1907 King Edward VIIth Wilkinson Sword Enfield Hook Quillon Bayonet For the Early SMLE Rifle in Original Scabbard & Canvas Frog. issued To The 2nd Bt. Lancashire Fusiliers

Just returned from 12 hours of hand polishing and conservation to reveal at last its completely original, near as new, condition, with original leather and steel mounted scabbard and its early canvas frog, with regimental stamps for the 2nd Bt, Lancashire Fusiliers. Numerous ordnance inspection stamps at the ricasso from 1909, 1910,1911,1913 & 1914 alongside the service pattern 1907 date Wilkinson maker stamp and ER Crown

2nd Battalion, Lancashire Fusiliers were in Dover with 12th Brigade, 4th Division when war was declared in August 1914. 4th Division was held back from the original British Expeditionary Force by a last minute decision to defend England against a possible German landing. The fate of the BEF in France and the lack of any move by the Enemy to cross the channel, reversed this decision and they proceeded to France landing at Boulogne on the 20th of August 1914, arriving in time to provide infantry reinforcements at the Battle of Le Cateau, the Divisional Artillery, Engineers, Field Ambulances and mounted troops being still en-route at this time. They were in action at the The Battle of the Marne, The Battle of the Aisne and at Messines in 1914. In 1915 they fought in The Second Battle of Ypres. On the 4th of November 1915 the 2nd Lancashires moved with 12th Brigade to 36th (Ulster) Division to provide training over the winter months and returned to 4th Division on the 3rd of February 1916.


In 1916 moved south and were in action during the Battles of the Somme. In 1917 they were at Arras, in action during the The First and Third Battles of the Scarpe, before heading north for the Third Battle of Ypres, where they fought in The Battle of Polygon Wood, The Battle of Broodseinde, The Battle of Poelcapelle and The First Battle of Passchendaele. In 1918 they were in action on The Somme, then returned to Flanders fighting in the Defence of Hinges Ridge during The Battle of Hazebrouck and in The Battle of Bethune, The Advance in Flanders The Second Battles of Arras, the Battles of the Hindenburg Line and the Final Advance in Picardy. The 4th Division was demobilised in Belgium in early 1919.

On Wednesday 4th July 2007 four soldiers from the First World War were laid to rest in Belgium. One was clearly identified as Private Richard Lancaster of the 2nd Battalion of the Lancashire Fusiliers who died on the 10th November 1914. He was found with two other bodies who may have been LFs but there was not enough evidence to prove it. The other body was that of a soldier, possibly and officer from the TA Fusilier Brigade in the 66th East Lancashire Division. He was killed on the 10th October 1917 during the battle for Passchendaele  read more

Code: 25692

A Heavy Grade 9th to 10th Century Original Viking Socket Spear. An Incredibly Inexpensive Original Viking Battle Spear From The Time of The Viking Seiges of Paris, And The Early Raids Into The British Isles

1100 to 1200 years old. The Viking spear, alongside the axe was the weapon of choice for the Viking warrior. The sword being the weapon of a high ranking Viking and Viking Jarl.

In the final decade of the eighth century, Viking raiders attacked a series of Christian monasteries in the British Isles. Here, these monasteries had often been positioned on small islands and in other remote coastal areas so that the monks could live in seclusion, devoting themselves to worship without the interference of other elements of society. At the same time, it made them isolated and unprotected targets for attack by sea. From 865, the Viking attitude towards the British Isles changed, as they began to see it as a place for potential colonisation rather than simply a place to raid. As a result of this, larger armies began arriving on Britain's shores, with the intention of conquering land and constructing settlements there.
The early Viking settlers would have appeared visibly different from the Anglo-Saxon populace, wearing Scandinavian styles of jewellery, and probably also wearing their own peculiar styles of clothing. Viking and Anglo-Saxon men also had different hairstyles: Viking men's hair was shaved at the back and left shaggy on the front, whilst the Anglo-Saxons typically wore their hair long.

The siege of Paris of 845 was the culmination of a Viking invasion of West Francia. The Viking forces were led by a Norse chieftain named "Reginherus", or Ragnar, who tentatively has been identified with the legendary saga character Ragnar Lodbrok. Reginherus's fleet of 120 Viking ships, carrying thousands of warriors, entered the Seine in March and sailed up the river.

Ragnar's Vikings raided Rouen on their way up the Seine in 845 and in response to the invasion, determined not to let the royal Abbey of Saint-Denis (near Paris) be destroyed, Charles assembled an army which he divided into two parts, one for each side of the river. Ragnar attacked and defeated one of the divisions of the smaller Frankish army, took 111 of their men as prisoners and hanged them on an island on the Seine to honour the Norse god Odin, as well as to incite terror in the remaining Frankish forces.

The Vikings reached Paris at the end of the month, during Easter. They plundered and occupied the city, withdrawing after Charles the Bald paid a ransom of 7,000 French livres 2,570 kg (83,000 ozt) in gold and silver.
Ragnar's fleet made it back to his overlord, the Danish King Horik I, but Ragnar soon died from a violent illness that also spread in Denmark

The spear is a pattern welded blade, and although now pitted as is most usual after over 1000 years it is a remarkable survivor of Viking combat warfare, and a remarkably inexpensive piece of original and legendary Viking weaponry, and thus extremely affordable. In chapter 55 of Laxdla saga, Helgi had a spear with a blade one ell long (about 50cm, or 20in). He thrust the blade through Bolli's shield, and through Bolli. In chapter 8 of Krka-Refs saga, Refur made a spear for himself which could be used for cutting, thrusting, or hewing. Refur split orgils in two down to his shoulders with the spear. The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith flattened and drew out material to form the socket . This material was formed around a mandrel and usually was welded to form a solid socket. In some cases, the overlapping portions were left unwelded. Spear heads were fixed to wooden shafts using a rivet. The sockets on the surviving spear heads suggest that the shafts were typically round, with a diameter of 2-3cm (about one inch).

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gsla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Odin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvir described in chapter 44 of Eyrbyggja saga, the saga author says that Steinrr threw a spear over the heads of Snorrigoi and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (aepa herop), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsj (Kings Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords. In regards to surviving iron artefacts of the past two millennia, if Western ancient edged weapons were either lost, discarded or buried in the ground, and if the ground soil were made up of the right chemical composition, then some may survive exceptionally well. As with all our items it comes complete with our certificate of authenticity. Approx 10 inches longAlmost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.  read more

Code: 22779

A Most Fabulous, Intricately Carved Keris Dagger With Watered Steel Blade

A stunning looking piece and a most impressively mounted example with delightful pamor blade. Pamor is the pattern of white lines appearing on the blade. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern.

Very small area of wood snake body lacking under the hilt. The blades could often be older that the mountings, as they were frequently remounted in the blades working life, just as this one has late mountings  read more

Code: 23766

An Edo Period, 1603 -1867 Tanto Tsuba, Tetsu With Silver Inlaid Rim

A charming tsuba with traces of silver inlays around the entire rim. Probably made around 1680.
Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi.
46mm

 read more

Code: 24234

14 Million Year Old Meteorite Rock, Impactite (Suevite) of Nordlingen Ries Now Understood To Possibly Be The Closest Match to the Surface of Mars on Earth. Likely The Most Intriguing Conversation Piece & Geological Collectors Item Available Today

From the Meteorite Strike Crater in Germany, collected by an official geological survey. The crater was caused by a binary asteroid that struck approximately 14 million years ago in the Meocene era. It was an impact of a magnitude of 1.8 Million times the size of the Hiroshima Bomb. Which created a single Faunel Event which meant the extinction of all large reptiles. In that crater a German city was built, naturally, millions of years later.

The incredible German town that sits in that asteroid crater, from whence this impactite came, is smothered in 72,000 tonnes of diamonds
The tiny diamonds were created by an asteroid smashing into the earth. So small though they are technically valueless.
Nördlingen featured in the 1971 film Willy Wonka & The Chocolate Factory

What a huge and magnificent conversational piece and collectors item, potentially the closest and most accurate example of the surface of Mars today, and since the Mars Rover sampling it is now believed by NASA and scientific research to be the very best and closest match to the surface of Mars on Earth, and certainly the best preserved from anywhere else on earth.

This is a large 14 million year old meteorite strike rock that is also a simply stunning piece of art that would superbly compliment any decor, in any home, both vintage, antique or modern. It would look amazing on a display stand of any suitable material, such as glass, perspex, marble or wood. This is an unusually large piece of molten meterorite rock, the very few pieces we have had in the past of this type have all been small of just a few ounces. Suevite rock consisting partly of melted material, typically forming a breccia containing glass and crystal or lithic fragments, and often thousands of microscopic diamonds formed during an impact event. It forms part of a group of rock types and structures that are known as impactites.

The Nordlinger Ries is an impact crater, large circular depression in western Bavaria, Germany, located north of the Danube in the district of Donau-Ries. The city of Nordlingen is located inside the depression, about 6 kilometers (3.7 mi) southwest of its centre. Recent computer modeling of the impact event indicates that the impactors probably had diameters of about 1.5 kilometers (4,900 ft) (Ries) and 150 meters (490 ft) (Steinheim), had a pre-impact separation of some tens of kilometers, and impacted the target area at an angle around 30 to 50 degrees from the surface in a west-southwest to east-northeast direction. The impact velocity is thought to have been about 20 km/s (45,000 mph). The resulting explosion had the power of 1.8 million Hiroshima bombs, an energy of roughly 2.4 1021 joules. This exceptionally large piece is 4.55 kilos. 13 inches x 11 inches x 3.5 inches As with all our items it complete complete with our Certificate of Authenticity, our unique lifetime guarantee of originality. Photo number 7 in the gallery is a clip from an article on the unique matching relation of this Suevite from Nordlingen Ries and the surface of Mars by
JULES BERNSTEIN in the University of California Science and Technology magazine  read more

Code: 21959

A Good Collection Of Original British WW2 Enfield No4 Rifle Spike Bayonets MKII’s In MKI Scabbard.{ Plus 200 Other Mixed Antique & WW1 Bayonets Yet To Be Added }

In very nice condition, all from one collector, kept in storage since the 1950’s, including the rarest of all a MKI in MKI scabbard {sold separately}. All were originally in full storage grease and slightly different forms and makers of the eponimous WW2 British armed forces Enfield No.4 bayonets, MKII’s, used in WW2.
We also acquired, just two days ago, within the collection over 200 early and mid Victorian British bayonets, including early 20th century mixed world bayonets, and these MKII Enfield No4 bayonets, all from within the entire single collection, that he {the late collector} acquired in the 1950’s and 1960’s, all of which will be sorted and catalogued, when we have time, over the next six months. The antique and WW1 bayonets will likely vary in price from £120 to £395.

Here, and now, we show under stock code 24589, these eight WW2 issue Enfield No.4 Bayonets MKII’s. Act fast the collection was made available yesterday and four have been sold already so far, yesterday morning in the shop and last night online. Only 4 MKII’s with regular MKI scabbards are still available.

They are now priced each, at £45.

British troops pulled off a number of bayonet charges in the brief campaign to drive Argentine forces from the Falkland Islands in 1982. Grunts from the Scots Guards and the Gurkhas chased 500 enemy troops off the summit of Mount Tumbledown in the pre-dawn darkness of June 14. The British suffered 63 casualties in the battle; 160 Argentine soldiers were either killed, wounded or captured. Two weeks earlier a 2 Para private by the name of Graham Carter led his comrades in a bayonet charge against a force of enemy troops across Goose Green.

In the last 20 years, British troops have resorted to the bayonet to break impasses in combat both in Iraq and Afghanistan. In May, 2004, a detachment from the Argyll and Sutherland Highlanders surprised a force of 100 insurgents near Al Amara, Iraq with a bayonet charge. British casualties were light, but nearly 28 guerrillas were killed. And as recently as October of 2011, a British Army lance corporal named Sean Jones led a squad of soldiers from the Prince of Wales Royal Regiment in a bayonet charge against Taliban fighters in Helmand Province, Afghanistan. After being ambushed and pinned down by militants, the 25-year-old ordered his squad to advance into a hail of machine gun fire. “We had to react quickly,” Jones remarked. “I shouted ‘follow me’ and we went for it.” He was awarded the Military Cross for his actions. Even in an age of GPS-guided bombs, unmanned drones and network-centric warfare, 300-year-old technology — like the simple bayonet — can still carry the day.

A couple of years or so ago Burundi was preparing to send a peace keeping contingent to the Congo and Somalia yet they knew that their army was not up to it and begged for a UN training team to come and train it. On being asked who they would like, they decided to look at the Americans, French, Canadians, Germans and Swedes but it was the British that they chose to train their army because they said they wanted to be trained by the best.

The last photo in the gallery of lance corporal Sean Jones recieving his Military Cross for gallantry from the former Prince of Wales, now H.M.King Charles IIIrd, for his famous heroic command of the bayonet charge in Helmand  read more

Code: 24589

An Original Congolese Songye Fetish Female 'Power Figure'. A Most Beautiful and Perfect Example Of The Combination of Esoteric, Spiritually Symbolic & Cultural African Tribal Art From The Last Century. Late 19th to Early 20th Century.

Songye fetish figures were used as an effective instrument for healing, fertility and protection from evil spirits, sorcerers and hostile powers. The figure is in good condition. The face has sensitively rendered features, with semi-circular eyes that are closed they anlmost extend on either side towards the jaw lines. These give the face its distinctive V-shape, interrupted by the short horizontal line of the chin The chest binding is in hide leather, with hands to the abdomen, and a hide skin waist skirt, The figure’s feet and circular base, carved from the same piece of wood as the rest of the figure, and overall it has a rich reddish brown patina.

Nkisi, in west-central African lore, any object or material substance invested with sacred energy and made available for spiritual protection. One tradition of the Kongo people of west-central Africa holds that the god Funza gave the world the first nkisi. Africans uprooted during the Atlantic slave-trade era carried with them some knowledge of nkisi making. In places throughout the United States, particularly in the Deep South, African descendants still create minkisi. Nkisi making is also found throughout the Caribbean and South America, in places such as Cuba, Haiti, and Brazil.

This wild appearance of the Nganga was intended to create a frightening effect, or kimbulua in the Kongo language. The nganga's costume was often modeled on his nkisi. The act of putting on the costume was itself part of the performance; all participants were marked with red and white stripes, called makila, for protection.

The "circles of white around the eyes" refer to mamoni lines (from the verb mona, to see). These lines purport to indicate the ability to see hidden sources of illness and evil.

Yombe nganga often wore white masks, whose color represented the spirit of a deceased person. White was also associated with justice, order, truth, invulnerability, and insight: all virtues associated with the nganga.

The nganga is instructed in the composition of the nkondi, perhaps in a dream, by a particular spirit. In one description of the banganga's process, the nganga then cuts down a tree for the wood that s/he will use to construct the nkondi. He then kills a chicken, which causes the death of a hunter who has been successful in killing game and whose captive soul subsequently animates the nkondi figure. Based on this process, *Gell writes that the nkondi is a figure an index of cumulative agency, a "visible knot tying together an invisible skein of spatio-temporal relations" of which participants in the ritual are aware

After a tribal carver artist completed carving the artifact, the "nganga" transformed it into an object capable of healing illness, settling disputes, safeguarding the peace, and punishing wrongdoers. Each work of this kind or "nkisi" is associated with a spirit, that is subjected to a degree of human control.
Europeans may have encountered these objects during expeditions to the Congo as early as the 15th century. However, several of these fetish objects, as they were often termed, were confiscated by missionaries in the late 19th century and were destroyed as evidence of sorcery or heathenism. Nevertheless, several were collected as objects of fascination and even as an object of study of Kongo culture. Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba. In Hollywood these figures have morphed into objects of superstition such as New Orleans voodoo dolls covered with stick pins. Nonetheless, minkisi have left an indelible imprint as visually provocative figures of spiritual importance and protection.


Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Each power figure has a distinct personality, ranging from contemplative to angry to soulful to reserved to compassionate. The ability to suggest those qualities visually with such immediacy and precision is one of the most impressive aspect of the surviving figures.

Kongo religion Kikongo: Bukongo. Bakongo religion was translocated to the Americas along with its enslaved practitioners. Some surviving traditions include conjure, dreaming, possession by the dead to learn wisdom from the ancestors, traditional healing and working with minkisi. The spiritual traditions and religions that have preserved Kongo traditions include Hoodoo, Palo Monte, Lumbalú, Kumina, Haitian Vodou, Candomblé Bantu, Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba.

Similar examples in the Smithsonian and Metropolitan in the USA. One very similar nkisi, from the late 19th to mid 20th century has been a highlight of the Rockefeller collection since its acquisition in 1952. we show examples of the similar Kongo type as ours, from around the same time, in the gallery of photographs

Photo 7 shows a male example from the The Michel Gaud collection
Sothebys Important African Art: ‘The Michel Gaud collection’, London, 29th November 1993, lot 132

Photo 8 a larger but similar Nkisi male version of the Songye people’s in the Rockefeller Wing in the Met, although not on view at present.

9 inches high.

For a serious student of such stunning pieces a visit to the The Met is a must for those that reside or able to travel to the US.
Further reading
Hersak, Dunja. 1986. Songye. Masks and Figure Sculpture. London: Ethnographica.

Hersak, Dunja. 2010. "Reviewing power, process, and statement: the case of Songye figures". African Arts. 43: 38-51.

Neyt, François. 2009. Songye: The Formidable Statuary of Central Africa. Munich: Prestel.

Petridis, Constantine. 2009. Art and power in the central African Savanna: Luba, Songye, Chokwe, Luluwa. Cleveland, Ohio: Cleveland Museum of Art  read more

Code: 25680

A Superb & Rare Original Victorian London-Scottish Rifle Volunteer Regiment Doublet. Superbly Tailored By Hobson and Sons of London in Hodden Grey

In wonderful condition for age, and all the original regimental buttons are present.
The tunic and buttons were tailored by Hobson & Sons of London, and it bears a makers label and an original old storage label. In 1859 the London Scottish Rifle Volunteers were raised, sponsored by the Highland Society and the Caledonian Society of London, and commanded by Lieutenant-Colonel Lord Elcho.
The soldiers were given a uniform of homespun cloth known as Hodden Grey to avoid inter-clan rivalry and kilts today are still made of this distinctive material.


During the Boer War, the Regiment supplied contingents of Volunteers who served with the Gordon Highlanders and those links survive still. In 1908 the Volunteer Force ceased to exist and became the Territorial Force. The 7th Middlesex (London Scottish) Volunteer Rifle Corps changed its name to the 14th (County of London) Battalion, The London Regiment (London Scottish).
The 1st Battalion was mobilised on 5 August 1914 and was the first Territorial battalion to go into action against the Germans at Messines, near Ypres on 31 October. The Battalion continued to serve in France and Flanders throughout the War taking part in all the major offensives. The 2nd Battalion served in France, the Balkans and Palestine, while a 3rd Battalion was a Reserve Battalion and supplied drafts to the other two. Two Victoria Crosses and nineteen Distinguished Service Orders were awarded to members of the Regiment.
We show in the gallery a picture of a London Scottish soldier in profile wearing his same doublet from the Zulu War period, holding his Martini Henry MK 1/11 Rifle  read more

Code: 21066

A Stunning Italian 'Order of the Crown of Italy' in Gold; Knight's Cross Medal. With Polychrome Transluscent Enamel Of The Crown Of Savoy

In Gold and enamels, 37 x 39mm, enamels superbly intact without chipping, original ribbon, extremely fine condition. Gold-edged white enamel cross pattee alisee with gold knots between the arms, on laterally-pierced ball suspension; the face with a circular central deep blue translucent enamel medallion bearing the gilt crown of Savoy with red, with white and green jewels, encircled by a gold ring; the reverse with a gold circular central medallion bearing a crowned black enamel eagle, an oval red enamel shield with a white enamel cross on its breast; The Order of the Crown of Italy was founded as a national order in 1868 by King Vittorio Emanuel II, to commemorate the unification of Italy in 1861. It was awarded in five degrees for civilian and military merit.

Compared with the older Order of Saints Maurice and Lazarus (1572), the Order of the Crown of Italy was awarded more liberally and could be conferred on non-Catholics as well; eventually, it became a requirement for a person to have already received the Order of the Crown of Italy in at least the same degree before receiving the Order of Saints Maurice and Lazarus.

The order has been suppressed by law since the foundation of the Republic in 1946. However, Umberto II did not abdicate his position as fons honorum and it remained under his Grand Mastership as a dynastic order. While the continued use of those decorations conferred prior to 1951 is permitted in Italy, the crowns on the ribbons issued before 1946 must be substituted for as many five pointed stars on military uniforms. Following the demise of the last reigning monarch in 1983, the order, founded by the first, is no longer bestowed. Notable recipients of the order were; Major General Robert A. McClure, father of U.S. Army Special Operations, Director of Information and Media Control at Supreme Headquarters Allied Expeditionary Force (SHAEF) during World War II
Brigadier General Billy Mitchell, United States Army air power advocate.
Charles Poletti, Governor of New York, and Colonel in the United States Army; served in Italy during World War II. Painting in the gallery by Karel Zadnik (1847-1929), painted in Bilowitz in 1912 of Count Hugo II Logothetti who is wearing his Italian Order of the Crown of Italy around his neck. Silk ribbon with small old staining.  read more

Code: 20481

A Very Fine, Late Middle Ages, Early Hand-Bombard, Iron Mortar Cannon. The Earliest Form of Ignition Battle Weapon That Developed into The Hand Pistole & Blunderbuss

Used in both the field of combat or from a castle battlement. This fine piece would make a wonderful display piece, perhaps set on a small plinth. Ideal for a desk, bookshelf or mantle.

The weapon that provided the name to the Royal Artillery rank of bombardier, and the word 'bombardment'.

A hand bombard was the larger version of the handgonne or hand cannon, yes still a good size for handling.
Small enough and light enough to be manoeuvred by hand and thus then loosely fixed, or semi-permanently fixed, in either an L shaped wooden block and used like a mortar, or, onto a length of sturdy wooden haft, from three feet to five foot long to be used almost musket like and bound with wrought iron bands see illustration in the photo gallery of these medievil variations of mounting. The precursor to the modern day pistol and musket from which this form of ancient so called handgonne developed into over the centuries. It is thought that gunpowder was invented in China and found its way to Europe in the 13th Century. In the mid to late 13th Century gunpowder began to be used in cannons and handguns, and by the mid 14th Century they were in relatively common use for castle sieges. By the end of the 14th Century both gunpowder, guns and cannon had greatly evolved and were an essential part of fortifications which were being modified to change arrow slits for gun loops. Bombards and Hand cannon' date of origin ranges around 1350. Hand bombards and hand cannon were relatively inexpensive to manufacture, but the skill required to make them was considerable, but they were not that accurate to fire. Nevertheless, they were employed for their shock value. In 1492 Columbus carried one on his discovery exploration to the Americas.
Conquistadors Hernando Cortez and Francisco Pizzaro also used them, in 1519 and 1533, during their respective conquests and colonization of Mexico and Peru. Not primary arms of war, hand bombards and hand cannon were adequate tools of protection for fighting men.

See Funcken, L. & Funcken F., Le costume, l'armure et les armes au temps de la chevalerie, de huitieme au quinzieme siecle, Tournai,1977, pp.66-69, for reconstruction of how such hand cannons were used.
At the beginning of the 14th century, among the infantry troops of the Western Middle Ages, developed the use of manual cannons (such as the Italian schioppetti, spingarde, and the German Fusstbusse).

Photo of the hand bombard recovered from the well at Cardiff Castle, by Simon Burchell - Own work

External width at the muzzle 3.25 inches, length 8 inches. Weight 10.2 pounds  read more

Code: 25213