A Fabulous Shinto Katana Circa 1620 With Fine Edo Koshirae

The gently undulating yet exceptionaly deep hamon is very fine quality and this is a most beautiful an impressive katana. A very fine Shinto blade set in very fine quality shakudo, Edo period mounts, of multi coloured patination and pour gold onlaid d?cor. The saya has it's original Edo red lacquer, and the sword is mounted with it's koto period o-sukashi iron tsuba carved with profiles of flying geese. The production of swords in Japan is divided into specific time periods: jokoto (Ancient swords, until around 900 A.D.), koto (old swords from around 900?1596), shinto (new swords 1596?1780), shinshinto (new new swords 1781?1876), traditional gendaito (modern swords 1876?1945).

The first use of "katana" as a word to describe a long sword that was different from a tachi is found in the 12th century. These references to "uchigatana" and "tsubagatana" seem to indicate a different style of sword, possibly a less costly sword for lower ranking warriors. The evolution of the tachi into the katana seems to have started during the early Muromachi period (1337 to 1573). Starting around the year 1400, long swords signed with the "katana" signature were made. This was in response to samurai wearing their tachi in what is now called "katana style" (cutting edge up). Japanese swords are traditionally worn with the signature facing away from the wearer. When a tachi was worn in the style of a katana, with the cutting edge up, the tachi's signature would be facing the wrong way. The fact that swordsmiths started signing swords with a katana signature shows that some samurai of that time period had started wearing their swords in a different manner. However, it is thought by many, that as many as 70% of katana made were never signed at all.

The rise in popularity of katana by samurai is believed to have been due to the changing nature of close-combat warfare. The quicker draw of the sword was well suited to combat where victory depended heavily on fast response times. The katana further facilitated this by being worn thrust through a belt-like sash (obi) with the sharpened edge facing up. Ideally, samurai could draw the sword and strike the enemy in a single motion. Previously, the curved tachi had been worn with the edge of the blade facing down and suspended from a belt

The length of the katana blade varied considerably during the course of its history. In the late 14th and early 15th centuries, katana blades tended to be between 68 to 73 cm (26 to 28 in) in length. During the early 16th century, the average length was closer to 60 cm (23.5 in). By the late 16th century, the average length returned to greater lengths. However, with every new owner [and early blades may have had 20 owners] the blade could be reduced if required to fit, and the shorter samurai would need shorter swords however long the considered norm may have been. Overall 40 inches long in saya  read more

Code: 22659

A King George Vth, King George VIth & WW2 Regimental Painted 1st Battalion Grenadier Guards, Rope Tension Snare Drum With Battle Honours Up to The End of WW1, 1918

The regiment's early history saw it take part in numerous conflicts including the War of the Spanish Succession, the War of the Austrian Succession, the Seven Years' War, and the Napoleonic Wars; at the end of this period the regiment was granted the "Grenadier" designation by a Royal Proclamation. During the Victorian era, the regiment took part in the Crimean War, the Anglo-Egyptian War, the Mahdist War, and the Second Boer War.

During the First World War, the Grenadier Guards was expanded from three battalions to five, of which four served on the Western Front, while later during the Second World War, six battalions were raised, and several were converted to an armoured role as part of the Guards Armoured Division. These units fought in France, North-West Europe, North Africa and Italy.

After the Second World War the regiment was reduced first to three battalions, then to two, and finally to one battalion in the mid-1990s. Major deployments during this time have included operations in Palestine, Malaya, Cyprus, Northern Ireland, the Gulf War, Afghanistan and Iraq.

The main instrument featured in a Corps of Drums is the side drum. These were originally of a rope-tension design with wide wooden hoops, a wooden shell, and an animal-skin head. In the British Army, this model has been continuously upgraded, with the inclusion of snares, more modern metal rod-tension, nylon hoops, and plastic heads.

The side drum was increasingly decorated throughout the 19th century, until it bore the fully embellished regimental colours of the battalion, including its battle honours. As such, a regiment's drums are often afforded respect.

Historically, all members of a Corps of Drums would beat the various calls on the drum, but some would also play a fife in order to provide melody to accompany long route marches when not in combat. This has been replaced in the modern British Army by the five-key flute.

When the bugle replaced the drum mid-way through the 19th century as the most common means of battlefield communication, it was sounded on parade to give certain orders, to offer salutes, or to play the "Last Post" (or "Taps") at funerals.

As the musical role of a Corps of Drums became more ceremonial in the 19th and 20th centuries, more instruments were added for a more musically complete sound. A modern Corps of Drums may include a range of percussion instruments such as a bass drum, tenor drums, cymbals, and occasionally glockenspiels to fill out the sound.

In the gallery is Macpherson's painting of a young drummer and drum-major show how the Grenadier Guards restored colour and pageantry to post-Great War Britain after the khaki years in the mud of France and Flanders. They are both members of the Corps of Drums despite the similarity between the drum-major's tunic and that of the bandsmen. When performing in public it was easily noticable that the drummers had an abundance of white lace with blue fleur-de-lis patterns while the bandsmen had gold lace. The same difference applies in today's Guards bands but there is less gold on the musician's tunics. The drum-major was still sergeant-drummer at this stage; the down-grading lasted from 1881 to 1928, but they were always unofficially called drum-majors. He was the leader of the Corps of Drums but had gold lace across his chest and ten gold chevrons on his sleeve, including the one that edged his cuff. His cuff also has the gold-laced flap to show his senior NCO rank. The band sergeants shared this distinction. His blue collar is obscured, at the front, by gold lace and he has a silver embroidered grenade badge each side. His shoulder wings are richly laced and fringed with gold. The drum-major's embroidered sash is worn on the left shoulder and his sergeant's crimson sash is worn on the right. He has a sword, as worn by senior NCOs, hanging from his waist-belt, and he holds the gilded mace carried in stately fashion on parades. The drummer has two good-conduct stripes on his left forearm. He also wears the undress forage cap which at this stage is almost identical to the cap worn today except that the peak is not as vertical.  read more

Code: 25413

A Very Good 1796 Pattern Infantry Officer's Sword, Beautiful Gilt and Solid Silver Grip. Stunningly Hand Engraved with Royal Crest, Crowned Cyphers And A Standing Infantry Officer Holding His 1796 infantry Sword.

Superb gilt hilt with double shell fold down guard and sold silver bound grip, and fully engraved blade with Royal cypher and crest with engraving of an infantry officer, inlaid with gilt, and dark blue blade. From the Napoleonic Wars, the Peninsular war, The War of 1812 in America, then in 1815 at Quatre Bras and Waterloo. A simply stunning sword in wonderful condition. British infantry officer's sword of the Napoleonic Wars. The Napoleonic Wars (1803–1815) were a series of major conflicts pitting the French Empire led by Emperor Napoleon I against an array of European powers formed into various coalitions. They revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. The wars are traditionally seen as a continuation of the Revolutionary Wars, which broke out in 1792 during the French Revolution. Initially, French power rose quickly as the armies of Napoleon conquered much of Europe. In his military career, Napoleon fought about 60 battles and lost seven, mostly at the end. The great French dominion collapsed rapidly after the disastrous invasion of Russia in 1812. Napoleon was defeated in 1814, and then once more in 1815 at Waterloo after a brief return to power. The Allies then reversed all French gains since the Revolutionary Wars at the Congress of Vienna.

Before a final victory against Napoleon, five of seven coalitions saw defeat at the hands of France. France defeated the first and second coalitions during the French Revolutionary Wars, the third (notably at Austerlitz), the fourth (notably at Jena, Eylau, and Friedland) and the fifth coalition (notably at Wagram) under the leadership of Napoleon. These great victories gave the French Army a sense of invulnerability, especially when it approached Moscow. But after the retreat from Russia, in spite of incomplete victories, France was defeated by the sixth coalition at Leipzig, in the Peninsular War at Vitoria and at the hands of the seventh coalition at Waterloo.

The wars resulted in the dissolution of the Holy Roman Empire and sowed the seeds of nationalism that would lead to the consolidations of Germany and Italy later in the century. Meanwhile, the global Spanish Empire began to unravel as French occupation of Spain weakened Spain's hold over its colonies, providing an opening for nationalist revolutions in Spanish America. As a direct result of the Napoleonic wars, the British Empire became the foremost world power for the next century, thus beginning Pax Britannica.

No consensus exists about when the French Revolutionary Wars ended and the Napoleonic Wars began. An early candidate is 9 November 1799, the date of Bonaparte's coup seizing power in France. However, the most common date is 18 May 1803, when renewed war broke out between Britain and France, ending the one-year-old Peace of Amiens, the only period of general peace in Europe between 1792 and 1814. Most actual fighting ceased following Napoleon's final defeat at Waterloo on 18 June 1815, although skirmishing continued as late as 3 July 1815 at the Battle of Issy. The Second Treaty of Paris officially ended the wars on 20 November 1815. Overall this battle cum dress sword is in fabulous condition, from a large former museum collection of original Napoleonic Battle of Waterloo swords

The last photo in the gallery shows a photograph of one section of the former collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .

No scabbard.  read more

Code: 25411

A Superb, Victorian, 12th 'Prince of Wales' Royal Lancers Czapka

This Victorian helmet, built of hard leather, features a large brass helmet plate showing the multiple Battle honours of the 12th Lancers. It features a horse hair plume and comes with brass interlocking ring chin scales backed by leather overall in really nice condition for age and use. Traditionally this Regiment of Lancers all had bright Red Horse Hair plumes


In 1816, the 12th Light Dragoons were armed with lances after the cavalry of Napoleon's Army had shown their effectiveness at Waterloo and were thus re-titled the 12th (The Prince of Wales's) Regiment of (Light) Dragoons (Lancers). In 1855, it reinforced the Light Cavalry Brigade in the Crimea after the Charge of the Light Brigade at the Battle of Balaclava. The Regiment was to take part in the Indian Mutiny Regiments where they formed part of the Saugur Field Force which helped to pacify Central India. For their services in the Mutiny the 12th received the Battle Honour ‘Central India’. In 1861, the regiment was renamed 12th (The Prince of Wales's) Royal Regiment of Lancers. It was stationed in India between 1857 and 1860 in response to the Indian Rebellion and in Ireland from 1865 to 1870, before fighting in the Second Anglo-Afghan War in the late 1870s.

Boer War

The 11th Earl of Airlie, who was killed while commanding the regiment at the Battle of Diamond Hill in the Second Boer War
The regiment was deployed to South Africa for service in the Second Boer War in October 1899, and took part in the relief of Kimberley and the ensuing Battle of Paardeberg in February 1900. The commanding officer of the regiment, the 11th Earl of Airlie, was killed at the Battle of Diamond Hill in June 1900. Following the end of the war in 1902 they went to India. Almost 530 officers and men left Cape Town aboard SS Lake Manitoba in September 1902, arriving at Bombay the following month and was then stationed at Ambala in Punjab.

"The 12th Lancers at Moy, France, on 28 August 1914" by George Wright
The regiment, which had been based in Norwich at the start of the war, landed in France as part of the 5th Cavalry Brigade in the 2nd Cavalry Division in August 1914 for service on the Western Front. On 28 August 1914, 'C' Squadron of the 12th Lancers, led by Lieutenant-Colonel Frank Wormald, made a successful charge against a dismounted squadron of Prussian Dragoons at Moÿ-de-l'Aisne in the Great Retreat. The 9th/12th Royal Lancers celebrated Mons/Moy Day annually, which commemorated the last occasions on which each predecessor regiment charged with lances.

The regiment's battle honours up to the end of WW1 were as follows:

Early Wars: Egypt, Salamanca, Peninsula, Waterloo, South Africa 1851-2-3, Sevastopol, Central India, Relief of Kimberley, Paardeberg, South Africa 1899–1902
The Great War: Mons, Retreat from Mons, Marne 1914, Aisne 1914, Messines 1914, Ypres 1914 '15, Neuve Chapelle, St. Julien, Bellewaarde, Arras 1917, Scarpe 1917, Cambrai 1917 '18, Somme 1918, St. Quentin, Lys, Hazebrouck, Amiens, Albert 1918, Hindenburg Line, St. Quentin Canal, Beaurevoir, Sambre, France and Flanders 1914–18

This headdress developed initially as a square-topped variant of a shako. In its early, compact form from 1784 onwards the czapka was introduced by Austrian uhlans, during the time Galicia was under Habsburg rule. Its use was spread from eastern Europe by the Polish Legion, fighting for the French in the Napoleonic Wars, and became popular not only among Napoleon's French and allied forces, such as Westphalia, Bavaria, Saxony, and Naples, but also among the armies of his enemies. The Duchy of Warsaw used them for infantry and artillery units, but otherwise they were only ever used for uhlan units.

After the Polish lancers proved their effectiveness during the Napoleonic Wars, armies across Europe quickly adopted the concept of the lancer regiments, complete with the czapka as their headdresses.

Several versions of lancer caps were used by the British regiments of lancers from throughout the 1830s and 1840s. The 1846 dress British Army regulations included the following description: “Cap-cloth; colour of the facings, eight inches and three quarters deep in front, nine inches and a half at back, and the top nine inches and a half square; gold cord across the top and down the angles; on left side a gold bullion rosette, with embroidered V.R., on blue velvet; round the waist a band, two inches wide, of gold lace, with a blue stripe; in front a gilt ray plate, with silver Queen’s arms and regimental badges; peak and fall of black patent leather, braided with gold; gilt chain, fastening to lion’s heads at the sides.”This was the cap that was used by the lancer regiments in the famous Charge of the Light Brigade during the Crimean War, but it was not the most commonly encountered version. This was the 1856 pattern of lancer cap and subsequent versions. As with the German models, over time the height of the British lancer cap was reduced, until it was just six and half inches high in the front and eight and a half inches at the top. From 1856 onward, feathers were generally worn on officers’ helmets, while other ranks wore a horsehair plume; the colour of each was determined by the regiment. And while the British lancers took part in combat in many campaigns after the Crimean War, none of these were in Europe,



Lancer regiments in the British Army continued to wear czapkas (described as "lance caps") for full dress until 1939 and the modern Royal Lancers still retains this historic headdress for its Lancer Honour Guard. Along with the traditional double-breasted plastron-fronted lancer jacket, it is also still worn by the band of the Royal Yeomanry.  read more

Code: 25409

An Original, Victorian, Regimental British Army Leopard Skin Apron & Guards Bandsman’s Tunic for The Ornately Uniformed Regimental Bass Drummer

Overall in very nice condition, full jaguar pelt including head, legs and tail. The apron is trimmed, exactly as it should for original examples, in traditional British Army Piccadills in red, and full inner red cloth lining.

Some drummers in the British Army wear leopard skins as part of their ceremonial uniforms. This tradition dates back to the 18th century, when certain regiments were granted the privilege of wearing leopard skin caps or aprons as a mark of distinction and honour.

The use of leopard skin in British Army uniforms is closely tied to the history of the Grenadier Guards regiment. In the early 1700s, King George II presented the Grenadier Guards with a pair of captured leopard skins, which the regiment then incorporated into their ceremonial dress. Over time, this became an established tradition for certain drumming and piping roles within the British Army.

The leopard skin is seen as a symbol of bravery and prowess in battle, as leopards were viewed as fierce and formidable animals. Wearing the leopard skin was meant to imbue the drummers with a sense of martial pride and warrior spirit when performing ceremonial duties.

Today, the practice continues, though the leopard skins used are now typically replicas made from synthetic materials rather than actual animal pelts. The distinctive leopard skin uniforms remain an iconic part of British Army ceremonial traditions.

Leopard skin first appeared in the C18th worn occasionally as decorative ‘turbans’ on leather helmets worn by light cavalry or light infantry, sometimes a painted emulation rather than the real thing. It was about this time that military bands with exotic elements became a fashionable accessory- black African personnel, ‘Turkish Crescent’ (or Chinese Hat) percussion devices, ornately uniformed Drum Majors etc.

The European military began using bass drums in the third quarter of the 18th century. These large barrel drums had been popular with Turkish armies for many years, and British, German and French soldiers who fought in the American Revolution were familiar with their sound. The musical taste of both enemies and allies influenced American musicians. As the war continued, Americans began adopting the use of the bass drums. By the early 19th-century, the bass drum was a standard part of America's military music.
The tunic is a great 20th century, completely original Household Division bandsman's issue, with bullion epaulettes {covered by the skin}, it is not the original one for the apron, but it does set it off superbly.

Cities approved made prior to 1947. A percentage of the proceeds from this skin will be for the benefit of ‘Help for Heroes’ charity.  read more

Code: 25403

A Most Fine Victorian Scottish Military Horsehair Sporran with Silver Cantle and Tassels

A Scottish Victorian military horsehair sporran, with ball finials, and the shaped arched silver cantle and conical tassel mounts are finely engraved with scrolls and dragon, 45cm long overall, maker's mark only, Forsyth Glasgow,19th century .
Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle; and much effort is made to match their style and design. The kilt belt buckle can be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt on one or other of the hips, rather than hung from a separate strap in front of the wearer.

When driving a carriage, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran can be turned around the waist to let it hang on the hip in a more casual position. One ball finial lacking  read more

Code: 21453

Fabulous Solid Silver & Enamel, Cigarette Case of Rudyard Kipling’s, Richard Caton Woodville’s and Sir Arthur Sullivan’s Boer War Soldier’s Relief Fund. ‘The Absent Minded Beggar, A Gentleman in Kharki. By Victorian Silversmiths Saunders & Shepherd

This is a unique, stunning and exceptional antique Victorian sterling silver and enamel cigarette case. Made for one of the principles, possibly one of the main instigators of the Boer War Relief Fund Charity, Kipling, Woodville or Sullivan, or Lord Northcliffe or his brother Lord Rothermere, the publishers of the Daily Mail, a fund raised by an appeal started by The Daily Mail.
It has a rectangular form with rounded corners. Just regular Victorian solid silver and fine enamel cigarette cases are very highly prized, and have been incredibly collectable over the past hundred years, and can achieve incredible prices, but this is one of the rarest and most historical examples, made for one of the most successful charitable causes of the Victorian age, that one can find. This fabulous Victorian case has a subtly curved form proffering a comfortable fit in the majority of pockets. The anterior cover of this Victorian case is embellished with an impressive painted enamel panel depicting a British soldier holding a rifle and standing on a rocky hillside, with a blooded bandage around his head and a helmet to his feet.
The enamel decoration is accented with the quote
A Gentleman in Kharki
Importantly, with the engraved word ‘copyright’ to the lower edge. This was a stipulation that only items made specifically for the relief fund could display, to ensure all receive monies went to the fund.
The posterior surface and rounded sides of this cigarette case are plain.
This silver Victorian cigarette case is fitted with a push fit catch, which when released reveals two hinged compartments.This impressive case retains the original gilded interior and two retaining straps.
It was crafted by the Birmingham silversmiths Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd.
This notable illustration in enamel on the case front, is a representation of Richard Caton Woodville's ‘A Gentleman in Kharki’. This design accompanied the song/poem The Absent-Minded Beggar by Rudyard Kipling, with music composed by Gilbert & Sullivan’s, Sir Arthur Sullivan, and was used in a press release to raise funds for the British soldier in the Boer

"The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan and often accompanied by an illustration of a wounded but defiant British soldier, "A Gentleman in Kharki", by Richard Caton Woodville. The song was written as part of an appeal by the Daily Mail to raise money for soldiers fighting in the Second Boer War and their families. The fund was the first ever such charitable effort for a war.

The chorus of the song exhorted its audience to "pass the hat for your credit's sake, and pay– pay– pay!" The patriotic poem and song caused a sensation and were constantly performed throughout the war and beyond. Kipling was offered a knighthood shortly after publication of the poem but declined the honour. Vast numbers of copies of the poem and sheet music were published, and large quantities of related merchandise were sold to aid the charity. The "Absent-Minded Beggar Fund" was an unprecedented success and raised a total of more than £250,000.

The Daily Chronicle wrote that "It has not been often that the greatest of English writers and the greatest of English musicians have joined inspiring words and stirring melody in a song which expresses the heart feelings of the entire nation". Sullivan's manuscript was later auctioned for £500 towards the fund.

The popularity of the poem was such that allusions to it were common. Mark Twain wrote that "The clarion-peal of its lines thrilled the world". By 18 November, less than a month after publication of the poem, "a new patriotic play" was advertised to open the next week, titled The Absent Minded Beggar, or, For Queen and Country. The same month, the Charity Organisation Society called "The Absent-Minded Beggar" the "most prominent figure on the charitable horizon at present." Even a critical book on the conduct of the war, published in 1900, was titled An Absent-Minded War. Kipling was offered a knighthood within a few weeks of publication of the song but declined, as he declined all offers of State honours. Historian Stephen M. Miller wrote in 2007, "Kipling almost single-handedly restored the strong ties between civilians and soldiers and put Britain and its army back together again."

A performance of "The Absent-Minded Beggar March" on 21 July 1900 at The Crystal Palace was Sullivan's last public appearance, and the composer died four months later. "The Absent-Minded Beggar" remained popular throughout the three-year war and for years after the war ended. It became a part of popular culture of the time, with its title becoming a popular phrase and cartoons, postcards and other humorous representations of the character of the absent-minded beggar becoming popular. The song is performed in John Osborne's 1957 play The Entertainer. T. S. Eliot included the poem in his 1941 collection A Choice of Kipling's Verse.

The picture in the gallery is of Rudyard Kipling in his study. Recognised my millions of people around the world as the English composer of the greatest poem ever written, certainly one of the most popular of all poems. ‘If’

Copy and paste below Sir Micheal Caine reading his favourite poem. ‘If’

https://www.youtube.com/watch?v=sqOgyNfHl1U

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
⁠And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
⁠Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
⁠And—which is more—you'll be a Man, my son!

Made by Cornelius Saunders & Francis Shepherd
Hallmarked 1899 made in Birmingham, England. 83mm long, 99.5 grams  read more

Code: 21734

A Wonderful, Original, Antique Victorian Helmet of the 6th Dragoons the Inniskillins. One of the Great Irish Cavalry Regiments in the British Army & One of The Most Desirable of All The Victorian Regimental Helmets

One of the best surviving examples one can see in or out of a museum

They served in the Crimea in 1854, losing all its horses en route in a fire on board its troop ship, but still managing to take part in the charge of the Heavy Brigade at Balaklava.

The regiment was deployed to the Crimea in April 1854 but during the voyage the regiment's transport ship Europa sank with the loss of the commanding officer, Lieutenant Colonel Willoughby Moore, and 17 of his men. Lieutenant-Colonel Henry Dalrymple White took over command of the regiment and led it in action at the Battle of Balaclava in October 1854.

The first assault line consisted of the Scots Greys and one squadron of the Inniskillings, a total of less than 250 sabres. Only when the RSMs declared themselves happy with the alignment did Scarlett order his bugler to sound the 'Charge'. The idea of a charge conjures up images of the Light Brigade dashing forward at speed but Dragoons were larger men with much heavier equipment so their charge was more of a trot. Floundering at obstacles such as ditches or coppices they headed towards the massed ranks of Russian cavalry, pressing on inexorably at a mere 8 miles an hour. Slow they may have been but the effect of these heavy cavalrymen slamming into the much lighter Russian cavalry stunned their enemy. A letter from a Captain of the Inniskillings illustrates the mellee which followed:

"Forward - dash - bang - clank, and there we were in the midst of such smoke, cheer, and clatter, as never before stunned a mortal's ear. it was glorious! Down, one by one, aye, two by two fell the thick skulled and over-numerous Cossacks.....Down too alas! fell many a hero with a warm Celtic heart, and more than one fell screaming loud for victory. I could not pause. It was all push, wheel, frenzy, strike and down, down, down they went. Twice I was unhorsed, and more than once I had to grip my sword tighter, the blood of foes streaming down over the hilt, and running up my very sleeve....now we were lost in their ranks - now in little bands battling - now in good order together, now in and out."
In the words of Colonel Paget of the Light Brigade "It was a mighty affair, and considering the difficulties under which the Heavy Brigade laboured, and the disparity of numbers, a feat of arms which, if it ever had its equal, was certainly never surpassed in the annals of cavalry warfare, and the importance of which in its results can never be known.
It then took on peacekeeping roles in India in 1857 after the Mutiny and in South Africa in 1880 after the Zulu War.

It fought as mounted infantry in the Boer War. After the outbreak of the Second Boer War in October 1899, the regiment was sent to South Africa. It formed part of General French′s force in the operations around Colesberg, and afterwards one squadron took part in the relief of Kimberley in February 1900.22 The squadrons of the regiment then rejoined, and formed part of the cavalry brigade which served in all the engagements in the general advance on Pretoria, one of the Boer capitals, which was captured on 5 June 1900. They took part in the battles of Diamond Hill (June 1900) and Belfast (August 1900), and in the following cavalry advance on Barberton in the Eastern Transvaal. The regiment subsequently joined a column under the command of Colonel Michael Rimington in the Orange River Colony, taking part in miscellaneous raids and drives there throughout the last year of the war, which ended with the Peace of Vereeniging on 31 May 1902. Following the end of the war, 257 officers and men of the regiment left Cape Town on the SS Orissa, which arrived at Southampton in late October 1902,23 and another 138 men arrived at Queenstown the following month on the SS Orient.After their return, the regiment was stationed at Curragh. One of its lieutenants, Lawrence Oates, was recommended for the Victoria Cross and is best known for his last words - 'I am going out, I may be some time' - shortly before his death on Scott’s expedition to the South Pole in 1912.

The unit served mainly as infantry on the Western Front during the First World War, suffering heavy casualties on the rare occasions it charged as cavalry.  read more

Code: 25325

An Original, French, Napoleonic Year 13 Modele, & Dated 1809 French Flintlock Line Cavalry Pistol, Mauberge Manufacture Imperial. Manufactured For Napoleon's Grande Armee.

One of the flintlocks from a fabulous & large original collection of finest Imperial French swords and pistols we recently acquired, this one is one of a near identical pair we purchased, but each is being sold separately, this one from the Grande Armee period, and the other from the period after the loss of the Grande Armee in Russia. Each part of this flintlock pistol bears the poincon stamps of Phillipe-Joseph Delmotte, inspector of Mauberge, plus B.Y. of Denis Brouilly premier controleur, and probably Antoine Chapelle Chef de Batallon, plus the date of 1809 on the stock, and 1809 repeated on the barrel. The gun lock shows it was made at the Maubeuge Manufacture Imperiale. It also has a most rare inspector's stamp on the gunlock plate of the B surmounted by an imperial eagle, of Daniel Bouyssavey of Maubeuge.

Excellent condition overall with a crisp spring action.

A true museum grade original souvenir from the Napoleonic Wars

This flintlock pistol was made at the French Imperial Arsenal at Maubeuge in 1809, during the time of Napoleon's Grande Armee during the Peninsular Campaign, before the Grande Armee's invasion of Russia, and five years before Napoleon's defeat in 1814 and exile to Elba, and later, after his return in 1815. Thus this pistol was made, and issued to the cuirassiers, that then years later transferred their loyalty to the King, then back once more back to their old emperor, Napoleon, upon his return from exile in Elba. It was used by the cuirassiers in the 100 Days War, culminating in Napoleon's final defeat at Quatre Bras and Waterloo by the Duke of Wellington, and this pistol being taken as war booty.

Used as a regimental issue sidearm, by and the very best French Napoleonic frontline cavalry, the carabineers, cuirassiers, chasseurs, dragoons and lancers, serving in Napoleon Bonaparte's army during the Napoleonic Wars. This is the pattern called the AN 13 {year 13} which represents the 13th year of French Ist Republic of 1792. The French Republican Calendar or French Revolutionary Calendar was a calendar proposed during the French Revolution, and used by the French government for about 12 years from late 1793. This is the pattern of pistol that would have first seen service in the Elite Imperial Guard, cavalry and dragoons, plus the Cuirassiers of Napoleon's great heavy cavalry regiments. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers pistols now in England very likely came from that field of conflict, after the battle, as trophies of war. This pistol may well have been taken from a vanquished Cuirassier pistol that was drawn for combat on the field of battle. One can imagine this pistol lying freely, or, maybe, even still clasped in his cold desperate hand, or even under his fallen steed, at the field of conflict at Waterloo. Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly super Napoleonic pistol. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. Made in the period that Napoleon was Emperor and ruling most of Europe, it was used through the Napoleonic period from 1813, later in the the Royal restoration period, when Napoleon was imprisoned at Elba, and then during the War of the 100 days, culminating at Waterloo .
All Napoleon's heavy Cavalry Regiments fought at Waterloo, there were no reserve regiments, and all the Cuirassiers, without exception fought with their extraordinary resolve, bravery and determination. The Hundred Days started after Napoleon, separated from his wife and son, who had come under Austrian control, was cut off from the allowance guaranteed to him by the Treaty of Fontainebleau, and aware of rumours he was about to be banished to a remote island in the Atlantic Ocean, Napoleon escaped from Elba on 26 February 1815. He landed at Golfe-Juan on the French mainland, two days later. The French 5th Regiment was sent to intercept him and made contact just south of Grenoble on 7 March 1815. Napoleon approached the regiment alone, dismounted his horse and, when he was within gunshot range, shouted, "Here I am. Kill your
Emperor, if you wish." The soldiers responded with, "Vive L'Empereur!" and marched with Napoleon to Paris; Louis XVIII fled. On 13 March, the powers at the Congress of Vienna declared Napoleon an outlaw and four days later Great Britain, the Netherlands, Russia, Austria and Prussia bound themselves to put 150,000 men into the field to end his rule. Napoleon arrived in Paris on 20 March and governed for a period now called the Hundred Days. By the start of
June the armed forces available to him had reached 200,000 and he decided to go on the offensive to attempt to drive a wedge between the oncoming British and Prussian armies. The French Army of the North crossed the frontier into the United Kingdom of the Netherlands, in modern-day Belgium. Napoleon's forces fought the allies, led by Wellington and Gebhard Leberecht von Blücher, at the Battle of Waterloo on 18 June 1815. Wellington's army withstood repeated attacks by the French and drove them from the field while the Prussians arrived in force and broke through Napoleon's right flank. The French army left the battlefield in disorder, which allowed Coalition forces to enter France and restore Louis XVIII to the French throne. Off the port of Rochefort, Charente-Maritime, after consideration of an escape to the United States, Napoleon formally demanded political asylum from the British Captain Frederick Maitland on HMS Bellerophon on 15 July 1815. The pistol is in very nice condition overall.  read more

Code: 25402

A Really Rare Original Victorian Crimean War Other Ranks Guardsman's Bearkin Cap. with Hardened Leather Interior Frame & Original, Victorian, Crown VR , Maker's Label

It is fair to say less than one in ten thousand household Division Bearskin Caps to be seen today, on the collectors market, is an original, Victorian issue, 1850's, Crimean War service bearskin cap, the other 9,999 per ten thousand, will be the regular 20th century cane framed bearskin caps. With good condition, leather lined chinscales.

In overall very good condition, the interior bears its original mid 19th century Victorian makers label. It is heavy stitched leather, stitched to the skin, as would be usual for the Crimean bearskin, and it also has the regular other ranks leather headband intact, {the officer's version had a velvet headband} fully. It has no hackle mount externally, which is correct for the Scots Fusilier Guards bearskins, as they wore no hackle, unlike the Grenadiers, and Coldstream Guards. This is only the third 1850's example used in the Crimea we have seen outside of the Guards Museum
.
This is the bearskin headdress of an 1850's other ranks of the Scots Fusilier Guards, one of the most famous regiments of infantry in the British Army. This celebrated item, still worn by the Guards Division on ceremonial duties, has its origins in the Battle of Waterloo, where the 1st Foot Guards of Wellington's army fought against the French Imperial Guard, who wore bearskin caps. It was during the reign of King George IV that the Guard uniforms were changed, along with the Guard Regiments themselves. The scarlet coatee was introduced, with gray or white trousers and in 1832 the bearskin cap became the official headdress of all three guards regiments, thus creating the ceremonial uniform that essentially remains in use today.

In the Crimean war the bearskin was reduced in height and the cap's pelt could be attached to a hardened leather cap, as is this one, and not mounted on a frame of willow or rattan as they are today, one such leather lined bearskin is in the Guards Museum in London

In the Crimean war they were still a combat helmet, classified as a bearskin cap. Sometime after the Crimea, the bearskin was only in use by the guards, and fusiliers regiments as a dress cap, just as it still is today.

The guards combat details follow below {in a brief resume} at the Battle of Alma, during the retreat and second attack.

By now, the 1st Division had finally crossed the river and the Russians in the greater redoubt saw approaching them the Guards' Brigade, with the Grenadier Guards on the right, the Scots Fusilier Guards in the centre, and the Coldstream Guards on the left. Out of sight on the far left was the Highland Brigade, commanded by Sir Colin Campbell. Campbell was irritated by the Guards' delay and ordered an immediate advance. A firm believer in the charge with bayonets, Campbell told his men not to fire their rifles until they were "within a yard of the Russians".

The Scots Fusiliers, by then ahead of the rest of the division, started to move uphill immediately, repeating the Light Division's mistake, which at that moment was running down from the redoubt, pursued by Russian infantry. The Light Division crashed into the advancing Scots Fusiliers with such force that the line was broken in many places. The Scots faltered, but emerged on the other side with only half their numbers and continued towards the great redoubt in a chaotic state. When they were 37 m (40 yd) from the redoubt, the Russians mounted a massive volley. The Scots Fusiliers were forced to retreat, stopping only when they reached the river.

The two other guards regiments filled the gap left by the Scots Fusiliers, but refused orders to charge with bayonets up the hill. Instead, the Grenadiers and the Coldstream formed into lines and started firing Minie volleys into the Russian advance parties. This stopped the Russians, and the Grenadiers and the Coldstream were soon able to close the gap between them; the Russians were again forced back into the redoubt. Vintage, replaced chinscales

Photos in the gallery of hand-coloured photograph of three soldiers of the Scots Fusiliers Guards who served in the Crimean War. From right to left are Corporal Judd, Edward Temple and William Reynolds. They are all seated with Judd resting his bearskin on his lap and Temple holding one of the three rifles joint together pointing upwards.

Alongside this Crimean piece we also acquired a fabulous Crimean War pistol and an 1853 relic sword blade from the Charge of the Light Brigade.

Throughout the war Queen Victoria had taken an active interest in the welfare of the troops and on their return from the Crimea she met a number of the veterans at Buckingham Palace, Chatham Military Hospital and Aldershot Garrison. Following these meetings she commissioned a series of photographs of the veterans from the photographers Joseph Cundall and Robert Howlett.

The other coloured photograph is of Colour Sergeant William McGregor of the Scots Fusilier Guards.

The maker of this bearskin cap was established in 1776, as Sword Cutlers, Military Outfitters, and Hatters, W. Cater & Co. They were at 56 Pall Mall, and they moved from 56 Pall Mall, to 62 Pall Mall in around 1918.  read more

Code: 25401