A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

Original 18th Century Scottish Fencible Regimental Basket Hilted Broadsword

With distinctive two part centrally welded basket, in sheet iron, with scrolls and thistles there over. Interesting original regimental swords of the 18th century, from Scottish regiments are very much sought after throughout the entire world. Scottish Fencible Regiment's swords are now jolly rare indeed, and they are highly distinctive in their most unique form. Fancy carved replacement grip. Some ironwork separation on the basket by the forte of the blade, but overall in good sound condition. Overall natural age surface pitting. Made for the war with Revolutionary France in the 1790's. The total number of British fencible infantry regiments raised during the Seven Years' War and the American War of Independence was nine, of which six were Scottish, two were English and one was Manx. The regiments were raised during a time of great turbulence in Europe when there was a real fear that the French would either invade Great Britain or Ireland, or that radicals within Britain and Ireland would rebel against the established order. There was little to do in Britain other than garrison duties and some police actions, but in Ireland there was a French supported insurrection in 1798 and British fencible regiments were engaged in some pitched battles. Some regiments served outside Great Britain and Ireland. Several regiments performed garrison duties on the Channel Islands and Gibraltar. A detachment of the Dumbarton Fencibles Regiment escorted prisoners to Prussia, and the Ancient Irish Fencibles were sent to Egypt where they took part in the operations against the French in 1801.

When it became clear that the rebellion in Ireland had been defeated and that there would be peace between France and Britain in 1802 (The preliminaries of peace were signed in London on 1 October 1801) the Fencible regiments were disbanded.
The British cavalry and light dragoon regiments were raised to serve in any part of Great Britain and consisted of a force of between 14,000 and 15,000 men. Along with the two Irish regiments, those British regiments that volunteered for service in Ireland served there. Each regiment consisted of eighteen commissioned officers and troops of eighty privates per troop. The regiments were always fully manned as their terms of service were considered favourable. At the beginning of 1800 all of the regiments were disbanded  read more

Code: 20632

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

Briefe Napoleons des Ersten : in drei Banden ; Auswahl aus der gesamten Korrespondenz des Kaisers. Napoleon the First. Selection from all the correspondence of the emperor. Published in 1910; Napoleon's correspondence from 1809 until his death in 1821. Published in 3 volumes this is volume 3. Taken in 1946 from the family library of Field Marshal Keitel, and one of two books from the library we have acquired, the first one was sold. Bearing the Ex Libris Book Label of his family and eldest son, who he lost in the war, Karl-Heinz Keitel SS-Sturmbannfuhrer of 8th SS Cavalry Division Florian Geyer, awarded the German Cross in Gold, Iron Cross 1st Class for heroism, Iron Cross IInd class, Close Combat Clasp & Wound Badge in black. Wilhelm Bodewin Johann Gustav Keitel (22 September 1882 - 16 October 1946) was the most famous German field marshal of WW2 who served as chief of the Oberkommando der Wehrmacht (Supreme Command of the Armed Forces) for most of World War II, making him the Chief of Defence for Germany and Hitler's number two after Reichmarshall Goring. At the Allied court at Nuremberg, he was tried, sentenced to death, and hanged as a war criminal. He was the third highest-ranking German officer to be tried at Nuremberg. Karl-Heinz Keitel was born on 2 January 1914, in Wolfenbuttel, the eldest son of Wilhelm Keitel who would rise to become Chief of the OKW, the German Military High Command, during World War II. Karl-Heinz joined the Heer in 1934 and served in various cavalry units following the outbreak of war in 1939. In June 1943 he was assigned to the Kavallerie-Schule in Potsdam-Krampnitz, and served as a battalion commander, and later the regimental commander of the Kavallerie-Regiment Nord. On 5 August 1944, he transferred into the Waffen-SS and served with the 22. SS-Freiwilligen-Kavallerie-Division "Maria Theresia". On 20 October of that year, he was promoted to command SS-Freiwilligen-Kavallerie-Regiment 17 / 22.SS-Freiwilligen-Kavallerie-Division "Maria Theresia" in the area of Hungary. In November 1944, combined with the Florian Geyer division, the "Maria Theresia" was assigned to the garrison of Budapest. On 12 December he was wounded in action while defending against Red Army probing attacks into Budapest for which he was awarded the Wound Badge in Black.
In March he transferred to the 37. SS-Freiwilligen-Kavallerie-Division "Lutzow" as its commander, and led the 2000 strong remnants of the division in heavy fighting around Wiener-Neustadt as part of 6. SS-Panzer Armee. He was reportedly promoted Obersturmbannfuhrer (Lieutenant Colonel) in the closing months of the war. The book's label also bears the label of his wife Dorothee, the daughter of the Werner Eduard Fritz von Blomberg (2 September 1878 - 14 March 1946) was a German Generalfeldmarschall, Minister of War, and Commander-in-Chief of the German Armed Forces until January 1938. The marriage of Karl-Heinz and Dorothee was one of the reasons her father, Generalfeldmarschall von Blomberg, was forced to resign by Hitler in 1938 It was in order to avoid a damaging scandal caused by the Generalfeldmarschall's new wife's criminal history as a prostitute that was discovered by Himmler. It was an extraordinary discovery as both Hitler and Goring attended her wedding to Keitel. Another volume that we know of, also originally from Field Marshal Keitel's library, an 1827 first edition of Alexander Pushkin's 'The Robber Brothers' printed in Russian, was apparently given to Keitel in 1941/2, after it's liberation from another but unknown Russian Ex Libris collection during Operation Barbarossa. That volume was given, in its turn in 1945, to Marshal Zhukov, commander of the Army of the USSR, and bears his Red Star stamp, and also Keitel's military stamp. That volume may weel have bee liberated from the Keitel family home library as was this book alongside the other we are offering for sale. Napoleon Bonaparte was General of the French Revolution; the ruler of France as First Consul (Premier Consul) of the French Republic from 11 November 1799 to 18 May 1804; then Emperor of the French (Empereur des Francais) and King of Italy under the name Napoleon I from 18 May 1804 to 6 April 1814; and briefly restored as Emperor from March 20 to June 22 of 1815. This unique piece is exactly the kind of item we are seeking and finding every day, and thus duly offer for sale in our shop and website. Unique, original pieces for the discerning collector, and items that simply cannot be found any where else. We are now the only shop in Britain that offers such pieces, every day, and have done and hopefully will continue to do so  read more

Code: 19643

An Edo Tettsu Krishitan {Christian} Tsuba Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

This beautiful iron tsuba, contains the hidden Edo period Christian symbols of the rope and the cross, and it serves as both a reminder to the violence and to the subsequent hiddenness that came out of the Japanese convert Christians’ suffering. The rope was symbol of obedience - the symbol of an untied rope.
It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum.  read more

Code: 25310

A Superb Pair of WW2 German Kriegsmarine "U-boat" Fixed-Focus Binoculars. “Doppelfernrohr 7 X 50 für U-Boote ‘U-Bootglas 7X50’”

These are an original pair of German, WW2 U-Boat commanders binoculars, and for desirability simply cannot be bettered. This delightful pair are in fabulous condition, with all the rubbers and lenses in lovely condition for age, with all the usual wear as to be expected.
Third Reich WW2 period code marked. With superb fixed focusing, excellent optics and lenses, just a very little condensation misting.

Winston Churchill claimed that the 'U-boat peril' was the only thing that ever really frightened him during WWII. This was when German submarines attacked the Atlantic lifeline to try to starve Britain into submission.

In WWII the British troop ship, RMS Laconia, was sunk by a German U-boat. The U-boat captain Werner Hartenstein immediately ordered the rescue of as many survivors as possible, taking 200 people on board, with another 200 in lifeboats. Although, it is fair to say that not all U-boat commanders were quite so considerate as he was. The U-Boat 7 X 50 binocular was manufactured from 1941 – 1945 specifically for use aboard submarines and was officially designated as the “Doppelfernrohr 7 X 50 für U-Boote ‘U-Bootglas 7X50’”. They were usually made by Zeiss but a smaller number were also manufactured by Emil Busch Rathenow (wartime code “cxn”).
It had three variations. The first was made from 1941-1943, lacked rubber armour and had hinged fold-back Bakelite eyecups. The second was made probably only in 1943 and had rubber armour without fold-back eyecups. The third was made from 1943-1945 and is identical to the second except for having a larger diameter eyelens. The first type is the rarest many being lost during service use.

The build of this binocular is remarkable and unequaled by WWII hand-held binoculars, and some believe never bettered since the war either. It is a fixed focus design for maximum sealing and weatherproofing. The primary user of the binocular could, however, set the focus to his eyesight by removing the rubber armour from the prism plates to access a large focus screw at the base of each eyepiece which could be adjusted using a screwdriver.
During World War II, U-boat warfare was the major component of the Battle of the Atlantic, which lasted the duration of the war. Germany had the largest submarine fleet in World War II, since the Treaty of Versailles had limited the surface navy of Germany to six battleships (of less than 10,000 tons each), six cruisers, and 12 destroyers.

In the early stages of the war the U-boats were extremely effective in destroying Allied shipping; initially in the mid-Atlantic where a large gap in air cover existed until 1942, when the tides changed. The trade in war supplies and food across the Atlantic was extensive, which was critical for Britain's survival. This continuous action became known as the Battle of the Atlantic, as the British developed technical defences such as ASDIC and radar, and the German U-boats responded by hunting in what were called "wolfpacks" where multiple submarines would stay close together, making it easier for them to sink a specific target. Later, when the United States entered the war, the U-boats ranged from the Atlantic coast of the United States and Canada to the Gulf of Mexico, and from the Arctic to the west and southern African coasts and even as far east as Penang. The U.S. military engaged in various tactics against German incursions in the Americas; these included military surveillance of foreign nations in Latin America, particularly in the Caribbean, to deter any local governments from supplying German U-boats.

Because speed and range were severely limited underwater while running on battery power, U-boats were required to spend most of their time surfaced running on diesel engines, diving only when attacked or for rare daytime torpedo strikes. The more ship-like hull design reflects the fact that these were primarily surface vessels that could submerge when necessary. This contrasts with the cylindrical profile of modern nuclear submarines, which are more hydrodynamic underwater (where they spend the majority of their time), but less stable on the surface. While U-boats were faster on the surface than submerged, the opposite is generally true of modern submarines. The most common U-boat attack during the early years of the war was conducted on the surface and at night. This period, before the Allied forces developed truly effective antisubmarine warfare tactics, which included convoys, was referred to by German submariners as "die glückliche Zeit" or "the happy time."

The neck strap has separated, the rubber armour has overall age cracking as usual, the original eye protectors have has replacement post war retaining screws. Plus usual paint loss. Bear in mind they were subjected to some years at sea, over 80 years ago, as combat service surveillance equipment, above and below deck, in some of the most unpleasant weather one can experience, yet still survive till today as fully functioning binoculars as was originally intended eight decades ago. No doubt in some part due to their original owner’s skill or good fortune {the U-Boat commander}, at avoiding being sunk by the indomitable Royal Navy ships or RAF spotter planes.  read more

Code: 25298

A Superb WW1 ‘Trench Made’ Trench Periscope

Trench Periscope, manufactured in the trenches, comprising: a rolled metal cylinder with timber inserts to mount 2 mirrors [top round, was oval] and wooden "rolling pin" type handle. Unmarked unofficial pattern circa 1915 -18. They were very popular in the Gallipoli campaign as much as in the trenches of the Western Front. The threat of succumbing to a sniper's bullet was a reality for all who inhabited the trenches of the First World War. Keeping one's head below the line of sight was essential. In order to see out of a trench, loopholes were constructed into the parapets. These might be a simple gap in the sandbags or a steel plate, however with the increased use of armour piercing bullets different solutions needed to be explored.

The trench periscope was a device by which soldiers could fire their rifles from the safety of the trench. All sides developed various types of periscope, the simplest being a stick with two angled pieces of mirror at the top and bottom. By 1915 more advanced types were being manufactured. British born William Beech, veteran of the Second South African War enlisted with the Australian Imperial Force in 1914 and was the inventor of a type of trench periscope. The Beech periscope was a simple design on which the main body of the periscope was attached to the butt of the rifle at a point behind the trigger guard. A cord or wire was then wrapped around the butt in order to secure the rifle to the periscope. Using the mirror at the bottom of the device a view onto the battlefield could be obtained. However, to fire the rifle one would have to lean far forward in order to the reach the trigger. This could potentially alter the aim of the rifle affecting the accuracy of the shot.  read more

Code: 18909

A Hugely Impressive & Beautiful, Gothic, Medieval Form Pole Or Tiller Gun, Light Cannon Size Yet Hand Portable.

1.25 inch bore iron 'cannon form' barrel, with a carved hardwood tiller, probably later, bearing a beautifully carved Tudor rose. Probably a 17th century gun, and during it's later working life it has been stored in the 18th to 19th century in the armoury of the Maharajah of Jaipur and bears the Maharajah’s armoury storage marks stamped thereon.

This type of gun is typical of many surviving from the period 1420 to around 1480. It’s a most sturdy and massive forged iron barrel made by a armoury blacksmith, mounted with a wooden pole or tiller. Some version might have had a hook on the bottom of the barrel as does this, which could be used to hook the barrel over the top of a wall or shield, or as a close-quarters weapon.

The the late medieval term used was arquebus or harkbuss meaning a hand fired gun..

This gun can be fired by a single person if it is hooked over a wall, or more easily by two people, a gunner and a calinator due to it’s weight. The earlier weapons all rely on putting a lighted match into the touch-hole by hand. The matchlock gun represented a real advance. It held the lighted match on a pivoted trigger lever (known as a serpentine). This allowed the gunner to look at his target where aiming.

This style of gun was the highest technology of the medieval era, not widespread until after 1450, and continuing until perhaps 1550, when it grew in length and became the familiar musket of the English civil wars in the 1700’s.

Barrel 31.5 inches long, barrel muzzle 2.5 inches across, tiller 18 inches, and overall 50 inches. As with all our antique guns no license is required as they are all unrestricted antique collectables, barrel bore bears old tamper obstruction.  read more

Code: 20331

A Beautiful & Fine Quality Early Post Medieval to Early 17th Century Renaissance Wrought Iron Chest or Door Lock, German

From a Norman or Gothic carved wooden chest. Superbly crafted and engraved. We show in the gallery the types of chest to which it could have been fitted in order to make them secure. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages. From the 15th century on, locksmiths gained a privileged status in society. They had advanced technical skills and were master craftsmen in decoration techniques. Their main clients were town burghers, the clergy, nobility who built castles and other large residences, and the Royal Family. Ever since the Viking era (the 9th to the 11th centuries), chests and small boxes have been important personal storage places in all levels of Swedish society – from the common people to the royal families. Locks made storage more secure. The Oseberg ship was discovered and excavated in the early 1900s in Vestfold, Norway. The ship was built in the first half of the 9th century. Many items were found on board – including storage chests. Chests were generally used by the crews of the Viking ships, who sat on them to row, as well as storing things in them.

In 1936, a Viking wooden tool chest was discovered during the plowing of a field at Mästermyr on Gotland. Over two hundred iron objects were found inside and around the chest, which is 90 cm long and 24 cm high. Of particular interest in the present context is the fact that these objects included blacksmith tools as well as two large keys, lock parts, other lock hardware and three small padlocks.

King Louis XVI of France proved to be a man of very few interests and pleasures in the midst of the whirlwind of entertainment that was Versailles. One was the hunt and the other was his amateur blacksmithing.

A small forge was installed above his private library to indulge the King in his pursuit of this particular hobby. Here there were two anvils and every tool that could possibly be needed was available. As it happened, locks were of a particular interest to Louis. The room was filled with all kinds of locks: common locks, hidden locks and elaborately gilded locks. The château's blacksmith by the name of Gamin was employed to teach the King all he knew - probably in all secrecy . When he was not with the King he was in charge of all the locks at Versailles. From him we know that Louis was eager to conceal this hobby from his courtiers and his Queen which resulted in the two coming up with countless stratagems for removing and bringing in the anvils. Sadly, Gamin would eventually betray Louis during the revolution.

The court was not very approving of their King's hobby. It was thought to be a profession for the lower classes - not a a hobby for a King. Even Marie Antoinette had the occasional complain about this hobby but for a far more practical reason: the work left the King's hands blackened and he would often visit her without washing them first much to the damage of her furniture.
Louis XVI seemed to have paid them little mind. Instead, he agreed with Rousseau that every man should know a manual craft. Meanwhile, the pamphleteers had a field day making the King's interest in keys and locks a fitting symbol of his ... marital problems. This would look stunning mounted or framed. Size 22.5 x 20 cm some photos appear to show its colour as greenish, this is a photographic lighting optical illusion it is in fact blackened with age  read more

Code: 23389

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Yue up to the latter part of the Eastern Zhou dynasty (circa 475 BC). A specific kingdom, which had been known as the "Yue Guo" (越國) in modern Zhejiang, was not mentioned until it began a series of wars against its northern neighbor Wu during the late 6th century BC. According to the Records of the Grand Historian and Discourses of the States, the Yue are descended from Wuyu, the son of Shao Kang, the sixth king of the Xia dynasty.

With help from Wu's enemy Chu, Yue won after several decades of conflict. The famous Yue King Goujian destroyed and annexed Wu in 473 BC. During the reign of Wuqiang (無彊), six generations after Goujian, Yue was partitioned by Chu and Qi in 306 BC.
During its existence, Yue was famous for the quality of its metalworking, particularly its swords. Examples include the extremely well-preserved Swords of Goujian and Zhougou.

From our wonderful collection of ancient Chinese weaponry we recently acquired, another stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu, or more likely the Kingdom of Yueh. From a collection of antiquities, swords daggers, and rings, many pieces sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round, dished pommel.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
As with all our items, every piece is accompanied by a certificate of authenticity.

21 inches long overall 17 inch blade

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams The Wallace Collection} 65 publications  read more

Code: 24388

A Fine, Mid Edo Signed, Samurai Sword Tsuba Umatada Tadatsugu With Hozon Papers

Signed by Tadatsugu whose family name was Umetada, Umetada Tadatsuga 1675 - 1725. Complete with Hozon papers and translation. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They could be simple, plain, sukashi [pierced] or highly elaborately decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 23507