bore. The rifling is also “gain twist”, meaning that the twist gets faster as the projectile approaches the muzzle. He believed that the oval bore was the future form all rifles and cannons should take due to the design’s inherent ability to mitigate the fowling that came from using black powder, as well as their accuracy.

He would put his idea to the test when he entered the government trials for what would become the Pattern 1853. He would spend much of 1852 and 1853 in doing so. His oval bore proved more accurate and less prone to foul than the competition, though the very subtle rifling was prone to wear out sooner with much use than conventional rifling. His system was not ultimately adopted for the Pattern 1853 infantry rifle-musket, but it was adopted in smaller numbers for sapper muskets.


No scabbard overall 20.5 inches long, blade 15.5 inches hilt from ricasso base 5 inches.  read more

Code: 25179

A Scarce, Black Leather, Victorian Gloucestershire Yeomanry Cavalry Ammunition Cross-Belt Pouch.

A good example of these scarce and very desirable items of militaria from one of Queen Victoria's Yeomanry Cavalry regiments. Leather pouch, with tin box interior and gilt brass regimental device to flap.

New troops of yeomanry were raised in the 1830s in response to the Swing Riots. The first such troop established in Gloucestershire was the Marshfield and Dodington Troop, raised in 1830 by William Codrington, from which the Royal Gloucestershire Hussars dated its formation. The troop comprised three officers, a quartermaster, four non-commissioned officers, a trumpeter and fifty troopers, and was recruited from the tenants of Codrington's estate and those of his neighbours, including that of the Duke of Beaufort. In 1831, six more troops were raised by members of the Gloucestershire gentry in Fairford and Cirencester, Stroudwater, Tetbury, Gloucester, Winterbourne and Stapleton, and Alveston. That same year, the Dodington and Tetbury Troops were sent to Bristol in response to civil unrest following the defeat of the Second Reform Bill in the House of Lords.

In 1834, all of the Gloucestershire yeomanry captains met in the hamlet of Petty France in south Gloucestershire and agreed to combine their troops into a single regiment, to be named the Gloucestershire Yeomanry Cavalry. Its first commanding officer was the Marquis of Worcester, who became the 7th Duke of Beaufort in 1835, thus beginning the regiment's long association with the Beaufort family. The new regiment was ranked 24th in the yeomanry order of precedence and comprised seven troops with a total strength of 26 officers and 382 other ranks. Adopting the uniform of light dragoons, each man was armed with sword and pistol, and twelve skirmishers in each troop were armed with muzzle-loading carbines. The regiment's first deployment came in 1838, when the Dodington and Winterbourne Troops helped police a Chartist rally in Bristol.The 'Royal' prefix was granted in 1841, and in 1847 the regiment adopted a blue hussar uniform and the name Royal Gloucestershire Hussars. The authority of the Duke of Beaufort is evident in his order, in 1846, that all members should grow moustaches "in the form of a carving knife", an instruction that was derided in the pages of Punch magazine at the time, and his insistence the next year that the regiment wear the second jacket over the back, Hungarian style, instead of the usual English-style over the shoulder.

The influence of the social order on the composition of the regiment at this time can be observed from an incident in 1847. It involved a disagreement between Lord FitzHardinge, Lord-Lieutenant of Gloucestershire, and his brother, Grantley Berkeley, a member of parliament and captain of the Berkeley Troop, which had joined the regiment in 1840. In pursuing his grievance against his brother, FitzHardinge pressured his tenants into resigning from the troop and threatened some with the loss of their farms if they did not. Further insight into the regiment's strong ties to the farming community can be found in the records of the annual exercises. In 1865, the permanent duty was deferred until the autumn due to an early harvest, and participation in a major 14-day exercise in 1871 was cancelled due to a late harvest. Attendance at the annual assemblies dropped below 300 men in the late 1870s and early 1880s, compared to 445 in 1875, due to a succession of bad harvests. In 1890, the regiment boasted four Masters of Hounds and a large number of fox hunters in its membership, both officers and other ranks, and that year it adopted an old hunting song, D'ye ken John Peel, as its regimental march.
Picture in the gallery of Captain Surman, adjutant of the Royal Gloucestershire Hussars 1834 - 1858

The cross belt was predominantly used from the 1700s (American Revolutionary War) to the 1840s they were not part of a soldier's equipment in the American Civil War and Anglo-Zulu War/First Boer War.

For most line infantry, skirmishers, light infantry, grenadiers and guard regiments during much of Europe's Age of Gunpowder, either a cross belt or two shoulder belts were worn.citation needed One configuration for the belts would be the cartridge box on the right hip and sword scabbard on the left. Such equipment would be attached to the belt at its lowest point, where it rests on the hip. Officers almost never carried muskets or rifles, so they typically wore only one shoulder belt, such as for the pistol cartridge box or for a sabre scabbard. As officers were often aristocratic and used many independent symbols for their family, rank, and command, their uniforms and gear organisation could be highly variable.

For British infantry, the cross belt had a metal belt plate with the regiment of the soldier inscribed on it. We show in the gallery an old print of officers of another regiment but wearing the pouch.  read more

Code: 16622

A Finest Leather Field Service, .455 Revolver Holster, For WW1 Officers

Excellent condition, WW1 service officer use, for the Webley.455 MK VI revolver. It has a full flap cover with retaining strap and brass stud fastener

The Webley Revolver (also known as the Webley Top-Break Revolver or Webley Self-Extracting Revolver) was, in various designations, a standard issue service revolver for the armed forces of the United Kingdom, and countries of the British Empire and the Commonwealth of Nations, from 1887 to 1970.

The Webley is a top-break revolver and breaking the revolver operates the extractor, which removes cartridges from the cylinder. The Webley Mk I service revolver was adopted in 1887 and the Mk IV rose to prominence during the Boer War of 1899–1902. The Mk VI was introduced in 1915, during wartime, and is the best-known model.

Firing large .455 Webley cartridges, Webley service revolvers are among the most powerful top-break revolvers produced.

The Webley RIC (Royal Irish Constabulary) model was Webley's first double-action revolver, and adopted by the RIC in 1868, hence the name. It was a solid frame, gate-loaded revolver, chambered in .442 Webley. General George Armstrong Custer was known to have owned a pair, which he is believed to have used at the Battle of the Little Bighorn in 1876.

The Royal Canadian Mounted Police and Shanghai Municipal Police received Webley Mk VI revolvers during the interwar period.  read more

Code: 25160

A Scarce Original WW2 British '37 Pattern Commando Officer's 9mm Browning Hi-power Holster, Ammunition Pouch & Waistbelt 1942/3 in Excellent Plus Condition

This 3 commando holster set was acquired with a German Luftwaffe officers PPK holster but sold seperately. After WW2 the officer kept his Browning and the Walther PPK as souvenirs, but surrendered his Browning and the Walther to the police in the 1960's. We acquired both holsters from his grandson

The 9mm automatic holster was easily identifiable by its level top edge almost all revolver holsters being angled upwards. With top hooks to connect underneath an ammunition pouch as an option. The neat ammunition pouch could accommodate two 12 round packets, a fabric strip went over the brace adaptor and a fabric loop fitted at the bottom accepted the top hook of a holster. dated 42/43.

No. 3 Commando was a battalion-sized Commando unit raised by the British Army during the Second World War. Formed in July 1940 from volunteers for special service, it was the first such unit to carry the title of "Commando". Shortly afterwards the unit was involved in a largely unsuccessful raid upon the German-occupied Channel Island of Guernsey.

In 1941 they were involved in successful raids on the Lofoten Islands and Vaagso, in Norway, before taking part in the costly Dieppe raid in August 1942, where the unit was tasked with knocking out a German coastal artillery battery on the eastern flank of the main landings, although due to a chance encounter in the Channel with a German convoy, a large majority of the unit failed to make it ashore.

In early 1943, the unit was sent to Gibraltar before moving to North Africa in April from where they were involved in the Allied invasion of Sicily and operations in Italy prior to being withdrawn to Britain to prepare for Operation Overlord. On D-Day they went ashore on 6 June 1944 as part of the 1st Special Service Brigade tasked with linking up with the 6th Airborne Division on the eastern flank of Sword before being withdrawn. Later they took part in the Allied counterattack during the Ardennes Offensive in early 1945 before taking part in the advance into Germany as part of Operation Plunder.

Following the end of the war, No. 3 Commando carried out occupation duties in Germany before it was disbanded on 4 January 1946.  read more

Code: 25143

Victorian Silver Very Scarce Canadian Officer's Badge of the 38th Dunfferin Rifles

In superb crisp order. A mighty rare badge. Originated 28 September 1866 in Brantford, Ontario as the 38th "Brant Battalion of Infantry"
Redesignated 30 November 1866 as the 38th "Brant" Battalion of Infantry
Redesignated 24 March 1871 as the 38th "Brant" Battalion of Rifles
Redesignated 3 July 1874 as the 38th "Brant" Battalion or "Dufferin Rifles"
Redesignated 28 September 1883 as the 38th Battalion "Dufferin Rifles of Canada"
Redesignated 8 May 1900 as the 38th Regiment "Dufferin Rifles of Canada"
Redesignated 1 May 1920 as The Dufferin Rifles of Canada
Amalgamated 15 December 1936 with The Haldimand Rifles and C Company of the 3rd Machine Gun Battalion, CMGC
The 125th Battalion (1st Overseas Battalion of 38th Regiment Dufferin Rifles), CEF was a unit in the Canadian Expeditionary Force during the First World War. Based in Brantford, Ontario, the unit began recruiting in late 1915 throughout Brant County. 43mm x 70mm  read more

Code: 18826

An Edo Period Armourer's Myochin School Chrysanthemum Katana Tsuba

Iron plate tsuba in circular shape with omote and ura surfaces showing multiple hot stamp kiku stamp designs.

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20740