Antique Arms & Militaria

A Long Bronze Age Tanged Spear From the Pre-History Era Of Achilles and Hector & The Legendary Tojan War

Another stunning spear from our ancient weapon collection acquired. Circa 1400 B.C. around 3,500 years old, with a fabulous natural aged patination and in a very sound and excellent condition for age indeed. This is a most handsome and beautiful ancient bronze tanged spear, Blade is double edged, with a flat central rib, and long tang. From one of the most fascinating eras in ancient world pre-history, the era of the so called Trojan Wars.
The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and it is reasonably believed today that Troy was located in modern day Turkey near the Dardanelles, and the Granicus river where Alexander engaged in his first battle against the Persians around 1000 years later in 334bc.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This spear comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throught the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are swords exactly. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords daggers and weapons from this era were made within the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, was the source of many bronzes, such as this piece, that have been dated from around 1500 BC and later, and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as regular weapons, personal ornaments, different types of cult objects, and a number of household vessels. It was a great trading centre for bronze age weaponry, and all manner of bronze trade goods, that were shipped and sold due to their popularity throughout the entire region from Persia to the Mediterranean and possibly beyond.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading 13.75 inches long. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 22001

A Gold Inlaid Indo Persian Armour Suite of Helmet, Shield & Arm Defence Kulah Khud, Dhal, and Bazu Band

Early 19th century. A simply stunning suite of armour comprising the traditional Kulah khud, dhal, and bazu band. The helmet has a hemi-spherical skull, pierced with four heart-shaped panels each fitted with an iron plate within a moulded frame, the skull fitted at its apex with a low spike, a pair of plume-holders at the front and with a staple for a sliding optional nasal guard, decorated over the greater part of its surface with gold koftgari flowers and foliage and mail neck-defence of butted links; the bazu band of a gutter-shaped form, fitted with hinged inner arm-defence, each decorated with gold and silver koftgari foliage, and chain mail covering for the hand of butted links, and with a padded lining; and the dhal [somewhat in the size of a buckler] of shallow convex form, the outer face applied with brass and gold and silver koftgari inlay foliage and flowers and decorated with silver koftgari foliage enriched with gold flowers: Koftgari is the Indian form of damascening which closely resembles the damascening found in Persia and Syria.

The inlay process begins after the piece is moulded and fully formed. The intended design is engraved into the base metal and fine gold or silver wire is then hammered into the grooves.

The base metal is always a hard metal, either steel, iron or bronze, and the inlay a soft metal, either gold or silver. This combination prevents the base from deforming when the wire inlay is hammered into the surface and results in the inlaid areas being well defined and of sharp appearance.

Swords, shield and armour were often decorated in koftgari work and domestic items such as boxes and betel containers, were also made.  read more

Code: 21499

Exceptional Original Finest Antique Museum Piece, An All Silver Mounted Flintlock Musket, 18th to Early 19th century of Royal Quality

A singularly spectacular ‘statement piece’ for any collection of rare and fine arms or antiques. From the Napoleonic Wars era and the Grande Armee's march on Moscow. Similar to finest examples in the Topkapi Museum in Istanbul and the Hermitage in Russia. A most similar gun was presented to President Thomas Jefferson by the Bey of Tunis. A simply superbly beautiful antique Long gun from the 18th to Early 19th century. A miquelet gun with a very high quality miquelet toe lock decorated with chiseled and fretted silver panels and inlaid foliate arabesques. The gun is richly inlaid with silver throughout and fitted with a bone butt plate, with matching silver barrel bands, and the original silver mounted ramrod. Figured hardwood three-quarter stock profusely inlaid over its full length with numerous silver plaques. A most similar gun was a gift of the Russian Romanov Tsar to Augustus II King of Poland and Elector of Saxony on his coronation in Krakow. That gun is published in the book Prunkwaffen: Waffen und Rustungen aus dem Historischen Museum Dresden by Johannes Schobel (Leipzig, 1973) p.249, pl. 178. Guns of this style were popular throughout the whole of Central, Eastern Europe, Russia, the Caucasus and The Ottoman Empire. However this is a much higher quality example than is more often seen, and certainly sets it well apart from the usual musket of it's type. The barrel has a monogrammed armourer's mark and date [A.G. 1814.] This may very likely indicate the barrel was imported from Europe. Signed lock, under the lock plate on the spring. 55.5 inches long overall. After the conquest of Istanbul by Mehmed the Conqueror at 1453, construction of the Topkapi Palace was started at the year 1460 and completed at 1478 .The Palace was built upon an Eastern Roman Acropolis located at the Istanbul Peninsula between Sea of Marmara, Bosphorus and the Golden Horn. Topkapi Palace, was the administrative, educational and art center of the Empire for nearly four hundred years since Mehmed the Conqueror until Sultan Abdulmecid who is the thirty-first Sultan. Although Palace was abandoned by the Ottoman Dynasty by moving to the Dolmabahce Palace at middle 19th century, the Topkapi Palace latterly became a world class museum containing some of the worlds finest antique arms and armour. The year of Catherine II’s acquisition of the Gotzkowsky collection is the Hermitage museum’s birth date. In 1764 Empress Catherine II acquired the collection formed by Johann Gotzkowski for King Frederick II of Prussia. A rich Berlin merchant and founder of silk and porcelain factories in Berlin, Johann Gotzkowski was one of Frederick's agents, in charge of the purchase of works of art for the royal collection. Frederick II (the Great), owner of a wonderful collection of contemporary French paintings, ordered Gotzkowski to purchase paintings by old masters. The merchant was a zealous agent and it took him only a few years to put together a large collection, but by this time Frederick had lost large sums of money in the Seven Years War and he refused to make the purchase.

The enterprising merchant was forced to look around for alternative buyers and he offered the collection to Russia. Catherine II was pleased to take the opportunity of hurting Frederick's self-esteem and of proving that the Russian State Treasury, despite losses which were no less than those of Prussia, could still afford to make such an expensive acquisition. From this purchase onwards the Hermitage has become one of the foremost museums in the world, alongside the British Museum, The Metropolitan, The Louvre and The Prado.
As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20889

A Very Good, Rare, 18th Century American Revolutionary & Colonial Period Musket

Long 47 inch two stage barrel, fine walnut stock with early down turned butt style. Stepped lock. Very crisp action. In the Metropolitan Museum in New York there are several extremely similar muskets used in the Revolutionary War just like it. See pages 116/117 Weapons of the American Revolution by Warren Moore, published in New York 1967 [see photo 10 in the gallery] . It is very similar to the early American Committee of Safety style Long Land Pattern musket. As the American Revolutionary War unfolded in North America, there were two principal campaign theaters within the thirteen states, and a smaller but strategically important one west of the Appalachian Mountains to the Mississippi River and north to the Great Lakes. The full-on military campaigning began in the states north of Maryland, and fighting was most frequent and severest there between 1775 and 1778. Patriots achieved several strategic victories in the South, the British lost their first army at Saratoga, and the French entered the war as an American ally.

In the expanded Northern theatre and wintering at Valley Forge, General Washington observed British operations coming out of New York at the 1778 Battle of Monmouth. He then closed off British initiatives by a series of raids that contained the British army in New York City. The same year, Spanish-supplied Virginia Colonel George Rogers Clark joined by Francophone settlers and their Indian allies conquered Western Quebec, the US Northwest Territory.

Starting in 1779, the British initiated a southern strategy to begin at Savannah, gather Loyalist support, and reoccupy Patriot-controlled territory north to Chesapeake Bay. Initially the British were successful, and the Americans lost an entire army at the Siege of Charleston, which caused a severe setback for Patriots in the region. But then British maneuvering north led to a combined American and French force cornering a second British army at Battle of Yorktown, and their surrender effectively ended the Revolutionary War. The American armies were small by European standards of the era, largely attributable to limitations such as lack of powder and other logistics. At the beginning of 1776, Washington commanded 20,000 men, with two-thirds enlisted in the Continental Army and the other third in the various state militias. About 250,000 men served as regulars or as militia for the Revolutionary cause over eight years during wartime, but there were never more than 90,000 men under arms at one time.

As a whole, American officers never equaled their opponents in tactics and maneuvers, and they lost most of the pitched battles. The great successes at Boston (1776), Saratoga (1777), and Yorktown (1781) were won from trapping the British far from base with a greater number of troops. Nevertheless, after 1778, Washington's army was transformed into a more disciplined and effective force, mostly by Baron von Steuben's training. Immediately after the Army emerged from Valley Forge, it proved its ability to match the British troops in action at the Battle of Monmouth, including a black Rhode Island regiment fending off a British bayonet attack then counter-charging for the first time in Washington's army. Here Washington came to realize that saving entire towns was not necessary, but preserving his army and keeping the revolutionary spirit alive was more important in the long run. Washington informed Henry Laurens "that the possession of our towns, while we have an army in the field, will avail them little."

Although Congress was responsible for the war effort and provided supplies to the troops, Washington took it upon himself to pressure the Congress and state legislatures to provide the essentials of war; there was never nearly enough. Congress evolved in its committee oversight and established the Board of War, which included members of the military. Because the Board of War was also a committee ensnared with its own internal procedures, Congress also created the post of Secretary of War, and appointed Major General Benjamin Lincoln in February 1781 to the position. Washington worked closely with Lincoln to coordinate civilian and military authorities and took charge of training and supplying the army. Most similar to the fusil de chasse/fusil du traite du plaine of 1740. Old forend repair. 63.25 inches long overall  read more

Code: 23439

A Superb Pleistocene Period Large Cave Bear Tooth. Roots and Jawbone Part, Around 200,000 years Old. A Prehistoric Species of Large Bear Wiped Out in the Last Ice Age

From the Austrian Dragon Cave, Drachenhohle - Mixnitz, in Austria, a prehistoric, extinct Cave Bear molar with roots and jawbone. The cave bear (Ursus spelaeus) was a species of bear that lived in Europe during the Pleistocene and became extinct about 24,000 years ago during the Last Glacial Maximum.

Both the name “cave” and the scientific name spelaeus are because fossils of this species were mostly found in caves, showing that cave bears may have spent more time in caves than the brown bear, which uses caves only for hibernation. Consequently, in the course of time, whole layers of bones, almost entire skeletons, were found in many caves.

Cave bear skeletons were first described in 1774 by Johann Friederich Esper in his book Newly Discovered Zoolites of Unknown Four Footed Animals. While scientists at the time considered that the skeletons could belong to apes, canids, felids, or even dragons or unicorns, Esper postulated that they actually belonged to polar bears. Twenty years later, Johann Christian Rosenmüller, an anatomist at the Leipzig University, gave the species its binomial name

Both the cave bear and the brown bear are thought to be descended from the Plio-Pleistocene Etruscan bear (Ursus etruscus) that lived about 5.3 million years past to 10,000 years ago. The last common ancestor of cave bears and brown bears lived between 1.2 and 1.4 Mya. The immediate precursor of the cave bear was probably Ursus deningeri (Deninger’s bear), a species restricted to Pleistocene Europe about 1.8 Mya to 100,000 years ago. The transition between Deninger’s bear and the cave bear is given as the last Interglacial, although the boundary between these forms is arbitrary, and intermediate or transitional taxa have been proposed, e.g. Ursus spelaeus deningeroides, while other authorities consider both taxa to be chronological variants of the same species.

The cave bear had a very broad, domed skull with a steep forehead. Its stout body had long thighs, massive shins and in-turning feet, making it similar in skeletal structure to the brown bear. The average weight for males was 400 to 500 kilograms (880 to 1,100 lb), while females weighed 225 to 250 kg (495 to 550 lb). Of cave bear skeletons in museums, 90% are male due to a misconception that the female skeletons were merely “dwarfs”. Cave bears grew larger during glaciations and smaller during interglacials, probably to adjust heat loss rate.

Cave bears of the last Ice Age lacked the usual two or three premolars present in other bears; to compensate, the last molar is very elongated, with supplementary cusps. The humerus of the cave bear was similar in size to that of the polar bear, as were the femora of females. The femora of male cave bears, however, bore more similarities in size to those of kodiak bears.

The cave bear was sometimes hunted by Neanderthals during the Stone Age. There are many mass cave bear burial sites indicating these early humans actually worshipped the cave bear with its image often represented on cave walls.

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Code: 24561

A Very Attractive 17th Century Indian Khanda Sword

33.5 inch blade, probably German, bearing crescent moon armourers mark. Open basket hilt with wide hand protection. The name firangi meaning foreigner was also apparently given to swords of this style these somewhat later in the 17th Century, as they were mounted with European blades, imported by the Portugese, which were highly valued. Some blades were locally made in the European style. The blades were mounted on the Khanda style hilt and with the long spike extending from the pommel which enabled them to be used as two handed swords. The firangi sword characteristically had a straight blade of backsword form (single edged). The blade often incorporated one, two, or three fullers (grooves) and had a spear-tip shaped point. The sword could be used to both cut and thrust. Examples with narrow rapier blades have survived, though in small numbers. The hilt was of the type sometimes called the "Indian basket-hilt" and was identical to that of another Indian straight-bladed sword the khanda. The hilt afforded a substantial amount of protection for the hand and had a prominent spike projecting from the pommel which could be grasped, resulting in a two-handed capability for the sword. Like other contemporary Indian swords the hilt of the firangi was usually of iron and the tang of the blade was attached to the hilt using a very strong resin, additionally, the hilt to blade connection was reinforced by projections from the hilt onto either face of the forte of the blade which were riveted together though a hole passing through the blade. Because of its length the firangi is usually regarded as primarily a cavalry weapon. Illustrations suggest a 16th-century date for the development of the sword, though early examples appear to have had simpler cross-guard hilts, similar to those of the talwar. The sword has been especially associated with the Marathas, who were famed for their cavalry. However, the firangi was widely used by the Mughals and those peoples who came under their rule, including Sikhs and Rajputs. Images of Mughal potentates holding firangis, or accompanied by retainers carrying their masters' firangis, suggest that the sword became a symbol of martial virtue and power. Photographs of Indian officers of Hodson's Horse (an irregular cavalry unit raised by the British) show that the firangi was still in active use at the time of the Indian Mutiny in 1857-58 The khanda can generally be a double-edge but can be a single edged straight sword. It is often featured in religious iconography, theatre and art depicting the ancient history of India. Some communities venerate the weapon as a symbol of Shiva. It is a common weapon in the martial arts in the Indian subcontinent. Khanda often appears in Hindu, Buddhist and Sikh scriptures and art The word khanda has its origins in the Sanskrit meaning "to break, divide, cut, destroy". Used from the time of Abu'l-Fath Jalal-ud-din Muhammad Akbar (15 October 1542, 27 October 1605 ), popularly known as Akbar I literally "the great" and later Akbar the Great, he was the third Mughal emperor, who reigned from 1556 to 1605. Please note the hilt is quite small, this is purely due to the fact people from that period, from all the continents around the world, were much smaller in stature and frame.  read more

Code: 23220

A Very Good Napoleonic Wars Romanov Cavalry Sabre Russian Double Eagle Crest. French Invasion and Retreat From Moscow Period of 1812

Probably 18th to early 19th century from the era of Catherine the Great to Czar Alexander Ist. Russian campaign sabre from the 1812 Russian campaign, Borodino, Smolensk and Moscow. In the cossack sasqua style, worn with the blade cutting side up. With walrus tooth hilt and engraved quillon bearing the Russian Romanov double crowned twin headed eagle crest with two cyrillic letters [English equivalent M E] within a shield. Leather scabbard with chequered decoration and wire decorative seaming at the throat.
A little known fact about the Napoleon's campaign into Russia is that Napoleon’s army actually lost more men on the way to Moscow than on the way back. The heat, disease, battle and desertion meant that by the time the Russian capital was seen on the horizon he had lost half his men. Nevertheless, what was important to the Corsican General was that he had reached the city. Battles at Smolensk and Borodino along the way had been costly and hard-fought, but nothing Tsar Alexander had done had been able to halt the Imperial juggernaut in its tracks though he had managed to extricate most of the Russian army intact from the fighting. In September the exhausted and bloodied Grand Arm?e reached Moscow with its promise of food and shelter, but it was not to be. So determined were the Russians to resist the invader that they burned their own old and beautiful capital in order to deny its uses to the French. Camped in a burned and empty shell, Napoleon dithered about whether to remain over the bitter winter or claim victory and march home. He was mindful of earlier campaigns into Russia such as that of Charles XII of Sweden a century earlier and made the fateful decision to return to friendly territory rather than face the snows without adequate shelter.

When it became clear that the Russians would not accept a favourable peace, Napoleon marched his troops out of the city in October. It was already too late. As the once-great army trudged across the empty vastness of Russia, the cold set in, as early as the French generals could possibly have feared. And that was the least of their worries. The horses died first, for there was no food for them. Then after the men ate them they started dying too, for all the supplies in Moscow had been burned a month earlier. All the time, hordes of cossacks harassed the increasingly bedraggled rearguard, picking off stragglers and making the survivor’s lives a constant misery. Meanwhile, Alexander ? advised by his experienced generals refused to meet Napoleon’s military genius head-on, and wisely let his army dribble away in the Russian snows. Astonishingly, by the time the remnants of the Grand Armee reached the Berezina river in late November it numbered just 27,000 effective men. 100,000 had given up and surrendered to the enemy, while 380,000 lay dead on the Russian steppes. 89.5 cm long overall  read more

Code: 20830

A Stunning 2000 year old Ancient Briton, Original Celtic Chief's Bronze Chariot Mount, As Used By Queen Boadicea, Also Known As Boudicca Queen of the Iceni, of the Ancient Britons of A Chieftain That Perished at the Battle of Silchester, circa 60 ad

The polished mahoghany display stand has just arrived back from re-polishing, it was originally designed to replicate the top of the wooden chariot mount it would have originally been mounted upon. So the photographic images have been re taken to show it how it now looks complete.

Apparently excavated from a Chieftains Burial Site, Viables in Hampshire, England, in the 19th century. Just south of Silchester, now thought to be a battle site of Queen Boudicca. Thus it is possible this came from a chieftains burial of a chief of Boudicca that perished at Silchster.

Evidence found at the Roman site of Silchester could mean it was the site of one of Boudicca's battles.
Professor Michael Fulford said that 13 years of excavations at Calleva had revealed evidence of the first gridded Iron Age town in Britain.
The site also bears the scars of possible early Roman military occupation, and evidence of later, widespread burning and destruction.
This suggests the site could have been destroyed at the hands of Boudicca.
Queen Boudicca waged war against the Romans in Britain from 60 AD after the Romans decided to rule the Iceni directly and confiscated the property of the leading tribesmen.
Boudicca's warriors successfully defeated the Roman Ninth Legion and destroyed the capital of Roman Britain, then at Colchester. They went on to destroy London and Verulamium (St Albans).
Thousands were killed. Finally, Boudicca was defeated by a Roman army led by Paulinus. Many Britons were killed and Boudicca is thought to have poisoned herself to avoid capture.
The site of the battle, and of Boudicca's death, are unknown.
A reconstruction of the battles between the Iceni and the Romans
Iceni warriors may have laid waste to Silchester
Professor Fulford said that in excavations at Silchester they had found evidence of a major military occupation at Calleva (now called Silchester) in 40 AD, then destruction between 60 and 80 AD, including wells that were filled in at this time and burned buildings.
"The settlement is completely wiped out somewhere between 60 AD and 80 AD, and it starts

Not only an incredibly beautiful ancient work of art, it is a unique artefact of ancient Romano-British history, and a fabulous large statement piece for any fine collection. It looks amazing mounted on it's old mahogany bespoke display stand.

[Queen Boudicea was also spelt Boudicca, or Boudica] In the time of the Ancient Briton Celts revolt against the might of Rome. A wonderful original, cast bronze large terret rein holder, once a significant mount from an Ancient Briton Celt chieftain's war chariot. Early-Mid 1st century AD, the very time of Boudicca. A cast carinated pillared terret [rein holder] with lobed flanges and upturned knopped crescents, columnar shank and flange with ferrous remains to the underside. This would have been mounted on the haft of the war chariot. And in an excavation one of maybe only a half dozen bronze pieces of the chariot that could have survived the ravages of time. There is so few opportunities to own a wonderful piece from the time of Boudicca Queen of the Iceni of ancient Briton. There are no known surviving artefacts of hers, but to own a significant part of maybe one of her chieftain's chariots is wonderful. About the time of Claudius' triumph in AD 43 (a century after Caesar's expeditions), Pomponius Mela, the first Roman geographer, says of the Britons that

"they fight not only on horseback and on foot, but also in wagons and chariots [bigis et curribus], and are armed after the manner of the Gauls. They call those chariots covines which are set with scythes round about the naves [falcatis axibus]" (De Chorographia, III.43; first translated by Arthur Golding in 1585 and modernized here). In AD 60 or 61, when the Roman governor Gaius Suetonius Paulinus was campaigning on the island of Mona (modern Anglesey) on the northwest coast of Wales, Boudica led the Iceni, the Trinovantes, and others in revolt. They destroyed Camulodunum (modern Colchester), earlier the capital of the Trinovantes but at that time a colonia, a settlement for discharged Roman soldiers and site of a temple to the former Emperor Claudius. Upon hearing of the revolt, Suetonius hurried to Londinium (modern London), the 20-year-old commercial settlement that was the rebels' next target. He lacked sufficient numbers to defend the settlement, and he evacuated and abandoned Londinium. Boudicca led a very large army of Iceni, Trinovantes, and others against a detachment of Legio IX Hispana, defeating them, and burning Londinium and Verulamium.

An estimated 70,000-80,000 Romans and British were then killed in the three cities by those following Boudicca, many by torture. Suetonius, meanwhile, regrouped his forces, possibly in the West Midlands; despite being heavily outnumbered, he decisively defeated the Britons. The crisis caused Nero to consider withdrawing all Roman forces from Britain, but Suetonius's victory over Boudicca confirmed Roman control of the province. Boudicca then either killed herself to avoid capture (according to Tacitus), or died of illness (according to Cassius Dio) Beginning around the 3rd century BC, Celts of the regions around the Marne and the Moselle Rivers began burying their chieftains in light, two-wheeled chariots with their sword, shield, spears, and drinking vessels. Similar chariot graves from this era are also found in the British coastal regions of Yorkshire. The evidence for the use of these vehicles is clear. A Roman coin from 110 BC dramatically depicts the naked Gallic warrior-king Bituitus of the Averni casting spears from his chariot. And documentary evidence of the chariot in combat on the European continent is left to us by the Roman poet Propertius. In describing the fighting between the forces of Republican Rome and 30,000 howling Celtic warriors in 222 BC, Propertius depicts the chieftain Viridomar ‘clothed in striped trousers’ hurling javelins from his chariot with deadly accuracy. In fact, many of the Latin words for chariot-carpentium, carrus, essendum have Gaulish roots.

The use of chariots in combat in Gaul apparently died out before Caesar’s campaign of the 50s BC, because Caesar makes no mention of them, though he did of Gallic cavalry, in his Gallic Wars. But chariots certainly remained in Britain though few have been found there into the Caesarian era and beyond, because they are included in the writings of Caesar, Tacitus, and in the old Irish epic the ‘Tain Bo Cuailnge’ (The Cattle Raid of Cooley) composed in part around the 2nd century AD. Evidence of early Celtic chariot use is gleaned primarily from the excavation of graves of noble warriors.The first Roman expedition to Britain was a reconnoitre of the island by Julius Caesar in 55 BC, purportedly to suppress the reinforcements being given the native tribes in Gaul. There, chariots no longer were being used, and the ambush of a legion caught in the open and surrounded by the cavalry and chariots of the Britons provides an excursus by Caesar on their tactics, so unfamiliar to the Romans.

"In chariot fighting the Britons begin by driving all over the field hurling javelins, and generally the terror inspired by the horses and the noise of the wheels are sufficient to throw their opponents' ranks into disorder. Then, after making their way between the squadrons of their own cavalry, they jump down from the chariot and engage on foot. In the meantime their charioteers retire a short distance from the battle and place the chariots in such a position that their masters, if hard pressed by numbers, have an easy means of retreat to their own lines. Thus they combine the mobility of cavalry with the staying power of infantry; and by daily training and practice they attain such proficiency that even on a steep incline they are able to control the horses at full gallop, and to check and turn them in a moment. They can run along the chariot pole, stand on the yoke, and get back into the chariot as quick as lightning" (Gallic War, IV.33). An example from Ingolstadt, Germany, in Megaw, R.& V. Celtic Art. From its Beginnings to the Book of Kells,
London, 1989, item 225. 316 grams, 13.5cm (5 1/4"). From the estate of the late Ms.J Simmonds, Hampshire reputed to have been excavated near Viables in Hampshire at the end of the 19th century, likely from a chieftain's burial. The denarius coin in the gallery, shown for reference purposes only and not included, was minted by the moneyer Lucius Hostilius Saserna in 48 BC, following Caesar's campaign in Gaul. The reverse depicts a naked Celtic warrior holding a spear and small shield, while a crouched figure drives the horses with a whip. The survival of Roman chariot's terrets are certainly to be found, due to the number made, over such a long period, but an original Ancient Briton bronze terret, used by the Celt chieftains and Queen Boudicca, especially of such a large and finest quality piece such as this, is a great rarity of Ancient Briton Celt history.

It is not permanently affixed to the mahogany display stand so it can be removed with ease.  read more

Code: 23013

The Lanes Armoury Gift Voucher Can Be The Perfect Solution

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books, and most importantly, they do not expire. They are valid forever. They are available from us for all values, from only £15 up to £15,000, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £200 and the image shows our example £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.

A pdf voucher can be sent to you within the hour during opening times from the shop.  read more

Code: 24553

A Stunning, Large, Original, Roman Classical Carved Carnelian Intaglio Seal of the Goddess Laetitia . This Amazing Roman Intaglio Could Make A Beautiful Ring With A Bespoke Mount

With the figure of the Goddess Laetitia leaning upon a shield of nine stars, with an anchor at her feet. A delightful object d'art in the typical classical Greco-Roman form, probably mounted in a pinchbeck type mount in Georgian England circa 1770, but the carnelian is probably 1st century bc to 2nd, 3rd century Roman, mounted in a gilded metal oval mount in the 18th century. Roman carved intaglio carnelian stone seals were very popular in the era of the English aristocracy's 'Grand Tours' with many brought back from trips to Rome and mounted as rings or seals in the time of King George IIIrd. Laetitia is the Roman Goddess of joy, gaiety, and celebration, and is especially linked with holidays and festivals. She was often shown with an anchor, as a representation of stability. Laetitia was given several epithets depending on the type of joy the Emperor was attempting to take credit for bringing to the Empire. On coins of the Emperors Gordian III and Gallienus, who both reigned in the mid 3rd century CE, She is Laetitia Augusta, "the Joy of the Emperor", which, in propaganda-style, can be taken to mean "the joy the Emperor brings to the people", though it may also have been a way of announcing the birth of a child into the imperial family. On these She is shown standing in Her typical pose, with a garland in one hand and an anchor supporting the other; The red variety of chalcedony has been known to be used as beads since the Early Neolithic in Bulgaria. The first faceted (with constant 16+16=32 facets on each side of the bead) carnelian beads are described from the Varna Chalcolithic necropolis (middle of the 5th millennium BC). The bow drill was used to drill holes into carnelian in Mehrgarh in the 4th-5th millennium BC. Carnelian was recovered from Bronze Age Minoan layers at Knossos on Crete in a form that demonstrated its use in decorative arts; this use dates to approximately 1800 BC. Carnelian was used widely during Roman times to make engraved gems for signet or seal rings for imprinting a seal with wax on correspondence or other important documents. Hot wax does not stick to carnelian. Sard was used for Assyrian cylinder seals, Egyptian and Phoenician scarabs, and early Greek and Etruscan gems. The Roman Empire was the seat of power and wealth in the Western world for hundreds of years. Because of their impressive span, they were able to trade with cultures throughout the world, not only in Europe, but also in northern Africa.

This gave them access to numerous gemstones which they could use to craft their jewelry. Because of their wealth, they were able to afford many precious and semi-precious stones, as well as detailed artisan craftwork.

We show in the gallery another similar Roman carnelian seal that has been re-mounted in a yellow gold ring mount, it looks spectacular. We show another similar sized that was remounted as a ring in the 19th century, it sold in auction for £8,125.

We also show in the photo gallery a similar Carnelion intaglio seal of Empress Catherine the Great sold recently for just under 30,000 gbp.

Pinchbeck is a durable yellow metal that resembles gold but is made with a combination of copper and zinc—much less zinc than the combo of the same two metals used to produce brass. The formula was developed by Christopher Pinchbeck, a London clockmaker who lived from about 1670 to 1732.
The seal is 32mm x 26mm in mount  read more

Code: 20846