A Very Attractive Imperial German Bullion and Gilt Officers Brocade Belt

With royal crown and crest of Kaiser Willhelm II. Superb gilded buckle with silver bullion belt bears two horizontal stripes. Some of the cloth inner lining to belt has worn away  read more

Code: 20338

A WW1 & WW2 Gurkha's Kukri Combat Knife "Ayo Gorkali" The Gurkha Battle Call "The Gurkhas Are Coming!" Field Marshall Manekshaw once said, " If someone says he does not fear death, then he is either telling a lie or he is a Gurkha

With its original, near mint, leather bound wooden scabbard. The rear of the scabbard has a leather pouch, and two pockets that hold wooden pegs.

The Gukhas are the finest and bravest, combat soldiers in the world, with legendary loyalty to the British Crown. Nepalese made, circa 1900, and used in WW1 and WW2 by Gurkhas in the British Army.

When worn in combat it would normally be in a khaki canvas over-cover.Superb tempered steel blade, with small areas of old pitting, carved plain wooden hardwood hilt with carved middle band, and with amazing patina. Overall this kukri is in superb, used in combat condition.

Field Marshall Sam Manekshaw once said, " If someone says he does not fear death, then he is either telling a lie or he is a Gurkha". On 12/13 May 1945 at Taungdaw, Burma now Myanmar, Rifleman Lachhiman Gurung VC was manning the most forward post of his platoon which bore the brunt of an attack by at least 200 of the Japanese enemy. Twice he hurled back grenades which had fallen on his trench, but the third exploded in his right hand, blowing off his fingers, shattering his arm and severely wounding him in the face, body and right leg. His two comrades were also badly wounded but the rifleman, now alone and disregarding his wounds, loaded and fired his rifle with his left hand for four hours, calmly waiting for each attack which he met with fire at point blank range. Afterwards, when the casualties were counted, it is reported that there were 31 dead Japanese around his position which he had killed, with only one arm.In the Falklands War in 1982 the Argentinians abandoned Mount William without a fight simply because the enemy forces advancing towards them were the 2nd Battalion, 7th Ghurka Rifles. The blade shape descended from the classic Greek sword of Kopis, which is about 2500 years old. The Kukri is the renown and famous weapon of the Nepalese Gurkha. Probably the most respected and feared warriors in the world, the Gurkhas of Nepal have fought in the Gurkha regiments of the British Army for around two centuries. With a degree of loyalty and dedication that is legendary, there is no greater soldier to be at one's side when in battle than the noble Gurkha. With a Kukri in his hand and the battle cry called, "Ayo Gorkhali!" "the Gurkhas are coming!", no foe's head was safe on his shoulders. Battle hardened German Infantry in WW1, or in WW2, the notorious Japanese Shock Troops, have both been known to tremble in their boots at the knowledge that they would be facing the Gurkhas in battle. Some of the most amazing feats of heroism have resulted in the most revered medal, the British Victoria Cross the world's greatest and most difficult to qualify for gallantry medal being awarded to Ghurkas.
Some say it originated from a form of knife first used by the Mallas who came to power in Nepal in the 13th Century. There are some Khukuris displaying on the walls of National Museum at Chhauni in Kathmandu which are 500 years old or even older, among them, one that once belonged to Drabya Shah, the founder king of the kingdom of Gorkha, in 1627 AD. But, some say that the Khukuri's history is possibly centuries older this. It is suggested that the Khukuri was first used by Kiratis who came to power in Nepal before Lichchhavi age, in about the 7th Century. In the hands of an experienced wielder Khukuri or Kukri is about as formidable a weapon as can be conceived. Like all really good weapons, Khukuri's or Kukri's efficiency depends much more upon skill than the strength of the wielder. And thus so that it happens, that a diminutive Gurkha, a mere boy in regards to his stature, could easily cut to pieces a gigantic adversary, who simply does not understand the little Gurkha's mode of attack and fearsome skill. The Gurkha generally strikes upwards with his Kukri, possibly in order to avoid wounding himself should his blow fail, and possibly because an upward cut is just the one that can be least guarded against however strong his opponent. Standard military length of approx 17.25 inches long overall, in scabbard, blade 13.25 inches  read more

Code: 26005

An Original, Rare Incredible & Historical Piece. Silver Imperial Roman Centurion or Tribune's Military Ring of Victory, 2nd Century AD Engraved with the Intaglio of Winged Victory, wearing her helmet and holding the laurel wreath of Victory

The rings surface shows combat service wear, yet has survived remarkably well considering it is near 2000 years old.

The laurel wreath was worn symbolically by the Imperial Roman Emperors. Military Roman bronze rings were allowed to be worn by the Legionary or Centurion, but silver grade was only for the ranks of such as the Centurion, Tribune or Legate.

Victoria, in Roman religion, personification of victory, the equivalent of the Greek goddess Nike. She was often associated with Jupiter, Mars, and other deities and was especially worshipped by the army. In later times she had three or four sanctuaries at Rome, including a temple on the Palatine Hill and an altar in the Senate House.

After the Marian reforms of 107 BC (subsequently further formalised by the emperor Claudius) created a professionalised military system, legions were commanded by a legionary legate (legatus). Six tribunes were still posted to a legion, but their duties and responsibilities had changed, becoming more a political position than a military rank. The second-in-command to the legate was the tribunus laticlavius or 'broad-stripe' tribune (named after the width of the stripe used to demarcate him on his tunic and toga),6 usually a young man of senatorial rank. He was given this position to learn and watch the actions of the legate. They often found themselves leading their unit in the absence of a legate, and some legions were permanently commanded by a broad-stripe tribune, such as those stationed in Egypt, as an Augustan law required that no member of the Senatorial Order ever enter Egypt.

A Centurion was a position in the Roman army during classical antiquity, nominally the commander of a century, a military unit originally consisting of 100 legionaries. The size of the century changed over time, and from the first century BC through most of the imperial era was reduced to 80 men.

In a Roman legion, centuries were grouped into cohorts and commanded by their senior-most centurion. The prestigious first cohort was led by the primus pilus, the most senior centurion in the legion and its fourth-in-command who was next in line for promotion to Praefectus Castrorum, and the primi ordines who were the centurions of the first cohort.

This fine ring was worn by higher ranked military officer's from the era of Emperor Marcus Aurelius, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus. the successor and son of Marcus Aurelias, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 24629

A Most Rare & Superb, Original, Imperial Roman Legionary's & Cavalryman's Spatha Long Sword, Late 3rd Century Over 1700 Years Old. The Very Form Of Sword As Our Tribune’s Ring Owner Would Use.

Made and used from the eras of Emperor Tacitus and Emperor Diocletian to Emperor Constantine the Great. Only the second example we have seen or offered in the past 15 years. A double-edged original Imperial Roman period spatha sword of the typology of Illerup Wyhl, with excellently preserved long blade, long tang, with triple fullers along its length, parallel cutting edges tapering down towards its point, Fine condition. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege. A wonderful example piece, from the ancient imperial age. Effectively, from this time of almost two thousand years ago, from a collectors point of view, almost nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.
The iconographic sources indicate that Roman swords underwent big changes in the later 2nd and 3rd centuries. Longer swords, more popular within Germanic and Celtic cultures, would have been useful for fighting on horseback, but they were soon spread among the infantrymen and massively produced in the Roman workshops, from which they were brought home by many barbarians after mercenary or auxiliary service in Roman army. This, together with the possibility of war booty, explains why the mass of these swords have been found in the territories of the Barbaricum. The graves and the ritual water deposits of the marshy areas of Illerup Adal, Thorsberg, Vimose and many other localities (Simris) have delivered an amount of swords. Illerup has produced fine well-preserved swords, some with rather unusual patterns. Dr. Miks refers to the spathae of the 'lllerup-Wyhl' type I as to a group of blades which in terms of their proportions, dimensions and shape, are probably a mixture of blades of the more classical 'Straubing-Nydam' and 'Lauriacum-Hromowka' types of long Roman swords. They are one of the most complicated category of Late Roman swords and therefore difficult to clearly identify.
The Spatha was first introduced to the Romans by Celtic Mercenaries during the Second Punic War. The Celts would have used weaponry and armour from their homeland, and one of the Celtic weapons would have been the Spatha. Many believe that the Spatha was adopted by the Romans due to contact with Germania, however this is not true.

The earlier gladius sword was gradually replaced by the spatha from the late 2nd to the 3rd century. From the early 3rd century, legionaries and cavalrymen began to wear their swords on the left side, perhaps because the scutum had been abandoned and the spatha had replaced the gladius.

In the imperial period, the Romans adopted the original Greek term, spáthē (σπάθη), as spatha, which still carried the general meaning of any object considered long and flat. Spatha appears first in Pliny and then Seneca with different meanings: a spatula, a metal-working implement, a palm-leaf and so on. There is no hint of any native Roman sword called a spatha.

Referring to an actual sword, the term first appears in the pages of Tacitus with reference to an incident of the early empire. The British king, Caractacus, having rebelled, found himself trapped on a rocky hill, so that if he turned one way he encountered the gladii of the legionaries, and if the other, the spathae of the auxiliaries. There is no indication in Tacitus that they were cavalry.

The next mention of spathae is in the 5th century, by Vegetius, now as a weapon carried by infantry. The term "Roman Iron Age" refers approximately to the time of the Roman Empire in north Europe, which was outside the jurisdiction of the empire, but, judging from the imported Roman artifacts, was influenced by Roman civilization. One source of artifacts from this period are the bogs of Schleswig, Holstein and Denmark. Objects were deliberately broken and thrown into the bog in the belief that they could go with a deceased chief on his voyage to a better place.

A cache of 90 swords was found at Nydam Mose in Denmark in 1858. They were in the form of the spatha and therefore have been classified as "Roman swords". They are dated to the 3rd to 4th centuries. Many connect the Nydam cache with the sword of Beowulf, who was supposed to be a contemporary. See two photos of these in the gallery. Another photo in the gallery is of a depiction of Roman spartha swords, with hilts fashioned in the shape of eagles' heads, in Roman carved statuary (Portrait of the Four Tetrarchs, c. AD 300) in Venice.
This is the typical sword used to great effect, for example at the Battle of Cibalae
The Battle of Cibalae was fought in 316 between the two Roman emperors Constantine I (r. 306–337) and Licinius (r. 308–324). The site of the battle near the town of Cibalae in the Roman province of Pannonia Secunda, was approximately 350 kilometers within the territory of Licinius. Constantine won a resounding victory, despite being outnumbered.
The opposing armies met on the plain between the rivers Sava and Drava near the town of Cibalae. The battle lasted all day. The battle opened with Constantine's forces arrayed in a defile adjacent to mountain slopes. The army of Licinius was stationed on lower ground nearer the town of Cibalae, Licinius took care to secure his flanks. As the infantry of Constantine needed to move forward through broken ground the cavalry was thrown out ahead, to act as a screen. Constantine moved his formation down on to the more open ground and advanced against the awaiting Licinians. Following a period of skirmishing and intense missile fire at a distance, the opposing main bodies of infantry met in close combat and fierce hand-to-hand fighting ensued. This battle of attrition was ended, late in the day, when Constantine personally led a cavalry charge from the right wing of his army. The charge was decisive, Licinius' ranks were broken. As many as 20,000 of Licinius' troops were killed in the hard-fought battle. The surviving cavalry of the defeated army accompanied Licinius when he fled the field under the cover of darkness.

See Bishop, M.C. & Coulston, J.C.N., Roman military equipment, from the Punic wars to the fall of Rome, London, 1993; Miks, C., Studien zur Romischen Schwertbewaffnung in der Kaiserzeit, I-II Banden, Rahden, 2007; D’Amato, R., Roman army Units in the Western Provinces, Oxford, 2019; for very similar specimens see Miks, 2007, n.A146,36,37,43 (Illerup).Blade weight 1.1 kg, 98.5cm (38 3/4"). In the world of collecting early weaponry a sword is defined as it’s blade, it’s hilt was separate often made of vulnerable woods and materials that do not survive the ravages of time. You simply do not often see such rare and iconic original ancient swords used by one of the most famed empires in the world, during the period of one of the greatest eras in classical history, let alone have the opportunity to own one. We will include for the new owner a complimentary wooden display stand, but this amazing ancient artefact of antiquity would also look spectacular mounted within a bespoke case frame, or, on a fine cabinet maker constructed display panel.  read more

Code: 23517

Ancient Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Another sword from an acquisition by us of the amazing Dove collection of original archaic Chinese bronze age weaponry. Anthony Dove and Alan Williams of The Wallace Collection co-wrote a seminal work on the identification, dating, and composition of swords from this era. See reference below.

This beauty from the Zhou dynastyis a stunning ancient sword around 2500 years old or more. From the area of the King's of Wu, in Chu. From a collection of antiquities, swords daggers, and rings. Many pieces, including our former Dove Collection pieces, were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name. 480mm long 450 gms

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams The Wallace Collection} 65 publications

As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24355

Fabulous, Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonet Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

All came to us from the collector who bought them in Japan from another collector, so by definition they conclusively were used in all of those campaigns, as the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war as army surplus after we had retired them from our war service in India, China, & Burma.

Absolutely bright as a button, hand polished and conserved, for the next 200 years, in our workshop. The blade is excellent as is the hilt grip, the leather on the scabbard has an old service repair at the join with the chape, and the pommel has old pitting.

This bayonet was part of a stunning collection of probably the most historical, service issue, bayonets ever used in the 19th century, and this one of these very bayonets was used in combat over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All are to be sold separately, most with scabbards, some without. Many have already been sold over the past two weeks

Original ordnance stamps and inspection marks abound, and regimental gun rack number on the hilt {possibly American}.

The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was first used in the late Indian Mutiny at the "Seige and Relief of Lucknow". With a chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather.
The regiments that used this bayonet sword also took part in the Second Opium War in China, the Third Anglo-Burmese War, and this bayonet, along with tens of thousands of other service issue rifles and bayonets, were then sold to America in the Civil war, purchased by both the North, and the South. {See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets.}
Then after the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war, and their Satsuma Rebellion by the samurai anti imperialist army.

A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:

Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):

"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.

We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including this one offered here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn had purchased them from England for the American Civil War. This one and all of the others were acquired by our English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago.

They are perfect historical examples of just how far traveled British made arms and bayonets were, journeying around the world in their combat service lifetime.

The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.

The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show an 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt,

Priced for UK mainland delivery only. For export delivery, please POA  read more

Code: 26002

A Beautiful Omori School Tsuba Turbulant Sea With Crashing Waves and A Crane Swooping Over Turtle Below.. Edo Period

The crane and the turtle have a significant position in Japanese folk lore and tradition, as both symbolically represent longevity in Japanese art.
The shibuichi tsuba of marugata shape, with a kozuka and kogai hitsu-ana, the nakago-ana with some suaka sekigane, finely worked takabori and takazogan to depict breaking waves carved in the typical manner of the Omori school with inlaid gold spray drops. Sekigane. Late 18th century, Edo period (1615-1868)

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

A closely related shibuichi tsuba with waves {omitting the crane and turtle} by Omori Teruhide is in the Museum of Fine Arts, Boston, accession number 11.5454.

Koryūsai Isoda, woodblock print, of a crane flying over crashing waves.
64mm  read more

Code: 25456

A Beautiful & Stunning Edo Period Tetsu Round Tsuba Of a Bat Flying in Rain Over Turbulant Seas.

The reverse is a willow carved in sunken relief, all upon a russet ground. somewhat reminiscent of the work my master Kenzui,

In Japanese folklore, bats are often associated with good luck and prosperity. One popular folktale is the story of "Bakeneko," a mythical creature resembling a cat with bat-like features. Bakeneko is believed to bring blessings and protection to households, particularly during times of hardship.

In the context of kimono designs, the depiction of bats holds specific symbolism. Bats are often featured alongside other auspicious motifs such as the pine, bamboo, and plum—traditional symbols of longevity, resilience, and prosperity. When bats are included in these designs, they reinforce the notion of good fortune and longevity, making them popular motifs for celebratory occasions such as weddings and New Year's festivities.

During the Meiji period (1868-1912), Japan underwent significant cultural and societal transformations. Bats continued to be prominent symbols during this era, often depicted in art and textiles as representations of prosperity and modernisation. As Japan embraced Western influences and embarked on industrialisation, the symbolism of bats evolved to reflect aspirations for economic growth and social advancement. Bats were frequently incorporated into decorative arts, such as ceramics and textiles, to convey wishes for prosperity and success in the changing landscape of Meiji Japan.

72mm  read more

Code: 25480