Antique Arms & Militaria
A Rare Original Roman Gladiatrix, {A Female Gladiator} Size Bronze Ring, Early Imperial Roman Period. Featuring A Coliseum Barbary Lion in a Combat Pose Around 1900 Years Old
An amazing original historical ancient Roman artefact featuring a detailed intaglio hand engraving of a lion, in a gladiatorial standing pose, with its large mane and proud tail, from such as the gladiator and gladiatrix's arena in the Colosseum in Rome, from the time just before the Emperor's Marcus Aurelias and Commodus. The era superbly depicted in Sir Ridley Scott's blockbuster movie, Gladiator, starring Russell Crowe, and soon to be released Gladiator II.
The gladiatrix was a female gladiator of ancient Rome. Like their male counterparts, gladiatrices fought each other, or wild animals, to entertain audiences at games and festivals
Very little is known about female gladiators. They seem to have used much the same equipment as men, but were few in number and almost certainly considered an exotic rarity by their audiences. They are mentioned in literary sources from the end of the Roman Republic and early Roman Empire, and are attested in only a few inscriptions. Female gladiators were officially banned as unseemly from 200 AD onwards, but the word gladiatrix does not appear until late antiquity.
Tacitus writes of women of high status flaunting themselves in the arena during the time of Nero (Annals 15.32). Cassius Dio tells of the Emperor Titus putting on a combat where women were pitted against foes (Historia Romana, 67.8.4).
Petronius mentions a troupe of professional gladiators which included a woman fighting on a chariot (Satyricon 45). According to the gossipy Suetonius, the Emperor Domitian sponsored torch-lit combats at night between men and also between women (Domitian 4). Many Roman oil lamps feature gladiators, a handful of which show what seem to be female gladiators.
In copper bronze with stunning, natural age patination, in a regular female size of the time. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 of a percent, were engraved in the realism form. This is one of those rare types of more realistic engravings.
The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.
Romans seem to have found the idea of a female gladiator novel and entertaining, or downright absurd; Juvenal titillates his readers with a woman named "Mevia", a beast-hunter, hunting boars in the arena "with spear in hand and breasts exposed", and Petronius mocks the pretensions of a rich, low-class citizen, whose munus includes a woman fighting from a cart or chariot.
Some regarded female gladiators of any class as a symptom of corrupted Roman sensibilities, morals and womanhood. Before he became emperor, Septimius Severus may have attended the Antiochene Olympic Games, which had been revived by the emperor Commodus and included traditional Greek female athletics. Septimius' attempt to give Romans a similarly dignified display of female athletics was met by the crowd with ribald chants and cat-calls.26 Probably as a result, he banned the use of female gladiators, from 200 AD.27
There may have been more, and earlier female gladiators than the sparse evidence allows; *McCullough speculates the unremarked introduction of lower-class gladiatores mulieres at some time during the Augustan era, when the gift of luxurious, crowd-pleasing games and abundant novelty became an exclusive privilege of the state, provided by the emperor or his officials. On the whole, Rome's elite authorities exhibit indifference to the existence and activities of non-citizen arenari of either gender. The Larinum decree made no mention of lower-class mulieres, so their use as gladiators was permissible. Septimius Severus' later wholesale ban on female gladiators may have been selective in its practical application, targeting higher-status women with personal and family reputations to lose. Nevertheless, this does not imply low-class female gladiators were commonplace in Roman life. Male gladiators were wildly popular, and were celebrated in art, and in countless images across the Empire. Only one near-certain image of female gladiators survives; their appearance in Roman histories is extremely rare, and is invariably described by observers as unusual, exotic, aberrant or bizarre.
The following historical quote from Antiquity is from Cassio Dios book of Roman History and is translated by Earnest Cary and Herbert Baldwin Foster. The succeeding quote is from Juvenals book Satire; which is translated by Niall Rudd.
“There was another exhibition that was once most disgraceful and most shocking, when men and women not only of the equestrian but even of the senatorial order appeared as performers in the orchestra, in the Circus, and in the hunting-theatre Colosseum, like those who are held in lowest esteem. Some of them played the flute and danced in pantomimes or acted in tragedies and comedies or sang to the lyre; they drove horses, killed wild beasts and fought as gladiators, some willingly and some sore against their will.”
“What sense of shame can be found in a woman wearing a helmet, who shuns femininity and loves brute force… If an auction is held of your wife’s effects, how proud you will be of her belt and arm-pads and plumes, and her half-length left-leg shin guard! Or, if instead, she prefers a different form of combat, how pleased you’ll be when the girl of your heart sells off her greaves! Hear her grunt while she practices thrusts as shown by the trainer, wiling under the weight of the helmet.”
A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.
Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.
The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.
The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.
Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.
Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.
Most gladiators paid subscriptions to "burial clubs" that ensured their proper burial on death, in segregated cemeteries reserved for their class and profession. A cremation burial unearthed in Southwark, London in 2001 was identified by some sources as that of a possible female gladiator (named the Great Dover Street woman). She was buried outside the main cemetery, along with pottery lamps of Anubis (who like Mercury, would lead her into the afterlife), a lamp with the image of a fallen gladiator, and the burnt remnants of Stone Pine cones, whose fragrant smoke was used to cleanse the arena. Her status as a true gladiatrix is a subject of debate. She may have simply been an enthusiast, or a gladiator's ludia (wife or lover).17 Human female remains found during an archaeological rescue dig at Credenhill in Herefordshire have also been speculated in the popular media as those of a female gladiator
As with all our items it comes complete with our certificate of authenticity
*McCullough, Anna, “Female Gladiators in the Roman Empire”, in: Budin & Turfa (eds), Women in Antiquity: Real Women across the Ancient World, Routledge (2016), p. 958, citing Scholia in Iuvenalem Vetustiora, on Juvenal, Satire 6, 250-251 nam vere vult esse gladiatrix quae meretrix "for she really wants to be a gladiator who is a harlot"
Detail from the Villa Borghese gladiator and gladiatrix mosaic, AD 320, and discovered in 1834 (Galleria Borghese, Rome, Italy).
UK {female} size I approx. Slightly ovoid through ancient wear read more
795.00 GBP
Most Rare & Desirable, Status Ring, An Original Ancient Roman Bronze Ring Engraved With A Roman Legion’s Eagle Standard. An Image Of An Ancient Roman Legion's Standard Possibly For The Legion's Aquilfer {Standard Bearer} Circa 1700 Years Old
A fabulous Ancient Roman bronze Legionary's ring, from the era of Emperor Constantine The Great. The ovoid bezel is intaglio engraved with a Legionary Eagle, with its head turned to the viewers left (Aquila) with what appears to be the lightning bolt within its left claw. In superb, original, natural age patina of a rich dark bronze colour. The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence. Unusually, it is a comfortably wearable sized ring {which is somewhat rare due to original ancient Roman rings and armilla being usually smaller sized} In copper bronze with stunning, natural age patination.. By far the greatest percentage of rings from the Roman era were engraved in the stylised form, but a very small percent, perhaps less that .01 percent, were engraved in the realism form. This is one of those rare types of more realistic engravings. The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, and legionaries. Some gladiators always aspired to but rarely achieved the ring likely due to their short life span within their violent craft. However, some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.
The decisive moment in the civil war of 312 ad came when Constantine I defeats his rival’s armies at the Battle of Turin – Constantine I also defeats forces loyal to Maxentius. At the Battle of Verona – Constantine I defeats more forces loyal to Maxentius. An on the 28 October – Battle of Milvian Bridge – Constantine I defeats Maxentius and takes control of Italy. Constantine was now in full control of the Roman West. But, more importantly, the victory over Maxentius marked a crucial threshold in the Roman Empire’s history. Apparently, prior to the battle, Constantine saw a cross in the sky and was told: “In this sign shall you conquer.” Encouraged by the vision, Constantine ordered his troops to paint their shield with the chi-rho emblem (initials symbolizing Christ). The Arch of Constantine, built to commemorate the victory over Maxentius, still stands in the centre of Rome.
The eagle was a powerful symbol to the Roman military. With each Roman legion a special eagle-bearer (aquilifer) had the honour of carrying the Legionary Eagle standard into battle and to guard its existence.
During a battle, the standard was carried by the aquilifer, or "eagle-bearer."
The standard was the mode of communication for generals and troops. A horn blast would instruct the soldiers to look to the emblem, then the aquilifer would wave, raise, or lower it to direct the troops on their next move.
The bearer was also tasked with guarding the standard. In terms of rank, aquilifers fell just underneath centurions. Within the legion, they received higher pay and better rations than the typical soldier.
The standard served as a symbol to place the legion as a collective above the individual. Losing a standard was emotionally devastating because of its intense symbolism. When one was lost in battle, the surviving legionaries were left in shame for failing their fallen brothers in arms. The group promptly disbanded and members devoted themselves to reacquiring the lost icon.
Standards often included an image of the reigning emperor or his name beneath the eagle, adding to the importance of the symbol. In many instances, the eagle on the standard was perched above an orb, signifying Rome's dominion over the entire world.
Subdivisions of legions each carried a smaller standard that identified their group number or name. These were used to quickly assemble the components of the legion when mobilizing for battle.
Some of the most famous standards in Roman history were the ones lost at the Battle of Teutoburg Forest in 9 AD. During a long campaign to conquer Germania, the tribes lured three legions into the forest and launched a guerilla warfare campaign, slaughtering the Roman soldiers.
In 16 AD, General Germanicus led his Roman troops into Germania to seize the lost standards, crossing borders established by Augustus.
Eagles played a central role in Roman life and culture, right from the society's inception.
The aquila, or eagle, is one the most enduring symbols of Roman civilization.
While different animals and mythological creatures served as meaningful signifiers throughout the Republic and Imperial eras, the eagle continuously symbolized power and authority.
In the city's founding myth, the brothers Romulus and Remus agreed to settle their dispute over where to build their kingdom by letting the gods decide. Remus spotted six eagles and Romulus later spotted twelve of the birds.
The eagle was considered majestic and transcendent, to the point that live birds were often caged on emperors' funeral pyres. Once they broke free and flew skyward, the Romans considered it a manifestation of the deceased emperor's transition to godhood.
Ancient Romans esteemed the eagle and adopted it as a symbol of victory. Pliny the Elder wrote extensively on eagles, noting that they possessed excellent eyesight and were skilled parents.
Symbolically, he claimed eagles were the only creature immune to lightning strikes, underscoring their divinity. Up to modernity, eagles are depicted with lightning bolts clutched in their talons.
The earliest standard used by the Roman army was a bundle of straw affixed to a tall staff. Over time, the Romans began using emblems of eagles, wolves, minotaurs, horses, and boars.
Following a crushing defeat in 105 BC at the Battle of Arausio during the Cimbrian War, the Romans completed a self-assessment. The consul Gaius Marius led a reorganization of the military structure. Marius' reforms transformed the Roman legions from a loose militia into a professional fighting force.
As part of the restructure, he declared the eagle as the military's standard and retired the other four creatures mentioned above. Putting the emphasis on the eagle was meant to place its central qualities, bravery and power, at the forefront of the army's identity.
From the mid-Republican era onwards, the standard was a bronze or silver Aquila with spread wings.
Emperor Constantine the Great
Emperor Constantius died in York, England. The system of succession at the time demanded that another Caesar should become emperor but the soldiers in York immediately proclaimed Constantine their leader. It proved to be a pivotal moment in history. He is known as Constantine the Great for very good reasons.
After nearly 80 years, and three generations of political fragmentation, Constantine united the whole of the Roman Empire under one ruler. By 324 he had extended his power and was sole emperor, restoring stability and security to the Roman world.
Constantine also abandoned Rome as the most important city in the empire, building a new capital modestly named Constantinople (now Istanbul). In the next two centuries, Rome and Italy became vulnerable to barbarian invasions. The much more easily defensible Constantinople lasted for another thousand years.
Finally, and perhaps most famously, Constantine’s strong support for Christianity had an incalculable impact on European history. He is said to have been converted to the faith in AD 312, although this has not been corroborated.
At the time only around ten per cent of the Roman empire’s population was Christian. The majority of the ruling elite worshipped the old gods of Rome. Constantine was the first emperor to allow Christians to worship freely, helping to unite and promote the faith. He went on to instigate the celebration of the birth of Christ we call Christmas.
One image in the gallery is of The Battle of the Milvian Bridge that took place between the Roman Emperors Constantine I and Maxentius on 28 October AD 312. It takes its name from the Milvian Bridge, an important route over the Tiber. Constantine won the battle and started on the path that led him to end the Tetrarchy and become the sole ruler of the Roman Empire. Maxentius drowned in the Tiber during the battle; his body was later taken from the river and decapitated, and his head was paraded through the streets of Rome on the day following the battle before being taken to Africa.
*Note behind the mounted figure of emperor Contantine is the emperor's legion's eagle standard, held aloft by his aquilfer.
Outside diameter: 22mm, UK size Q1/2, US 8.25 Signs of light wear consistent with age and use, yet still wearable. read more
995.00 GBP
A Fantastic and Phenomenally Powerful Two Handed Viking War Hammer Axe. Weighing Just Under Four Pounds. Wheeler {1927} A, Type I Circa 840 AD
This is a monstrously powerful axe of incredible heft. Used with the long haft somewhat akin to the axe of a Huscarl, the Danish Viking mercenaries that were famously the personal guard of King Harold at the battle of Hastings. Incredibly well preserved for its age, and remarkably still bears the remains of the wooden haft in the affixing aperture. Axes like this are categorized by the 1927 Wheeler classification system of Viking armaments, which groups pieces based off their shape, size, and intended use.
Introduced by King Cnute, The Huscarls were the Royal Bodyguard and the elite fighters in the English field armies of the time. Highly trained, highly paid and highly motivated, they were the best and most highly feared troops in Europe, armed with long two handed axes, often in the later Viking age, with a broader cutting edge, but the earlier Viking age they had narrower cutting edges, as has this one, and it is said especially good for smashing helmets and piercing or crushing chain mail armour. In the early Viking Age, the cutting edge of big axes measured 7cms, {as is this one} to 15 centimetres, while later Viking and Danish axes became wider. The later Danish Huscarl axe had a crescent-shaped cutting surface that measured 22 to 45 cms.
Royal huscarls are thought to have numbered three thousand - a great number of men to pay in those days. A special tax of one silver mark per ten hides was levied to pay the huscarls. Further to their pay in coin (deemed to have been monthly) they were housed and fed initially from the king's coffers. Whether the king armed them as well is not known for certain. Gifts of weapons and equipment would have been made periodically to maintain their loyalty, in the manner of Scandinavian kings being 'ring-givers' in the early days of the Vikings. They would have had to have means of their own, as a king might easily dismiss them from his service for 'conduct unbecoming', to pay for their own armament and at least one horse to take him to fight (although in common with most other warriors of the northern world they fought on foot in time-honoured fashion). A huscarl's equipment amounted to mail-shirt (later mail-coat similar to the Normans' hauberk), one or more helmets, shields, spears and 'Dane-axe', the very effective long-shafted, two-handled fighting axe.
Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.
The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.
Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.
Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.
Weighing just under 4 pounds, 9 inches {23 cms} x 2.5 inches {7cms} read more
1595.00 GBP
An Incredible & Substantially Formidable, Around 1,100 Year Old Viking War-Hammer-Axe. An Impressive, Beautiful, and Most Powerful War Axe and Hammer, Combined.
In superb condition for it's age, and stunningly conserved. The front has a fine blade, with the reverse made into a flat, helmet smashing hammer. For combat, as a middle-heavyweight axe, it could have been mounted with a single or double handed haft. In a discussion on axes from the medeavil age we had together with Howard Blackmore {deputy curator at the Tower}, and Dennis Ottrey {our former gun and armour smith of over 40 years} the service of the war axe in hand to hand combat was critical in all the major battles for over a millennia. The lighter wide bladed axe, perfect for deep slicing and cutting, the heavy axe, for smashing and crushing, but often the most formidable, like the hand and a half sword in the world of long edged weapons, aka the bastard sword, the middle weight axe was the most functional. At home set in either a single handed short or two handed long haft, it was almost ideal for all purposes, and like the ‘bastard’ sword, it was perfect {in the right hands} for all fighting conditions. The hand-and-a-half sword was known as the ‘bastard’ sword because in trained hands it was far more powerful than the shorter, knightly cruciform sword, and much faster than the considerably longer zweihander {two handed} sword. Thus the middle-heavyweight axe could well have been classified as the ‘bastard’ axe. Although in hand-to-hand combat the only ideal defence against the war axe was the shield {or, possibly, superior agility} not another axe, unlike sword-to-sword combat, where the best defence against the sword, was another sword.
Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.
The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.
Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.
Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.
Weighing just under 2.5 pounds, 6.75 inches x 2.75 inches read more
1295.00 GBP
A Superb & Stunningly Beautiful Ancient Roman, Solid Silver, Serpent Head Armilla. Likely of a Centurion, Equites or Patrician. Around 1900 to 1800 Years Old. Worn From The Period of Emperors Trajan, Hadrian, Marcus Aurelius, Lucius Verus, & Commodus
An amazing survivor from the time of some of the most famous and renowned of all the ancient Roman Emperors;
Trajan (98–117 CE)
Hadrian (117–138 CE)
Antoninus Pius (138–161 CE)
Marcus Aurelius (161–180 CE)
Lucius Verus (161–169 CE)
Commodus (177–192 CE)
Publius Helvius Pertinax (January–March 193 CE)
Marcus Didius Severus Julianus (March–June 193 CE)
Septimius Severus (193–211 CE)
Being of silver it was the prerogative and use of only the higher ranking Roman as a sign of status. Silver and gold were limited for the use and adornment of only the superior status grade of ancient Roman, be they military or civilian. Made and used by a mid to high ranking military citizen such as centurion or equites, or of the governing citizen class known as patricians.
Patricians were considered the upper class in early Roman society. They controlled the best land and made up the majority of the Roman senate. It was rare—if not impossible—for a plebeian to be a senator until 444 BC. In appearance, they were chiefly distinguished from the plebs by their dyed and ornamented shoes (calceus patricius). A common type of social relation in ancient Rome was the clientela system that involved a patron and client(s) that performed services for one another and who were engaged in strong business-like relationships. Patricians were most often the patrons, and they would often have multiple plebeian clients. Patrons provided many services to their clients in exchange for a promise of support if the patron went to war. This patronage system was one of the class relations that most tightly bound Roman society together, while also protecting patrician social privileges. Clientela continued into the late Roman society, spanning almost the entirety of the existence of ancient Rome. Patricians also exclusively controlled the office of the censor, which controlled the census, appointed senators, and oversaw other aspects of social and political life. Through the censors, patricians were able to maintain their status over the plebeians.
Through the military ranks centurions were divided into grades. First Spear (primus pilus): The primus pilus was the commanding centurion of the first century of the first cohort and the most senior centurion of a legion. The primus pilus could be promoted to praefectus castrorum. On retirement, he would most likely gain entry into the equestrian class.primi ordines: They were the five centurions of the first cohort and included the primus pilus. They outranked all centurions from other cohorts. pilus prior: A centurion in command of the first century of a cohort, making him the senior centurion of the cohort. During a battle, the pilus prior was in command of his cohort. They would have been veteran centurions, who had been promoted through the cohorts.
Pilus posterior: The second centurion in a cohort.
Princeps prior: The third centurion in a cohort.
Princeps posterior: The fourth centurion in a cohort.
Hastatus prior: The fifth centurion in a cohort.
Hastatus posterior: The sixth centurion in a cohort.
Jewellery in the Roman Republic
The core ideologies of the Roman Republic, centred around moderation and restraint, meant that elaborate jewellery was relatively unpopular until the transformation to imperial rule. The law of the Twelve Tables in the 5th century BC, limited the amount of gold which might have been buried with the dead. The Lex Oppia, 3rd century BC, fixed at half of an ounce the amount of gold which a Roman lady might have worn. During the Roman Empire, however, jewellery became a public display of wealth and power for the elite.
Rings of the higher ranks were often embellished with intaglios, cameos and precious gemstones. Mythology and Roman history were used as a repertoire of decorative themes. Roman rings featuring carved gemstones, such as carnelian, garnet or chalcedony, were often engraved with the depiction of deities, allegories and zoomorphic creatures. Snake-inspired jewels held many amuletic connotations. In particular, snakes were associated with the healing snake of Asclepius, the Roman god of medicine and science.
54mm wide, approx 13 grms
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading read more
1395.00 GBP
A Beautiful Mid 19th Century Napoleon IIird French Naval Officer's Dirk. Poinyard D'Officier de Marines
Just arrived back from six full days expert artisan hand cleaning and conservation to remove antique applied surface preservative lacquer, and thus to reveal all its original polish beneath.
Although mid 19th century it very much has it's design roots in the Napoleonic Directoire and Ist Empire period. Brass double ovoid pommel with ribbed carved horn grip. Down scrolled quillons. Brass mounted leather scabbard
Carried by a French naval officer up to the Franco Prussian War and Sino-French War of the later 19th century.
The Franco-Prussian War
To relieve pressure from the expected German attack into Alsace-Lorraine, Napoleon III and the French high command planned a seaborne invasion of northern Germany as soon as war began. The French expected the invasion to divert German troops and to encourage Denmark to join in the war, with its 50,000-strong army and the Royal Danish Navy. It was discovered that PrussiaFlag of Prussia
The Kingdom of Prussia was a German kingdom that constituted the state of Prussia between 1701 and 1918. It was the driving force behind the unification of Germany in 1871 and was the leading state of the German Empire until its dissolution in 1918. Although it took its name from the region called Prussia, it was based in the Margraviate of Brandenburg. Its capital was Berlin.
They had recently built defences around the big North German ports, including coastal artillery batteries with Krupp heavy artillery, which with a range of 4,000 yards (3,700 m), had double the range of French naval guns. The French Navy lacked the heavy guns to engage the coastal defences and the topography of the Prussian coast made a seaborne invasion of northern Germany impossible.
The French Marines and naval infantry intended for the invasion of northern Germany were dispatched to reinforce the French Army of Châlons and fell into captivity at Sedan along with Napoleon III. A shortage of officers, following the capture of most of the professional French army at the Siege of Metz and at the Battle of Sedan, led naval officers to be sent from their ships to command hastily assembled reservists of the Garde Mobile. As the autumn storms of the North Sea forced the return of more of the French ships, the blockade of the north German ports diminished and in September 1870 the French navy abandoned the blockade for the winter. The rest of the navy retired to ports along the English Channel and remained in port for the rest of the war.
The Sino-French War
The Battle of Fuzhou, or Foochow, also known as the Battle of the Pagoda Anchorage (French: Combat naval de Fou-Tchéou, Chinese: 馬江海戰, 馬江之役 or 馬尾海戰, literally Battle of Mawei), was the opening engagement of the 16-month Sino-French War (December 1883 – April 1885). The battle was fought on 23 August 1884 off the Pagoda Anchorage in Mawei (馬尾) harbour, 15 kilometres (9.3 mi) to the southeast of the city of Fuzhou (Foochow). During the battle Admiral Amédée Courbet's Far East Squadron virtually destroyed the Fujian Fleet, one of China's four regional fleets.
Internationally, Napoleon III tried to emulate his uncle Napoleon Bonaparte, engaging in numerous imperial ventures around the world as well as several wars in Europe. He began his reign with French victories in Crimea and in Italy, gaining Savoy and Nice, and very briefly, Venetia (before in turn ceding to Italy). Using very harsh methods, he built up the French Empire in North Africa and in French Indochina. Napoleon III also launched an intervention in Mexico seeking to erect the Second Mexican Empire and bring it into the French orbit, but this ended in a fiasco. He mishandled the Prussian threat, and by the end of his reign, the French emperor found himself without allies in the face of overwhelming German forces. His rule was ended during the Franco-Prussian War, when he was captured by the Prussian army at Sedan in 1870 and dethroned by French republicans. He died in exile in 1873 in England.
In very nice condition overall with surface dings to the scabbard mounts and small indented marks on the horn grip. read more
A Fine, Original, Bronze Imperial Roman Legionary's Military Armilla, As Awarded for Military Gallantry. Almost 2000 Years Old Donum Militarium. Worn From The Period of Emperors Trajan, Hadrian Marcus Aurelius, Lucius Verus & Commodus
An armilla (plural armillae) was an armband awarded as a military decoration (donum militarium) to soldiers of ancient Rome for conspicuous gallantry. Legionary (citizen) soldiers and non-commissioned officers below the rank of centurion were eligible for this award, but non-citizen soldiers were not. Unlike legionaries, auxiliary common soldiers did not receive individual decorations, though auxiliary officers did. However, a whole auxiliary regiment could be honoured by a title as an equivalent award, which in this case would be armillata ("awarded bracelets"), or be granted Roman citizenship en masse as a reward. This entitled an auxiliary regiment to add the appellation civium Romanorum (Roman citizens) to its list of honours.
A very fine circa 100 AD. Imperial Roman Armilla, around 2000 years old in superb condition with natural verdigris patination. It is incised and punched in typical Roman military style. A fine bronze Armilla bracelet with rectangular section and tapering terminals with stylised Phalera type piercings repeated several times, and numerous, typical military engraved lined panels, with hammered dot decor, and open ended flattened pierced spatula terminals.
Armillae were either gold, silver or bronze. The status of the recipient appears to have determined whether he would be granted a gold armilla or the lesser silver. Bronze armillae were given as awards for distinguished conduct to soldiers of lesser rank, but were valued no less highly for the prestige they conferred upon their owners. Armillae were usually awarded in pairs and a soldier could win more than one pair. They were not for everyday wear, but generally only worn at military parades or on dress uniform occasions like a general's Triumph, though they could also be worn at certain civic events like religious ceremonies and the games.
Roman military honours were not awarded posthumously, but those won during a soldier's lifetime were often proudly shown on his sarcophagus or cenotaph. The armillae awarded to senior centurion Marcus Caelius of Legio XVIII, for example, are evident on his funerary monument, and three pairs of armillae can be seen on the memorial panel at Villa Vallelunga in Italy which depicts the awards granted to veteran C. Vibius Macer during his years of active service.4
Military armillae were modelled on those worn by the Celts. The tradition of using Celtic-style torcs and armillae as Roman military decorations had its beginnings in 361 BC when Titus Manlius Torquatus (consul 347 BC) slew a Gallic chieftain of impressive size in single combat. He then stripped the bloodstained torc from the corpse's neck and placed it around his own as a trophy.5 The Romans were initially daunted by the fearsome appearance of the Gauls, whose elite warriors were "richly adorned with gold necklaces and armbands".6 The torc was the Celtic symbol of authority and prestige. By his action, Torquatus in effect took the vanquished chieftain's power for his own, and created a potent, visible token of Roman domination. As such, over time the torc and also the armilla were adopted as official awards for valour, taking on the role of symbolic war trophies.
Armillae were made in a substantial masculine style and produced in a variety of designs: a solid, hinged cuff, sometimes inscribed with legionary emblems or decorated with incised patterns; an open-ended spiral; a chunky, rounded bracelet with open or overlapping ends; or a torc in miniature. Armillae which were open-ended or had overlapping ends often featured knobs or snake-heads as terminal
Armillae were a type of wrist adornments in ancient Rome. Depending on the design, they could be worn on the wrists, upper arms, or together with phalerae on the chests of centurions.
The earliest and first Ancient Roman Emperors were the Claudian emperors, that were;
Augustus, Gaius Julius Caesar Augustus (born Gaius Octavius; 23 September 63 BC – 19 August AD 14), was also known as Octavian, and was the founder of the Roman Empire. He reigned as the first Roman emperor from 27 BC until his death in AD 14. The reign of Augustus initiated an imperial cult, as well as an era of imperial peace (the Pax Romana or Pax Augusta) in which the Roman world was largely free of armed conflict. The Principate system of government was established during his reign and lasted until the Crisis of the Third Century.
Tiberius Julius Caesar Augustus 16 November 42 BC – 16 March AD 37, was Roman emperor from AD 14 until 37. He succeeded his stepfather Augustus, the first Roman emperor. Tiberius was born in Rome in 42 BC to Roman politician Tiberius Claudius Nero and his wife, Livia Drusilla. In 38 BC, Tiberius's mother divorced his father and married Augustus. Following the untimely deaths of Augustus's two grandsons and adopted heirs, Gaius and Lucius Caesar, Tiberius was designated Augustus's successor. Prior to this, Tiberius had proved himself an able diplomat, and one of the most successful Roman generals: his conquests of Pannonia, Dalmatia, Raetia, and (temporarily) parts of Germania laid the foundations for the empire's northern frontier.
Caligula, Gaius Caesar Augustus Germanicus was Roman emperor from AD 37 until his assassination in AD 41. He was the son of the Roman general Germanicus and Augustus' granddaughter Agrippina the Elder, members of the first ruling family of the Roman Empire. He was born two years before Tiberius was made emperor. Gaius accompanied his father, mother and siblings on campaign in Germania, at little more than four or five years old. He had been named after Gaius Julius Caesar, but his father's soldiers affectionately nicknamed him "Caligula" ('little boot')
Caligula's sister, Agrippina the Younger, wrote an autobiography that included a detailed account of Caligula's reign, but it too is lost. Agrippina was banished by Caligula for her connection to Marcus Lepidus, who conspired against him. Caligula also seized the inheritance of Agrippina's son, the future emperor Nero. Gaetulicus flattered Caligula in writings now lost. Suetonius wrote his biography of Caligula 80 years after his assassination, and Cassius Dio over 180 years after; the latter offers a loose chronology. Josephus gives a detailed account of Caligula's assassination and its aftermath, published around 93 AD, but it is thought to draw upon a "richly embroidered and historically imaginative" anonymous biography of Herod Agrippa, presented as a Jewish "national hero".286 Pliny the Elder's Natural History has a few brief references to Caligula, possibly based these on the accounts by his friend Suetonius, or an unnamed, shared source. Of the few surviving sources on Caligula, none paints Caligula in a favourable light. Little has survived on the first two years of his reign, and only limited details on later significant events, such as the annexation of Mauretania, Caligula's military actions in Britannia, and the basis of his feud with the Senate
Claudius, Tiberius Claudius Caesar Augustus Germanicus 1 August 10 BC – 13 October AD 54) was a Roman emperor, ruling from AD 41 to 54. A member of the Julio-Claudian dynasty, Claudius was born to Drusus and Antonia Minor at Lugdunum in Roman Gaul, where his father was stationed as a military legate. He was the first Roman emperor to be born outside Italy.
Nero Claudius Caesar Augustus Germanicus 15 December AD 37 – 9 June AD 68) was a Roman emperor and the final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68.
Nero was born at Antium in AD 37, the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger (great-granddaughter of the emperor Augustus). Nero was three when his father died.1 By the time Nero turned eleven,2 his mother married Emperor Claudius, who then adopted Nero as his heir. Upon Claudius' death in AD 54, Nero ascended to the throne with the backing of the Praetorian Guard and the Senate. In the early years of his reign, Nero was advised and guided by his mother Agrippina, his tutor Seneca the Younger, and his praetorian prefect Sextus Afranius Burrus, but sought to rule independently and rid himself of restraining influences. The power struggle between Nero and his mother reached its climax when he orchestrated her murder. Roman sources also implicate Nero in the deaths of both his wife Claudia Octavia – supposedly so he could marry Poppaea Sabina – and his stepbrother Britannicus.
Once the Claudian dynasty ended it was followed, most notably, by some of the most famous, historically, Roman emperors.
The era from whence this armilla was likely awarded and worn by a decorated legionary.
The Emperors;
Trajan (98–117 CE)
Hadrian (117–138 CE)
Antoninus Pius (138–161 CE)
Marcus Aurelius (161–180 CE)
Lucius Verus (161–169 CE)
Commodus (177–192 CE)
Publius Helvius Pertinax (January–March 193 CE)
Marcus Didius Severus Julianus (March–June 193 CE)
Septimius Severus (193–211 CE)
In very sound and excellent condition for its great age, but we cannot recommend any attempt to expand it fully open to fit a large wrist as it was once originally worn. 52mm, approx.17 grms read more
1295.00 GBP
A Beautiful Matched Pair of An Ancient Bronze Sword and Dagger With Pierced Bird Cage Pommels. From The Era of the Ancient Greco-Persian Wars
It is incredibly rare to find two weapons that may likely have been made by the same sword-maker up to 3000 years ago, likely for the same warrior, and them to still be together today. Almost certainly excavated, two hundred years ago or more during the era of the Grand Tour, possibly from the same warrior's tomb or burial or an ancient battle site or sunken bireme. A bireme is an ancient oared warship (galley) with two superimposed rows of oars on each side. Biremes were long vessels built for military purposes and could achieve relatively high speed. They were invented well before the 6th century BC and were used by the Phoenicians, Assyrians, and Greeks. The bireme was also recorded in ancient history on the 8th and early 7th-century BC Assyrian reliefs, where they were used to carry out an amphibious attack on the coast of Elam and the lagoons of the Persian Gulf during the reign of Sennacherib. Over the centuries in the Persian Gulf the Aegean Sea and the Northern Mediterranean, ancient artifacts, pottery and the like have been drawn up by numerous fishermen’s nets, such as, for example our Minoan spears recovered by 18th century Cretan fishermen from the sea bed. See the picture in the gallery of a 500bc Greek bireme.
A picture in the gallery from a mosaic tile floor excavation in Medeina of an ancient Roman Villa, showing a bird in a cage, the inspiration of the shape and form for the pommels on these swords, that were likely made up to 1000 years before the villa was built by the Romans in the 2nd century.
Double edged graduating blades with central midrib. Hollow grips, the dagger with open panels for side plate inserts, the short sword with cylindrical grip. The short sword has a pair of rounded quillon crossguard with widened flattened ends.
The style of warfare between the Greek city-states, which dates back until at least 650 BC (as dated by the 'Chigi vase'), was based around the hoplite phalanx supported by missile troops. The 'hoplites' were foot soldiers usually drawn from the members of the middle-classes (in Athens called the zeugites), who could afford the equipment necessary to fight in this manner. The heavy armour (the hoplon) usually included a breastplate or a linothorax, greaves, a helmet, and a large round, concave shield (the aspis) .Hoplites were armed with long spears (the dory), which were significantly longer than Persian spears, and a sword (the xiphos). The heavy armour and longer spears made them superior in hand-to-hand combat and gave them significant protection against ranged attacks. Lightly armed skirmishers, the psiloi also comprised a part of Greek armies growing in importance during the conflict; at the Battle of Plataea, for instance, they may have formed over half the Greek army. Use of cavalry in Greek armies is not reported in the battles of the Greco-Persian Wars.
The battle of Marathon
The Persian fleet headed south down the coast of Attica, landing at the bay of Marathon, roughly 40 kilometres (25 mi) from Athens. Under the guidance of Miltiades, the general with the greatest experience of fighting the Persians, the Athenian army marched to block the two exits from the plain of Marathon. Stalemate ensued for five days, before the Persians decided to continue onward to Athens, and began to load their troops back onto the ships. After the Persians had loaded their cavalry (their strongest soldiers) on the ships, the 10,000 Athenian soldiers descended from the hills around the plain. The Greeks crushed the weaker Persian foot soldiers by routing the wings before turning towards the centre of the Persian line. The remnants of the Persian army fled to their ships and left the battle.89 Herodotus records that 6,400 Persian bodies were counted on the battlefield; the Athenians lost only 192 men.
As soon as the Persian survivors had put to sea, the Athenians marched as quickly as possible to Athens. They arrived in time to prevent Artaphernes from securing a landing in Athens. Seeing his opportunity lost, Artaphernes ended the year's campaign and returned to Asia.
The Battle of Marathon was a watershed in the Greco-Persian wars, showing the Greeks that the Persians could be beaten. It also highlighted the superiority of the more heavily armoured Greek hoplites, and showed their potential when used wisely read more
3450.00 GBP
Ancient Roman Gladiator Bronze Seal Ring, With Intaglio of Standing Gladiator With Shield and Flagellum. Early Imperial Julio-Claudian Emperors Period From The 1st Century A.D. of Emperors Augustus, Tiberious, Caligula, Claudius & Nero
In copper bronze with great, natural age patination. Classified as Henig type Xb by Dr. Martin Henig.
By far the greatest percentage of rings from the Roman era were engraved in the stylised form, such as this fine example. Worn either by a higher ranking, possibly freed gladiator, or, possibly an owner of gladiators, as was portrayed by Oliver Reed in the movie 'Gladiator', depicting the world famous combat slaves of Rome.
The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.
Another picture in the gallery is of a well-preserved fresco, recently unearthed in Pompeii—the Roman city razed by Mount Vesuvius’ eruption in 79 A.D.—it depicts the final act of a gladiator fight: As one combatant begs for mercy, the victorious warrior awaits instructions on whether to kill or spare his opponent.
A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.
Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.
The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.
The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.
Marcus Aurelius acceded to the throne alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalized Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.
Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.
Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.
Not only did the ‘games’ centre on gladiators, they also included animals fighting other animals, such as bears fighting lions or lions vs horses. Since ancient times horses have been trained for combat, not just to be non-fearful in carrying its rider into the melee of hand to hand combat, but to kill any adversary, albeit a man or another animal.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading read more
675.00 GBP
A Fabulous Knight’s Seal Ring, From Agincourt to the Wars of the Roses Period. A 15th Century Ring with an Intaglio Stylized Engraving of An Armoured Knight on Horseback Holding Aloft His Knightly Sword, a Fabulous and Beautiful Piece.
This is a really rare original piece, and it has been many decades since we last even saw an intaglio seal ring, made for a knight of the realm, that is actually depicting an engraved armoured knight as the body of the seal itself, but as one that is holding his sword aloft for combat, this must be the rarest of all.
Overall it is in fabulous condition with a stunning naturally aged bronze patination. Around 600 years old probably worn for a 100 years, or possibly much more. The intaglio seal engraving is superb. Armour-protected knights charged on horseback wielding their knightly swords and lances ten to eleven feet long (cut down to as short as five feet by both the French and English at the Battle of Agincourt). The age of the lance ended with the rise of the bowmen in the fourteenth century. While the devastating volleys of English longbow men had initiated the change at Crecy on August 26, 1346, it was massed bodies of pikemen that really thwarted cavalry charges, as they did at the Battle of Pavia in 1525. Large quantities of lances would also have been used at Agincourt by men-at-arms, the sword by knights and some men-at-arms. The small mounted French force at the battle tasked with driving off the English archers would have been equipped with this lance type weapon. The vast majority of the French men-at-arms, and all of the English, were dismounted but still used lances at Agincourt. The English had an advantage over the French at the battle however, because the latter had decided to shorten their lances to give them greater control over their weapons prior to the battle. This proved to be a mistake during the melee as the longer English lances meant that they had a greater reach and were able to push over the French. One account of the lance used at Agincourt involved an assault on King Henry himself." under the banner of the Lord of Croy, eighteen gentlemen banded themselves together of their own choice, and swore that when the two parties should come to meet they would strive with all their might to get so near the King of England that they would beat down the crown from his head, or they would die, as they did; but before this they got so near the said King that one of them with the lance which he held struck him such a blow on his helmet that he knocked off one of the ornaments of his crown. But not long afterwards it only remained that the eighteen gentlemen were all dead and cut to pieces; which was a great pity; for if every one of the French had been willing thus to exert himself, it is to be believed that their affairs would have gone better on this day. And the leaders of these gentlemen were Louvelet de Massinguehem and Garnot de Bornouille" King Henry V of England led his troops into battle and participated in hand-to-hand fighting, sword in hand. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.
This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.
Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopeadia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French.
The Wars of the Roses were a series of dynastic wars for the throne of England. They were fought between supporters of two rival branches of the royal House of Plantagenet, the Houses of Lancaster and York. They were fought in several sporadic episodes between 1455 and 1487, although there was related fighting before and after this period. The conflict resulted from social and financial troubles that followed the Hundred Years' War, combined with the mental infirmity and weak rule of Henry VI, which revived interest in the alternative claim to the throne of Richard, Duke of York.
The final victory went to a claimant of the Lancastrian party, Henry Tudor, who defeated the last Yorkist king, Richard III, at the Battle of Bosworth Field. After assuming the throne as Henry VII, he married Elizabeth of York, the eldest daughter and heiress of Edward IV, thereby uniting the two claims. The House of Tudor ruled England and Wales until 1603. Queen Margaret and her son had fled to north Wales, parts of which were still in Lancastrian hands. They later travelled by sea to Scotland to negotiate for Scottish assistance. Mary of Gueldres, Queen Consort to James II of Scotland, agreed to give Margaret an army on condition that she cede the town of Berwick to Scotland and Mary's daughter be betrothed to Prince Edward. Margaret agreed, although she had no funds to pay her army and could only promise booty from the riches of southern England, as long as no looting took place north of the River Trent.
The Duke of York left London later that year with the Earl of Salisbury to consolidate his position in the north against the Lancastrians who were reported to be massing near the city of York. He took up a defensive position at Sandal Castle near Wakefield over Christmas 1460. Then on 30 December, his forces left the castle and attacked the Lancastrians in the open, although outnumbered. The ensuing Battle of Wakefield was a complete Lancastrian victory. Richard of York was slain in the battle, and both Salisbury and York's 17-year-old second son, Edmund, Earl of Rutland, were captured and executed. Margaret ordered the heads of all three placed on the gates of York.
A fine, ancient, but even wearable ring size N1/2 read more
1495.00 GBP