An Absolutely Superb, & Signed, Samurai’s Large Sunobi-Tanto or Wakazashi Late Koto to Early Shinto Period. Mutsu no Kami Daido School. Carved Horimono Blade With Bonji, of Fudō-myōō (不動明王), & Buddhist Ken Sword. Nabeshima Clan

The blade, around 400 years old, is very wide and powerful, and has horimono carved to both sides, of ancient Buddhist ken swords, one with a varjira a Buddhist god's lightning creator and the swirling grain in the hada looks absolutely stunning, but it has to be viewed in the right light, with a typical narrow suguha hamon. Beautiful shakudo and pure gold Mino Goto school fuchigashira of takebori water dragon on a nanako ground, with an iron ground matching water dragon tsuba, possibly 3rd or 4th generation Jakushi, from the first half of the 18th century. Chinese-style dragons became a popular subject for Jakushi carvers. Two-toed dragons indicate nothing more than the Jakushi carvers’ bold appetite for artistic license. This piece resembles designs by the second generation, Shiraki Kizaemon, whose works were copied by the third. The founder of the school Kawamura Fukuyoshi, studied painting under Shoyu Itsunen, the Chinese-born abbot of Kofukuji temple in Nagasaki. It appears that Kawamura took the art-name Jakushi (young turf), and collaborated with Kizaemon to transfer his painting ideas into metal, as sword-fitting. Kizaemon and his descendants kept the name Jakushi.”.

It bears the clan mon of the Nabeshima.The clan initially aided Ishida Mitsunari against Tokugawa Ieyasu in the Sekigahara Campaign in 1600. Which is when this fabulous sword dates from. However, they switched sides to support the Tokugawa, who were ultimately victorious, before the campaign had ended, battling and occupying the forces of Tachibana Muneshige, who was thus prevented from contributing directly to the battle of Sekigahara. Though regarded as tozama daimyō ("outside" lords), and assigned particularly heavy corvée duties, the Nabeshima were allowed to keep their territory in Saga, and in fact had their kokudaka increased. The clan's forces served the new Tokugawa shogunate loyally in the years which followed; they remained in Kyūshū during the 1615 Osaka Campaign as a check against a possible rebellion or uprising by the Shimazu clan, and aided in the suppression of the Shimabara Rebellion of 1637. In recognition of their service, members of the clan were granted the prestigious family name Matsudaira in 1648.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself.

A pair of pure gold and shakudo flowering menuki under the tsukaito, and are of wonderful quality, and a stunning shakudo decorated kozuka utility knife with the Nabeshima clan mon of the Daki Myoga ginger plant, and the blade is also fully signed, is set within the saya pocket. The original Edo saya is fabulously decorated with kairagi polished giant rayskin. "Kairagi" means "Ume Blossom Skin".
When you polish the skin, Ume Blossom patterns will appear. Kairagi-same is very rare. The saya is polished samegawa. Polished giant ray skin, samegawa, was, at the time of the Samurai, some one of the most expensive and highly prized forms of decoration to be used on sword scabbards Saya. It was the same material as is used on sword hilts under the binding, but the large and small protruding nodules were hand polished, for hundreds of hours, to create a highly polished flat surface, that was then hand dyed and thus created a decorated scabbard with immense natural beauty, and huge expense for the time. The name Daido is most interesting, his early name is Kanemichi, and he changed to “O”Kanemichi when he received the “O” or “Dai” kanji from the Emperor Ogimachi. Later he called himself “Daido” and then received the title of “Mutsu No Kami” in Tensho 2. It is also believed that he was the personal swordsmith to Oda Nobunaga and the fact that he moved to Kyoto at the same time Nobunaga established his residence in Kyoto seems to support this idea. There are Juyo-Token by him, as well as joint effort works with Horikawa Kunihiro. The Horimono are double edged Buddhist ken straight sword, and a Bonji of 'Fudo' warrior deitie. Fudō-myōō (不動明王) is the full Japanese name for Acala-vidyaraja, or Fudō (o-Fudō-sama etc.) for short. It is the literal translation of the Sanskrit term "immovable wisdom king". The sword engraved on this sword is as a kongō-ken (金剛杵 "vajra sword"), which is descriptive of the fact that the pommel of the sword is in the shape of the talon-like kongō-sho (金剛杵 "vajra") of one type or another. It may also be referred to as "three-pronged vajra sword. The blade 17.5 inches long tsuba to tip, overall 25.5 inches long in saya  read more

Code: 24449

A Beautiful Antique Edo Period 1598-1868 Tanto Signed Satsuma ju Yoshizane

In all original Edo period mounts fittings and saya, stunning ishime stone finish lacquer to the saya in pristine condition.
Kozuka utility knife also signed with maker's signature. See photo 10 in the gallery

Pair of menuki of gold embellished flower sprays, iron silver inlaid kashira, gilt and nanko fuchi.

Blade in full traditional stone polish showing a delightful notare hamon.

Tanto are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana. Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi. Tanto first began to appear in the Heian period, however these blades lacked artistic qualities and were purely weapons. In the Early Kamakura period high quality tanto with artistic qualities began to appear, and the famous Yoshimitsu (the greatest tanto maker in Japanese history) began his forging. Tanto production increased greatly around the Muromachi period and then dropped off in the Shinto period. Shinto period tanto are quite rare. Tanto were mostly carried by Samurai; commoners did not generally carry them. Women sometimes carried a small tanto called a kaiken in their obi for self defence. It was sometimes worn as the shoto in place of a wakizashi in a daisho, especially on the battlefield. Before the 16th century it was common for a Samurai to carry a tachi and a tanto as opposed to a katana and a wakizashi.

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Code: 23506

Many, Many Thousands of Historical Books Available, From Early Incunabala, First Editions, Early Antique Publications, Plus Vintage, Modern, & Second Hand. With Up to 50 New Additions Every Day, & 126 Arrived Just Yesterday!

Price shown below for illustration purposes only, of our starting price of our second hand {specialist military or historical} hard-backs.

Almost 20 years ago The Lanes Armoury, Bookshop Dept. made a special appearance, with a most kind and complimentary reference, in “The Sunday Times Culture Magazine’, especially its specialist bookshop section, in March 2006, and we continue to trade in our specialist books as much now as we did then, despite the demise of many of Britain’s fine bookshops.

Mark’s interest in historical books was partly honed by his good school friend, with whom he shared a study at college in the 1960’s just into the early 70’s, Robert Foyle, of, probably, the world’s most famous bookshop family, Foyles of London. We cannot begin to emulate Foyles, {who could!} but we do have many thousands of books, early antique and vintage, and as books are our largest single selling line we have just too many pass through our hands to even begin to list them all in stock, but we do try to list all our 1st Editions if possible.

Please email us if you seek a particular item you don't see available. We are, as usual, actively seeking rare old books with a historical interest. A short time ago, for one example, we had an urgent request for a very rare and valuable 50k+ gbp numbered & signed subscribers edition of "The 7 Pillars of Wisdom", by T.E. Lawrence, and we eventually located a superb one, after a 10 year search. and it was sold by us within hours.

The price shown below is an illustration of the average price of one of our regular modern, hardback, second-hand, historical or militaria books, of course our antique leather bound books can vary in price enormously from £50 to £5,000, depending on age, but more importantly, on rarity  read more

Code: 23677

A Rare, Original, Ancient Viking Wrought Iron Battle Hammer-Axe. Found Near Camphill, North Yorkshire, In The 19th Century, Circa 1870's. Around 1100 to 1200 Years Old

Renown scholar Alcuin of York was back at Charlemagne's court by at least mid-792, writing a series of letters, regarding the brutal Viking raid at Lindisfarne, to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, "De clade Lindisfarnensis monasterii", provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments.

The Vikings began arriving en masse with armies intent on conquest. These armies were led by Ivar the Boneless, Halfdan, and Ubba, three of the sons of Ragnar Lodbrok, who had been killed by the Northumbrian King Ælla. The first English city to fall to the invaders was York, conquered in 866. The Northumbrians tried in vain to retake the city, and King Ælla was killed in the process. One-by-one, other Saxon realms capitulated until virtually all of north and eastern England was under the direct control of the Danes.

At this point, the strongest Anglo-Saxon kingdom was Wessex, and upon the death of its king Æthelred, Alfred succeeded the throne and took the fight to the Vikings in England, who had begun annexing huge chunks of Mercia, an ally of Wessex. Alfred’s initial campaign against the Vikings was, however, a complete failure. Anglo-Saxon military tactics and defenses were incapable of dealing with Viking raids, and Alfred was eventually forced into hiding in the Somerset Marshes. The Vikings in England had succeeded in opening up the whole of Anglo-Saxon England to their mercy.
In 878, King Alfred came out of hiding and met with the lords still loyal to his cause. During his time in the Somerset Marshes, he had carefully planned a major counter-offensive against the Danish Viking army under Guthrum. Alfred’s campaign was successful, and Guthrum’s army was beaten, first in the field at Edington and then starved into submission at Chippenham. Several years later, a boundary was established, dividing England in two, with one half under Anglo-Saxon control and the other half, known as the Danelaw, under the control of the Vikings.

King Alfred organized better defenses, as well as a powerful free-standing army better equipped to deal with Viking tactics. As a result, subsequent raids and a major invasion attempt were thwarted. The Vikings who were part of this invasion attempt either ended up settling in Danelaw or sailing to Normandy and settling there.
Beyer, Greg. "The Vikings in England (Or were they Danes?)" TheCollector.com, March 11, 2023, https://www.thecollector.com/danes-or-vikings-in-england/

Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology, plus the legendary axe hammer.

The Tjängvide image stone with illustrations from Norse mythology
By Berig - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=3682858
Showing axe hammers in combat and a Viking longship read more

8 inches long.  read more

Code: 25796

An Original Arrowhead From the Time of Alexander the Great’s War Against Persia, The Battle of the Granicus River, in 334 BC. The Battle Site Was Near The Legendary Site of the City of Troy.. Acquired On a Grand Tour in 1820

A stunning conversation piece, that would make a unique gift for a friend or loved one. Original, small arrow head in delightful condition showing good and beautiful natural aged ancient patina. They were all small heads at that time, as the arrow haft and flight was long and naturally did the major part of the action, but that was the organic part of the complete arrow, that simply rot away within a century in the ground, just leaving the remarkable bronze age head remaining.
Acquired in the 1820's while on a Grand Tour of Northern France and the
Ottoman Empire.
Discovered over 200 years ago in the region of The Battle of the Granicus River during what was known at the time as 'The Grand Tour'. And acquired by us as part of a collection of original antiquities from the Hamilton family of Scotland.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

Fought in May 334 BC it was the first of three major battles fought between Alexander the Great and the Persian Empire. Fought in Northwestern Asia Minor, near the site of Troy, it was here that Alexander defeated the forces of the Persian satraps of Asia Minor, including a large force of Greek mercenaries led by Memnon of Rhodes.

The battle took place on the road from Abydos to Dascylium (near modern-day Ergili, Turkey), at the crossing of the Granicus River. Where the ancient Greeks best perceived the need for archers was
when an expeditionary force came to them: if an ancient city knew a siege was facing them, what preparations would they make As Mitylene prepares to secede from the Athenian Empire (428), we see the city taking three preparations to undergo a siege:
one was to buy grain,
second was to raise the height of the walls, and
the third was to bring in archers from Thrace.

In a siege, the defenders always have the height advantage. They are throwing or shooting from the city walls, the offense is shooting from the ground. Mathematically, the height advantage goes with the square root of two. If, for instance, you are shooting from twice as high, your arrow goes 1.414 times as far. If you are on a battlement 50 feet high, and your opponent is shooting from five feet high, your arrow goes seven times farther than his.
(This is purely mechanical, ignoring aerodynamics.)

The bow, among the Greeks, was the principal weapon for the city besieged. The bow being so effective in this situation explains why the first advance in ancient siege machinery was the movable tower. This
is the invention of Dionysius of Syracuse. You build it out of range, as high as the city walls, or even higher, armour the front with hides, move it up and give your archers a fair chance to clear the city walls.
Here, for once, is a situation where archers are fighting archers as the main event in ancient Greece. Though siege-towers were constructed out of range, there could always be over-achievers: Philip II, king of Macedon (359-336) and father of Alexander the Great, was inspecting
siege-works when he got his most famous wound an arrow from the city walls knocked his eye out.
Archers on city walls turned many a tide, as victorious besiegers routed a city’s land forces, and, in the excitement of pursuit, got too close to the city walls!.

Size approx 33mm long. We have a very few similar all from the collection, this one in the gallery was sold but we have a very few very similar around the same size. However, some are slightly longer, and a larger size, that are up to £95, please enquire directly if required  read more

Code: 24503

A Rare, Original, Ancient Viking Wrought Iron Hammer Adze For Viking Long Boat & Roundhouse Construction Found Near Camphill, North Yorkshire, In The 19th Century, Circa 1870's. Around 1100 to 1200 Years Old

All Viking ships were clinker built; the planks were overlapped at one edge and riveted together. In clinker shipbuilding you start build the outside first, and then put a frame inside it.
Viking ship frames are like display cases of grown timbers. For instance, the stem and stern posts would be taken from large, curved branches. Where two parts of the frame are to meet (usually a weak spot that needs re-enforcement) the Vikings used a single timber, cut from a branching element of a tree. On smaller vessels, where the oars didn’t pass through oarholes, the tholes (or rowlocks) were made from the junction of a branch with the trunk – putting the strongest part of the wood at the point of most strain.

Viking houses were built of wood. The longhouses had bowed walls in plan, forming a ship-like outline. The walls were lined with clay or consisted of wooden planks placed vertically into the ground, which supported the roof, along with two rows of internal posts. Outside the house was often supported by sloping posts. Roofs were slanted and could be thatched or wooden.

Renown scholar Alcuin of York was back at Charlemagne's court by at least mid-792, writing a series of letters to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, "De clade Lindisfarnensis monasterii", provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments.

The Vikings began arriving en masse with armies intent on conquest. These armies were led by Ivar the Boneless, Halfdan, and Ubba, three of the sons of Ragnar Lodbrok, who had been killed by the Northumbrian King Ælla. The first English city to fall to the invaders was York, conquered in 866. The Northumbrians tried in vain to retake the city, and King Ælla was killed in the process. One-by-one, other Saxon realms capitulated until virtually all of north and eastern England was under the direct control of the Danes.

At this point, the strongest Anglo-Saxon kingdom was Wessex, and upon the death of its king Æthelred, Alfred succeeded the throne and took the fight to the Vikings in England, who had begun annexing huge chunks of Mercia, an ally of Wessex. Alfred’s initial campaign against the Vikings was, however, a complete failure. Anglo-Saxon military tactics and defenses were incapable of dealing with Viking raids, and Alfred was eventually forced into hiding in the Somerset Marshes. The Vikings in England had succeeded in opening up the whole of Anglo-Saxon England to their mercy.
In 878, King Alfred came out of hiding and met with the lords still loyal to his cause. During his time in the Somerset Marshes, he had carefully planned a major counter-offensive against the Danish Viking army under Guthrum. Alfred’s campaign was successful, and Guthrum’s army was beaten, first in the field at Edington and then starved into submission at Chippenham. Several years later, a boundary was established, dividing England in two, with one half under Anglo-Saxon control and the other half, known as the Danelaw, under the control of the Vikings.

King Alfred organized better defenses, as well as a powerful free-standing army better equipped to deal with Viking tactics. As a result, subsequent raids and a major invasion attempt were thwarted. The Vikings who were part of this invasion attempt either ended up settling in Danelaw or sailing to Normandy and settling there.
Beyer, Greg. "The Vikings in England (Or were they Danes?)" TheCollector.com, March 11, 2023, https://www.thecollector.com/danes-or-vikings-in-england/

Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology, plus the legendary axe hammer.

The Tjängvide image stone with illustrations from Norse mythology
By Berig - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=3682858
Showing axe hammers in combat and a Viking longship.

Scenes in the gallery of Viking-Norman carpenters making a long ship, from King William the Conqueror's Bayeux embroidery {although it is always called, and known through history, and even today, as a tapestry, but in error}. Commissioned by Bishop Odo of Bayeux, William's maternal half-brother, it was made for him in England in the 1070s.

The Normans of Normandy were settled Vikings.  read more

Code: 25795

Rare, Archaic Chinese Warrior Prince's Bronze Jian Sword, Overlaid With Gold, Auspicious Metal, Around 2,400 to 2,600 Years Old, From the Zhou Dynasty to the Chin Dynasty, Including the Period of Sun-Tzu'. Likely of The Kingdom of Yue

Chinese Bronze 'Two Ring' Jian sword, a bronze alloy construction, with traces of pure gold, including the gold onlay of a dragon {see photos 1 and 3 in the gallery} with the Chinese ‘Auspicious Metal’ {gold}, overlay, and now with up to 2400 years of natural aged patination and surface encrustations, made and used in the era of China's Seven Kingdoms period, likely with royal connections in the Kingdom of Yue, up to the latter part of the Eastern Zhou dynasty (475 BC). It is incredibly rare to find a sword from this period of ancient history with gold decor. It's surface is covered in superb patination and age encrustations, with various areas showing traces of layered pure gold. Of course, naturally, in its day, it would have been visibly fully covered in gold and look quite magnificent. It would have undoubtedly have been made for an ancient Chinese warrior Prince or general, absolutely a man of the highest possible status within the King’s army. 535mms long, weight 800gms.

Formerly of the Anthony Dove Collection, one of the foremost collectors of ancient Chinese swords, and joint author on the seminal academic research paper on the authentication of ancient Chinese swords and their metallurgical construction.

We show in the gallery photographs of another sword very similar, from the same era and reign, a non ringed hilt type, that was once also covered in gold, but now encrusted with age, like ours, that sold in 2013 for $183,750.
However, that gold sword was detailed and inlaid with surviving archaic script, somewhat like our other engraved two ring sword, that has revealed, through diligent effort, a potential translation, and the name of its owner. In a fashion, our two similar swords, but combined, would have the merged result of that single gold sword. Yet at less than a small percentage of the cost of the Christie’s sword

The Zhou script engraved on that other gold sword may state the following : Gongwu wang Guang ? yi ji jin zi zuo yong jian ('King Guang of the State of Gongwu forged this sword with auspicous metal for his usage')

From a large collection of antiquities, swords daggers, and rings, that recently arrived, many pieces sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund. Formerly the property of a highly regarded renown British expert and collector, who has collaborated with museum experts, such as the Wallace Collection, on the origins, forms, styles and metallurgical investigations on ancient Chinese Bronze Age antiquities, and early British silver.

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the highest ranking officer warriors or princes alongside the world renowned General Sun Tzu, in the Kingdom of Wu, {although this sword is more likely from the Kingdom of Yueh} who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges with seal script engraving on both sides of the bottom section of the blade near the hilt. See the photo in the gallery that shows a close up of the section of blade with the seal script.

A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

A very similar sword had a detailed metallurgical analysis carried out at the Wallace Collection was measured by Graham McArthur in the Conservation Department of the Wallace Collection at a number of points near the edge using a Branson Krautkramer electronic surface hardness tester giving results ranging from 158 to 289 VPH with an average of 247 VPH, and thus thought to be from 500 BC. That particular sword, had a number of features in common with one in the Catalogue of the Warner Jennings Collection in the Chinese National Palace Museum, Peking, that is considered to have royal associations with a king of Yueh.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Just over 26 inches long overall.
From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and respected collectors, especially early silver, & he was a past honorary President of London’s Silver Spoon Society.

Other bronze swords bearing inscriptions inlaid in gold include the example dated to the 5th century BC in the Freer Gallery of Art, illustrated by T. Lawton, Chinese Art of the Warring States Period, Change and Continuity, 480-222 BC , Washington, DC , 1982, p. 70-71, no. 28, and one in the Musée Guimet dated 5th-4th century BC, illustrated by C. Delacour, De bronze, d'or et d'argent, Sumptuary Arts of China , Paris, 2001, p. 131. Both the Freer sword and the Guimet sword bear the same twenty-character inscription, arranged in ten characters to each side, which Thomas Lawton translates as, "On the auspicious day jen-wu, this sword was made for righteous use .

We show in the gallery, another very similar sword in a most similar state of aged preservation, but, with surviving gold inlaid archaic script upon the blade. It was sold at Christies in 2013, for $183,,750 . Lot number 1234. A very rare and important gold-inlaid bronze sword, Eastern Zhou dynasty, late 6th-early 5th century BC; 19 3/8 in. (49.3 cm.) long. Estimate 150,000 - USD 250,000. Price realised USD $183,750. Formerly of the Arthur M. Sackler Collections, New York.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

Code: 24842

A Most Rare, Circa 1822, Brown Calf & Morocco Leather Bound Volume of 'The Stranger in Brighton' & Baxter's Directory. Compiled and Published by by J.Baxter of North Street Brighton

These fabulous English Georgian period pocket directories are a wonderful snapshot of the inhabitants of the town, and it brings to life the characters and history of this extraordinary resort, made famous just a few years earlier by His Royal Highness the Prince of Wales.

Baxter’s Stranger in Brighton and directory : is a most rare and highly collectable volume, comprising a brief, yet comprehensive historical and topographical account of the town, and immediate neighbourhood ...Published circa 1822 by Baxter & Co. North St, Brighton Only a few hundred yards from our shop in the Lanes. Finely bound in light brown calf with calf spine and red Morocco leather and gilt title. The directory contains I. An alphabetical arrangement of inhabitant householders. II. An alphabetical arrangement of the professions. III. A list of coaches, waggons, carts, etc. Plus interesting tales of Brighton and its history and sights and places of interest. A wonderful and informative volume. According to J.H.Farrant Directories are an important source of information for studying the nineteenth century and the first half of the twentieth. For the family historian they help to identify the residence of individual people within narrow time limits; for the social historian they can indicate the internal structures of communities; for the economic historian the relative and changing importance of occupations and industries may be revealed, whilst the historical geographer can plot the spatial distribution of those activities. In few instances are directories undoubtedly better in quality of information than other sources: census enumerator’s tallies are more comprehensive and probably more accurate for identifying individuals; rate books can be much preferable for discovering the distribution of occupations and businesses; and so on. But directories have the indisputable advantage of being printed and published books.
Brighton is a seaside resort on the south coast of England which is now part of the city of Brighton and Hove, in the county of East Sussex, in England.
We are likely Brighton’s oldest gallery owners & family traders. And or over 100 years we have been based in the world famous area Of 'The Lanes' of Brighton, which is located in he very centre of Old Brighthelmstone Later re-named Brighton

Brighthelmstone, was recorded in the Domesday Book, the Norman detailed record of almost 1000 years past, of every city, town village and hamlet in England.
A town considered so important by our South Easterly neighbours, the French, that they sailed over the channel and burnt us to the ground.… at least twice.

Archaeological evidence of settlement in the area dates back to the Bronze Age, Roman and Anglo-Saxon periods. The ancient settlement of "Brighthelmstone" was documented in the Domesday Book (1086). The town's importance grew in the Middle Ages as the Old Town developed, but it languished in the early modern period, affected by foreign attacks, storms, a suffering economy and a declining population. Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a health resort for sea bathing as a purported cure for illnesses.

In the Georgian era, Brighton developed as a fashionable seaside resort, encouraged by the patronage of the Prince Regent, later King George IV, who spent much time in the town and constructed the Royal Pavilion in the Regency era.
4.75 inches x 7.25 inches. It mentions in the title page a map and three engravings, but in this deluxe calf leather binding {they were initially sold in simple grey board} there were no engravings or any indication they have been removed.  read more

Code: 21263

A Very Rare Collector’s Piece From One of the Most Significant National Hero State Events in the 19th Century. Original Part From The Duke of Wellington's Funeral Carriage. That Was, For The Greater Part , Constructed From Cannon Captured From Waterloo.

Attended by an estimated at the time, 1.5 million people, and this was when the population of the country was almost a quarter what it is today.
From one of the original foundrys Taylors Works that cast the wheels. This is an original spare wheel support made for the magnificent 18 ton funeral carriage. The Duke lay in state in Chelsea Hospital for two days, during which thousands of mourners including the Queen paid their respects. His funeral took place on 18 November when the funeral processed from Horse Guards to St Paul's, Wellington's remains borne in a huge funeral carriage weighing over 18 tons, and that is now on public display at Stratfield Saye. Field Marshal Arthur Wellesley, 1st Duke of Wellington, KG, GCB, GCH, PC, FRS (1 May 1769 - 14 September 1852), was a British soldier and statesman, a native of Ireland from the Anglo-Irish Ascendancy, and one of the world’s leading military and political figures of the 19th century. His importance in national history is such that he is often referred to as "the Duke of Wellington" instead of "the 1st Duke of Wellington" (overshadowing the heirs to his dukedom including the current duke, see Dukes of Wellington).

Wellesley was commissioned as an ensign in the British Army in 1787. Serving in Ireland as aide-de-camp to two successive Lords Lieutenant of Ireland he was also elected as a Member of Parliament in the Irish House of Commons. A colonel by 1796, Wellesley saw action in the Netherlands and in India, where he fought in the Fourth Anglo-Mysore War at the Battle of Seringapatam. He was appointed governor of Seringapatam and Mysore in 1799 and as a newly appointed major-general won a decisive victory over the Maratha Confederacy at the Battle of Assaye in 1803.

Wellesley rose to prominence as a general during the Peninsular campaign of the Napoleonic Wars, and was promoted to the rank of field marshal after leading the allied forces to victory against the French at the Battle of Vitoria in 1813. Following Napoleon's exile in 1814, he served as the ambassador to France and was granted a dukedom. During the Hundred Days in 1815, he commanded the allied army which, together with a Prussian army under Bl?cher, defeated Napoleon at the Battle of Waterloo. Wellesley's battle record is exemplary, ultimately participating in some 60 battles during the course of his military career.

Wellesley is famous for his adaptive defensive style of warfare, resulting in several victories against a numerically superior force while minimising his own losses. He is regarded as one of the greatest defensive commanders of all time, and many of his tactics and battle plans are still studied in military academies around the world

The Duke of Wellington is one of only a handful of non-royals to have been accorded a state funeral. This carriage or ‘car’ was made for the occasion.Included in it's construction were over ten tons of bronze cannon captured at Waterloo and six foundries employed over a hundred men for eighteen days to make it.

The resulting utterly magnificent creation measured twenty seven feet in length, it was ten feet wide and seventeen feet high. A canopy of silk and silver hung from four halberds above the main structure. It required twelve horses to pull it.

The car proved to be the most controversial feature of Wellington’s funeral on 18 November 1852. Prince Albert, who oversaw the project, decreed that it should be ‘a symbol of English military strength and statesmanship’.
His wife loved it. Lord Hardinge, the Duke’s successor as commander-in-chief, reckoned it ‘a beautiful specimen of art. ‘

It did not help that one of the carriage’s six wheels got stuck in The Mall during the elaborate funeral procession. About sixty policemen were needed to free it. Worse, when it reached St Paul’s Cathedral, its mechanism failed. It took over an hour for the Duke’s coffin to be conveyed inside. The car then found a home in the crypt of St Paul’s until it was transferred to Stratfield Saye in 1981.

Despite such shortcomings, Wellington’s funeral was one of the great British state occasions of the nineteenth century. An estimated million and a half people converged on the procession route. The general feeling was that the passing of the hero of Waterloo marked the close of an era. Tennyson went even further, declaring that ‘the last great Englishman is low.’ Certainly there was nothing to compare to it until the late, great, Sir Winston Churchill’s funeral in 1965.
The spoke weighs around 6.5 kilos. Of very heavy metal construction  read more

Code: 22855

From Limoges, a Champleve Enamel Gilt & Bronze Sword Belt Plate of a Knight of King Henry II & Queen Eleanor of Aquitaine. Decorated With A Knight Combating A Beast with Spear and Shield . 1100's 'Opus Lemovicense' Crafted in Limoges, Aquitaine

12th century A.D.. Rectangular plaque with two attachment holes and flange one edge, with traces of a red and blue enamel design of a knight in combat with a beast, armed with a shield and spear, of 'opus lemovicense' { known as the “Work of Limoges"}. This belt plate was created by the same workshop and possibly the very same craftsmen that created on of the finest surviving medieval works of art, the Becket Casket, that now resides in the Victoria and Albert Museum. The belt plate contains the very same blue enamel as the Becket Casket.

A beautiful yet relatively very inexpensive example of 900 year old medieval enamel work from Limoges, in Aquitaine. Crafted from a highly technical workshop under the patronage of King Henry IInd and Queen Eleanor of Aquitaine

Limoges enamels, the richest surviving corpus of medieval metalwork, were renowned throughout Europe in the Middle Ages. Yet today they are little known outside academic circles. The present volume, L'Œuvre de Limoges, published in conjunction with the exhibition Enamels of Limoges, 1100–1350, brings to deserved public attention nearly two hundred of the most important and representative examples from the collections of The Metropolitan Museum of Art, the Musée du Louvre, the great church treasuries of France, and other sources. Early in the twelfth century, goldsmiths at the Benedictine Abbey of Conques in the hills of the ancient province of Rouergue began to create enamels whose jewel-like colors and rich, golden surfaces belied their fabrication from base copper. Within a generation, this technique was established in the area of the Limousin itself. By the 1160s the enamels created at Limoges, known as opus lemovicense, were a hallmark of the region. They were to be found not only in the Limousin and the neighboring region of the Auvergne but also in Paris, in monasteries along the pilgrims' road to Santiago de Compostela, at the Vatican, and in the cathedrals of Scandinavia.

The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the reliquary of Saint Thomas Becket. Ecclesiastical patrons such as Archbishop Absalon of Lund, Cardinal Guala Bicchieri, and, above all, Pope Innocent III were key to the dissemination of Limoges work throughout the churches of Europe.

While few of the artists who created the enamels that have come down to us are known by name, the works of several—Master Alpais, Garnerius, and Aymeric Chretien—are here juxtaposed with related pieces, some of them demonstrably from the same atelier. Clearly, the ability of the goldsmiths of Limoges to adapt their work to meet the demands of a varied clientele was an essential element in their success. Victorines and Franciscans joined Benedictines among the patrons of Limoges. Before the middle of the thirteenth century, the goldsmiths of Limoges began to create tomb sculptures of gilt copper with enameled surrounds, the most famous being the paired images of John and Blanche of France, children of Saint Louis. Objects decorated with enameled coats of arms came into prominence at about the same time.

Eleanor of Aquitaine (1137-1152) was one of the most powerful and influential figures of the Middle Ages and Queen of both France and England. Her legendary Courts of Love were said to have established and preserved many of the rituals of courtly love and chivalry- and had a far-reaching influence on literature, poetry, music and folklore.

The Becket Casket is a reliquary made in about 1180–90 in Limoges, France, and depicts one of the most infamous events in English history, the murder of Archbishop Thomas Becket. Following the assassination, relics of St Thomas were placed in similar reliquaries and dispersed across the world. This 'chasse' shaped reliquary is made of gilt-copper round a wooden core, intricately decorated with champlevé enamel to tell the story of Thomas Becket through literal and symbolic imagery. An exemplary showcasing of the Limoges enamel technique, this reliquary is now located in the Victoria and Albert Museum in London, England.

The Becket Casket is ornately decorated with champlevé enamel surrounding its wooden core and gilded copper interior. The decorative technique of champlevé enamel is a method in which high heat is utilized to fuse a powdered glass material into a recessed area of a metal surface.

The basic process of enameling involves fusing powdered material, such as glass, to the outer surface of a metallic or similar object through the use of high temperature. It is an ancient artistic process, used throughout history and crossing borders to create beautifully decorated pieces of all kinds. The process of champlevé enameling holds almost all of the basic steps as that of regular enameling. However in this technique, recesses of all shapes and sizes are carefully carved into the metallic body of the object and further filled with the powdered glass or frit, allowing for a different finish. The recessing in the body of the object can also be cast or etched, and the following steps remain the same.

The Becket Casket is shown in photo 8 in the gallery

See Taburet-Delahaye, E. & Boehm, B.D., L'Œuvre de Limoges, Paris, 1995,Enamels of Limoges, 1100–1350
Gauthier, Marie-Madeleine, Bernadette Barriere, Dom Jean Becquet, Elisabeth Taburet-Delahaye, Barbara Drake Boehm, Michel Pastoureau, Beatrice de Chancel-Bardelot, Isabelle Biron, Pete Dandridge and Mark T. Wypyski
1996

34mm x 34mm  read more

Code: 25555