Antique Arms & Militaria

Ancient Roman Gladiator's Aes Corinthiacum Bronze Ring, Of A Colosseum Barbary Lion Late Old Republic Era To Early Empire Period. Over 2000 Years Old. Made & Used From the Reigns of Julius Caeser to Emperor Trajan

Over 2000 years old. Unusually it is a good wearable size. UK size R

*Corinthian bronze, also named Corinthian brass or aes Corinthiacum, was a metal alloy in classical antiquity. It is thought to be an alloy of copper with gold or silver (or both), although it has also been contended that it was simply a very high grade of bronze, or a kind of bronze that was manufactured in Corinth.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring. Gladiators rings would be intaglio engraved depicting the exotic and fearsome beasts they fought, such as Lions, Tigers, Bears, Rhinocerous or even Sharks in giant water tanks complete with ships, or, armoured gladiators in combat. Could one imagine simply the logistics of transporting live sharks from the sea into the middle of Rome, it is simply astounding.

Julius Caesar (though he was never officially an emperor, he held the title of dictator perpetuo and is often considered the precursor to the imperial system)
The Julian Dynasty
Augustus (also known as Octavian, he was the first official emperor, reigning from 27 BC to AD 14)
Tiberius (reigned from AD 14 to 37)
Caligula (reigned from AD 37 to 41)
Claudius (reigned from AD 41 to 54)
Nero (reigned from AD 54 to 68)
The year of the 4 emperors, preceded by reign dates.
June 68 - Jan 69: Galba
Jan 69 - Apr 69: Otho
Apr 69 - Dec 69: Vitellius

The Flavian Dynasty
69 - 79: Vespasian
79 - 81: Titus
81 - 96: Domitian

The Nerva-Antonine Dynasty
96 - 98: Nerva
98 - 117 a.d.: Trajan

The Gladiators from Caeser to Trajan
In 65 BC, newly elected curule aedile Julius Caesar held games that he justified as munus to his father, who had been dead for 20 years. Despite an already enormous personal debt, he used 320 gladiator pairs in silvered armour. He had more available in Capua but the senate, mindful of the recent Spartacus revolt and fearful of Caesar's burgeoning private armies and rising popularity, imposed a limit of 320 pairs as the maximum number of gladiators any citizen could keep in Rome. Caesar's showmanship was unprecedented in scale and expense; he had staged a munus as memorial rather than funeral rite, eroding any practical or meaningful distinction between munus and ludi.

Gladiatorial games, usually linked with beast shows, spread throughout the republic and beyond. Anti-corruption laws of 65 and 63 BC attempted but failed to curb the political usefulness of the games to their sponsors. Following Caesar's assassination and the Roman Civil War, Augustus assumed imperial authority over the games, including munera, and formalised their provision as a civic and religious duty. His revision of sumptuary law capped private and public expenditure on munera, claiming to save the Roman elite from the bankruptcies they would otherwise suffer, and restricting gladiator munera to the festivals of Saturnalia and Quinquatria. Henceforth, an imperial praetor's official munus was allowed a maximum of 120 gladiators at a ceiling cost of 25,000 denarii; an imperial ludi might cost no less than 180,000 denarii. Throughout the empire, the greatest and most celebrated games would now be identified with the state-sponsored imperial cult, which furthered public recognition, respect and approval for the emperor's divine numen, his laws, and his agents. Between 108 and 109 AD, Trajan celebrated his Dacian victories using a reported 10,000 gladiators and 11,000 animals over 123 days.

*Pliny the Elder distinguished it into three kinds, depending on the metal that is added to the copper base: in the first, gold is added (luteum); in the second, silver (candidum); in the third, gold, silver, and copper are equally blended. Plutarch and Cicero both comment that Corinthian bronze, unlike many other copper alloys, is resistant to tarnishing, and the ring certainly appears to have resisted tarnishing at the bottom two thirds of the intaglio seal engraving.  read more

Code: 25491

A Fabulous & Most Rare British Griffiths ‘Jacob’s Type’ Double Barrel Rifle Carbine, From The Honourable East India Company Era, Into The Dawn of The British Raj. Bespoke Commissioned From Griffiths Circa 1848

The gun is the very inspiration for the famous Military Jacob's Rifle, used by the Scinde Irregular Force, Jacob’s Rifles, in the early 1850's, and this was commissioned for an officer of the regiment.

Apparently experimental versions of the rifle were manufactured for Jacob by George H. Daw, and we are told, Griffiths, who (among others) later advertised these sporting models of the piece. A writer of the period described shooting a gun made on this pattern:
“The recoil is by no means pleasant. Jacob recommended a powder charge of some 2 drams 68 grains of gunpowder! This rifle does not seem to have any advantages at sporting ranges; but for military purposes it has been strongly recommended. Especially in reference to the explosive shells which are used with it.the shells require a short stout barrel, and cannot be used with a long thin one, like the Enfield still, Enfield-style rifles were actually manufactured with Jacob rifling, and seemed relatively popular. For killing large animals, like the elephant or rhinoceros, they are particularly qualified; and I should strongly recommend elephant hunters to examine the merits of this rifle. This rifle was made to accompany the howdah pistol as the big game hunting rifle to be equally at home on foot, on horseback or while standing in a howdah on one's elephant. But also for perfect use in Indian irregular cavalry by gentlemen officers. The brass mounts are superbly engraved throughout, including a Bengal tiger and lion below mount Kilimanjaro, and profuse, highly accomplished decorative scrolling.

This is a finest gentleman's hand made double rifle, circa 1848, made by Griffiths of England, it is also bearing Queen Victoria's crown mark to both locks, which would further indicate government military service. By comparing the Jacob's Rifle by photograph, to this fine rifle alongside each other, one can easily see where the inspiration came from. This gun also bears influences from the design of the earlier British military Baker and contemporary Brunswick rifles, with a near identical patchbox arrangement to Jacobs rifles but rectangular.

The Jacob's rifle was designed by General Jacobs of the Honourable East India Co. who was so admired and respected by all who knew him, for his intelligence and skill of command, he had a city named after him, in modern day Pakistan, called Jacobabad. He had spent 25 years improving rifled firearms, carrying on experiments unrivalled even by public bodies. A range of 200 yards sufficed in cantonments, but at Jacobabad he had to go into the desert to set up butts at a range of 2000 yards. He went for a four grooved rifle and had numerous experimental guns manufactured in London by the leading gunsmith George Daw and completely at his expense. Jacob, like Joseph Whitworth, was renowned not only as a soldier but as a mathematician, and his rifle was as unconventional as its designer. Rather than using a small .45 caliber bore Jacob stayed with more conventional .57-58 caliber (Bill Adams theorizes that this would allow use of standard service ammo in a pinch). In any case his rifle used four deep grooves and a conical bullet with corresponding lugs. Though unusual the Jacob?s rifle, precision made in London by master gunsmiths like George Daw, quickly gained a reputation for accuracy at extended ranges. They appealed in in particular to wealthy aristocratic scientists like Lord Kelvin, who swore by his. Jacob wanted to build a cannon on the same pattern, but died early at age 45.
A few Jacob’s were used during the American Civil War, and those were privately owned, usually by men able to afford the best. There is one account of one of Berdan’s men using one (the chaplain, Lorenzo Barber), who kept one barrel of his double rifle loaded with buckshot and the other with ball.

Jacob's Rifles was a regiment founded by Brigadier John Jacob CB in 1858. Better known as the commandant of the Sind Horse and Jacob's Horse, and the founder of Jacobabad, the regiment of rifles he founded soon gained an excellent reputation. It became after partition part of the Pakistani Army, whereas Jacob's Horse was assigned to the Indian Army. A number of his relatives and descendants served in the Regiment, notably Field Marshal Sir Claud Jacob, Lieutenant-Colonel John Jacob and Brigadier Arthur Legrand Jacob, Claud's brother. As commander of the Scinde Irregular Horse, Jacob had become increasingly frustrated with the inferior weapons issued to his Indian cavalrymen. Being a wealthy man, he spent many years and much money on developing the perfect weapon for his 'sowars'. He eventually produced the rifle that bears his name. It could be sighted to 2000 yards (1 830m), and fire explosive bullets designed to destroy artillery limbers. It also sported a 30 inch (76,2cm) bayonet based on the Scottish claymore.

Jacob was an opinionated man who chose to ignore changing trends in firearm development, and he adopted a pattern of rifling that was both obsolete and troublesome. Nevertheless, his influence was such that during the Mutiny he was permitted to arm a new regiment with his design of carbine. It was named Jacob's Rifles.

Orders for the manufacture of the carbine and bayonet were placed in Britain, and all was set for its demonstration when Jacob died. In the hope the East India Company would honour the order, production continued for a little over a year. This gun is overall in super condition with excellent action. A most rare and highly desirable gun indeed, a super gentleman and officer's example.

We show in the gallery a photo of a most similar Jacob's military rifle in it's case with accessories to compare the two side by side, this is for comparison information only.
As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20842

A Most Scarce Early 17th century Jamdhar Katari Dagger From the Mountains of Nepal And the Hindu Kush,

An most early and rare Nepalese dagger classified as the Jamdhar Katari. 17th century, and developed as a fighting weapon in the 17th century. With a thin slightly swollen double edged blade 23.5cms long, painted with red devotional designs (sandlewood oil) on one side, iron hilt with swollen grip and slightly down-turned pommel and guard. Tip lacking. GC
For reference see Egerton Nos. 344 and 345 for similar.

Another very similar Jamdha Katari is in The Met Collection Fifth Ave. New York, [Accession Number:36.25.820] Donated to The Met by the legendary George Cameron Stone [Author of the seminal work A Glossary of the Construction, Decoration and Use of Arms and Armor: in All Countries and in All Times, known as 'Stone's Glossary'] in 1935.

It was regarding another most similar example we had, about which Mark Hawkins engaged in a most interesting conversation with the now late US President Ronald Reagan [in the 1970's]. President Reagan displayed a knowledge of this particular weapon, in his conversation with Mark, that was surprisingly extensive and certainly impressive.  read more

Code: 22528

Superb Original US Civil War Cavalry Sabre By Roby, Chelmsford Mass. Dated 1864 Identical to General George Armstrong Custer's Cavalry Sabre, An 1864 Roby Contract Sword, Inspected by AGM For Custer's Wolverines. Possibly Made For The Michigan Brigade

Roby, of Chelmsford Massachusetts is a Civil war sword maker for which we have been seeking examples of his swords for decades, especially ones inspected by Alfred Munnings. He was a very fine and well recorded maker, and a contractor for some of the most historically interesting cavalry used by the Union in the Civil War. Especially so, the most famed of all, Custer's Wolverines. As we have dedicated our business's 'modus operandi' to seek and find the most interesting and significant pieces, this maker of sabres fits beautifully into that criteria, of our dedication to continually seek and discover new pieces to add to our unique selection of intriguing and historical artefacts. This is our latest stunning addition to that pedigree of Custer's swords from the Civil war.

The Model 1860 Light Cavalry Sabre. Traditional three bar brass hilt, cushion pommel and ribbed wooden grip. Made by the same maker in the same year and even inspected by the very same man A.G.Manning as Custer's and his Wolverine's sabres. Made by C.Roby of Chelmsford Mass. Civil War Union Government inspectors initials stamped at blade forte 'A.G.M'. One of the US Army sword inspectors, Alfred G. Munnings. This is the very same sword pattern, year, and maker, as was used by Col.George Armstrong Custer, that was also inspected by Alfred Munnings.

Custer's sword was late of the Charles A.Custer's family collection, and it's maker, date and inspector's initial stamp AGM are well documented. Custer is shown wearing his sabre in a photo in the gallery for information only not included with sword. This sabre was obviously made, and part of, the same Union cavalry contract as the swords supplied to Col. Custer, and 'Custer's Wolverines, the Michigan Brigade'. This sword is a Union contract purchased sword, with the sword's blade maker marked by C.Roby of Chelmsford, Mass. American government contract inspector stamped, AGM Alfred G. Manning, and dated 1864. The Michigan Brigade, sometimes called the Wolverines, the Michigan Cavalry Brigade or Custer's Brigade, was a brigade of cavalry in the volunteer Union Army during the latter half of the American Civil War. Composed primarily of the 1st Michigan Cavalry, 5th Michigan Cavalry, 6th Michigan Cavalry and 7th Michigan Cavalry, the Michigan Brigade fought in every major campaign of the Army of the Potomac from the Battle of Gettysburg in July 1863 to the Confederate surrender at Appomattox Court House in April 1865.

The brigade first gained fame during the Gettysburg Campaign under the command of youthful Brigadier General George Armstrong Custer. After the war, several men associated with the brigade joined the 7th U.S. Cavalry Regiment and later fought again under Custer in the Old West frontier.

In the first half of the war, the Confederates enjoyed the advantage in cavalry, as southern men were more accustomed to the riding and shooting life, and most of the experienced cavalry officers from the regular army had chosen to side with the Confederacy . A notable example was Bedford Forrest, who effectively dominated Tennessee & northern Mississippi until the end of the war.

By the second half, from 1863 onward, the Union Army had gained an equal cavalry capability, through Benjamin Grierson’s brilliant deception tactics in the Mississippi valley, and Philip Sheridan’s aggressive movements, while in command of the Army of the Shenandoah at the end of the war in Virginia.

Cavalry units proved highly expensive to maintain, and unscrupulous agents would often exploit shortages by supplying defective animals at exorbitant prices. Offensive actions were certainly not unknown, however, but they were more frequently employed against enemy cavalry than against infantry. Examples of offensive actions include the Battle of Brandy Station and the Battle of Yellow Tavern; cavalry versus cavalry examples include the First Battle of Bull Run and Elon J. Farnsworth's ill-fated charge on the third day of the Battle of Gettysburg.

Reconnaissance was the key to effective cavalry, as it remains today in modern armies (although modern cavalrymen use light armored vehicles or helicopters instead of horses). The cavalry serves as the "eyes" of the army. Reconnaissance was a crucial component in the Gettysburg Campaign, where cavalry under Union General Alfred Pleasonton attempted to find the wide-ranging Army of Northern Virginia on its invasion of the North, and Confederate cavalry under J.E.B. Stuart effectively employed counter-reconnaissance to screen passes in the Blue Ridge Mountains and hide Robert E. Lee's movements.

Long-distance raids were the most desirable mission for cavalrymen, primarily because of the fame that successful raids would bring, but they were often of little practical strategic value. Jeb Stuart became famous for two audacious raids on the Union Army of the Potomac in 1862; in his third such attempt, during the Gettysburg Campaign, he squandered much of the cavalry forces of the Army of Northern Virginia and deprived Robert E. Lee of adequate reconnaissance at the beginning of the Battle of Gettysburg, one of the principal reasons for the Confederate defeat there. Union attempts at strategic raids had mixed success. George Stoneman's raid in the Battle of Chancellorsville was a failure; Benjamin Grierson's raid in the Vicksburg Campaign was a strategic masterpiece that diverted critical Confederate forces away from Ulysses S. Grant's army; James H. Wilson's massive 1865 raid in Alabama foreshadowed the armored warfare maneuvers of World War II. In general, strategic raids were used more effectively in the Western Theater of the war.

Defensive actions by the cavalry were critical in the retreat from Gettysburg. Pursuit and harassment of enemy forces were often neglected (particularly by the Union after Gettysburg and Antietam), but can be seen in their finest form in the pursuit of Robert E. Lee during the Appomattox Campaign. This sword has just returned from days of hand conservation and hand polishing in our workshop.  read more

Code: 25490

An Original, Zulu War Period, Antique Zulu King's 'Prestige Sceptre', Apparently Zulu King Cetshwayo's Ubhejane Horn Sceptre Knopkerrie, Over 150 years Old, Circa 1860's to1870

A very special item indeed, showing amazing age patination, for those with serious interest in original and unique Zulu War artefacts.

The Anglo-Zulu War was fought in 1879 between the British Empire and the Zulu Kingdom. Following the passing of the British North America Act of 1867 forming a federation in Canada, Lord Carnarvon thought that a similar political effort, coupled with military campaigns, might succeed with the African Kingdoms, tribal areas and Boer republics in South Africa. In 1874, Sir Bartle Frere was sent to South Africa as High Commissioner for the British Empire to effect such plans. Among the obstacles were the armed independent states of the South African Republic and the Kingdom of Zululand.

Frere, on his own initiative, sent a provocative ultimatum on 11 December 1878 to the Zulu king Cetshwayo and upon its rejection sent Lord Chelmsford to invade Zululand.The war is notable for several particularly bloody battles see below, including an opening victory of the Zulu at the Battle of Isandlwana, followed by the defence of Rorke's Drift by a small British force from attack by a large Zulu force. The British eventually won the war, ending Zulu dominance of the region.

Battle of Isandlwana; the battle fought on 22nd January 1879, at which the Zulus wiped out a substantial British force, including the 1st Battalion, 24th Foot and rocked Victorian society.

Battle of Rorke’s Drift; the iconic defence of the mission station in Natal on 22nd January 1879, by a small force of British and colonial troops; winning a record number of Victoria Crosses and inspiring Victorian Britain.

Battle of Khambula; the defeat by Colonel Evelyn Wood of a Zulu army on 29th March 1879, in the opening stages of the Zulu War.

Battle of Gingindlovu; the battle fought on 2nd April 1879, where Lord Chelmsford defeated a Zulu army on his route to overwhelming the Zulu nation at Ulundi.

Battle of Ulundi: The final battle of the Zulu War, fought on 4th July 1879, where Lord Chelmsford’s troops destroyed the army of the Zulu King Cetshwayo.

This fabulous sceptre would have been made only for the use of the Zulu king during the 1860’s and 1870’s, and would have been both prestigious and also powerful; the strength of the animal from which it was taken gave it enormous potency and therefore only a King, a great medicine man, could own it.

Sceptres with heads of this size were outlawed in the Victorian era by the government who passed a law stating that the diameter of the head had to be of a size small enough to fit into the owner's mouth. This one won’t fit in most mouths

This Ubhejane horn prestige sceptre is believed to have come from a beast in the 1860’s from Kenya from a group of white ubejane, now extinct. Gifted to the previous current owner by a Zulu Prince in the 1960’s, probably the most significant piece from the Zulu War we have seen. Not suitable for export

Approx 23 inches long  read more

Code: 24574

Super 1850's 'Crimean War' Russian Military Officer's Campaign Trunk

A wooden and steel strap banded military officer's campaign trunk from the Crimean war. Painted in faded pale Russian blue-grey. From family history, it was been used by an officer of the 17th Lancers after he acquired it from various kit and officers campaign equipment captured from a Russian baggage train in 1854 around Balaklava. The British officer then used it for his gun case and military kit during his campaign in the crimean, and later by his sons. Campaign furniture is an umbrella term for the portable items of furniture used by the military in the eighteenth, nineteenth and early twentieth centuries. It is comprised of a huge number of objects, from chairs to chests, wardrobes to washstands and games tables to camp beds. A number of celebrated British furniture makers created pieces of campaign furniture, elevating it beyond its roots in functional, army-based design to desirable, collectible decor that continues to add a beautiful, innovative touch to homes today. The Crimean War started with Russia's invasion of the Turkish Danubian principalities of Moldavia and Wallachia (now Romania). Britain and France both wanted to prop up the ailing Ottoman Empire and resist Russian expansionism in the Near East.

Although Russia fought a largely successful war against the Turks in Armenia, and British and French fleets operated in the Baltic Sea, it was the events in the Crimea that had the biggest impact on Britain. In September 1854 the allies landed troops in Russian Crimea, on the north shore of the Black Sea, and began a yearlong siege of the Russian fortress of Sevastopol. Major engagements were fought at the Alma River on September 20, at Balaklava on October 25 (commemorated in ?The Charge of the Light Brigade? by English poet Alfred, Lord Tennyson), and at Inkerman on November 5. On January 26, 1855, Sardinia-Piedmont entered the war and sent 10,000 troops. Finally, on September 11, 1855, three days after a successful French assault on the Malakhov, a major strongpoint in the Russian defenses, the Russians blew up the forts, sank the ships, and evacuated Sevastopol. Secondary operations of the war were conducted in the Caucasus and in the Baltic Sea. The last picture shows the bottom rear strap loops for mounting the trunk on the rear of a horse drawn baggage coach. 13 inches deep x 21.5 inches wide x 11.5 inches high.  read more

Code: 22604

A Fine Cased Pair of 1840's Victorian Rear Admirals Epaulettes.

Overall in jolly good condition for age, in their original Japanned lacquer tin case. Made and used in the days of sail, aboard the great ships-of-the-line and the '100 gunners'. Admirals always served aboard the larger vessels in the fleet [also known now as capital ships] in the Royal Navy, His vessal would be known as the admiral's 'flag ship' and flying his personal rank flag. Rear admiral is a naval commissioned officer rank above that of a commodore (U.S. equivalent of rear admiral lower half) and captain, and below that of a vice admiral. It is generally regarded as the lowest of the "admiral" ranks, which are also sometimes referred to as "flag officers" or "flag ranks".
It originated from the days of naval sailing squadrons and can trace its origins to the Royal Navy. Almost all of the modern traditions of the world's navies can trace there traditional origins back to the British Royal Navy. Each naval squadron would be assigned an admiral as its head, who would command from the centre vessel and direct the activities of the squadron. The admiral would in turn be assisted by a vice admiral, who commanded the lead ships which would bear the brunt of a naval battle. In the rear of the naval squadron, a third admiral would command the remaining ships and, as this section of the squadron was considered to be in the least danger, unless from a surprise attack from the rear. The admiral in command of the rear would typically be the most junior of the squadron admirals. This ranking has survived into the modern age, with the rank of rear admiral the most-junior of the admiralty ranks of many navies. Epaulette is a type of ornamental shoulder piece or decoration used as insignia of rank by armed forces and other organizations. In the French and other armies, epaulettes are also worn by all ranks of elite or ceremonial units when on parade. It may bear rank or other insignia, and should not be confused with a shoulder mark - also called an shoulder board, rank slide, or slip-on - a flat cloth sleeve worn on the shoulder strap of a uniform (although the two terms are often used interchangeably).

Epaulettes are fastened to the shoulder by a shoulder strap or passenten, a small strap parallel to the shoulder seam, and the button near the collar, or by laces on the underside of the epaulette passing through holes in the shoulder of the coat or by a metal slide arrangement. Colloquially, any shoulder straps with marks are also called epaulettes. The placement of the epaulette, its colour and the length and diameter of its bullion fringe are used to signify the wearer's rank. Although originally worn in the field, and they certainly were when these were made, epaulettes are now normally limited to dress or ceremonial military uniforms. A photo in the gallery of Nelson's shot-through epaulette from Trafalgar. He has two stars due to his superior Admirals rank.  read more

Code: 21806

A Most Scarce Victorian Antique Honourable Artillery Company Officer's Sword. In Field Service Scabbard

Typical gilt metal hilt with the HAC grenade. Etched blade, with surface wear. Regulation field service steel mounted leather scabbard.

The South African War: 1899-1902
Around 200 members of the Company fought in the South African War with various units. The majority of these members served with the artillery, infantry or mounted infantry sub-units of the City Imperial Volunteers (CIV) between January and October 1900. The CIV was formed under the auspices of the Lord Mayor of London. The HAC’s Colonel and Commanding Officer, the Earl of Denbigh and Desmond, was instrumental in raising and equipping the CIV Battery, which was officered and, for the most part, manned by members of the HAC. This was the first occasion that the Company’s membership saw active service overseas and six members died whilst serving during this war.

The HAC can trace its history as far back as 1296, but it received a Royal Charter from Henry VIII on 25 August 1537, when Letters Patent were received by the Overseers of the Fraternity or Guild of St George authorising them to establish a perpetual corporation for the defence of the realm to be known as the Fraternity or Guild of Artillery of Longbows, Crossbows and Handgonnes. This body was known by a variety of names until 1656, when it was first referred to as the Artillery Company. It was first referred to as the Honourable Artillery Company in 1685 and officially received the name from Queen Victoria in 1860.

The regiment has the rare distinction of having fought on the side of both Parliament and the Royalists during the English Civil War 1642 to 1649.

Pictures in the gallery of the HAC HQ, the HAC Armoury, and the HAC parade and cricket ground, all in the heart of the City of London  read more

Code: 25484

A Superb 1821/45 Victorian Infantry Officer’s Deluxe Grade Sword. Traditional Gothic Style VR Cypher Pierced Half Basket Hilt With Original Gilt. Exactly As Worn In The Zulu War.

Exactly the form of sword used by Lt Bromhead in the Zulu war, as was portrayed and carried in the film 'Zulu' by Sir Michael Caine. One may find it very difficult indeed to see another as fine and beautiful as this sword. With near mint, original mirror bright and counter frosting finish to the bespoke fully etched blade, bearing the cypher and crest of H.M. Queen Victoria with just a few discolouration marks. Original gilt to the Gothic pieced half basket hilt, field rank service combined combat-dress brass scabbard. Small fish-skin grip losses.

Traditional gilt hilt of Gothic form, pierced with Queen Victoria's cypher, a very fine deluxe etched finest bespoke made blade, and gilt brass scabbard, that denotes the owner's rank to be of Major, Colonel and above.

Photo in the gallery from the film "Zulu" and Michael Caine as Bromhead with his sword for information only not included.
The 1822/45 pattern of sword has a Gothic hilt and Queen Victoria's cypher within the pierced oval centre. This sabre would have seen service by an officer at the very cusp of England's Glory of Empire. A sabre fit to represent the age and used throughout the Zulu War and numerous other great and famous conflicts of the Victorian era. The 1822 pattern infantry with it's elegant pierced Gothic style hilt, and the graceful monogram of Queen Victoria make it one of the most attractive patterns of sword ever used by British Army officers, and it was a pattern that saw service for almost 80 years. The blade is by Henry Wilkinson, who developed in 1845 pattern blade. Many swords of British officers were continually used for many decades, until the 1890's in fact, as swords were quite often passed on from father to son, down the generations, in many military families. During the period of this sword's use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.

The stand at Rorke's Drift was immortalised in the 1964 movie Zulu, and Michael Caine is carrying this very same pattern of sword.

Overall in excellent condition for age. Small surface denting on the scabbard, inner fold down hilt mount absent. Very nice and snug fit to the scabbard with all its original wood liner  read more

Code: 25485

A Most Rare Early19th Century, Georgian to William IVth Irish, Crum Castle Infantryman's Large Shako Helmet Plate

This is a super, and incredibly desirable large Bell-Top Shako helmet plate, from one of the small Irish Militia of the early 19th century. Their motto was 'Rebels Lie Down'. Surviving artefacts of this militia are so scarce that we know of only one other surviving piece of early uniform militaria, a shoulder belt plate, regimentally named and also bearing their motto.
Early 19th century Irish Militia helmet plates are incredibly rare, highly prized and very collectable indeed.

Crum Castle was the alternative old spelling of Crom Castle, County Fermanagh. Although the Yeomanry’s official existence ended in 1834, the last rusty muskets were not removed from their dusty stores till the early 1840s. With unintentional but obvious symbolism, they were escorted to the ordnance stores by members of the new constabulary. Although gone, the Yeomen were most certainly not forgotten. For one thing, they were seen as the most recent manifestation of a tradition of Protestant self-defence stretching back to plantation requirements of armed service from tenants then re-surfacing in different forms such as the Williamite county associations, the eighteenth-century Boyne Societies, anti-Jacobite associations of 1745 and the Volunteers. Such identification had been eagerly promoted. At the foundation of an Apprentice Boys’ club in 1813, Colonel Blacker, a Yeoman and Orangeman, amalgamated the siege tradition, the Yeomanry and 1798 in a song entitled The Crimson Banner:

Again when treason maddened round,
and rebel hordes were swarming,
were Derry’s sons the foremost found,
for King and Country arming.

Moreover, the idea of a yeomanry remained as a structural template for local, gentry-led self-defence, particularly in Ulster. When volunteering was revived in Britain in 1859, northern Irish MPs like Sharman Crawford tried unsuccessfully to use the Yeomanry precedent to get similar Irish legislation. Yeomanry-like associations were mooted in the second Home Rule crisis of 1893. The Ulster Volunteer Force of 1911-14—often led by the same families like Knox of Dungannon—defined their role like Yeomen, giving priority to local defence and exhibiting great reluctance to leave their own districts for training in brigades. Two loop mounts [one with old re-bedding] 6.25 inches high.  read more

Code: 23283