Antique Arms & Militaria

A Very Rare & Simply Stunning, Original Ancient Classical Early Iron & Bronze Age Dagger, Circa Three Thousand Two Hundred Years Old, From The Time of The Trojan Wars & The Siege of Troy. As Detailed In Homer's Iliad

This is one of the earliest ancient classical iron and bronze daggers we have ever seen, and only Tutankhamun's iron and gold dagger is known to exist that is that much older than this finest example. A near identical dagger is decorated upon an archaic attic ware amphora, circa 550 bc, a scene of ancient, warring mythical figures, that resides in a famed Paris museum.

We show in the gallery a piece of decorated ancient Greek attic ware, with a scene of Hercules and Geryon, and the warrior, on the right of three winged warriors in the photo, bears a so similar dagger, as could be deemed identical, swinging from his waist. It is on display at the Cabinet des Médailles, in Paris, catalogued as an Attic Black Figure Shape Amphora. ca. 550 - 540 B.C. from the Archaic period

This dagger is in very good excavated condition, found around 250 years ago, so its blade's condition is very aged, yet it is in fantastic condition bearing it mind it is around 3200 years old.

One cannot over emphasise the rarity of such as this wonderful piece, and to find a Bronze Age and earliest Iron Age combination metals dagger, it a rare treasure indeed. From the ancient pre-history era, made in the time of the Siege of Troy, the ancient Phoenicians, and the earliest period of ancient Greek and Minoan pre-history.

It is incredible to comprehend that this fine piece would have been a revered weapon when it was likely used around the time of the Siege of Troy, and during the earliest Greek-Persian Wars. It would have already been 700 years old and a piece of great antiquity, at the time when Alexander The Great was embarking on his extraordinary campaign to conquer the Persian Empire in 335 BC.
He eventually conquered half the known world and was to become the greatest ruler in history. This exceptionally beautiful and rare artefact, around 3000 years old, and it superbly demonstrates the skill of the artisans from the bronze age and iron age combined.
With a flanged eared pommel in iron, a bronze hilt and grip, and a double ribbed double edged blade in iron/steel. In 3000 BC plus, iron was a tremendously scarce and precious metal, scarcely know around most of the world.
The earliest known iron artefacts, apart from Tutankhamun's Dagger, are nine small beads, dated to 3200 BC, from burials in Gerzeh, northern Egypt, and they were also made from meteoric iron, and shaped by careful hammering. King Tut continues to astound the archaeological community, as new research shows that the ancient Egyptian child pharaoh was buried with a dagger that part originated from the heavens.

The iron bladed dagger placed in his sarcophagus, next to the right thigh of his mummified body, was manufactured from a meteorite, according to researchers from Milan Polytechnic, Pisa University and the Egyptian Museum in Cairo.

The team carried out an analysis using non-invasive, portable X-ray fluorescence spectrometry and published their results in the journal Meteoritics and Planetary Science.

Archaeologist Howard Carter’s discovery of King Tut’s tomb in 1922 sparked worldwide fascination with the 14th Century BC pharaoh. Three years later, two blades one iron and one gold were found in the wrapping of the 18th Dynasty mummy. Iron's qualities, in contrast to those of bronze, were not understood. Between 1200 BC and 1000 BC, diffusion in the understanding of iron metallurgy and use of iron objects was fast and far-flung. In the history of ferrous metallurgy, iron smelting, the extraction of usable metal from oxidized iron ores, is more difficult than tin and copper smelting. These other metals and their alloys can be cold-worked, or melted in simple pottery kilns and cast in moulds; but smelted iron requires hot-working and can be melted only in specially designed furnaces. It is therefore not surprising that humans only mastered iron smelting after several millennia of bronze metallurgy. We show in the gallery Tutankhamun's iron bladed dagger and Carter's photograph of its discovery in his tomb. 11.5 inches overall, approx. 16 ozs  read more

Code: 22582

A Fabulous & Most Rare Large Irish Brass Barrelled Flintlock Blunderbuss Pistol, Circa 1700's

A stunning and beautiful flintlock, with a lock bearing the maker's name, within a lozenge shaped poincon stamp, of its Irish gunsmith. Through diligent research we can find no other example of his fine workmanship surviving in the world today. Therefore, this may well be a uniquely surviving example of his finest quality pistols remaining and still in existence. This is not to say definitively there are no other examples of his work remaining somewhere, maybe within a darkened corner of a distant museum, but we can certainly find no trace of one. The fine brass barrel is not proved which is exactly as we would expect to find, for prior to 1712, there was no requirement or legislation in place, to cover barrel proofing in Ireland, and although officially 1712 was the official date, some were finished with unproved barrels for a decade or so later. Indeed following the Act of Union in 1801 it could be surmised that all barrels would be subject to British proof, either by the Birmingham or London Proof Houses. However, this obviously did not occur, but when barrels were imported from Irish cities, they were later marked with the relevant British proofs. But arms that remained in Ireland may have spent their entire working lives unproved. The barrel is brass and its wonderful walnut stock has a magnificent patina. The butt cap bears the Queen Anne type grotesque butt mask, but most unusually this has a double face, both grimacing one way, and sad, when viewed from the opposite side.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

Approx 15 inches long overall  read more

Code: 23554

An Extra Fine Condition Classic, Cased Pair of Late 18th to Early 19th Century Damascus Barrelled Duelling Pistols by Finest London Maker. Original Mahoghany Case with Tools and Accessories

A superb cased pair, in original case, very similar and from the same design, and form as another very fine cased pair, commissioned from the same finest maker in London, in circa 1800, and formerly in the Billionaire J.P.Morgan's Family Collection.

J. P. Morgan was a 19th century and early 20th century world renown American banker and philanthropist, he was subsequently categorised as America's greatest banker, whose reorganising skills and actions, in the great panic of 1907, saved America's monetary system

The famed gunsmith (1790-1841), produced finest flintlock guns in High Holborn London, from 1793-1839. her was Gun maker to the Duke of Kent, Prince Edward and King William IV.

Browned octagonal smooth 16 bore barrels are marked “London” on each pistol’s barrel. Locks with original case hardening, waterproof pans, bridled roller frizzens, chamfered lockplates with rebated tails, and high breasted cocks with open centres, are fitted with sliding safeties, and are engraved with feather flourishes and name under pans on the lock face. Traditional English style walnut stocks that have wraparound micro checkering with mullered borders on bag grips. “Stand of Arms”engraved trigger guards have stylized pineapple finials, and fabulous original mirror blueing. Stocks attach to the barrels with two sliding barrel slides. Horn tipped rosewood ramrods are held by two nicely filed, beaded, steel pipes. Both ramrods have steel, ball extractor worms. Original mahogany case has dual pivoting hook closure, and inlet foldaway handle. The interior is lined in traditional and original green pill-napped cloth, with maker paper label on lid depicting pair of gentlemen gunners and their dogs. Case contains leather covered duelling pistol 'powder and ball' powder flask, loading rod with mushroom tip, Covered compartments with turned brass knobs on covers, for the containing of flints and balls and screw thread from the single top jaw screw.

Excellent condition overall. Stocks are excellent, retaining most of their original finish, edges and checkering sharp and very crisp, with a number of small use surface dents, handling marks. Locks and frizzens are crisp, one top jaw screw now lacking half thread of the screw. Case is very fine retaining most of its original finish with small slice out by interior by the front right retaining hook. Interior cloth is fine with light marks and soiling from contact with guns and accessories. Label is fine, slightly foxed and dented from contact with frizzen springs. Accessories are all fine.

He was born to Thomas and Elizabeth in 1772, at Croscombe in Somerset. Nothing is known of his early years, but in 1792 his name appears in a Holborn rate book for the address of two hundred and thirty three High Holborn. This address had, until the latter part of the eighteenth century been occupied by a John Field and his father–in–law John Clarke. Alongside his name in the rate book was that of ‘Widow Field’, a jeweller. At this time William was aged only 20 years and it is not fully understood under what pretext he started at this address. It is probable that he had been working at the location as an apprentice silversmith, as a business had operated there under the names of ‘Field & Clarke, silversmiths’ between the years 1784 and 1793.

The process of the name changing from Field and Clarke to his started when John Field died around 1790. Entries with his name are recorded in the Holborn rate books from 1783 until 1790. In 1791 his name is still listed, but underlined and the word ‘Widw’ inserted. Records suggest John Clarke survived until at least May 1793, but it is probable he died around this time.

John Field’s marriage to Sarah Clarke had resulted in one surviving child, also called John born circa 1779 in the County of Middlesex. Following the death of John the elder William Parker married his widow Sarah on the 1 July 1792. It is not unusual for a new business to trade under an established name and this probably accounts for the name Field surviving in various forms for a few more years. Entries in trade directories confirm that by 1796-1797 William was operating under his own name as a sole trader, a situation that would continue until his death in 1841.

John Field the younger is often referred to as William’s ‘son-in-law’, but was in fact his step-son. In the nineteenth century the term ‘in-law’ meant related by marriage, but also extended to children, which is not the case now, when we would use the term step-son. William and Sarah appear to have had no other children, but John did marry and went on to have seven children of his own, three boys and four girls. The two eldest boys, John William Parker Field and William Shakespeare Field were to follow their father and grandfather’s trade as gun makers.

As a gun maker he was a well known for producing a range of weapons from standard issue items to the finest duelling pistols. He later started to produce truncheons and other articles such as handcuffs, swords and rattles, and had the major contracts to supply arms and truncheons to the Metropolitan police of London.

In the gallery is a coloured engraving of a famous news event in 1789. A representation (not caricatured) of the duel between the Duke of York and Lennox on Wimbledon Common on 26 May 1789. Lennox (left) fires at the Duke, who fires in the air. Above the Duke's head is written (in ink) 'Fire again Sir'. The two seconds stand beside their principals: Lord Winchilsea (left) and Lord Rawdon (right). In the distance is a man on horseback. Trees and grass form a background.

We also have the extraordinarily rare, original list of the contents of these cased guns and tools, as was hand written and supplied by Mr Parker with the cased pair when they were delivered to their original owner..

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 24937

A Stunning Rarity, A Solid Silver Roman Military Ring, Possibly of a Tribune or Legatus, or Even the Personal Guard of the Emperor Contantine Ist, of the Roman Empire. Engraved with the Personal Wreathed Labarum Standard of Constantine the Great

Engraved with the Personal ‘Wreathed Labarum’ Standard of Constantine the Great.
A Labarum engraved ring of Constantine Ist's Military standard showing the symbol 'Chi Rho' surrounded by the victory symbol laurel wreath. As it is a solid silver ring it likely demonstrates it was awarded and worn by an Imperial Roman military commander of high rank. Roman bronze rings and bracelets were awarded and allowed to be worn by the Legionary or Centurion, but the silver grade was only for the ranks of such as the Centurion, Tribune or Legate. Plus, as the Emperors symbol is framed in the engraving within a laurel wreath of victory, it may most likely have been awarded to the highest rank of Tribune [a wide stripe Tribune] or, a Legate, after a great victory in combat. Possibly after the Battles of Livium Bridge against Maxentius and the Battle of Chrysopolis against Emperor Licinius in the East, The religious aspect of the conflict was reflected in Licinius drawing up his battle lines with images of the pagan gods of Rome prominently displayed, whilst Constantine's army fought under his talismanic Christian standard, the labarum. Licinius had developed such a superstitious dread of the Labarum he forbade his troops from attacking it, or even looking directly at it.

Constantine’s saw his divine message from Christ, it was;
‘In hoc signo vinces’ – “In this sign, you will win”

The Labarum was a square legion's banner of the 4th century Roman Empire, with golden fringes, hung on a cross beam, on which was embedded the Chi-Rho Christogram, and sometimes also the image of Christ in purple and gold. It was introduced by Emperor Constantine the Great. It was the banner of the Roman legions but used only when the emperor was with the army.

According to an account by Eusebius of Caesarea, before the battle at the Milvian Bridge (October 28, 312 CE) Constantine the Great had a vision that allowed him to win. Around noon, he was to see a luminous cross in the sky, and under it, an inscription in Greek – “You will overcome this”. Better known in Latin translation In hoc signo vinces – “In this sign, you will win”. The next night in a dream, Christ commanded him to use the sign of the cross against his enemies. Eusebius then describes labarum (legionary’s banner) with the sign of Chi Rho.

The Labarum, became the sacred military standard of the Christian Roman emperors, first used by Constantine I in the early part of the 4th century AD. The Labarum—a Christian version of the vexillum, the military standard used earlier in the Roman Empire—incorporated the Chi-Rho, the monogram of Christ, in a golden wreath atop the staff. The flag was made of purple silk (purple dye being at this time a rarity derived from a shellfish of the genus Murex) richly embroidered with gold. Although usually suspended from a horizontal bar, it appears to have been displayed occasionally by fastening one of its sides to its staff.

Constantine was the first emperor to convert to Christianity. He ended the policy of persecuting Christians and in 313 CE issued the Edict of Milan, proclaiming the freedom to profess this religion.

A silver ring of a hoop form, with nicely shaped shoulders, circular bezel nicely engraved with the Emperor's Chi Rho cross, within a laurel wreath roundel. In the gallery is the Labarum of Constantine I, reconstructed from the depiction on a follis Roman coin, minted c. 337. The three dots represent "medallions" which are said to have shown portraits of Constantine and his sons. plus another Roman coin showing his standard, an artistic representation of the Emperor's Labarum, and an original roman carved marble panel, showing Emperor Constantine holding his personal standard adorned with his Chi Rho symbol at the very top.

Battle of Milvian Bridge, (October 28, 312 CE), major battle in a Roman civil war between Constantine I and Maxentius. After the collapse of the Roman Empire’s Second Tetrarchy, Constantine and Maxentius asserted competing claims to the imperial throne. At Maxentius’s goading, Constantine invaded the Italian Peninsula. A lightning campaign saw Maxentius killed in battle at the Milvian Bridge on the outskirts of Rome. Constantine’s victory confirmed his role as ruler of the Western Empire. According to ancient sources, Constantine converted to Christianity just before the battle. The Battle of the Milvian Bridge may have concluded Constantine’s civil war with Maxentius, but it was not his final battle. In the East, Licinius conquered his rival Maximinus Daia’s lands. However, he held them only briefly before Constantine invaded, first in 314 and again in 316. Constantine seemingly eschewed any subtlety of manoeuvre, he launched a single massive frontal assault on Licinius' troops and routed them.[6][8] He won a decisive victory in what was a very large-scale battle. According to the fifth-century historian Zosimus, “There was great slaughter at Chrysopolis.” Emperor Licinius was reported to have lost 25,000 to 30,000 men, with thousands more breaking and running in flight. Licinius managed to escape and gathered around 30,000 of his surviving troops at the city of Nicomedia.

Recognising that his surviving forces in Nicomedia could not stand against Constantine's victorious army, Licinius was persuaded to throw himself on the mercy of his enemy. Constantia, Constantine's half-sister and Licinius' wife, acted as intermediary. Initially, yielding to the pleas of his sister, Constantine spared the life of his brother-in-law, but some months later he ordered his execution, thereby breaking his solemn oath. This occurred because Licinius was suspected of treasonable actions, and the army command pressed for his execution. A year later, Constantine's nephew, the younger Licinius, also fell victim to the emperor's anger or suspicions. He was executed in 326 and had his name expunged from official inscriptions.

In defeating his last foe, Licinius, Constantine became the sole emperor of the Roman Empire; the first such since the elevation of Maximian to the status of Augustus by Diocletian in April 286. After his conquest of the eastern portion of the Roman Empire, Constantine made the momentous decision to give the east its own capital, and the empire as a whole its second. Constantine was now the undisputed ruler of the entire Roman Empire. As thanks for his good fortune and proof of his conviction, he would make Christianity the state’s most favoured religion. But Constantine would also abandon the city whose conquest had cemented his conversion. The capital would be relocated east to the city of Byzantium (renamed Constantinople, modern Istanbul). Rome would be left to crumble, and with it the Western Empire.

As with all our items it comes complete with our certificate of authenticity


 read more

Code: 24628

An 18th Century Typical Pirate Form Corsairs Long Barrel Holster Pistol Likely a Balkan Maker, a Great Gift Idea

A very inexpensive, original, 18th century pirate pistol. Obvious signs of battle close combat use, hence the price, but this is a fascinating piece of piratical history. What a fabulous gift this could be from the original seafaring days of galleons and pirates from the Spanish Maine.

Finely carved walnut stock, long holster barrel beautifully chisseled and inlaid with poincon. chisseled brass buttcap, traditional early banana shaped lock. An Italianate style flintlock, made in the area of the Mediterranean, used throughout Europe, the Caribbean and the Americas in the 18th and continually of to the early 19th century in the Napoelonic Wars and throughout the Mediterranean and Ottoman Empire. This is exactly the type of flintlock one sees, and in fact expects to see, in all the old Hollywood 'Pirate' films.

A beautifully sprauncy sidearm, with long barrel. This is an original, honest and impressive antique flintlock that rekindles the little boy in all of us who once dreamt of being Errol Flynn, Swash-Buckling across the Spanish Maine under the Jolly Roger. This super piece may very well have seen service with one of the old Corsairs of the Barbary Coast, in a tall masted Galleon, slipping it's way down the coast of the Americas, to find it's way home to Port Royal, or some other nefarious port of call in the Caribbean. It is exactly the very form of weapon that was in use in the days of the Caribbean pirates and privateers, as their were no regular patterns of course.

It bears all the usual signs of close hand-to-hand combat signs as pistols of this type were fired and then swapped hands, to be used as clubs, alongside the pirates cutlass. Priced accordingly, at only around a third of the price an undamaged similar example might be! But, absolutely all part of its character, so at all not detrimental to its historical context. Single side screw lacking, and contemporary combat service small elements of wood damage near the forend, replaced ramrod {now fixed in place}.  read more

Code: 23642

A Fabulous, Rare Early 19th Cent. British Explosive 10" Mortar Bomb From the War of 1812 In America. Likely, Fomerly Part of The Armament of HMS Terror, During The Bombardment of Fort McHenry in Baltimore. The Battle Site of “The Star Spangled Banner”

One of four exceptionally rare 10" Royal Naval mortar balls we are delighted to have just acquired last week from our private historical Royal Naval collector in Plymouth, the same city where Admiral Cochrane, fleet commander at the attack on Fort McHenry, became Commander-in-Chief of the naval base in Plymouth, England, after the war of 1812. We now only have 3 remaining of these original iron bomb shells, one sold today, the first day it was posted on here.

They were apparently unloaded from ships of the line from Admiral Cochrane's returning fleet, supposedly in Plymouth, during the war of 1812 and the 90 pound bronze mortars were removed from his fleet. It is said the Admiral and his crew loathed and feared these particular huge mortars due to their likely hood of miss-fire. The 90 pounder shell had to be first primed, and then lit, before it entered the muzzle of the bronze cannon, that had previously been loaded with pounds of gunpowder, the cannon mortar was then lit and fired which thus ejected, with a massive force explosion, the explosive ball high into the sky to the centre of the enemy's ranks. However, the shell might have accidentally exploded while it was being manouvered, it might also have ignited the powder within the breech of the cannon, or, the fizzing mortar might have not have been ejected at all due to a cannon miss-fire. Any one of these horrifying events would be catastrophic, and the resulting explosion would be of of such magnitude it would likely have killed most on board, and probably sunk the vessel entirely with all hands. This a series of events that any ships captain or admiral would not consider to be entirely advantageous

The previous two 10” mortar bombs, that we had two years ago, were the very first we had had in 50 years. The first of those two we sold to an esteemed private museum in Florida USA, the other to an American private collector

We are not expecting ever to see any more of their like again. It would make a fabulous and impressive historical display piece of significant and particular Royal Naval and early American history interest

These 10" mortars explosive balls were fired by the 10" mortars used by Admiral Cochrane against Fort McHenry, Baltimore Harbour, and the resulting 10" mortar bomb shell's mid air explosions, against the backdrop of the US flag flying at Fort McHenry, Baltimore Harbour, inspired the patriotic anthem, the "Star Spangled Banner".

It was the sight of these very 10" mortar bombshells, that originally weighed around 90 pounds each, plus powder therein, that when they exploded over Fort McHenry in Harbour, it inspired Francis Scott Key to write his poem that became the US anthem.
Naturally, this is a perfectly intact surviving example, and one of the 10" mortar shells that either wasn't fired, or, failed to explode.

With Washington in ruins, the British next set their sights on Baltimore, then America’s third-largest city. Moving up the Chesapeake Bay to the mouth of the Patapsco River, they plotted a joint attack on Baltimore by land and water. On the morning of September 12, General Ross’s troops landed at North Point, Maryland, and progressed towards the city. They soon encountered the American forward line, part of an extensive network of defences established around Baltimore in anticipation of the British assault. During the skirmish with American troops, General Ross, so successful in the attack on Washington, was killed by a sharpshooter. Surprised by the strength of the American defences, British forces camped on the battlefield and waited for nightfall on September 13, planning to attempt another attack under cover of darkness.

Meanwhile, Britain’s naval force, buoyed by its earlier successful attack on Alexandria, Virginia, was poised to strike Fort McHenry and enter Baltimore Harbour. At 6:30 AM on September 13, 1814, Admiral Cochrane’s ships began a 25-hour bombardment of the fort. Rockets whistled through the air and burst into flame wherever they struck. Mortars fired 10- and 13-inch bombshells that exploded overhead in showers of fiery shrapnel. It is said many exploded too soon as the fuses were set too short, which created the firework effect. Major Armistead, commander of Fort McHenry and its defending force of one thousand troops, ordered his men to return fire, but their guns couldn’t reach the enemy’s ships. When British ships advanced on the afternoon of the 13th, however, American gunners badly damaged them, forcing them to pull back out of range. All through the night, Armistead’s men continued to hold the fort, refusing to surrender. That night British attempts at a diversionary attack also failed, and by dawn they had given up hope of taking the city. At 7:30 on the morning of September 14, Admiral Cochrane called an end to the bombardment, and the British fleet withdrew. The successful defense of Baltimore marked a turning point in the War of 1812. Three months later, on December 24, 1814, the Treaty of Ghent formally ended the war. "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbour during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. During the bombardment, HMS Terror and HMS Meteor provided some of the "bombs bursting in air".

The 15-star, 15-stripe "Star-Spangled Banner" that inspired the poem
Key was inspired by the U.S. victory and the sight of the large U.S. flag flying triumphantly above the fort. This flag, with fifteen stars and fifteen stripes, had been made by Mary Young Pickersgill together with other workers in her home on Baltimore's Pratt Street. The flag later came to be known as the Star-Spangled Banner, and is today on display in the National Museum of American History, a treasure of the Smithsonian Institution. It was restored in 1914 by Amelia Fowler, and again in 1998 as part of an ongoing conservation program. Pictures in the gallery of the siege from contemporary paintings and engravings, a commemorative stamp issued in 2014, and an original War of 1812 bronze British mortar now kept at Yorktown Visitor Centre, and a photo of the flag in the National Museum of American History, 1989. The original flag that was illuminated by these very 10" mortar shells.

Sir Alexander Cochrane was born into a Scottish aristocratic family as a younger son, and like many in this position made a career out of military service. Cochrane joined the Royal Navy as a boy and fought in the American Revolution. Following this war he rose quickly in the Napoleonic Wars, earning renown in the Battle of San Domingo and the Conquest of Martinique in 1809.

By the beginning of the War of 1812, Cochrane was a well-seasoned and high-ranking officer. As a vice admiral, he was appointed Commander-in-Chief of the new North American naval station in Bermuda. He devised a clever plan to weaken the American defenses and turn America’s slaves against the country by inviting any American – slave or free – to join the British Navy. Many slaves took this offer, escaping to British lines for military service in exchange for their freedom.

By the summer of 1814, Cochrane had returned to the waters of the United States, overseeing the raids of the Chesapeake. Lieutenant General Sir George Prevost, governor of Upper Canada, suggested launching an invasion somewhere in the United States in retaliation against the sack of York and to weaken the American forces, relieving pressure on Canada. Cochrane landed the ground troops to invade Washington, and presided over the bombardment of Fort McHenry in the Battle of Baltimore.

After only moderate success in the Chesapeake, Cochrane wanted to push toward New Orleans in order to cement the British position in the United States. He orchestrated an amphibious attack on the city via Lake Borgne, an inlet of the Gulf of Mexico that could bring troops close to the city.

Although Cochrane was successful in the Battle of Lake Borgne, allowing the British Army to advance toward New Orleans, the disastrous defeat at the Battle of New Orleans damaged his reputation. The influential Napoleonic War hero the Duke of Wellington in particular blamed Cochrane of the death of his brother-in-law, Sir Edward Michael Pakenham, the British general overseeing land troops at the Battle of New Orleans.

However, despite the criticisms and ultimate failure to get a foothold in the United States, Cochrane was promoted to admiral after the war, and served out the rest of his military career as Commander-in-Chief of the naval base in Plymouth, England.

The fictional nautical adventures of Captain Horatio Hornblower were supposedly based on Cochrane’s notable maritime achievements

The mortar is empty, inert and completely safe. Seated on an old iron ring for the photograph, not included with the mortar  read more

Code: 25058

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet

The helmet has a hemi-spherical skull engraved throughout, the skull fitted at its apex with a high spike, a pair of plume-holders at the front and with a staple for a sliding nasal guard, decorated over the greater part of its surface with traces of gold koftgari of scenes of a hunt, and a band of koranic Islamic text, and mail neck-defence of butted links. Khula Khud helmets originated in Central Asia, and were worn by Persian Empire soldiers in the 18th and 19th Centuries. Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images. Some Mughal helmets feature calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket such as this one, at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret or peacock.  read more

Code: 22516

A Simply Beautiful Original Napoleonic Wars French 'Prisoner of War' Straw Valuables Box. Around 220 Years Old Made By French Prisoners from The Battle of the Nile To Waterloo

A fabulous original souvenir of the Anglo French wars, that is not only beautiful, and historically important, it is perfectly functional as a desk top jewel case, or, anything of similar use, such as a gentleman's watch and cufflink case

Napoleonic prisoner of war straw work marquetry ladies jewelry box with hinged lid opening to reveal three compartments, and one is hinge lidded. Overall in super condition. Decorated throughout with numerous and varied scenes of the British built Prisoner of War wooden fort.

This box dates to the Napoleonic wars between the French and English. Prisoners-of-war were held in purpose-built prisoner-of-war depots and typically were soldiers and sailors of the rank and file. Straw was a popular craft material for prisoners of war. They turned their skill to the making of cases and boxes covered with intricate straw patterns created using the contrasts between the light and dark sides of the straw strips. Those who understood dyes were also able to add colour to their work and produced some very sophisticated objects. Fewer of these straw items have survived to the present day, but there are still some lovely straw-covered boxes and cases which are intact.

Very similar example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.

Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon's forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

9 inches x 6 3/4 inches x 3 inches when closed
some very small straw inlay losses but overall in beautiful order.  read more

Code: 25072

An Exceptional 1821 Pattern Victorian British Cavalry Officer's Combat Sabre By Hawkes & Co. Piccadilly. Fully Etched Deluxe Quality Blade. The Regulation Pattern Used in the 'Charge of the Light Brigade' in the Crimean War.

Bearing Queen Victoria's VR cypher with crown. Regulation three bar steel hilt and sharkskin bound wired grip. Slightly curved blade, bearing the maker's name, address and Royal Warrant of Hawkes and Co.

The very type of Hussar's and Lancer's sabre as used by British Cavalry Officer's in the ill fated charge in the Crimean War against Russia. All steel three bar steel hilt, Full original wire binding over complete fish skin grip. Overall in fine all bright patina. Sadly, of course, we have no way of knowing if this sword was ever used by a specific officer in the charge, however it is absolutely used at the time and is the type used by all the serving Cavalry officers The Cavalry officers actually used two types of sword, this, the 1821 pattern, and a few officers also used the mamaluke pattern sword In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalized by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
In 1854 the regiment received its orders from the War Office to prepare for service overseas. Five
transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne – embarking
between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the
entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th
Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of
Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major
engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left
flank, although the regiment’s role in the battle was minimal. With the Russians in full retreat by
late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy. However, the
brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry
in reserve.

During the 25 October the regiments, the Light Brigade, took part in the Battle of
Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the
4th and 8th. It was not long before the brigade came under heavy Russian fire.Lord Cardigan, at the front of his
men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th
and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting
down the artillerymen that had remained at their posts. Once the Russian guns had been passed,
they engaged in a hand-to-hand fighting with the enemy that was endeavouring to surround them
by closing in on either flank. However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. The last picture in the gallery is of Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement. His identical sword can be plainly seen in that painting. This sword has no scabbard at present, however, it may well become available, as the last owner had it but it was lost in their home, if it is found, and if required, it will be supplied by us at its cost price to us.

Overall in excellent condition for age.

The regulation pattern of sword used by British cavalry officer's, such as all the hussar and lancer officer's that took part in the 'Charge of the Light Brigade' in the Crimean War.

We show in the gallery a photograph of Winston Churchill holding his sword around the time he was in the Charge of Omdurman, another with Lord Cardigan of the Charge, holding his identical sword, and a photograph by Fenton, taken in the Crimean of officers of the Light Brigade all with their identical sword.  read more

Code: 25050

A Superb Battle of Waterloo Artifact Recovered from the Battle Site, a Soldier's Silver Finger Ring,

From our recently arrived original Waterloo battle site collection.
This extraordinary Waterloo battle relic was already old when it was lost at Waterloo, and thus discovered around La Haye Sainte (named either after Jesus Christ's crown of thorns or a bramble hedge round a field nearby). Yet it is in very good condition, clear signs it has been worn , naturally, but very nicely preserved indeed.

It is a walled farmhouse compound at the foot of an escarpment on the Charleroi-Brussels road in Belgium. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.

La Haye Sainte was defended by about 400 King's German Legion troops during the Battle of Waterloo. They were hopelessly outnumbered by attacking French troops but held out until the late afternoon when they retired because their ammunition had run out. If Napoleon Bonaparte's army had captured La Haye Sainte earlier in the day, almost certainly he would have broken through the allied centre and defeated the Duke of Wellington's army.

The capture of La Haye Sainte in the early evening then gave the French the advantage of a defensible position from which to launch a potentially decisive attack on the Allied centre. However, Napoleon was too late—by this time, Blücher and the Prussian army had arrived on the battlefield and the outnumbered French army was defeated.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery.

Perfectly wearable still, but, a small size, approx. English size K, but please note, prior to WW1, almost every male of military service age had the body mass of the equivalent to that a 9 year old boy has today {not the height though, but the body mass}. This is due to the consistent lack of protein for generation after generation {such as little or no meat etc. in the average persons diet for centuries}. For example, every uniform we have ever had, made before 1918, has to be displayed on a modern made, 8 year old boy's mannequin, in order for it to fit. Usually the only people in all society that enjoyed a bigger body mass, were the powerful, such as senior nobility, and senior members of the priesthood. Even in days of great famine, the powerful never starved, and bishops etc. comfortably fitted into the category of, 'the powerful'.  read more

Code: 25029