Antique Arms & Militaria

Archaic Chinese Warrior's Bronze Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' Jian sword used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.

A complimentary display stand, will be included.
As with all our items, every piece is accompanied by a certificate of authenticity.  read more

Code: 24304

21st Regiment Essex Fusiliers Large Service Helmet Flaming Grenade Badge. Circa.1887

Canadian Militia busby helmet badge. 21st Regiment Essex Fusiliers Fur Busby grenade. Circa.1887 Brass grenade with two lugs to the reverse in excellent condition.

A military presence in Windsor and Essex County dates back as far as 1701, when all men in the community were essentially militia members, armed to combat a perceived 'Indian threat'. When Irish-American Nationalists invaded Canada in 1866, even stronger forces were established locally. By 1885, local militias had amalgamated into the 21st Essex Battalion of Infantry.

By the advent of the First World War, the 21st Battalion (now known as the 21st Regiment Essex Fusiliers) was placed on active service. Initially, they contributed to Canada's 1st Battalion, upon its formation in 1914, then later the 18th Battalion (consisting largely of Essex Fusilier soldiers. The 18th Battalion served in France and Flanders from 1915 until the Armistice.

The regiment perpetuated the 18th (Western Ontario) Battalion, 99th (Essex) Battalion and 241st (Canadian Scottish Borderers) Battalion of the Canadian Expeditionary Force and held its final Order of Precedence as 40. Battle honours for the regiment include: First World War: Ypres 1915 & 17, Festubert 1915, Mount Sorrel, Somme 1916 & 18, Flers-Courcelette, Thiepval, Ancre Heights, Arras 1917 & 18, Vimy 1917, Hill 70, Passchendaele, Amiens, Scarpe 1918, Hindenburg Line, Canal du Nord, Cambrai 1918, Pursuit to Mons, France & Flanders 1915-18 Second World War: Dieppe Raid (1942), Battle of Verrigres Ridge (1944), liberation of Dieppe (1944), Battle of the Scheldt (1944), The Rhine (1944-1945), Northwestern Europe

By 1926, an alliance was formed with the Essex Regiment of the British Army, and by 1927, the Essex Scottish had adopted the MacGregor tartan based on Scottish Highland tradition. That year an alliance was also established with the Queen’s Own Royal West Kent Regiment of the British Army.

The Regiment was the first unit of men in Western Ontario to be called up during World War II and one of the first Canadian units to see battle overseas. Their first fight was the tragic Dieppe raid on August 19th, 1942 where the Regiment was hit particularly hard during Operation Jubilee. When the smoke cleared, the Regiment had lost 121, and many of the survivors were either wounded or captured. With barely enough time to regroup, the regiment prepared itself for the invasion of France. On July 5th 1944, it participated in the bloody landing at Normandy, and then fought on through France, Holland and Germany until the war's end.

By then, the regiment had suffered 552 dead and had been inflicted with the highest number of casualties of any unit in the Canadian Army-a staggering 2,510.  read more

Code: 19898

A Most Fine Tudor Heraldic Crested Steel Armour Gorget of a Duke

A most beautiful antique piece of armour, in the 16th century style, but likely made in the 18th to early 19th century. It bears a most fine etched heraldic ducal crest, composed of a pair of cranes bearing a five bar face guarded demi-profile dukes helmet, mounted above a shield with chevron below four ermine panels, with three, four lobed devices about the chevron on both sides. The entire rim bears brass headed steel rivets and two shoulder centred large brass rivets that once held leather straps. We show in the gallery several portraits of Elizabethan nobles all adorned in their armour gorget over fine tunics of velvet or leather. The gorget was the last remaining symbol of knightly armour universally worn either at court or in combat by nobles in the Elizabethan period Although other elements of armour could be worn, such as arm defences, in accompaniment as the wearer saw fit. In the High Middle Ages, when mail was the primary form of metal body armor used in Western Europe, the Mail coif protected the neck and lower face. During the 14th century as more plate armor appeared to supplement mail, the Bascinet helmet incorporated a mail curtain called the Aventail which protected the lower face, neck and shoulders. A separate mail collar called a "pisan" or "standard" was sometimes worn under the aventail as additional protection. Towards the end of the 14th century, threats including the increased penetrating power of the lance when paired with a lance rest on the breastplate made more rigid forms of neck protection desirable. One solution was a standing collar plate worn over the aventail and separate from the helmet, which was wide enough for the helmet to move around in so that the man-at-arms could turn his head. Through the early 15th century, gorget plates were integrated into the helmet itself to form the great bascinet. Other forms of helmet such as the sallet which did not protect the lower face and throat with plate were paired with a separate bevor, and the armet was often fitted with a wrapper that included gorget lames protecting the throat. During this time, the mail standard was still used.

At the beginning of the 16th century, the gorget became fully developed as a component of plate armor in its own right. Unlike previous gorget plates and bevors which sat over the breastplate and required a separate mail collar to fully protect the neck from gaps, the developed gorget was worn under the back and breastplate and was intended to cover a larger area of the neck, nape, shoulders, and upper chest, since the upper edges of the cuirass had become lower than before. The gorget served as an anchor point for the Pauldrons, which either had holes to slide over pins projecting from the gorget, or fastened to the gorget by straps and buckles. The neck was protected by a high collar of articulated lames, and the overall gorget consisted of front and back pieces which were hinged at the side so it could be put on and taken off. Some helmets had additional neck lames which overlapped the gorget, while others fitted tightly to the top of the gorget so that there would be no gap between them.
By the 17th century there appeared a form of gorget with a low, unarticulated collar and larger front and back plates which covered more of the upper chest and back. These were not worn with a breastplate as part of a full harness, but instead were worn over civilian clothing or a Buff coat. Some gorgets of this period were "parade" pieces that were beautifully etched, gilded, engraved, chased, embossed, or enamelled at great expense. Gradually the gorget became smaller and more symbolic, and became a single crescent shape worn on a chain, which suspended the gorget ever lower on the chest so that the gorget no longer protected the throat in normal wear. It is one of the more unusual elements of the arms and armour collecting field that 18th and 19th century fine etched armour, in the earlier styles of the 16th century, can be prized the same, or even more highly than the earlier originals that they were based upon. Companies such as Granger of Paris, that worked in the 1840's, created miniature suits of armour that can achieve tens of thousands of pounds, even approaching six figures today, that are no more than 50 cms high complete. Size 14 inches x 12 inches.  read more

Code: 20436

A Superb 19th Century Persuader Cosh. A Victorian, City Dwellers Version Of A Royal Navy 'Press-Gang' Cosh

Also a so called, 'life preserver', concealable flexible head cosh that would once have been well concealed about a gentleman's person, within an inside overcoat pocket, or tucked through a waist belt. Based on a press gang club from the Georgian era In the Victorian era, after dark, city thoroughfares abounded with ruffians neer'do wells and garrotters. Police forces, in those days, were in their infancy, and the respectable and well heeled inhabitants, when travelling the streets and lanes of most cities, were understandably paranoid for their safety, so most protection had to be provided for by oneself, and all due precautions and defensive measures explored. This is a wonderful example of a club, known at the time as a life preserverWe detail an article from Punch Magazine, August 18th 1866, regarding a trial of some violent street attackers?.. "No less than six roughs, two of them garrotters, convicted at Manchester Assizes, of robbery with violence, were sentenced the other day by Mr. Justice Lush, to be, in addition to penal servitude, flogged with the cat-o'-nine-tails. ? If there is in his the criminal's nature any degree of latent sympathy, inactive from want of imagination, it can be stimulated to due activity only be a whipping which will give him considerable pain. All that pain is economy of pain; of so much pain as it saves respectable people from suffering by brutal violence. ? Some of the six scoundrels whipped at Manchester, being pachydermatous, made a show of bravado. To preclude this in future, let all such offenders be sentenced to be flogged two or three times."

Punch, August 18, 1866. We show several original Victorian Punch magazine and journal illustrations of several persons being accosted in the city streets by thugs, and a group of ladies and gentlemen walking in the road armed with coshes and clubs for protection for information only.  read more

Code: 21139

A Most Rarely Seen, Antique Ceremonial, Head-Hunters Sword 'Pusaka Magic' Dohong, A Borneo, Dyak Shamen's, Kayanic Art Ritual Sword, With a Carved, Twin-Head Hilt

This is an amazing dohong, a Borneo kayanic art carved twin headed hilt sword, given to a previous owner, by a Dyak headhunter shamen, with a hardened skin scabbard, possibly goatskin. It’s condition is superb with stunning natural age patina to the carved wooden hilt. Kayanic art is most distinctive in the depiction of carved heads, with an owl-like style of heart shaped face carving

There are a lot of intriguing interest about this most rare form of shamen's dohong when they appear. They can come in either dagger or short sword form, and both are rare, but due to the fact it was likely used mostly for ceremonial "pusaka magic", many have never seen such a piece to survive. Few such ceremonies had ever been seen by Westerners, as very few outsiders visited the inner Dayak tribes during the 19th century. Of course ceremonial Dyak shamen magic was not always benign, as it could often include head-hunting, so the reticence of strangers to attempt to view such ceremonies was highly understandable

There is however, a somewhat similar carved wood hilted double headed kyanic art example in the National Museum Wereldkulturen in Rotterdam, and from all the ones we have seen, although very few in number of course, they have had all manner of bespoke differences. See photo 10 of that particular similar sword in the gallery

Dayaks are a collection ethic groups that have traditionally lived in the forests in both the Malaysian and Indonesian sides of Borneo. They are distinguished from the Malay population in that for the most part they are not Muslims and distinguished from the Penan in that have traditionally been settled while the Penan were nomadic.

The Dayaks are former head hunters and the original "wild men of Borneo." They continued to practice headhunting after it was outlawed by the Dutch in the 19th century. Up until World War II most of them were river-dwelling head hunters. Now many have been Christianized and forced into settlements. Even though they were the original inhabitants of Borneo they are now greatly outnumbered by Malays and Indonesians. It is believed that most Dayaks lived along the coast until they were driven inland after the arrival of the Malays.

Dayak "psycho-navigators” use visions and dreams to help them find their way in the forest. Dayak shaman practitioners of the "Old Snake religion” describe a hidden highland lake where enormous aging pythons enjoy dancing under the light of the full moon to honor the forest god Aping. Many Dayaks are Christians who have incorporated animists concepts onto their belief scheme. Missionaries went through the trouble of backpacking in paints and brushes to make hellfire scenes on the sides of longhouses. On the positive side missionaries have helped the Dayak clear landing strips which can be used for medical emergencies.

James Brooke wrote in his journal in “Expedition to Borneo of H.M.S. Dido for the Suppression of Piracy”: “The Kayans of the north-west coast of Borneo have one custom in common with the wild tribe of Minkoka in the Bay of Boni. Both the Kayans and Minkokas on the death of a relative seek for a head; and on the death of their chief many human heads must be procured: which practice is unknown to the Dyak. It may further be remarked, that their probable immigration from Celebes is supported by the statement of the Millanows, that the Murut and Dyak give place to the Kayan whenever they come in contact, and that the latter people have depopulated large tracts in the interior, which were once occupied by the former. Source: “The Expedition to Borneo of H.M.S. Dido For the Suppression of Piracy” by Henry Keppel and James Brooke (1847).

The Dayak perform elaborate death ceremonies in which the bones are disinterred for secondary reburial. The Ngaju Dayaks in the Mendawai area of Kalimantan keep alive their ancient burial rituals called Tiwah. Participants wear bizarre masks, with owl-like heart shaped faces, sing, and stage mock attacks. They exhume the bones of the dead, anoint and touch the bones and re-intern them in family “sandung”. (House-shaped boxes on stilts). In the old days headhunting was often include in the ritual.

Interestingly, despite returning from the darkest regions of the interior of Borneo, with this gifted sword, by the original vendors father, a former merchant ship captain, we were reminded, due to a mention from a regular viewer of our site, that we once had a somewhat similar style prestige sword from the Bamum or Tikar people of Cameroon. A tribe known for its similar highly talented artistry and carving. We couldn’t help wondering if there could once possibly have been a connection of some sort between these two native peoples due to the similarity of this wood-carvings artistry, despite around 7,000 mile distance between these peoples across the Indian Ocean. Could the Tikar peoples have made swords inspired by the Borneo version, or indeed could it be the other way around, and a Tikar sword found its way to Borneo. We may never know.

The captains son mentioned his father had a b&w photograph with the entire tribe’s elders after gifting him this sword. Apparently he became a most favoured ‘foreigner’ with the tribe due his supply of important necessities to them in ‘difficult times’. This may have been during the imminent Japanese invasions of that part of the world around the Indian Ocean in WW2.

The overall condition for age is excellent with just a small separation of the hide at the base of the scabbard. 28.5 inches long overall in scabbard, blade 16 inches long

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 24466

One Amazing {of Two} 17th Century Iron Cannon Balls From 'Queen Elizabeth's Pistol', A 24 Foot Long Basilisk Cannon. The Cannon Balls Were Found in the 19th Century. A Fabulous Relic From 'The Siege of Hull' During the English Civil War

'Queen Elizabeth's Pistol', was the Tudor nickname of a fabulous cannon presented to Queen Elizabeth's father King Henry the VIIIth. In the English Civil war it was called 'the great Basilisco of Dover' and it was used in the English Civil war, first by the Parliamentarian artillery train forces of the Earl of Essex, it was captured, at Lostwithiel in August 1644, then used by the King's Artillery train, and then retaken by the Parliamentarian forces.

The basilisk got its name from the mythological basilisk: a fire-breathing venomous serpent that could cause large-scale destruction and kill its victims with its glance alone. It was thought that the very sight of it would be enough to scare the enemy to death

The cannon balls were recovered from the besieged area of Hull, and sold at auction in the 19th century, and since then, they have been in the same family's ownership. We are selling them separately, and priced individually.

The 24 foot long bronze cannon was cast in 1544 by Jan Tolhuys in Utrecht. It is thought to have been presented to Henry VIII by Maximiliaan van Egmond, Count of Buren and Stadtholder of Friesland as a gift for his young daughter Elizabeth and is known to have been referred to as Queen Elizabeth's Pocket Pistol by an article in the Gentleman's Magazine from 1767. The cannon is thought to have been used during the English Civil War, described as 'the great Basilisco of Dover' amongst other ordnance captured by Royalist forces from the Earl of Essex in Cornwall in 1644, later used at the siege of Hull and recaptured by Parliamentarians. The barrel is decorated in relief with fruit, flowers, grotesques, and figures symbolizing Liberty, Victory and Fame. The gun carriage was commissioned by the Duke of Wellington in the 1820s, when it was then known as Queen Anne's gun, cast from French guns captured at Waterloo.

Maximilian van Egmont, Count of Buren, Stadtholder of Friesland, 1509-1548, was a distinguished military commander in the service of the Emperor. He was on terms of friendship with Henry VIII and commanded the Imperial contingent at the Siege of Boulogne in 1544. The gun may have been installed at Dover as soon as it was received in England. In the inventory of the Royal possessions drawn up after the King's death in 1547 "the Ordynance and Munycions of Warre......which were in the black bulworke at the peire of Dover....included Basillisches of brasse .....oone Basillisches shotte ......Cl ti"

A popular rendering of the inscription on the gun was 'Load me well and keep me clean, I'll send a ball to Calais Green'. A footnote in the 1916 inventory suggests that this is a doubtful boast since ' Calais Green' was a part of Dover. There appears, however, to be no basis for this statement.

We show in the gallery two of the Basilisk cannon balls recovered outside the curtain wall of Pontefract Castle

Pontefract Castle sits on the edge of the medieval market town. Conservation work is being undertaken with the ambition of making Pontefract a key heritage destination within West Yorkshire. The £3.5m Heritage Lottery funded project is known as the Key to the North, after the title bestowed upon the castle by Edward I. During the project, workmen at the castle recovered seven cannonballs from a section of the castle’s curtain wall.

This cannon ball {a pair to our other one} was acquired from an auction, of recovered Civil War relics from the Siege of Hull, that was held in Hull in the early Victorian period, and acquired from the buyers directly descended family, by us, very recently.

The basilisk was a very heavy bronze cannon employed during the Late Middle Ages. The barrel of a basilisk could weigh up to 4,000 lb (1,800 kg) and could have a calibre of up to 5 inches (13 cm). On average they were around 10 feet long, though some, like Queen Elizabeth's Pocket Pistol, were almost three times that length.
The basilisk got its name from the mythological basilisk: a fire-breathing venomous serpent that could cause large-scale destruction and kill its victims with its glance alone. It was thought that the very sight of it would be enough to scare the enemy to death

The Basilisk cannon used in the Civil War was a most specific calibre of almost 5 inches, and fired this distinct size of round shot cannon ball munition of just over 4 1/2 inch diameter

We also show in the gallery a photograph of 'Queen Elizabeth's Pistol'. in Dover Castle, with a stack of the very same sized cannon balls.

The ball is very surface russetted, but still spherical and very good for its age,

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25075

Victorian Police 'Jack the Ripper' Era Type Handcuffs or 'Derby's' & Original Oval Flat Key

Good flattened head key type, with board of ordnance broad arrow stamp and serial number.

The type as was made and first used in the early Victorian era from the very beginnings of the British Police service, and on well into the next century. Excellent working order early flat key type. A good and fine condition pair of original 'Derby' cuffs used by the 'Bobbies' or 'Peelers', with the traditional rotating spiral key action.
They are also the very type that were used, and as can be seen, in all the old films of the Whitechapel Murders, and Sherlock Holmes' adventures in the gloomy London Fog.

Originally handcuffs were made of a large wooden toggle with a loop of cord, which was slipped over a prisoner’s wrists and twisted. Manufacturers Hiatt and Company, founded in Birmingham in 1780, developed a new patent for restraints, which became standard issue when the Metropolitan Police was created in 1829.

In 1818 Thomas Griffin Hiatt appears in the Wrightson Directory for the first time as a manufacturer of felon's irons and gate locks, located on Moor St. in Birmingham. Some time in the next few years Hiatt moved around the corner to 26 Masshouse Lane, where he is located in the next edition of the Wrightson's Birmingham directory as a manufacturer of felon's irons, gate lock, handcuffs, horse and dog collars. The Hiatt Company remained at the 26 Masshouse Lane address until the premises were destroyed by the World War II German bombing in 1941.

The Whitechapel murders were committed in or near the largely impoverished Whitechapel district in the East End of London between 3 April 1888 and 13 February 1891. At various points some or all of these eleven unsolved murders of women have been ascribed to the notorious unidentified serial killer known as Jack the Ripper.

The murderer or murderers were never identified and the cases remain unsolved. Sensational reportage and the mystery surrounding the identity of the killer or killers fed the development of the character "Jack the Ripper", who was blamed for all or most of the murders. Hundreds of books and articles discuss the Whitechapel murders, and they feature in novels, short stories, comic books, television shows, and films of multiple genres.

The poor of the East End had long been ignored by affluent society, but the nature of the Whitechapel murders and of the victims' impoverished lifestyles drew national attention to their living conditions. The murders galvanised public opinion against the overcrowded, unsanitary slums of the East End, and led to demands for reform. On 24 September 1888, George Bernard Shaw commented sarcastically on the media's sudden concern with social justice in a letter to The Star newspaper:  read more

Code: 25079

We Have New Fascinating Items Added To The Site Every Single Day.

Wonderful and intriguing pieces, such as a Renaissance period helmet and fusetto stiletto dagger, as used by a chief Cannoneer of the Papal Army in the 16th century, up to 500 years ago, commanded by Cesare Borgia, son of the Borgia Pope, and later in the 16th century, By Matteo Barbarini, brother to Pope Urban VIIIth.

Also, many military souvenirs of all kinds from WW1 and WW2, to, say, a Spanish Conquistador's helmet of the 16th century, to Ian Fleming’s James Bond, 1960's Ist Edition books, a Baker Rifle sword-bayonet, to original samurai swords hundreds of years old.

All are original, beautiful, historical and truly intriguing pieces.

This week we will be adding some superb and inexpensive Roman and Greek antiquities, plus medieval antiquities too. We are also sending our deliveries to our clients in the UK, Australia, America, & Canada, every working day, containing the rarest and finest pieces, from books, to helmets, swords and antiquities.  read more

Code: 21779

A, Good, Rare, Heavy Plate, Original Italian Vatican Infantry Army Helmet of Pope Urban VIIIth’s Armoury, a Cabasset Helmet 1500’s. As Used By The Cannoneers of the Papal Artillery. Originally Sourced From The Papal Armoury, in The Vatican

It’s companion Cabasset helmets are now in the Vatican Historical Museum in the Lateran Palace, Rome
The defensive helmet as used by the cannoneers of Pope Urban’s Papal Army artillery, and just as would be used by the chief cannoneer in battle, in the army commanded by Mateo Barbarini, Pope Urban’s brother. A helmet worn, while also armed with the chief Cannoneers fusetto

Used in artillery combat in Papal armies, such as were once commanded by the infamous Cesare Borgia, who was an Italian cardinal and condottiero, an illegitimate son of Pope Alexander VI and member of the Spanish-Aragonese House of Borgia.
His fight for power was a major inspiration for ‘The Prince’ by Niccolò Machiavelli. The Prince, one of Machiavelli's greatest works, as Machiavelli admired Borgia's undimmed ruthlessness, but mainly, because Borgia, for Machiavelli, exhibited a unity and coherence of purpose and intents that was good for the polity. {see Casare’s portrait in the gallery}


This is a Papal Army helmet from the collection of armour in the armoury of the Papal Army in Rome.
Good Heavy Italian Infantry Helmet Cabasset , hammered steel raised from a single plate, medial ridge with pear stalk finial stepped flared brim with turned over edge and in very good condition.

Provenance: From the Papal Armoury; and later acquired by London dealers Fenton & Sons Ltd. Fenton and Sons, Antique Arms and Armour, around 100 years ago. They traded in London from 1894-1927. and supplied, amongst others, the British Museum. An interesting point aside, we used to supply Fentons back in the 1920's ourselves. This and a few others were acquired by Fentons in 1919 and were listed in their catalogue. They were all from the Papal Armoury in Rome made for the Barberini family.

The Barberinis supplied the armour and cabassets for the papal army in the 16th century, a period fraught with anarchy and bandits and direct attacks on papal territories by Parma. The close association led to Maffeo Barberini becoming Pope Urban VIII. His brother Taddeo was made Supreme Commander of the Papal Army. The helmets, including this one, were from the papal armoury and served through the papal wars. It is estimated that about 4500 men served the papal army and most would have worn cabassets, making the original number of the group well over 4000. Others from the group are now in the Musio Storico Vaticano the Old Papal armoury now in the Vatican Historical Museum in the Lateran Palace, Rome.
The Papal Army was the loosely-construed army of volunteers and mercenaries in the service of the Italian Papal States, active from the 8th century until the capture of Rome by Italy in 1870. The Papal States maintained a sizeable military during the Middle Ages, using it to fight against the Holy Roman Empire and its Ghibelline allies. During the 1300s, the Papal States began to employ the services of condottieri, mercenaries who sold their services to the extremely wealthy Catholic Church. These forces would be instrumental to the defence of the Pope during the Italian Wars of the 15th and 16th centuries, with Cesare Borgia leading the Papal Army on a campaign of conquest that added several new city-states and regions to the Papal States' territories. Painting in the gallery of the Massacre of San Bartolome in the Catholic-Protestant Religious Wars, where the French crown aided by Queen Catherine de Medici, mother of the French King, with the Pope's blessing, fought ten of thousands of Huguenots what is considered the second deadliest religious war in European history (surpassed only by the Thirty Years' War, which took eight million European lives) The pope was so delighted with the battle he ordered a Te Deum to be sung as a special thanksgiving (a practice continued for many years after) and had a medal struck with the motto Ugonottorum strages,  read more

Code: 23616

An 1801 Pattern Baker Rifle Sword {Bayonet}. Brass D Hilt & Single Edged Long Sword Blade

Traditional ribbed grip hilt, flattened section knucklebow, slightly bent quillon with long retaining spring, released by press catch. 23 inch steel flat sided single edged blade with return false edge. No maker markings remaining.

The sword that affixes to the end of a rifle as a bayonet. However, as all British Army riflemen know, the rifleman carries a sword, not a bayonet, despite it looking and acting as one. The rifle was used throughout the entire Peninsular Wars, the War of 1812 in America and Waterloo, by the world's greatest marksmen to fight for King and Country. This is not the denigrate our cousins, the American Riflemen of course, but they were not fighting for King and Country.

The British army had learned the value of rifles from their experience in the American rebellion in the 1770's. However, existing rifle designs were considered to be to cumbersome, slow-firing, fragile or expensive to be put to use on any scale beyond irregular companies. Rifles had been issued on a limited basis and consisted of parts made to no precise pattern, often brought in from Prussia. The war against Revolutionary France resulted in the employment of new tactics, and the British Army responded, albeit with some delay. Prior to the formation of an Experimental Rifle Corps in 1800, a trial was held at Woolwich by the British Board of Ordnance on 22 February 1800 in order to select a standard rifle pattern; the rifle designed by Ezekiel Baker was chosen.

Colonel Coote Manningham, responsible for establishing the Rifle Corps, influenced the initial designs of the Baker. The first model resembled the British Infantry Musket, but was rejected for being too heavy. Baker was provided with a German Jager rifle as an example of what was needed. The second model he made had a .75 calibre bore, the same calibre as the Infantry Musket. It had a 32-inch barrel, with eight rectangular rifling grooves; this model was accepted as the Infantry Rifle, but more changes were made until it was finally placed into production. The third and final model had the barrel shortened from 32 to 30 inches, and the calibre reduced to .653, which allowed the rifle to fire a .625 calibre carbine bullet, with a greased patch to grip the now-seven rectangular grooves in the barrel. The rifle had a simple folding backsight with the standard large lock mechanism (marked 'Tower' and 'G.R.' under a Crown, although later ones had 'Enfield,' but these only saw service after Waterloo), with a swan-neck cock as fitted to the 'Brown Bess.' Like the German Jager rifles, it had a scrolled brass trigger guard to help ensure a firm grip and a raised cheek piece on the left-hand side of the butt. Like many rifles, it had a 'butt-trap' or patchbox where greased linen patches and tools could be stored. The lid of the patchbox was brass, and hinged at the rear so it could be flipped up. The stocks were made of walnut and held the barrel with three flat captive wedges. The rifle also had a metal locking bar to accommodate up to a 23- inch sword bayonet, similar to that of the Jager rifle. The Baker was 45 inches from muzzle to butt, 12 inches shorter than the Infantry Musket, and weighed almost nine pounds. Gunpowder fouling in the grooves made the weapon much slower to load and affected its accuracy, so a cleaning kit was stored in the patch box of the Baker; the Infantry Muskets were not issued with cleaning kits.  read more

Code: 25073