Antique Arms & Militaria

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A Fantastic and Phenomenally Powerful Two Handed Viking War Hammer Axe. Weighing Just Under Four Pounds. Wheeler {1927} A, Type I Circa 840 AD

A Fantastic and Phenomenally Powerful Two Handed Viking War Hammer Axe. Weighing Just Under Four Pounds. Wheeler {1927} A, Type I Circa 840 AD

This is a monstrously powerful axe of incredible heft. Used with the long haft somewhat akin to the axe of a Huscarl, the Danish Viking mercenaries that were famously the personal guard of King Harold at the battle of Hastings. Incredibly well preserved for its age, and remarkably still bears the remains of the wooden haft in the affixing aperture. Axes like this are categorized by the 1927 Wheeler classification system of Viking armaments, which groups pieces based off their shape, size, and intended use.


Introduced by King Cnute, The Huscarls were the Royal Bodyguard and the elite fighters in the English field armies of the time. Highly trained, highly paid and highly motivated, they were the best and most highly feared troops in Europe, armed with long two handed axes, often in the later Viking age, with a broader cutting edge, but the earlier Viking age they had narrower cutting edges, as has this one, and it is said especially good for smashing helmets and piercing or crushing chain mail armour. In the early Viking Age, the cutting edge of big axes measured 7cms, {as is this one} to 15 centimetres, while later Viking and Danish axes became wider. The later Danish Huscarl axe had a crescent-shaped cutting surface that measured 22 to 45 cms.
Royal huscarls are thought to have numbered three thousand - a great number of men to pay in those days. A special tax of one silver mark per ten hides was levied to pay the huscarls. Further to their pay in coin (deemed to have been monthly) they were housed and fed initially from the king's coffers. Whether the king armed them as well is not known for certain. Gifts of weapons and equipment would have been made periodically to maintain their loyalty, in the manner of Scandinavian kings being 'ring-givers' in the early days of the Vikings. They would have had to have means of their own, as a king might easily dismiss them from his service for 'conduct unbecoming', to pay for their own armament and at least one horse to take him to fight (although in common with most other warriors of the northern world they fought on foot in time-honoured fashion). A huscarl's equipment amounted to mail-shirt (later mail-coat similar to the Normans' hauberk), one or more helmets, shields, spears and 'Dane-axe', the very effective long-shafted, two-handled fighting axe.

Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.

The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.

Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.

Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.

Weighing just under 4 pounds, 9 inches {23 cms} x 2.5 inches {7cms}  read more

Code: 25471

1595.00 GBP

An Incredible & Substantially Formidable, Around 1,100 Year Old Viking War-Hammer-Axe. An Impressive, Beautiful, and Most Powerful War Axe and Hammer, Combined.

An Incredible & Substantially Formidable, Around 1,100 Year Old Viking War-Hammer-Axe. An Impressive, Beautiful, and Most Powerful War Axe and Hammer, Combined.

In superb condition for it's age, and stunningly conserved. The front has a fine blade, with the reverse made into a flat, helmet smashing hammer. For combat, as a middle-heavyweight axe, it could have been mounted with a single or double handed haft. In a discussion on axes from the medeavil age we had together with Howard Blackmore {deputy curator at the Tower}, and Dennis Ottrey {our former gun and armour smith of over 40 years} the service of the war axe in hand to hand combat was critical in all the major battles for over a millennia. The lighter wide bladed axe, perfect for deep slicing and cutting, the heavy axe, for smashing and crushing, but often the most formidable, like the hand and a half sword in the world of long edged weapons, aka the bastard sword, the middle weight axe was the most functional. At home set in either a single handed short or two handed long haft, it was almost ideal for all purposes, and like the ‘bastard’ sword, it was perfect {in the right hands} for all fighting conditions. The hand-and-a-half sword was known as the ‘bastard’ sword because in trained hands it was far more powerful than the shorter, knightly cruciform sword, and much faster than the considerably longer zweihander {two handed} sword. Thus the middle-heavyweight axe could well have been classified as the ‘bastard’ axe. Although in hand-to-hand combat the only ideal defence against the war axe was the shield {or, possibly, superior agility} not another axe, unlike sword-to-sword combat, where the best defence against the sword, was another sword.

Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time. These arms were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear, axe, with shield and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.

The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe swords were more expensive to make and only wealthy warriors could afford them. The prevalence of axes in archaeological sites can likely be attributed to its role as not just a weapon, but also a common tool. This is supported by the large number of grave sites of female Scandinavians containing axes. Several types of larger axes specialized for use in battle evolved, with larger heads and longer shafts.

Vikings most commonly carried sturdy axes that could be thrown or swung with head-splitting force. The Mammen Axe is a famous example of such battle-axes, ideally suited for throwing and melee combat.
An axe head was mostly wrought iron, possibly with a steel cutting edge. This made the weapon less expensive than a sword, and was a standard item produced by blacksmiths, historically.

Like most other Scandinavian weaponry, axes were often given names. According to Snorri Sturluson's Prose Edda, axes were often named after she-trolls. A bearded 10th century Viking battle axe that could double as a throwing axe from the time of the last Viking, English King, Eric Bloodaxe, King of Northumbria. Probably the eldest son of King Harald Finehair The first King of all Norway. Eric's name probably derives from the legend that he murdered most of his 20 brothers, excepting Hakon. This was an unfortunate error as, upon Haralds death, Hakon returned to Norway from Britain to claim Harald's throne, and removed Eric from his Kingship. His elder brother Eric then fled Norway to Britain and to King Athelstan, an old friend of his father's, whereupon he took the Kingdom of Northumbria in around 947 a.d. While the sagas call him 'Bloodaxe', one of the Latin texts calls him fratris interfector (brother-killer), but, for whatever reason his name was derived, it was certainly a fine example of the descriptive titles the Viking warriors had, and that we are told of in the Viking sagas.


Weighing just under 2.5 pounds, 6.75 inches x 2.75 inches  read more

Code: 25472

1295.00 GBP

A Superb & Stunningly Beautiful Ancient Roman, Solid Silver, Serpent Head Armilla. Likely of a Centurion, Equites or Patrician. Around 1900 to 1800 Years Old. Worn From The Period of Emperors Trajan, Hadrian, Marcus Aurelius, Lucius Verus, & Commodus

A Superb & Stunningly Beautiful Ancient Roman, Solid Silver, Serpent Head Armilla. Likely of a Centurion, Equites or Patrician. Around 1900 to 1800 Years Old. Worn From The Period of Emperors Trajan, Hadrian, Marcus Aurelius, Lucius Verus, & Commodus

An amazing survivor from the time of some of the most famous and renowned of all the ancient Roman Emperors;
Trajan (98–117 CE)
Hadrian (117–138 CE)
Antoninus Pius (138–161 CE)
Marcus Aurelius (161–180 CE)
Lucius Verus (161–169 CE)
Commodus (177–192 CE)
Publius Helvius Pertinax (January–March 193 CE)
Marcus Didius Severus Julianus (March–June 193 CE)
Septimius Severus (193–211 CE)

Being of silver it was the prerogative and use of only the higher ranking Roman as a sign of status. Silver and gold were limited for the use and adornment of only the superior status grade of ancient Roman, be they military or civilian. Made and used by a mid to high ranking military citizen such as centurion or equites, or of the governing citizen class known as patricians.

Patricians were considered the upper class in early Roman society. They controlled the best land and made up the majority of the Roman senate. It was rare—if not impossible—for a plebeian to be a senator until 444 BC. In appearance, they were chiefly distinguished from the plebs by their dyed and ornamented shoes (calceus patricius). A common type of social relation in ancient Rome was the clientela system that involved a patron and client(s) that performed services for one another and who were engaged in strong business-like relationships. Patricians were most often the patrons, and they would often have multiple plebeian clients. Patrons provided many services to their clients in exchange for a promise of support if the patron went to war. This patronage system was one of the class relations that most tightly bound Roman society together, while also protecting patrician social privileges. Clientela continued into the late Roman society, spanning almost the entirety of the existence of ancient Rome. Patricians also exclusively controlled the office of the censor, which controlled the census, appointed senators, and oversaw other aspects of social and political life. Through the censors, patricians were able to maintain their status over the plebeians.

Through the military ranks centurions were divided into grades. First Spear (primus pilus): The primus pilus was the commanding centurion of the first century of the first cohort and the most senior centurion of a legion. The primus pilus could be promoted to praefectus castrorum. On retirement, he would most likely gain entry into the equestrian class.primi ordines: They were the five centurions of the first cohort and included the primus pilus. They outranked all centurions from other cohorts. pilus prior: A centurion in command of the first century of a cohort, making him the senior centurion of the cohort. During a battle, the pilus prior was in command of his cohort. They would have been veteran centurions, who had been promoted through the cohorts.
Pilus posterior: The second centurion in a cohort.

Princeps prior: The third centurion in a cohort.

Princeps posterior: The fourth centurion in a cohort.

Hastatus prior: The fifth centurion in a cohort.

Hastatus posterior: The sixth centurion in a cohort.

Jewellery in the Roman Republic
The core ideologies of the Roman Republic, centred around moderation and restraint, meant that elaborate jewellery was relatively unpopular until the transformation to imperial rule. The law of the Twelve Tables in the 5th century BC, limited the amount of gold which might have been buried with the dead. The Lex Oppia, 3rd century BC, fixed at half of an ounce the amount of gold which a Roman lady might have worn. During the Roman Empire, however, jewellery became a public display of wealth and power for the elite.
Rings of the higher ranks were often embellished with intaglios, cameos and precious gemstones. Mythology and Roman history were used as a repertoire of decorative themes. Roman rings featuring carved gemstones, such as carnelian, garnet or chalcedony, were often engraved with the depiction of deities, allegories and zoomorphic creatures. Snake-inspired jewels held many amuletic connotations. In particular, snakes were associated with the healing snake of Asclepius, the Roman god of medicine and science.

54mm wide, approx 13 grms

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25473

1395.00 GBP

An Original Medieval Caltrop 13th-15th Century, Recovered From the Battle Sites of Crecy, Poitiers, and Agincourt. Known to The Ancient Romans As A Tribulus. One of The Oldest Forms of Incredibly Effective Combined Offensive & Defensive Strategies of War

An Original Medieval Caltrop 13th-15th Century, Recovered From the Battle Sites of Crecy, Poitiers, and Agincourt. Known to The Ancient Romans As A Tribulus. One of The Oldest Forms of Incredibly Effective Combined Offensive & Defensive Strategies of War

Part of an incredible collection of Roman, Viking, and Medieval antiquities we have just acquired, including these amazingly interesting pieces, a few, original, battlefield recovered caltrops from the Anglo French wars of the 14th and early 15th centuries, all acquired from a ‘Grand Tour’ of 1820, either from the close regions surrounding the battle sites of Agincourt, Poitier or Crecy. Some were listed specifically as from Agincourt, others as from either the Poitiers or Crecy battle sites. However they were all constructed the same by English blacksmith armourers, between 600 to 700 years ago. As well as historically incredibly interesting it is also an amazing, and especially a somewhat gruesome, conversation piece.

In many respects as equally important to the medieval former King’s armies at the time as the long bow and arrow. Yet they have almost disappeared from the history books as to their incredible significance and highly useful service in all of those battles. For example, by just 50 men casting thousands of these caltrops, across, say, a 25 acre field, it would effectively deny an entire French army the ability to out-flank the British across that particular terrain. Thus, with that ingenious ability, a king could manipulate to a great degree, and with relative ease, an entire defensive or offensive position for an oncoming battle, or even hopefully negate a surprise attack from a particular direction. And to caste them behind the ranks of a retreating army would create a huge advantage potentially for survival against an attack from behind. There is no greater advantage to the discouragement of an enemy French foot soldier to know that he, and up to fifty percent of his pursuing force comrades, might well be crippled for life before even engaging with the enemy English in hand to hand combat. Upon being caste on hard and barren flat ground, in daylight, they would be easy to spot and thus, with relative caution, avoid, but upon grassy ground, or woodland, especially when the ground was wet, they would be near impossible to see.

The caltrop is an ancient anti-personnel weapon made up of forged and very heavy grade sharp nails or spines arranged in a pyramidical manner so that one of them always points upward from a triple spine stable base. In the wars with France they could be issued to English foot soldiers to caste behind if they made a rapid withdrawal and were likely to be pursued. Used thus they would incapacitate, often permanently, an infantryman or foot knight, if trodden upon, and create the same result if trodden upon by a harsh man’s mount. They would also be forged in significant numbers in order to remove or deny an area of a battlefield or defences from the enemy’s access. The prominent spike being of such a height and strength, they would easy penetrate the thickest leather shoe sole, and especially a bare foot or hoof, as many medieval soldiers marched and fought barefooted.
Iron caltrops were used as early as 331 BC at Gaugamela according to Quintus Curtius (IV.13.36). They were known to the Romans as tribulus or sometimes as Murex ferreus, the latter meaning 'jagged iron'.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

Caltrops, known as tribulus to Romans, were recorded as used as such in the Battle of Carrhae in 51 BC.
The late Roman writer Vegetius, referring in his work De Re Militari to scythed chariots, wrote:

The armed chariots used in war by Antiochus and Mithridates at first terrified the Romans, but they afterwards made a jest of them. As a chariot of this sort does not always meet with plain and level ground, the least obstruction stops it. And if one of the horses be either killed or wounded, it falls into the enemy's hands. The Roman soldiers rendered them useless chiefly by the following contrivance: at the instant the engagement began, they strewed the field of battle with caltrops, and the horses that drew the chariots, running full speed on them, were infallibly destroyed. A caltrop is a device composed of four spikes or points arranged so that in whatever manner it is thrown on the ground, it rests on three and presents the fourth upright. Undoubtedly the most unusual weapon or military device surviving from seventeenth-century Virginia in America was a caltrop, a single example of which has been found at Jamestown. In fact their importance of use in close combat warfare was so important they were still in use by the British and US special services of the SOE & the OSS, as anti tyred vehicle sabotage devices, caste upon roads and lanes to incapacitate German trucks and staff cars.
Although by then, hand forging was fortunately redundant, as modern manufacturing methods could easily create pointed hollow steel tubed versions to ensure an immediate deflation of tyres.

The Battle of Agincourt;
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French.

Generic photos are used here in the photo gallery as they are all taken from of our small collection are extremely similar looking examples of rare, finely handcrafted, original, medieval hammer forged workmanship, recovered from ancient battle sites. Their three dimensional proportions shows they all, approximately, occupy same size {though not shape of course} as an English cricket ball. And they are all now superbly conserved for another millennium, for the enjoyment of future generations for fascinating historic interest.  read more

Code: 23981

195.00 GBP

A Beautiful Mid 19th Century Napoleon IIird French Naval Officer's Dirk. Poinyard D'Officier de Marines

A Beautiful Mid 19th Century Napoleon IIird French Naval Officer's Dirk. Poinyard D'Officier de Marines

Just arrived back from six full days expert artisan hand cleaning and conservation to remove antique applied surface preservative lacquer, and thus to reveal all its original polish beneath.

Although mid 19th century it very much has it's design roots in the Napoleonic Directoire and Ist Empire period. Brass double ovoid pommel with ribbed carved horn grip. Down scrolled quillons. Brass mounted leather scabbard

Carried by a French naval officer up to the Franco Prussian War and Sino-French War of the later 19th century.

The Franco-Prussian War

To relieve pressure from the expected German attack into Alsace-Lorraine, Napoleon III and the French high command planned a seaborne invasion of northern Germany as soon as war began. The French expected the invasion to divert German troops and to encourage Denmark to join in the war, with its 50,000-strong army and the Royal Danish Navy. It was discovered that PrussiaFlag of Prussia
The Kingdom of Prussia was a German kingdom that constituted the state of Prussia between 1701 and 1918. It was the driving force behind the unification of Germany in 1871 and was the leading state of the German Empire until its dissolution in 1918. Although it took its name from the region called Prussia, it was based in the Margraviate of Brandenburg. Its capital was Berlin.
They had recently built defences around the big North German ports, including coastal artillery batteries with Krupp heavy artillery, which with a range of 4,000 yards (3,700 m), had double the range of French naval guns. The French Navy lacked the heavy guns to engage the coastal defences and the topography of the Prussian coast made a seaborne invasion of northern Germany impossible.

The French Marines and naval infantry intended for the invasion of northern Germany were dispatched to reinforce the French Army of Châlons and fell into captivity at Sedan along with Napoleon III. A shortage of officers, following the capture of most of the professional French army at the Siege of Metz and at the Battle of Sedan, led naval officers to be sent from their ships to command hastily assembled reservists of the Garde Mobile. As the autumn storms of the North Sea forced the return of more of the French ships, the blockade of the north German ports diminished and in September 1870 the French navy abandoned the blockade for the winter. The rest of the navy retired to ports along the English Channel and remained in port for the rest of the war.

The Sino-French War
The Battle of Fuzhou, or Foochow, also known as the Battle of the Pagoda Anchorage (French: Combat naval de Fou-Tchéou, Chinese: 馬江海戰, 馬江之役 or 馬尾海戰, literally Battle of Mawei), was the opening engagement of the 16-month Sino-French War (December 1883 – April 1885). The battle was fought on 23 August 1884 off the Pagoda Anchorage in Mawei (馬尾) harbour, 15 kilometres (9.3 mi) to the southeast of the city of Fuzhou (Foochow). During the battle Admiral Amédée Courbet's Far East Squadron virtually destroyed the Fujian Fleet, one of China's four regional fleets.

Internationally, Napoleon III tried to emulate his uncle Napoleon Bonaparte, engaging in numerous imperial ventures around the world as well as several wars in Europe. He began his reign with French victories in Crimea and in Italy, gaining Savoy and Nice, and very briefly, Venetia (before in turn ceding to Italy). Using very harsh methods, he built up the French Empire in North Africa and in French Indochina. Napoleon III also launched an intervention in Mexico seeking to erect the Second Mexican Empire and bring it into the French orbit, but this ended in a fiasco. He mishandled the Prussian threat, and by the end of his reign, the French emperor found himself without allies in the face of overwhelming German forces. His rule was ended during the Franco-Prussian War, when he was captured by the Prussian army at Sedan in 1870 and dethroned by French republicans. He died in exile in 1873 in England.

In very nice condition overall with surface dings to the scabbard mounts and small indented marks on the horn grip.  read more

Code: 25470

465.00 GBP

A Very Fine French IInd Empire Napoleonic Naval Officer's Deluxe Sabre, With Near Mint Original Gilt Finish.  Used in the Crimean War, & Up To The Destruction of the Chinese Fleet in Foochow, During the Sino-French War.

A Very Fine French IInd Empire Napoleonic Naval Officer's Deluxe Sabre, With Near Mint Original Gilt Finish. Used in the Crimean War, & Up To The Destruction of the Chinese Fleet in Foochow, During the Sino-French War.

Just arrived back from ten full days expert artisan hand cleaning and conservation to remove antique applied surface preservative lacquer, and thus to reveal all its original fantastic mercurial gilt finish. Amazing, original early to mid 19th century antique sword for French naval officer, and now in exceptionally fine original condition. The sword displays a most elegant design, with finely preserved double fullered bright steel blade and its gilt brass hilt, bearing all its original gilding. The hilt is wonderfully decorated with highly detailed embossed motifs: the decoration is an intricate openwork design composed of climbing plants and the traditional French navy emblem, of an anchor, and rope-twist decorated knucklebow. The cross guard bears by a quillon shaped as a dolphin head. The black ribbed horn grip is partially covered by an embossed gilt back strap piece and trimmed by a gilt brass pommel. The blade bears the manufacturer's name, engraved by hand: Coulaux & Cie. Klingenthal. The black leather scabbard follows the design of the sword. It has a top mount with original gilt brass belt strap ring with an additional optional clam-shell frog button, and its original scabbard chape, the throat mount being adorned with the French navy anchors, both fore and aft. The ribbed leather has been repaired at the bottom near the chape.

The French navy had fifteen line-of-battle ships, and ten or twelve steamers used in the Crimean War.

The Battle of Fuzhou, or Foochow, also known as the Battle of the Pagoda Anchorage (French: Combat naval de Fou-Tchéou, Chinese: 馬江海戰, 馬江之役 or 馬尾海戰, literally Battle of Mawei), was the opening engagement of the 16-month Sino-French War (December 1883 – April 1885). The battle was fought on 23 August 1884 off the Pagoda Anchorage in Mawei (馬尾) harbour, 15 kilometres (9.3 mi) to the southeast of the city of Fuzhou (Foochow). During the battle Admiral Amédée Courbet's Far East Squadron virtually destroyed the Fujian Fleet, one of China's four regional fleets.

Internationally, Napoleon III tried to emulate his uncle Napoleon Bonaparte, engaging in numerous imperial ventures around the world as well as several wars in Europe. He began his reign with French victories in Crimea and in Italy, gaining Savoy and Nice, and very briefly, Venetia (before in turn ceding to Italy). Using very harsh methods, he built up the French Empire in North Africa and in French Indochina. Napoleon III also launched an intervention in Mexico seeking to erect the Second Mexican Empire and bring it into the French orbit, but this ended in a fiasco. He mishandled the Prussian threat, and by the end of his reign, the French emperor found himself without allies in the face of overwhelming German forces. His rule was ended during the Franco-Prussian War, when he was captured by the Prussian army at Sedan in 1870 and dethroned by French republicans. He died in exile in 1873 in England.

Only the scabbard chape with its clam-shell decor has the usual wear to the original sword gilding  read more

Code: 25469

695.00 GBP

A Fine, Original, Bronze Imperial Roman  Legionary's Military Armilla, As Awarded for Military Gallantry. Almost 2000 Years Old Donum Militarium. Worn From The Period of Emperors Trajan, Hadrian Marcus Aurelius, Lucius Verus & Commodus

A Fine, Original, Bronze Imperial Roman Legionary's Military Armilla, As Awarded for Military Gallantry. Almost 2000 Years Old Donum Militarium. Worn From The Period of Emperors Trajan, Hadrian Marcus Aurelius, Lucius Verus & Commodus

An armilla (plural armillae) was an armband awarded as a military decoration (donum militarium) to soldiers of ancient Rome for conspicuous gallantry. Legionary (citizen) soldiers and non-commissioned officers below the rank of centurion were eligible for this award, but non-citizen soldiers were not. Unlike legionaries, auxiliary common soldiers did not receive individual decorations, though auxiliary officers did. However, a whole auxiliary regiment could be honoured by a title as an equivalent award, which in this case would be armillata ("awarded bracelets"), or be granted Roman citizenship en masse as a reward. This entitled an auxiliary regiment to add the appellation civium Romanorum (Roman citizens) to its list of honours.

A very fine circa 100 AD. Imperial Roman Armilla, around 2000 years old in superb condition with natural verdigris patination. It is incised and punched in typical Roman military style. A fine bronze Armilla bracelet with rectangular section and tapering terminals with stylised Phalera type piercings repeated several times, and numerous, typical military engraved lined panels, with hammered dot decor, and open ended flattened pierced spatula terminals.

Armillae were either gold, silver or bronze. The status of the recipient appears to have determined whether he would be granted a gold armilla or the lesser silver. Bronze armillae were given as awards for distinguished conduct to soldiers of lesser rank, but were valued no less highly for the prestige they conferred upon their owners. Armillae were usually awarded in pairs and a soldier could win more than one pair. They were not for everyday wear, but generally only worn at military parades or on dress uniform occasions like a general's Triumph, though they could also be worn at certain civic events like religious ceremonies and the games.

Roman military honours were not awarded posthumously, but those won during a soldier's lifetime were often proudly shown on his sarcophagus or cenotaph. The armillae awarded to senior centurion Marcus Caelius of Legio XVIII, for example, are evident on his funerary monument, and three pairs of armillae can be seen on the memorial panel at Villa Vallelunga in Italy which depicts the awards granted to veteran C. Vibius Macer during his years of active service.4

Military armillae were modelled on those worn by the Celts. The tradition of using Celtic-style torcs and armillae as Roman military decorations had its beginnings in 361 BC when Titus Manlius Torquatus (consul 347 BC) slew a Gallic chieftain of impressive size in single combat. He then stripped the bloodstained torc from the corpse's neck and placed it around his own as a trophy.5 The Romans were initially daunted by the fearsome appearance of the Gauls, whose elite warriors were "richly adorned with gold necklaces and armbands".6 The torc was the Celtic symbol of authority and prestige. By his action, Torquatus in effect took the vanquished chieftain's power for his own, and created a potent, visible token of Roman domination. As such, over time the torc and also the armilla were adopted as official awards for valour, taking on the role of symbolic war trophies.

Armillae were made in a substantial masculine style and produced in a variety of designs: a solid, hinged cuff, sometimes inscribed with legionary emblems or decorated with incised patterns; an open-ended spiral; a chunky, rounded bracelet with open or overlapping ends; or a torc in miniature. Armillae which were open-ended or had overlapping ends often featured knobs or snake-heads as terminal

Armillae were a type of wrist adornments in ancient Rome. Depending on the design, they could be worn on the wrists, upper arms, or together with phalerae on the chests of centurions.

The earliest and first Ancient Roman Emperors were the Claudian emperors, that were;
Augustus, Gaius Julius Caesar Augustus (born Gaius Octavius; 23 September 63 BC – 19 August AD 14), was also known as Octavian, and was the founder of the Roman Empire. He reigned as the first Roman emperor from 27 BC until his death in AD 14. The reign of Augustus initiated an imperial cult, as well as an era of imperial peace (the Pax Romana or Pax Augusta) in which the Roman world was largely free of armed conflict. The Principate system of government was established during his reign and lasted until the Crisis of the Third Century.

Tiberius Julius Caesar Augustus 16 November 42 BC – 16 March AD 37, was Roman emperor from AD 14 until 37. He succeeded his stepfather Augustus, the first Roman emperor. Tiberius was born in Rome in 42 BC to Roman politician Tiberius Claudius Nero and his wife, Livia Drusilla. In 38 BC, Tiberius's mother divorced his father and married Augustus. Following the untimely deaths of Augustus's two grandsons and adopted heirs, Gaius and Lucius Caesar, Tiberius was designated Augustus's successor. Prior to this, Tiberius had proved himself an able diplomat, and one of the most successful Roman generals: his conquests of Pannonia, Dalmatia, Raetia, and (temporarily) parts of Germania laid the foundations for the empire's northern frontier.

Caligula, Gaius Caesar Augustus Germanicus was Roman emperor from AD 37 until his assassination in AD 41. He was the son of the Roman general Germanicus and Augustus' granddaughter Agrippina the Elder, members of the first ruling family of the Roman Empire. He was born two years before Tiberius was made emperor. Gaius accompanied his father, mother and siblings on campaign in Germania, at little more than four or five years old. He had been named after Gaius Julius Caesar, but his father's soldiers affectionately nicknamed him "Caligula" ('little boot')
Caligula's sister, Agrippina the Younger, wrote an autobiography that included a detailed account of Caligula's reign, but it too is lost. Agrippina was banished by Caligula for her connection to Marcus Lepidus, who conspired against him. Caligula also seized the inheritance of Agrippina's son, the future emperor Nero. Gaetulicus flattered Caligula in writings now lost. Suetonius wrote his biography of Caligula 80 years after his assassination, and Cassius Dio over 180 years after; the latter offers a loose chronology. Josephus gives a detailed account of Caligula's assassination and its aftermath, published around 93 AD, but it is thought to draw upon a "richly embroidered and historically imaginative" anonymous biography of Herod Agrippa, presented as a Jewish "national hero".286 Pliny the Elder's Natural History has a few brief references to Caligula, possibly based these on the accounts by his friend Suetonius, or an unnamed, shared source. Of the few surviving sources on Caligula, none paints Caligula in a favourable light. Little has survived on the first two years of his reign, and only limited details on later significant events, such as the annexation of Mauretania, Caligula's military actions in Britannia, and the basis of his feud with the Senate

Claudius, Tiberius Claudius Caesar Augustus Germanicus 1 August 10 BC – 13 October AD 54) was a Roman emperor, ruling from AD 41 to 54. A member of the Julio-Claudian dynasty, Claudius was born to Drusus and Antonia Minor at Lugdunum in Roman Gaul, where his father was stationed as a military legate. He was the first Roman emperor to be born outside Italy.

Nero Claudius Caesar Augustus Germanicus 15 December AD 37 – 9 June AD 68) was a Roman emperor and the final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68.
Nero was born at Antium in AD 37, the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger (great-granddaughter of the emperor Augustus). Nero was three when his father died.1 By the time Nero turned eleven,2 his mother married Emperor Claudius, who then adopted Nero as his heir. Upon Claudius' death in AD 54, Nero ascended to the throne with the backing of the Praetorian Guard and the Senate. In the early years of his reign, Nero was advised and guided by his mother Agrippina, his tutor Seneca the Younger, and his praetorian prefect Sextus Afranius Burrus, but sought to rule independently and rid himself of restraining influences. The power struggle between Nero and his mother reached its climax when he orchestrated her murder. Roman sources also implicate Nero in the deaths of both his wife Claudia Octavia – supposedly so he could marry Poppaea Sabina – and his stepbrother Britannicus.

Once the Claudian dynasty ended it was followed, most notably, by some of the most famous, historically, Roman emperors.
The era from whence this armilla was likely awarded and worn by a decorated legionary.

The Emperors;
Trajan (98–117 CE)
Hadrian (117–138 CE)
Antoninus Pius (138–161 CE)
Marcus Aurelius (161–180 CE)
Lucius Verus (161–169 CE)
Commodus (177–192 CE)
Publius Helvius Pertinax (January–March 193 CE)
Marcus Didius Severus Julianus (March–June 193 CE)
Septimius Severus (193–211 CE)

In very sound and excellent condition for its great age, but we cannot recommend any attempt to expand it fully open to fit a large wrist as it was once originally worn. 52mm, approx.17 grms  read more

Code: 25467

1295.00 GBP

A Beautiful Matched Pair of An Ancient Bronze Sword and Dagger With Pierced Bird Cage Pommels. From The Era of the Ancient Greco-Persian Wars

A Beautiful Matched Pair of An Ancient Bronze Sword and Dagger With Pierced Bird Cage Pommels. From The Era of the Ancient Greco-Persian Wars

It is incredibly rare to find two weapons that may likely have been made by the same sword-maker up to 3000 years ago, likely for the same warrior, and them to still be together today. Almost certainly excavated, two hundred years ago or more during the era of the Grand Tour, possibly from the same warrior's tomb or burial or an ancient battle site or sunken bireme. A bireme is an ancient oared warship (galley) with two superimposed rows of oars on each side. Biremes were long vessels built for military purposes and could achieve relatively high speed. They were invented well before the 6th century BC and were used by the Phoenicians, Assyrians, and Greeks. The bireme was also recorded in ancient history on the 8th and early 7th-century BC Assyrian reliefs, where they were used to carry out an amphibious attack on the coast of Elam and the lagoons of the Persian Gulf during the reign of Sennacherib. Over the centuries in the Persian Gulf the Aegean Sea and the Northern Mediterranean, ancient artifacts, pottery and the like have been drawn up by numerous fishermen’s nets, such as, for example our Minoan spears recovered by 18th century Cretan fishermen from the sea bed. See the picture in the gallery of a 500bc Greek bireme.

A picture in the gallery from a mosaic tile floor excavation in Medeina of an ancient Roman Villa, showing a bird in a cage, the inspiration of the shape and form for the pommels on these swords, that were likely made up to 1000 years before the villa was built by the Romans in the 2nd century.

Double edged graduating blades with central midrib. Hollow grips, the dagger with open panels for side plate inserts, the short sword with cylindrical grip. The short sword has a pair of rounded quillon crossguard with widened flattened ends.

The style of warfare between the Greek city-states, which dates back until at least 650 BC (as dated by the 'Chigi vase'), was based around the hoplite phalanx supported by missile troops. The 'hoplites' were foot soldiers usually drawn from the members of the middle-classes (in Athens called the zeugites), who could afford the equipment necessary to fight in this manner. The heavy armour (the hoplon) usually included a breastplate or a linothorax, greaves, a helmet, and a large round, concave shield (the aspis) .Hoplites were armed with long spears (the dory), which were significantly longer than Persian spears, and a sword (the xiphos). The heavy armour and longer spears made them superior in hand-to-hand combat and gave them significant protection against ranged attacks. Lightly armed skirmishers, the psiloi also comprised a part of Greek armies growing in importance during the conflict; at the Battle of Plataea, for instance, they may have formed over half the Greek army. Use of cavalry in Greek armies is not reported in the battles of the Greco-Persian Wars.



The battle of Marathon
The Persian fleet headed south down the coast of Attica, landing at the bay of Marathon, roughly 40 kilometres (25 mi) from Athens. Under the guidance of Miltiades, the general with the greatest experience of fighting the Persians, the Athenian army marched to block the two exits from the plain of Marathon. Stalemate ensued for five days, before the Persians decided to continue onward to Athens, and began to load their troops back onto the ships. After the Persians had loaded their cavalry (their strongest soldiers) on the ships, the 10,000 Athenian soldiers descended from the hills around the plain. The Greeks crushed the weaker Persian foot soldiers by routing the wings before turning towards the centre of the Persian line. The remnants of the Persian army fled to their ships and left the battle.89 Herodotus records that 6,400 Persian bodies were counted on the battlefield; the Athenians lost only 192 men.

As soon as the Persian survivors had put to sea, the Athenians marched as quickly as possible to Athens. They arrived in time to prevent Artaphernes from securing a landing in Athens. Seeing his opportunity lost, Artaphernes ended the year's campaign and returned to Asia.

The Battle of Marathon was a watershed in the Greco-Persian wars, showing the Greeks that the Persians could be beaten. It also highlighted the superiority of the more heavily armoured Greek hoplites, and showed their potential when used wisely  read more

Code: 24850

3450.00 GBP

Ancient Roman Gladiator Bronze Seal Ring, With Intaglio of Standing Gladiator With Shield and Flagellum. Early Imperial  Julio-Claudian Emperors Period From The 1st Century A.D. of Emperors Augustus, Tiberious, Caligula, Claudius & Nero

Ancient Roman Gladiator Bronze Seal Ring, With Intaglio of Standing Gladiator With Shield and Flagellum. Early Imperial Julio-Claudian Emperors Period From The 1st Century A.D. of Emperors Augustus, Tiberious, Caligula, Claudius & Nero

In copper bronze with great, natural age patination. Classified as Henig type Xb by Dr. Martin Henig.

By far the greatest percentage of rings from the Roman era were engraved in the stylised form, such as this fine example. Worn either by a higher ranking, possibly freed gladiator, or, possibly an owner of gladiators, as was portrayed by Oliver Reed in the movie 'Gladiator', depicting the world famous combat slaves of Rome.

The wearing of the ring was the prerogative alone of Roman citizens or those of high rank and esteem, that some gladiators always aspired to but rarely achieved due to their short life span within their violent craft. However some did achieve such great success and were rewarded with riches, freedom and the right to wear the traditional Roman bronze status ring.

Another picture in the gallery is of a well-preserved fresco, recently unearthed in Pompeii—the Roman city razed by Mount Vesuvius’ eruption in 79 A.D.—it depicts the final act of a gladiator fight: As one combatant begs for mercy, the victorious warrior awaits instructions on whether to kill or spare his opponent.

A gladiator was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalised, and segregated even in death. However, success in the arena could mean riches and fame beyond their wildest dream. For many this was the greatest escape from slavery there was.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD the time of Emperor Commodus. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladiatorial contests declined in the fifth century, leading to their disappearance.

Marcus Aurelius acceded to the throne alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalized Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. During his solo reign, the Roman Empire enjoyed reduced military conflict compared with the reign of Marcus Aurelius. Intrigues and conspiracies abounded, leading Commodus to revert to an increasingly dictatorial style of leadership, culminating in his creating a deific personality cult, with his performing as a gladiator in the Colosseum. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Not only did the ‘games’ centre on gladiators, they also included animals fighting other animals, such as bears fighting lions or lions vs horses. Since ancient times horses have been trained for combat, not just to be non-fearful in carrying its rider into the melee of hand to hand combat, but to kill any adversary, albeit a man or another animal.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25080

675.00 GBP

An Original, Rare, Silver Imperial Roman Centurion or Tribune's Military Ring of Victory, from the 2nd Century AD

An Original, Rare, Silver Imperial Roman Centurion or Tribune's Military Ring of Victory, from the 2nd Century AD

Engraved with the intaglio of Winged Victory, wearing her helmet and holding the laurel wreath of Victory. The rings surface shows combat service wear, yet has survived remarkably well considering it is near 2000 years old.
The laurel wreath was worn symbolically by the Imperial Roman Emperors. Military Roman bronze rings were allowed to be worn by the Legionary or Centurion, but silver grade was only for the ranks of such as the Centurion, Tribune or Legate.

Victoria, in Roman religion, personification of victory, the equivalent of the Greek goddess Nike. She was often associated with Jupiter, Mars, and other deities and was especially worshipped by the army. In later times she had three or four sanctuaries at Rome, including a temple on the Palatine Hill and an altar in the Senate House.

After the Marian reforms of 107 BC (subsequently further formalised by the emperor Claudius) created a professionalised military system, legions were commanded by a legionary legate (legatus). Six tribunes were still posted to a legion, but their duties and responsibilities had changed, becoming more a political position than a military rank. The second-in-command to the legate was the tribunus laticlavius or 'broad-stripe' tribune (named after the width of the stripe used to demarcate him on his tunic and toga),6 usually a young man of senatorial rank. He was given this position to learn and watch the actions of the legate. They often found themselves leading their unit in the absence of a legate, and some legions were permanently commanded by a broad-stripe tribune, such as those stationed in Egypt, as an Augustan law required that no member of the Senatorial Order ever enter Egypt.

A Centurion was a position in the Roman army during classical antiquity, nominally the commander of a century, a military unit originally consisting of 100 legionaries. The size of the century changed over time, and from the first century BC through most of the imperial era was reduced to 80 men.

In a Roman legion, centuries were grouped into cohorts and commanded by their senior-most centurion. The prestigious first cohort was led by the primus pilus, the most senior centurion in the legion and its fourth-in-command who was next in line for promotion to Praefectus Castrorum, and the primi ordines who were the centurions of the first cohort.

This fine ring was worn by higher ranked military officer's from the era of Emperor Marcus Aurelius, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus. the successor and son of Marcus Aurelias, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24629

945.00 GBP