A Beautiful Shinto Period Handachi Mounted Samurai Katana All Original Edo

Worthy of any museum grade collection. All original, fabulous, Edo period koshirae [sword fittings and mounts], a fully matching suite of han dachi mounts [semi tachi form] inlaid in pure gold arabesques on iron, Higo style. The blade is in beautiful polish showing a spectacularly undulating regular gunome hamon. The tsuka is bound in blue silk and the saya has its original old Edo ishime lacquer, the tsuba is a mokko form iron plate inlaid with a stylized dragon in gold to match the fittings. Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means ?one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu [to stop the spear] exanding into bushido (?the way of life of the warrior?) and bun (?the artistic, intellectual and spiritual side of the samurai?). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them. As with all our items it comes complete with our certificate of authenticity. Blade tsuba to tip 27.5 inches, overall in saya 38.5  read more

Code: 23038

A Very Good Late Koto Katana, Full Suite of Higo Mounts

Circa 1590. All original Edo period koshirae and a leather bound tsuka over bird menuki on a giant rayskin covered hilt, ishime stone lacquer finish saya in bull's blood sang de boeuf lacquer. Very fine Higo mounts including a sayagaki. Fine blade with suguha hamon. A great sword in very nice condition. Made and used in the time of the greatest battle in samurai history. The Battle of Sekigahara Sekigahara no Tatakai) was a decisive battle on October 21, 1600 that preceded the establishment of the Tokugawa shogunate. Initially, Tokugawa's eastern army had 75,000 men, while Ishida's western army numbered 120,000. Tokugawa had also sneaked in a supply of arquebuses. Knowing that Tokugawa was heading towards Osaka, Ishida decided to abandon his positions and marched to Sekigahara. Even though the Western forces had tremendous tactical advantages, Tokugawa had already been in contact with many daimyo in the Western Army for months, promising them land and leniency after the battle should they switch sides.

Tokugawa's forces started the battle when Fukushima Masanori, the leader of the advance guard, charged north from Tokugawa's left flank along the Fuji River against the Western Army's right centre. The ground was still muddy from the previous day's rain, so the conflict there devolved into something more primal. Tokugawa then ordered attacks from his right and his centre against the Western Army?s left in order to support Fukushima's attack.

This left the Western Army's centre unscathed, so Ishida ordered this unit under the command of Shimazu Yoshihiro to reinforce his right flank. Shimazu refused as daimyos of the day only listened to respected commanders, which Ishida was not.

Recent scholarship by Professor Yoshiji Yamasaki of Toho University has indicated that the Mori faction had reached a secret agreement with the Tokugawa two weeks earlier, pledging neutrality at the decisive battle in exchange for a guarantee of territorial preservation, and was a strategic decision on Mori Terumoto's part that later backfired.

Fukushima's attack was slowly gaining ground, but this came at the cost of exposing their flank to attack from across the Fuji River by Otani Yoshitsugu, who took advantage of this opportunity. Just past Otani's forces were those of Kobayakawa Hideaki on Mount Matsuo.

Kobayakawa was one of the daimyos that had been courted by Tokugawa. Even though he had agreed to defect to Tokugawa's side, in the actual battle he was hesitant and remained neutral. As the battle grew more intense, Tokugawa finally ordered arquebuses to fire at Kobayakawa's position on Mount Matsuo to force Kobayakawa to make his choice. At that point Kobayakawa joined the battle as a member of the Eastern Army. His forces charged ?tani's position, which did not end well for Kobayakawa. Otani's forces had dry gunpowder, so they opened fire on the turncoats, making the charge of 16,000 men mostly ineffective. However, he was already engaging forces under the command of Todo Takatora, Kyogoku Takatsugu, and Oda Yuraku when Kobayakawa charged. At this point, the buffer Otani established was outnumbered. Seeing this, Western Army generals Wakisaka Yasuharu, Ogawa Suketada, Akaza Naoyasu, and Kutsuki Mototsuna switched sides, turning the tide of battle  read more

Code: 21331

A Most Rare, Original, Romanov Era, Russian Cossack Solid Silver Shashka & Matching Silver Cossack Whip With Concealed Dagger, 'The Imperial Russian Sword & Nagaika Awards of Gallantry' The Russian Equivalent to the British Victoria Cross

Awarded and dated in 1883. In 50 years we have never seen a matching pair of honour sword and dagger complete and together, they may not even have a pair in the St Petersburg Hermitage Museum. One of the greatest museum collections in the world. A Most Rare 19th Century Romanov, Russian Shashka, 'Sword of Chivalry' complete with its matching, rare, and fabulous silver Niello presentation Romanov Cossack's nagaika [Cossack whip with hidden dagger]. Both were awarded for gallantry and heroism in combat during the Romanov era of Czarist Russia, in the reign of Czar Alexander IIIrd, father of Czar Nicolas IInd the last Czar, executed by firing squad in Yekaterinburg, by the revolutionaries in July 1918 .
The sword and whip combination are the Imperial Russian equivalent to the Victoria Cross or the American American Medal of Honour. For such a great honour, as well as the 'Badge of St Anne' the recipient may also be awarded a presentation silver sashqua [sabre], engraved with the award presentation and emblazened with a silver enamel badge of the Order of St. Anne. A Cossack could also be awarded, as a very special extra honour, a silver Niello nagaika [Cossack whip] with a concealed thrusting dagger which also has a matching silver and enamel St Anne award for gallantry badge mounted on the body of the whip. The dagger was for use against attacking wolves or for close combat battle use. We show in the gallery a picture of a Cossack lieutenant with his awarded silver Cossack sashqua of gallantry, and also with his matching presentation nagaika. Also we show a cossack charge with sabres and the nagaika on the cossack's wrists. The picture is a standing lieutenant, of the 2nd Volgski Regiment, Terek Host.

The epitome of the Caucasian Cossack officer; the highly decorated weapons and kaftan are typical of these units throughout the war. The cartridge pockets on each breast, gaziri, were functional as well as decorative. The undershirt, beshmet, was often privately made and did not always conform to regulations. During the war supply problems led to khaki replacing the grey kaftans. The rank of this sotnik or first lieutenant is identified by the three stars and single stripe on his shoulder boards, which also bear the regimental number '2 and the Cyrillic initial of the Terek Cossacks, which resembles 'Br. Light blue was the traditional distinguishing color of the Terek Host. He wears the Order of Vladimir 4th Class with Swords, the Order of St. Anne 4th Class with Swords, a Terek Cossack badge and that of the Novocherkask Cossack School. His handsome weapon is a St. Anne's Sword 'for Bravery' - note the rosette in the pommel. He carries the matching silver Cossack nagaika whip with badge. A most rare desirable and collectable sword of the Imperial, Russian, Romanov period. A sword of gallantry and honour awarded to an officer who displayed the finest valour serving his Czar, the equivalent at the time to the Victoria Cross medal in England or the US Medal of Honour in America. The hilt is silver surrounding a central carved ribbed grip of bone and it is engraved on the pommel in Russian to represent gallantry and there's the red enamel badge of Saint Anna of Russia the blade is simply superb decorated in fine scrolls and imperial scenes of cavalry, stands of arms and flags, and the crest of Czar Alexander of Russia, the father of Czar Nicholas II, the executed last Czar of all the Russias. The spine of the blade bears a cyrillic Russian inscription by the maker Zlatoust, and date 1883. The silver pommel is engraved in Russian, the closest translation in English is 'for Bravery'. The blade is superbly etched with panels of charging cossack cavalry, the crest of the Romanov Czar, Alexander III, the Cross of St Anna, and numerous scrolls and geometric designs, plus traces of original blue and gilt in the fullers. Swords of this nature are some of the most desirable Russian swords ever made and collected from the old Imperial Romanov Russia, and this one is certainly one of the finest we have ever seen. The Order of Saint Anna ("Order of Saint Ann" or "Order of Saint Anne") was established as a Holstein ducal and then Russian imperial order of chivalry established by Karl Friedrich, Duke of Holstein-Gottorp, on 14 February 1735, in honour of his wife Anna Petrovna, daughter of Peter the Great of Russia. The motto of the Order is "Amantibus Justitiam, Pietatem, Fidem" ("To those who love justice, piety, and fidelity"). Its festival day is 3 February (New Style, 16 February). Originally, the Order of Saint Anna was a dynastic order of knighthood; but between 1797 and 1917 it had dual status as a dynastic order and as a state order. The Head of the Imperial House of Russia always is Master of the imperial Order of Saint Anna. The Order of St. Anna continued to be awarded after the revolution by Grand Duke Kirill Vladimirovich, Grand Duke Vladimir Kirillovich, and Grand Duchess Maria Vladimirovna.

Membership of the Order was awarded for a distinguished valour and distinguished service in the military. The Order of Saint Anna entitled recipients of the first class to hereditary nobility, and recipients of lower classes to personal nobility. For military recipients, it was awarded with swords such as this wonderful superior rank example. The blade makers marks of Zlatoust. The House of Romanov was the second dynasty to rule Russia, after the House of Rurik, reigning from 1613 until the abdication of Tsar Nicholas II on 15 March 1917, as a result of the February Revolution.

The Romanovs achieved prominence as boyars of the Grand Duchy of Moscow, later the Tsardom of Russia. In 1613, following years of interregnum (Time of Troubles), the zemsky sobor offered the Russian crown to Mikhail Romanov. He acceded to the throne as Michael I, becoming the first Tsar of Russia from the House of Romanov. His grandson Peter I established the Russian Empire and transformed the country into a continental power through a series of wars and reforms.

The direct male line of the Romanovs came to an end when Elizabeth of Russia died in 1762. After an era of dynastic crisis, the House of Holstein-Gottorp, a cadet branch of the House of Oldenburg that reigned in Denmark, ascended the throne in 1762 with Peter III, a grandson of Peter I. All rulers from the middle of the 18th century to the revolution of 1917 were descended from that branch. Though officially known as the House of Romanov, these descendants of the Romanov and Oldenburg dynasties are sometimes referred to as Holstein-Gottorp-Romanov.

In early 1917 the Romanov dynasty had 65 members, 18 of whom were killed by the Bolsheviks. The remaining 47 members went into exile abroad. In 1924, Grand Duke Kirill Vladimirovich, the senior, surviving male-line descendant of Alexander II of Russia by primogeniture, claimed the headship of the defunct Imperial House of Russia. Since 1991, the succession to the former Russian throne has been in dispute, largely due to disagreements over the validity of dynasts' marriages, especially between the lines of Grand Duchess Maria Vladimirovna of Russia and Prince Nicholas Romanovich Romanov, succeeded by Prince Andrew Romanov. The sword has no scabbard.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 23150

A Superb Ancient Bronze Age Mace Head 3000 to 4000 Years Old, From The Age Of Rameses The Great, The Greatest Pharaoh of Ancient Egypt.

Ist to 2nd Millennium B.C.Although displayed on a short stand In use it would have slotted onto a wooden haft. For over 100 years we have been delighted to acquire such fabulous historical original Items such as this, originally collected in the 18th and early 19th century by British noblemen and women touring Europe and the Middle East on their personal expeditions known as a ‘Grand Tour’. Originally placed, after being purchased on their journeys, to be placed on display in the family’s classical gallery or 'cabinet of curiosities', within their country house upon their return home.

A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen travelling for many months, or even years, throughout classical Europe, and the Middle East, and Western Asiatic region, acquiring antiquities and antiques for their private collections. The use of the stone headed mace as a weapon and a symbol od status and ceremony goes back to the Upper Palaeolithic stone age, but an important, later development in mace heads was the use of metal for their composition. With the advent of copper mace heads, they no longer shattered and a better fit could be made to the wooden club by giving the eye of the mace head the shape of a cone and using a tapered handle.

The Shardanas or warriors from Sardinia who fought for Ramses II against the Hittities were armed with maces consisting of wooden sticks with bronze heads. Many bronze statuettes of the times show Sardinian warriors carrying swords, bows and original maces. Persians used a variety of maces and fielded large numbers of heavily armoured and armed cavalry (see cataphracts). For a heavily armed Persian knight, a mace was as effective as a sword or battle axe. In fact, Shahnameh has many references to heavily armoured knights facing each other using maces, axes, and swords. The enchanted talking mace Sharur made its first appearance in Sumerian/Akkadian mythology during the epic of Ninurta. Roman though auxiliaries from Syria Palestina were armed with clubs and maces at the battles of Immae and Emesa in 272 AD. They proved highly effective against the heavily armoured horsemen of Palmyra. Photos in the gallery of original carvings from antiquity in the British Museum etc.; Ashurbanipal at the Battle of Til-Tuba, Assyrian Art / British Museum, London/ 650-620 BC/ Limestone,, An Assyrian soldier waving a mace escorts four prisoners, who carry their possessions in sacks over their shoulders. Their clothes and their turbans, rising to a slight point which flops backwards, are typical of the area; people from the Biblical kingdom of Israel, shown on other sculptures, wear the same dress, on a gypsum wall panel relief, South West Palace, Nimrud, Kalhu Iraq, neo-assyrian, 730BC-727BC.
A recovered tablet from Egypt's Early Dynastic Period (3150-2613 BCE) shows a Pharaoh smiting his foe with a war mace. The mace is complete with its display stand as shown. Part of an original collection we have acquired, of antiquities, Roman, Greek, Middle Eastern, Viking and early British relics of warfare from ancient battle sites recovered up to and around 220 years ago on a Grand Tour.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

This wonderful piece would have been made and traded throughout the Western Asiatic region. 10.5 inches high including stand.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 23025

A Most Fine Imperial German & WW2 General Officer's & Field Marshal's Grade Sabre As Carried By Field Marshal von Kliest With Ruby Eye Lion's Head Pommel

Lioness head quillon end and langets decorated with a panel to the reverse langet, and a pair of crossed cannon barrels on the front langet. Remarkably the hilt still retains around most of all its original highest grade gold plate surface.

P hilt guard with oak leaf with acorn decoration across the bow, laurel leaf patterning around the ferrule and wire bound sharkskin grip. It looks truly, spectacularly beautiful.
The blade is double side fully etched with Romanesque scroll patterning combined with stands of arms.

In the gallery is a portrait photo of WW2 Field Marshal von Kleist holding his near identical Imperial service lion's head pommel sword.

Almost all WW2 German Generals and Field Marshals served in WW1 and thus continued to use their previous war service sword, just as this one. The added benefit was often that the Imperial German made swords could be better quality than the later period replacements, especially the superior deluxe versions like this one, which were the next grade below the presentation Damascus bladed German Grosse Degan sabre. the sword hilt and blade is is superb condition for age.
The scabbard is steel, blued overall, with a copper-gilt suspension belt mount. Truly one of the best quality and condition examples apart from the light scabbard denting we have seen in 20 years. Curiously we have seen exactly the same kind of denting on the scabbards of known WW2 General officer's swords, often caused by sword scabbards being caught in Mercedes staff-car doors

The scabbard has several service dings and dents  read more

Code: 24759

A Very Good WW1 & WW2 Royal Naval Officer's Sword with Service Knot

Made and used in WW1 and WW2, yet perfectly serviceable for current service.

Near mint gilt, fully etched blade with traditional anchor and the King George Vth cypher.

The original Royal Naval sword was designed in 1805, although elegant in design it proved impractical and was replaced in 1827 by the solid hilt variant. In 1846 the Royal Naval blade was standardised for all Royal Naval officers, with the current lighter, straight single-edged blade being commissioned into service in 1929.

During World War I, the Royal Navy's strength was mostly deployed at home in the Grand Fleet, confronting the German High Seas Fleet across the North Sea. Several inconclusive clashes took place between them, chiefly the Battle of Jutland in 1916. The British fighting advantage proved insurmountable, leading the High Seas Fleet to abandon any attempt to challenge British dominance. The Royal Navy played an important role in securing the British Isles and the English Channel, notably ferrying the entire British Expeditionary Force to the Western Front without the loss of a single life at the beginning of the war.
The Royal Navy nevertheless remained active in other theatres, most notably in the Mediterranean Sea, where they waged the Dardanelles and Gallipoli campaigns in 1914 and 1915. British cruisers hunted down German commerce raiders across the world's oceans in 1914 and 1915, including the battles of Coronel, Falklands Islands, Cocos, and Rufiji Delta, among others

At the start of World War II in 1939, the Royal Navy was still the largest in the world, with over 1,400 vessels. The Royal Navy provided critical cover during Operation Dynamo, the British evacuations from Dunkirk, and as the ultimate deterrent to a German invasion of Britain during the following four months. The Luftwaffe under Hermann Göring attempted to gain air supremacy over southern England in the Battle of Britain in order to neutralise the Home Fleet, but faced stiff resistance from the Royal Air Force. The Luftwaffe bombing offensive during the Kanalkampf phase of the battle targeted naval convoys and bases in order to lure large concentrations of RAF fighters into attrition warfare. At Taranto, Admiral Cunningham commanded a fleet that launched the first all-aircraft naval attack in history. The Royal Navy suffered heavy losses in the first two years of the war. Over 3,000 people were lost when the converted troopship Lancastria was sunk in June 1940, the greatest maritime disaster in Britain's history. The Navy's most critical struggle was the Battle of the Atlantic defending Britain's vital North American commercial supply lines against U-boat attack. A traditional convoy system was instituted from the start of the war, but German submarine tactics, based on group attacks by "wolf-packs", were much more effective than in the previous war, and the threat remained serious for well over three years

Fully etched blade with old aged pitting at the tip end now surface polished bright.  read more

Code: 25221

A Delightful Piece of Large Quality 'Trench Art'. A German Shell Trench Engineered Into The Form Of A British 1905 Pattern Trench Service Cap. Wonderful Quality

In near mint condition.

‘Trench art’ is a term used to describe objects made from the debris and by-products of modern warfare. Trench Art is usually associated with the First World War, although similar items have been produced in other conflicts too.



Most trench art was made by servicemen to pass the time when not in the front line. While much of it was simple and amateurish, the production of some examples required metalworking skills or workshop facilities. Prisoners of war, faced with a constant battle against boredom, produced similar items.

The standard service dress cap prescribed for wear by all non-commissioned ranks of the British Army from 1905, excluding Scottish regiments. With its round top and stiff peak, the cap was not an entirely practical form of headdress in sunshine or windy weather. One concession to wet conditions was that it was lined with a waterproof black oilskin composition to the crown. The cap continued in service throughout the First World War but was augmented by the 1915 pat. winter trench cap, known as the 'Gor Blimey', and the later soft peaked field cap in 1917. Both of the latter had their merits, and had the uppermost regard of comfort to the soldier in mind and could be folded away and stowed easily when not worn. Naturally as shrapnel helmets became available on a wider scale of issue from 1916, cloth headdress was worn less in the trenches.

Shell case by Polte Werk in Magdeburg
This trench art piece is most likely made from a German 77 x 230mmR cartridge case

Produced by Polte Werke, Magdeburg, in October of 1915.
“St” indicates a reinforced (stronger) cartridge case construction.
“160” = serial number
“Sp252” identifies the inspector for quality control.

This cartridge case was used in the German "7,7cm leichte Feld Kanone (l.F.K.) 96 n/A " or 7.7cm (77mm) light field cannon, 1896 new model.  read more

Code: 25220

A Stunning Mid 18th Century Ship's Captain Brass Cannon Barrel Pistol with a Silver Escutchon of the Goddess Minerva Adorned With Her Dolphin Helmet & Fishscale Armour

Blunderbuss pistol all brass cannon barrel, and action, beautifully engraved. Made by Hadley circa 1750, with large silver escutcheon engraved with the profile head of Minerva.

Minerva, whose dolphin helmeted face is depicted is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic warfare.


The ‘Queen Anne’ style pistol is distinctive in that it does not have a ramrod. The barrel of the pistol unscrews and allows it to be loaded from the rear and near the touch hole at the breech of the barrel. These pistols were originally made in flintlock.

The Queen Anne pistols were very popular and were made in a variety of calibres, usually about 38 to 50 bore. Boot pistols, Holster pistols, pocket pistols and Sea Service pistols were all made in the 'Queen Anne' style. This type is known as a Queen Anne pistol because it was during her reign that it became popular (although it was actually introduced in the reign of King William III).

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.

Excellent condition overall, good tight and crisp action, old small split in stock, overall 12.5 inches long  read more

Code: 25219

A Magnificent Tower of London Armoury 1801 Pattern 'Battle of Trafalgar 1805 Issue' Royal Navy Issue, British Sea Service Pistol From Admiral Lord Nelson's Navy. Long 12 inch Barrel

Probably one of the best examples of a Royal Navy Sea Service pistol that we have seen. Profusely struck with ordnance and inspectors marks, dated 1805, and numbered for the ship's gun rack, 25.

Fantastic patina to the stock. The King George IIIrd issue British Royal Naval Sea Service pistol has always been the most desirable and valuable pistol sought by collectors, but this example is truly exceptional.
Exactly as issued and used by all the British Ship's-of-the-Line, at the Battle of Trafalgar in 1805.
Such as;
HMS Victory,
HMS Temeraire,
HMS Dreadnought,
HMS Revenge,
HMS Agamemnon,
HMS Colossus
HMS Leviathan &
HMS Achilles.
Some of the most magnificent ships, manned by the finest crews, that have ever sailed the seven seas.

Battle of Trafalgar, (October 21, 1805), naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

At the end of September 1805, Villeneuve had received orders to leave Cádiz and land troops at Naples to support the French campaign in southern Italy. On October 19–20 his fleet slipped out of Cádiz, hoping to get into the Mediterranean Sea without giving battle. Nelson caught him off Cape Trafalgar on October 21.

Villeneuve ordered his fleet to form a single line heading north, and Nelson ordered his fleet to form two squadrons and attack Villeneuve’s line from the west, at right angles. By noon the larger squadron, led by Admiral Cuthbert Collingwood in the Royal Sovereign, had engaged the rear (south) 16 ships of the French-Spanish line. At 11:50 AM Nelson, in the Victory, signaled his famous message: “England expects that every man will do his duty.” Then his squadron, with 12 ships, attacked the van and centre of Villeneuve’s line, which included Villeneuve in the Bucentaure. The majority of Nelson’s squadron broke through and shattered Villeneuve’s lines in the pell-mell battle. Six of the leading French and Spanish ships, under Admiral Pierre Dumanoir, were ignored in the first attack and about 3:30 PM were able to turn about to aid those behind. But Dumanoir’s weak counterattack failed and was driven off. Collingwood completed the destruction of the rear, and the battle ended about 5:00 PM. Villeneuve himself was captured, and his fleet lost 19 or 20 ships—which were surrendered to the British—and 14,000 men, of whom half were prisoners of war. Nelson was mortally wounded by a sniper, but when he died at 4:30 PM he was certain of his complete victory. About 1,500 British seamen were killed or wounded, but no British ships were lost. Trafalgar shattered forever Napoleon’s plans to invade England.

Obviously this arm has signs of combat use and the stock has minor dings. But when taken into consideration its service use, it is of little consequence compared to it's condition, which is truly exceptional, with, incredibly, absolutely not a trace of rust or corrosion on the more usually heavily pitted, steel, lock and barrel.

It still has it's original 12" barrel, which is very scarce as the barrels were shortened by official order, to 9", before the Napoleonic wars.
In its working life its belt hook has been removed.  read more

Code: 25217

An Original WW2 British 6 Pounder Tank Shell, Head and Brass Case

The six-pounder antitank gun was Great Britain’s premier tank killing weapon when it first appeared in the Western Desert, proving able to pierce the armour of any German tank the Afrika Korps could field. The technological arms race of World War II produced new tanks with ever thicker armour, however, and ultimately the six-pounder became ineffective well before war’s end. This obsolescence made little difference for many of the Allied soldiers who used it; since there was no comparable replacement that worked better, the cannon was still in wide use when the war ended.
The weapon the British Army eventually got was a marked improvement over its predecessor. The six-pounder Mk2 production model weighed in at 2,521 pounds, almost 800 pounds heavier than the two-pounder but still light enough for crews to manhandle it into position when necessary. It was mounted on a conventional two-wheeled carriage with “split” trails; that is, the two trailing arms that extended to the rear of the carriage could be separated to increase stability. The barrel on the six-pounder was 43-caliber, meaning the bore’s length was 43 times its diameter of 57mm. The weapon could traverse 45 degrees to either side and elevate from minus five to plus 15 degrees.

When firing the standard six-pound armour-piercing round, the six-pounder had a maximum range of 5,500 yards with a muzzle velocity of 2,693 feet per second and could penetrate 74mm of armour at 1,000 yards. Over time, improved ammunition was developed, culminating in June 1944 with an APDS (Armour Piercing Discarding Sabot) round that had a tungsten core. This increased penetration to 146mm at 1,000 yards. Tungsten was a valuable commodity in war production, so shortages meant there were never as many APDS rounds available as needed.

Photo in the gallery of a Panzer tank crew comparing our six pounder shell to their 88mm shell. As you can see much merriment was had that day by the jolly German crew, famously known for their sense of humour.

Inert, deactivated and completely safe  read more

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