Antique Arms & Militaria

An Early Roman Empire Period 1st Century Status Seal Ring Depicting Winged Pegasus and Bellerophon Slaying the Monstrous Chimaera With His Spear

A superb Henig type Xb ring. Wide oval bezel affixed to flattened shoulders engraved copper bronze alloy with gilt highlights. Almost identical shape and form to one found in the UK near Hadrian's Wall. And another similar, with the very same style of workmanship and engraving from the era, was discovered 50 years ago, and believed to be once the ring of the infamous Pontius Pilate, the Governor of Judea for Rome

Although an Ancient Greek legend, all the gods and myths of Ancient Greece were highly revereed and eagerly adopted by the Romans, for their art especially. However, once they adopted the Greek gods they Romanised and re-named them, such as the God of the Sea, Poseiden, who thus became Neptune, God of the Sea, for the Romans. Traditional stylized engraving, typical for a Roman status ring, for a citizen or noble.

Pegasus is fabled winged-horse from Greek mythology which was fathered by Poseidon and was born from the severed neck of the gorgon Medusa, slain by Perseus. At the same time and in the same way, Chryasor was also born. Poseidon gave Pegasus to his son Bellerophon who put Pegasus to good use in his famous battle with the Chimaera.

The myth of Bellerophon begins with the hero visiting Tiryns and enjoying the hospitality of the city's king Proitos. However, trouble started when Stheneboia, the king's wife, fell in love with the hero and made inappropriate advances. Bellerophon, being a good guest, politely rejected these advances but predictably, Stheneboia saw red and went before the king and accused the visitor of attempting to seduce her. In punishment, Bellerophon was sent by Proitos to serve his father-in-law Iobates, King of Lykia. On arrival, Bellerophon was set a series of dangerous and impossibly difficult tasks, chief amongst them being to destroy the fearsome and rather bizarre Chimaera. This fire-breathing creature was a terrible mix of a lion's body with a snake for a tail and the head of a goat sprouting from its back. To aid him in this task, Bellerophon was fortunate to have at his disposal Pegasus. In some accounts he found the horse at the fountain of Pirene near Corinth, and Hesiod suggests this fact explains the name Pegasus, derived from 'water'- pēgē. Taming the horse with the help of Athena, Bellerophon rode (and flew) Pegasus and managed to kill the monstrous Chimaera with his spear.

Bellerophon and Pegasus went on to enjoy further success with other challenges Iobates set the hero including a battle with the Amazons. However, becoming rather boastful and thinking he could fly high enough on his winged steed to take his place amongst the immortal gods, Bellerophon was thrown by Pegasus and fell unceremoniously back to earth. Meanwhile, Pegasus kept on going and on reaching Mt. Olympus, he was given to Eos who was responsible for bringing Dawn across the sky each day. According to Hesiod in his Theogony, Pegasus also brought Zeus his thunder and lightning whenever needed.
Pegasus appeared on Greek pottery, the earliest being Corinthian wares from the 7th century BCE. Pegasus was also a popular design on coins, in particular from Corinth from the 6th century BCE. A famous representation in sculpture is from the pediment of the Temple of Artemis on Corcyra (c. 580 BCE). The Bellerophon and Pegasus myth was also a popular subject in Roman art - especially engraved semi-precious stone cameos and floor mosaics - where the horse became symbolic of immortality.

A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. See its image in the gallery, with a detailed drawing of the traditional stylized engraving.

Being around 2000 years old, it has a heavily encrusted, natural, well aged patina

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24889

A Very Fine 17th Century Spontoon. Central Double Edge Blade With Side Wings. Used For Over 140 Years in Military Service Including From the English Stuart to Early Hanoverian Reigns, The French-Indian War & Revolutionary War In The Americas

With original long, studded full haft, around 8 foot long, with steel foot. Spontoons (also spelled “espontoons”) appeared later than halberds, coming into use in the late 17th century. The word seems to come from the Italian spuntone, meaning “pointed.” A spontoon’s iron point, sometimes decorated with tassels, was fitted to a sturdy hardwood shaft measuring from six to nine feet in length. The weapon’s distinguishing feature were sidewings sometimes plain and sometimes elaborately ornamental, perpendicular to the main blade.

Spontoons may have evolved from earlier spear-like weapons called pertuisanes or partisans. The partisan had a large blade, sharp on both sides. The blade was wider at the bottom, where twin symmetrical blades of various shapes sprouted from the sides. Rather blurry lines separate the spontoon and a number of other spear-like staff weapons. There were hybrids known as “partisan spontoons,” and some 18th-century European accounts refer to officers’ weapons as partisans rather than spontoons. Other sources refer to spontoons as “half-pikes,” and some simply call them spears.

Although the British serving both in America and Europe, used them in the French Indian War {aka the 7 Years War} quite liberally, we put aside a lot of their use as pole weapons during the Revolutionary War, yet spontoons formed a large part of the equipment of the US Continental Army. Captain Daniel Morgan led a portion of the Continental attack on Quebec on December 30, 1775. His men carried spontoons in addition to rifles and scaling ladders. Attacking a two-gun battery, they drove the defenders into a nearby house. Morgan ordered his men to “fire into the house and follow up with their pikes (for in addition to our rifles, we were also armed with long espontoons), which they did, and drove the guard into the street.”

In several surviving written orders, General George Washington insisted that Continental officers carry spontoons. At Valley Forge on December 22, 1777, Washington directed that each officer “provide himself with a half-pike or spear, as soon as possible.” Washington did not want his officers to carry muskets, which he believed had a way of “drawing their attention too much from the men.” He needed the officers focused on commanding their men, not distracted with loading and firing a musket. Additionally, Washington believed that an officer with neither firearm nor spontoon had “a very awkward and unofficerlike appearance.”

In America, spontoons held on into the early Federal period. A North Carolina militia law of 1787 required infantry officers to carry “side arms or a spontoon.” Because militia officers might well wear civilian clothing, a spontoon or sword served as an indication of superior rank.

The U.S. War Department ordered 120 spontoons for its officers in 1800. Captains Meriwether Lewis and William Clark each carried one during their transcontinental expedition of 1804-1806. Both officers would have reason to be glad they were burdened with these heavy staff weapons. In what is now Montana, on the night of May 26, 1805, Lewis nearly stepped on a rattlesnake. Guided by the sound of the rattles, Lewis stabbed about in the dark with his spontoon until he killed the snake. Three days later, Clark killed a wolf with his spontoon. Lewis’s spontoon would twice more save his life, once in driving away a bear and another time when the captain saved himself from falling 90 feet from a precipice by bracing himself with his weapon’s long staff.

Lewis and Clark may have been the last American military officers to get any real use out of the spontoon. Watchmen and policemen in some cities carried smaller versions of spontoons until about 1860, but by the time of the War of 1812, they had essentially disappeared from military life. However, William T. Sherman, in an 1890 article in the North American Review, pointed out that U.S. militia laws still on the books stated that “each commissioned officer shall be armed with a sword or hanger and spontoon.” So, strictly speaking, all militia officers without spontoons were in violation of Federal statutes until the militia laws were revised in 1903.

The British Monarch's Royal Bodyguard, the Yeoman of the Guard, wearing their scarlet and gold full dress Tudor style uniforms, still carry the traditional spontoon polearms {see photo in the gallery at the Tower of London}. In the gallery is a photograph of spontoons in a Swiss castle museum gallery. This one is polearm type number four on the right.

It has its original studded haft but since it has been in armoury display for likely two centuries all its surface velvet is now gone and overall surface worn.

what is incredibly interesting is the iron foot of the spontoon, it is a 17th century Civil War pike head, that has likely lost its point so the haft has been turned around the spontoon head fitted, and the pike head left in place to be used as its foot.

See photo 10 in the gallery to show exactly how the pike {now an iron foot} would have looked with its point intact, the pike is on display in the Metropolitan Museum in the USA.

Delivery completely assembled with its haft is within the UK mainland only due to length.

Two links to a similar spontoon and a pike in the Metropolitan Museum below, for reference

https://www.metmuseum.org/art/collection/search/25095

https://www.metmuseum.org/art/collection/search/25847

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25649

A Most Fine 1840 Bespoke English Fowling Piece, with Finest Elaborate Engraving, Juglans Regia Walnut Stock and and Damascus Twist Barrel. Finely Engraved Throughout with Hunting Dogs, Scrollwork and Gamebirds

By James Catley of Lench St. Birmingham.

With back action lock prevalent in the 1840's , and a finest damascus 31 1/2 inch long barrel, with twin inlaid gold lines, and hook breech for rapid removal of the barrel. Original rammer, with its concealed threaded worm-screw and cover cap at its farthest end, for the removal of missfires, and the stock has silver escutcheons for a barrel retaining key, again to aid rapid removal of the barrel.

During the 1840s, English fowling pieces (sporting shotguns) reached a pinnacle of mechanical refinement, artistry, and prestige. This decade marked the absolute maturity of the percussion lock system before breechloaders took over, characterized by incredibly fast ignition times, exquisite Damascus steel barrels, and ultra-slim, elegant walnut stocks. London and Birmingham gunmakers set the global standard for luxury sporting arms

By the 1840s, the classic flintlock was considered obsolete for high-end wing shooting. Gunsmiths perfected the copper percussion cap system, utilising "patent breeches" that allowed for near-instantaneous ignition and superior weather resistance.

Barrels were meticulously forged by twisting iron and steel bars together to create striking, intricate patterns (such as curnee, herringbone, or ribbon Damascus). These were finished using a specialized browning or cold rust bluing process that protected the metal while accentuating the elegant swirling pattern.

The lines of 1840s pieces were exceptionally sleek. Stocks were carved from high-grade English or Circassian walnut, featuring fine checkering at the wrist and a slim, gracefully sloping comb. Engraving reached an extraordinary level of detail, featuring tight scrollwork, hunting dogs, and game birds on the lock plates, hammers, and trigger guards.

The 1840s market was dominated by legendary names operating out of London and Birmingham, many of whom pioneered technology still referenced in modern gunmaking today:

This beautiful piece of finest English workmanship, is from the zenith of the worlds greatest gunmaking master craftsmen. It would make a superb piece for interior decoration {no gun safe is required to store antique obsolete arms}, bearing in mind to replace it today, by one of the few remaining and equivalent finest London bespoke gunsmiths, such as Boss or Purdey, would require an expenditure of likely £120,000 plus

All in superb condition for age, with just usual light wear throughout.  read more

Code: 26356

An Early, Historical and Fine, Original, Moghul Empire Katar. As With Most Of The Fine, Surviving, Early Katar It Has an Armour Piercing Blade. Made and Used From the Time Of Moghul Emperor Shah Jahan in the 17th Century

Indian long blade armour piercing katar from the era of Shah Jahan, builder of The Taj Mahal, the most famous monument to a beloved wife in the world.

It was well known for its armour piercing capabilities, as many historical katars featured a blade that dramatically thickened into a diamond-shaped tip {see photo 9 in the gallery of this katar's blade tip}. This was intentionally engineered to enter directly through steel chainmail or split shields during an ambush.

The Katar is one of India's oldest weapons, characterised by its H shape grip and triangular blade. The Katar was predominantly used in battle and by skilled assassins as a thrusting dagger due to its design similar to the boxing method the user would hold the dagger in the hand with the aim of piercing chain mail and the opponent. Due to the build of the Katar, with its H shaped grip, the Katar also provided a great defence as the handle bars protected the wrist from getting cut. Katars could also be paired with other weapons, such as a Kard or Pesh Kabz and utilised for slashing; as many of them hard sharp edges. From becoming a predominantly functional weapon, during the Mughal reign of India (from the 1500s onwards) rulers would wear a highly bejewelled gold covered example {see the portrait in the gallery}

The portrait in the gallery, circa 1650, is of Moghul Shah Shuja who was the second son of the Mughal Emperor Shah Jahan and Empress Mumtaz Mahal. He is wearing his similar form katar. Although his katar was naturally decorated with fabulous jewels, ours is plain steel.
He was the governor of Bengal and Odissa and had his capital at Dhaka, presently Bangladesh. He suffered and ignominious fate at the hands of his brother, Aurangzeb, who declared himself the next Emperor. In the Moghul Empire it was entirely normal for the most powerful son of the previous Shah to kill, banish or imprison their brothers, who would or even might be contenders for the throne. It was similarly the normal practise of the Ottomans.

Shah Jahan is best remembered for his architectural achievements. His reign ushered in the golden age of Mughal architecture. Shah Jahan commissioned many monuments, the best known of which is the Taj Mahal in Agra, in which is entombed his favorite wife, Mumtaz Mahal. His relationship with Mumtaz Mahal has been heavily adapted into Indian art, literature and cinema. He owned the royal treasury, and several precious stones such as the Kohinoor and has thus often been regarded as the wealthiest person in history.

The death of his father Jahangir in late 1627 spurred a war of succession between his sons Shahryar and Khurram from which Shah Jahan emerged victoriously. He executed all of his rivals for the throne and crowned himself emperor on January 1628 in Agra, under the regnal title "Shah Jahan" (which was originally given to him as a princely title). His rule saw many grand building projects, including the Red Fort and the Shah Jahan Mosque. Foreign affairs saw war with the Safavids, aggressive campaigns against the Shia Deccan Sultanates,10 conflict with the Portuguese, and positive relations with the Ottoman Empire. Domestic concerns included putting down numerous rebellions, and the devastating famine from 1630-32.

In September 1657, Shah Jahan fell seriously ill. This set off a war of succession among his four sons in which his third son, Aurangzeb, emerged victorious and usurped his father's throne. Shah Jahan recovered from his illness, but Emperor Aurangzeb put his father under house arrest in Agra Fort from July 1658 until his death in January 1666. He was laid to rest next to his wife in the Taj Mahal. His reign is known for doing away with the liberal policies initiated by Akbar. Shah Jahan was an Orthodox Muslim, and it was during his time that Islamic revivalist movements like the Naqsbandi began to shape Mughal policies.

9 1/4 inch long blade, overall 17 3/4 inches long. 3 1/2 inches wide.  read more

Code: 26355

Grande Armee Issue, From the Consular To Ist Empire Period. French Napoleonic Year 13 Cuirassier Sword, Manufactured at Versailles in the Early Imperial Period, Circa 1804-1806. Inspected by Nicholas Cherrer, Chef De Battalion

Blade stamped with the mark of the Fasces for the 'Petit Garantie' 1798 to 1809, plus AP for L'Atelier Precision Paris, Paris Workshop and the hilt has the Versailles approval stamp.

Versailles was the premier hilt manufactury and assembly workshop for the Republic and Empire, and only the very finest would pass acceptance. All of the Elite Imperial Guard sword hilts were supplied from here. The Versailles Director was Boutet, probably the greatest & most respected Arms maker that ever lived, his pistols and guns, made for the King and Napoleon, are some of the most beautiful objects ever created by man.

This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments of the Grande Armee such as in 1807 at Friedland. And in the French invasion of Russia ( Campagne de Russie) that began on 24 June 1812 when Napoleon's Grande Armee crossed the Neman River in an attempt to engage and defeat the Russian army. Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened.
The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Loius XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. In fact one can see it has been issued, re-issued and even re-inspected by Capt. Louis Balaran, at least twice times with numerous serial numbers and inspection stamps stamped and struck out in its working life from 1806.

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of its kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into its ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the blade is double fullered and absolutely as crisp as one could hope for. Made in the early Napoleonic Wars period.
Just a basic few of the battles this would have been used at such as Friedland in 1807, in 1812 and beyond 1812: Borodino and Moscow, Ostrowno, and Winkowo 1813: Reichenbach and Dresden, Leipzig and Hanau
1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: Quatre-Bras and Waterloo. The blade has fabulous steel bright colour, and hilt has fabulous patina. Overall 45.75 inches long in its scabbard, the spear pointed blade is 37.5 inches long. Just old staining to the scabbard steel.

The French Elite Cuirassier Sword is surely one of the most impressive Heavy Cavalry swords ever made, being of incredible size quality and stature. Used in the great campaigns of Napoleon by the Elite Grande Armee Cavalry, from Austria through the Russian Campaign, into the Peninsular War and finally the The Battle of Waterloo. All the Cuirassier were front line regiments, none ever utilized as Militia. With steel combat scabbard, multi fullered blade, brass 4 bar hilt with wire bound leather grip. Circa 1806. The blade is exactly as it should be, and bearing the matching Atelier Paris and Versailles stamp of 1806. Leather grip re-covered some time long past. Excellent condition hilt, and blade, later scabbard  read more

Code: 26351

An Antique 19th Century, Victorian, Naval Ship's Cutlass Iron Bowl With Steel Blade and Cast Ribbed Brass Grip

Likely made by Henry Wilkinson and this particular pattern are recorded as part of Wilkinson's naval cutlass contract in the late 19th century.

Ratings of the Royal Navy have used cutlasses, short, wide bladed swords, since the early 18th century. These were originally of non-uniform design but the 1804 Pattern, the first Navy-issue standard cutlass, was introduced at the start of the 19th century. This was a bluntish weapon that was perhaps intended for cutting away canvas and ropes rather than as a thrusting combat weapon. The 1845 Pattern cutlass introduced a bowl-style hand guard which provided greater protection, with a longer and more curved blade. Its sharper point made it more useful for thrusting attacks, which were now emphasised in the drill manual. The 1845 Pattern was modified several times including shortening and straightening the blades, which weakened them. The 1889 Pattern had a straight, spear-pointed blade with a hilt that curved outwards to catch and redirect an opponent's sword point. The 1900 Pattern, the last navy-issue cutlass, was similar to its predecessor with the introduction of a fuller and a hilt insert that cushioned the user's little finger. It was used in combat in 1900 during the Boxer Rebellion. The cutlass was withdrawn from service in 1936 but remains in use for ceremonial purposes. However, we show a photograph in the gallery of British seamen assesing and polishing the ships cutlasses before combat in WW2. Plus, one of our late artisan's was a formar navy man, and he used them in the South China Seas in boarding parties against pirates in the 1950's.

Sailors received little training in sword technique and indeed these weapons were often snatched up at the last minute from chests kept on deck, either to repel boarders or to take on a boarding made against another ship.
Scabbards were not needed because a sailor would need his cutlass for immediate use in battle. However one in ten were made with scabbards for shore parties.
Boarding over the side of another ship in the days of sail was often a difficult affair. Sometimes the enemy's vessel could be much bigger than your own, or indeed much smaller, necessitating either a climb up the gunports and through the anti-boarding nettings of the other ship or a plunge down, probably on a rope's end, onto the deck of the smaller vessel.
At the encounter between the 14-gun Speedy and the 32-gun Gamo in 1801 a British boarding party led by Captain Thomas Cochrane took the Spanish frigate by boarding in a fierce action. The small British ship was manoeuvred to come close alongside the enemy and eventually under the Spanish guns' maximum depression. Then Cochrane led the entire 40 crew - except for eight casualties and the surgeon who was left at the wheel.

Armed with cutlasses, axes and pikes the British sailors fought ferociously in hand-to-hand combat with Cochrane calling loudly for another 50 fictitious reinforcements to follow. The Spanish flung down their weapons and surrendered.

The RN retained cutlasses in service aboard vessals officially until 1936, although there are reports of personnel carrying such weapons in WWII. And it is still used in Courts Marshal. The cutlass was last officially used in the Altmark incident where the British Naval Ship, HMS Cossack, liberated the prisoners captured by the Battleship Graf Spee that were being transported illegally through Norwegian waters by the German ship Altmark.  read more

Code: 26347

A Magnificent 95th Rifles, 1803 British Light Infantry Officer's Sabre of the Napoleonic Wars, The Peninsular War Campaign, The War of the Hundred Days Culminating in Quatre Bras, and Waterloo. with Engraved 'Britannia' Blade. Bespoke Made by Osborne

Used in the Peninsular War, Waterloo & The War of 1812 by a British Officer of a light infantry such as the famous 95th Rifles, or the flank light company of a Guards regiment. Such as that fought at Hougemont in The Battle of Waterloo. and the 95th Rifles that held "The Sandpit" near La Haie Sainte, Waterloo

A singularly beautiful sword, with near mint mercurial gilt hilt, that was designed for battle but was stunningly serviceable for full dress.

It has a carved slotted hilt with the 95th Rifles bugle, the pierced cypher of King George IIIrd, as the inner design within the knuckle bow, and adorned with a wonderfully detailed lion's head pommel, with fine triple wire binding around the spiral sharkskin grip.
This is the pattern of British Light Infantry and Rifles Officer's sword carried by gentlemen officers who relished the idea of combat, but found the standard 1796 Infantry pattern sword too light for extreme combat.

The light infantry regiments were made up of officers exactly of that mettle. The purpose of the rifles light infantry regiments was to work as skirmishers. The riflemen and officers were trained to work in open order and be able to think for themselves. They were to operate in pairs and make best use of natural cover from which to harass the enemy with accurately aimed shots as opposed to releasing a mass volley, which was the orthodoxy of the day.
The riflemen of the 95th were dressed in distinctive dark green uniforms, as opposed to the bright red coats of the British Line Infantry regiments. However the Light Infantry Companies of the Guards Regiments wore red. This tradition of green uniforms lives on today in the regiment’s modern equivalent, 'The Rifles'.

This sabre has a few hand to hand combat cuts in its edge likely from Quatre Bras or Waterloo, and as it still remains sharp. These impacts are highly respected as indicative of the sword's combat pedigree against Napoleons forces.

The standard British infantry and light infantry regiments fought in all campaigns during the Napoleonic Wars, seeing sea-service at the Battle of Copenhagen, engaging in most major battles during the Peninsular War in Spain, forming the rearguard for the British armies retreat to Corunna, serving as an expeditionary force to America in the War of 1812, With the return of Napoleon from exile, all of the companies in England crossed the channel and landed in Belgium in May 1815, joining with those already present, so that the entire regiment, bar the five companies still in America, became part of Wellington's Anglo-Dutch army. The first battalion went on to fight at the Battle of Quatre Bras on 16 June 1815, while all three battalions would fight at the Battle of Waterloo on 18 June 1815

During the battle of Waterloo the 95th Rifles held "The Sandpit" near La Haie Sainte, near the centre of the fighting. From this covered position they could target the French columns marching to both sides & the attackers on the chateau.

In 'Burke at Waterloo', by Tom Williams, Burke’s sergeant, William Brown, is fighting alongside the riflemen, and the account accords well with real accounts of the battle for the farm.

"At last the drummers started to beat amongst the ranks of blue-uniformed warriors and the columns began to bear down on La Haye Sainte. They advanced at a quick step with loud cries of ‘Vive l’Empereur!’ From the heights behind William came a murderous artillery fire that struck down dozens of the advancing soldiers, but they came on regardless.

Now they had reached the beginning of the slope. As they approached La Haye Sainte, skirmishers broke out from the head of each of the columns. Finally, the 95th had something to shoot at. The sound of their rifles was almost lost in the din of artillery as French and British guns duelled across the battlefield.

The farm ahead of them was now the scene of desperate fighting. The French had the place surrounded on three sides, pouring fire into the farmyard. A French brigade moved towards the north of the farm to complete its encirclement. As they did so, they came within range of the sandpit and the Rifles opened up on them. William fired, reloaded and fired again. There was no careful wrapping of the balls now. He rammed home his ammunition as fast as he could. With the enemy so close, it was speed, not accuracy, that was needed. There were so many that it seemed almost impossible not to hit them. The French dropped by the score, but as fast as the men of the 95th killed them, more blue-coated figures moved to replace the dead. Outnumbered as they were, it could only be a matter of time before the Rifles were overrun.

Then, to William’s amazement, the brigade swung away, as if unwilling to face the men in the sandpit. If they were trying to escape the Green Jackets, though, this manoeuvre went horribly wrong, for their change in direction took them straight towards the company that were hidden in the hedge. Once again, their ranks were decimated by British rifle fire.

For a moment, William thought that their three companies of Rifles might achieve the impossible and beat back the French brigade, but, even as the French hesitated, an outburst of firing and cheers drew everyone’s attention to the east. There, through the chaos of smoke, he could see men in the dark blue of the Belgian infantry breaking back towards the main Allied lines while the lighter blue of the French pursued them.

Their captain saw it too, cursed, briefly but fluently, and then turned to his sergeant. ‘The Belgians have broken. We’re too exposed. We have to withdraw.’

William already had his rifle at his shoulder, so he pulled the trigger and took down one more Frenchman. Then, with the rest of the men of the 95th, he started heading back to their own lines.
and holding their positions against tremendous odds at the Battle of Waterloo."

The 1803 Sabre has frequently described as one of the most beautiful swords ever carried, and it was used, in combat, in some of the greatest and most formidable battles ever fought by the British Army during the Napoleonic Wars in Europe the Peninsular Campaign and Waterloo. This is a very attractive sword indeed and highly desirable, especially for devotees of the earliest era of the British Rifle Regiments, such as the 95th and the 60th. As a footnote, in Bernard Cornwall's books of 'Sharpe of the 95th', this is the Sabre Major Sharpe would and should have carried if he hadn't used the heavy cavalry pattern troopers sword, given to him in the story in the first Bernard Cornwall novel.

Overall this battle cum dress sword is in very good order and quite stunning. Near mint mercurial gilt hilt, and fine sharkskin and original triple wire binding to the grip,the scabbard leather is good with two effective contemporary field service leather repairs and very good scabbard mounts, with twin hanging rings, and a top fitting frog mount. The blade is finely engraved, with gilt within the engraving, of Britannia with her Union Flag shield, the Kings Royal Cypher, scrolls, maker mark of Osborne, and in combat service condition, with all its deluxe engraving, mostly clear, but with numerous areas of old russetting and pitting.  read more

Code: 26335

A Fine Regimental Victorian 60th Rifles Officer's Sword of the Rifle Brigade Signed Blade by Kemp, Leddell & Co. Armourers, 41 London Wall, London, Used In The Zulu War and in The Boer War As The Later Regiments Name The Kings Royal Rifle Corps

Etched with foliate scrolls, crowned VR cypher, regimental title device of the strung bugle blade in superb bright polish. Regulation grey steel gothic hilt, also incorporating a slung bugle horn, wire bound fish skin covered grip, in its good steel combat weight scabbard with two suspension rings. Sword bespoke commisioned from Kemp, Leddell & Co in London, circa 1870

3rd Battalion, 60th or The King’s Royal Rifle Corps (1755-1958)

The 60th Rifles in 1879 were part of No. 1 Column (the Main Force) under Colonel Glyn and Lord Chelmsford.
Fought in key engagements, including the decisive Battle of Ulundi on July 4, 1879, which effectively broke Zulu military power. After the Zulu war the regiments name was changed to the KRRC, the Kings Royal Rifle Corps.

The 60th Rifles (The King's Royal Rifle Corps) served actively during the Anglo-Zulu War of 1879, (with individual officers like Major Charles Walter Robinson served on staff).

The 3rd Battalion arrived in South Africa as part of the vital wave of British reinforcements sent after the initial disaster at Isandlwana. Before reaching Ulundi, they took heavy part in relieving the siege of Eshowe and fought at the Battle of Gingindlovu on April 2, 1879.
The British fought in their traditional square formation at the battle of Gingindlovu, with the 60th Rifles taking position on the northern face of the square. According to Castle and Knight, “the main Zulu body split into columns, then crossed the Nyezane (River) at two drifts a mile apart; and, as it advanced up the slopes towards the laager, it fanned out into the traditional chest and horns attack formation. The order to hold fire until the enemy were within 300 yards condemned the troops at the front of the square to the nerve wracking spectacle of the Zulus deploying to attack without a shot being fired to stop them. It was a sight that was to strain the nerves of the untried men of the 60th. The British fought in their traditional square formation at the battle of Gingindlovu, with the 60th Rifles taking position on the northern face of the square. According to Castle and Knight, “the main Zulu body split into columns, then crossed the Nyezane (River) at two drifts a mile apart; and, as it advanced up the slopes towards the laager, it fanned out into the traditional chest and horns attack formation. The order to hold fire until the enemy were within 300 yards condemned the troops at the front of the square to the nerve wracking spectacle of the Zulus deploying to attack without a shot being fired to stop them. It was a sight that was to strain the nerves of the untried men of the 60th.

At Ulundi: The battalion marched into the heart of Zululand with Chelmsford's advancing field force. At the decisive Battle of Ulundi, the British formed a massive, mobile hollow square (or rectangle) out on the Mahlabatini plain to repel an estimated 20,000 Zulu warriors.

During the Second Anglo-Boer War (1899–1902), the King's Royal Rifle Corps (KRRC)—originally the 60th Regiment of Foot—served with distinction in South Africa. Their actions inspired several notable historical paintings, commemorative prints, and portrait commissions.

The Battle of Talana Hill (20 October 1899): The 1st Battalion KRRC played a pivotal role in this early clash, successfully storming the heights alongside the Royal Dublin Fusiliers. Famous period illustrations and paintings capture the intense infantry assault up the boulder-strewn slopes where the KRRC's commanding officer, Lieutenant Colonel Gunning, was killed.

The Battle of Colenso (15 December 1899): The 3rd Battalion KRRC was deployed just 700 yards behind Colonel Long's exposed artillery batteries to prevent the Boers from capturing the guns. This chaotic scene is immortalised in multiple famous paintings depicting the desperate struggle to rescue the artillery pieces under heavy fire.  read more

Code: 26344

A Cased Very Fine English Transitional Percussion Rifled Revolver. This Fine Cased Revolver Set is An Absolute Beauty To Behold.

Decorative engraving to the side plate, bar hammer and butt-cap. Finely chequered grips. Complete in it's original wooden carrying case containing a copper powder flask, steel bullet mold. Cap box and brass tipped wooden clearing rod. Overall length of the pistol inches. The blue baize lined case measures inches with a brass plaque to the lid. The action in very good working order and in excellent condition retaining some of it's original blued finish. A development from the pepper-box was the transitional revolver. This weapon uses the same action but with one barrel attached to the front of a pepper-box cylinder. James Ewell Brown “Jeb” Stuart (1833-1864) was a U.S. Army officer and later a Major General and cavalry commander for the Confederate States of America during the Civil War (1861-65). In 1857 he was shot in the chest at point blank range with a pepper-box by a Cheyenne warrior, Stuart survived probably due rumour has it, to a very weak powder charge. Guns of this type also saw use in the Mexican War as an alternative to the Colt revolver, most notably by General Winfield Scott. During the Mexican-American War (April 25, 1846 – February 3, 1848) U.S. forces under General Winfield Scott entered Mexico City and raise the American flag over the Hall of Montezuma, concluding a devastating advance that began with an amphibious landing at Vera Cruz six months earlier.

A most fine example of an English percussion transitional revolver in its original case retaining much of its original finish.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 25205

A Very Good 5 Shot Revolver of The United States Civil War, By E.Whitney of New Haven Connecticut

A scarce American Civil War era 5 shot Percussion revolver made by E. Whitney. Circa 1860. The 6 inch barrel marked on top E. WHITNEY N. HAVEN. Two piece walnut grips and brass trigger guard. With nice overall aged patination, serial numbered under the grip 26941. Good tight spring action and rotation of the cylinder.

Eli Whitney Sr. established his Whitneyville Armory in 1798 and produced firearms (among other things) by contract for the United states government. Just prior to this in 1793, Whitney invented the mechanical cotton gin, which dramatically changed the economic landscape in the United States, namely in the South. His labour saving device made the processing of harvested cotton extremely efficient and requiring fewer labourer's. This machine caused the market for cotton to explode and more labourer's were needed to plant, grow and harvest the crop. This resulted in a corresponding boom in the Southern slave trade. Great fortunes were created, and the population of the South became such that one in three Southerners were slaves. All this provided the fuel that would become the American Civil War. Eli Whitney died in 1825, and his son, Eli Whitney Jr began running the family business in 1841. In 1847 Whitney Jr. began to manufacture 1,000 of Samuel Colt’s latest revolver the Colt Walker revolver. Production of this revolver helped both parties immensely as it kept Colt in business and it allowed Whitney Jr. to gain experience making revolvers. With the expiration of Colt’s patents in 1857, Whitney began production of percussion revolvers based on Colt’s patents, some of them very closely copied. The Whitney Revolver were produced at the Whitneyville Armory manufacturing centre in the Whitneyville section of New Haven, Connecticut from the late 1850's through to the early 1860's. Many of these were purchased by individual soldiers for use when they were going off to the American Civil War.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Overall length 11 inches. In good overall condition, showing commensurate signs of use and wear. A super Civil War era percussion revolver.  read more

Code: 25256