A Fabulous Knight’s Seal Ring, From Agincourt to the Wars of the Roses Period. A 15th Century Ring with an Intaglio Stylized Engraving of An Armoured Knight on Horseback Holding Aloft His Knightly Sword, a Fabulous and Beautiful Piece.

This is a really rare original piece, and it has been many decades since we last even saw an intaglio seal ring, made for a knight of the realm, that is actually depicting an engraved armoured knight as the body of the seal itself, but as one that is holding his sword aloft for combat, this must be the rarest of all.
Overall it is in fabulous condition with a stunning naturally aged bronze patination. Around 600 years old probably worn for a 100 years, or possibly much more. The intaglio seal engraving is superb. Armour-protected knights charged on horseback wielding their knightly swords and lances ten to eleven feet long (cut down to as short as five feet by both the French and English at the Battle of Agincourt). The age of the lance ended with the rise of the bowmen in the fourteenth century. While the devastating volleys of English longbow men had initiated the change at Crecy on August 26, 1346, it was massed bodies of pikemen that really thwarted cavalry charges, as they did at the Battle of Pavia in 1525. Large quantities of lances would also have been used at Agincourt by men-at-arms, the sword by knights and some men-at-arms. The small mounted French force at the battle tasked with driving off the English archers would have been equipped with this lance type weapon. The vast majority of the French men-at-arms, and all of the English, were dismounted but still used lances at Agincourt. The English had an advantage over the French at the battle however, because the latter had decided to shorten their lances to give them greater control over their weapons prior to the battle. This proved to be a mistake during the melee as the longer English lances meant that they had a greater reach and were able to push over the French. One account of the lance used at Agincourt involved an assault on King Henry himself." under the banner of the Lord of Croy, eighteen gentlemen banded themselves together of their own choice, and swore that when the two parties should come to meet they would strive with all their might to get so near the King of England that they would beat down the crown from his head, or they would die, as they did; but before this they got so near the said King that one of them with the lance which he held struck him such a blow on his helmet that he knocked off one of the ornaments of his crown. But not long afterwards it only remained that the eighteen gentlemen were all dead and cut to pieces; which was a great pity; for if every one of the French had been willing thus to exert himself, it is to be believed that their affairs would have gone better on this day. And the leaders of these gentlemen were Louvelet de Massinguehem and Garnot de Bornouille" King Henry V of England led his troops into battle and participated in hand-to-hand fighting, sword in hand. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopeadia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French.

The Wars of the Roses were a series of dynastic wars for the throne of England. They were fought between supporters of two rival branches of the royal House of Plantagenet, the Houses of Lancaster and York. They were fought in several sporadic episodes between 1455 and 1487, although there was related fighting before and after this period. The conflict resulted from social and financial troubles that followed the Hundred Years' War, combined with the mental infirmity and weak rule of Henry VI, which revived interest in the alternative claim to the throne of Richard, Duke of York.

The final victory went to a claimant of the Lancastrian party, Henry Tudor, who defeated the last Yorkist king, Richard III, at the Battle of Bosworth Field. After assuming the throne as Henry VII, he married Elizabeth of York, the eldest daughter and heiress of Edward IV, thereby uniting the two claims. The House of Tudor ruled England and Wales until 1603. Queen Margaret and her son had fled to north Wales, parts of which were still in Lancastrian hands. They later travelled by sea to Scotland to negotiate for Scottish assistance. Mary of Gueldres, Queen Consort to James II of Scotland, agreed to give Margaret an army on condition that she cede the town of Berwick to Scotland and Mary's daughter be betrothed to Prince Edward. Margaret agreed, although she had no funds to pay her army and could only promise booty from the riches of southern England, as long as no looting took place north of the River Trent.

The Duke of York left London later that year with the Earl of Salisbury to consolidate his position in the north against the Lancastrians who were reported to be massing near the city of York. He took up a defensive position at Sandal Castle near Wakefield over Christmas 1460. Then on 30 December, his forces left the castle and attacked the Lancastrians in the open, although outnumbered. The ensuing Battle of Wakefield was a complete Lancastrian victory. Richard of York was slain in the battle, and both Salisbury and York's 17-year-old second son, Edmund, Earl of Rutland, were captured and executed. Margaret ordered the heads of all three placed on the gates of York.

A fine, ancient, but even wearable ring size N1/2  read more

Code: 25457

Original Antique MK I - II Short Lever Martini Henry Rifle, Dated 1875, By Enfield, Early Model Long Cocking Indicator, With Original Victorian Leather Sling. Rare Brass Muzzle Dust Cover & In Fabulous Condition. One Of Only 1400 Early MK1 Models Made

Original Antique MK I-II Antique Short Lever Martini Henry Rifle, with Victorian leather sling & fabulous stock patina, and great steel condition with barely negligible traces of corrosion anywhere. Numerous inspection stamps throughout the rifle, upon the barrel, action, trigger guard, dust cover etc. With Superb Steel Patination & Stock Patina

Only about 1400 MK I’s were made and in 1877 they were replaced by the MK II which incorporated several design improvements learned from the MK I. At this time the surviving MK I’s were factory
converted to the MK II. When converted to the MK II an additional “I” was added to the
receiver markings, which resulted in the marking being skewed to the right of centre, whereas rifles made originally as a MK II would have this marking centered.

The stock looks as good as the very best quality walnut stock can be, after it was used by a front rank regiment for several decades.

In our opinion this conservation has revealed this wonderful rifle to be one of the best and beautiful ‘used’ examples outside of the National Army Museum

Returning from professional hand conservation Fully actionable and a superbly tight mechanism.

The most desirable Martini Henry are the MK I's and the MKI-II's, The very types of Martini short Lever rifle as were used by the 24th Foot at Ishandwhana and Rorke's Drift, and then later in the Afghan War and several conflicts against the Mahdi in the Sudan. They were even also used up to WW1 by some colonial regiments. This is a very fine early original ordnance contract example, best line regiment issue, and made by Enfield with VR Crown mark stamped 'sx' on the breech for upgraded hardened steel pin.

This rifle was made at the Enfield arms workshop and is a truly exceptional and beautiful example, maker marked, and in very good operational order indeed with an excellent action, but clearly combat used.

The Martini Henry, .450 577 rifle was most famous British Infantry breech loading rifle of the 19th century. This rifle is just as were used in the film ZULU, and the exact model type as was used during the Zulu War, a much superior condition stunning example.

The Martini-Henry breech-loading rifle, firing
cartridges, was the primary British infantry weapon during the 1879 Anglo-Zulu War, crucial at battles like Rorke's Drift. While capable of 12–20 rounds per minute, it suffered from overheating and jamming due to gunpowder residue, leading to severe recoil and performance issues in sustained, close-range combat.
Key Aspects of the Martini-Henry in the Zulu War
Weapon Specifications: The Mark II was the most common model used alongside with the earlier issue, rare, MK I-II, featuring a short lever-action breech block and often a 25-inch socket bayonet essential for melee.The rifle was accurate and long-ranged, but produced heavy smoke. Continuous firing caused excessive heating and fouling, forcing soldiers to use cleaning rods to dislodge stuck, fired cartridges.

At Rorke's Drift, disciplined volleys from the Martini-Henry enabled a small force to hold off large Zulu numbers. However, ammunition shortages and jamming issues contributed to the disaster at Isandlwana.
Soldiers were often only issued 70 rounds, which was insufficient during sustained Zulu attacks.
Bayonet Use: The long bayonet was crucial, as the rifle was 4ft 9in long, giving soldiers a vital range advantage in close-quarters fighting.

The weapon was well-regarded for its power but required careful maintenance, which was difficult during the heat of the conflict

This Martini-Henry dated 1875, was the breech-loading lever-actuated rifle adopted by the British, combining an action worked on by Friedrich von Martini (based on the Peabody rifle developed by Henry Peabody), with the rifled barrel designed by Scotsman, Alexander Henry. It first entered service in 1871 replacing the Snider-Enfield, and variants were used throughout the British Empire for 30 years. It was the first British service rifle that was a true breech-loading rifle using metallic cartridges.
During the Martini-Henry period in service, the British army were involved in a large number of colonial wars, most notably the Anglo-Zulu War. The Martini Henry, 450-577, Short Lever, MK I converted MK II or the regular MK II rifle was the type used by the company of the 2nd Battalion, 24th Regiment of Foot present at Rorke's Drift during the eponymous battle. The MK I originally had a small design fault in that the actions hinge pin was initially made of brass, which was too soft for continual use. The rare and early MKI's were thus converted by removing this pin, replacing it with a steel pin, and then redesignated the MKI-II, and the breech stamped ‘six’ as this beauty is.

The Martini Henry were later used throughout the British Empire, as this one clearly was as well. In fact the Martini henry was such a good rifle many survived to be used in WW1 by some colonial regiments.

This absolute beauty was originally acquired by our dear friend and business colleague, around twenty years ago, direct from storage in a former military arsenal, after around 100 years in greased dry storage. It was initially then passed on to a collector, and from there, to us, only yesterday.

We have both types of original Martini Henry socket bayonets, available, the British Pattern 1853/72, bushed bayonet for Martini Henry rifle, and used by the 2nd battalion 24th foot at Rorkes drift.

The pattern 1853/ 72 was called a bushed model as they were modified from 20mm diameter to 18.1 mm diameter by a process then called bushed to fit the new Martini Henry rifle.

The 2nd battalion 24th foot had been in South Africa longer and still had the older pattern 1872 bayonet.

Also;

We have the newer, 1876 pattern Martini Henry socket bayonet, with 21.5 inch blade, {aka the Long Lunger} that was issued to the 1st battalion, the 24th Foot, and used by them at Isandlwana.

The two bayonets are to be sold separately, at £150 GBP each, but, with first option going to the next owner of the rifle, who may wish, neither bayonet, one, or both. Once the rifle's next owner chooses, we will then offer the bayonets for sale {but obviously, only, if one or both remain}

As with all our original antique arms, no licence is required to own, purchase or to collect anything of that description we sell. They, and all of these rifles, are entirely unrestricted to own, collect, and display just as they are, however, we only permitted to sell to those who are over 18 of age with suitable I.d.  read more

Code: 26175

A Stunning Original Horseguards, Life Guards and Blues And Royals, Other Ranks Pattern Helmet Plate, Order of the Garter Badge Star

This fabulous quality other ranks badge, in use since the coronation of HM Queen Elizabeth in 1953, was used by a trooper or NCO by both the Blues and Royals or the Life Guards, that combined, make up the Royal Horseguards.

This pattern will now be changed very soon for the design designated for His Majesty King Charles lII. The crown will be changed to the single domed crown of all the kings since Edward VIIth. The domed crown is called either The King’s Crown or the Imperial State Crown. The late Queen’s crown, is known as St Edwards Crown.

The Albert helmet is the current ceremonial headgear of the British Army's Household Cavalry, the Life guards regiment and the Blues and Royals regiment. It was introduced by Prince Albert in 1842 and adopted by the Household Cavalry the following year. In 1847 the helmet was introduced to all heavy cavalry regiments. It remains in use as the full dress headgear of the two remaining Household Cavalry regiments, the Blues and Royals and the Life Guards. The magnificent helmet remains in use with the two current Household Cavalry regiments, the Blues and Royals with red plume and the Life Guards with white plume. These regiments are amalgamations of the four earlier regiments. The Life Guards retain the white plume and the onion from the 2nd Regiment, the Blues and Royals retain the red plume of the Royal Horse Guards. Blues and Royals officers wear a yak hair plume. Farriers in both regiments wear different plumes, the Life Guards farrier wear black and Blues and Royals farrier red.

The regiments also differ in how they wear the helmet's chin strap. The Blues and Royals wear it under the chin while the Life Guards wear it under the lower lip. The helmet is now in white metal for all ranks and the same helmet plate is worn by both regiments (they were different historically).

The Albert helmet is only worn in full dress review order, guard order and front yard order by other ranks and in full dress, levee dress and ceremonial rehearsal dress by officers. Medical and veterinary officers do not wear the helmet, instead wearing a cocked hat.

The other ranks of the Mounted Band of the Household Cavalry wear the helmet in full dress (with the plumes of their parent regiments), except when parading in the presence of the royal family, when they wear state dress with jockey caps. Band officers wear Albert helmets on both occasions.

Its condition is considered by us as near
mint

Temporary gallery photos of another helmet plate, but the same.  read more

Code: 24067

A Stunningly Beautiful, Signed,16th-17th Century Koto-Shinto Aikuchi Tanto, The Kunitsugu School, With Carved Horimono of a Crane and a Minogame Turtle, "Tsuru Wa Sen-nen, Kame Wa Man-nen". Amazing Original Edo Koshirae Of The Tokugawa. With Kamon Crest

All of this Kunitsugu tanto's wonderful original Edo aikuchi koshirae {fittings and mounts} are shakudo, with small lines of pure gold highlights upon the edges, and then decorated throughout with ten 'mon' {clan crest} of Shogun Tokugawa Iyesu. Likely the stunning small aikuchi tanto of a high ranking Tokugawa retainer. There are five large engraved mon, and three of those are the larger version with scrolling vines and ginger roots. There are also five mon cartouche of silver badges, applied to the fuchikashira and sayajiri.

The stunning, small wazamono {very sharp} blade has an incredibly fine detailed horimono (blade carving) of a crane and minogame turtle with speckles of sea spray, and an effusive notare hamon, and the nakago is signed Kunitsugu. Circa 1580's to 1600’s. It is beautifully set off with a gold habaki with raindrop chiselling.
Shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula.

Elite Tokugawa weaponry and armour often feature the crest, (mon) but surrounded by leafy tendrils, particularly in elite high rank samurai weaponry and armour (they are scrolling vines and ginger roots).

In Japanese folklore, the crane (tsuru) and turtle (kame) are iconic symbols of longevity, harmony, and good fortune, often paired together to represent a long, blessed life. They are associated with the proverb "Tsuru wa sen-nen, kame wa man-nen" (cranes live 1,000 years, turtles 10,000 years).

Both animals are seen as sacred messengers of long life.
Minogame Turtles, particularly the minogame (straw-raincoat turtle), represent wisdom and are said to live so long that algae grows on their shells, resembling a tail.
The Crane (Tsuru): is much revered as a "bird of happiness," the crane symbolizes high-flying grace, fidelity (as they mate for life), and peace.

They are often found together in Japanese fine art, wedding decor, and on New Year's occasions to signify a perfect, balanced partnership and enduring life.

The Crane and the Turtle Friendships: A popular tale tells of a crane and a turtle who become friends, only for a drought to dry up the turtle's lake. To save his friend, the crane lifts the turtle into the sky. Other versions, such as one from Hiroshima, warn that the turtle must not speak while holding onto a crane’s feather, or they will fall.
Urashima Taro: This famous story features a fisherman who saves a turtle and is taken to the Sea Dragon King's palace, later marrying the princess. It incorporates themes of the sea turtle and often connects with the crane's symbolism of enduring, yet sometimes fleeting, time.
Tokugawa Ieyasu (born Matsudaira Takechiyo;January 31, 1543 – June 1, 1616) was a Japanese samurai, daimyo and the founder and first shogun of the Tokugawa shogunate of Japan, which ruled from 1603 until the Meiji Restoration in 1868. He was the third of the three "Great Unifiers" of Japan, along with his former lord Oda Nobunaga and fellow Oda subordinate Toyotomi Hideyoshi.

On March 24, 1603, Tokugawa Ieyasu received the title of shōgun from Emperor Go-Yōzei.

Key Battles and Campaigns:
Battle of Mikatagahara (1573): A significant early defeat against Takeda Shingen, which taught Ieyasu valuable strategic lessons despite his forces being severely outmatched.
Battle of Nagashino (1575): Fought alongside ally Oda Nobunaga to defeat the Takeda clan using early tactical volley fire.
Battle of Komaki and Nagakute (1584): Fought against Toyotomi Hideyoshi, leading to a stalemate that solidified Ieyasu's strength and eventually led to an alliance.
Siege of Odawara (1590): As part of Hideyoshi's army, this campaign helped remove the Hojo clan and secured Ieyasu's dominion over the Kanto region.
Battle of Sekigahara (1600): The largest battle in samurai history and a defining victory against the Western Army (led by Ishida Mitsunari), solidifying Ieyasu’s control over Japan.
Sieges of Osaka (1614–1615): Two major campaigns (Winter and Summer) against the Toyotomi clan that broke all remaining opposition and established over 250 years of peace under the Tokugawa shogunate.

As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords.


Overall in superb condition, with just natural age and wear by an esteemed samurai with all due respect and care for its status. The sayajiri {scabbard bottom mount} has an indent at the very base.
Overall just under 10 inches long in saya, blade 6.5 inches long  read more

Code: 26182

A Most Resplendent, Original, Antique and Rare, Victorian, Royal Household, Royal Horse Guards Fanfare Trumpet Banner. Not Only A Wondrous Piece of Pomp & Regalia An Object d’Art of Great History.

Rarely seen or available these wondrous pieces of magnificent, British, Royal Household regalia were never made for use other than for royal service within the bodyguard of the reigning British monarch, they are used on horseback or standing on trumpets and in pairs when they fit on the front of both kettle drums . They were and are always made of the finest quality materials, such as silk, purest gold and silver, by craftsmen and women with superlative skill and dedication. When taken from service these wonderful pieces were more often than not hung in churches or cathedrals to commemorate men or officers of the Household Cavalry lost in battle. This banner is composed of crimson silk damask, embroidered with the 1837 Royal Arms of Her Majesty Queen Victoria, in silks, gold and silver bullion wire. Edged with a gold thread fringe. It is now in faded and worn condition as to be expected for a piece of such age and use. The present royal service trumpet banner conforms to the design type first introduced in the reign of Charles II (1660-1685).
The history of the Band of The Life Guards began when King Charles II entered London accompanied by a throng of 20,000 horse and foot on his birthday, 29th May 1660. On this day, commemorated as Oakapple Day in recognition of his escape when a fugitive by hiding in the Boscobel Oak Tree, it is recorded that, at the public entry into London, he was escorted by three troops of The Life Guards each preceded by it's own kettledrummer and four trumpeters. The origins of the Band you hear today derive from this proud occasion. At this time the use of kettledrums and trumpets was confined to the Army and the nobility and, even among the Kings troops. The Life Guards alone had the privilege of using kettledrums. The musicians held warrants of appointment from the King were paid at the rate of five shillings per day. In 1678 they wore uniforms of velvet, silver laced, and their instruments had richly embroidered and trimmed banners, the whole cost defrayed by the King. This is the origin of the State Dress worn to this day by the Band and Trumpeters. The design was based on that of the King?s racing colours and, when Parliament refused to cover the full cost of the Gold Coats, the Lord Mayor of London met the outstanding debt. In recognition of this he is the only person outside the Royal Family for whom Gold Coats are worn.

The Royal Horse Guards were formed in 1661 from cavalry of the former New Model Army and were given the nickname of the Oxford Blues, in recognition of their first colonel, the Earl of Oxford, and to their blue uniforms. It is recorded that from the outset that the Regiment had kettledrummers and trumpeters. In 1661 the Tangier Horse was raised for service on the Mediterranean coast of Africa. By 1702 the Tangier had changed to a Dragon Regiment and evolved to be The Royal Dragoons (1st Dragoons) and had a band consisting of 8 drummers and 8 hautbois (an early form of oboe). Soon after, in 1710, kettledrummers were added and in 1766 the drummers were converted to trumpeters. The Royal Horse Guards (The Blues) had also acquired trumpeters and drummers and in 1805 King George III personally presented a pair of solid silver kettledrums as testimony to their Honourable and Military conduct on all occasions. These kettledrums continue to be used today and can be seen carried and played by the mounted drummer on the Queen's Birthday Parade on Horse Guards. In 1969 The Royal Horse Guards (The Blues) amalgamated with 1st The Royal Dragoons (The Royals) to become The Blues and Royals (Royal Horse Guards and 1st Dragoons). This banner would have been used in the eras of; First Opium War 1839-1842
First Anglo Marri War 1840
First Anglo-Sikh War 1845-1846
Second Anglo-Burmese War 1852-1853
Crimean War 1853-1856
Anglo-Persian War 1856-1857
Second Opium War 1856-1860
Indian Rebellion 1857
New Zealand land wars 1845-1872
Second Anglo-Sikh War 1848-1849
Second Ashanti War 1863-1864
Bhutan War 1864-1865
Third Ashanti War 1873-1874
Second Anglo-Afghan War 1878?1880
Anglo-Zulu War 1879
Second Anglo Marri War 1880
First Boer War 1880-1881
Third Anglo-Burmese War 1885
Mahdist War 1891-1899
Fourth Ashanti War 1894
Anglo-Zanzibar War 1896 Shortest war in history lasted 38 minutes
Boxer Rebellion 1899-1901
Second Boer War 1899-1902
Framed and glazed in a simple modern gilt frame. It could be so much complimented by a fine antique Georgian or Victorian frame  read more

Code: 22531

A Pair of late Ming to Early Ching Dynasty 16th-17th Century Cavalry Stirrups. A Delightful Pair Of Early Chinese Military Equestrian Historic Artifacts, And Superb Early Decor Pieces That Would Look Amazing In The Right Location Around 500 Years Old

In antiquity, the earliest foot supports consisted of riders placing their feet under a girth or using a simple toe loop. Later, a single stirrup was used as a mounting aid, and paired stirrups appeared after the invention of the treed saddle. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia. The use of paired stirrups is credited to the Chinese Jin Dynasty and came to Europe during the Middle Ages. Some argue that the stirrup was one of the basic tools used to create and spread modern civilization, possibly as important as the wheel or printing press. The stirrup, which gives greater stability to a rider, has been described as one of the most significant inventions in the history of warfare, prior to gunpowder. As a tool allowing expanded use of horses in warfare, the stirrup is often called the third revolutionary step in equipment, after the chariot and the saddle. The basic tactics of mounted warfare were significantly altered by the stirrup. A rider supported by stirrups was less likely to fall off while fighting, and could deliver a blow with a weapon that more fully employed the weight and momentum of horse and rider. Among other advantages, stirrups provided greater balance and support to the rider, which allowed the knight to use a sword more efficiently without falling, especially against infantry adversaries. The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

RISE OF THE MING DYNASTY

The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

Ming dynasty founder Emperor Taizu, or Zhu Yuanzhang, was born into poverty, and spent part of his youth wandering the country after his parents died following a series of natural disasters centered around the Yellow River.

The Qing or Ching dynasty, officially the Great Qing, also called the Qing Empire by itself or the Manchu dynasty by foreigners, was the last imperial dynasty of China, established in 1636 and ruling China from 1644 to 1912 with a brief, abortive restoration in 1917. It was preceded by the Ming dynasty and succeeded by the Republic of China. The Qing multi-cultural empire lasted almost three centuries and formed the territorial base for the modern Chinese state. After conquering "China proper", the Manchus identified their state as "China", and referred to it as Dulimbai Gurun in Manchu (Dulimbai means "central" or "middle," gurun means "nation" or "state"). The emperors equated the lands of the Qing state (including present-day Northeast China, Xinjiang, Mongolia, Tibet and other areas) as "China" in both the Chinese and Manchu languages, defining China as a multi-ethnic state, and rejecting the idea that "China" only meant Han areas. The Qing emperors proclaimed that both Han and non-Han peoples were part of "China". They used both "China" and "Qing" to refer to their state in official documents, international treaties (as the Qing was known internationally as "China" or the "Chinese Empire") and foreign affairs, and "Chinese language" (Dulimbai gurun I bithe) included Chinese, Manchu, and Mongol languages, and "Chinese people" referred to all subjects of the empire. In the Chinese-language versions of its treaties and its maps of the world, the Qing government used "Qing" and "China" interchangeably.  read more

Code: 20708

A Very Attractive, Edo Era 17th to 18th Century Samurai's Tetsu Abumi Stirrup, Not Only Functional Equestrian Armour of Great Beauty, They Were Designed To Be Used As Weapons To Kick Out At Foot Samurai While Galloping Past Enemy In Close Combat

This Japanese armour stirrup, is made in the traditional dove's breast (hato mune) shape with an open platform lined with red lacquer, slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is in ancient russetted iron in the distinctive Higo school style, with a large onlaid most decorative sinchu mount of a bird and various flora.

It has been sent to the workshop for cleaning and conservation and will be photographed again once completed.

It is to be noted as we previously detailed, that these stirrups, due to their weight, were also used as weapons against the enemy infantry samurai and ashigaru. A kick from this by the mounted samurai when riding past a standing samurai at full gallop would smash through even the strongest iron helmet kabuto, resulting in likely instant death. The same effect as hitting any object with a 12 pound steel club hammer at full swing

Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.  read more

Code: 23147

Most Scarce French Marine Flintlock M.1786 / An.IX 1800's Carbine. A French Sea Service Carbine of the Napoleonic Ships of the Line. Battle of Trafalgar Service Period. Made Circa 1803-4 Inspected by Joseph Guichard Napoleonic Inpector of Arms St Etienne

A most scarce sea service gun, made by the French imperial arsenals in Belgium. The main difference between this and the standard French Army An IX {year 9} carbine is that the Navy carbine’s centre band was brass and the Army’s was iron, brass not rusting at sea. These carbines were usually issued to sharpshooters manning the upper platforms of French warships, and it might well have been a carbine of this pattern that was used to shoot Admiral Nelson.

This is a version of French M.1786 carbine musket, which was shorter and lighter than the earlier issued pattern.
After some slight modifications, the weapon was distributed to various ships of the line in the Navy, with two brass barrel bands, and to hussar/ cavalry units, the cavalry versions would be supplied with a large sling swivel bar fitted to the near side of the carbine, combined with one steel, and one brass barrel slide. Barrel underside stamped G* by French inspector, Joseph Guichard, his An IX inspector stamp M1786/ Marine garnitures, 1803-5. Guichard was usually based at St. Etienne.

Napoleonic Belgium 1799-1814

Liège was the home of the fourth largest arms manufacturer in Napoleons period known as the 1st Empire. Between 1798 and 1813, the Belgian departments furnished over 200,000 troops and sailors, about 6 percent of the population, for Napoleon's armed forces.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy.  read more

Code: 25206

A Good And Most Scarce Napoleonic Wars Regimentally Marked East Prussian Life Grenadier 'Guard' Regt. Rifle Musket

Marked on the butt tang a weapon number, or possibly a company number,12, then L.St B., likely the Lieb Stabawache Bat. {Life {Grenadier} Guard Staff Battalion}.

Regulation 133 cm long overall, with a rifled barrel and three steel barrel bands in 1809 the barrel bands were often made from steel instead of brass to save costs. Good flintlock action, superb patination overall and good stock.

Life Grenadier Battalion (Leib-Grenadier-Bataillon)
fought in over 21 battles during the Napoleonic Wars including: in 1807 -
Verteidg,
Colberg,
Sellnow,
Ausfallgefechte and
Wolfsburg.
1813 - Groß-Görschen,
Bautzen,
Katzbach,
Naumburg,
Hochkirch,
Reichenbach,
Bischofswerda,
Hänichen,
Möckern,
Freiburg and Hörselberg,
1814 - Montmirail,
Château Thierry,
Laon,
Trilport and Paris.

And an army of 50,000 Prussians fought at Waterloo under Blucher, and this musket’s user was thus likely attached to this army, possibly one of the 8,000 Prussians that were lost on the field of combat.

Historically, the Prussian army went through a radical reorganisation following Napoleon’s downfall in 1814. In October of that year the six existing grenadier battalions became two regiments and, as a mark of respect, the King of Prussia named these regiments after his allies, Czar Alexander of Russia and Emperor Francis of Austria. The Kaiser Alexander Grenadier Regiment was formed of the 1st and 2nd East Prussian battalions and the Life; the Kaiser Franz regiment was formed of men from the Pomeranian, West Prussian and Silesian battalions.

Prussia's catastrophic defeat at the hands of Napoleon in 1806-07 reduced the once-proud kingdom to an abject vassal of the Emperor of the French. The Prussian Army had been practically destroyed: At the twin battles of Jena and Auerstedt alone (14 October 1806) 38,000 Prussian troops were killed, wounded or captured, and more than 300 colors and standards were lost. Thus when the work of military reconstruction began in 1807 many regiments had to be rebuilt from scratch. The military reformers under General Gerhard von Scharnhorst consolidated the remaining units, renumbering many regiments in the process. A Prussian infantry regiment was now to be composed of two musketeer battalions, one fusilier battalion and two grenadier companies. The latter, however, were detached to form composite grenadier battalions, each four companies strong. Later these independent battalions were consolidated into two grenadier regiments, titled in honor of the Austrian and Russian Emperors. The line infantry regiments acquired territorial titles reflective of their recruiting areas. Infantry Regiment Nr. 1, for example, became Infantry Regiment Nr. 1 (East Prussian Nr. 1). The infantry of the Royal Guard, in 1806 consisting of the Liebgarde Regiment (Nr. 15, two battalions) and the Lieb Grenadier Battalion (Nr. 6), was also reconstituted, at first as a single regiment of Foot Guards. By 1815 there were two, along with a Guard light infantry battalion and a Guard rifle battalion. The 2nd Foot Guards Regiment was formed by amalgamating the Guard Grenadier Battalion with two battalions drafted in from the line; the latter continued to carry the colours of their old regiments. The two Guard regiments were organised like the line infantry, with two musketeer battalions, a fusilier battalion and two grenadier companies. The latter were detached to form the Lieb Grenadier Battalion. The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.  read more

Code: 24731

Recently Arrived And You May Never See Another Like it! An Incredibly Rare And Immensely Desirable Original Collectors Item For Machine Gun Collectors. A 1938 Dated Mauser, WW2 German MG 34 Machine Gunners Tool Kit. Complete and Mint

Naturally, an unfamiliar reader may find it incredible that a tool kit could be so valuable, but this, is for very, very, dedicated collectors of rare German WW2 militaria, and it is a once in a lifetime opportunity in the UK. Fortunately there are still some German WW2 collectables that are are still readily affordable, but some pieces, of great rarity, are prized beyond pearls

A Near mint MG-34 machine gun armourer’s kit with can dated "1938" and in original camouflage paint. Kit includes handles, files, pliers, calipers, spanner for MG-34, and adjustable wrench as manufactured by Mauser, as well as punches, portable vice and broken shell extractor. Some of the original paper packaging remains. These kits occasionally surface but are seldom if ever found in as complete and near mint a condition as this fantastic specimen.

Exceptional conditional throughout with little or no apparent use. Metal tools retain a light coating of preservative oil with original paint flaking at some of the high points. Just about as nice as can be possibly found. This is an absolutely tremendous find for the German WWII machine gun enthusiast. This is a museum piece of a rarity that cannot be over stated

We have only ever seen one near like it, and that sold at Murphy’s Auction in the States for $7,800 last year, after an astonishing bidding war.

It also includes a rare debris protection cover, in rubber, to put over the end of the muzzle of the MG34, and, two pretty rare original SS issue Frostschutzsalbe tin (anti-frostbite ointment), finished in red with impressed white lettering. The lid reads: “Frostschutzsalbe / Wehrkreissanitätspark VII / München / SS-Packung”; translates as “Anti-frostbite ointment / Army District Medical Depot VII / Munich / SS-Package.”
The ointment was supplied to frontline SS and Wehrmacht troops operating in extreme winter conditions, particularly on the Eastern Front, where frostbite was a major cause of casualties. These tins were distributed as part of cold-weather kits and personal medical issue. however, they were also used as a lubricant for the gun in minus 30 degrees and below.
One tin is large the other small. They remain sealed and cannot be opened, so it is not possible to confirm whether any of the original salve remains inside.

Frostbite was a critical threat to German forces during the harsh winters of the Eastern Front campaign. The German medical service issued frostbite salves and protective creams in small tins such as this, designed to fit easily into pockets or pouches. The reference to Wehrkreissanitätspark VII (Munich) identifies the regional medical supply depot responsible for production and distribution.
SS-marked examples are notably scarcer than standard Wehrmacht issue, reflecting both their restricted distribution and the relatively low survival rate of consumable medical supplies after the war.


Tool kit case dimensions: 14 - 1/2" X 3 - 1/2" X 7"  read more

Code: 26164