Antique Arms & Militaria

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Congratulations To Nat Edwards, The New Master of the Armouries at the Tower of London & Director General

Congratulations To Nat Edwards, The New Master of the Armouries at the Tower of London & Director General

Royal Armouries newly appointed director general, Nat Edwards, joins the Royal Armouries from the renown Thackray Museum of Medicine in Leeds.

Nat Edwards was previously the chief executive officer of Thackray Museum of Medicine in Leeds where he has overseen a £4m refurbishment of the venue since joining in 2018. He has worked in the sector for more than 30 years, including roles at the Science Museum Group, National Library of Scotland, National Trust for Scotland and Glasgow Museums.

The Royal Armouries has sites in Leeds, HM Tower of London and Fort Nelson in Hampshire. It employs about 190 staff and receives about 2 million visitors a year across its three venues.
Courtesy of the Museums Association

We were most honoured to receive a personal invitation by Nat to his first formal patrons event at the Tower, including a personal tour of the Line of Kings.  read more

Code: 24508

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NEW YEAR GIFT VOUCHER

NEW YEAR GIFT VOUCHER

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books. They are available from us for all values, from only £15 upwards, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £50, and the image shows our £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.  read more

Code: 19501

50.00 GBP

Native American Plains Indian Stone War-Club Hunting-Maul, Wood Handle Raw Hide Bound

Native American Plains Indian Stone War-Club Hunting-Maul, Wood Handle Raw Hide Bound

Basalt stone head, held and bound with rawhide with tassles and a small tail of beadwork. Possibly, Lakota, Dakota, Nakoda style. Known as an iwatajinga, they can have conical pointed stone heads, right through to round stone heads. The term Nakota (or Nakoda or Nakona) is the endonym used by those native peoples of North America who usually go by the name of Assiniboine (or Hohe), in the United States, and of Stoney, in Canada.

They are Dakotan-speaking tribes that broke away from the main branches of the Sioux nation in earlier times. They moved farther from the original territory in the woodlands of what is now Minnesota into the northern and northwestern regions: Montana and North Dakota in the United States, and Manitoba, Saskatchewan, and Alberta in Canada. Later they became competitors for resources and enemies of their former language-family "allies". (In each of the dialects, nakota, dakota and lakota means "friend" or "ally".).
Probably late 19th early 20th century. 19 inches long, stone head 4.75 inches across.  read more

Code: 23688

645.00 GBP

A Wonderful 18th Century French Small-Sword of Parcel Gilt and Blued Steel

A Wonderful 18th Century French Small-Sword of Parcel Gilt and Blued Steel

A stunning museum grade sword, worthy of a finest collection of 18th century fine art and furnishings. Likely made at Versailles by a Royal swordsmith of King Louis XVIth, such as the master swordsmiths of the king, Lecourt, Liger or Guilman. A very finest grade sword of the form as was made for the king to present to favoured nobles and friends. He presented a similar sword to John Paul Jones [see painting in the gallery] now in the US Naval Academy Museum. Three near identical swords to this now reside in the Metropolitan A simply superb small-sword, with stunningly engraved chiselled steel hilt, overlaid with pure gold over a fish-roe background,, decorated with hand chiselled scenes in the rococo Italianate renaissance style depicting various hunting scenes, of hunting hounds and game birds. The multi wire spiral bound grip is finest silver, in with Turks head finials. The blade is in the typical trefoil form, ideal for the gentleman's art of duelling. The degree of craftsmanship of this spectacular sword is simply astounding, worthy of significant admiration, it reveals an incredible attention to detail and the skill of it's execution is second to none. Other similar swords are in also in the British Royal Collection and in Les Invalides in Paris. Trefoil bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example. For example of the workmanship in creating this sword for such as the King and Marie Antoinette we show the keys for the Louis XVI Secretary Desk (Circa 1783) made for Marie-Antoinette by Jean Henri Riesener, one of the worlds finest cabinetmakers, and whose works of furniture are the most valuable in the world. The steel and gold metalwork key for Marie Antoinette's desk, is attributed to Pierre Gouthi?re (1732?1813), the most famous Parisian bronzeworker of the late eighteenth century who became gilder to the king in 1767. This sword bears identical workmanship and style to that magnificent key. This is the quality of sword one might have expected find inscribed upon the blade 'Ex Dono Regis' [given by the King]. Very good condition overall, with natural aged patination throughout. This painting, entitled John Paul Jones and Louis XVI, by the American artist Jean Leon Gerome Ferris depicts John Paul Jones and Benjamin Franklin at the court of Louis XVIth and being presented a similar sword now in US Naval Academy Museum. 39.1/4 inches long overall.  read more

Code: 23138

5995.00 GBP

An Invitation From the Duke of Wellington To Lt Gen Bourchier of Waterloo For the Waterloo Banquet at Apsley House

An Invitation From the Duke of Wellington To Lt Gen Bourchier of Waterloo For the Waterloo Banquet at Apsley House

We now have for sale the portrait, after Salter, of Col. Charles Dance [then Capt.] of the 23rd Light Dragoons, who appears in the large Salter painting [see the painting in the gallery] of the Waterloo Banquet. The full portraits by Salter of the officers attending the banquet were painted prior to the banquet in order for Salter to render them accuratelywithin the great banquet portrait. As a young Captain/Major Lt General Bourchier served in the 11th Light Dragoons in the Peninsular War and with distinguished heroism at Waterloo. For his bravery he was awarded a gold medal and promoted by Wellington to Brevet Lt. Colonel and later became the Colonel of the 3rd Dragoon Guards. His son was awarded the Victoria Cross aged 23 for service in the Crimean War. This personal invitation from Wellington is to attend the special Waterloo anniversary dinner at Apsley House. We also had the 1796 pattern sabre [now sold] made for the IIth Light Dragoons. The 11th Light Dragoons [later became the 11th Hussars]. The 11th fought at both the Peninsular War and at the Battle of Waterloo, and were awarded almost 500 medals for Waterloo. After a spell in Ireland the 11th were sent to Spain and Portugal to reinforce Wellington's army. Their strength, normally around 300 in peacetime was raised to 725. They arrived in June 1811 and, as in Egypt, they had a bad start. A dawn attack by the French in woods between Elvas and the Guadiana forced the 11th to retire on to what they thought were friendly portugese lines. When they realised they were French, their commander Capt Lutyens ordered the charge. The shock tactic worked and they were able to drive their way through, but a second line of enemy troops was able to resist them. They lost 8 killed, 22 wounded and 77 taken prisoner.
The regiment had more success at El Bodon near Cuidad Rodrigo on 25th September. By this time they were commanded by Lt Col Cumming, a brave and efficient cavalry officer. A large force of French cavalry was threatening Allied infantry and artillery on the plain in front of the 11th and a squardon of the King's German Legion who were well placed on high ground. Although they were vastely outnumbered the 11th and KGL charged at the enemy again and again, 20 times in all.

The 11th were part of Wellington's great victory over Marmont at Salamanca on 22nd July 1812 but by 3rd April 1813 they had to give up their horses and embark for England much to the regret of Sir Stapleton Cotton who was in command of the cavalry in the Peninsula. It had been a hard two years for them having lost 417 men and 555 horses.

During their time in the Peninsula many changes had been made to the uniforms of the British Army. The Prince Regent had a keen eye for dress and with his newly acquired position of supreme power was determined to push through his ideas dased on continental military trends. The 11th exchanged it's light dragoon Tarleton helmet for a shako. The new jacket was still dark blue but had a buff plastron covering the chest, and white epaulettes, silver for officers. With the return of Napoleon in March 1815 the war with France resumed and the 11th arrived at Ostend on 2nd April. They were in Vandeleur's brigade with the 12th and 16th and had an unprecedented strength of 947 men. They came under heavy attack at Quatre Bras but did not suffer badly. On the 18th June 1815 the Battle of Waterloo began after a terrible night of torrential rain. It was a frustrating morning for the British cavalry who had to stand and watch an infantry battle. Against Wellington's wishes, the heavy cavalry made a brilliant charge that was spoiled by it's failure to re-form. The 11th under the command of Lt Col Money were sent into action when it looked as if the enemy were breaking up. They broke a French infantry square and carried on with the pursuit of Naploeon's fleeing soldiers.
Wellington entered Paris in triumph on 7th July escorted by the 11th and others. The regiment bivouacked on the Champs Elysees and became part of the army of occupation in France and Belgium. On 20th November they eventually arrived home after 3 years on the continent  read more

Code: 19367

950.00 GBP

An Antique Australian Aboriginal Boomerang With an Elaborate, Super Chip Carving and Decoration

An Antique Australian Aboriginal Boomerang With an Elaborate, Super Chip Carving and Decoration

Stone carved, with beautiful chip-carving and a good patinated surface. Over decorated snake and symbol design.

The Australian aboriginal peoples boomerang has probably been around for at least 40,000 years. It is an iconic symbol associated with Australia. What most people do not realize is that many antique aboriginal boomerang don’t actually come back. Only a few of the many forms of old boomerang return.
Antique aboriginal boomerangs come in a large variety of sizes, forms, and decoration. Different boomerangs had different functions. This variation reflects the social and cultural diversity of Aboriginal people. Aboriginals were not one group but had over 200 language groups.

As mentioned most old boomerangs were not made to return. The function of most boomerangs is to hit and kill whatever they are thrown at. Some boomerangs were for hunting but others were for fighting. Some huge antique boomerangs were up to 2 metres long and function like clubs. The majority of aboriginal returning boomerangs were for hunting birds

The Aboriginal boomerang has great aerodynamic properties. It is capable of going 200 metres compared to a throwing stick, which will only travel 60 metres.

Aboriginal Boomerangs could have engravings or be painted with ochre for ceremonial purposes. These designs are not decorative. Designs relate to the Dreamtime ancestors and totems. Collectors like boomerangs with designs and simple chip carved examples.
The Aboriginal boomerang is also used as a digging tool, for making fire and as a club.
Collectors like boomerangs that are old, unique, and rare or have elaborate designs.
60cm x 7.8cm  read more

Code: 17519

335.00 GBP

A Vintage Carved Aboriginal Shield With a Chip Carving Design of Kangaroo and Emu.

A Vintage Carved Aboriginal Shield With a Chip Carving Design of Kangaroo and Emu.

Very nice quality & stands as a piece of art as well as an Aboriginal implement.
It is a good size (22" long x 4" at the widest) & handcarved from a heavy solid grain timber, possibly West Australian Mulga It is in very nice condition
Best of all is the quality of the decoration, it has one kangaroo and two emu on the back (handle side) & a wonderful scene with three kangaroos & two emu on the front. Even the background has been carved with a fine textured look which must have taken some time, no doubt the artist really had talent & took pride in the quality of their work.

Australian Aboriginal shield come in many different forms depending on the tribe that made them and their function. Aboriginal shields come in 2 main types, Broad shields, and Parrying shields. Parrying shields parry blows from a club whereas broad shields block spears. Shields for parrying are thick strong and narrow whereas broad shields are wide but thin. Aboriginal shields were made from different materials in different areas, they were made from buttress root, mulga wood and bark.
This shield was probably also used as a ceremonial dance shield  read more

Code: 16780

225.00 GBP

A Most Powerful Rare Romano-Frankish Iron Socket Spear 1800 to 1500 Years Old

A Most Powerful Rare Romano-Frankish Iron Socket Spear 1800 to 1500 Years Old

Recovered many centuries ago from a Merovingian warrior's grave of the 6th century. Roman to Frankish period 2nd to 6th century AD. Diamond form blade which would have incredible penetrative power, strong enough to pierce the strongest armour or breastplate of the time. Romano-Germanic cultural contact begins as early as the first Roman accounts of the Germanic peoples. Roman influence is perceptible beyond the boundaries of the empire, in the Northern European Roman Iron Age of the first centuries AD. The nature of this cultural contact changes with the decline of the Roman Empire and the beginning Migration period in the wake of the crisis of the third century: the "barbarian" peoples of Germania Magna formerly known as mercenaries and traders now came as invaders and eventually as a new ruling elite, even in Italy itself, beginning with Odoacer's rise to the rank of Dux Italiae in 476 AD.

The cultural syncretism was most pronounced in Francia. In West Francia, the nucleus of what was to become France, the Frankish language was eventually extinct, but not without leaving significant traces in the emerging Romance language. In East Francia on the other hand, the nucleus of what was to become the kingdom of Germany and ultimately German-speaking Europe, the syncretism was less pronounced since only its southernmost portion had ever been part of the Roman Empire, as Germania Superior: all territories on the right hand side of the Rhine remain Germanic-speaking. Those parts of the Germanic sphere extends along the left of the Rhine, including the Swiss plateau, the Alsace, the Rhineland and Flanders, are the parts where Romano-Germanic cultural contact remains most evident.

Early Germanic law reflects the coexistence of Roman and Germanic cultures during the Migration period in applying separate laws to Roman and Germanic individuals, notably the Lex Romana Visigothorum (506), the Lex Romana Curiensis and the Lex Romana Burgundionum. The separate cultures amalgamated after Christianization, and by the Carolingian period the distinction of Roman vs. Germanic subjects had been replaced by the feudal system of the Three Estates of the Realm. 11.85 inches long 250 grams Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.  read more

Code: 21964

1995.00 GBP

An Original Ancient Medieval 13th Century, Knight's, Iron Battle Mace & Scorpion Flail MaceHead

An Original Ancient Medieval 13th Century, Knight's, Iron Battle Mace & Scorpion Flail MaceHead

A pineapple shaped iron head, with large centre mounting hole, for a leaded chain or a haft. The wooden haft as usual has rotted away, but could be replaced one day for display purposes. This is the type of War Mace that were also used as a Flail Mace, with the centre mount being filled with lead and a foot to a foot and a half long chain mounted within in, and then it was attached to a wooden haft, so it could be flailed around the head. Flattened pyramidical protuberances, most possibly English. Made for a mounted Knight to use as an Armour and Helmet Crusher in mortal combat. It would have been continually used up to the 15th to even 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon at the Battle of Crecy, for as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. It was his personal banner of the triple feathers that was adopted following this battle by the Prince of Wales as his standard, and still used by Prince William the current Prince of Wales today.  read more

Code: 22991

985.00 GBP

Napoleonic Wars 10 Bore 'Brown Bess' or Heavy Cavalry Pistol Scissor Mould

Napoleonic Wars 10 Bore 'Brown Bess' or Heavy Cavalry Pistol Scissor Mould

This is a most rare piece of Napoleonic Wars infantryman's and heavy dragoon trooper's combat kit, but curiously the second we have had this year which is very unusual. A mould to create bullets for the 10 bore 'Brown Bess' musket and the 10 bore 1796 full bore Heavy Dragoon pistol. A .75 inch mould that creates a .68 inch ball. These military 10 bore 'Brown Bess' ball moulds are now very rare indeed, and a great addition to a collector that owns an original 'Brown Bess' or the 1796 Heavy Dragoon pistol that would want their original Napoleonic Wars scissor ball mould. Slight pitting overall, some were made by William Davies but this one is not maker marked  read more

Code: 24470

435.00 GBP