A Most Fine and Rare Original Frank Brangwyn WW1 Propaganda Poster

This is a superb original work of art that would look simply amazing framed and placed in the right setting.
After the June 1915 raids, when air raids intensified, the Daily Chronicle offered its readers £150 for damage to homes and their contents by hostile aircraft, £100 for fatal injuries, £30 for damage inflicted by the enemy but not by air power and £10 to cover medical fees for non-fatal injuries. The Zeppelin Raids: the vow of vengeance. Drawn for "The Daily Chronicle" by Frank Brangwyn A.R.A. 'Daily Chronicle' readers are covered against the risks of bombardment by zeppelin or aeroplane.British infantryman, full-length standing figure, looking up and shaking his fist at a departing Zeppelin. At his feet lies the body of an old woman who is mourned by a small boy and woman, left. In the background a skyline of bomb damaged and smoke shrouded buildings text: "THE ZEPPELIN RAIDS: THE VOW OF VENGEANCE Drawn for 'The Daily Chronicle' by Frank Brangwyn ARA" (in 2 lines upper edge) & "'DAILY CHRONICLE' READERS ARE COVERED AGAINST THE RISKS OF BOMBARDMENT BY ZEPPELIN OR AEROPLANE" printed by The Avenue Press, Ltd., Bouverie St., London, E.C. Original lithograph poster.There are other original surviving examples of this original poster in both the Imperial War Museumin London and the Library of Congress in America. Posters of this kind are rare simply due to the fact they were considered as disposable propaganda artworks and were thus disposed of when no longer needed after the wars end. Brangwyn trained at the Royal College of Art, and was an apprentice with the designer William Morris. A highly regarded and prolific draughtsman, he was an established Royal Academician by the beginning of the First World War.
Frank Pick, General Manager of London Underground and a notable supporter of high quality design, commissioned Brangwyn to produce morale raising posters for London commuters. Brangwyn also worked extensively for war charities, producing many posters in support of Belgian relief, as he had been born in Bruges. Later in the war he contributed to the Ministry of Information's print series 'Efforts and Ideals' and designed posters for the National War Savings Committee.
His emotive realism was often criticised by government officials for demoralising the public. His depiction of close combat in the War Savings poster 'Put Strength in the Final Blow' was published only after some debate. The poster caused a public outcry in Germany, but ironically Brangwyn's reputation was considerably higher on the Continent. He was featured in an illustrated article in the prestigious German poster journal, Das Plakat in 1919.
Moved by the suffering and destruction of the war, Brangwyn later became a pacifist. His career continued to flourish after the war, most prominently as a painter of murals for public buildings. He is celebrated in the Brangwyn Museum in Bruges and the Musee de la Ville at Orange, France also has large holdings of his work. During World War I, the impact of the poster as a means of communication was greater than at any other time during history. The ability of posters to inspire, inform, and persuade combined with vibrant design trends in many of the participating countries to produce interesting visual works. At the start of the twentieth century he was the one British artist whose work was revered by the European cognoscenti, and the Japanese recognised in his artistic endeavours a love of simplicity, geometric compositions, and clarity of colour. He worked for Bing and Tiffany and produced murals for four North American public buildings. A supremely charitable man with a reputation for being irascible; a pacifist whose brutal WWI poster Put Strength in the Final Blow (1918) reputedly led the Kaiser to put a price on his head.
The man whom G K Chesterton described as
‘the most masculine of modern men of genius’ could also produce exquisitely delicate and serene works like St Patrick in the Forest (Christ’s Hospital murals); and his oils are as voluptuous in colour and form as his furniture is minimalist. Original WW1 and WW2 Posters are becoming hugely popular yet some are still very affordable, prices for nice examples are reaching well into the thousands over the past few years now. If a 1920's Russian movie poster of the Battleship Potemkin will fetch over £100,000 GBP, the potential for the values of fine propaganda posters by the great artists of their day could be immense 20 x 30.25 inches  read more

Code: 22667

Very Good Princess Mary Box, Complete With Original Personal Letters, Paperwork and Original Contents To Essex Regiment Regular

It is so rare to have a Mary Box that is not only personally identifiable but with much of original contents complete. This makes this a most exceptional and unique example.
Gifted to '4239, H.Scrutton of the Essex regiment' who served as a regular throughout the Empire from 18th June 1894 to 24th March 1916. He was an 'Old Contemptable' and awarded the 1914 Mons Star, South Africa medal and four bars General Service Medal and LSGC in 1912 plus numerous others. The original Princess Box containing an original and intact tobacco packet, empty cigarette packet, a Christmas card from Princess Mary in its envelope, a photo of Princess Mary, and a signed gift note from the Princess. Plus a note written of Mr Scrutton's military career. The photo shows a Chinese Republic banknote, not connected to the set and sold seperately. They were sent to the British troops in the frontline trenches in WW1 at Christmas 1914. During World War One King George V and Queen Mary got very involved in active war work. The King mainly visited battlefields (as recorded on the King at the Front postcards) while the queen organised clothing drives, visited hospitals and other welfare organisations. Princess Mary, then 18, often accompanied the Queen and according to the book Princess Mary, Viscount Lascelless became intensely concerned, with Christmas looming, about the well-being of the soldiers and sailors serving far from home. With her parents consent the following letter of appeal was published in November 1914.

' For many weeks we have all been greatly concerned for the welfare of the soldiers and sailors who are so valiantly fighting our battles by land and sea. Our first consideration has been to meet their more pressing needs and I have delayed making known a wish that has long been in my heart, for fear of encroaching on other funds, the claim of which have been more urgent. I want you all to help me send a Christmas present from the whole nation to every sailor afloat and every soldier at the Front. On Christmas Eve, when, like the shepherds of old, they were wont to hang out their stockings, wondered what the morrow had in store. I'm sure that we should all be happier to feel that we had helped to send our little token of love and sympathy on Christmas morning something that would be of useful and permanent value, and the making of which may be the means of providing employment for trades adversely affected by the war. Could there be anything more likely to hearten them in their struggle than a present received straight from home on Christmas Day Please will you help me Mary".

In support of this appeal many periodicals of the day published or referred to her letter.

The following example appeared in the Illustrated War News of 4 November 1914 'Princess Mary is appealing for help to send a Christmas present, from the Nation, to every Sailor afloat and every Soldier at the front. Remittance should be addressed to H.R.H. the Princess Mary, Buckingham Palace, S.W., the envelopes marked Sailors and Soldiers Christmas Fund. The appeal was very successful for it had reached 131,000 Pounds by 16 December .It was initially decided that the Gift would be received by every sailor afloat and every soldier at the Front wearing the King's uniform on Christmas Day 1914. The difficulty for the committee was deciding how many to get manufactured. They calculated that 145,000 sailors including Royal Marines and 350,000 soldiers including the Indian Contingent qualified. It was therefore calculated that between 55 and 60,000 pounds would be needed to cover the cost of nearly 500,000 gifts. The final Fund total was reported by the Committee on 30 June 1919 as 193,667 pounds 4s and 10d. Monies from the fund is also reported as having been used, to buy War Bonds and, in War Loans. The funds that remained at the end were apparently transferred to Queen Mary's Maternity Home founded for the benefit of the wives and children of sailors, soldiers and airmen of the newly formed Royal Air Force. Abridged from an original article by Grahame Barber. 2nd Lieutenant R C Leach of the 1st Battalion, King's Own Royal Lancaster Regiment wrote to his mother describing Christmas 1914:
I think we must have had a decidedly more cheerful Christmas than you at home. For a start on getting into billet I found 15 parcels waiting for me. They had a special Post Office bag for them. Well on Christmas morn I spent till about 1.30 issuing presents to the men; both yours which were very welcome and those sent in bulk to be divided amongst the troops, each regiment getting a certain share. There were also Princess Mary's presents which consisted of a packet of cigarettes, a pipe, a packet of tobacco and a Christmas card from King and Queen. Also in the gallery a photo [for information only] of a soldier opening his Princess Mary Gift Tin, Christmas 1914.  read more

Code: 21698

A Most Decorative Imperial German WW1 Soldiers Zeppelin Flask

This is a superb WW1 German Reservists flask (Reservistenflasche). A glass schnapps flask encased in a decorative enamelled metal jacket, with a lanyard in the black, white,black and red colours of the Imperial German Reich. They were made by between 1871 and 1918, for sale to conscripts, wives or sweethearts of soldiers as a memento of their service time. The front and rear of the flask are covered in military themed vignettes, with, a military regimental panel attached to the front, and to the rear a rotating panel surrounded with picture portraits of pretty ladies. The lid is a cup of a soldier sitting astride a Zeppelin that turns to become a drinking cup. Named for the Minden Regt. The figure on the Zeppelin in lacking one arm.  read more

Code: 22326

A Wonderful Collection of Cowper's Evocative Poetry. Stunningly Bound

A wonderful size pocket edition. If there was ever a single poet who should be read by every higher education student Cowper is the one. Poems by William Cowper of the Inner Temple. In two books, within this single volume of 480 pages. Printed for Longman and Co. Paper Ex Libris label of L E WEIR. George Cowper was an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem Yardley-Oak. He was a nephew of the poet Judith Madan. The stages of William Cowper's life: forced into a career in the law that he did not want, forbidden from marrying the woman he loved, and insensed by certain religious and political views of his cousin, can be found within the lines of his verse. His words very much encapsulate the zeitgeist of the late 1700s. The religious tone of The Task, its domesticity, and its treatment of such topics as slavery and consideration for animals, are all anticipated themes associated with the evangelical revival which began in the late 1780s. The clash between Cowper's horror at his cousin's theories and his sense of family and personal obligations unleashed a great burst of creative energy. In the four months from December 1780 to March 1781 Cowper composed 2700 lines of verse, moral satires, in pentameter couplets. This portrait of a man divided particularly demonstrates the conflicting nature of the era. In decorative full calf bindings. Externally beautiful with most handsome tooling with only a little wear to the extremities. Generally very bright and clean with just occasional light spotting on the last two pages. 5.25 x 3 x1 inches approx.  read more

Code: 19925

A Superb ERII Painted Tenor Drum of the 1st Bn The Royal Welch Fusiliers.

The Royal Welch Fusiliers was a line infantry regiment of the British Army, part of the Prince of Wales' Division. It was founded in 1689 to oppose James II and to take part in the imminent war with France. The regiment was numbered as the 23rd Regiment of Foot, though it was one of the first regiments to be granted the honour of a fusilier title and so was known as The Welch Regiment of Fusiliers from 1702. The "Royal" accolade was earned fighting in the War of the Spanish Succession in 1713.

It was one of the oldest infantry regiments in the British Army, hence the archaic spelling of the word Welch instead of Welsh. In the Boer War and throughout the First World War, the army officially called the regiment "The Royal Welsh Fusiliers", but the archaic "Welch" was officially restored to the regiment's title in 1920 under Army Order No.56. During those decades, the regiment itself unofficially used the "Welch" form.
During the Second World War, the 1st Battalion, Royal Welch Fusiliers was a Regular Army unit and part of the 6th Infantry Brigade, assigned to the 2nd Infantry Division. It served in France in 1940 with the British Expeditionary Force. The battalion fought in the short but fierce battles of France and Belgium and was forced to retreat and be evacuated during the Dunkirk evacuation. After two years spent in the United Kingdom, waiting and preparing for the invasion that never came (Operation Sea Lion), the 1st RWF and the rest of 2nd Division were sent to British India to fight the Imperial Japanese Army after a string of defeats inflicted upon the British and Indian troops. The battalion was involved in the Burma Campaign, particularly the Battle of Kohima, nicknamed Stalingrad of the East due to the ferocity of fighting on both sides, that helped to turn the tide of the campaign in the South East Asian theatre. 14.25 inches high X 17 inches approx  read more

Code: 20767

A Fine Roman Period Original Ancient Celtic Spear Early 1st Millenium B.C. Used by Celt’s of the Ancient British Iceni and Queen Boudicca. Scourge of The Roman Occupation of Britain

From the earliest era of the Roman 'La Tene' Celts, the enemies of both the Republic of Rome and the Roman Empire. A massive hand-forged iron spearhead, leaf-shaped with slight median rib, short neck, 5 inch socket. A most beautiful and interesting spear of the Celts. The La Tene culture developed and flourished during the late Iron Age (from 450 BC to the Roman conquest in the 1st century BC) in eastern France, Switzerland, Austria, southwest Germany, the Czech Republic, and Hungary. The Celts further reigned in Ancient Britain, with Boudicca their most famous Queen, who perished fighting the Roman forced occupation of Britanniae all under the umbrella control in of the Ancient Druids, the so called suspected controllers of the ancient British monument-religious site, Stonehenge much debate still occurs over this. Boudicca is one of Britain’s greatest heroines who was a freedom fighter who rebelled against the Roman government. She was Queen to the Celts and truly was one of history’s most fiercest and passionate warrior queens. However, before she became Queen, Boudicca was a simple girl of royal descent who was estimated by historians to be born in 25-30 AD in Colchester, South East England. Details concerning Boudicca?s upbringing are severely limited as the only primary evidence that exists is by two Roman historians by the names of Tactitus and Dio Cassius. Boudicca, eventually armed with her 100,000 men army first attacked Camolodunum (Colchester) where the Romans had their main centre of rule. Archaeological evidence done by historians reveals that the city of Camulodunum was burnt to the ground in a methodical way which reveals to present historians that Boudicca was an intelligible and calculated warrior and leader who planned her attacks and succeeded in such a way that often there were no survivors. "I was whipped by the Romans when they tried to take our lands and now I am fighting for my freedom. Think how many of us are fighting and why. We must win this battle or die. Let the men live as slaves if they want. I will not."
Boudicca’s last speech, as recorded by Dio Cassius. After the defeat of Boudicca’s army by Rome there are many theories about what happened next. Many historians including Tactius have theorised that after the defeat of the rebel army Boudicca fled back to her tribe with her two daughters and drank hemlock (a poisonous plant) with them to evade capture from the Roman Empire. However there are also other theories by Dio which speculate that Boudicca, the great Iceni Celtic queen died of illness. Though the exact cause of her death may be disputed she was given a lavish burial fitting of a revered heroine. Celts had a large reputation as head hunters, and were famous for putting victim?s heads on their chariots, and in front of their homes. Many Celts fought completely naked (much to the surprise of their enemies) and are famous for their iron long sword: ?They cut off the heads of enemies slain in battle and attach them to the necks of their horses. The blood-stained spoils they hand over to their attendants and striking up a paean and singing a song of victory; and they nail up these first fruits upon their houses, just as do those who lay low wild animals in certain kinds of hunting. They embalm in cedar oil the heads of the most distinguished enemies, and preserve them carefully in a chest, and display them with pride to strangers, saying that for this head one of their ancestors, or his father, or the man himself, refused the offer of a large sum of money. They say that some of them boast that they refused the weight of the head in gold
By the 2nd century BC, Celtic France was called Gaul by the Romans, and its people were called Gauls. The people to the north (in what is present-day Belgium) were called Belgae (scholars believe this may represent a mixture of Celtic and Germanic elements) and the peoples of the south-west of France were called the Aquitani by the Romans, and may have been Celtiberians or Vascons. The Celts of Britain included the Iceni. As with all our items it comes complete with our certificate of authenticity. See Cf. Stead, I. et al. Iron Age and Roman Burials in Champagne, Oxford, 2006, fig.56 (21.5"). 500 grams, 54.5cm. A photo in the La Tene gallery in the Latanium Archelogical Museum in Neuchatel. Overall russetted condition and very sound, with bend at the tip area. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.  read more

Code: 22074

A Rare King Airship Co. of Washington, USA, an Original & Historic, One Share Stock Certificate, Signed and Dated 7th August 1920

This would make an intriguing a unique gift, especially for a devotee of early aeronautica, and the earliest flying machines, and would look beautiful suitably framed.
On December 17, 1903, the Wright brothers were the first to fly in a powered and controlled aircraft. Previous flights were lighter than air vehicles, gliders (control but no power) or free flight (power but no control), but the Wright brothers combined both, setting the new standard in aviation records.

There have been many booms and busts in the aviation industry. The earliest known aviation stock certificate for a company that actually made a flying airship called the Novelty Air Ship Company in 1888. The Novelty Air Ship Company manufactured the vehicle for Professor Peter C. Campbell who was the inventor. Unfortunately, the air ship was lost at sea in 1889 while being test flown by Professor Hogan during an exhibition flight. This historic document was printed by the Goes Company and has an ornate border around it with a vignette of a Bald eagle. This item has the signatures of the Company’s Secretary and the President and is over 100 years old.  read more

Code: 17807

A Scarce 18th Century Military Style Plug Bayonet.

Short double edged blade, eliptical turned wooden grip and brass pommel and steel ovoid crossguard.

As used at the Battle of Blenheim of 1704 era.

In the early 17th Century the matchlock musket was a cumbersome, slow loading weapon and the musketeers required the protection of soldiers carrying long, wooden-shafted pikes to shield them from enemy cavalry and footsoldiers during the lengthy reloading process. As the century progressed, more emphasis began to be placed on the use of the musket as a primary weapon of the common soldier and as a result, the pike was gradually phased out.

In former times, the usual practice when engaging at close quarters was to fire the musket and then follow the pikemen as they closed on the enemy wielding the musket as if it were a club. A sword or long knife was also carried as a secondary weapon. The use of the gun in this way was far from effective and the idea was hit upon to jam the tapered handle of a belt knife in to the muzzle, temporarily converting the musket to a short pike. This "plug bayonet" produced a far more effective weapon than the clubbed musket and in time removed the need for large numbers of pikemen.
The term "bayonet" is thought to have derived from the French town of Bayonne, famous for its cutlers and may have originally referred to a type of long knife or dagger which was carried by soldiers of the time. The obvious disadvantage of the plug bayonet is that once fixed, the gun cannot be fired until the bayonet is removed. Overall pitted blade. 11.25 inches long overall  read more

Code: 19498

A Most Delightful Antique Carved Buffalo Horn Hilted Ottoman Khanjar Dagger

this is a typical Ottoman Empire khanjar or jambiya of the 19th century, with traditional carved buffalo horn hilt.

Where they were adopted they had slight differences to the blade, hilt and scabbard. A significant part of a jambiya or khanjar is its hilt (handle). The saifani hilt is made of exotic horn, It is used on the daggers of wealthier men. Different versions of saifani hilts can be distinguished by their colour. Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades.

The blade and carved hilt are in superb condition, the wooden scabbard is good and sound, but the embossed leather covering is thin and therefore now somewhat fragile with natural age losses.
Overall 11 inches long in scabbard.  read more

Code: 24521

A Most Rare Airship Parseval Tag 8 Postcard Booklet Set, Chemnitz, Dated 2nd October 1910. a Wonderful Piece of early Airship Aeronautica & Postal Service Ephemera

Parseval day 2nd October 1910, 8 postcard booklet erinnerung an den parseval-tag. Chemnitz

The Parsevals were 22 airships built between 1909 and 1919 by the Luft-Fahrzeug-Gesellschaft (LFG) following the design of August von Parseval. In the 1920s and 1930s, three more airships were built following the Parseval-Naatz (PN) design.

As with the rival Zeppelins, the airships were, in both English and German, referred to by the name of the inventor. (In German, the nouns were masculine, that is, "der Parseval", "der Zeppelin".)

In contrast to the Zeppelins, the Parsevals were non-rigid or semi-rigid airships, with little or no stiffening structure inside the fabric envelope. The Zeppelins had a rigid internal framework made of duralumin. Both types relied on hydrogen gas to provide lift.

Original early Parseval airship postcards are very collectable indeed, and can fetch from £30 to £40 each, but a near complete book of 8 unused cards is really rare to find and a great aeronautical gem, plus with early air post connections  read more

Code: 24519