An Antique 'Claw and Feather' Bronze Paper Knife or a “Unicorn” Page Turner.

Originally classified in the collecting world as a late Victorian page turner, yet in fact it may well not be a mythical collectible, or so-called ‘unicorn piece’, but thus actually a rare form of paper knife.
A most interesting piece for the bibliophile. In colour patinated bronze, possibly Austrian. Circa late 1800’s. 9.5 inches long.
Uncut pages were common to Victorian Era and earlier books, artifacts of the bookbinding practices of the day. As Spellerberg explains in Reading & Writing Accessories, long sheets of paper were folded numerous times to form a “signature” of pages or “leaves,” which would be printed on both sides. Signatures would be printed, collated, and then bound (which usually meant “sewn”) to create a book. “Most of the leaves were cut during the binding process,” he writes. “However, since all books were bound by hand at that time, leaves were sometimes left uncut and could not be opened unless they were cut.” Paper-knives made such books readable.

It wasn’t just books that required paper-knives to be read, which is why the tools came in all sizes. There were long ones for newspapers and magazines, as well as shorter ones for diminutive books made to fit in the palm of the hand. Regardless of their size, some were painted in handsome designs while others were carved and fitted with sterling-silver handles, transforming these prosaic implements of paper destruction into small works of art. And, of course, a great many paper-knives were treated as handheld advertisements, sold at tourist destinations as souvenirs or given away by companies wishing to extend their brands, as we might put it today.

Impossibly so, as it turns out: After researching the topic for several years, Spellerberg concluded that page turners simply did not exist during the Victorian Era. In fact, according to Spellerberg, page turners didn’t exist during any historical period at all, making them the unicorns, if you will, of office collectibles, mythical objects that tell us more about how we imagine people lived rather than how they actually did.
Page turners, then, were actually paper-knives, and paper-knives were the tools readers employed to get at the content inside an “unopened” book.
Matthew Haley of Bonhams, stated. “I was once told, but have never confirmed, that people still occasionally request books that have never been opened at the Bodleian Libraries in Oxford,” Haley says. “They are lent a paper-knife for the purposes of cutting the pages.” In fact, as Rosie Burke of the Bodelian told me via email, “I’m pleased to confirm that it is true that after all these years we still have many books with uncut pages—either completely uncut or only partially cut. Staff will issue paper-knives to readers for certain books, but anything that is particularly old or fragile will only be cut by either reading-room staff or a member of our conservation team.”

This is obviously good news for readers—as a library, the Bodelian is in the business of spreading knowledge rather than keeping it secreted within the uncut pages of the books on its shelves. But the utility of paper-knives raises an interesting dilemma for book collectors. Is a book with uncut pages more valuable than a comparable volume whose leaves have been sundered, however carefully, by a paper-knife?

“Generally speaking,” Haley says, “there is a slight premium placed by collectors on uncut or ‘unopened’ copies, as they are closer to how the book would have been originally supplied by the bookseller. It’s one of the fascinating ironies of book collecting,” he adds, “that an unreadable book could be worth more than one that’s ready to read.”
Some years ago we had an early edition of Darwin’s ‘On the Origin of Species’ from Winston Churchill’s personal library, and many pages were still uncut, which demonstrates that despite being an early edition from the mid 19th century it had neither been read or even cut by Spencer Churchill or Winston Churchill during their ownership

Code: 18896