Antique Arms & Militaria

A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft

Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.

This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.

It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.

King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.

Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.

Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888.  read more

Code: 21534

A Superb 19th Century French Chassepot M1866 Sword Bayonet, Franco Prussian War Issue, Manufactured at the Armoury of StEtienne 1870

Stunning example, with very good steel and brass,
Its inventor was, Antoine Alphonse Chassepot, and it became the French service weapon in 1866. It was first used at the battlefield at Mentana, November 1867, where it inflicted severe losses on Garibaldi's troops. The event was reported at the French Parliament: "Les Chassepots ont fait merveille!", {The Chassepots did marvelous execution !} In the Franco-Prussian War (1870-1871) it proved greatly superior to the German Dreyse needle gun, outranging it by 2 to 1. Although it was a smaller caliber but the chassepot ammunition had more gunpowder and thus faster muzzle velocity. The Chassepots were responsible for most of the Prussian and other German casualties during the conflict. This is the most widely copied of all the sword bayonets. Many countries - including the United States, Egypt, Belgium, and Argentina - have manufactured or used very similar bayonets. The French model was designed to fit on the French Model 1866 Chassepot Rifled Infantry Musket (the musket was revolutionary in itself). It was manufactured from 1866 to about 1874 and was replaced by the French Model 1874 "Gras" Bayonet.
The bayonets are brass-hilted The crossguard is iron (steel) and has a screw-type tightening arrangement on the muzzle-ring. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." The blades marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion
Arsenals encountered may be such as Chatellerault, Mutzig, St. Etienne, Paris-Oudry, Tulle, and perhaps Steyr (not confirmed on the 1866). The French wars during the life-span of this bayonet were: French Intervention in Mexico (1861-1867);
Franco-Prussian War (July 19, 1870 - May 10, 1871)
French Indo-China (1873-1874, 1882-1883);
Sino-French War (1883-1885);
Madagascar Wars (1883-1885, 1895);
1st Mandingo-French War (1883-1886);
1st Dahomeyan-French War (1889-1990);
2nd Dahomeyan-French War (1892-1894);
Franco-Siamese War of (1893)
2nd Mandingo-French War (1894-1895);
Conquest of Chad (1897-1914);
3rd Mandingo-French War (1898);
Moroccan War (1907-1912);
The Wadai War (1909-1911);
World War I (early).

These bayonets were widely copied and used by many countries - including the United States, Belgium, and Germany. Many of the actual French-marked bayonets can be found with German manufactured blades. It is believed some of these were used during the American Civil War when many European arsenals were emptied of their surplus arms.
These bayonets are the French Model 1866 "Chassepot" Bayonet.
The crossguard are iron (steel) and with a "cock's comb" muzzle-ring finial. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." One blade is marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion.  read more

Code: 25133

We Just Signed Up To Instagram This Week. Another Way to Connect To our Webstore & Our Daily Updates

We signed up on Thursday to Instagram, thanks to the suggestions and guidance of our tech savvy Victoria, and our eldest granddaughter / great neice, Holly {who has her own 500k instagram followers}

copy and paste.
https://www.instagram.com/lanesarmoury

We only have a few pictures to view there at present, and it will take us a while to add our other 20k+ photographs, but we will get it done eventually.

If you use Instagram... why not 'follow' us and enjoy  read more

Code: 25130

The Lanes Armoury..Everything You Can Imagine, and a Lot, Lot More!

Original pieces from the great ancient civilisations, Ancient Egyptian, Greek, Scythian, Persian, Roman, Celtic, Anglo-Saxon, Viking, Norman, Japanese, Chinese, Indian, British, and beyond, in fact more antiquities, armoury antiques, militaria, that you can imagine, plus leaves from illuminated manuscripts, rare and historical books, incunabula and Ist editions

We may not quite have everything that everyone might be seeking, but you can trust that we have spent over 100 years trying, and every day we do our utmost to scour the collecting world to find yet more, unique ancient or antique pieces. We put in all the hard work, effort and expertise, so that you don't have to!, and remember, every purchase is accompanied with our Certificate of Authenticity, as our unique, lifetime guarantee, backed up by over 100 years of long established experience.

We are asked almost every day by many of our amazed and curious visitors about famous celebrities that have been customers past and present, so here goes, but just a snippet of a few mixed up names including those that Mark has personally assisted since 1970, and David since 1980, but of course there are many here below that our younger viewers will very likely have never even heard of!;

Elizabeth Taylor and Richard Burton, actors
Charlton 'Chuck' Heston, actor
Edward G. Robinson, actor,
HRH Princess Margaret, late sister of Her Late Majesty Queen Elizabeth
'Fat Boy' Slim, aka Norman Cook, songwriter +
Ronald Reagan, Potus
John Osborne, author
Lord Olivier, a most well beloved Brighton resident, and actor director..
Barry Humphries, genius writer actor of limitless talent
Max Millar, comedian
Harold, Viscount Watkinson, Winston Churchill's Minister of Defence 1959/62
Garfield [Garry] Weston, proprietor of Fortnum and Mason, chairman Associated British Foods and of the Garfield Weston Foundation
John Montgomery, author
Johnny Rotten, singer and armed forces supporter
The Lord St John of Fawsley
The Tower Armouries, museum
The Higgins Museum, USA
Octav Botnar Chairman, &. Late Owner Nissan UK, formerly Datsun UK
The Metropolitan, New York
The Smithsonian, Washington D.C.
Lord Hailsham
Katy Melua, singer songwriter
Will Young, singer
Douglas Bader, RAF
Mark Williams, character actor par excellence
Sir Ralph Richardson, actor
Jim Davidson major armed services charities benefactor and comedian
Warner Bros. UK,
Sir Henry Cecil One of the world's greatest horse trainers
Macy’s, New York Department Store
St Albans Museum + Gallery, providing their new centrepiece exhibit for their new ‘War of the Roses’ Battle of St. Albans gallery.
Rebekkah Brooks & Ross Kemp in their past to-gether days, journalist and actor
The Horniman Museum, UK.
Major General Lord Fitzalen Howard Life Guards GCVO, CB, CBE, MC.
Howard Blackmore Deputy Master of The Tower of London Armouries, Founder and President The Arms and Armour Society
Steven Berkoff, actor, playwright, theatre director
Kaufhof GmbH German department store chain
Galeria D'Arte Adriana Papiri-Brignoni foremost gallery proprietor of Lugano Switzerland [with her husband Gigi] & Her friends, residents of Lugano;
Gina Lollobrigida, actress
Valentino, fashion designer
Eugene Faberge, in the 1950’s, the eldest son Carl Faberge of Moscow.
Dzigar Kongtrul Rinpoche (Jigme Namgyel), renown Buddhist and author.....
Plus, many thousands more...  read more

Code: 23976

A 19th Century, Highly Attractive, Antique Stilletto Bladed So-Called Courtesan's Protective Dagger

Spiral carved bone hilt, powerful quatrefoil 'armour piercing' blade, steel teardrop quillon crossguard, nickle scabbard. A so called coutesan's dagger, also often regarded as the gambler's boot dagger when found in North America
A coutesan's dagger was so called due to their attractiveness and useful size for concealment by unaccompanied ladies travelling abroad after dark.
Of course they would never have been sold as such by retailers, and the term has entered the vernacular of collectors probably even after the time they were actually made, however, like the term 'mortuary hilted swords' that bore the engraved visage of the king in the hilt from the English Civil War, they were never actually called that until almost 200 years later.

They are attractively designed elegant daggers, just such as this one, with a powerful and most efficient blade. 'Ladies of the night' became a major concern and a focal point for social reformers in the 19th century. Concerns were seen everywhere including the literature of notables such as Charles Dickens. He created characters (some of which may have had real life versions) like Nancy in Oliver Twist, and Martha Endell in David Copperfield.

No one knows for certain, but there were somewhere between 8,000 and 80,000 ladies of the trade in London during the Victorian Age. It is generally accepted that most of these women found themselves in prostitution due to economic necessity and desperate want.

There were three attitudes towards those in the profession – condemnation, regulation, and reformation. Dickens adopted the last and was intimately involved in a house of reform called Urania Cottage.

The carved handle has some feint natural line age markings  read more

Code: 24160

A Rare Victorian 2nd Regiment NSW Volunteer Infantry Helmet Badge Circa

Circa 1878. Silvered brass hat badge with centrally mounted Maltese cross featuring a number '2' within a circle in the centre. The cross is surmounted by a large Kings Crown and surrounded by a wreath of waratahs with intertwined scrolls. The scroll on the left reads 'NUMERO SECUNDUS' and the right scroll reads 'NULLI SECUNDUS'. Beneath the cross on a central scroll is 'VIRTUTE' and 'SECOND REGT INFANTRY'. The back of the badge has three lugs for attaching it to the hat. They have a near identical example in the Australian War Memorial Collection that may be associated with the Ferguson family from Goulburn as it was found in the personal affects of 9146 Gunner Leopold Ferguson who was killed on 9 June 1917 while serving with the Australian Imperial Force.  read more

Code: 18628

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24304

21st Regiment Essex Fusiliers Large Service Helmet Flaming Grenade Badge. Circa.1887

Canadian Militia busby helmet badge. 21st Regiment Essex Fusiliers Fur Busby grenade. Circa.1887 Brass grenade with two lugs to the reverse in excellent condition.

A military presence in Windsor and Essex County dates back as far as 1701, when all men in the community were essentially militia members, armed to combat a perceived 'Indian threat'. When Irish-American Nationalists invaded Canada in 1866, even stronger forces were established locally. By 1885, local militias had amalgamated into the 21st Essex Battalion of Infantry.

By the advent of the First World War, the 21st Battalion (now known as the 21st Regiment Essex Fusiliers) was placed on active service. Initially, they contributed to Canada's 1st Battalion, upon its formation in 1914, then later the 18th Battalion (consisting largely of Essex Fusilier soldiers. The 18th Battalion served in France and Flanders from 1915 until the Armistice.

The regiment perpetuated the 18th (Western Ontario) Battalion, 99th (Essex) Battalion and 241st (Canadian Scottish Borderers) Battalion of the Canadian Expeditionary Force and held its final Order of Precedence as 40. Battle honours for the regiment include: First World War: Ypres 1915 & 17, Festubert 1915, Mount Sorrel, Somme 1916 & 18, Flers-Courcelette, Thiepval, Ancre Heights, Arras 1917 & 18, Vimy 1917, Hill 70, Passchendaele, Amiens, Scarpe 1918, Hindenburg Line, Canal du Nord, Cambrai 1918, Pursuit to Mons, France & Flanders 1915-18 Second World War: Dieppe Raid (1942), Battle of Verrigres Ridge (1944), liberation of Dieppe (1944), Battle of the Scheldt (1944), The Rhine (1944-1945), Northwestern Europe

By 1926, an alliance was formed with the Essex Regiment of the British Army, and by 1927, the Essex Scottish had adopted the MacGregor tartan based on Scottish Highland tradition. That year an alliance was also established with the Queen’s Own Royal West Kent Regiment of the British Army.

The Regiment was the first unit of men in Western Ontario to be called up during World War II and one of the first Canadian units to see battle overseas. Their first fight was the tragic Dieppe raid on August 19th, 1942 where the Regiment was hit particularly hard during Operation Jubilee. When the smoke cleared, the Regiment had lost 121, and many of the survivors were either wounded or captured. With barely enough time to regroup, the regiment prepared itself for the invasion of France. On July 5th 1944, it participated in the bloody landing at Normandy, and then fought on through France, Holland and Germany until the war's end.

By then, the regiment had suffered 552 dead and had been inflicted with the highest number of casualties of any unit in the Canadian Army-a staggering 2,510.  read more

Code: 19898

A Most Fine Tudor Heraldic Crested Steel Armour Gorget of a Duke

A most beautiful antique piece of armour, in the 16th century style, but likely made in the 18th to early 19th century. It bears a most fine etched heraldic ducal crest, composed of a pair of cranes bearing a five bar face guarded demi-profile dukes helmet, mounted above a shield with chevron below four ermine panels, with three, four lobed devices about the chevron on both sides. The entire rim bears brass headed steel rivets and two shoulder centred large brass rivets that once held leather straps. We show in the gallery several portraits of Elizabethan nobles all adorned in their armour gorget over fine tunics of velvet or leather. The gorget was the last remaining symbol of knightly armour universally worn either at court or in combat by nobles in the Elizabethan period Although other elements of armour could be worn, such as arm defences, in accompaniment as the wearer saw fit. In the High Middle Ages, when mail was the primary form of metal body armor used in Western Europe, the Mail coif protected the neck and lower face. During the 14th century as more plate armor appeared to supplement mail, the Bascinet helmet incorporated a mail curtain called the Aventail which protected the lower face, neck and shoulders. A separate mail collar called a "pisan" or "standard" was sometimes worn under the aventail as additional protection. Towards the end of the 14th century, threats including the increased penetrating power of the lance when paired with a lance rest on the breastplate made more rigid forms of neck protection desirable. One solution was a standing collar plate worn over the aventail and separate from the helmet, which was wide enough for the helmet to move around in so that the man-at-arms could turn his head. Through the early 15th century, gorget plates were integrated into the helmet itself to form the great bascinet. Other forms of helmet such as the sallet which did not protect the lower face and throat with plate were paired with a separate bevor, and the armet was often fitted with a wrapper that included gorget lames protecting the throat. During this time, the mail standard was still used.

At the beginning of the 16th century, the gorget became fully developed as a component of plate armor in its own right. Unlike previous gorget plates and bevors which sat over the breastplate and required a separate mail collar to fully protect the neck from gaps, the developed gorget was worn under the back and breastplate and was intended to cover a larger area of the neck, nape, shoulders, and upper chest, since the upper edges of the cuirass had become lower than before. The gorget served as an anchor point for the Pauldrons, which either had holes to slide over pins projecting from the gorget, or fastened to the gorget by straps and buckles. The neck was protected by a high collar of articulated lames, and the overall gorget consisted of front and back pieces which were hinged at the side so it could be put on and taken off. Some helmets had additional neck lames which overlapped the gorget, while others fitted tightly to the top of the gorget so that there would be no gap between them.
By the 17th century there appeared a form of gorget with a low, unarticulated collar and larger front and back plates which covered more of the upper chest and back. These were not worn with a breastplate as part of a full harness, but instead were worn over civilian clothing or a Buff coat. Some gorgets of this period were "parade" pieces that were beautifully etched, gilded, engraved, chased, embossed, or enamelled at great expense. Gradually the gorget became smaller and more symbolic, and became a single crescent shape worn on a chain, which suspended the gorget ever lower on the chest so that the gorget no longer protected the throat in normal wear. It is one of the more unusual elements of the arms and armour collecting field that 18th and 19th century fine etched armour, in the earlier styles of the 16th century, can be prized the same, or even more highly than the earlier originals that they were based upon. Companies such as Granger of Paris, that worked in the 1840's, created miniature suits of armour that can achieve tens of thousands of pounds, even approaching six figures today, that are no more than 50 cms high complete. Size 14 inches x 12 inches.  read more

Code: 20436

A Superb 19th Century Persuader Cosh. A Victorian, City Dwellers Version Of A Royal Navy 'Press-Gang' Cosh

Also a so called, 'life preserver', concealable flexible head cosh that would once have been well concealed about a gentleman's person, within an inside overcoat pocket, or tucked through a waist belt. Based on a press gang club from the Georgian era In the Victorian era, after dark, city thoroughfares abounded with ruffians neer'do wells and garrotters. Police forces, in those days, were in their infancy, and the respectable and well heeled inhabitants, when travelling the streets and lanes of most cities, were understandably paranoid for their safety, so most protection had to be provided for by oneself, and all due precautions and defensive measures explored. This is a wonderful example of a club, known at the time as a life preserverWe detail an article from Punch Magazine, August 18th 1866, regarding a trial of some violent street attackers?.. "No less than six roughs, two of them garrotters, convicted at Manchester Assizes, of robbery with violence, were sentenced the other day by Mr. Justice Lush, to be, in addition to penal servitude, flogged with the cat-o'-nine-tails. ? If there is in his the criminal's nature any degree of latent sympathy, inactive from want of imagination, it can be stimulated to due activity only be a whipping which will give him considerable pain. All that pain is economy of pain; of so much pain as it saves respectable people from suffering by brutal violence. ? Some of the six scoundrels whipped at Manchester, being pachydermatous, made a show of bravado. To preclude this in future, let all such offenders be sentenced to be flogged two or three times."

Punch, August 18, 1866. We show several original Victorian Punch magazine and journal illustrations of several persons being accosted in the city streets by thugs, and a group of ladies and gentlemen walking in the road armed with coshes and clubs for protection for information only.  read more

Code: 21139