German Solid Silver Medal {900 fine} Commemorating The William Randolph Hearst Sponsored, American Flight, of the World’s First Round the World Passenger Flight, of the "Graf Zeppelin" Airship In August 1929.

Medal commemorating round the world flight of the "Graf Zeppelin" airship, with portraits of Zeppelin and Eckener, silver, diameter 36mm, depth 3mm, German, 1929. Rim legend: Preuss. Staatsmunze. Silber 900 Fein. Obverse: legend, Weltfahrt August 1929. L.Z.127; exergue scene, airship above ocean. Reverse: Graf Zeppelin. Dr Hugo Eckener. 1898-1928. exergue, double portrait bust profiles to left
The airship LZ 127 Graf Zeppelin is considered the most successful commercial airship of its time and marked the pinnacle of airship travel. On August 15, 1929, it started under the leadership of Dr. Hugo Eckener in Friedrichshafen on Lake Constance on the most spectacular demonstration flight in aviation history at the time:

Graf Zeppelin Round-the-World Flight (“Weltfahrt”)

In 1929, Graf Zeppelin made perhaps its most famous flight; a round-the-world voyage covering 21,2500 miles in five legs from Lakehurst to Friedrichshafen, Friedrichshafen to Tokyo, Tokyo to Los Angeles, Los Angeles to Lakehurst, and then Lakehurt to Friedrichshafen again.

It was the first passenger-carrying flight around the world and received massive coverage in the world’s press.

The flight was partly sponsored by American newspaper publisher William Randolph Hearst, who paid for about half the cost of the flight in return for exclusive media rights in the United States and Britain.
Hearst had insisted that the flight begin and end in America, while the Germans naturally thought the Round-the-World flight of a German ship should begin and end in Germany. As a compromise, there were two official flights; the “American” flight began and ended at Lakehurst, while the “German” flight began and ended at Friedrichshafen.

The Round-the-World flight carried 60 men and one woman, Hearst newspaper reporter Lady Grace Hay-Drummond-Hay, whose presence and reporting greatly increased the public’s interest in the journey. Other passengers included journalists from several countries, American naval officers Charles Rosendahl and Jack C. Richardson, polar explorer and pilot Sir Hubert Wilkins, young American millionaire Bill Leeds, and representatives of Japan and the Soviet Union. All of those that took part received one of these solid silver medals.

Graf Zeppelin left Friedrichshafen on July 27, 1929 and crossed the Atlantic to Lakehurst, New Jersey, and the “American” flight began on August 7, 1929 with an eastbound crossing back to Germany.

The successful journey took just under 5 weeks with stopovers in Tokyo, Los Angeles and Lakehurst (New York).  read more

Code: 24154

A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

Briefe Napoleons des Ersten : in drei Banden ; Auswahl aus der gesamten Korrespondenz des Kaisers. Napoleon the First. Selection from all the correspondence of the emperor. Published in 1910; Napoleon's correspondence from 1809 until his death in 1821. Published in 3 volumes this is volume 3. Taken in 1946 from the family library of Field Marshal Keitel, and one of two books from the library we have acquired, the first one was sold. Bearing the Ex Libris Book Label of his family and eldest son, who he lost in the war, Karl-Heinz Keitel SS-Sturmbannfuhrer of 8th SS Cavalry Division Florian Geyer, awarded the German Cross in Gold, Iron Cross 1st Class for heroism, Iron Cross IInd class, Close Combat Clasp & Wound Badge in black. Wilhelm Bodewin Johann Gustav Keitel (22 September 1882 - 16 October 1946) was the most famous German field marshal of WW2 who served as chief of the Oberkommando der Wehrmacht (Supreme Command of the Armed Forces) for most of World War II, making him the Chief of Defence for Germany and Hitler's number two after Reichmarshall Goring. At the Allied court at Nuremberg, he was tried, sentenced to death, and hanged as a war criminal. He was the third highest-ranking German officer to be tried at Nuremberg. Karl-Heinz Keitel was born on 2 January 1914, in Wolfenbuttel, the eldest son of Wilhelm Keitel who would rise to become Chief of the OKW, the German Military High Command, during World War II. Karl-Heinz joined the Heer in 1934 and served in various cavalry units following the outbreak of war in 1939. In June 1943 he was assigned to the Kavallerie-Schule in Potsdam-Krampnitz, and served as a battalion commander, and later the regimental commander of the Kavallerie-Regiment Nord. On 5 August 1944, he transferred into the Waffen-SS and served with the 22. SS-Freiwilligen-Kavallerie-Division "Maria Theresia". On 20 October of that year, he was promoted to command SS-Freiwilligen-Kavallerie-Regiment 17 / 22.SS-Freiwilligen-Kavallerie-Division "Maria Theresia" in the area of Hungary. In November 1944, combined with the Florian Geyer division, the "Maria Theresia" was assigned to the garrison of Budapest. On 12 December he was wounded in action while defending against Red Army probing attacks into Budapest for which he was awarded the Wound Badge in Black.
In March he transferred to the 37. SS-Freiwilligen-Kavallerie-Division "Lutzow" as its commander, and led the 2000 strong remnants of the division in heavy fighting around Wiener-Neustadt as part of 6. SS-Panzer Armee. He was reportedly promoted Obersturmbannfuhrer (Lieutenant Colonel) in the closing months of the war. The book's label also bears the label of his wife Dorothee, the daughter of the Werner Eduard Fritz von Blomberg (2 September 1878 - 14 March 1946) was a German Generalfeldmarschall, Minister of War, and Commander-in-Chief of the German Armed Forces until January 1938. The marriage of Karl-Heinz and Dorothee was one of the reasons her father, Generalfeldmarschall von Blomberg, was forced to resign by Hitler in 1938 It was in order to avoid a damaging scandal caused by the Generalfeldmarschall's new wife's criminal history as a prostitute that was discovered by Himmler. It was an extraordinary discovery as both Hitler and Goring attended her wedding to Keitel. Another volume that we know of, also originally from Field Marshal Keitel's library, an 1827 first edition of Alexander Pushkin's 'The Robber Brothers' printed in Russian, was apparently given to Keitel in 1941/2, after it's liberation from another but unknown Russian Ex Libris collection during Operation Barbarossa. That volume was given, in its turn in 1945, to Marshal Zhukov, commander of the Army of the USSR, and bears his Red Star stamp, and also Keitel's military stamp. That volume may weel have bee liberated from the Keitel family home library as was this book alongside the other we are offering for sale. Napoleon Bonaparte was General of the French Revolution; the ruler of France as First Consul (Premier Consul) of the French Republic from 11 November 1799 to 18 May 1804; then Emperor of the French (Empereur des Francais) and King of Italy under the name Napoleon I from 18 May 1804 to 6 April 1814; and briefly restored as Emperor from March 20 to June 22 of 1815. This unique piece is exactly the kind of item we are seeking and finding every day, and thus duly offer for sale in our shop and website. Unique, original pieces for the discerning collector, and items that simply cannot be found any where else. We are now the only shop in Britain that offers such pieces, every day, and have done and hopefully will continue to do so  read more

Code: 19643

An Edo Tettsu Krishitan {Christian} Tsuba Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

This beautiful iron tsuba, contains the hidden Edo period Christian symbols of the rope and the cross, and it serves as both a reminder to the violence and to the subsequent hiddenness that came out of the Japanese convert Christians’ suffering. The rope was symbol of obedience - the symbol of an untied rope.
It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum.  read more

Code: 25310

A Superb WW1 ‘Trench Made’ Trench Periscope

Trench Periscope, manufactured in the trenches, comprising: a rolled metal cylinder with timber inserts to mount 2 mirrors [top round, was oval] and wooden "rolling pin" type handle. Unmarked unofficial pattern circa 1915 -18. They were very popular in the Gallipoli campaign as much as in the trenches of the Western Front. The threat of succumbing to a sniper's bullet was a reality for all who inhabited the trenches of the First World War. Keeping one's head below the line of sight was essential. In order to see out of a trench, loopholes were constructed into the parapets. These might be a simple gap in the sandbags or a steel plate, however with the increased use of armour piercing bullets different solutions needed to be explored.

The trench periscope was a device by which soldiers could fire their rifles from the safety of the trench. All sides developed various types of periscope, the simplest being a stick with two angled pieces of mirror at the top and bottom. By 1915 more advanced types were being manufactured. British born William Beech, veteran of the Second South African War enlisted with the Australian Imperial Force in 1914 and was the inventor of a type of trench periscope. The Beech periscope was a simple design on which the main body of the periscope was attached to the butt of the rifle at a point behind the trigger guard. A cord or wire was then wrapped around the butt in order to secure the rifle to the periscope. Using the mirror at the bottom of the device a view onto the battlefield could be obtained. However, to fire the rifle one would have to lean far forward in order to the reach the trigger. This could potentially alter the aim of the rifle affecting the accuracy of the shot.  read more

Code: 18909

A Hugely Impressive & Beautiful, Gothic, Medieval Form Pole Or Tiller Gun, Light Cannon Size Yet Hand Portable.

1.25 inch bore iron 'cannon form' barrel, with a carved hardwood tiller, probably later, bearing a beautifully carved Tudor rose. Probably a 17th century gun, and during it's later working life it has been stored in the 18th to 19th century in the armoury of the Maharajah of Jaipur and bears the Maharajah’s armoury storage marks stamped thereon.

This type of gun is typical of many surviving from the period 1420 to around 1480. It’s a most sturdy and massive forged iron barrel made by a armoury blacksmith, mounted with a wooden pole or tiller. Some version might have had a hook on the bottom of the barrel as does this, which could be used to hook the barrel over the top of a wall or shield, or as a close-quarters weapon.

The the late medieval term used was arquebus or harkbuss meaning a hand fired gun..

This gun can be fired by a single person if it is hooked over a wall, or more easily by two people, a gunner and a calinator due to it’s weight. The earlier weapons all rely on putting a lighted match into the touch-hole by hand. The matchlock gun represented a real advance. It held the lighted match on a pivoted trigger lever (known as a serpentine). This allowed the gunner to look at his target where aiming.

This style of gun was the highest technology of the medieval era, not widespread until after 1450, and continuing until perhaps 1550, when it grew in length and became the familiar musket of the English civil wars in the 1700’s.

Barrel 31.5 inches long, barrel muzzle 2.5 inches across, tiller 18 inches, and overall 50 inches. As with all our antique guns no license is required as they are all unrestricted antique collectables, barrel bore bears old tamper obstruction.  read more

Code: 20331

A Beautiful & Fine Quality Early Post Medieval to Early 17th Century Renaissance Wrought Iron Chest or Door Lock, German

From a Norman or Gothic carved wooden chest. Superbly crafted and engraved. We show in the gallery the types of chest to which it could have been fitted in order to make them secure. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages. From the 15th century on, locksmiths gained a privileged status in society. They had advanced technical skills and were master craftsmen in decoration techniques. Their main clients were town burghers, the clergy, nobility who built castles and other large residences, and the Royal Family. Ever since the Viking era (the 9th to the 11th centuries), chests and small boxes have been important personal storage places in all levels of Swedish society – from the common people to the royal families. Locks made storage more secure. The Oseberg ship was discovered and excavated in the early 1900s in Vestfold, Norway. The ship was built in the first half of the 9th century. Many items were found on board – including storage chests. Chests were generally used by the crews of the Viking ships, who sat on them to row, as well as storing things in them.

In 1936, a Viking wooden tool chest was discovered during the plowing of a field at Mästermyr on Gotland. Over two hundred iron objects were found inside and around the chest, which is 90 cm long and 24 cm high. Of particular interest in the present context is the fact that these objects included blacksmith tools as well as two large keys, lock parts, other lock hardware and three small padlocks.

King Louis XVI of France proved to be a man of very few interests and pleasures in the midst of the whirlwind of entertainment that was Versailles. One was the hunt and the other was his amateur blacksmithing.

A small forge was installed above his private library to indulge the King in his pursuit of this particular hobby. Here there were two anvils and every tool that could possibly be needed was available. As it happened, locks were of a particular interest to Louis. The room was filled with all kinds of locks: common locks, hidden locks and elaborately gilded locks. The château's blacksmith by the name of Gamin was employed to teach the King all he knew - probably in all secrecy . When he was not with the King he was in charge of all the locks at Versailles. From him we know that Louis was eager to conceal this hobby from his courtiers and his Queen which resulted in the two coming up with countless stratagems for removing and bringing in the anvils. Sadly, Gamin would eventually betray Louis during the revolution.

The court was not very approving of their King's hobby. It was thought to be a profession for the lower classes - not a a hobby for a King. Even Marie Antoinette had the occasional complain about this hobby but for a far more practical reason: the work left the King's hands blackened and he would often visit her without washing them first much to the damage of her furniture.
Louis XVI seemed to have paid them little mind. Instead, he agreed with Rousseau that every man should know a manual craft. Meanwhile, the pamphleteers had a field day making the King's interest in keys and locks a fitting symbol of his ... marital problems. This would look stunning mounted or framed. Size 22.5 x 20 cm some photos appear to show its colour as greenish, this is a photographic lighting optical illusion it is in fact blackened with age  read more

Code: 23389

A Fine, Mid Edo Signed, Samurai Sword Tsuba Umatada Tadatsugu With Hozon Papers

Signed by Tadatsugu whose family name was Umetada, Umetada Tadatsuga 1675 - 1725. Complete with Hozon papers and translation. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They could be simple, plain, sukashi [pierced] or highly elaborately decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 23507

Scarce, Victorian, 3rd City of London Silvered Shako Helmet Plate

An extremely fine example in silver plate being a crowned eight pointed star with overlays of oak sprays and central strap 'Domine Dirige Nos' enclosing a number 3
bearing the arms of the City, over a shield and London. A rare and most collectable piece of Victorian militaria. Two loop fasteners very good condition. 4.75 inches x 3.85 inches  read more

Code: 18441

A Fabulous And Incredibly Rare Museum Piece. An Original WW2 SOE {Special Operations Executive} Secret Espionage Agent's Suitcase Radio Transmitter & Reciever of an Agent of the Secret Army 1942/3 Issue

SOLD

SOE Special forces
Role; Espionage Irregular warfare (especially sabotage and raiding operations) Special reconnaissance
Nickname "The Baker Street Irregulars" "Churchill's Secret Army" "Ministry of Ungentlemanly Warfare"

A phenomenally rare, complete mid war WW2 SOE spy radio set, transceiver, with Morse key, earphone headset and various and numerous components, including five crystal units and four frequency ranges, L1B, L2A, L3A and L4A. in it's original case with the early central lock and two catches. {later models changed to just two catches}. Handle detached. Parts with some damage, overall, completely untouched condition since the 1940's. An iconic and most rarest of so-called ‘barn finds’. It may indeed be one of the rarest in the world, and as such an incredible and unique piece of original spy-craft history.
Developer of the transceiver was Captain John Brown (SOE).

The type used by SOE and OSS agent Virginia Hall. Dubbed by the Gestapo as the Limping Lady, as she had a wooden leg! { that she called Cuthbert}.
She had all the makings of a diplomat. Impeccably educated, fluent in multiple languages, and worldly from her years spent abroad from her native Baltimore, Virginia’s dream of a life in the foreign service was shattered when a hunting accident led to the amputation of her left leg. Attitudes toward disabilities were different in the 1930s, and even fitted with a prosthetic leg (which she named “Cuthbert”) Virginia was deemed unfit for the life of a diplomat.

The outbreak of WWII changed that attitude. Virginia, by then living in France, was well-placed to act as a forward agent for the Allies. Volunteering first for the British Special Operations Executive (SOE), Virginia worked agents, ran safehouses, and reported intelligence from Vichy France. Later, she volunteered with the US Office of Strategic Services (OSS), forerunner to the CIA. Her efforts earned her a place on the Gestapo’s “Most Wanted” list as “The Limping Lady”. She and Cuthbert continued to work against the Nazis right up through the Normandy invasion and liberation and earned a Distinguished Service Cross for her efforts – a rare honour for a civilian, and rarer still for a woman.

This is the first we have ever seen, in 80 years since WW2, to be complete, original, and untouched, outside of the Imperial War Museum or the very few dedicated spy and espionage museums. In the world of the most valuable vintage car collecting, this would be an iconic ‘barn find’ of the very rarest kind. In that most exclusive of worlds ‘barn finds’ are now achieving prices equal to fully restored and now mint equivalent motor cars. Millions of pounds can now change hands for an abandoned rarely seen car newly discovered as a total wreck in, say, a barn, garage or field, that has lain untouched, rotting and unloved for many decades.

After France signed an armistice with Germany in June 1940, Great Britain feared the shadow of Nazism would continue to fall over Europe. Dedicated to keeping the French people fighting, Prime Minister Winston Churchill pledged the United Kingdom’s support to the resistance movement. Charged with “set(ting) Europe ablaze,” the Special Operations Executive, or SOE, was born.

Used by the most dedicated and bravest of people, men and women, who have ever served their country. Agents, such as Violette Szabo and Noor Inayat Khan, code name Madeleine, who only too well knew their chances of surviving without capture, torture and execution were slim at best. For them, and many, many others, survival was not to be.

Headquartered at 64 Baker Street in London, the SOE’s official purpose was to put British special agents on the ground to “coordinate, inspire, control and assist the nationals of the oppressed countries.” Minister of Economic Warfare Hugh Dalton borrowed irregular warfare tactics used by the Irish Republican Army two decades before. The “Baker Street Irregulars,” as they came to be known, were trained in sabotage, small arms, radio and telegraph communication and unarmed combat. SOE agents were also required to be fluent in the language of the nation in which they would be inserted so they could fit into the society seamlessly. If their presence aroused undue suspicion, their missions could well be over before they even began.

Portable communication devices were of utmost importance as radio and telegraph communication ensured the French resistance (and SOE agents) were not cut off from the outside world. Radio operators had to stay mobile, often carrying their radio equipment on their backs as they moved from safe house to safe house. Their survival depended on their ability to transmit messages rapidly and move quickly.
Along with irregular tactics and unusual materiel, the British government knew an irregular war required irregular warriors. Women proved to be invaluable as couriers, spies, saboteurs and radio operators in the field. Though female agents received the same training as the men, some balked at the idea of sending women behind enemy lines. They grudgingly agreed female spies would have distinct advantages over the men on the ground. Women could travel freely because they were not expected to work during the day. Gender stereotypes also helped keep the women above suspicion. After all, who could possibly imagine a woman could be a viable combatant in war?
Women were more than viable, however: they were critical to SOE mission success. Though they would later be honored for their “conspicuous courage,” the female spies of the SOE were successful because they learned to be inconspicuous. They took on secret identities, went on secret missions and were trusted with their nation’s greatest secrets. Thirty-nine of the 470 SOE agents in France were women, with an additional sixteen deployed to other areas.
The Gestapo gave Nancy Grace August Wake the nickname “the white mouse” because of her uncanny ability to evade capture. When she learned one of the resistance groups no longer had a radio for communication, she rode almost 300 kilometers on a bicycle to make radio contact with the SOE headquarters and arrange for an equipment drop. Despite many close calls, Wake survived the war. First Aid Nursing Yeomanry (FANY) member Odette Hallowes also cheated death. Embedded with the resistance in Cannes, Hallowes was captured and sent to the Ravensbrück concentration camp. She survived two years in prison, often in solitary confinement, before the camp was liberated by the Allied forces.
Other women were not so fortunate. Noor Inayat Khan, code name Madeleine, was a radio operator in France. After her entire team was ambushed and arrested, she was betrayed to the Gestapo by a French national hoping for a large reward. Khan did not break during interrogation and attempted escape from her captors several times. Sent to Dachau in September 1944, she was executed upon arrival. Violette Szabo, an agent inserted into Limoges, faced a similar fate at Ravensbrück. She was 23 years old.
By Kate Murphy Schaefer {abridged}. Kate Murphy Schaefer holds a MA in History with a Military History concentration for Southern New Hampshire University. She is also the author of a woman’s history blog, www.fragilelikeabomb.com.

Type 3 Mk. II B2
Clandestine suitcase transceiver · 1942
Type 3 Mark II, commonly referred to as B2, is a British WWII portable clandestine transceiver, also known as a spy radio set, developed in 1942 by (then) Captain John Brown at SOE Station IX, and manufactured by the Radio Communication Department of the SOE at Stonebridge Park. The set was issued to agents, resistance groups and special forces, operating on occupied territory. The official designator is Type 3 Mk. II but the radio is also known as Type B Mk. II, B.II and B2.

The B2 came in two versions. The initial version came in an unobtrusive leather suitcase that allowed an agent to travel inconspicuously. This is the most well-known variant. Later in the war it was dropped by parachute in two water-tight containers, that were more suitable for use by resistance groups operating in the field.

The images show the Type 3 Mk.II in its original brown simulated leather suitcase, which can easily be recognized as it has three locks at the front: two simple locks at the sides, and one that can be locked with a key at the centre.
Operating the Type 3 Mark II (B2)

The radio set consists of three units: a receiver (RX), a transmitter (TX) and a Power Supply Unit (PSU), plus a box with spares and accessories. When mounted in the suitcase, the transmitter is located at the center top, with the receiver mounted below it. The PSU is at the right in such a position that the two other units can be connected to it. The spares box is generally positioned at the left, with the Morse key mounted on its lid. When operating the B2, the lid of the spares box should be placed on the table, so that the Morse key can be operated.

The Type 3 Mk.II (B2) was relatively small for its day and produced an HF output power of 20 Watts. Nevertheless, it was too big to carry around unobtrusively especially when travelling by public transport. For this reason, later radios, such as the Model A Mk. III (A3) were made much smaller, albeit with a limited frequency range (3.2-9.55 MHz) and reduced power output (5 Watt).
The most well-known appearance of the B2 is the suitcase version, but hardly any surviving B2 is found in its original red leather suitcase. In fact, the B2 was delivered in a variety of different suitcases, ranging from sturdy leather cases to simple cardboard and even wooden variants.

The original leather case is easily recognised, as it has three locks rather than the usual two. In many cases, the original case was swapped for a more common two-lock version, as it was easily recognised by the enemy. Later in the war, cheaper cardboard suitcases were used instead.

Louis Meulstee's excellent book Wireless for the Warrior, volume 4 even shows an example of a wooden carpenter's toolbox in which a B2 is fitted. The dimensions of the suitcase are pretty standard for the era. This B2 in it's original issue simulated leather cardboard covered wood frame suitcase with 3 locks. The cases were changed later in the war for twin catched cases, as three, one lock and two catches, became too identifiable by the Gestapo.

A photograph in the gallery was taken during WWII, probably in 1942 or 1943, and shows this B2 radio's production line at the Bontex Knitting Mills, which became SOE Station VIIa (7a) . This facility is also known as Stonebridge Park,

While Virgina Hall {see her photo in the gallery} was adept in all aspects of tradecraft, one of the most powerful tools at her disposal was the suitcase radio, a catch-all term used to describe any transceiver small enough to be transported into the field and operated covertly. A suitcase was often used to house the radio as it would be less likely to arouse suspicion if the spy’s lair was discovered. The B2 suitcase radio was also a great form factor for a portable transceiver – just the right size for the miniaturized radios of the day, good operational ergonomics, and perfect for quick setup and teardown. You can even imagine a spy minimally obfuscating the suitcase’s real purpose with a thin layer of folded clothing packed over the radio.

Great care was given to ensure that the field agent would have every chance of using the radio successfully and that it would operate as long as possible under adverse conditions. With a power budget often limited to five watts or so, these radios were strictly QRP affairs. Almost every suitcase rig operated on the high-frequency bands between 3 MHz and 30 MHz, to take advantage of ionospheric skip and other forms of propagation. An antenna optimized for these bands would likely be a calling card to the enemy, especially in an urban setting, so controls were provided to tune almost any length of wire into a decent antenna.

Footnote; it is estimated around 7,000 of this form of clandestine spy-craft equipment were made by the British. It’s historical WW2 Nazi equivalent, the German made Enigma Machine, over 100,000 of those were manufactured, almost 15 times as many. Yet, surviving examples of the Enigma Machine can now achieve between $250,000 to $800,000. Thus, it is entirely possible that these suitcase transceivers can one day approach these figures, if not even likely. In fact in almost all respects they should be on a value parity already, as the operators of the Enigmas were based in relatively comfortable German bases, ships or field commands. Safe and relatively well protected and far away from fear and terror. The operators of these transceivers, men and women, many barely out of their teenage years, were, every single minute of every single day at appalling risk of capture and the inevitable, unspeakable torture {especially the women}, at the hands of the Gestapo, and summary execution, after being transferred to a concentration camp, sometimes simply within a few weeks of the start of their clandestine service in Nazi occupied Europe.

A dear friend of the partners {Mark and David's} late mother, Camilla Hawkins, was Anita Vulliamy, daughter in law of Major-General C.H.H. Vulliamy. She was a simply a remarkable lady, who, during the war, was captured by the Gestapo, horrifyingly tortured, but managed to survive captivity. During her months in the Gestapo prison she crocheted a holy cross, made of prison cell straw bedding. After the war, her cross was exhibited alongside a similar piece, a straw doll, made by British SOE heroine Odette Churchill at a Charity event in London in 1956 and they raised £875 for the Polio Fund in one week. A huge sum in those days. Camilla mentioned that her friend, Anita, almost always wore fine leather gloves in company, as her finger nails had been torn out by her Gestapo interrogators. They grew back in part, but not well enough for Anita to feel comfortable to show her hands in public. Anita and Odette survived, and both considered themselves to be the extraordinarily lucky ones.  read more

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