A Very Good & Most Rare ‘Colonel-of-Staff’ Hussars Regiments 19th Century British Army Colonel’s Undress Sabretache, in Russia Leather, With Royal Cypher

Victorian, Colonel-on-the-Staff, most Senior Officer of Hussars and Royal Artillery undress Sabretache.

A very good example of the rare ‘Russia leather’ sabaretach made for Colonels serving on the British Army General's Staff and of hussars. The history and geography of vegetable tanning and “Russia Leather’ are important for those who wish to know regarding this amazing natural material, the red-brown tone and the peated whisky scent of Russia leather. What is most fascinating is the incredible durability of this material from which princes’ trunks and soldiers’ boots were crafted during the era of the Russian tsars. In particular, its waterproof quality is confirmed by the rolls found intact after spending two centuries under the sea in the hold of Metta Catharina, a shipwreck discovered off the coast of Plymouth. The flap is mounted to the centre with a fire gilt Crowned VR cypher. Complete with pocket to the reverse and retaining three D shaped sling attachments. A sabretache is a flat bag or pouch, which was worn suspended from the belt of a cavalry officer together with the sabre. The sabretache is derived from a traditional Hungarian horseman's flat leather bag called a tarsoly. Early examples have been found the tombs of Magyar warriors from the 10th century Conquest of Pannonia. They were often strengthened and decorated with silver plates and would have contained fire-making tools and other essentials. In the early 18th century, hussar cavalry became popular amongst the European powers, and a tarsoly was often a part of the accoutrements. The German name sabretache was adopted, tache meaning "pocket". It fulfilled the function of a pocket, which were absent from the tight fitting uniform of the hussar style. Part of the wartime function of the light cavalry was to deliver orders and dispatches; the sabertache was well suited to hold these. The large front flap was usually heavily embroidered with a royal cypher or regimental crest, and could be used as a firm surface for writing. By the 19th century, other types of cavalry, such as lancers, also wore them.

In the British Army, sabretaches were first adopted at the end of the 18th century by light dragoon regiments, four of which acquired "hussar" status in 1805.They were still being worn in combat by British cavalry during the Crimean War; "undress" versions in plain black patent leather were used on active duty. The Prussian Guard Hussars wore theirs in the Franco-Prussian War. In most European armies, sabretaches were gradually abandoned for use in the field before the turn of the 20th century, but were retained by some regiments for ceremonial occasions.

Sabretaches are now much sought after by collectors of militaria.  read more

Code: 21275

A Most Scarce 16th Century Indian 'Firangi' Battle Sword Circa 1500's Basket Hilt Form

From a family armoury collection originally housed in a castle in Scotland, accumulated over 4 centuries.

The name ‘Firangi’ (Foreigner) was apparently given to these swords somewhat later in the 17th Century, as they were mounted with European (Foreign) blades, imported by the Portugese, which were highly valued. Some blades were locally made in the European style. The blades were mounted on the Khanda style hilt and with the long spike extending from the pommel which enabled them to be used as two handed swords. The firangi sword characteristically had a straight blade of backsword form (single edged). The blade often incorporated one, two, or three fullers (grooves) and had a spear-tip shaped point. The sword could be used to both cut and thrust. Examples with narrow rapier blades have survived, though in small numbers. The hilt was of the type sometimes called the "Indian basket-hilt" and was identical to that of another Indian straight-bladed sword the khanda. The hilt afforded a substantial amount of protection for the hand and had a prominent spike projecting from the pommel which could be grasped, resulting in a two-handed capability for the sword. Like other contemporary Indian swords the hilt of the firangi was usually of iron and the tang of the blade was attached to the hilt using a very strong resin, additionally, the hilt to blade connection was reinforced by projections from the hilt onto either face of the forte of the blade which were riveted together though a hole passing through the blade. Because of its length the firangi is usually regarded as primarily a cavalry weapon. Illustrations suggest a 16th-century date for the development of the sword, though early examples appear to have had simpler cross-guard hilts, similar to those of the talwar. The sword has been especially associated with the Marathas, who were famed for their cavalry. However, the firangi was widely used by the Mughals and those peoples who came under their rule, including Sikhs and Rajputs. Images of Mughal potentates holding firangis, or accompanied by retainers carrying their masters' firangis, suggest that the sword became a symbol of martial virtue and power. Photographs of Indian officers of Hodson's Horse (an irregular cavalry unit raised by the British) show that the firangi was still in active use at the time of the Indian Mutiny in 1857-58 The khanda can generally be a double-edge but can be a single edged straight sword. It is often featured in religious iconography, theatre and art depicting the ancient history of India. Some communities venerate the weapon as a symbol of Shiva. It is a common weapon in the martial arts in the Indian subcontinent. Khanda often appears in Hindu, Buddhist and Sikh scriptures and art The word khanda has its origins in the Sanskrit meaning "to break, divide, cut, destroy". Used from the time of Abu'l-Fath Jalal-ud-din Muhammad Akbar (15 October 1542 - 27 October 1605 ), popularly known as Akbar I literally "the great" and later Akbar the Great, he was the third Mughal emperor, who reigned from 1556 to 1605.
29 inch blade to hilt, 35 inches overall  read more

Code: 20871

A 1200’s Old Knight's Prick Spur, Still With Buckle From The IInd Baron’s War of Henry IIIrd and Earl Simon de Montfort

We show a medeavil drawing from the British Museum of a kneeling knight wearing the very same form of prick spur. It is absolutely remarkable that this spur stil has its leather strap buckle and mount in place. Battle of Lewes period, from the IInd Baron’s War

The Battle of Lewes was one of two main battles of the conflict known as the Second Barons' War. It took place at Lewes in Sussex, on 14 May 1264.[1] It marked the high point of the career of Simon de Montfort, 6th Earl of Leicester, and made him the "uncrowned King of England". Henry III left the safety of Lewes Castle and St. Pancras Priory to engage the barons in battle and was initially successful, his son Prince Edward routing part of the baronial army with a cavalry charge. However, Edward pursued his quarry off the battlefield and left Henry's men exposed. Henry was forced to launch an infantry attack up Offham Hill where he was defeated by the barons' men defending the hilltop. The royalists fled back to the castle and priory and the King was forced to sign the Mise of Lewes, ceding many of his powers to Montfort.

The battle site is still not completely agreed upon, but part of the conflict was recorded at Offham hill, and this is was just 4 miles south of our farm, Thousands of the protagonists soldiers were supposedly camped within our old grounds, but at present it is not certain for which side they fought. Our farm was originally part of Earl Godwin’s estate, later more famously known as King Harold, who also supposedly camped here before his Battle of Hastings in 1066. A Canadian funded documentary is being filmed here at the current time.

Simon de Montfort, 6th Earl of Leicester (c. 1208 – 4 August 1265), later sometimes referred to as Simon de Montfort to distinguish him from his namesake relatives, was a nobleman of French origin and a member of the English peerage, who led the baronial opposition to the rule of King Henry III of England, culminating in the Second Barons' War. Following his initial victories over royal forces, he became de facto ruler of the country, and played a major role in the constitutional development of England.

During his rule, Montfort called two famous parliaments: the Oxford Parliament stripped Henry of his unlimited authority, while the second included ordinary citizens from the towns. For this reason, Montfort is regarded today as one of the progenitors of modern parliamentary democracy, however during his time as Earl of Leicester he was also determinedly anti semitic and expelled all of the Jews from that city, yet curiously, Leicester's Jews were allowed to move to the eastern suburbs, which were controlled by Montfort's great-aunt Margaret, Countess of Winchester. But as he became ruler of England he also cancelled debts owed to Jews through violent seizures of records. Montfort's party massacred the Jews of London, Worcester and Derby, killing scores of Jews from Winchester to Lincoln. After a rule of just over a year, Montfort was killed by forces loyal to the king in the Battle of Evesham


de Montfort also had connections to the Albigensian Crusade, which was a crusade against the heretic Cathars, and was immensely popular in northern France because it gave pious warriors an opportunity to win a Crusade indulgence. The Albigensian Crusade, Crusade (1209-29) was called by Pope Innocent III against the Cathari, a dualist religious movement in southern France that the Roman Catholic Church had branded heretical. The war pitted the nobility of staunchly Catholic northern France against that of the south, where the Cathari were tolerated and even enjoyed the support of the nobles. Although the Crusade did not eliminate Catharism, it eventually enabled the French king to establish his authority over the south. During the first season the Crusaders captured Boziers in the heart of Cathar territory and following the instructions of the papal legate who allegedly said, Kill them all. God will know his own, when asked how the Crusaders should distinguish the heretics from true Christians massacred almost the entire population of the city. With the exception of Carcassonne, which held out for a few months, much of the territory of the Albigeois surrendered to the Crusaders. Command of the Crusade was then given to Simon, lord of Montfort and earl of Leicester, who had served during the Fourth Crusade. A man, one can safely say was famed for his deeply held religious prejudices, yet ironically, an exponent of parliamentary democracy.  read more

Code: 22314

A Very Fine Original 16th Century Italian Field Armour Breast Plate Circa 1520

For field combat and with mountings for use in the tilt.

A very fine and original piece of finest Italian armour. Medially ridged breast plate with moveable gusset and roped arm and neck-openings. With two alligned holes for resting a lance for the tilt. The plate also has a key slot for an addition of reinforcing plate also for the tilt or joust. Jousting is a martial game or hastilude between two horsemen and using lances, often as part of a tournament. The primary aim is to strike the opponent with the lance while riding towards him at high speed, if possible breaking the lance on the opponent's shield or armour, or by unhorsing him.

Jousting emerged in the High Middle Ages based on the military use of the lance by heavy cavalry. It transformed into a specialised sport during the Late Middle Ages, and remained popular with the nobility both in England and Germany throughout the whole of the 16th century (while in France, it was discontinued after the death of king Henry II in an accident in 1559). In England, jousting was the highlight of the Accession Day tilts of Elizabeth I and James I, and also was part of the festivities at the marriage of Charles I. The medieval joust took place on an open field. Indeed the term joust meant "a meeting" and referred to arranged combat in general, not just the jousting with lances. At some point in the 14th century, a cloth barrier was introduced as an option to separate the contestants. This barrier was presumably known as tilt in Middle English (a term with an original meaning of "a cloth covering"). It became a wooden barrier or fence in the 15th century, now known as "tilt barrier", and "tilt" came to be used as a term for the joust itself by ca. 1510. The purpose of the tilt barrier was to prevent collisions and to keep the combatants at an optimal angle for breaking the lance. This greatly facilitated the control of the horse and allowed the rider to concentrate on aiming the lance. The introduction of the barrier seems to have originated in the south, as it only became a standard feature of jousting in Germany in the 16th century, and was there called the Italian or "welsch" mode. Dedicated tilt-yards with such barriers were built in England from the time of Henry VIII.

Specialized jousting armour was produced in the late 15th to 16th century. It was heavier than suits of plate armour intended for combat, and could weigh as much as 50 kg (100 lb), compared to some 25 kg (50 lb) for field armour; as it did not need to permit free movement of the wearer, the only limiting factor was the maximum weight that could be carried by a warhorse of the period  read more

Code: 22317

An Original WW2 British Special Constabulary Recruitment Poster

Published for HMG by Fosh and Cross Ltd London. A propaganda information and recruitment poster. The size as were used in the underground trains advertising panels, or the back of black cabs. Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables. In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. His calls for fight to victory inspired a hardening of public opinion. Determination raised the numbers of the Home Guard and inspired a willingness to fight to the last ditch, in a manner rather similar to Japanese determination, and the slogan "You can always take one with you" was used in the grimmest times of the war. British victories were announced to the public for morale purposes, and broadcast to Germany for purposes of undermining morale.

Even during Dunkirk, an optimistic spin was put on how the soldiers were eager to return.

When the U-boat commander Gunther Prien vanished with his submarine U-47, Churchill personally informed the House of Commons, and radio broadcasts to Germany asked, "Where is Prien?" until Germany was forced to acknowledge his loss.

The turn of the war made BBC's war commentaries much more stirring.

We never normally comment on the investment potential of any collectable, but the potential for all underpriced WW1 and WW2 posters must be incredible, for example the more famed poster, 'Keep Calm and Carry On' can now sell for over £20,000.
Good condition 14.75 inches x 9.75 inches  read more

Code: 20874

A Stunning Samurai Aikuchi Tanto With An Around 500 Year Old Blade, Signed Kaneyoshi,

THE LANES ARMOURY, Supplying The World’s Collectors for Over a Century. We offer to you to view on our website all of our wonderful and exciting pieces, that we have the tremendous privilege of owning, even for just a brief period, and offering them to discerning clients around the globe. For example, we have one of the largest selections of original, antique and ancient Japanese weaponry for sale in the country, if not the world, and we have been doing so for just over 100 years. It’s our experience, based over generations, that we offer to all our clients, based on our established, world renowned traditions, offering wondrous delights, that we believe, one can simply not see in such incredible variety anywhere else in the world.

This is a simply fabulous tanto with its simply stunning and sublime full suite of original Edo period koshirae [fittings] including, the finest ‘lobster scale’ lacquer saya, decorated, with fantastic skill, and the fittings decorated with hand painted pure gold lacquer butterflies throughout, and its saya pocket is complete with a very fine quality shakudo and pure gold kozuka utility knife, decorated with a gold cockerel on a taiko war drum. The ‘cockerel on a drum’ is a combination often seen in netsuke art (or other forms of Japanese art), representing a symbol of peace and contentment, as legend says that a war drum was lying around for so long (during unusually peaceful times of the Edo period) that hens and roosters began to live in it. The rooster, is carved with the most finely carved plumage you can imagine. The skill of the craftsmanship is breathtaking. The Japanese believed that butterflies were the souls of people, according to Lafcadio Hearn in his book Kwaidan. Hearn wrote that the belief that butterflies were human souls was so popular that when a swarm of butterflies appeared over Kyoto just before a huge rebellion was about to take place, the Japanese took it as an omen that they represented the souls about to perish in the battle to come.

There were numerous important connotations of the butterfly in life in Japan------if a butterfly came through your screen door, it was said that the one you loved the most would soon visit. However the moth, like the butterfly, can be a symbol of the psyche. But, unlike the butterfly, it does not usually carry the sense of the psyche's rebirth.The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana. Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi. The tanto was invented partway through the Heian period. With the beginning of the Kamakura period, tanto were forged to be more aesthetically pleasing, and hira and uchi-sori tanto becoming the most popular styles. Near the middle of the Kamakura period, more tanto artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tanto began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place.

During the era of the Northern and Southern Courts, the tanto were forged to be up to forty centimetres as opposed to the normal one shaku (about thirty centimetres) length. The blades became thinner between the uri and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. With the beginning of the Muromachi period, constant fighting caused the greater production of blades. Blades that were custom-forged still were of exceptional quality. As the end of the period neared, the average blade narrowed and the curvature shallowed. 22 inches long overall, blade 11.5 inches. The blade has three miniscule edge combat cuts, it would be fascinating to know their origins. Over the 500 years it has been repolished, but they have consistantly left the tiny edge cuts as signs of honourable combat scars. Maybe created in a most significant hand to hand combat of an ancestral owner. See photo 8 in the gallery, they are so small to be near invisible to the naked eye.  read more

Code: 23538

A Group of Four WW2 Medals of Sergeant James Blair Scots Guards

Well ahead of the invasion of Normandy that began on D Day, 6 June 1944, the 6th Guards Tank Brigade formed in England and included the 3rd (Tank) Battalion Scots Guards, equipped with Churchill tanks. On 22 July they landed in France and would serve from then on mostly attached to the 15th (Scottish) Division. Their first battle in Normandy was the assault on a long ridge, known usually as the Battle of Caumont, but for which the Battle Honour “QUARRY HILL”, part of the ridge, was awarded. The 3rd Battalion continued on into Belgium, Holland and finally Germany, the other Battle Honour attributable to them after the crossing of the frontier, but shared with others, being “RHINELAND”. Since leaving Italy the 2nd Battalion had been reinforced, including with a large detachment of men transferred from the RAF, and trained for infantry operations in the Guards Armoured Division which it joined early in February 1944 and fought with to the end of the War, ending up near Bremen. Almost immediately after their arrival the 2nd Battalion in the Guards Armoured Division and the 3rd Battalion again with the 15th Division were in from the start in the Battle of the Rhineland. It was very cold, but that it was so wet was worse over terrain of large easily defensible woods, low lying farmland and fortified villages. The enemy had withdrawn across the Rhine by mid March. In the operations to cross the Rhine and subsequently the 6th Guards Tank Brigade were for a time working with the Americans following which the Brigade Commander received a message from General Matthew Ridgway, Commander of the US Airborne Corps, later the Supreme Allied Commander in Europe “The period of our joint service has been brief but includes momentous days in a brilliant and now historic operation the Rhine crossing and the advance to capture Műnster. The contribution of 6th Guards Armoured Brigade in the success of the whole operation has been conspicuously superior. On the occasions I have been privileged to mingle with elements of your command, I have felt at once that atmosphere, that intangible something almost physical, which only the finest troops create. I am deeply conscious of having had these incomparable troops in my Corps. I should like to express to you my appreciation of your unfailing and complete cooperation, and my high respect for your professional abilities and leadership.” Just after the German capitulation in May the 3rd Battalion had the unusual role of boarding and taking the surrender of a German submarine on the Baltic coast. The final Battle Honour was “NORTH WEST EUROPE, 1944-45”

Acquired direct from the family  read more

Code: 24643

A Scarce African Turkana Tepeth Tribal Wrist Knife

16cms. Of disc form with cut-out for the wrist, lined inside and out with leather strips GC Possibly Tepeth tribe. Some information about Tepeth tribe:

The present inhabitants of Karamoja are the Karamojong tribes. The main Karamojong tribes are : the Matheniko ("The Bulls"; Moroto area), the Bokora ("The Turtles"; Kangole area), the Pian ("The Lightings"; Namalu area), the Jie ("The Warriors"; Kotido area), the Dodoth ("The Ostriches"; Kaabong and Kidepo area), the Jiye (The Jie of South Sudan), the Nyangatom ("those of the yellow trumpet"; Omo valley, Ethiopia and nearby South Sudan-Ethiopia border), scattered all along the Karamojong area. The Karamojong tribes are related to Masai people, forced to move centuries ago from their original lands located in Ethiopia by the arrival of arabian tribes from the north. The original inhabitants of Karamoja weren't Masai tribes, but - together with other two tribes - a Turkana-related tribe called Tepeth. During the last centuries, Tepeth people has been defeated by Karamojong tribes, and forced to reach the highest valleys of mount Moroto, mount Kadam and mount Napak where at present times they're living of small agriculture and sheep-rearing, organized in grass-made villages each one governed by a council of seniors. The Ik (known as "Teuso" too) and the Nyangia tribes were part of the original inhabitants of Karamoja too, and as the Tepeth they've been defeated by the arrival of the Karamojong tribes and they're still alive on the mountains of Karamoja, the Ik on mount Morungole and the Nyangya on the hills of north-western Karamoja. The wrist knives are a special handmade article of all Turkana tribes, used since ancient times as weapon, to defend, to attack, and for daily works. The wrist knives were used in the past among the tribes as a very valuable currency too.  read more

Code: 22508

A Beautiful 19th Century Ottoman-Indo-Persian Exotic Horn Hilted Jambiya

Very fine carved hilt in exotic horn with double edged blade with central rib. embossed leather covered wooden scabbard. The jambiya were taken by travelers to other cultures including the Ottoman Empire, Persia and India, where they were adopted with slight differences to the blade, hilt and scabbard.A significant part of a jambiya is its hilt (handle). The saifani hilt is made of exotic horn, It is used on the daggers of wealthier men. Different versions of saifani hilts can be distinguished by their colour. Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades. Overall 9.5 inches long.  read more

Code: 23958

A Wonderful 18th Century French Small-Sword of Parcel Gilt Silver, Steel

A stunning museum grade sword, decorated with purest gold, worthy of a finest collection of 18th century fine art and furnishings. Likely made at Versailles by a Royal swordsmith of King Louis XVIth, such as the master swordsmiths of the king, Lecourt, Liger or Guilman. A very finest grade sword of the form as was made for the king to present to favoured nobles and friends. He presented a similar sword to John Paul Jones [see painting in the gallery] now in the US Naval Academy Museum. Three near identical swords to this now reside in the Metropolitan. This is a simply superb small-sword, with stunningly engraved chiselled steel hilt, overlaid with pure gold over a fish-roe background, decorated with hand chiselled patterns of scrolling arabesques throughout the hilt, knucklebow, shell guards and pommel in the rococo style. The multi wire spiral bound grip is finest silver, betwixt blued silver bands, with Turks head finials. The blade is in the typical trefoil form, ideal for the gentleman's art of duelling, and very finely engraved. The degree of craftsmanship of this spectacular sword is simply astounding, worthy of significant admiration, it reveals an incredible attention to detail and the skill of it's execution is second to none. Other similar swords are in also in the British Royal Collection and in Les Invalides in Paris. Trefoil bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example. For example of the workmanship in creating this sword, for such as the King and Marie Antoinette, the keys for the Louis XVI Secretary Desk (Circa 1783) made for Marie-Antoinette by Jean Henri Riesener, one of the worlds finest cabinetmakers, and whose works of furniture are the most valuable in the world. The steel and gold metalwork key for Marie Antoinette's desk, is attributed to Pierre Gouthi?re (1732?1813), the most famous Parisian bronzeworker of the late eighteenth century who became gilder to the king in 1767. This sword bears identical workmanship and style to that magnificent key. This is the quality of sword one might have expected find inscribed upon the blade 'Ex Dono Regis' [given by the King]. Very good condition overall, with natural aged patination throughout. This painting, entitled John Paul Jones and Louis XVI, by the American artist Jean Leon Gerome Ferris depicts John Paul Jones and Benjamin Franklin at the court of Louis XVIth and being presented a similar sword now in US Naval Academy Museum. Overall length 35.5 inches  read more

Code: 23162