A Hugely Impressive & Beautiful, Gothic, Medieval Form Pole Or Tiller Gun, Light Cannon Size Yet Hand Portable.

1.25 inch bore iron 'cannon form' barrel, with a carved hardwood tiller, probably later, bearing a beautifully carved Tudor rose. Probably a 17th century gun, and during it's later working life it has been stored in the 18th to 19th century in the armoury of the Maharajah of Jaipur and bears the Maharajah’s armoury storage marks stamped thereon.

This type of gun is typical of many surviving from the period 1420 to around 1480. It’s a most sturdy and massive forged iron barrel made by a armoury blacksmith, mounted with a wooden pole or tiller. Some version might have had a hook on the bottom of the barrel as does this, which could be used to hook the barrel over the top of a wall or shield, or as a close-quarters weapon.

The the late medieval term used was arquebus or harkbuss meaning a hand fired gun..

This gun can be fired by a single person if it is hooked over a wall, or more easily by two people, a gunner and a calinator due to it’s weight. The earlier weapons all rely on putting a lighted match into the touch-hole by hand. The matchlock gun represented a real advance. It held the lighted match on a pivoted trigger lever (known as a serpentine). This allowed the gunner to look at his target where aiming.

This style of gun was the highest technology of the medieval era, not widespread until after 1450, and continuing until perhaps 1550, when it grew in length and became the familiar musket of the English civil wars in the 1700’s.

Barrel 31.5 inches long, barrel muzzle 2.5 inches across, tiller 18 inches, and overall 50 inches. As with all our antique guns no license is required as they are all unrestricted antique collectables, barrel bore bears old tamper obstruction.  read more

Code: 20331

A Superb 16th Century Italian Glaive Polearm, Used in the 1500's

Also known as a fauchard. 34.5 inch head. glaive is a European polearm weapon, consisting of a single-edged blade on the end of a pole. It is similar to the Japanese naginata, the Chinese guandao, Russian sovnya and Siberian palma

Typically, the blade was from around 45 cm (18 inches) long, on the end of a pole 2 m (6 or 7 feet) long, and the blade was affixed in a socket-shaft configuration similar to an axe head, rather than having a tang like a sword or naginata. Occasionally glaive blades were created with a small hook on the reverse side [such as this one] to better catch riders on horseback. Such blades are called glaive-guisarmes.

According to the 1599 treatise Paradoxes of Defence by the English gentleman George Silver, the glaive is used in the same general manner as the quarterstaff, half pike, bill, halberd, voulge, or partisan. Silver rates this class of polearms above all other individual hand-to-hand combat weapons.
The Maciejowski Bible (Morgan Bible) depicts an example of a two-handed glaive used on horseback. Two images in our gallery are taken from the Morgan Bible (Folio 10 Verso - top). Notice the Warbrand in the forefront slicing into a mounted soldier with his glaive. Another early engraving of a knight with a glaive, and a group of men behing the king all with forms of glaive.
The contemporary term for this weapon may have been faussart, which was used for a variety of single-edged weapons seen as related to the scythe (along with terms such as falchion or falcata derived from falx, the Latin term for "scythe"). 96.75 inches long overall [haft is so long it would need to be expertly but only temporarily halved by our workshop for shipping] This superb glaive was formerly part of the Higgin's Collection and exhibited in the wonderful Higgins Museum Collection in Massachusetts for many decades, and it still bears, for its provenence, its original Higgins Armoury museum collection label.  read more

Code: 22579

A Fabulous Piece Of Napoleonic Wars Maritime History. Hand Written Napoleonic Wars Royal Naval 'Secret Intelligence' Report 1809

A secret intelligence report regarding Capt Beresford's observations of the enemy ship numbers off L'Orient and the Rochefort ships. Hand written and triple folded on laid paper bearing the watermark of the Prince of Wales Feathers, a monogram, MJL, and dated 1806. Paper makers Molineux Johnston and Lee of Lewes Sussex, cut and gilt edges.
This is the very same laid paper, by MJL, that was used in personal correspondence by Percy Bysshe Shelley, whose family home was near Lewes, and is duly recorded in the Bodlean at Oxford. Naturally, for a Naval Intelligence secret report it is unsigned, but one must sumise it would have been composed by an naval intelligence agent, such as the fictional ship's surgeon, Stephen Maturin, a physician, and intelligence agent in the nautical and historical novels by Patrick O'brian.

The Battle of the Basque Roads, also Battle of Aix Roads was a naval battle during the Napoleonic Wars off the Island of Aix. On the night of 11 April 1809 Captain Lord Cochrane led a British fireship attack against a powerful French force anchored in the Basque Roads. In the attack all but two of the French ships were driven ashore. The subsequent engagement lasted three days but failed to destroy the entire French fleet. Capt Beresford was part of the British squdron on HMS Theseus.

Cochrane accused the British commanding officer, Admiral James Gambier, of being reluctant to press the attack. Gambier demanded a court-martial, and was duly exonerated; Cochrane's career in the Royal Navy ended. The French Navy continued to operate against the British from the Basque Roads until the end of the Napoleonic Wars. Written side only 7 x 4.5 inches, opens to 9 x 4.5, fully folded 3 x 4.5 inches.

This fine original historical piece of Royal naval history would look absolutely superb suitably mounted and bespoke framed.  read more

Code: 20235

A Very Good, Rare, 1910-1918 Historically Significant General's WW1 Austrian Kepi Service Cap

In superb condition. Photos in the gallery of Archduke Franz Ferdinand wearing his identical general's cap. An Austrian general's cap for a general that was serving at the time that Archduke Ferdinand was assassinated that ultimately was the direct cause of WW1.
It is even feasible he may have been on the Arch Duke's staff when he was killed.
Austro-Hungary was the dominant junior partner of the Central Powers, controlled by Imperial Germany and the Kaiser in WW1. With leather peak and bullion cockade and bullion trim. Maker label marked. It was the assassination of Arch Duke Franz Ferdinand heir to the throne of the Austro Hungarian Empire in Serbia that was the cause for the greatest conflict known to man, The Great War or WW1 as it is known today. Franz Ferdinand (18 December 1863 - 28 June 1914) was an Archduke of Austria-Este, Austro-Hungarian and Royal Prince of Hungary and of Bohemia, and from 1896 until his death, heir presumptive to the Austro-Hungarian throne.

His assassination in Sarajevo precipitated Austria-Hungary's declaration of war against Serbia. This thus caused the Central Powers (including Germany and Austria-Hungary) and the Allies of World War I (countries allied with Serbia or Serbia's allies) to declare war upon each other, thus started, World War I.
After the death of Crown Prince Rudolf, Franz Joseph's nephew, Archduke Franz Ferdinand, became heir to the throne. On 28 June 1914, Franz Ferdinand and his morganatic wife, Countess Sophie Chotek, were assassinated on a visit to Sarajevo. When he heard the news of the assassination, Franz Joseph said that
"one has not to defy the Almighty. In this manner a superior power has restored that order which I unfortunately was unable to maintain."

While the emperor was shaken, and interrupted his vacation in order to return to Vienna, he soon resumed his vacation to his imperial villa at Bad Ischl. With the emperor five hours away from the capital, most of the decision-making during the "July Crisis" fell to Count Leopold Berchtold, the Austrian foreign minister, Count Franz Conrad von H?tzendorf, the chief of staff for the Austrian army, and the rest of the ministers. On 21 July, Franz Joseph was apparently surprised by the severity of the ultimatum that was to be sent to the Serbs, and expressed his concerns that Russia would be unwilling to stand idly by, yet he nevertheless chose to not question Berchtold's judgment. A week after the ultimatum, on 28 July, Austria-Hungary declared war on Serbia, and two days later, the Austro-Hungarians and the Russians went to war. Within weeks, the French and British entered the fray. Because of his age, Franz Joseph was unable to take as much as an active part in the war in comparison to past conflicts. On 28 July, the Austro-Hungarians fired the first shots in preparation for the invasion of Serbia.
As Russia mobilised, Germany invaded neutral Belgium and Luxembourg before moving towards France, leading Britain to declare war on Germany. After the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that would change little until 1917. Meanwhile, on the Eastern Front, the Russian army was successful against the Austro-Hungarians, but was stopped in its invasion of East Prussia by the Germans. In November 1914, the Ottoman Empire joined the war, opening fronts in the Caucasus, Mesopotamia and the Sinai. Italy and Bulgaria went to war in 1915, Romania in 1916, and the United States in 1917.

The war approached a resolution after the Russian government collapsed in March 1917, and a subsequent revolution in November brought the Russians to terms with the Central Powers. On 4 November 1918, the Austro-Hungarian empire agreed to an armistice. After a 1918 German offensive along the western front, the Allies drove back the Germans in a series of successful offensives and began entering the trenches. Germany, which had its own trouble with revolutionaries, agreed to an armistice on 11 November 1918, ending the war in victory for the Allies.
A group photo in the gallery of men wearing similar helmets probably belong to the k.u.k. Husarenregiment Graf von Hadik Nr. 3, which was founded in 1703. The men of this unit came from Hungary, Romania, Serbia and Croatia. This unit was based in Sopron (today in Hungary), where this picture was taken. Another very similar cap is worn by Frederic de Teschen, Arch Duke of Austria, Duc de Teschen.  read more

Code: 22599

An Exceptional And Rare, Late-Renaissance, Tudor Period 1500's to Early 1600's, Nuremberg, Iron, Strongbox or Ship's Treasure Chest, With its Naive Painted Panels. Used Aboard Galleons To Store The Ship's Bullion or Treasure

This fabulous example treasure chest bears a painted English Tudor Rose of Queen Elizabeth Ist on the front, which may indicate it was used by the privateers to relieved the Spanish of their looted gold from the Mayans and Incas.

One of two beautiful examples we just acquired.
A similar example, also decorated with very similar flowers, is in the Victoria and Albert Museum Collection.
Also known as in some quarters as a Pirate's Treasure Chest, for when the pirates of the King James and Queen Anne period captured ships, their victim's ship's gold and treasure were in chests exactly such as this, and then, they were transferred by block and tackle to the pirate's ship. {see an antique print of Captain Avery loading treasure into his ship's hold in the gallery}. It could have been exactly such chests, containing their stolen booty, including jewels, treasure, gold doubloons etc., as was often buried by the pirates in the deserted Caribbean Islands, such as was beautifully described in Robert Louis Stevenson's Treasure Island, and as was also well known through frequent tales of pirate lore.

Although made primarily in southern Germany during the 16th and 17th century, especially the Nuremburg region, these boxes were later identified in the Georgian period to be Spanish treasure chests, and were henceforth called Armada chests from the 19th century onwards. Some were indeed for the use of ship's captains at sea, and would have been bolted to the deck of the owner's or captain’s cabin.

During the sixteenth and seventeenth century money chests were wrought in sheet iron and reinforced with intersecting strips and fittings made of wrought iron. In the fifteenth and sixteenth centuries, a host of cities in southern Germany, Austria and Switzerland were renowned for their craftsmanship, especially Augsburg and Nuremberg. The shops were usually old family businesses in which younger generations were trained by their elders. They became extremely skilled blacksmiths, along with equally skilled colleagues in specialities such as sheet metalworking, etching, hammered inlay, steel-plate engraving, painting and rustproofing.

By the dawn of the Renaissance they had already achieved a strong tradition of craftsmanship and a dominant position in Europe. Forging production in certain cities focused mainly on steel and iron armor, as well as equipment for entire armies of foot soldiers, cavalry, officers and horses. Blacksmiths produced all types of small arms for the era, along with accessories, swords, rapiers, lances, helmets, breastplates, and armour.

Armada chests and money boxes were in demand far beyond the borders of the German states and were used to hold taxes, tariffs, and soldiers’ wages, jewelry, coin and bullion of nobles as well as treasure taken by pirates.This chest is in great condition with beautiful and very rare naïve painted panels. Locked and without key.

Picture in the gallery of an 1837 woodcut from The Pirates Own Book by Charles Ellms depicting Henry Every receiving three chests of treasure on board his ship, the Fancy. Also original pictures of medieval iron chest and locksmiths, and examples of the gold bullion coin and treasure as would be contained in the chest, For information only.

As it is locked one might like to speculate, with faint hope, it might still contain its booty of emeralds, rubies, pearls and gold coin, but we must point out, it is somewhat unlikely. However, stretching the Schrödinger's cat formulation and paradox, to its extreme degree, whilst locked, it may at the same time be full of millions in treasure, yet also, be empty, and if one doesn’t attempt to try to open it, to see if it does, or indeed doesn’t contain treasure, one will never know for certain which it might be. Thus, Schrödinger's paradox or quantum superposition remains intact!  read more

Code: 25289

Original, Fascinating Dark Ages Period, 7th Century Long Latch Lifter. Anglo Saxon Period Artefact

This would make a fabulous Inexpensive gift for those intrigued by early medieval England, but also incredibly inexpensive for such an impressive and original ancient conversational piece. Effectively it was the earliest form of door key for a home. One places it through an outside door's recess cut for the latch lifter, pushed through, the latch lifter drops down to hook upon the inside latch, and as it is pulled up and thus opening the door from the outside. The Dark Ages are estimated to have stretched from 500 to 1066 AD. Essentially from the fall of the Roman Empire to the Battle of Hastings in Britain.

After the end of Roman Britain, the land became a melting pot of Britons, Anglo Saxons and Vikings – all of whom variously shaped the character of the countryside. When the Anglo-Saxons arrived in Britain they were greeted by crumbling Roman cities, bridges and roads. Their impressions of this worn landscape can be seen in many of their Old English place names, which marked them out as remnants of a bygone age. For example, Chester was named ceaster by the Anglo-Saxons, whose Latin root means ‘military camp’.

Other place names hint at the Anglo-Saxons’ imaginative landscape – the supernatural creatures they believed to inhabit the groves and valleys. Just outside Durham there is a village called Shincliffe, which means ‘slope of the spectre or demon’ in Old English. The lady of the house would wear it around her girdle on a hook. They were such an important and highly symbolic part of a well-to-do lady's life, they were often buried with her upon her death, along with brooches or buckles. See Fuchs, K. et al. Die Alamannen, Stuttgart, 1997 for discussion of male and female grave assemblages of this period. From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. The latch lifters are typical of female grave assemblages (along with brooches, beads, buckles and other items of personal adornment" Total length 10 inches long. Very strong and good, sound condition. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 21903

A Beautiful & Fine Quality Early Post Medieval to Early 17th Century Renaissance Wrought Iron Chest or Door Lock, German

From a Norman or Gothic carved wooden chest. Superbly crafted and engraved. We show in the gallery the types of chest to which it could have been fitted in order to make them secure. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages. From the 15th century on, locksmiths gained a privileged status in society. They had advanced technical skills and were master craftsmen in decoration techniques. Their main clients were town burghers, the clergy, nobility who built castles and other large residences, and the Royal Family. Ever since the Viking era (the 9th to the 11th centuries), chests and small boxes have been important personal storage places in all levels of Swedish society – from the common people to the royal families. Locks made storage more secure. The Oseberg ship was discovered and excavated in the early 1900s in Vestfold, Norway. The ship was built in the first half of the 9th century. Many items were found on board – including storage chests. Chests were generally used by the crews of the Viking ships, who sat on them to row, as well as storing things in them.

In 1936, a Viking wooden tool chest was discovered during the plowing of a field at Mästermyr on Gotland. Over two hundred iron objects were found inside and around the chest, which is 90 cm long and 24 cm high. Of particular interest in the present context is the fact that these objects included blacksmith tools as well as two large keys, lock parts, other lock hardware and three small padlocks.

King Louis XVI of France proved to be a man of very few interests and pleasures in the midst of the whirlwind of entertainment that was Versailles. One was the hunt and the other was his amateur blacksmithing.

A small forge was installed above his private library to indulge the King in his pursuit of this particular hobby. Here there were two anvils and every tool that could possibly be needed was available. As it happened, locks were of a particular interest to Louis. The room was filled with all kinds of locks: common locks, hidden locks and elaborately gilded locks. The château's blacksmith by the name of Gamin was employed to teach the King all he knew - probably in all secrecy . When he was not with the King he was in charge of all the locks at Versailles. From him we know that Louis was eager to conceal this hobby from his courtiers and his Queen which resulted in the two coming up with countless stratagems for removing and bringing in the anvils. Sadly, Gamin would eventually betray Louis during the revolution.

The court was not very approving of their King's hobby. It was thought to be a profession for the lower classes - not a a hobby for a King. Even Marie Antoinette had the occasional complain about this hobby but for a far more practical reason: the work left the King's hands blackened and he would often visit her without washing them first much to the damage of her furniture.
Louis XVI seemed to have paid them little mind. Instead, he agreed with Rousseau that every man should know a manual craft. Meanwhile, the pamphleteers had a field day making the King's interest in keys and locks a fitting symbol of his ... marital problems. This would look stunning mounted or framed. Size 22.5 x 20 cm some photos appear to show its colour as greenish, this is a photographic lighting optical illusion it is in fact blackened with age  read more

Code: 23389

A WW2 MK 1 British Army Bren Gun, Made After Dunkirk In Order To Restock Britains Armoury Stock After The Disaster of Dunkirk. The Type Used by The Desert Rats in 1942/3 Against Rommel

Made in 1942. Very good condition and good markings. Fully operational action. The most accurate and easy to operate light machine gun made, in fact so accurate, a slight inaccuracy was purposely built into it's design in order that rounds did not pass through the same entry hole. No film ever made about the British and Allies in WW2 fails the show the amazing Bren in action, from the Desert Rats combat against the Afrika Corps under Rommel, to the fateful Dieppe raid, the campaigns in Italy, the Normandy landings, the Parachute regiments action into Arnham, and against the fearsome SS Panzer divisions right across France, Belgium, The Netherlands and into the heart of the 3rd Reich in Germany itself.

The world renown Bren Gun was the most faithful servant of the British Tommy, and one that he regarded as the finest of arms a soldier could be given to fight a most powerful, determined and fanatical foe. It is impossible to calculate the incredible loss of life the British and Allies forces would have suffered without the magnificent services of this amazing gun. At Dunkirk we lost tens of thousands of the pre 1941 manufactured Brens leaving us with only around 2300 to defend Britain. All the captured Brens were re-issued by the Third Reich to the German Wehrmacht such as their falshirmjager, the Afrika Korps and even the French most ardent Nazi volunteers in the Melice, and Vichy. See photos in the gallery. Thus re-armament using our factories around the commonwealth was a priority and vital. A statistic that is not discussed today is that the survival rate of the inmates of the 15 French Nazi Concentration camps was near nil, apart from POW detainees.

Sights were a bladed foresight with an aperture rear sight. System feed was a vertical box magazine of 30 round capacity (usual practice was to only fill to 28 in order to prolong the spring's life); each magazine weighed 17oz (0.48kg) empty and 2lb 12 oz (1.25kg) full.

The Bren was first produced at the RSAF Enfield in 1937.
Each gun weighed 22lb 2oz (10kg), was 45.5 in. (1155 mm) long and had a rate of fire of 500 rounds per minute. It fired the .303 in (7.7 mm) standard British rifle round.

Non EU {ie British} sales Only. Can be re-deactivated to EU/ UK spec, if required but not if not. Deactivated .303 Light Machine Gun.

The Bren was a modified version of a Czechoslovak-designed light machine gun, the ZB vz. 26, which British Army officials had tested during a firearms service competition in the 1930s. They were loved by the troops who used them as they rarely went wrong and withstood all conditions equally well. They were very accurate and because they could fire in semi auto, they were often used to pick off long range targets. It was such an effective design that in modified form, it served in the British armed forces until very recently. They can still be found in Africa and work perfectly well to this day.

Photo in the gallery of the WW2 French Milice, the German falschirmjager, and the Afrika Korps. The Milice participated in summary executions and assassinations, helping to round up Jews and résistants in France for deportation. It was the successor to Darnand's Service d'ordre légionnaire (SOL) militia (founded in 1941). The Milice was the Vichy régime's most extreme manifestation of fascism, and force of around 30,000 strong.

Any deactivated weapons sold by The Lanes Armoury are deactivated in the United Kingdom and hold London or Birmingham proof marks and a certificate stating that the weapon has been deactivated correctly. Can be re-deactivated to EU/ UK spec.  read more

Code: 25288

An Incredibly Rare French Naval, Sabre D'Officier De Marine Model Prairelle An XII 1804. Officer's Sword, Most Likely Surrendered or Captured At Trafalgar in 1805. Possibly Even From the Redoutable or Bucentaure

Overall in very good condition for age, very tight and sound with no looseness, yet with commensurate wear for its age, considering its use as a hand to hand combat sword in the service of their emperor Napoleon Bonaparte.

It has a very finely engraved blade with feint traces of blue and gilt, and usual age and surface wear overall.
Almost all of the senior French naval officers at Trafalgar could have carried a sword just as this, and this sword may even have been likely surrendered at Trafalgar itself. Its official title is; Sabre d'officier du Marine, modele de Prairal an XII of 1804. Scabbard throat mount beautifully decorated with a Mermaid, with two tails and modest skirt, as was the identifying feature on a naval officer's sabre of the prairial model. The reverse side of the scabbard has a design of a pattern of the constellation of the stars.

It was by formal decree, dated the 7th of Prairial of the year XII May 28, 1804, that the French First Consul Napoleon Bonaparte approved the creation of the model of this stunning sabre. This is such a rare sword they are almost impossible to find, even in museums.

This French naval officer's combat sword is a stunningly beautiful sabre, and so very rare, as so many warships of the French Napoleonic navy, and their officer's and crew, were captured or destroyed so precious few survive. The British equivalent is the rare 1805 pattern Royal Naval officer's sword, which Nelson also took to at Trafalgar, but the French surviving equivalent, this sword, is at least 100 times the rarer sword. The last known example, of a surrendered French ship's captain's sword, we sold here over 5 years ago.

Sabre naval officer model of the 1st Prairial Year XII, guard a brass branch chiselled and gilded, bow body adorned with an anchor resting on two flags, half round langets chiselled with a radiant head, fluted ebony grip with carved grooves; flat-backed blade, one hollow pan and lateral throat, traces of blue and gilded in the third; leather scabbard with seam, two gilded brass fittings, the throat is provided with two long side hooks for the wearing of the sword with a belt or the harness, it is decorated with a mermaid with two tails, finely engraved with reeds; dart shaped shell;

Prairial was the ninth month in the French Republican Calendar. This month was named after the French word prairie, which means meadow. It was the name given to several ships.
Prairial was the third month of the spring quarter.
The Battle of Trafalgar (21 October 1805) was a naval engagement fought by the British Royal Navy against the combined fleets of the French and Spanish Navies, during the War of the Third Coalition (August–December 1805) of the Napoleonic Wars (1796–1815).

Twenty-seven British ships of the line led by Admiral Lord Nelson aboard HMS Victory defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The Franco-Spanish fleet lost twenty-two ships and the British lost none.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement, and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line.


During the battle,Victory locked masts with the French Redoutable, whose crew, including a strong infantry corps (with three captains and four lieutenants), gathered for an attempt to board and seize Victory. A musket bullet fired from the mizzentop of Redoutable struck Nelson in the left shoulder, passed through his spine at the sixth and seventh thoracic vertebrae, and lodged two inches below his right scapula in the muscles of his back. Nelson exclaimed, "They finally succeeded, I am dead." He was carried below decks.

Victory's gunners were called on deck to fight boarders, and she ceased firing. The gunners were forced back below decks by French grenades. As the French were preparing to board Victory, Temeraire, the second ship in the British windward column, approached from the starboard bow of Redoutable and fired on the exposed French crew with a carronade, causing many casualties.

At 13:55, the French Captain Lucas of Redoutable, with 99 fit men out of 643 and severely wounded himself, surrendered. The French Bucentaure was isolated by Victory and Temeraire, and then engaged by HMS Neptune, HMS Leviathan, and Conqueror; similarly, Santísima Trinidad was isolated and overwhelmed, surrendering after three hours.
Nelson was shot by a French musketeer As Nelson lay dying, he ordered the fleet to anchor, as a storm was predicted. However, when the storm blew up, many of the severely damaged ships sank or ran aground on the shoals. A few of them were recaptured, some by the French and Spanish prisoners overcoming the small prize crews, others by ships sallying from Cádiz. Surgeon William Beatty heard Nelson murmur, "Thank God I have done my duty"; when he returned, Nelson's voice had faded, and his pulse was very weak. He looked up as Beatty took his pulse, then closed his eyes. Nelson's chaplain, Alexander Scott, who remained by Nelson as he died, recorded his last words as "God and my country." It has been suggested by Nelson historian Craig Cabell that Nelson was actually reciting his own prayer as he fell into his death coma, as the words 'God' and 'my country' are closely linked therein. Nelson died at half-past four, three hours after being hit, before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. The battle resulted in 10 French ships captured,
one ship destroyed,
3,373 dead,
1,155 wounded,
over 4,000 men captured
Spain:
11 ships captured,
1,022 dead,
1,386 wounded,
3 to 4,000 captured
Total: about 15,000

It would be wonderful to know for certain that this sword was surrendered by such as a senior officer of the Redoutable or Bucentaure , and although it is certainly possible it may have been, in fact we can't say it wasn't, but in reality it is a speculation that may never be satisfied.

The sword is 36.5 inches long overall in its scabbard. The carved ebony grip has one slight split on one side, but still as tight as a drum, the leather scabbard has had a contemporary field service leather repair near the chape.  read more

Code: 25277

A Rare & Absolutely Stunning 1st Empire, Combat, 'Blue and Gilt' Officer's Sabre of the Cavalerie Legere, Hussards, and Mounted Chasseurs. An IX, Circa 1810, and by Officers of the Mounted Chasseurs of the Imperial Guard

A fabulous Ist Empire deluxe quality Light Cavalry officer's 'blue and gilt' sabre with three bar guard hilt called "Hunter-style". Maker marked blade, within the gilt under one langet, S & K for Schnitzler and Kirschbaum, a well regarded maker of swords for 1st Empire officers from December 1808. Many officers swords marked S & K are in Les Invalides Musee de l’Armee in Paris. See ref below;

Light cavalry Hussars.
These fast, light cavalrymen were the eyes, ears, and egos of the Napoleonic armies. They regarded themselves as the best horsemen and swordsmen (beau sabreurs) in the entire Grande Armée. This opinion was not entirely unjustified and their flamboyant uniforms reflected their panache. Tactically, they were used for reconnaissance, skirmishing, and screening for the army to keep their commanders informed of enemy movements while denying the enemy the same information and to pursue fleeing enemy troops. Armed only with curved sabres and pistols, they had reputations for reckless bravery to the point of being almost suicidal. It was said by their most famous commander General Antoine Lasalle that a hussar who lived to be 30 was truly an old guard and very fortunate. Lasalle was killed at the Battle of Wagram at age 34. There were 10 regiments in 1804, with an 11th added in 1810 and two more in 1813.
Chasseurs à Cheval (Mounted Hunters)

These were light cavalry identical to hussars in arms and role. But, unlike the chasseurs of the Imperial Guard and their infantry counterparts, they were considered less elite. Their uniforms were less colourful as well, consisting of infantry-style shakos (in contrast to the fur busby worn by some French hussars), green coats, green breeches, and short boots. They were, however, the most numerous of the light cavalry, with 31 regiments in 1811, 6 of which comprised Flemish, Swiss, Italians and Germans. was a cavalry composed of chasseurs but on the horse, they could ride into melee or shoot as light infantry

The Mounted Chasseurs of the Imperial Guard would use this form of sword, and officers of wealth and status could afford, if they so chose, to have Chasseurs à cheval de la Garde impériale engraved onto the sword blades back strap etc. But many chose not to.
Chasseurs à cheval de la Garde impériale constituted a light cavalry regiment in the Consular, then Imperial Guard during the French Consulate and First French Empire respectively. They were the second senior "Old Guard" cavalry regiment of the Imperial Guard, after the Grenadiers à Cheval. The regiment had its origins in the Guides raised by General Bonaparte during his Italian Campaign of 1796. It was the Chasseurs that usually provided personal escort to Napoleon, and he often wore the uniform of the regiment in recognition of this service. The regiment was not only known for its lavish uniform, but its combat history as well.

On 1 August 1811, the regiment was increased to five squadrons and the vélites were done away with. During the year, squadrons were sent successively to serve with the divisions of the Garde in Spain. Guyot was promoted général de division, but still retained the command. To replace Corbineau and Daumesnil as majors, the regiment received Colonel François d'Haugéranville (6 August) and General Baron Exelmans (24 December).

On 6 May 1812, General Lefebvre-Desnouettes, who had escaped by breaking his parole, returned from his captivity in England and resumed command of the regiment. The chasseurs, five squadrons and the company of Mamluks, went through the Russian campaign, but though they lost 500 men, they only had 10 officers hit. At Borodino, they had no officer casualties at all. But on 25 October, the day after the Battle of Maloyaroslavets, two squadrons, escorting the Emperor on a reconnaissance, were sharply engaged and had 4 officers wounded. A body of Cossacks appeared suddenly from a wood and charged straight at Napoleon. General Rapp and the escort managed to beat them off, but not before one had fought his way to within twenty yards of the Emperor. From this day forth, haunted by the fear of captivity, he always carried a bag of poison on a string about his neck. The regiment's losses in this campaign must on the whole be attributed not so much to the fighting as to the Russian climate.

In 1813, the regiment was expanded from five to nine squadrons. The first five of these remained under the Old Guard while the newly raised 6th through 9th squadrons formed part of the Young Guard and in 1815 were redesigned as the 2e régiment de chasseurs de la Garde impériale.

While Napoleon is best known as a master strategist and charismatic presence on the battlefield, he was also a tactical innovator. He combined classic formations and tactics that had been used for thousands of years with more recent ones, such as Frederick the Great's "Oblique Order" (best illustrated at the Battle of Leuthen) and the "mob tactics" of the early Levée en masse armies of the Revolution. Napoleonic tactics and formations were highly fluid and flexible. In contrast, many of the Grande Armée's opponents were still wedded to a rigid system of "Linear" (or Line) tactics and formations, in which masses of infantry would simply line up and exchange vollies of fire, in an attempt to either blow the enemy from the field or outflank them. Due to the vulnerabilities of the line formations to flanking attacks, it was considered the highest form of military manoeuvre to outflank one's adversary. Armies would often retreat or even surrender if this was accomplished. Consequently, commanders who adhered to this system would place a great emphasis on flank security, often at the expense of a strong centre or reserve. Napoleon would frequently take full advantage of this linear mentality by feigning flank attacks or offering the enemy his own flank as "bait" (best illustrated at the Battle of Austerlitz and also later at Lützen), then throw his main effort against their centre, split their lines, and roll up their flanks. He always kept a strong reserve as well, mainly in the form of his Imperial Guard, which could deliver a "knockout blow" if the battle was going well or turn the tide if it was not.

Ref; 'German Knife and Sword Makers' ( Complete Edition A to Z Hardcover – published 2015 )
by Anthony Carter (Author), John Walter (Author), Henning Ritter (Author). John Walter has been a most welcome visitor to us for decades, and a very dear friend and colleague of our late colleague of over 30 years, Christopher Fox.  read more

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