Antique Arms & Militaria

Roman Ist Century AD Hippocampus Intaglio Engraved Bronze 'Status' Ring.

Henig type Xb bronze Roman ring around 1900 years old. In copper bronze with great, natural age patination

In the Iliad, Homer describes Poseidon, god of horses, earthquakes, and the sea, driving a chariot drawn by brazen-hoofed horses over the sea's surface, and Apollonius of Rhodes, describes the horse of Poseidon emerging from the sea and galloping across the Libyan sands.8 This compares to the specifically "two-hoofed" hippocampi of Gaius Valerius Flaccus in his Argonautica: "Orion when grasping his father’s reins heaves the sea with the snorting of his two-hooved horses." In Hellenistic and Roman imagery, however, Poseidon (or Roman Neptune) often drives a sea-chariot drawn by hippocampi. Thus, hippocampi sport with this god in both ancient depictions and much more modern ones, such as in the waters of the 18th-century Trevi Fountain in Rome surveyed by Neptune from his niche above.

The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25078

A Very Good Victorian Police or Beadle's Quarterstaff or Walking Stave

Bearing the hand painted decoration of a large gilt and coloured crown, and a gilt VR monogram for the monarch, Queen Victoria, and the number '4'.

Based on the old English quarterstaff a beadle or policeman's walking stave that was originally used in the days before a regular uniform had been designed for the British police service. It was a means of identifying the bearer as to his rank, status and authority as a police constable, yet still a most effective weapon of defence and restraint when required, but they continued in use after uniforms were fully standard, but only for a brief period. Very few of these most unusual original police service artefacts survive today. Stick fighting was prevalent throughout historical European martial arts and indeed worldwide. The oldest systematic descriptions of stick-fighting methods in Europe date to the 15th century. The oldest surviving English work giving technical information on staff combat dates from the 15th century - it is a brief listing of "strokes of the 2-hand staff", which shares terminology with the preceding "strokes of the 2-hand sword" in the same manuscript. George Silver (1599) explains techniques of short staff combat, and states that the use of other polearms and the two-handed sword are based on the same method. Later authors on the subject included Joseph Swetnam, Zachary Wylde, and Donald McBane. Silver, Swetnam, and Wylde all agreed that the staff was among the best, if not the very best, of all hand weapons.

During the 16th century quarterstaves were favoured as weapons by the London Masters of Defence. Richard Peeke, in 1625, and Zachary Wylde, in 1711, refer to the quarterstaff as a national English weapon. By the 18th century the weapon became popularly associated with gladiatorial prize playing. A modified version of quarterstaff fencing, employing bamboo or ash staves and protective equipment adapted from fencing, boxing and cricket was revived as a sport in some London fencing schools and at the Aldershot Military Training School during the later 19th century. Works on this style were published by Thomas McCarthy and by Allanson-Winn and Phillips-Wolley. A superb photo in the gallery of a Victorian city Beadle with his near identical quarter staff.  read more

Code: 25095

A Most Rare Victorian Constabulary Or Beadle's Walking Stave Quarter-Staff.

Bearing the hand painted decoration of a large gilt and coloured crown, and a gilt VR monogram for the monarch, Queen Victoria,above the date 1849. It has a fair amount of surface paint wear caused by service use in its working life. Based on the old English quarterstaff a beadle or policeman's walking stave that was originally used in the days before a regular uniform had been designed for the British police service. It was a means of identifying the bearer as to his rank, status and authority as a police constable, yet still a most effective weapon of defence and restraint when required, but they continued in use after uniforms were fully standard, but only for a brief period. Very few of these most unusual original police service artifacts survive today. Stick fighting was prevalent throughout historical European martial arts and indeed worldwide. The oldest systematic descriptions of stick-fighting methods in Europe date to the 15th century. The oldest surviving English work giving technical information on staff combat dates from the 15th century - it is a brief listing of "strokes of the 2-hand staff", which shares terminology with the preceding "strokes of the 2-hand sword" in the same manuscript. George Silver (1599) explains techniques of short staff combat, and states that the use of other polearms and the two-handed sword are based on the same method. Later authors on the subject included Joseph Swetnam, Zachary Wylde, and Donald McBane. Silver, Swetnam, and Wylde all agreed that the staff was among the best, if not the very best, of all hand weapons.

During the 16th century quarterstaves were favoured as weapons by the London Masters of Defence. Richard Peeke, in 1625, and Zachary Wylde, in 1711, refer to the quarterstaff as a national English weapon. By the 18th century the weapon became popularly associated with gladiatorial prize playing. A modified version of quarterstaff fencing, employing bamboo or ash staves and protective equipment adapted from fencing, boxing and cricket was revived as a sport in some London fencing schools and at the Aldershot Military Training School during the later 19th century. Works on this style were published by Thomas McCarthy and by Allanson-Winn and Phillips-Wolley. A superb photo in the gallery of a Victorian city Beadle with his near identical quarter staff. Around 73 inches long  read more

Code: 21233

A Simply Stunning 19th Century Crimean War British Coldstream Guards, Battle of Alma period, Senior Officer's Regimental Gothic Hilt Sword

A beautiful sword, made by Andrews of Pall Mall London, with traditional WR IVth cypher Gothic hilt, sharkskin bound grip and pipeback combat blade with regimental badge of the Coldstream Guards, plus the cypher of King William IVth. It is set in its senior officer's field rank scabbard, and just as used by a field officer [major and above] in The Crimean War, in the Coldstream Guards, and at the Battle of Alma. This below is taken from a letter sent from the Crimea by a Coldstream officer.

Bivouac, River Alma, 21 September 1854
I hasten to write a few lines to tell you I am safe and sound, knowing how anxious you will be, after hearing that we have had an action with the Russians.At about 12 o'clock on the 20th, on crowning a ridge, we came all at once in sight of the Russian army, in an entrenched camp beyond the Alma, distant about three miles. Immediately we appeared they set fire to a village between us and them so as to mask their force by the smoke.

We continued advancing steadily, halting occasionally to rest the men, till half-past one, when the first shot was fired, and soon after the rattle of musketry told us that our rifle skirmishers were engaged. Our division then deployed into line, and we stood so for about twenty minutes, an occasional round shot rolling up to us, but so spent that one was able to step aside from it. Wounded men from the front soon began to be carried through our lines to the rear, and loose and wounded horses began to gallop about.

At last we were ordered to advance, which we did for about 300 yards nearer the batteries, and halted, and the men lay down. We were now well within range, and the round shot fell tolerably thick, an occasional shell bursting over our heads.

After standing steady for about twenty minutes, the light division (who were in line in front of us) advanced again, and we followed.

The Russians had put posts to mark the ranges, which they had got with great accuracy. We now advanced to within 200 yards of the river and 700 from the batteries, and halted under a low wall for five minutes, till we saw the light division over the river, when we continued our advance in support of them. On crossing the wall we came into vineyards, and here the cannonade was most terrific, the grape and canister falling around us like hail - the flash of each gun being instantly followed by the splash of grape among the tilled ground like a handful of gravel thrown into a pool.

On reaching the river, the fire from a large body of riflemen was added, but the men dashed through, up to their middle in water, and halted on the opposite side to re-form their ranks, under shelter of a high bank. At this moment the light division had gained the intrenchment, and the British colour was planted in the fort; but, ammunition failing them, they were forced back.

The Scots Fusiliers were hurried on to support them before they had time to reform themselves, and the 23rd, retiring in some confusion upon them, threw them for a few minutes into utter disorder. The Russians, perceiving this, dashed out of the fort upon them, and a frightful struggle took place which ended in their total discomfiture.

For a minute or two the Scots Fusilier colours stood alone in the front, while General Bentinck rallied the men to them, their officers leading them on gallantly.

At this moment I rode off to the Coldstream, through whose ranks the light division had retired, leaving them the front line. They advanced up the hill splendidly, with the Highlanders on their left, and not a shot did they fire till within 150 or 200 yards from the intrenchments. A battery of 18 and 24 pounders was in position in our front, and a swarm of riflemen behind them. Fortunately the enemy's fire was much too high, passing close over our heads, the men who were killed being all hit on the crown of the head, and the Coldstream actually lost none. When we got about fifty yards from the intrenchment, the enemy turned tail, leaving us masters of the battery and the day.

As they retired they took all their guns except two, and a great many of their wounded. In spite of this the ground was covered with dead and dying, lying in heaps in every direction on what might be called the glacis, and inside the intrenchments they were so thick that one could hardly avoid riding over them; but the excitement of the victory stifled for the time all feeling of horror for such a scene, and it was not till this morning when I visited the battle-field, that I could at all realise the horrors which must be the price of such a day. Most fervently did I thank God, who had preserved me amidst such dangers. How I escaped seems to me the more marvellous the more I think of it. Though on horseback (on my old charger), my cocked-hat and clothes were sprinkled all over with blood.

The loss of the Brigade of Guards is very severe, but the proportion of deaths to wounded is extraordinarily small. On calling the roll after the action, 312 rank and file and fifteen officers were discovered to be killed and wounded.

Besides there was my poor friend Horace Cust, who was struck by a round shot in crossing the river. He was aide-de-camp to General Bentinck, and we were watering our horses at the time when the shot struck his horse in the shoulder and smashed poor Cust's thigh. He died soon after the leg was amputated. Charles Baring, who has lost his arm (taken out of the socket) is the only other Coldstream officer hit. They only went into action with sixteen officers, less than half their complement.

We have been occupied the whole day in burying the dead. About 1000 were laid in the ditch of the fort, and the earthen parapet was then thrown back upon them. We find that the whole garrison of Sebastopol were before us, under Mentschikoff in person. His carriage has fallen into our hands, and in it a letter stating that Sebastopol could hold out a long time against us, but that there was a position at Alma which could hold out three weeks. We took it in three hours.

So convinced were they of the impossibility of our taking it that ladies were actually there as spectators, little expecting the review they were destined to be spectators of. We expect now to find no resistance whatever at the Katcha river, the whole Russian force having retired into Sebastopol. We always turn out at four o'clock in the morning, an hour before daybreak. This is a superb and historical sword. When originally purchased it would have had a junior officer's leather and brass scabbard, but, its use in a 'field rank pattern' scabbard, of all brass, would have been granted to the officer, upon his promotion from captain to major, in the regiment and thence forward to colonel if greater promotion was achieved. Small combat denting to the scabbard. There are few swords just as this superb example in the museum collection, and they appear in the book of the Artifacts of the Crimean War, "Crimean Memories", by Hutchinson, Vice, & Small  read more

Code: 23428

A Stupendous, Original Officer's Quality Baker Rifle, of the Napoleonic Wars. Without Doubt The Most Famous Rifle Of The Georgian Period & For The Next 50 Years

Numbered on the butt tang, number 1. Coincidentally, around 25 years ago we had the privilege to own Henry Nock's No. 1 Baker as well. Both of these rifles may have been the gunsmiths examples to gain the contract from the Board of Ordnance, that eventually went to Mr Baker. When both Nock and Studenmayer failed to gain the contract, the rifles were then likely sold to British Rifle regiment officer's. However due to the exurgencies of war, Baker couldn't hope to fulfill the contract, neither could the Tower armoury, so the contracts were put out to such approved makers as Nock, Wallis and Studenmayer anyway.

It has a fine 30 inch Damascus barrel, .650, with Tower proofs, regulation seven groove rifling, and with an underside bayonet lug to affix its sword, maker inscribed name and address, of one of England's finest gunmaker's, who was gunmaker to the Prince of Wales and the Duke of York, Samuel Studenmayer of London {former apprentice to the great Manton} and he made this rifle at 35 Jermyn Street, some short while just after 1799. It is three-quarter stocked, with original steel ram/cleaning rod held within brass ramrod pipes, the tapered stepped steel lock with rain proof pan and roller frizzen. This gun appears in Howard Blackmore's British Military Firearms 1650 to 1850. It takes a very rare straight bladed socket sword {bayonet} with a 1796 pattern Light Cavalry P Hilt. {See a copy of the picture of the rifle and its sword, in a photo from Howard’s book copy that he gave us, in the gallery} It has the traditional but optional military inset patchbox in the fine walnut stock, with typical Baker cheekpiece on the opposing side, and the barrel is affixed with key slides as opposed to musket pins.

This rifle is in pretty much in the same order of condition that of all the racked Baker's showed to us by Howard Blackmore during our tour of the Tower in the 1970's, with our late gunsmith Dennis Ottrey.

Howard also showed us the original Studenmeyer Baker combat service rifle sword {bayonet} with its 1796 cavalry variant hilt with socket ring, that would have been used with our Baker rifle. We do believe that may have been the last time we saw one of these incredibly rare and collectable swords, so rare in fact, we know of no known example being available on the open market for sale these past 40 years. If one did appear, it could likely be more highly priced than the rifle itself.

The Baker rifle (officially known as the Pattern 1800 Infantry Rifle) was a flintlock rifle used by the rifle regiments of the British Army during the Napoleonic Wars. It was the first standard-issue, British-made rifle accepted by the British armed forces.

The Baker rifle was first produced in 1800 by Ezekiel Baker, a master gunsmith from Whitechapel. The British Army was still issuing the infantry rifle in the 1830s.

The British Army had learnt the value of rifles from their experience in the American Revolutionary War. However, existing rifle designs were considered too cumbersome, slow-firing, fragile or expensive to be put to use on any scale beyond irregular companies. Rifles had been issued on a limited basis and consisted of parts made to no precise pattern, often brought in from Prussia. The war against Revolutionary France resulted in the employment of new tactics, and the British Army responded, albeit with some delay. Prior to the formation of an Experimental Rifle Corps in 1800, a trial was held at Woolwich by the British Board of Ordnance on 22 February 1800 in order to select a standard rifle pattern; the rifle designed by Ezekiel Baker was chosen. During the trial, of the twelve shots fired, eleven were placed in a 6-foot (1.8 m) circular target at a distance of 300 yards (270 m).

Colonel Coote Manningham, responsible for establishing the Rifle Corps, influenced the initial designs of the Baker. The first model resembled the British infantry musket ("Brown Bess"), but was rejected as too heavy. Baker was provided with a German Jäger rifle as an example of what was needed. The second model he made had a .75 caliber bore, the same caliber as the infantry musket. It had a 32-inch barrel, with eight rectangular rifling grooves; this model was accepted as the Infantry Rifle, but more changes were made until it was finally placed into production. The third and final model had the barrel shortened from 32 to 30 inches, and the caliber reduced to .653, which allowed the rifle to fire a .625 calibre carbine bullet, with a greased patch to grip the now-seven rectangular grooves in the barrel.

The rifle is referred to almost exclusively as the "Baker Rifle", but it was produced by a variety of manufacturers and sub-contractors from 1800 to 1837. Most of the rifles produced between 1800 and 1815 were not made by Ezekiel Baker, but under the Tower of London system, and he sub-contracted the manufacture of parts of the rifle to over 20 British gunsmiths.

The rifle as originally manufactured was expected to be capable of firing at a range of up to 200 yards (183 meters) with a high hit rate. The Baker rifle was used by skirmishers facing their opponents in pairs, sniping at the enemy either from positions in front of the main lines or from hidden positions in heights overlooking battlefields.

The accuracy of the rifle in capable hands is most famously demonstrated at the Battle of Cacabelos (during Moore's retreat to Corunna in 1809) by the action of Rifleman Thomas Plunkett (or Plunket) of the 1st Battalion, 95th Rifles, who shot French General Colbert at an unknown but long range (as much as 600 yards (550 m) according to some sources). He then shot Colbert's aide-de-camp, Latour-Maubourg, who went to the aid of his general, suggesting that the success of the first shot was not due to luck.

That rifleman Plunkett and others were able to regularly hit targets at ranges considered to be beyond the rifle's effective range speaks for both their marksmanship and the capabilities of the rifle.

Overall in excellent original condition for age, with good stock patina, reverse side age stock split and just commensurate surface bruising as to be expected for its age and use. A Napoleonic Wars combat service use Stedenmayer officer’s Baker is a very highly prized rifle indeed, and this is an exceptional example as well. It’s patch box contains small useful accessories, including spare flints and cleaning rod attachments.  read more

Code: 24800

A Stunning & Rare Original Neolithic Battle Axe 4,000 to 5,000 Years OId. Recovered From Oxfordshire. With An Incredible Weighty Heft of Two Pounds. Potentially A PreHistoric Anglo-Norse Weapon

Although this axe was recovered some decades ago from Oxfordshire it may have been a Norse made battle axe of an English stone age settler up to 5,000 Years ago.

This lithic battle axe has convex sides that are slightly swollen around the central hole, the latter being designed for the fitting of a handle. It has been worked from a single block of carved and polished stone.
Battle-axes from the Neolithic Norse cultures were used as combat weapons in the area of Scandinavia and Northern Europe. Like the one we are now show, they were heavy and sturdy pieces, capable of dealing a heavy blow to the enemy. They were sometimes decorated with engravings and were used for hunting as well as for warfare.

The archaeological discovery of lithic industry (stone tools) is a clear sign of human activity and progress. During the Neolithic period, the lithic industry reached a high degree of skill and evolution (in fact, the very name "Neolithic" -new stone- responds to a new way of working stone, which will be polished as opposed to the carved stone of the Palaeolithic, a change that represented a real technological revolution.

Stone hand axes were in use in the Paleolithic period for hundreds of thousands of years. The first hafted stone axes appear to have been produced about 6000 BCE during the Mesolithic period. Technological development continued in the Neolithic period with the much wider usage of hard stones in addition to flint and chert and the widespread use of polishing to improve axe properties. The axes became cult objects (for example, the entry for the Battle-axe people of Scandinavia, treated their axes as high-status cultural objects). Such stone axes were made from a wide variety of tough rocks such as picrite and other igneous or metamorphic rocks, and were widespread in the Neolithic period.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

Just over 7 inches long almost I kilo in weight  read more

Code: 24919

A Very Good, Original, 1640’s English Civil War Officer's Mortuary Hilted Back Sword

The traditional sword’s basket hilt bears, within oval panels, the engraved facial portraits, it is said, of King Charles Ist and Queen Henrietta, and several of the Green Man. In the Victorian period these swords thus became known as Mortuary hilted swords, due to the executed king's visage being designed within the hilt pattern. It is not known exactly how this came to be, but there is no known use of the term Mortuary hilted before this time. In the Civil War, the opening of the battle usually involved groups of cavalry, with the officers carrying these very form of swords. The main objective was to make the opposing cavalry run away. When that happened, the victorious cavalry turned on the enemy infantry. Well-disciplined pike men, brave enough to hold their ground, could do tremendous damage to a cavalry charging straight at them. There are several examples of cavalry men having three or four horses killed under them in one battle. At the start of the war the king's nephew, Prince Rupert, was put in charge of the cavalry. Although Rupert was only twenty-three he already had a lot of experience fighting in the Dutch army. Prince Rupert introduced a new cavalry tactic that he had learnt fighting in Sweden. This involved charging full speed at the enemy. The horses were kept close together and just before impact the men fired their pistols, then arming themselves with their swords for the all too fearsome hand to hand combat

During the early stages of the Civil War the parliamentary army was at a great disadvantage. Most of the soldiers had never used a sword or musket before. When faced with Prince Rupert's cavalry charging at full speed, they often turned and ran.

One of the Roundhead officers who saw Prince Rupert's cavalry in action was a man called Oliver Cromwell. Although Cromwell had no military training, his experience as a large landowner gave him a good knowledge of horses. Cromwell became convinced that if he could produce a well-disciplined army he could defeat Prince Rupert and his Cavaliers. He knew that pike men, armed with sixteen-foot-long pikes, who stood their ground during a cavalry attack, could do a tremendous amount of damage.

Oliver Cromwell also noticed that Prince Rupert's cavalry were not very well disciplined. After they charged the enemy they went in pursuit of individual targets. At the first major battle of the civil war at Edge hill, most of Prince Rupert's cavalrymen did not return to the battlefield until over an hour after the initial charge. By this time the horses were so tired they were unable to mount another attack against the Roundheads.

Cromwell trained his cavalry to keep together after a charge. In this way his men could repeatedly charge the Cavaliers. Cromwell's new cavalry took part in its first major battle at Marston Moor in Yorkshire in July 1644. The king's soldiers were heavily defeated in the battle. Cromwell's soldiers became known as the Ironsides' because of the way they cut through the Cavaliers on the battlefield. The Mortuary hilted swords actually gained their unusual name some considerable time after the Civil War. For, as they bore representational portraits of King Charles Ist, it was believed in Victorian times that they were to symbolize the death of the King, however, as these swords were actually made from 1640, long before he was executed, it was an obviously erroneous naming, that curiously remains to this day. This example is a beautiful, fine and singularly handsome piece and would certainly be a fine addition to any collection of rare English swords. There are a few examples near identical to this sword in the Royal Collection and the Tower of London Collection.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

In good condition for age with natural age wear and tear, single side bars. 35.25 inch long blade, overall 41 inches overall  read more

Code: 23161

Victorian Police 'Jack the Ripper' Era Type Handcuffs or 'Derby's' & Original Oval Flat Key

Good flattened head key type, with board of ordnance broad arrow stamp and serial number.

The type as was made and first used in the early Victorian era from the very beginnings of the British Police service, and on well into the next century. Excellent working order early flat key type. A good and fine condition pair of original 'Derby' cuffs used by the 'Bobbies' or 'Peelers', with the traditional rotating spiral key action.
They are also the very type that were used, and as can be seen, in all the old films of the Whitechapel Murders, and Sherlock Holmes' adventures in the gloomy London Fog.

Originally handcuffs were made of a large wooden toggle with a loop of cord, which was slipped over a prisoner’s wrists and twisted. Manufacturers Hiatt and Company, founded in Birmingham in 1780, developed a new patent for restraints, which became standard issue when the Metropolitan Police was created in 1829.

In 1818 Thomas Griffin Hiatt appears in the Wrightson Directory for the first time as a manufacturer of felon's irons and gate locks, located on Moor St. in Birmingham. Some time in the next few years Hiatt moved around the corner to 26 Masshouse Lane, where he is located in the next edition of the Wrightson's Birmingham directory as a manufacturer of felon's irons, gate lock, handcuffs, horse and dog collars. The Hiatt Company remained at the 26 Masshouse Lane address until the premises were destroyed by the World War II German bombing in 1941.

The Whitechapel murders were committed in or near the largely impoverished Whitechapel district in the East End of London between 3 April 1888 and 13 February 1891. At various points some or all of these eleven unsolved murders of women have been ascribed to the notorious unidentified serial killer known as Jack the Ripper.

The murderer or murderers were never identified and the cases remain unsolved. Sensational reportage and the mystery surrounding the identity of the killer or killers fed the development of the character "Jack the Ripper", who was blamed for all or most of the murders. Hundreds of books and articles discuss the Whitechapel murders, and they feature in novels, short stories, comic books, television shows, and films of multiple genres.

The poor of the East End had long been ignored by affluent society, but the nature of the Whitechapel murders and of the victims' impoverished lifestyles drew national attention to their living conditions. The murders galvanised public opinion against the overcrowded, unsanitary slums of the East End, and led to demands for reform. On 24 September 1888, George Bernard Shaw commented sarcastically on the media's sudden concern with social justice in a letter to The Star newspaper:  read more

Code: 25079

Ancient Roman Gladiator Bronze Seal Ring, With Intaglio of Standing Gladiator With Shield and Flagellum. Early Imperial Julio-Claudian Emperors Period From The 1st Century A.D. of Emperors Augustus, Tiberious, Caligula, Claudius & Nero

In copper bronze with great, natural age patination. Classified as Henig type Xb by Dr. Martin Henig.

By far the greatest percentage of rings from the Roman era were engraved in the stylised form, such as this fine example. Worn either by a higher ranking, possibly freed gladiator, or, possibly an owner of gladiators, as was portrayed by Oliver Reed in the movie 'Gladiator', depicting the world famous combat slaves of Rome.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

Another picture in the gallery is of a well-preserved fresco, recently unearthed in Pompeii—the Roman city razed by Mount Vesuvius’ eruption in 79 A.D.—it depicts the final act of a gladiator fight: As one combatant begs for mercy, the victorious warrior awaits instructions on whether to kill or spare his opponent.

A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.

Marcus Aurelius acceded to the throne alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalized Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Not only did the ‘games’ centre on gladiators, they also included animals fighting other animals, such as bears fighting lions or lions vs horses. Since ancient times horses have been trained for combat, not just to be non-fearful in carrying its rider into the melee of hand to hand combat, but to kill any adversary, albeit a man or another animal.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25080

An Incredible 1100 Year Old, Viking, Great Hewing Spear, a Hggspjt, A Viking Museum Piece. With Extremely Rare Norse 'Knotwork' Runic Engraving Still Present. A Powerful Spear of Incredible Heft

Made over 1000 years ago, and probably modelled on Odin's 'Great Hewing Spear' itself.

It is so rare to find an original Hggspjt Viking great spear, the spear of a Viking chief or his personal guard, with its original Norse knotwork engraving, and it is simply incredible to see it still clearly visible after more than a thousand years.

An original Hggspjt large head spear of a Viking Norse clan chief with superb Norse incised knotwork, as one might see on the legendary Gungnir, the Spear of Odin itself. {Old Norse, Gungnir }

Larger-headed spears were called Hggspjt, (great hewing spear), from Old Norse higg, "stroke, blow, slaughter, beheading", and could also be used for cutting. A two-handed grip on the spear shaft gives the Viking spear more power and usability than a one-hand grip. Both ends and the shaft of a Viking spear could be used to hit an opponent, block attacks with weapons, and even trip opponents. By shifting the hand hold on a spear shaft, the ends can be used to hit an opponent at short range and long range. With a sliding grip, a spear can be thrust forward in such a way that both hands end up at the butt end of the shaft, which allows the spear to reach the full extent of the shaft in a thrust. As you'd expect for the weapon of a god, Gungnir is no ordinary spear. It was created by the dwarves, the most skilled smiths in the cosmos, as is related in the tale of how the gods greatest treasures were made.
Gungnir is said to have runes carved on its point, which presumably increase its aim and deadliness through magic. Archaeology confirms that the Norse and other Germanic peoples did in fact carve runes into some of their spears; perhaps this was done in imitation of the mythical model of Gungnir. Other aspects of Gungnir definitely did serve as mythical models for human actions. This is especially true with regard to the spears role in human sacrifices offered to Odin.

In the war between the two tribes of gods, Odin led the Aesir gods into battle against the Vanir. He began the battle by hurling his spear over the enemy host and crying,

"INN YR ALLA !"
(Odin owns all of you!).

The historical Norse themselves, when about to begin combat, repeated this paradigmatic gesture of Odins, thus giving the opposing army as a gift to Odin, in hopes that the god would return the favour by granting them victory.

In the Viking Age, Odin was the chief of the gods, a role which in earlier times he had shared with the god Tyr. Just as Tyr's sword seems to have been a symbol of the power and authority of lordship (we can infer this from the number of Indo-European parallels), so Odin's spear probably was as well. Gungnir, the finest spear in the cosmos, and it would have served as a compelling image of the ferocious might, both magical and military, of the grim ruler of the gods.

In regards to surviving iron artefacts of the past two millennia, if Western ancient edged weapons were either lost, discarded or buried in the ground, and if the ground soil were made up of the right chemical composition, then some may survive exceptionally well, just as did this one, and if well conserved it can be a remarkable item of antiquity looking much as it did before it was lost millennia ago.
Former property of an English gentleman's collection, acquired in the 1940's.

13.5 inches long and over one and a half pounds in weight {340mm and 700 grams}.

Almost every iron weapon that has survived today from this era, is now in a fully, or partially, russetted condition, as is this one, and most similar to those like it that have been preserved in national or Royal collections today .

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 21880