A Very Good & Fine Original Medieval 'Crusader' Knight's Bronze Battle Mace & Scorpion Flail Mace Head Circa 12th Century. Around 900 Years Old, In Superb Condition and With Excellent Natural Age Patination

Made of Bronze Copper Alloy. A weapon made at the time at great cost, and only for the most affluent knight, a battle mace for the crushing and smashing of armour. The mace head is approx. the width of a pool or billiard ball. This fabulous mace could be mounted upon a haft {pretty much none of the original hafts from that period are now still in existence, being organic they decay very quickly once buried} or the aperture filled with lead and a large hand wrought iron staple, that would then be chained, and further mounted upon a short wooden haft to use as a flail mace.
Although no original early mace heads, in reality, were that large, they were heavy and powerful enough, combined with the impetus of a powerful swing, to be incredibly and dramatically effective at smashing through armour, and even iron plate helmets.

This bronze mace was made and used in the era of the first, through to all the knightly crusades to the Holy Land to reclaim Jerusalem.

The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Christian Latin Church in the medieval period. The best known of these military expeditions are those to the Holy Land in the period between 1095 and 1291 that had the objective of reconquering Jerusalem and its surrounding area from Muslim rule after the region had been conquered by the Rashidun Caliphate centuries earlier. Beginning with the First Crusade, which resulted in the conquest of Jerusalem in 1099, dozens of military campaigns were organised, providing a focal point of European history for centuries. Crusading declined rapidly after the 15th century.

In 1095, after a Byzantine request for aid, Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for Byzantine emperor Alexios I Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a variety of motivations. These included religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later expeditions were conducted by generally more organised armies, sometimes led by a king. All were granted papal indulgences. Initial successes established four Crusader states: the County of Edessa; the Principality of Antioch; the Kingdom of Jerusalem; and the County of Tripoli. A European presence remained in the region in some form until the fall of Acre in 1291. After this, no further large military campaigns were organised.  read more

Code: 25454

A Superb Queen Anne, Early 18th Century Bone Topped Walking Dandy Cane

It is a delight to get such an early example of a fine English 'Dandy' cane, it has a wonderful carved bone top with intermittent baleen inserts, and a fine grain hardwood haft. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. With a small repair at the replaced brass ferrule.  read more

Code: 16579

A Fabulous, Original, Cased Set of 3 German 15cm Howitzer Steel Shell Cases

The box case still with it's original German Army camouflage paint. Each shell case is dated. The 15 cm schwere Feldhaubitze 18 or sFH 18 (German: "heavy field howitzer, model 18"), nicknamed Immergren ("Evergreen"), was the basic German division-level heavy howitzer during the Second World War, serving alongside the smaller but more numerous 10.5 cm leFH 18. It was based on the earlier, First World War-era design of the 15 cm sFH 13, and while improved over that weapon, it was generally outdated compared to the weapons it faced. It was, however, the first artillery weapon equipped with rocket-assisted ammunition to increase range. The sFH 18 was also used in the self-propelled artillery piece schwere Panzerhaubitze 18/1 (more commonly known as Hummel).

***We bought a collection of these scarce collectors items, original Third Reich shell cases, some are now sold.

The sFH 18 was one of Germany's three main 15 cm calibre weapons, the others being the 15 cm Kanone 18, a corps-level heavy gun, and the 15 cm sIG 33, a short-barreled infantry gun. The gun originated with a contest between Rheinmetall and Krupp, both of whom entered several designs that were all considered unsatisfactory for one reason or another. In the end the army decided the solution was to combine the best features of both designs, using the Rheinmetall gun on a Krupp carriage.

The carriage was a relatively standard split-trail design with box legs. Spades were carried on the sides of the legs that could be mounted onto the ends for added stability. The carriage also saw use on the 10 cm schwere Kanone 18 gun. As the howitzer was designed for horse towing, it used an unsprung axle and hard rubber tires. A two-wheel bogie was introduced to allow it to be towed, but the lack of suspension made it unsuitable for towing at high speed. The inability of heavy artillery like the sFH 18 to keep up with the fast-moving tank forces was one of the reasons that the Luftwaffe invested so heavily in dive bombing, in order to provide a sort of "flying artillery" for reducing strongpoints.

The gun was officially introduced into service on 23 May 1935, and by the outbreak of war the Wehrmacht had about 1,353 of these guns in service. Production continued throughout the war, reaching a peak of 2,295 guns in 1944 Inert empty and safe, but not suitable for export or for sale to under 18'  read more

Code: 18417

An Amazing WW1 British Trench Howitzer Maker Marked and Dated 1915, An Intriguing and Fascinating Souvenir of The Great War's Trench Warfare

What an amazing display and conversation piece!

Trench mortars were the army’s most forward artillery, right up on the front line. These short range weapons were able to throw large, high explosive projectiles, short distances across No Man’s Land at the enemy trench system opposite.

Llewelyn Wyn Griffith, a captain with the 15th Royal Welch Fusiliers, described a battery of 2 inch mortars opening fire on enemy lines:

“A pop, and then a black ball went soaring up, spinning round as it went through the air slowly; more pops and more queer birds against the sky. A stutter of terrific detonations seems to shake the air and the ground, sandbags and bits of timber sailed up slowly and then fell in a calm deliberate way. In the silence that followed the explosions, an angry voice called out in English [with a distinct German accent no doubt] across No Man’s Land, ‘YOU BLOODY WELSH MURDERERS.’

Somewhat ironic, since the Kaiser invaded France and Belgium, slaughtered the allies, both civilians and combatants, in their hundreds of thousands, yet when the British -Welsh have the temerity to fight back and thus kill the German invaders, they are called murderers by the German combatants [sound familiar?]

The 2 inch mortar [named for the size of the rod not the huge explosive head] was considered accurate out to 350 yards with a maximum effective range out to just under 600 yards.

Introduced in 1915, the 2 inch mortar was originally crewed by men taken from the battalion it was stationed with, along with some specialists from the Royal Artillery. However, with the introduction of the 3 inch Stokes mortar which was operated by the infantry themselves the 2 inch mortars became the sole responsibility of the Royal Field Artillery.

The British Army entered the First World War with very few mortars, and certainly none at the battalion level. As the stalemate of trench warfare set in and the effectiveness of enemy mortars became clear it was decided that trench mortars of various sizes would be needed.

Nicknamed ‘plum pudding’ or ‘toffee apple’ mortars after their projectile’s characteristic shape, the 2 inch Medium Mortar or 2 inch Trench Howitzer, was one of Britain’s first effective light trench mortars to be introduced.

Mortar positions were often in secondary trenches just behind the infantry’s frontline. This was to help protect the infantry from potential counter-battery fire. The trench mortars were often deployed to sectors to provide counter battery fire against German minenwerfers or in the run up to an offensive or local action. A British Army report on artillery use, drawn up in February 1917, noted that “Owing to their liability to be destroyed by hostile artillery fire it may often be advisable to defer opening fire with these mortars till the last day of bombardment.” The mortars were also tasked with keeping gaps made in the wire clear and with supporting any feint attacks made by infantry during gaps in the bombardment running up to a larger offensive.

Llewelyn Wyn Griffith, a captain with the 15th Royal Welch Fusiliers and later a novelist, recalled in his war memoir:

“At night a trench mortar officer set his guns in a derelict trench about twenty yards behind the line and carried up his ammunition, heavy globes of iron with a little cylindrical projection like a broken handle. In the morning I moved the men from the bays between the trench mortars and their target, to lighten the risk of loss from retaliatory fire.”

The 2 inch medium mortar entered service in spring 1915 and remained in use into 1917 with British and Empire troops. It was used on the Western Front and in Mesopotamia. Over 800 were ordered initially with 675,000 bombs, many of the mortars were made in railway and agricultural machinery workshops, allowing larger factories to focus on more complex weapons. The 2 inch mortar was superseded by the larger bore Newton 6 inch mortar later in the war. Some of the remaining 2 inch projectiles were re-purposed as makeshift anti-tank mines, buried in no man’s land in anticipation of possible German tank attacks.

Not suitable for export, inert, safe and perfectly harmless, but of substantial heft. UK mainland delivery only. 34 inches long overall head 9 inch diameter.  read more

Code: 24389

A Beautiful Edo Period Akasaka School O Sukashi Tsuba Decorated in Cut Silhouette With Clouds, Stars and Moon.

Early in the 17th century, tradition says, a dealer of Kiōto, named Kariganeya Hikobei, practised the designing of openwork iron guards in a new and refined style and had them made by a group of skilled craftsmen. From among these men he selected one Shōgunal capital, and settled with him at Kurokawa-dani in the Akasaka Japanese text district. Shōzayemon took the name of Tadamasa and continued his work on Kariganeya’s designs, dying in 1657. His son (or younger brother) Shōyemon, who succeeded him, calling himself Tadamasa II and adopting Akasaka as a surname, died in 1677 and was in turn succeeded by his son Masatora (d. 1707), by Masatora’s son Tadamune, and thence by four generations all called Tadatoki, the last living on into the middle of the 19th century. The first Tadatoki seems to have removed to Kiōto with his father’s pupil Tadashige and there to have founded a western branch of the school. Besides these a number of pupils, all called Tada-…, are recorded.

The earlier Akasaka guards closely resemble the pierced work of the Heianjō and Owari workers (Group III). Later productions display a number of striking features, such as clean-cut fret-piercing in positive silhouette of designs leaving little of the iron in reserve, the addition of a slight engraving finish, a rounded or rather tapered edge to the guard, and, in some of the more recent specimens, the semi-circular enlargement of each end of the tang-hole, as if to take a plug (not supplied) of abnormal size. Enrichments of other metals are entirely absent.  read more

Code: 25445

Historismus Chinese Bronze Helmet, Ancient C.400bc Warring States Era Style

A fabulous statement piece, ideal for a interior decor centrepiece. Probably mid 19th century. With good green aged patination, and as tradition dictates, cast in one piece. In the past 30 years or so we have had only a very few of this style of helmet, and just two have been original and the correct age that they should. This is a Historismus period example. It is a most beautiful work of art, extremely pleasing, decorative, and it would compliment any historical or classical display of arms or antiques. We don't normally acquire or sell non period items but historismus pieces have always been desireable and most collectable in their own right. Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards. The change is often related to the rise of the bourgeoisie during and after the Industrial Revolution. The history and evolution of armour in Chinese warfare is difficult to ascertain with certainty, given its often perishable nature, but text descriptions and appearances in art, such as in wall paintings and on pottery figurines, along with surviving metal parts can help reconstruct major developments. Just who wore armour and when is another point of discussion. Military treatises of the Warring States period (c. 481-221 BCE) suggest that all officers of any level wore armour. The same sources contain references to commanders keeping armour in storage bags and distributing it to troops, but at least some of the ordinary conscripted infantry probably had to provide their own. This obviously depended on their means, and being farmers it is unlikely to have been a realistic possibility for most. 31 cm high, weight 3 kilos.  read more

Code: 22225

An Original and Beautiful Elizabethan Period Helmet of the Spanish Armada Period Circa 1570

An armour 'pear stalk' cabasset helmet from the era of the unsuccessful Spanish 'Armada', the attempted invasion of England, during the Reign of Queen Elizabeth Ist. Used continually through the English Civil War and into the reign of King James. A fine one piece high peak cabasset helmet made in the mid to late 16th century. Wonderfully hand forged with hammer marks and with patches of delamination. This super helmet is nicely constructed with good edgework and lovely quality throughout, and it is a fine period piece in excellent condition for age. This form of helmet that survive today in England were often captured from the Spanish Armada armouries, and some even recovered from the sea bed alongside Spanish cannon, beneath the stricken Spanish ships, and subsequently issued to the London Trayned Bands. There is a picture in the gallery of the same form of helmet [heavily rusted] recovered from Jamestown, the early American colony fort. The History of the Cittie of London Trayned Bandes

(1572-1647)



In the absence of a regular army, the trained bands, founded in 1572 as part of Elizabeth I's efforts to modernise the militia, were the only permanent military units in England. While the county bands were often poorly organised, ineptly officered and infrequently trained, the London bands were not, although enthusiasm did wax and wane considerably over the years of their existence (1572 - 1647).



The Regiments

Before the Civil War there were four London regiments - the North, South, East and West - comprising a total of 6,000 men in 20 companies. In 1642, as relations between king & parliament worsened, the bands were re-organised into 40 companies of 8,000 men in six regiments named the Red, Blue, Green, White, Orange and Yellow after the colour of their regimental flags, or "trophies", as they were known to London militiamen. The following year, after the King's unsuccessful attempt to seize The Capital, three more trained band and five "auxiliary" regiments were raised bringing the whole force to around 20,000 men. This large army, controlled by the mayor and the city aldermen, held London for parliament throughout the first Civil War (1642 - 1646) and contributed brigades of foot to parliament's field armies. The establishment and subsequent rise of the New Model Army after 1645 greatly reduced the significance of the bands and they gradually melted away. Today, only the Honourable Artillery Company, a ceremonial unit of ex-soldiers, remains as a legacy of the glory days of London citizen?s solders. Weapons & Equipment

Weapons and equipment conformed to statute laid down by the Privy Council. The following description is from the 1638 issue of "Directions for Musters".



The Pikeman

"Must be armed with a pike seventeen feet long, head and all; the diameter of the staff to be one inch 3/4, the head to be well steeled, 8 inches long, broad, strong and sword-pointed; the cheeks 2 foot long, well riveted; the butt end bound with a ring of iron, a gorget, back, breast, tassets and head piece, a good sword of 3 foot long, cutting and stiff pointed with girdle and hangers".
The Musketeer
"Must be armed with a good musket, the barrel four foot long, the bore of 12 bullets in the pound rowling in, a rest, bandolier, head-piece, a good sword, girdle and hangers".
One other picture is a period engraving of an Elizabethan soldier with his pear stalk cabasset, another picture of The Battle of Gravelines, August 8, 1588, which is of the defeat of the Spanish Armada by Sir Francis Drake, Queen Elizabeth's Admiral. Pictures shown for information only. Some text is quoted from an article by Mr Steve Rabbitts on London trayned bands  read more

Code: 20248

A Simply Fabulous Samurai's Loyalty, Ritual-Exchange, Wine Bowl, A Sakazuki of Hiramaki-e Pure Gold Lacquer. Signed Yoyusai (1772-1845)

A Sakazuki cup, a footed Circular Wine Cup of pure gold lacquer signed Hira Yoyusai decorated with the symbols of the highest ranking samurai, an Imperial court cap, a pole arm and General's war fan. Sakazuki is a ritual of exchanging sake cups as a means of pledging loyalty. The word itself refers to ceremonial cups used on special occasions like weddings, tea ceremonies, etc. There are currently two known versions of the sakazuki ritual.
Worthy of any museum grade collection of the finest Japanese Ob'ject D'art. Edo period (19th century), signed Yoyusai (1772-1845). A footed, circular cup of pure gold lacquer in gold hiramaki-e on fundame ground. Decorated with an Imperial court cap, a war fan, a pole arm and a tied sack. Likely commissioned for a notable of the highest rank, such as a daimyo lord or member of the Japanese nobility. In the period Kwansei, 1789 to 1801 C.E., Koma Kwansai, Inouye Hakusai, and Hara Yoyusai were the most famous artists, the first of whom was foremost in the delicacy of his work, but was comparatively unknown. Nakayama Komin was a distinguished lacquerer who worked in Edo and learnt the art from Hara Yoyusai (1772-1845). Yoyusai and other 19th-century lacquer artists including Koma Kansai and Zeshin, Nakayama Komin turned to famous early masterpieces of Japanese lacquer for inspiration. A superbly executed piece of finest artwork, showing remarkable skill for the minutest detail. Hiramaki-e, in Japanese lacquerwork, gold decoration in low, or flat, relief, a basic form of maki-e. The pattern is first outlined on a sheet of paper with brush and ink. It is then traced on the reverse side of the paper with a mixture of heated wet lacquer and (usually red) pigment. The artist transfers the pattern directly to the desired surface by rubbing with the fingertips, a process called okime. In the next step (jigaki), the pattern that has been transferred is painted over with lacquer usually a reddish colour. A dusting tube is used to sprinkle gold powder on the painted design while the lacquer is still wet. When the lacquer is dry, superfluous gold powder is dusted off, and a layer of clear lacquer is applied over the gold-covered design. When dry, it is polished with powdered charcoal. A second layer of lacquer is added, allowed to dry, and given a fingertip polish with a mixture of linseed oil and finely powdered mudstone.

The hiramaki-e technique, which dates from the latter part of the Heian period (794-1185), was preceded by togidashi maki-e, a technique in which not only the design but the whole surface is covered with clear lacquer after the sprinkling of metal powder; the lacquer is then polished down to reveal the design. During the Kamakura (1192-1333) and Muromachi (1338-1573) periods, hiramaki-e tended to be overshadowed by takamaki-e (gold or silver decoration in bold relief). It came fully into its own only in comparatively modern times. During the Azuchi-Momoyama period (1574-1600), hiramaki-e artists often left the sprinkled gold powder unpolished in a technique called maki-hanashi (left as sprinkled). A very beautiful piece by the master or an homage to Yoyusai bearing his name.

5" diameter across 1.33 inches high

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 22989

Aircrew Europe Six Medal Group, With Africa Star and 1942-43 Bar, 13th Squadron Observer, Operation Jubilee, 19/8/1942, the Dieppe Raids, One of the Top Five Most Secret Operations of WW2 with His Observer Wing {x 2} Dog Tags, Cap Badge & Silver O Wing

Of Sgt F.H. Westbrook -(Observer-13 Sqn)-

Operation Jubilee or the Dieppe Raid (19 August 1942) was an Allied amphibious attack on the German-occupied port of Dieppe in northern France, during the Second World War.

For over 60 years it has been thought by many of the world's historians that it was a foolhardy raid, with extraordinarily optimistic intentions, that failed, costing thousands of lives, numerous aircraft and ships, possibly, pointlessly .

In truth, it was in fact, one of the most top, top, top secret operations of the entire war. The whole event was an operation to capture for Bletchley Park a new, ultra top secret 4 rota enigma machine, kept in a German HQ safe, containing the new upgraded German enigma machine, plus several months worth of future German codes and cyphers. Even the special forces commanders of the raid where kept completely in the dark, and barely a dozen highest level top intelligence officers had even the remotest clue as its intentions. It was meant to look like a rehearsal for an allied invasion, so the German High Command wouldn't have the remotest clue as to its main objective. Thousands of allied soldiers died, not in vain as has been thought, but in order to, potentially, save hundreds of thousands of lives.

Over 6,050 infantry, predominantly Canadian, supported by a regiment of tanks, were put ashore from a naval force operating under protection of Royal Air Force (RAF) fighters.

The port was to be captured and held for a short period, allegedly to test the feasibility of a landing, and to gather intelligence on German coastal defences, port structures, and important buildings were to be demolished. The raid was intended as a boost for Allied morale, and to demonstrate the commitment of the United Kingdom to re-open the Western Front and support the Soviet Union, fighting on the Eastern Front. Little did anyone know for the past 60 years, just how important this raid truly was, it was in fact an incredibly costly diversion to hide an 'ultra' top secret operation.

Aerial and naval support was insufficient to enable the ground forces to achieve their objectives; the tanks were trapped on the beach and the infantry was largely prevented from entering the town by obstacles and German fire. After less than six hours, mounting casualties forced a retreat. The operation was a fiasco in which only one landing force achieved its objective and some intelligence was gathered (including electronic intelligence).

Within ten hours, 3,623 of the 6,086 men who landed had been killed, wounded or became prisoners of war. The Luftwaffe made a maximum effort against the landing as the RAF had expected, but the RAF lost 106 aircraft (at least 32 to anti-aircraft fire or accidents) against 48 German losses. The Royal Navy lost 33 landing craft and a destroyer.

Both sides learned important lessons regarding coastal assaults. The Allies learned lessons that influenced the success of the D-Day landings. Artificial harbours were declared crucial, tanks were adapted specifically for beaches, a new integrated tactical air force strengthened ground support, and capturing a major port at the outset was no longer seen as a priority. Churchill and Mountbatten both claimed that these lessons had outweighed the cost. The Germans also believed that Dieppe was a learning experience and made a considerable effort to improve the way they defended the occupied coastlines of Europe.

Fighter Command claimed to have inflicted many losses on the Luftwaffe for an RAF loss of 106 aircraft, 88 fighters (including 44 Spitfires), 10 reconnaissance aircraft and eight bombers; 14 other RAF aircraft were struck off charge from other causes such as accidents. Other sources suggest that up to 28 bombers were lost and that the figure for destroyed and damaged Spitfires was 70. The Luftwaffe suffered 48 aircraft losses, 28 bombers, half of them Dornier Do 217s from KG 2; JG 2 lost 14 Fw 190s and eight pilots killed, JG 26 lost six Fw 190s with their pilots. The RAF lost 91 aircraft shot down and 64 pilots; 47 killed and 17 taken prisoner, the RCAF lost 14 aircraft and nine pilots and 2 Group lost six bombers. Leigh-Mallory considered the losses "remarkably light in view of the number of Squadrons taking part and the intensity of the fighting" noting that the tactical reconnaissance suffered heaviest with about two casualties per squadron. The Luftwaffe in France was back to full strength within days of the raid. Copp wrote that Dieppe failed to inflict the knockout blow against the Luftwaffe that the RAF sought. Although the Allies continued to lose on average two aircraft for every one German aircraft destroyed for the rest of 1942, the output of fighters by the United States, Britain and Canada combined with better Allied pilot training, led to the Luftwaffe gradually losing the war of attrition in the skies above France. Copp concluded that: "The battle for air superiority was won on many fronts by continuous effort and August 19, 1942 was part of that achievement". The Forward Air Controller, Air Commodore Adrian Cole, was injured when Calpe was attacked and was awarded the DSO for gallantry. Of course Copp had no idea as to the real objective of the raid

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24973

18th Century Ching Dynasty Chinese Matchlock Musket Powder Flask. Qianlong {aka Chien-lung} Period

Leather covered wood with iron spout. Wooden slide at the base of the spout for opening and closing the flask to release. Very scarce to find, somewhat crude in its manufacture but typical of the time and the region within which it was used in the North West province of China and the mountains of Tibet. Somewhat similar to examples from the old Ottoman Empire, but their versions tended to have leather tooling decor. How or why the two regional types were so similar is unknown, although possibly via the *Silk Road route. Which had been the origin of trade between the East and the West for almost 2000 years

Qianlong {aka Chien lung period}, used until the Boxer Rebellion. Most likely brought back to England by a British soldier that either served in the Opium War, or defended the legations at the siege in Peking.

China pioneered the use of gunpowder for fireworks and artillery in the thirteenth and fourteenth centuries. Sophisticated firearms technology, however, developed more rapidly in Europe during the fifteenth and sixteenth centuries and was then introduced into China by merchants, diplomats, and missionaries during the seventeenth century. Improved designs for cannons and practical types of hand-held guns were eagerly promoted and officially adopted as regulation military equipment under the Qing emperors Kangxi (reigned 1662–1722) and Qianlong (reigned 1736–1795). In addition to mastering the use of bow and arrow and other weapons, both Kangxi and Qianlong owned and used guns, particularly for hunting. This was in keeping with their overall belief in the importance of martial training, which they encouraged by personal example.

Thomas Child spent from 1870 to 1889 in Beijing, and John Thompson traveled in northern China from circa 1869 to 1872. By this time period, observers noticed that soldiers were often equipped with older, antique guns. I tend to date this type to circa 1720 to the 1750’s.

The Qing dynasty (English pronunciation; Ching), officially the Great Qing, was a Manchu-led imperial dynasty of China (1636–1912) and the last imperial dynasty in Chinese history.
It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Russian Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the fourth-largest empire in world history in terms of territorial size. With 419,264,000 citizens in 1907, it was the most populous country in the world at the time.

*Silk Road, ancient trade route, linking China with the West, that carried goods and ideas between the two great civilizations of Rome and China. Silk went westward, and wools, gold, and silver went east. China also received Nestorian Christianity and Buddhism (from India) via the Silk Road. See image 6 in the gallery. The road inspired cellist Yo-Yo Ma to found the Silk Road Project in 1999, which explored cultural traditions along its route and beyond as a means for connecting arts worldwide across cultures.  read more

Code: 21273