A Superb Ancient Greek Bronze Scholar’s Tablet Ring From The Time of Alexander the Great Circa 340 BC. Engraved With Symbolic Crosshatching Of Stylized Pre-Euclidean Geometry, And In The Proportions of A Greek Stele. From the Greek στήλη

Another collection of fine antiquities will be added soon, including this most rare scholar’s tablet ring from the time of Alexander the Great. A ring as could be worn by such as one of the greatest philosophers in history, Aristoteles. Very fine naturally aged bronze ring, in rectangular tablet form, with crosshatch engraving of stylized pre-Euclidean geometry

The great philosopher Aristoteles taught Alexander the Great in Naoussa
In the year 342 bc King Philip II of Macedonia invited. in the area of Naoussa, the great philosopher Aristoteles to educate his 13 year old son Alexander, who will be later known throughout the world as Alexander the Great.
Aristoteles accepted to undertake the education of Alexander and the children of Macedonian nobles in the Temple of the Nymphs near Naoussa. Many of these students would become Alexander’s friends and future generals. Aristotle taught Alexander and his friends about medicine, philosophy, morals, religion, logic, and art. Under Aristotle’s tutelage, Alexander developed a passion for the works of Homer. Aristotle gave him an annotated copy, which Alexander later carried on his campaigns.
This location of the Temple of the Nymphs near Naoussa is rounded with nature, trees, a river and a small swamps. Walking through the nature the philosopher Aristoteles taught Alexander using the epic poems of Homer.
The location is an incredible area that has more than 2300 years of history.

Alexander the Great himself famously wore jewelry that was full of imagery and symbolism. He frequently commissioned and wore jewelry, of bronze, silver and gold, with themes that celebrated his divinity, his victories, and his idea of a unified universe. He expressed his divine background and goals by using mythical creatures. Additionally, to emphasize his status as a monarch.

Steles have also been used to publish laws and decrees, to record a ruler's exploits and honours, to mark sacred territories, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both.

Picture in the gallery of Stele of Arniadas.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25437

A Very Impressive, Attractive, & Massive, Sukashi, Japanese Yanone {Arrow} Yanagi-Ba (Willow Leaf) With Long Tang. With Pierced Boar's Eye and Flower Head Clan Mon Likely a Presentation Piece

A beautiful very large arrow head {Ya} in nice polish, showing just a few tiny age marks. We can see it was re-polished some years ago. Likely Edo era.

Yanagi-Ba (Willow Leaf)
Yanone are very elaborate with saw-cut patterns like Sakura (cherry blossom), Inome (heart shape or boars eye), Mon patterns (family crests), dragons ad other geometrical patterns. These arrowheads are usually signed on the blade below the piercing and above the shoulder. Normally there are characters on both sides of the blade but in many cases the signature (mei) has been almost polished away.

This style of arrowhead appeared during the Momoyama period (1573-1615) and continued through the relatively peaceful Edo Period

The Togari-Ya or pointed arrowheads look like a small Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers. Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai.

One of the photos in the gallery shows how arrow heads are often displayed in Japanese museums.

Weight 201 grams, 25 inches long overall, head 5.5 inches long, 2.3 inches wide  read more

Code: 25461

A Rare WW2 21st Army Group Commander-in-Chief's, Field Marshal Bernard Law Montgomery, April 1945 Signed Certificate for Outstanding Good Service & Devotion To Duty As a Combatant.

This certificate states:

“21st Army Group, 1659410 Gnr W Fox 98 HAA Regt RA

" it has been bright to my notice that you have performed outstanding good service, and shown great devotion to duty, during the campaign in north west Europe. I award you this certificate as a token of my appreciation and I have given instructions that this should be noted in your Record of Service. Date April 1945, signed B.L Montgomery, Field Marshal Commander in Chief, 21st Army group.”

This certificate is in nice condition, but with age foxing, and is mounted behind glass.  read more

Code: 25462

Very Scarce British Army GPMG 'Jungle' Box 50 Round Magazine

After the Second World War the Belgian Mitrailleuse d’Appui General (MAG – General Purpose Machine Gun) was selected as the winning design to replace both the Vickers Heavy Machine Gun and Bren Light Machine Gun.

Built under licence at the Royal Small Arms Factory, Enfield it was renamed 7.62mm L7A2 General Purpose Machine Gun (GPMG), or 'Gimpy'.

L7A2 '50rnd Belt Box' GPMG 4,000rnd Auto-Winding Box Magazine

The design uses piston and bolt derived from the proven Browning Automatic Rifle, with the belt feed mechanism being based on that of German wartime designs, providing for a reliable and robust weapon.

The GPMG can be used as both a Light Machine Gun, firing from the shoulder or in the sustained fire mode installed on a tripod. In the sustained role it is operated by a two-man team, in a specialist machine gun platoon to provide battalion-level fire support.

The Parachute Regiment has always been a major user of the GPMG and in operations from the Middle East, Northern Ireland through to the Falklands, Kosovo and Afghanistan the GPMG has provided over 50 years of service.

The newer 5.56mm Minimi Light Machine Gun has supplemented the Gimpy in the British Army, but the Parachute Regiment still carry the Gimpy on foot patrols in Afghanistan for its superior weight of fire, stopping power and range.

Statistics

Length: 1,232mm

Weight: 10.9Kg

Calibre: 7.62mm

Feed: Belt

Range: Bipod 800m, Tripod 1,400m

Rate of Fire: 1,000 RPM

This item is for sale to UK only, Not suitable for export.  read more

Code: 23866

A Beautiful, Large & Most Fabulous Original Antique Ching Dynasty 'Rose Medallion' Canton Export Porcelain Lamp

An absolutely stunning and beautiful quality original Chinese export antique lamp, Qing Dynasty {Ching} circa 1830, with the body of a fine large size antique Cantonese porcelain vase, in rose medallion pattern with its lacquered highly decorative pierced brass oil lamp mountings, created and assembled in Paris in the 1830's. Later converted to electricity.

A large piece that could be categorised as a centre piece, most surviving antique Canton export lamps are the smaller size side lamps, but this is a statement piece of superb presence. The decoration centres around six dominant panels. On one side there are two panels with scenes of high status mandarins and courtiers above another over a panel decorated with birds and butterflies. The other side a central panel decorated with birds between two panels of people. Antique Chinese export porcelain is now become incredibly desirable and highly valuable due to the ever rising and powerful, so called Tiger Economy, of China. Rare antique Chinese porcelain is now attracting values of 10 to 100 times the prices achieved for them just 30 years ago or so. 'Canton' porcelains are fine Chinese ceramic wares made for export in the 18th to the 20th centuries, this is a piece from the earlier part of that period in the Ching Qing dynasty.

The wares were made, glazed and fired at Jingdezhen but decorated with enamels at Canton (Guangzhou) in southern China prior to export by sea through that port. Canton was a large, densely populated Chinese city. Most of the buildings in this ca. 1800 view in our gallery are two- or three-story buildings used both as residences and shops. The pagoda and five-story watchtower rise above the city, surrounded by the mountains where country estates and guard houses were located. Prominently featured in the foreground, with foreign flags, the area to which foreigners were confined was a tiny district of several acres on the banks of the river, where thousands of boats collected for trade. Many cities along China's southern coast had created foreign quarters for much earlier generations of Indian and Middle Eastern traders. The Westerners were just the latest arrivals. During the passage from Macau up the Pearl River foreigners passed through densely populated agricultural lands and market towns, but they never saw a major city until they reached Guangzhou. We call the trading system that lasted from 1700 to 1842 on China's south coast the Canton system because of this city's dominance. Guangzhou (which Europeans called Canton), an ancient city and one of the largest in South China, had flourished as an administrative and trading centre for over 1000 years before the Westerners arrived. Arab and Persian traders had lived in its foreign quarters under the Tang dynasty since the 8th century. Like most traditional Chinese cities, Canton had a large wall surrounding the central districts, major avenues within the wall, extensive market districts outside the wall, and constant contact by riverboats with the surrounding countryside and distant ports. 25 inches high not including light fitting 33 inches high with shade. The shade is around 50 years old, made of silk, but its condition is now most poor and shown for display purposes only, for use today a new example should be considered  read more

Code: 22231

A Very Good & Fine Original Medieval 'Crusader' Knight's Bronze Battle Mace & Scorpion Flail Mace Head Circa 12th Century. Around 900 Years Old, In Superb Condition and With Excellent Natural Age Patination

Made of Bronze Copper Alloy. A weapon made at the time at great cost, and only for the most affluent knight, a battle mace for the crushing and smashing of armour. The mace head is approx. the width of a pool or billiard ball. This fabulous mace could be mounted upon a haft {pretty much none of the original hafts from that period are now still in existence, being organic they decay very quickly once buried} or the aperture filled with lead and a large hand wrought iron staple, that would then be chained, and further mounted upon a short wooden haft to use as a flail mace.
Although no original early mace heads, in reality, were that large, they were heavy and powerful enough, combined with the impetus of a powerful swing, to be incredibly and dramatically effective at smashing through armour, and even iron plate helmets.

This bronze mace was made and used in the era of the first, through to all the knightly crusades to the Holy Land to reclaim Jerusalem.

The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Christian Latin Church in the medieval period. The best known of these military expeditions are those to the Holy Land in the period between 1095 and 1291 that had the objective of reconquering Jerusalem and its surrounding area from Muslim rule after the region had been conquered by the Rashidun Caliphate centuries earlier. Beginning with the First Crusade, which resulted in the conquest of Jerusalem in 1099, dozens of military campaigns were organised, providing a focal point of European history for centuries. Crusading declined rapidly after the 15th century.

In 1095, after a Byzantine request for aid, Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for Byzantine emperor Alexios I Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a variety of motivations. These included religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later expeditions were conducted by generally more organised armies, sometimes led by a king. All were granted papal indulgences. Initial successes established four Crusader states: the County of Edessa; the Principality of Antioch; the Kingdom of Jerusalem; and the County of Tripoli. A European presence remained in the region in some form until the fall of Acre in 1291. After this, no further large military campaigns were organised.  read more

Code: 25454

A Fabulous, Original, Cased Set of 3 German 15cm Howitzer Steel Shell Cases

The box case still with it's original German Army camouflage paint. Each shell case is dated. The 15 cm schwere Feldhaubitze 18 or sFH 18 (German: "heavy field howitzer, model 18"), nicknamed Immergren ("Evergreen"), was the basic German division-level heavy howitzer during the Second World War, serving alongside the smaller but more numerous 10.5 cm leFH 18. It was based on the earlier, First World War-era design of the 15 cm sFH 13, and while improved over that weapon, it was generally outdated compared to the weapons it faced. It was, however, the first artillery weapon equipped with rocket-assisted ammunition to increase range. The sFH 18 was also used in the self-propelled artillery piece schwere Panzerhaubitze 18/1 (more commonly known as Hummel).

***We bought a collection of these scarce collectors items, original Third Reich shell cases, some are now sold.

The sFH 18 was one of Germany's three main 15 cm calibre weapons, the others being the 15 cm Kanone 18, a corps-level heavy gun, and the 15 cm sIG 33, a short-barreled infantry gun. The gun originated with a contest between Rheinmetall and Krupp, both of whom entered several designs that were all considered unsatisfactory for one reason or another. In the end the army decided the solution was to combine the best features of both designs, using the Rheinmetall gun on a Krupp carriage.

The carriage was a relatively standard split-trail design with box legs. Spades were carried on the sides of the legs that could be mounted onto the ends for added stability. The carriage also saw use on the 10 cm schwere Kanone 18 gun. As the howitzer was designed for horse towing, it used an unsprung axle and hard rubber tires. A two-wheel bogie was introduced to allow it to be towed, but the lack of suspension made it unsuitable for towing at high speed. The inability of heavy artillery like the sFH 18 to keep up with the fast-moving tank forces was one of the reasons that the Luftwaffe invested so heavily in dive bombing, in order to provide a sort of "flying artillery" for reducing strongpoints.

The gun was officially introduced into service on 23 May 1935, and by the outbreak of war the Wehrmacht had about 1,353 of these guns in service. Production continued throughout the war, reaching a peak of 2,295 guns in 1944 Inert empty and safe, but not suitable for export or for sale to under 18'  read more

Code: 18417

An Amazing WW1 British Trench Howitzer Maker Marked and Dated 1915, An Intriguing and Fascinating Souvenir of The Great War's Trench Warfare

What an amazing display and conversation piece!

Trench mortars were the army’s most forward artillery, right up on the front line. These short range weapons were able to throw large, high explosive projectiles, short distances across No Man’s Land at the enemy trench system opposite.

Llewelyn Wyn Griffith, a captain with the 15th Royal Welch Fusiliers, described a battery of 2 inch mortars opening fire on enemy lines:

“A pop, and then a black ball went soaring up, spinning round as it went through the air slowly; more pops and more queer birds against the sky. A stutter of terrific detonations seems to shake the air and the ground, sandbags and bits of timber sailed up slowly and then fell in a calm deliberate way. In the silence that followed the explosions, an angry voice called out in English [with a distinct German accent no doubt] across No Man’s Land, ‘YOU BLOODY WELSH MURDERERS.’

Somewhat ironic, since the Kaiser invaded France and Belgium, slaughtered the allies, both civilians and combatants, in their hundreds of thousands, yet when the British -Welsh have the temerity to fight back and thus kill the German invaders, they are called murderers by the German combatants [sound familiar?]

The 2 inch mortar [named for the size of the rod not the huge explosive head] was considered accurate out to 350 yards with a maximum effective range out to just under 600 yards.

Introduced in 1915, the 2 inch mortar was originally crewed by men taken from the battalion it was stationed with, along with some specialists from the Royal Artillery. However, with the introduction of the 3 inch Stokes mortar which was operated by the infantry themselves the 2 inch mortars became the sole responsibility of the Royal Field Artillery.

The British Army entered the First World War with very few mortars, and certainly none at the battalion level. As the stalemate of trench warfare set in and the effectiveness of enemy mortars became clear it was decided that trench mortars of various sizes would be needed.

Nicknamed ‘plum pudding’ or ‘toffee apple’ mortars after their projectile’s characteristic shape, the 2 inch Medium Mortar or 2 inch Trench Howitzer, was one of Britain’s first effective light trench mortars to be introduced.

Mortar positions were often in secondary trenches just behind the infantry’s frontline. This was to help protect the infantry from potential counter-battery fire. The trench mortars were often deployed to sectors to provide counter battery fire against German minenwerfers or in the run up to an offensive or local action. A British Army report on artillery use, drawn up in February 1917, noted that “Owing to their liability to be destroyed by hostile artillery fire it may often be advisable to defer opening fire with these mortars till the last day of bombardment.” The mortars were also tasked with keeping gaps made in the wire clear and with supporting any feint attacks made by infantry during gaps in the bombardment running up to a larger offensive.

Llewelyn Wyn Griffith, a captain with the 15th Royal Welch Fusiliers and later a novelist, recalled in his war memoir:

“At night a trench mortar officer set his guns in a derelict trench about twenty yards behind the line and carried up his ammunition, heavy globes of iron with a little cylindrical projection like a broken handle. In the morning I moved the men from the bays between the trench mortars and their target, to lighten the risk of loss from retaliatory fire.”

The 2 inch medium mortar entered service in spring 1915 and remained in use into 1917 with British and Empire troops. It was used on the Western Front and in Mesopotamia. Over 800 were ordered initially with 675,000 bombs, many of the mortars were made in railway and agricultural machinery workshops, allowing larger factories to focus on more complex weapons. The 2 inch mortar was superseded by the larger bore Newton 6 inch mortar later in the war. Some of the remaining 2 inch projectiles were re-purposed as makeshift anti-tank mines, buried in no man’s land in anticipation of possible German tank attacks.

Not suitable for export, inert, safe and perfectly harmless, but of substantial heft. UK mainland delivery only. 34 inches long overall head 9 inch diameter.  read more

Code: 24389

A Beautiful Edo Period Akasaka School O Sukashi Tsuba Decorated in Cut Silhouette With Clouds, Stars and Moon.

Early in the 17th century, tradition says, a dealer of Kiōto, named Kariganeya Hikobei, practised the designing of openwork iron guards in a new and refined style and had them made by a group of skilled craftsmen. From among these men he selected one Shōgunal capital, and settled with him at Kurokawa-dani in the Akasaka Japanese text district. Shōzayemon took the name of Tadamasa and continued his work on Kariganeya’s designs, dying in 1657. His son (or younger brother) Shōyemon, who succeeded him, calling himself Tadamasa II and adopting Akasaka as a surname, died in 1677 and was in turn succeeded by his son Masatora (d. 1707), by Masatora’s son Tadamune, and thence by four generations all called Tadatoki, the last living on into the middle of the 19th century. The first Tadatoki seems to have removed to Kiōto with his father’s pupil Tadashige and there to have founded a western branch of the school. Besides these a number of pupils, all called Tada-…, are recorded.

The earlier Akasaka guards closely resemble the pierced work of the Heianjō and Owari workers (Group III). Later productions display a number of striking features, such as clean-cut fret-piercing in positive silhouette of designs leaving little of the iron in reserve, the addition of a slight engraving finish, a rounded or rather tapered edge to the guard, and, in some of the more recent specimens, the semi-circular enlargement of each end of the tang-hole, as if to take a plug (not supplied) of abnormal size. Enrichments of other metals are entirely absent.  read more

Code: 25445

Historismus Chinese Bronze Helmet, Ancient C.400bc Warring States Era Style

A fabulous statement piece, ideal for a interior decor centrepiece. Probably mid 19th century. With good green aged patination, and as tradition dictates, cast in one piece. In the past 30 years or so we have had only a very few of this style of helmet, and just two have been original and the correct age that they should. This is a Historismus period example. It is a most beautiful work of art, extremely pleasing, decorative, and it would compliment any historical or classical display of arms or antiques. We don't normally acquire or sell non period items but historismus pieces have always been desireable and most collectable in their own right. Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards. The change is often related to the rise of the bourgeoisie during and after the Industrial Revolution. The history and evolution of armour in Chinese warfare is difficult to ascertain with certainty, given its often perishable nature, but text descriptions and appearances in art, such as in wall paintings and on pottery figurines, along with surviving metal parts can help reconstruct major developments. Just who wore armour and when is another point of discussion. Military treatises of the Warring States period (c. 481-221 BCE) suggest that all officers of any level wore armour. The same sources contain references to commanders keeping armour in storage bags and distributing it to troops, but at least some of the ordinary conscripted infantry probably had to provide their own. This obviously depended on their means, and being farmers it is unlikely to have been a realistic possibility for most. 31 cm high, weight 3 kilos.  read more

Code: 22225