A Superb & Most Gruesome Collectors & Conversation Piece, A King George IIIrd “Man Trap’ Only The Second Original Example We Have Had in 10 years

Scarce Wrought Iron Man Trap, probably 18th or very early 19th century, comprising 2 large sprung iron ‘jaws’ each lined with a row of interlocking teeth and released by a trip plate.
Here's a nice gory object to attract interest and conversation.
In the 18th and early 19th centuries common land and shared fields were being enclosed in pursuit of more efficient and productive farming, as well as for fashionable parkland. William Cobbett (born in Farnham in 1763) wrote passionately about the resulting loss of livelihood for the rural poor and there were other protests. In 1721 a masked gang, led by 'King John' killed 11 deer at the Bishop's Park at Farnham and then rode through the market place in triumph.
In 1723 the 'Black Act' authorised the death penalty for more than 50 poaching offences. It remained law for nearly a century and when it was repealed poachers were transported instead. Landowners also used man traps, as well as spring guns and dog spears operated by trip wire, to deter poachers. Man traps were made illegal in 1826 but in 1830 a new law was passed enabling landowners to apply for a licence to use them. They were finally banned in 1861, although Gertrude Jekyll, famous ornamental garden designer writing in 1904, observed that "notices of such dangers were posted on the outsides of properties to within a comparatively recent date."
Our man trap probably dates to the late 18th to 19th century. To set it, the metal jaws were forced apart and held down by a finely balanced catch. The slightest movement of the central plate would release the catch, causing the jaws to slam shut. It is hard to imagine that the poacher would not lose his foot. The hooks on the plate were to hold down the leaves and grass used to camouflage the trap.
Gertrude Jekyll includes a photograph of a man trap in Old West Surrey, along with the story of how this "curious relic of cruel old days" was found - "it was discovered in a wood on a beautiful property owned by a lady who had four then unmarried daughters. Luckily no one enjoyed the obvious joke more than these dear ladies themselves." Maximum length 113cms, jaws 37cms diameter. Fair condition, some old damage, now covered with old black preserving paint. Used to deter trespassers and poachers and therefore left outside. Spring 'Trap Spring' not functioning for safety.  read more

Code: 23563

A Letter Sent From Port Royal from Capt Vansittart, the Capture of a French Privateer

Dated April 5th 1804 from Capt. Henry Vansittart (1777-1843) of HMS Fortunee to Admiral James R. Dacres Admiral of the White. The letter informs the admiral that Capt Vansittart captured the French pirate ship, the Privateer Tarzan with 46 men aboard. Capt Vansittart had a most distinguished career culminating in his appointment as Vice-Admiral. He served on on the Princess Royal, flagship of Rear-Admiral Goodall, the L'Aigle with Capt. Hood at the Battle of Calvi, on HMS Victory, and as Lieutenant of HMS Stately in the capture of the Cape of Good Hope, and Capt of HMS Fortunee for nine years
Born: 17th April 1777 at Hanover Square, Westminster, Middlesex
Vice-Admiral
Died: 21st March 1843 at Eastwood, Woodstock, Canada

Vice-Admiral Vansittart was the 5th son of George Vansittart (1745-1825) of Bisham Abbey in Berkshire, who married, on 24th October 1767, Sarah, daughter of the Rev. Sir James Stonhouse, bart. He was born in George Street, Hanover Square, on 17th April 1777 and grew up in Bisham. General George Henry Vansittart, was his elder brother; Henry Vansittart, the Governor of Bengal, and Professor Robert Vansittart were his uncles; and Nicholas, 1st Baron Bexley, his first cousin. Having been entered on the books of the Scipio, guard-ship on the Medway, in October 1788, he was afterwards nominally in the Boyne, guard-ship on the Thames, and probably actually served in the Pegasus on the Newfoundland station in 1791. In 1792, he was on the Hannibal, stationed in Plymouth, and, in 1793, went out to the Mediterranean on the Princess Royal, flagship of Rear-Admiral Goodall. During the Siege of Toulou by the Republican Army, he was severely wounded. After the evacuation of the place, he was moved into L'Aigle, with Captain Samuel Hood, served at the Siege of Calvi and was, in October 1794, moved onto the Victory in which he returned to England. On 21st February 1795, he was promoted to be lieutenant of the Stately, in which be was present at the capture of the Cape of Good Hope, and of the Dutch squadron in Saldanha Bay. He was then moved onto the Monarch, Elphinstone's flagship, and returned in her to England. He was next appointed to the Queen Charlott, Keith's flagship in the Channel; and, on 30th May 1798, was promoted to be commander of the Hermes, from her, he was moved to the Bonetta, which he took out to Jamaica; and, on 13th February 1801, he was posted to the Abergavenny, stationed at Port Royal. In the July, he returned to England in the Thunderer and, after a few months on half-pay, was appointed, in April 1802, to the Magicienne from which, in January 1803, he was moved, to the Fortuned of 36 guns. For upwards of nine years, he commanded this ship in the North Sea, off Boulogne, in the Channel, in the West Indies and in the Mediterranean, for the most part in active cruising and in convoy service. In August 1812, he was moved onto the 74-gun ship ?Clarence?, till March 1814. With the exception of a few months in 1801-2, he had served continuously from 1791. He became a Rear-Admiral on 22nd July 1830, Vice-Admiral on 23rd November 1841 and died on 21st March 1843 at his seat, Eastwood at Woodstock in Canada. He married, in 1809, Mary Charity (d. 1834), daughter of the Rev. John Pennefather, and was the father of five children including Vice-Admiral Edward Westby Vansittart. Paper bears Admiralty, Crowned oval bearing Brittania watermark, and maker name, Gater and date 1803.  read more

Code: 20833

A Set of Exceptionally Beautiful & Fine Edo Period Complete Suite of Samurai Tanto Mounts { Koshirae }. A So Called, Samurai Doctor's Sword, With a Wooden Blade Only

Although for many years samurai swords {all edged tanto are called swords by tradition} with such wooden blades, have often titled as a samurai Doctor's swords, as it has a wooden blade, it is actually incorrect, a suite of sword koshirae have always been revered as much as the blade, and when a blade is stored in its shirasaya storage mount, the sword is disassembled, and a wooden blade is hand carved to identically replicate its real blade, in order to correctly re-fit the mounts together, as if the real blade was present.
However, for centuries now, and especially in Europe, sword koshirae have be highly prized collector's pieces, being works of sublime art in their own right. Thus a set of fabulous antique sword mounts and fittings such this have long been collector's items, separate from the once fitted blade.

For example a very rare and fine tsuba alone could today fetch up to £40,000 by a master maker. and sword mounts, the fuchi kashira and menuki can now be worth many thousands of pounds. Superb quality Edo period tanto koshirae {sword fittings} with a blade formed wooden blade and habaki tsunagi. The full suite of matching, patinated, honey coloured copper, fushi, kashira, and tsuba bear a stunning kashira that depicts a carved figure of Fukurokuju, one of the Japanese seven deities, the tall headed god of happiness, wealth and long life one of the Shichi-fuku-jin (Seven Gods of Luck), particularly associated with longevity. He is supposed to have once lived on earth as a Chinese Taoist sage. He has a white beard, wears a scholar's headdress and he reads from a scroll containing the world's wisdom. The seven are drawn from various sources but have been grouped together from at least the 16th century. They are Bishamon, Daikoku, Ebisu, Fukurokuju, Jurojin, Hotei, and the only female in the group, Benten. He is sometimes confused with Jurojin, another of the Several Gods of Fortune, who by some accounts is Fukurokuju's grandson and by other accounts inhabits the same body as Fukurokuju. As such, the two are often confused.
The carving of the copper is beautifully executed and the figure has an most charming and jolly smile.

All the matching fittings are in beautiful condition. Only the lacquer of the saya has areas of wear and surface cracking. Overall 59 cm, saya 44cm, tsuka, 15cm  read more

Code: 20993

A Simply Stunning Ancient & Historical Era Greek Leaf Shaped Bronze Sword With a Distinctive Blood Channel. From the Most Iconic Period Of Ancient Greek Classical History. Around 3200 Years Old

A wonderful original artefact of classical history, made and used by a Greek warrior from circa 1200 b.c. A Superb ancient Greek bronze age sword blade with fabulous areas of crystallised malachite blue/green patina. From the era of the legendary Mycenaean Greek Trojan Wars.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen’s jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam’s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. 15.5 inches long overall  read more

Code: 22069

A Simply Stunning 1796 Infantry Officer's Sword, Monogrammed With Its Owner's Title and Monogram, Plus His Patriotic Motto

The mercurial gilt hilt is near to mint as possible, and it has a folding guard, but with an extraordinarily rare form of blued steel hinge arrangement. The diamond section blade has overall salt and pepper pitting, and bears, in fine etching, the owners title initial, H above his monogram, A. A., and below the monogram, is a Tarlton helmet, and below that a patriotic motto, within three scrolls, The Love Of, My Country, & Freedom. A most unusual form of bespoke blade for the 1796 infantry pattern sword, far better for combat than the standard single edged straight blade, perfect if one is a trained swordsman in the art of hand to hand rapier combat. Perfect for the thrust due to its strength and rigidity, ideal for the cut being double edged. And superb for the parry being quatrefoil, which gives it extra strength. An officer trained to use such a sword would be a formidable foe indeed. One can easily see this by simply by looking at its full length profile in the photographs. It’s appearance of a rigid reinforced needle is incredibly impressive.

After considerable research this incredible sword may indeed have been most likely commissioned for the Hon Alexander Abercromby, we can find no other British army serving officer with this rank and initials. He first served in the Gordon Highlanders, then he transferred to command the 29th Foot, the North Gloucestershires, in Busaco in the Peninsular War, then in 1815 he served under Wellington as Wellington's Assistant Quartermaster General for the 2nd Foot Guards, at Quatre Bras and Waterloo, in the War of 100 Days, Napoleon's last battles and his final foiled attempt to regain his empire.

Born on 4 March 1784, Abercromby entered the army at an early age, and served as a volunteer with the 92nd Regiment, the Gordon Highlanders, in the expedition to the Helder in 1799. He soon obtained a commission, and saw service with his regiment in Egypt. He was appointed aide-de-camp to his father's old lieutenant and friend, Sir John Moore, during his command in Sicily in 1806, but was not with him in Spain.

Like his brother, Sir John, he was rapidly promoted, and in 1808, when only twenty-four, became lieutenant-colonel of the 28th Regiment. He accompanied his regiment when it was sent to Portugal to reinforce Lord Wellesley after the battle of Talavera. He commanded it at the battle of Busaco, and in the lines of Torres Vedras, and as senior colonel had the good fortune to command his brigade at the battle of Albuera. His services there were very conspicuous, and his brigade has been immortalised by Napier. He was soon superseded, but commanded his regiment at the surprise of Arroyo de Molinos and the storming of the forts at Almaraz.

In 1812 he was removed to the staff of the army, and was present as assistant-quartermaster-general at the battles of Vittoria, the Pyrenees, and Orthes. He served in the same capacity in 1815, and was present at Quatre-Bras, Waterloo, and the storming of Péronne. Péronne, on the banks of the Somme, was captured on 26 June during the Allied advance on Paris following the victory at Waterloo

He was the son of Lieutenant General Sir Ralph Abercromby KB (7 October 1734 – 28 March 1801) who was a British soldier and politician. He rose to the rank of lieutenant-general in the British Army, was appointed Governor of Trinidad, served as Commander-in-Chief, Ireland, and was noted for his services during the French Revolutionary Wars, ultimately in the Egyptian campaign. His strategies are ranked amongst the most daring and brilliant exploits of the British army. No doubt Alexander gained his considerable combat tactical skills from his father. To be Colonel of a regiment at 24 and to be in command of a battle was no mean feat based entirely on merit.

For his active services he was promoted to a colonelcy in the 2nd or Coldstream Guards,

The last photo in the gallery of the other 10th hussars sword shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo.  read more

Code: 24749

Rare English Light Dragoon Officer's Sword 1773, of the American Revolutionary War, Used By Both American and British Dragoon Regiments.

One of the of the American Revolutionary War cavalry swords used by both protagonists. This superb sword was near identical {apart from the blade engraving} to one formerly in the world renown Tower of London collection, see it featured in photo plate 70, sword D, in "European Swords and Daggers in the Tower of London" by Arthur Richard Dufty, Master of the Armouries.

A beautifully engraved blade with King George's crest and family motto of the Hanovarian princes, 'Suscipere et Finire' trans. 'to support and finish', and another, on the other blade face, a loyalty motto 'for king and country', also in Latin, 'Pro Rege et Patria' This blade may well be an ancestral blade, as the regular blade would usually be flat sided without fuller. The Coat of Arms of HM King George III as King underwent a number of changes during his reign because the British Royal Arms are territorial and represent the main countries over which the Monarch rules rather than being personal. The Hanoverian Dynasty 'inherited' the Arms of the last Stuart Monarch, Queen Anne, and added a Quarter for their own territory, namely the then Electorate/Duchy of Brunswick and Lüneburg, commonly known as Hanover.

Although practised no longer by the Tower of London Executors, during the past two centuries, on just a very few occasions, the Tower of London has sold a few items by auction in order to facilitate an influx of funds for new acquisitions

A sword of particular fine elegance, yet this was designed to do a very specific task for an 18th century dragoon officer, and it did it well. Brass stirrup hilt now very finely and naturally heavily patinated, through age, and a very long clipped back blade. It has all its original ribbed carved horn grip. This English sword is most rarely seen, with very little known of it's design origins, the blade, and as very few remain in existence it rarely appears photographed in many reference books on British/American swords of the American Revolutionary War or War of Independence as it is also known.

Little or no documentation on its original ordnance order, made some 250 years ago, regarding its manufacture, exists. What is known however, is that it is estimated it was made from 1773, but possibly slightly earlier, and it was replaced by the more abundant 1788 pattern version. That replacement 1788 sword is far more well recorded, and fair number of that type survive. A very few examples of this sword are kept in just a few, select American museums, that contain the military collections of captured British weapons, and also those used by former American born British officers that moved over to serve in the new American Continental Army Light Dragoons under George Washington in the American Revolutionary War. We show two paintings of American Continental Dragoons using this pattern of sword. In our conversations in the 1980's with the eminent Howard Blackmore, Assistant Keeper of Weapons at the Tower of London, he believed these cavalry swords, when they surfaced, were possibly one of the most interesting of swords used in the Revolution in America, in that they were used by officers of both sides, but sadly so few survived the war itself that they are now considered to be one of the rarest swords of their type to exist. These swords were originally made for, and used by, the British Light Dragoon Regiments, including the infamous and well recorded through history 'Tarleton's Green Dragoons'. Banastre Tarleton was originally a young British officer of the 1st Dragoon Guards, who purchased his rank of cornet. He proved to be such a gifted horseman and leader of troops, due to his outstanding ability alone, he worked his way up through the ranks to Lieutenant Colonel without having to purchase any further commissions.

In December 1775, he sailed from Cork as a volunteer to North America where rebellion had recently broken out triggering the American War of Independence. Tarleton sailed with Lord Cornwallis as part of an expedition to capture the southern city of Charleston. After this failed, he joined the main British Army in New York under General Howe. His service during 1776 gained him the position of a brigade major of cavalry. After becoming the commander of the British Legion, a mixed force of cavalry and light infantry also called Tarleton's Raiders, he proceeded at the beginning of 1780 to South Carolina, rendering valuable services to Sir Henry Clinton in the operations which culminated in the capture of Charleston. This was part of the 'southern strategy' by which the British directed most of their efforts to that theater hoping to restore authority over the southern colonies where they believed there was more support for the crown. On 29 May 1780, Tarleton, with a force of 150 mounted soldiers, overtook a detachment of 350 to 380 Virginia Continentals led by Abraham Buford. Buford refused to surrender or even to stop his march. Only after sustaining heavy casualties did Buford order the surrender. What happened next is cause of heated debate. According to American accounts, Tarleton ignored the white flag and mercilessly massacred Buford's men. In the end, 113 Americans were killed and another 203 captured, 150 of whom were so badly wounded that they had to be left behind. Tarleton's casualties were 5 killed and 12 wounded.6 The British called the affair the Battle of Waxhaw Creek, while the Americans called it the "Buford Massacre" or the "Waxhaw Massacre." In recounting Tarleton's action at the scene, an American field surgeon named Robert Brownfield wrote that Col. Buford raised a white flag of surrender, "expecting the usual treatment sanctioned by civilized warfare". While Buford was calling for quarter, Tarleton's horse was struck by a musket ball and fell. This gave the loyalist cavalrymen the impression that the rebels had shot at their commander while asking for mercy. Enraged, the loyalist troops charged at the Virginians. According to Brownfield, the loyalists attacked, carrying out "indiscriminate carnage never surpassed by the most ruthless atrocities of the most barbarous savages." Tarleton's men stabbed the wounded where they lay. In Tarleton's own account, he virtually admits the massacre, stating that his horse had been shot from under him during the initial charge and his men, thinking him dead, engaged in "a vindictive asperity not easily restrained." However there are strange contraditions as to Tarleton's behaviour, for, contrary to his nature, as described by his conduct at Monticello, Thomas Jefferson himself later noted,

"I did not suffer by him. On the contrary he behaved very genteely with me. … He gave strict orders to Capt. Mcleod to suffer nothing to be injured." Tarleton materially helped Cornwallis to win the Battle of Camden in August 1780. He was completely victorious in an engagement with Thomas Sumter at Fishing Creek, aka "Catawba Fords", but was less successful when he encountered the same general at Blackstock's Farm in November 1780. Then in January 1781, Tarleton's forces were virtually destroyed by American Brigadier General Daniel Morgan at the Battle of Cowpens. Tarleton however managed to flee the battlefield with perhaps 250 men. Although Tarleton had a deservedly dastardly reputation, many other Light Dragoon forces were commanded by far more respected and gentlemanly officers, and the troops under their command fought in the most formative conflicts of both American and British history. A war that shaped the whole world that followed it, arguably more than any other war before it. Although in terms of casualties, fewer men perished in the whole war of Independence, that covered several years, than in a single day during the Battle of Gettysberg, less than 100 years later in the Civil War.

The carved ribbed horn grip is expansion cracked North to South.  read more

Code: 24756

A Sengoku Era Samurai Battle Katana, Koto Period, With An Amazing Blade, & All Original Edo Fittings Circa 1500.

With all original Edo period mounts, the fuchi is of pure gold decoration on dragon over shakudo on a nanako ground see below for the details on nanako-ji, the fuchi of gilt dragon on shakudo on a nanako ground. A very attractive patinated copper tsuba with gold highlights, on the takebori decoration of two samurai kabuto helmets and a pair of abumi samurai stirrups with a background of prunus blossom on a nanako ground. The blade has an amazing hamon, and grain {somewhat akin to woodgrain} in the hada, and the polish is simply beautiful. The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The era is beautifully depicted in Akira Kurowsawa’s films called Jidaigeki. The Sengoku Period (1467-1568 CE) was a lawless century-long era characterized by rising political instability, turmoil, and warlordism in Japan. During this period, field armies and soldiers rapidly rose in number, reaching tens of thousands of warriors. Many castles in Japan were built during the Sengoku Period as regional leaders and aristocrats alike competed for power and strong regional influence to win the favours of the higher-class Japanese at the time. Kurosawa’s film depiction of Macbeth, Throne of Blood, is set in this era of Japan’s feudal period. Original title 蜘蛛巣城, Kumonosu-jō, lit. 'The Castle of Spider's Web'

This then led to the creation of a more complex system within the military, the armoured infantry known as the ashigaru. Initiated by the collapse of the country’s feudal system during the 1467 Onin War, rival warlords or daimyō, continued to struggle to gain control of Japan until its reunification under Japan’s three “Great Unifiers” –– Nagoya Nobunaga, Hideyoshi, and Ieyasu Tokugawa –– thus, bringing the war-stricken era to an end in the siege of Osaka.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

it has been said that part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut they could still fight with their right arm. Samurai that tossed and turned at night might be cured of the habit by having two knives placed on either side of their pillow, but that may be part myth.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

In the current photos the saya lacquer appears slightly bruised, these slight marks have been removed and now the urushi lacquer looks perfect. Blade length 26.75 inches, overall in saya 37 inches

Akira Kurowsawa & Jidaigeki


Did you know? the most valuable sword in the world today is a samurai sword, it belongs to an investment fund and has appeared illustrated in the Forbes 400 magazine. It is valued by them at $100 million, it is a tachi from the late Koto period 16th century and unsigned. That sword's blade is now grey and now has no original polish remaining.  read more

Code: 24387

A 19th Century Indian Percussion Howdah Pistol, Double Over and Under Barrelled

With steel barrels and engraved decorative brass frame, and of overall utility quality. Tight mainspring action. Large .6 inch bore

A Formidable and singularly impressive double barrel large bore pistol, for use when seated in the Howdah, when riding on an Elephant, for protection against Tiger attack. The name "Howdah pistol" comes from the sedan chair- known as a Howdah which is mounted on the back of an elephant. Hunters, and officers, especially during the period of the British Raj in India, used howdahs as a platform for hunting wild animals and needed large-calibre side-arms to protect themselves, the elephant, and their passengers from animal attacks at close range. Even though Howdah pistols were designed for use in the “gravest extreme” against dangerous game (such as tigers), they were used in combat by some officers, for both offence and defence, as their effectiveness was simply unrivalled in close quarter action. Demand for these potent weapons outstripped supply, and many seen still surviving today are in fact converted shotguns, with shortened barrels and pistol grip restocking, and in later years gunmakers responded with revolvers, in calibres as large as .500, in order to fill the need. Firearms like these were one source of inspiration for the overtly powerful .44 magnum revolver. A 1996 movie, called 'The Ghost and the Darkness', starring Michael Douglas, featured the Douglas character, Charles Remington, using a near identical "howdah" pistol in several scenes.

Being of utility functional design this is not a fine quality English made equivalent from the same era, however, due to this, it is priced accordingly, and approximately less than a quarter of the price we sold our last two fine English made examples for. One nipple is only partially present

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 24753

A Very Good 18th Century Indian Bichuwa 'Scorpion Sting' Assassin's Dagger

An most interesting and rare dagger called a Bichwa from Southern India. Known as a 'scorpion sting' dagger for the recurved shape of its blade and presumably its lethalness, these forms of dagger were used primarily by assassins, and for concealment in close fighting, the looped grip fitting into the palm of the hand and the guard over the finger could be used to parry and to punch. They were also famed for being worn on the foot by those adept at using foot combat.
Bichuwa (बिछुवा) literally means "scorpion sting" in Hindi. The spelling bichwa is also often used, as this is the name that appears in the classic works by Egerton and later Stone. The name probably refers to its shape which is indeed somewhat similar to a scorpion's sting. In Punjabi, it is written biśū'ā (ਬਿਸ਼ੂਆ).

A famous figure from Indian history was attacked by this very form of assassin dagger, his name was Afzal Khan. He was an Afghan commander who served the Adil Shahi dynasty of Bijapur, and fought against the Marathas. After he treacherously tried to murder the Maratha chief Shivaji during a meeting, he was violently killed by the Marathas, and his army was defeated in the Battle of Pratapgad in 1659. A meeting was arranged before the battle, between the two great warrior Generals, Afzal Khan and Shivaji, likely to discuss proposals for surrender or truce. However, Shivaji was warned of Khan's intended treacherous nature, so he protected himself by wearing concealed armour and carried a tigers claw and a scorpion's sting. At the pre-arranged meeting Afzal Khan graciously embraced Shivaji as per custom. But then he suddenly tightened his clasp, gripped Shivaji's neck in his left arm and struck him with a katar. Shivaji, saved by his concealed armour, recovered and counter-attacked Afzal Khan with wagh nakh tiger's claw, disemboweling him. He then stabbed Khan with his bichawa scorpion sting dagger, and ran out of the tent towards his men.

Afzal Khan cried out and Sayeed Banda, his protector who was regarded the best swordsman in the whole of Decca at that time, rushed to the scene and attacked Shivaji with his patta, cutting his turban. Shivaji's bodyguard Jiva Mahala intervened, chopping off Sayeed Banda' s right arm in a quick combat before killing him.

Meanwhile, Afzal Khan's bearers placed their wounded leader in his palki (litter vehicle), but they were attacked by Sambhaji Kavji. Sambhaji eventually killed Afzal Khan by decapitating him.

1. Lord Egerton of Tatton: Indian and Oriental Arms and Armour. Dover Publications; Revised edition, 2002. Page 116.
2. Robert Elgood; Hindu arms and Ritual, Eburon Academic Publishers, Delft, 2004. Page 237. The statuette is located in the Prince of Wales Museum of Western India, Mumbai, accession number 66.4.  read more

Code: 24754

A Beautiful Indo Persian 'Tiger's Claw' Khanjar Walrus Sea Ivory and Wootz Watered Steel Bladed Dagger,

A Magnificent 'Tiger's Claw' Wootz steel blade, likely in mottled pattern, with carved walrus sea ivory handle dagger 18th to 19th century. A museum grade quality piece. Once the property of a high status Mughal noble or prince. Elegant double-edged tapering steel blade of curved form with raised central spine. The blade has a very fine wootz watered steel pattern. The fine steel dagger is attached to a thick carved and engraved ivory handle. This waisted walrus ivory hilt is incised in relief to each side with a tiger capturing a deer and typical Mughul flora and fauna. A most similar example is in the Metropolitan Museum. Small losses to ivory at the base of the handle at the quillon. Walrus ivory is characterized in cross section by a central core that has a marbled appearance, surrounded by a smooth creamy white dentine layer see photo 7 circa 200 to 270 years old.  read more

Code: 24755