A Superb Original Waterloo Recovered Souvenir '6 Pounder ' Royal Artillery Cannon Ball Fired at La Haye Sainte During The Battle, Recovered From The Farm. With Clear Impact Site To The Ball.

Napoleonic Wars cannon ball recovered from a Waterloo excavation well over 190 years ago. One of three we just acquired that were brought back from Waterloo to England over 190 years ago, the first was sold by us recently.

At the Battle of Waterloo, the British Royal Artillery deployed 6-pounder cannons, from which this ball was fired, a relatively light artillery piece that fired a 6-pound (approximately 2.7 kg) solid iron ball. These cannons, introduced in 1793, were crucial for supporting cavalry charges and were easier to manoeuvre than heavier guns.

The 6-pounder was designed to provide lighter, yet still effective, artillery support to the cavalry and infantry.
They fired various types of ammunition, including round shot (solid iron balls), canister shot (a type of scatter shot), and spherical case shot (a type of shell).
The effective range of the 6-pounder with round shot was around 800-900 yards (732-823 metres), though it could reach up to 1700 yards (1554 metres).
The cannonballs were devastating, capable of inflicting serious injury and damage to both men and horses.

At Waterloo, the 6-pounders were primarily used by the Royal Horse Artillery and some field artillery units, with variations in the types of 6-pounders used.
Captured at Waterloo:
Some French 6-pounder cannons were also captured by the British as trophies of war.
La Haye Sainte:
The strategic farmhouse of La Haye Sainte was a focal point of fighting, where the 6-pounder was used extensively.

We show in the gallery a photo of a Waterloo cannon ball embedded in a cemetery wall, from Waterloo Relics by Bernard & Lechaux

Another identical cannon ball is now in the National Army Museum, see gallery.
NAM Accession Number
NAM. 1999-05-8-1

Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 26135

A Superb Antique Edwardian Service Helmet of The Dorsetshire Regiment. Blue Cloth with Gold Badge, Fittings, Spike, & Rose Head Curb Chain Mounts and Chin Chain

The Dorsetshire Regiment was established in the Regular Army in 1881 under the Childers Reforms by the amalgamation of the 39th (Dorsetshire) Regiment of Foot and the 54th (West Norfolk) Regiment of Foot. The 1st Battalion was stationed in Malta from 1888, in Egypt from 1889, and in British India from 1893, where it took part in operations in the Tirah Campaign on the North West Frontier in 1897–98.

The 2nd Battalion was stationed in Ireland from 1893 to 1897, then in Malta from 1899. Following the outbreak of the Second Boer War in late 1899, they were sent to South Africa, participating in the Relief of Ladysmith. The battalion stayed in South Africa throughout the war, which ended in June 1902 with the Peace of Vereeniging. Four months later 300 officers and men left Cape Town on the SS German in late September 1902, and arrived at Southampton in late October, when they were posted to Portland.

In 1908, the Volunteers and Militia were reorganised nationally, with the former becoming the Territorial Force and the latter the Special Reserve; the regiment now had one Reserve battalion and one Territorial battalion.

First World War

During the First World War, nine hostilities-only battalions were formed, six battalions serving overseas. The 1st Battalion and 6th (Service) battalion served on the Western Front throughout most of the war. Additional battalions (1/4th Battalion, 2/4th Battalion and 3/4th Battalion) were formed as part of the Territorial Force to meet the demand for troops on the Western Front.

Regular Army
The 1st Battalion was in Belfast when war broke out: it landed at Le Havre in August 1914 forming part of the 15th Brigade in the 5th Division. It transferred to 95th Brigade in the 32nd Division in December 1915 and to the 14th Brigade in the same Division in January 1916.


British Army recruiting poster : "4th Batt. Dorset Regiment. Men Of Dorset ! Your King And Country Need You. Join Your County Battalion".
The 2nd Battalion was in Poona, India, when war broke out and was shipped, as part of the 16th Indian Brigade, to Mesopotamia, where it was trapped in the Siege of Kut and captured by the Turks. (Of the 350 men of the battalion captured, only 70 survived their captivity.) During the siege, returning sick and wounded, and the few replacements who had been sent out, were unable to re-join their battalion, so they, and similar drafts of the 2nd Norfolk Regiment, were amalgamated into a scratch battalion forming part of the force attempting to relieve Kut. This battalion was formally titled the Composite English Battalion, but was more commonly known as The Norsets; it was broken up in July 1916, when the 2nd Dorsets was re-constituted. The battalion then served in Egypt as part of 9th Indian Brigade in the 3rd Indian Division.

The British Army’s Home Service Helmet was introduced in 1878. It was of a German influence and would replace a long line of shakos going back to the days of the Peninsular War and Waterloo. In blue cloth, sometimes green, sometime grey, sometimes with a spike, sometimes with a ball, the stiff cork headdress would become a common site on parade grounds throughout Britain for more than thirty years. Most Regular Army regiments and corps took to the helmet, as did their Militia, Volunteer and Territorial counterparts.
With the new headdress came the helmet plate, those highly desirable items of militaria much sought after today by collectors. Large, star-shaped mostly and displaying both ancient and new regimental devices, brightly they shone in their silvers, gilts, gilding and white metals, covering almost the entire front of the headdress as they did so.

The British Army during the Victorian era served through a period of great technological and social change. Queen Victoria ascended the throne in 1837, and died in 1901. Her long reign was marked by the steady expansion and consolidation of the British Empire, rapid industrialisation and the enactment of liberal reforms by both Liberal and Conservative governments within Britain.

The British Army began the period with few differences from the British Army of the Napoleonic Wars that won at Waterloo. There were three main periods of the Army's development during the era. From the end of the Napoleonic Wars to the mid-1850s, the Duke of Wellington and his successors attempted to maintain its organisation and tactics as they had been in 1815, with only minor changes. In 1854, the Crimean War, and the Indian Rebellion of 1857 highlighted the shortcomings of the Army, but entrenched interests prevented major reforms from taking place. From 1868 to 1881, sweeping changes were made by Liberal governments, giving it the broad structure it retained until 1914.

Upon Victoria's death, the Army was still engaged in the Second Boer War, but other than expedients adopted for that war, it was recognisably the army that would enter the First World War. The Industrial Revolution had changed its weapons, transport and equipment, and social changes such as better education had prompted changes to the terms of service and outlook of many soldiers. Nevertheless, it retained many features inherited from the Duke of Wellington's army, and since its prime function was to maintain an empire which covered almost a quarter of the globe, it differed in many ways from the conscripted armies of continental Europe


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25419

A Superb Victorian Service Helmet of the Hampshire Regiment, the Ist Volunteer Battalion. Blue Cloth with Silver Badge, Fittings, Spike, & Rose Head Curb Chain Mounts and Chin Chain

The Volunteers came into being as a result of the war scare of 1859 when Anglo-French relations were very strained. They provided their own arms and equipment and served at their own cost, except if called out for actual service. They were under the lords lieutenant of counties who authorised the formation of corps and gave commissions to their officers. Their purpose was to act as auxiliaries to the regular army and militia.

In the early part of the South African War the War Office gave notice that active service companies from volunteer battalions would be sent out to their county regiments at the front. The Hampshire Volunteer Infantry Brigade was called upon to supply one company, each battalion contributing a section of 23 rank and file. The first company under Captain Seward served in South Africa some 15 or 16 months, losing the six young men whose names appear on a brass plate. Four of them died and two in the Barberton railway accident.

The British Army’s Home Service Helmet was introduced in 1878. It was of a German influence and would replace a long line of shakos going back to the days of the Peninsular War and Waterloo. In blue cloth, sometimes green, sometime grey, sometimes with a spike, sometimes with a ball, the stiff cork headdress would become a common site on parade grounds throughout Britain for more than thirty years. Most Regular Army regiments and corps took to the helmet, as did their Militia, Volunteer and Territorial counterparts.
With the new headdress came the helmet plate, those highly desirable items of militaria much sought after today by collectors. Large, star-shaped mostly and displaying both ancient and new regimental devices, brightly they shone in their silvers, gilts, gilding and white metals, covering almost the entire front of the headdress as they did so.

The British Army during the Victorian era served through a period of great technological and social change. Queen Victoria ascended the throne in 1837, and died in 1901. Her long reign was marked by the steady expansion and consolidation of the British Empire, rapid industrialisation and the enactment of liberal reforms by both Liberal and Conservative governments within Britain.

The British Army began the period with few differences from the British Army of the Napoleonic Wars that won at Waterloo. There were three main periods of the Army's development during the era. From the end of the Napoleonic Wars to the mid-1850s, the Duke of Wellington and his successors attempted to maintain its organisation and tactics as they had been in 1815, with only minor changes. In 1854, the Crimean War, and the Indian Rebellion of 1857 highlighted the shortcomings of the Army, but entrenched interests prevented major reforms from taking place. From 1868 to 1881, sweeping changes were made by Liberal governments, giving it the broad structure it retained until 1914.

Upon Victoria's death, the Army was still engaged in the Second Boer War, but other than expedients adopted for that war, it was recognisably the army that would enter the First World War. The Industrial Revolution had changed its weapons, transport and equipment, and social changes such as better education had prompted changes to the terms of service and outlook of many soldiers. Nevertheless, it retained many features inherited from the Duke of Wellington's army, and since its prime function was to maintain an empire which covered almost a quarter of the globe, it differed in many ways from the conscripted armies of continental Europe.

The disciplinary system was not notably more harsh than the contemporary civil Penal System, although soldiers stood less chance of severe penalties being commuted. The death sentence could apply for crimes such as mutiny or striking an officer, but was generally reserved for actions that were capital crimes in common law, such as murder. Minor infractions could be summarily punished with extra duties or stoppages of pay, but flogging remained a punishment for many offences, including minor offences, on the discretion of a court martial. A court martial could be held at regimental level (which might well be influenced by the attitude of the colonel or other senior officers), or district level where convenient, or a General Court Martial might be convened under the authority of the Commander-in-Chief for serious matters or offences involving officers.

The maximum number of strokes inflicted on a soldier sentenced to flogging (which had been a barbaric 2,000 in 1782, essentially a death sentence for nearly any man) was reduced to 300 in 1829, and then to 50 in 1847. Some regiments nevertheless rejoiced in the nicknames of the "bloodybacks" if they were notorious for the number of floggings ordered.

Only a small portion of soldiers were permitted to marry. Soldiers' wives and children shared their barracks, with only blankets slung over a line for privacy. Wives often performed services such as laundry for their husbands' companies or barracks. A particularly cruel feature of the Army's practices was that fewer soldiers' wives were allowed to accompany a unit overseas (one per eight cavalrymen or twelve infantrymen) than were permitted when serving at home. Those wives not chosen by lot to accompany the unit when it embarked were forcibly separated from their husbands, for years or for life.

Soldiers' pay was nominally one shilling per day, but this was decreased by "stoppages" of up to sixpence (half a shilling) for their daily rations, and other stoppages for the issue of replacement clothing, damages, medical services and so on. In 1847, it was laid down that a soldier must receive at least one penny per day, regardless of all stoppages. A privileged life indeed.
Typical natural age and wear to the helmet, slight internal crack to rear neck tail cork underneath the blue cloth


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25417

Scarce Antique Victorian Regimental Racoon Skin Cap of The Northumberland Fusiler's. Flaming Fusiler Grenade Badge With George and The Dragon Regimental Motto Quo Fata Vocant With Red and White Feather Hackle, and Curb Chin Chain

In 1874 all Fusilier Regiments took into wear for all ranks a fur cap of black racoon skin, around 9 inches high, with a gilt grenade in the front, bearing the regimental badge. The chin strap was a gilt curb chain lined with black leather or velvet.

At this date, the Northumberland Fusiliers was the only Fusilier Regiment wearing a plume, of red and white, though subsequently plumes were authorised for all other Fusilier Regiments ".

After the Napoleonic Wars, the regiment spent time in the West Indies, the Mediterranean, Ireland and Mauritius. In 1857, it raised a 2nd Battalion again. This unit remained at home, while 1st Battalion was sent to serve in the Indian Mutiny (1857-88).

1st Battalion returned to India in 1866, staying for 14 years and forming part of the Peshawar Field Force during the Second Afghan War (1878-80). It was replaced in India by 2nd Battalion in 1880. The latter took part in the Black Mountain Expedition on the North-West Frontier in 1888.

During the 1881 Army reforms, the regiment’s name changed again, now becoming The Northumberland Fusiliers.

1st Battalion sent a detachment to West Africa for the Fourth Ashanti War in 1895. The entire battalion then fought in the Sudan in 1898 and on the North-West Frontier of India in 1908.

Both regular battalions also saw action in the Boer War (1899-1902) from 1899. They fought in several battles, including Belmont, Graspan, Modder River, Magersfontein, Stormberg, Reddersberg and Sanna's Post.

Indeed, the regiment raised two additional regular battalions in 1900 to meet the demands of this conflict. 3rd Battalion served in South Africa, while 4th Battalion was stationed in Ireland. However, these were both disbanded in 1907.

The Northumberland Fusiliers raised 50 Reserve, Territorial, New Army, Garrison and Home Service battalions for the First World War (1914-18), a number only bettered by the all-territorial London Regiment. 29 of these battalions served overseas, earning 67 battle honours in France and Flanders, Salonika, Gallipoli, Egypt and Italy. The regiment sustained over 16,000 dead.

Of its regular units, 1st Battalion spent the whole of the conflict on the Western Front, arriving there in August 1914 and going on to fight in many of the main engagements. 2nd Battalion was in India on the outbreak of war, but deployed to France in January 1915. Later that year, it was transferred to Egypt and then to Salonika.

The 1st Battalion served in Ireland during that country's War of Independence (1919-21) and then deployed to Germany on occupation duties. Following a spell of home service, it then spent time in the West Indies and Egypt (1931-34), before moving to Palestine in 1937 where it helped suppress the Arab Revolt (1936-39).

Meanwhile, 2nd Battalion served in Iraq in 1920 and then undertook a long spell of garrison duties in India. It deployed to Shanghai in 1930 and after several years at home moved to Palestine in 1936.

During the 1930s, the regiment's two regular battalions were converted into heavy machine gun units. The regiment also gained a ‘Royal’ prefix in 1935 to recognise its wartime service.

Second World War
1st Battalion was in the Middle East on the outbreak of the Second World War (1939-45) and went on to fight in the North Africa campaign. This service included Tobruk (1941) and El Alamein (1942). It spent much of 1943 in Syria before deploying to Italy where it spent the rest of the war.

In 1939, 2nd Battalion deployed to France with the British Expeditionary Force, but was evacuated from Dunkirk in 1940. It spent the next two years on home defence duties. In 1943, it joined the Tunisian campaign before landing at Salerno in Italy.

The regiment also raised eight Territorial and hostilities-only battalions during the conflict. These served as infantry and machine gun battalions, but also in motorcycle, reconnaissance and searchlight roles. They served at home, in North Africa, Italy, North-West Europe and the Far East.  read more

Code: 25416

A Stunning, Fearsome Yet Beautiful, Edo Period Shirohige Ressei-Menpo "Mask With Fierce Expression" Samurai Face Armour,, Probably Myochin School, 18th Century. A Magnificent Example

Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.

A resseimon cheek is a form of cheek below the eyes, and is a mask with a very fierce, angry, and threatening expression. He is characterized by wrinkles on his nose and cheeks, wide open mouth, moustache and gold teeth. This work is a typical ressei mask made of iron and covered with black lacquer over the entire surface, and is attached with a collar called a kuruwa, which was commonly used in the Edo period.

This is a wonderful piece of Japanese Samurai 'art' made for warfare, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type. Mid Edo period 18th century. Typical Myochin school craftmanship with very sharp embossing. A multi coloured silk bound yodarekake, neck defence with hooked standing cord pegs for attaching with cords to the samurai. A doeskin top to the neck defences decorated in a black inked pattern of Shishi lion dogs on a leaf pattern background. The inner face is decorated with vermillion lacquer, and the neck lames are covered in black urushi lacquer under the cords. Face armour, menpo, is samurai armour, and this is called 'with a fierce expression' masks They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. Even if the mask in unsigned, the type, and its the features suggest this fabulous face armour menpo was made by a smith from the Myochin school.

There are 4 types of mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The most important branch of the Myochin school is probably that of the Ki region. Founded by Kunimichi, it became popular between 17th and 18th century for the works of Munesuke, who had the technical ability and the artistic capacity to create samurai armour of great beauty, In fact, this is the period when Japanese armor makers became aware that they were living in a peaceful time and their works begun looking back at the mediaval samurai armour as an inspiration: kabuto started again to be of circular shape and decorations became again large and rich, as in the old o-yoroi armor.

The best ability of Munesuke was the hammering technique (uchidashi): his menpo look almost exagerated in their shapes, with a very long chin, sharp and deep wrinkles on the cheeks and theatrical mouth. Moustaches are often inlaid in silver or gold, instead of being in fur as on Nara style menpo.

But the armor maker who really brough the uchidashi technique to the highest level is Muneakira, pupil and adopted son of Munesuke, which we can consider the best maker for samurai armour of modern times: his hammeried works are extraordinary, with precise and sharp lines of a quality that nobody else achieved.

The men-yoroi, which covered all or part of the face, provided a way to secure the top-heavy kabuto (helmet). The Shinobi-no-o (chin cord) of the kabuto would be tied under the chin. Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.

Face armour in Japan begins with the happuri, which is depicted in Heian- and Kamakura-era yamato-e paintings and is thought to have appeared during the 10th or 11th centuries. It is depicted as being worn with or without a helmet by both mounted warriors and foot retainers. By the 14th century, the hōate appears, and according to Tom Conlan, this development is behind decreased facial wound statistics. However, others, such as Yamagishi Sumio, believe that the hōate was not widespread at that time, as it—and the later menpō—restricted the vision of the wearer. Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the 16th century
.  read more

Code: 25241

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Long Bladed Armour Piercing Tagari-Ya, With Yadake Bamboo haft, & Sea Eagle Feather Flights and a Traditional Tamahagane Tempered Steel Head In Stunning Polish with Hamon

Yanagi-Ha (willow leaf) Form. With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle.
The armour pierceing arrow tip, of yanagi-ha form, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn.
It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25512

A Superb Piece Of WW2 Anglo American Aeronautical History, and An Absolute Beauty. An Original, 1940's B3 WW2 USAAF Pilots Sheerling Jacket. Perry Sportswear Co of Newburgh New York Contract. In Super, Wearable Condition

In superbly fully conserved condition, perfectly wearable today.
Good size 40 inch chest

Exactly As Used in WW2 By General George Patton, and the WW2 US Aircrew. pilots, navigators, gunners etc. Type B-3 early American WW2 Contract; No. 33-H-5595 , 43-13612-AF Manufactured by Perry Sportswear Co.​ Newburgh, New York.

There is no doubt that jacket has seen incredible times, and true historical collectors will absolutely love it with all its amazing character and signs of age. Our last example was certainly not mint, in fact pretty worn, but this example is certainly in very good conserved condition indeed. Perfectly wearable

It we had had it when Steve McQueen visited us in the 60’s, we could likely have named our price. He would simply not have left our shop without it!

Made and issued for the Army Air Forces, from 1933 till 1943. Original examples of these super WW2 Aeronautical gems are so very scarce indeed, and the beauty of them is, they are still superbly wearable, in fact the more aged the better!.
US legend General George Patton wore his favourite B3 during the entire Battle of Bulge campaign {and we show a photo of him wearing it,}. Plus we show a movie still of the legendary Steve McQueen and Bob Wagner in their B3's that they both wore in their iconic WW2 movie during 1962, 'The War Lover'. It was while he was filming in Cambridge that he came down to see us in Brighton to view a vintage car we had for sale.

It was a year later in 1963, he starred in one of the greatest war movies of all time 'the Great Escape', as Captain Virgil Hilts 'The Cooler King'.

A faithful modern very fine quality reproduction copy today can cost more than $4,400, {such as by Mc Coys Manufacturing Co.,new made in Japan} so how much more can you value an early, wartime superb condition original.

Over two million American servicemen passed through Britain during the Second World War. In 1944, at the height of activity, up to half a million were based here with the United States Army Air Forces (USAAF).

The job of the half million British based USAAF officers and servicemen was to man and maintain the vast fleets of aircraft needed to attack German cities & and industry.

Working alongside the Royal Air Force (RAF), their aim was to severely weaken Germany's ability to fight. This was a central part of the Allied strategy for winning the war. American women also served, working for the American Red Cross or as members of the Women's Army Corps.

Over 200 airfields were occupied or newly-built by the USAAF. Each one would house around 2,500 American men many times the population of the nearest village. Thousands more were based at smaller sites. Halls and country houses became headquarters for commanders and planners. Some were converted to hospitals or rest-homes for combat-weary fliers. Barns and outbuildings would house teams of truck drivers and their vehicles. Even specialist bakery units were dotted around the UK, providing fresh bread for the airmen.

No wonder, then, that the Americans' arrival was known as the 'friendly invasion' their impact on British life was huge and they profoundly changed the places they inhabited.

The majority of the Americans left Britain in 1945. They left an enduring legacy and are fondly remembered by those they met. Including, all our six aunts! our mother’s sisters. Hundreds of volunteers across East Anglia still help preserve these memories. They look after memorials in village squares, on corners of former airfields, or at crash sites. They manage museums in former control towers, or preserve precious collections in pubs or farm buildings.

Brighton was home to thousands of US and Canadian servicemen in 1944, billeted at all the hotels on Brighton seafront. Despite much of Brighton being off limits to civilian visitors due to it coastal location. With barbed wire fenced off beaches and the mined sea. And our piers were cut in half so they couldn’t be used as Jerry landing jetty’s.

The B-3 flight jacket, introduced by the U.S. Army Air Corps in 1934, was the standard-issue "heavy zone" garment for WWII bomber crews, designed to withstand temperatures down to
at high altitudes. Made of sheepskin with a thick shearling lining, leather exterior, and large collar, it was essential for survival in unpressurized planes.
Developed for crew members flying in open or unpressurized, high-altitude bombers (up to 25,000 feet) during WWII.
Design & Material: It featured sheepskin with fur (shearling) on the inside and a leather exterior. Unlike the lighter A-2 jacket, it did not have knit cuffs or waistbands, which could freeze; instead, it used leather straps for cinching to retain heat.
Features: A large collar with dual buckled straps enabled it to be secured against the face for maximum protection.
Standardized in 1934, it was inspired by the British Irvin flying jacket. While initially, they were crafted with unfinished white sheepskin, designs evolved, and by 1943, they were frequently made in brown, hand-dyed finishes with horsehide reinforcing stress points.
Usage: It was considered the "ultimate" Cold War-era sheepskin jacket, famously worn by figures like General George Patton. It remained in service until May 1943 before being replaced by newer models.

The B-3 is now a legendary, iconic piece of military history often associated with the"tough-as-nails", image of WWII aviators.

Later zip.  read more

Code: 26138

Really, Really Rare, Original German 75mm Tank Shell Case, WW2 As Used by the Infamous Panther Tank, Officially the Panzerkampfwagen V Panther. With Impact Fuse, And Electric Tank Primer. Fitted With 75mm Shell Head, High Explosive, WW2 IssueDated 1944

A fabulous display and conversation piece

On 27 February 1944 it was redesignated to just PzKpfw Panther, as Hitler ordered that the Roman numeral "V" be deleted.citation needed In contemporary English-language reports it is sometimes referred to as the "Mark V".

The Panther was intended to counter the Soviet T-34 medium tank and to replace the Panzer III and Panzer IV. Nevertheless, it served alongside the Panzer IV and the heavier Tiger I until the end of the war. The Panther was a compromise. While having essentially the same Maybach V12 petrol (690 hp) engine as the Tiger I, it had better gun penetration, was lighter and faster, and could traverse rough terrain better than the Tiger I. The trade-off was weaker side armour, which made it vulnerable to flanking fire, and a weaker high explosive shell. The Panther proved to be effective in open country and long-range engagements. Although it had excellent firepower, protection and mobility, its reliability was less impressive. The Panther was far cheaper to produce than the Tiger I. Key elements of the Panther design, such as its armour, transmission, and final drive, were simplifications made to improve production rates and address raw material shortages. Despite this, the overall design has still been described by some as "overengineered".

The Panther was rushed into combat at the Battle of Kursk in the summer of 1943 despite numerous unresolved technical problems, leading to high losses due to mechanical failure. Most design flaws were rectified by late 1943 and early 1944, though the bombing of production plants, increasing shortages of high-quality alloys for critical components, shortage of fuel and training space, and the declining quality of crews all impacted the tank's effectiveness. Though officially classified as a medium tank, at 44.8 metric tons the Panther was closer in weight to contemporary foreign heavy tanks. The Panther's weight caused logistical problems, such as an inability to cross certain bridges, otherwise the tank had a very high power-to-weight ratio which made it highly mobile.

The naming of Panther production variants did not, unlike most German tanks, follow alphabetical order: the initial variant, Panther "D" (Ausf. D), was followed by "A" and "G" variants.

The critical detail of the 88mm round was that it didn’t reach the velocity of the 75mm L71 gun on the Panther. The 88mm round weighed 22 pounds, reached 2600 feet per second and could penetrate 83mm of hardened steel at 2000 meters. The 75mm L71 round was 16 pounds, reached 3070 feet per second and could penetrate 89mm of hardened steel at 2000 meters. Both could easily pop the top off any Allied tank out to 1500–2000 meters. But the heavier 88mm round was slower and had a comparative trajectory like the proverbial rainbow. Even though the 75mm gun on the Panther tank fired a lighter shot, it had a flatter trajectory and didn’t overload the already strained Panther drivetrain with the excessive weight of the 88mm piece.

The bottom of the shell case is surface corroded but you can still see the electric primer fitting. The shell head is an original 75mm WW2 German example, but not the original panther type.

37.5 inches high.

Inert, safe and empty.  read more

Code: 26137

A Most Rare, Original, Reich Marshall Herman Goering Small Propaganda Poster. "Weil wir einig sind, sind wir stark, weil wir stark sind, sind wir frei." ... Hermann Goring, " Because We Are United We Are Strong, Because We Are Strong We Are Free"

In very good condition for age.

Rarely surviving piece from the the pre war Germany.

"Weil wir einig sind, sind wir stark, weil wir stark sind, sind wir frei." ... Hermann Goring,

" Because We Are United We Are Strong, Because We Are Strong We Are Free"
28th of February to 6th March 1938. weekly slogans of the National Socialist German Workers' Party.

Another original copy of it is in the George C Marshall Foundation library During World War II, Marshall as Army Chief of Staff (1939-1945) was the most important military figure in the U.S. military establishment and of great significance in maintaining the Anglo-American coalition. After the war, he was named special ambassador to China (1945-1947), Secretary of State (1947-1949), President of the American Red Cross (1949-1950), and Secretary of Defense (1950-1951). In 1953 he was awarded the Nobel Peace Prize for his role in proposing, encouraging legislative action, and supporting the European Recovery Program (known as the Marshall Plan). For nearly 20 years he was a major U.S. leader, militarily, politically and morally, and he is still widely admired today.  read more

Code: 20865

A Superb Antique, Shinto Era, Unokubi (鵜首) Zukuri Blade Tantō, Late 16th To Early 17th Century, from the Battle of Sekigahara, Shinjitai: 関ヶ原の戦い; Kyūjitai: 關ヶ原の戰い With, Signed Kaboku, 'Nakago Form' Kozuka Side Knife With Imperial Chrysanthemum Mon

The kozuka {side knife} is signed, Koboku, who was a master swordsmith and surgeon to the lord of Mito. He was a famous swordsmith of legend mysteriously assassinated in 1703 during his retirement, yet not before he killed his unknown assassin using his dismembered arm.

A really nice and rare form of samurai tanto fitted with all its original Edo period koshirae Including a superb stunning urushi lacquer 'pine needle' decor saya with buffalo horn fittings, {kurigata, sayajiri}. Iron tetsu tsuba, signed, and decorated with a dragon in the foreground with mountains under clouds at the rear. Patinated copper fuchi of flowers, and a pair of iron rectagular menuki inlaid with flowers, underneath the rich brown coloured silk tsukaito {binding}. The silver inlay in the menuki is now blacked with age and very difficult to see. Made from around the era of the Battle of Sekigahara, Shinjitai: 関ヶ原の戦い; Kyūjitai: 關ヶ原の戰い

Unokubi (鵜首): Is an uncommon tantō blade style akin to the kanmuri-otoshi, with a back that grows abruptly thinner around the middle of the blade; however, the unokubi zukuri regains its thickness just before the point. There is normally a short, wide groove {hi} extending to the midway point on the blade, this is a most unusual form of unokubi zukuri blade tanto without a hi. It has a beautiful habaki, set in its original Edo period pine needle uriushi lacquered saya.The blade is absolutely beautiful.

A Very Nice Edo Period Shinto Era 'Nakago Form' Kodzuka Iron body inlaid with copper , with the signature kanji of Kaboku, and the Imperial chrysanthemum mon. Kodzuka have been collectable items for many centuries, simply as works of art, even though they were functional knife handles, for the utility blades that fitted into wakizashi, tanto and katana saya. They can vary in quality, and this is a most fine example, inlaid with pure copper. What is particularly scarce is that it is shaped like the tang of the sword, complete with simulated mekugi ana, and signed in much the same way. This type is rare and very collectable. a long thin blade that slotted into it's opening, and the blade was often considered to be almost of a disposable nature, with the handle itself being the prized part.

The Battle of Sekigahara (Shinjitai: 関ヶ原の戦い; Kyūjitai: 關ヶ原の戰い,Sekigahara no Tatakai) was a decisive battle on October 21, 1600 (Keichō 5, 15th day of the 9th month) in what is now Gifu Prefecture, Japan, at the end of the Sengoku period. This battle was fought by the forces of Tokugawa Ieyasu against a coalition of Toyotomi loyalist clans under Ishida Mitsunari, several of which defected before or during the battle, leading to a Tokugawa victory. The Battle of Sekigahara was the largest battle of Japanese feudal history and is often regarded as the most important. Mitsunari's defeat led to the establishment of the Tokugawa shogunate.

Tokugawa Ieyasu took three more years to consolidate his position of power over the Toyotomi clan and the various daimyō, but the Battle of Sekigahara is widely considered to be the unofficial beginning of the Tokugawa shogunate, which ruled Japan for another two and a half centuries

A tanto would most often be worn by Samurai, and it was very uncommon to come across a non samurai with a tanto. It was not only men who carried these daggers, women would on occasions carry a small tanto called a kaiken in their obi which would be used for self-defence. In feudal Japan a tanto would occasionally be worn by Samurai in place of the wakizashi in a combination called the daisho, which roughly translates as big-little, in reference to the big Samurai Sword (Katana) and the small dagger (tanto). Before the rise of the katana it was more common for a Samurai to carry a tachi and tanto combination as opposed to a katana and wakizashi.
The lacquer saya has 'pine needle' decor, a highly complex design of pine needles laid upon black lacquer, in a seemingly random pattern, but in reality each pine needle was strategically placed upon them, one at a time, to give the impression they fell naturally upon the ground, from above, from a pine tree. The surface was then lacquered in clear transparent urushi lacquer to create a uniform smooth surface. in the Edo period it would take anything around a year or more to create a samurai sword saya, as the lacquer coating would be anything up to 12 coats deep, and each would take a month to dry as they were made using on natural materials, not modern quick drying synthetic cellulose lacquers as used today.

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for well over 7000 years. The use of natural lacquer, known as urushi, has a 9,000-year history in Japan. Lacquered artifacts dating back to the prehistoric Jomon period (10,000–300 BCE) have been found at various archeological sites throughout Japan.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

The kozuka is signed Koboku, he was a master swordsmith and surgeon to his lord of Mito, and an extraordinarily eccentric character. He studied medicine under Tsunoda Kyuho, and he seems to have started forging swords at an early age. According to legend because he had taken up the study of western medicine and he was not satisfied with the scalpels that were available, so endeavoured to make his own. He left the employ of the Mito family in January of 1699, Genroku 12. Some say because he did not get along with his immediate superior the Karo, Nakayama Bizen no Kami, others that his peculiar behavior and egotistical manner was offending too many people and this reached the ears of the lord. House records from 1698, record that his health was failing and it was decided that he be “retired” to Mito. Perhaps he did not wish to leave Edo and be confined to Mito. Whatever the reason the house record notes that he officially asked to resign and left to devote himself to his religious studies on that date.
Five years later found him in the far north living in Oshu Nihonmatsu where one night he stood naked in his garden where he was confronted by an assassin. To this day no one knows who the man was nor why he might have been sent to kill Kaboku but his intent was clear enough. Without hesitation Kaboku, who held a mokuroku in Shibukawa-ryu Jujutsu, charged as his attacker charged him. He grabbed his left wrist with his right hand and used his own left arm to block the cut that was descending toward his head. Still clutching his severed left hand in his right he closed with his attacker and thrust the jagged bone into the mans mouth, here he fell upon him and smothered him with the bloody relic.
Kaboku then went back into his home, perhaps something the assassin had said struck him, perhaps he understood from his own wounds that he would not survive, it is not clear why but using only the right hand he drew out a tanto and took his own life. A strange end for one of the sword worlds strangest characters.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris {the most eminent sword expert in Europe, and sword curator of the British Museum} and his same words that are repeated in his book, see below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading

For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25707