The Spectacular, Elizabeth Taylor, 'Million Dollar' Gold, Diamond And Ruby Rolex 'Mystery' Watch, With a Diamond & Ruby Bracelet. Described As, Probably, The Most Spectacular, Beautiful and Unique Rolex Watch in the World

What an incredible idea for a special occasion
A unique, bespoke, Rolex ‘mystery’ watch, probably one of the most spectacular ‘statement watches’ ever to be seen anywhere in the world today, that once belonged to one of the greatest movie legends of them all, Elizabeth Taylor.

The concealed Rolex watch movement is hidden within the spectacular, gold diamond and ruby set 'belt and buckle' bracelet, and when worn, the watch movement is entirely concealed, and hidden, and must be viewed by simply lifting the end of the belt tab.
The current cost of a 1970's Bulgari Serpenti 'Mystery' Watch, available on the market today, is anything up to £170,000. But the fabulous Bulgari mystery watches hold not a candle to this simply unique and exquisite piece..

This extraordinary watch is as close to a Million Pound watch as you can get. Its provenance is as follows;

In the middle of October 1970 Elizabeth Taylor and Richard Burton arrived in Brighton for the location filming of Burton's latest film, Villain. During the filming they toured The Lanes in Brighton and visited our shop in Prince Albert St, in order to discuss with David Hawkins snr, the purchase of a mansion David had recently bought in Hove. During their hour long visit to our store some extraordinary business was transacted, between Elizabeth and Camilla Hawkins Mark and David's mother, and wife of their father David snr Camilla bought from Elizabeth, this most spectacular custom made, Rolex movement, gold and diamond bracelet 'mystery' watch that Richard had somewhat recently bought for Elizabeth.

It was the culmination of a conversation that Elizabeth had with David and Camilla concerning the purchase of a Hove mansion, that David and Camilla owned in Hove that Michael Wilding a very famous British actor and another former husband of Elizabeth Taylor was trying to buy from David Hawkins snr, for Michael Wilding's 'other' ex wife, Susan Wilding. Elizabeth had been asked by Michael to intercede on his behalf and convince David to sell, the Hove mansion, as, so far he had thus refused to do.

That most curious conversation and negotiation obliquely developed into an entirely disconnected heated discussion between Elizabeth and Richard, concerning a ring that Elizabeth had seen in a neighbouring jewellers in the Brighton Lanes that very day, and that Elizabeth was determined to buy for herself. However, Richard had ‘forbade’ her from buying it. He strongly protested, and loudly argued, that he was the only one allowed to buy her Jewellery, and Elizabeth, took great exception to this affront to her status and independence. Bearing in mind, Elizabeth had, and always was, paid far more for her performances than Richard was for his. Richard’s talent and fame was world renown, but Elizabeth’s was positively stratospheric. This was the uncomfortable element to their relationship that Richard never truly overcame.

In high dudgeon, to his unwanted rebuke, Elizabeth removed her Rolex watch from her wrist, and immediately offered it for sale, and duly sold it, to Camilla, most likely simply in order to frustrate, anger and annoy Richard, and very possibly to also demonstrate her indifference of his opinions and wishes. So, the upshot was, Camilla gained this magnificent watch that October, and subsequently, a few years later, gave it to Mark her son as a wedding present, in May 1978.
Mark was in fact present in the shop when the argument between Elizabeth and Richard took place, and thus personally witnessed exactly how the watch was offered and purchased from Elizabeth, within the shop, on that grey but significantly eventful October day in 1970. It was, he says, "certainly one of the most curious, momentous and unforgettable days he had ever experienced in the shop during the past 50 years". It is certainly not every day one is personally witness to two of the most famous and talented movie stars in the world having a full blown, somewhat high decibel, hour long marital discourse within just a few feet.

Bearing in mind Elizabeth and Richard were true, original ‘superstars’ in the truest sense of the word.

Dame Elizabeth Taylor had another, very similar quality diamond and gold 'Mystery' watch, and she was indeed photographed wearing it on the set of Cleopatra in 1962 see the gallery photos It was a Serpent Mystery Watch with a very similar watch encased and hidden within the head of a diamond and gold coiled snake, acting as its bracelet, made by Bulgari. That watch was sold in December 2011 for over $974,500, however it did have the benefit of a photograph of Elizabeth wearing it, and so far we have never found a photograph of Elizabeth wearing this far superior example. It was said that to custom hand-make and replicate this unique, finest quality gold, diamond and ruby bracelet watch, with the manual 'fold-out' movement by Rolex, would likely cost over a million dollars today.
Over the past near 40 years we have combed the world of photographs of Elizabeth Taylor to find her wearing it, sadly without success, and when she created her magnificent book on her world famous jewel collection it was thirty years after this magnificent Rolex had been sold.
A photo in the gallery is of Richard and Elizabeth arriving at Brighton Station on the 16th October 1970, she may well have been wearing it then, but her arms are obscured by her jaguar print pant suit. We also show views from her famous jewel collection book,' Elizabeth Taylor, My Love Affair With Jewellery' published in 2002, that we also include with the watch. The watch is being sold in part to benefit Mark and Judy's {Mark's beloved late wife} favourite charities, the National Society for the Prevention of Cruelty to Children, and The Guide Dogs for The Blind Association. 10.5 inches long x 1.4 inches wide at the buckle, 130.8 grams. Bears Swiss .750 hallmark 24 diamonds and 40 rubies. There was once a small personal calling card with it from Elizabeth that doubled as it's receipt, but sadly it was lost many decades ago.

After meeting on the set of Cleopatra in the early '60s, actress Elizabeth Taylor (1932-2011) and actor Richard Burton (1925-1984) began one of the most publicized and turbulent love stories of all time, captivating millions with their on-again, off-again relationship. Despite the drama, they shared a love that was deep and fierce, the kind of love that can often be as destructive as it is beautiful. According to TIME, Burton admitted he was making movies due to his desire for money, not a love for the art. However, he thought quite highly of his talented wife. He once wrote, "You are probably the best actress in the world, which, combined with your extraordinary beauty, makes you unique. When, as an actress, you want to be funny, you are funnier than W.C. Fields; when, as an actress, you are meant to be tragic, you are tragic."
We recommend this watch is professionally serviced before wearing, which we can undertake if required. Over the decades we have sold many watches, of course, mostly of a military nature, but we have never seen another watch so beautiful as this. A true work of the finest object d'art as well as a piece of useful and functional jewellery. It will be accompanied with a signed statement from Mark Hawkins detailing its full story, but sadly there is no longer any surviving paperwork from Elizabeth Taylor.
However, if one wished for Rolex to create such a fabulous bespoke watch today it would very likely cost up to a million pounds.
We offer it set within a fine Cartier watch box .

Another photo in the gallery is of Elizabeth's other 'Mystery Watch' by Bulgari, which she was photographed wearing on the set of Cleopatra. It sold in 2011 for $974,500.

The bespoke watch case and bracelet of our watch was likely originally custom made for Elizabeth by an exclusive, finest Parisian or Swiss jeweller, such as, for example, Van Cleef & Arpels or Boucheron, and was then fitted with its fold-out ‘hidden’ Rolex movement.

The watch is an amazing 10.5 inches long x 1.4 inches wide at the buckle, and it weighs over 4 ounces 130.8 grams. It bears a Swiss .750 18ct hallmark and contains 24 diamonds and 40 rubies.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 22793

A Superb Original 11th Century Medieval Knightly Dagger, Made From a Re-Formed Knightly Sword,

Originally made for and used by a knight in the 11th century as a sword, then, in or around the following century, by a skilled sword smith, it was reformed and then used as a knightly dagger, continually until the reign of King Henry Vth into the Battle of Agincourt era [circa 1415].

This fabulous dagger was reformed in the medieval period by cutting down the upper third of the sword; the blade being broad, with shallow fuller and square shoulders, the guard narrow and tapering towards the ends; it bears a later formed 'acorn' style pommel. See Oakeshott, E., Records of the Medieval Sword, Woodbridge, 1991. 942 grams, 47cm (18 1/2"). From a private family collection; previously acquired from a collection formed before 1990; thence by descent. The weapon started life as a two-edged sword, probably of Oakeshott's Type XV with broad tang and narrow guard. There is a trace of bronze latten inlay below the shoulder to one face where one might expect to find inlaid motifs or a symbol. It is likely that the sword was damaged in combat at the time of the Norman conquests of England, from 1066 and thereafter, and using the damaged knights long sword, a large knightly dagger was created, by removing the unusable part, and repointing the shortened blade. Used by a knight [the lower orders were not allowed the use or ownership of fine knightly swords or daggers] as a close quarter combat dagger some time between the time of Henry Ist, King Stephen. [King Stephen and Queen Matilda, in the age of Anarchy,] and right through the reign of King Henry IInd, The King who was regarded responsible for the murder of Archbishop Thomas Becket [often erroneously known as Thomas a Becket] the Archbishop of Canterbury.

Henry the 1st was the fourth son of William the Conqueror. Considered by contemporaries to be a harsh but effective ruler, Henry skilfully manipulated the barons in England and Normandy. In England, he drew on the existing Anglo-Saxon system of justice, local government and taxation, but also strengthened it with additional institutions, including the royal exchequer and itinerant justices. Normandy was also governed through a growing system of justices and an exchequer. Many of the officials that ran Henry's system were "new men" of obscure backgrounds rather than from families of high status, who rose through the ranks as administrators. Henry encouraged ecclesiastical reform, but became embroiled in a serious dispute in 1101 with Archbishop Anselm of Canterbury, which was resolved through a compromise solution in 1105. He supported the Cluniac order and played a major role in the selection of the senior clergy in England and Normandy.

The early years of Stephen's reign were largely successful, despite a series of attacks on his possessions in England and Normandy by David I of Scotland, Welsh rebels, and the Empress Matilda's husband, Geoffrey of Anjou. In 1138 the Empress's half-brother Robert of Gloucester rebelled against Stephen, threatening civil war. Together with his close advisor, Waleran de Beaumont, Stephen took firm steps to defend his rule, including arresting a powerful family of bishops. When the Empress and Robert invaded in 1139, however, Stephen was unable to crush the revolt rapidly, and it took hold in the south-west of England. Captured at the battle of Lincoln in 1141, Stephen was abandoned by many of his followers and lost control of Normandy. Stephen was freed only after his wife and William of Ypres, one of his military commanders, captured Robert at the Rout of Winchester, but the war dragged on for many years with neither side able to win an advantage. Henry IInd was an energetic and sometimes ruthless ruler, driven by a desire to restore the lands and privileges of his royal grandfather, Henry I. During the early years of the younger Henry II’s reign he restored the royal administration in England, re-established hegemony over Wales and gained full control over his lands in Anjou, Maine and Touraine. Henry's desire to reform the relationship with the Church led to conflict with his former friend Thomas Becket, the Archbishop of Canterbury. This controversy lasted for much of the 1160s and resulted in Becket's murder in 1170.

Henry soon came into conflict with Louis VII and the two rulers fought what has been termed a "cold war" over several decades. Henry expanded his empire, often at Louis' expense, taking Brittany and pushing east into central France and south into Toulouse; despite numerous peace conferences and treaties no lasting agreement was reached. By 1172, he controlled England, large parts of Wales, the eastern half of Ireland and the western half of France, an area that would later come to be called the Angevin Empire. Henry and Eleanor had eight children—three daughters and five sons. Three of his sons would be king, though Henry the Young King was named his father's co-ruler rather than a stand-alone king. As the sons grew up, tensions over the future inheritance of the empire began to emerge, encouraged by Louis and his son King Philip II. In 1173 Henry's heir apparent, "Young Henry", rebelled in protest; he was joined by his brothers Richard (later a king) and Geoffrey and by their mother, Eleanor. France, Scotland, Brittany, Flanders, and Boulogne allied themselves with the rebels. The Great Revolt was only defeated by Henry's vigorous military action and talented local commanders, many of them "new men" appointed for their loyalty and administrative skills. Young Henry and Geoffrey revolted again in 1183, resulting in Young Henry's death.

The Norman invasion of Ireland provided lands for his youngest son John (later a king), but Henry struggled to find ways to satisfy all his sons' desires for land and immediate power. By 1189, Young Henry and Geoffrey were dead, and Philip successfully played on Richard's fears that Henry II would make John king, leading to a final rebellion. Decisively defeated by Philip and Richard and suffering from a bleeding ulcer, Henry retreated to Chinon Castle in Anjou. He died soon afterwards and was succeeded by Richard known as Richard the Lionheart.

This dagger would have likely been used continually past the era of King Richard for another 200 years into to the 1400's, past the Battle of Crecy and into the Battle of Agincourt era, for knightly swords and daggers were extraordinarily valuable, and simply never discarded unless they were too damaged to use and beyond repair. From the time after Agincourt, knightly dagger patterns changed to become longer and much narrower, with considerably smaller guards. There were three main later dagger types then, called called rondel, ear and ballock. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only some of the swords of kings, that have been preserved in national or Royal collections are today still in a fairly good state of preservation and condition. This dagger is certainly in good condition for its age, it’s cross guard is, as usual, mobile, as organic wooden grips almost never survive in weapons of such great age.
Daggers [bespoke made or adapted from earlier long swords] of this form were clearly used well into the age of Henry Vth as carved marble and stone tombs, or monumental brasses, covering buried knights within churches and cathedrals are often adorned in full armour combined with such knightly daggers and swords, and they are also further depicted at the time in illuminated manuscripts or paintings of knightly battles such as of Crecy, Poitiers and Agincourt at the time.  read more

Code: 23420

A Very Good Victorian, Police, Service Cutlass, Circa 1840

With brass hilt, sharkskin bound grip, steel blade with clip backed blade
Current Police Officers, on late night duty, do, what is now very commonly called the 'graveyard shift'. This old English term is in fact derived from the early days of the British constabulary force, when undertaking the late night duty of patrolling graveyards. It was a regular patrol made in order to prevent body-snatchers from defiling late burials, and the stealing bodies, for medical experimentation. This was however, a highly dangerous part of Victorian policing, as grave robbing was a capital crime, so, the police constables were armed with these swords to protect them from grave assault. These swords were also issued in case of riot, and in various times for general service wear as well.

Metropolitan Police patrols took to the streets on 29 September 1829, despite resistance from certain elements of the community who saw them to be a threat to civil liberties. The initial force consisted of two Commissioners, eight Superintendents, 20 Inspectors, 88 Sergeants and 895 Constables. Patrolling the streets within a seven-mile (11 km) radius of Charing Cross, in order to prevent crime and pursue offenders.

Between 1829 and 1830, 17 local divisions each with a central police station were established, with each division assigned a letter. These divisions were:

A (Whitehall)
B (Westminstera)
C (St James's)
D (Marylebone)
E (Holborn)
F (Covent Garden)
G (Finsbury)
H (Whitechapel)
K (Stepneyb)
L (Lambeth)
M (Southwark)
N (Islington)
P (Camberwell)
R (Greenwich)
S (Hampstead)
T (Kensingtonc)
V (Wandsworth)

On 28 June 1830, Constable Joseph Grantham became the first member of the force to be killed in the line of duty, an incident described by the Coroner's Inquest as "justifiable homicide". Other indications of the Constabulary's unpopularity of the time, were such nicknames as 'Raw Lobsters', 'Blue Devils' and 'Peel's Bloody Gang'. Officers were physically assaulted, others impaled, blinded, and on one occasion held down while a vehicle was driven over them.

No scabbard  read more

Code: 25038

A Fabulous and Extremely Scarce, Original, WW2 German Nebelwerfer 41 Rocket

Empty, inert and perfectly safe. This is one of the very last few we have seen in over 30 years and the first three we sold straightaway. From a superb collection of German ordnance that has arrived. This is one of our last Nebelwerfer Rocket from this collection. Nicknamed by the allies the 'Moaning Mini' due to it's unearthly scream as it flew. An original unfired example, and a simply remarkable piece of history, from the early German Third Reich's rocket technology, and part of a superb Third Reich collection we have been thrilled to acquire. An interesting statistic, it is estimated 75% of all German hi-explosive launched combat in Caen, the Normandy campaign, primarily involved the Nebelwerfers, the rest were fired by the panzers and luftwaffe. Beautifully waffen amt marked and with original paint decoration. The Nebelwerfer ("Smoke Mortar") was a World War II German series of super weapons. They were initially developed by and assigned to the Wehrmacht's so-called "smoke troops" (Nebeltruppen). This weapon was given its name as a disinformation strategy designed to fool observers from the League of Nations, who were observing any possible infraction of the Treaty of Versailles, into thinking that it was merely a device for creating a smoke screen. However, they were primarily intended to deliver poison gas combined with smoke shells, although a high-explosive shell was developed for the Nebelwerfer from the very beginning. And then as an offensive/defensive long range battle weapon the Nebelwerfer and its crews truly came into their own. Initially, two different mortars were fielded before they were replaced by a variety of rocket launchers ranging in size from 15 to 32 centimetres (5.9 to 12.6 in). Nebeltruppen smoke troops are general chemical warfare troops, who were trained for both smoke and gas operations, and in the event of chemical warfare breaking out, the offensive role will be borne primarily by them. Specifically with reference to the use of smoke, it should be borne in mind that when smoke is required in limited areas it is produced generally by smoke-producing ammunition fired by the combat units' organic weapons, such as artillery and mortars; in operations involving the use of smoke in large quantities the specially trained and equipped, smoke troops are used. A number of these units was reported destroyed at Stalingrad. Three smoke batteries were also reported in North Africa. It was known that the Grossdeutschland Division and probably 20 divisions formed since December 1941, include a Nebelwerfer smoke battery.

"It is well to point out here that the Germans distinguish between the blinding screen and the area screen, a distinction not specifically made by General von Cochenhausen. The blinding screen is laid to blind hostile observation. The area screen is laid over an extensive area and fighting is carried out within the screen under conditions similar to a natural thick fog." The previous details were in part taken from a report on German smoke tactics in WWII, from Tactical and Technical Trends, No. 32, August 26, 1943. US War Dept.The thin walls of the rockets had the great advantage of allowing much larger quantities of gases, fluids or high-explosives to be delivered than artillery or even mortar shells of the same weight. With the exception of the Balkans Campaign, Nebelwerfers were used in every campaign of the German Army during World War II. A version of the 21 cm calibre system was even adapted for air-to-air use against Allied bombers. The name was also used to fool observers from the League of Nations, who were observing any possible infraction of the Treaty of Versailles, from discovering that the weapon could be used for explosive and toxic chemical payloads as well as the smoke rounds that the name Nebelwerfer suggested.

Rocket development had begun during the 1920s and reached fruition in the late thirties. This offered the opportunity for the Nebeltruppen to deliver large quantities of poison gas or smoke simultaneously. The first weapon to be delivered to the troops was the 15 cm Nebelwerfer 41 in 1940, after the Battle of France, a purpose-designed rocket with gas, smoke and high-explosive warheads. It, like virtually all German rocket designs, was spin-stabilized to increase accuracy. One very unusual feature was that the rocket motor was in the front, the exhaust venturi being about two-thirds down the body from the nose, with the intent to optimize the blast effect of the rocket as the warhead would still be above the ground when it detonated. This proved to greatly complicate manufacture for not much extra effect and it was not copied on later rocket designs. It was fired from a six-tube launcher mounted on a towed carriage adapted from that used by the 3.7 cm PaK 36 and had a range of 6,900 metres (7,500 yd). Rocket-projector troops are employed as battalion and regimental units, in keeping with their task of destroying hostile forces by concentrated fire. One of the advantages of the Nebelwerfer 41 is that it can mass its projectiles on a very small target area. By means of a shrewd disposition of the batteries, a carefully planned communication system, and a large number of observation posts with advanced observers, the infantry can assure for itself manoeuvrability and a concentration of its fire power upon the most important points. Projectors are placed well toward the front?almost without exception, at points forward of the artillery?so that they will be able to eliminate hostile command posts, destroy hostile positions, and even repulse sudden attacks effectively. The firing positions of the projectors are always carefully built up so that the weapons can give strong support to the infantry.

In Russia, during the winter of 1942-43, many breakthrough attempts by hostile forces were repulsed by direct fire from rocket-projector batteries. The projectile itself resembles a small torpedo?without propeller or tail fins. The base is flat, with slightly rounded edges. The rocket jets are located about one-third of the way up the projectile from the base, and encircle the casing. The jets are at an angle with the axis of the projectile so as to impart rotation in flight, in "turbine" fashion. The following note on the operation of the Nebelwerfer 41 is reproduced from the original WW2 German Army periodical Die Wehrmacht.

The Nebelwerfer 41, is unlimbered and placed in position by its crew of four men. As soon as the protective coverings have been removed, the projector is ready to be aimed and loaded. The ammunition is attached to the right and to the left of the projector, within easy reach, and the shells are introduced two at a time, beginning with the lower barrels and continuing upward. Meanwhile, foxholes deep enough to conceal a man in standing position have been dug about 10 to 15 yards to the side and rear of the projector. The gunners remain in these foxholes while the weapon is being fired by electrical ignition. Within 10 seconds a battery can fire 36 projectiles. These make a droning pipe-organ sound as they leave the barrels, and, while in flight, leave a trail of smoke. After a salvo has been fired, the crew quickly returns to its projectors and reloads them. Only its original empty steel shell casing and parts, no propellant, no ingnition system, thus completely safe in all regards. No restrictions to ownership or personal display, but only for sale to over 18's. Not suitable to Export. 38 inches long approx. Copy and paste for original film of Nebelwefer in use on youtube; www.youtube.com/watch?v=loNLz1_Zf1c  read more

Code: 21929

A Very Rare, Original, 1913, Silver Medal Of The Crash of Imperial German Naval Airship L2 in Johannisthal

Silver medal 1913. (Lauer) On the crash of the naval airship L 2 in Johannisthal. Icarus lying on the ground, phoenix rising above it burning, falling airship. Hallmark: silver 990, 33.3 mm, 17.5 g. Coll. Joos a. 293 Kaiser 397. Very rare. Matted, small scratches, extremely fine The Johannisthal air disaster was one of the first multiple-fatality air disasters in history. It involved the Imperial German Navy's L 2 airship manufactured by Luftschiffbau Zeppelin as LZ 18. Its test flight resulted in the death of all 28 passengers and crew on board. On 17 October 1913, at approximately 10:30am local time, hydrogen gas which was being vented was sucked into the forward engine and ignited causing the airship to explode and burn. It crashed near Johannisthal Air Field about 10 miles southeast of Berlin. This accident occurred a little over a month after the Helgoland Island Air Disaster.The "Almanac and Year-Book for 1914" reported that the airship "was destroyed by the explosion of a gasoline tank, which occurred as the ship was making a trial trip above the city of Johannisthal, near Berlin. All except one of the twenty-seven military men on board, including the entire admiralty trial board, were killed.

Thousands, who had been watching the evolutions of the L-2, which, if accepted, was to have been the flagship of Germany's new aerial fleet, heard a heavy detonation and saw the craft suddenly become enveloped in flames and drop to the ground from a height of 900 feet.

On reaching the spot in the highway where the airship fell the spectators found nothing but a mass of crumpled aluminium and twisted wreckage. The only man found alive was Lieut. Baron von Bieul, a guest on the trip, who was fatally injured. The passengers of the centre gondola were blown through the sides of the car by the explosion and their bodies fell a quarter of a mile away from the wreck of the dirigible.

The pilot of the airship was Capt. Gluth, who had been in Count Zeppelin's employ for a long time.

The admiralty trial board consisted of seven officers, including Lieutenant-Commander Behnish, and Lieut. Freyer, both personal friends of Emperor William, Naval Constructors Neumann and Pietzler, Naval Engineer Busch, Lieut. Trenk and Chief Engineer Haussmann were among the others killed."  read more

Code: 23640

A Very Attractive Pre WW1 German Military Beer Stein of the 46th Artillery

Souvenir of service for a WW1 volunteer.An Imperial Prussian stein for 4 Battery, Niedersachs Feld Artillery, Regt. 46, for the years 1904-1906. Lower Saxony Field Artillery Regiment No. 46. The recipient then volunteered back into the regiment and served in WW1. Superbly decorated. Transfer glazed with hand painted highlights with scenes of the field artillery in combat. Personally named 'in memory of my service' to the recipient 'Kanonier Bahrwald', and further named with every man's name from the regiment 47 names in all Souvenirs of service were purchased by reservists once there service was finished, in this case 1906. Steins seem to have been the most popular purchases. The period of popularity extended from the mid 1890s until the onset of World War I. Examples exist from the 1850s on, but were few in number and individually purchased items. Almost all early examples came from Bavarian units. Steins with wartime dates also exist but the demands of the war in terms of men and material effectively ended the manufacture of regimental steins as we know them.
Steins were ordered from military shops in the area around the garrison town or through the representatives of stein manufacturers. Normally ordered in the spring, they were delivered in early September, just prior to mustering out. The average cost approximated a month?s salary for a German private of that period. The base shows when lit internally the hidden factory 'watermark' in the porcelain. The base also has two old damage areas where the base has been penetrated and in other one area fixed see photo The lid's artillery cannon has the barrel lacking. The Regiment was part of the 20th Infantry Division in WW1. Their actions in WW1 were as follows Calendar of battles and engagements
20th Infantry Division (Western Front)
08.08.-08.16.1914 Conquest of Li?ge
23.08.-08.24.1914 Battle of Namur
29.08.-08.30.1914 Battle of St. Quentin
06.09.-09.09.1914 Battle of Petit-Morin
12.09.-09.13.1914 Fighting at Reims
13.09.1914-18.04.1915 Fighting at the Aisne
21.04.-04.30.1915 Transport to the east
20th Infantry Division (Eastern Front)
05.05.-05.23.1915 Pursuits after the Battle of Gorlice-Tarnow
16.05.-05.23.1915 Crossing over the San
24.05.-05.26.1915 Fight at Radymno and San
27.05.-04.06.1915 Fight at the bridgehead of Jaroslau
12.06.-06.15.1915 Breakthrough battle at Lubaczow
17.06.-06.22.1915 Battle of Lviv
22.06.-07.16.1915 Pursuit battles on the Galician-Polish border
16.07.-07.18.1915 Breakthrough Battle of Krasnostaw
19.07.-07.28.1915 Fighting after the breakthrough battle of Krasnostaw
29.07.-07.30.1915 Breakthrough Battle of Biskupice
31.07.-08.10.1915 Pursuit battles from Wieprz to Bug
12.09.-09.26.1915 Reserve of OH-L. and transport to the west
20th Infantry Division (Western Front)
27.09.-10.18.1915 Autumn Battle in Champagne
31.10.1915-16.05.1916 Fighting at the Aisne
03/10/1916 Storming of the mountain at La Ville aux Bois
18.05.-01.06.1916 Transport to the east
20th Infantry Division (Eastern Front)
14.06.-07.15.1916 Fights on Stochod
16.07.-07.27.1916 Fighting on the upper Styr-Stochod
28.07.-04.11.1916 Battle of Kovel
05.11.-11.18.1916 Positional fights on ob. Styr-Stochod
20.11.-11.25.1916 Transport to the west
20th Infantry Division (Western Front)
26.11.1916-05.01.1917 training
06.01.-02.03.1917 Fighting at the Aisne
10.04.-05.08.1917 Battle of the Aisne
15.05.-04.07.1917 Positional fights in Champagne
05.07.-07.12.1917 Transport to the east
20th Infantry Division (Eastern Front)
13.07.-07.22.1917 Fighting on the Lomnica near Kalusz
23.07.-07.30.1917 Pursuit battles in eastern Galicia
31.07.-02.08.1917 Fighting for Zbrucz, between Zbrucz and Sereth
03.08.-08.16.1917 Position fights between Zbrucz and Sereth
30.08.-08.31.1917 Position fights before Riga
01.09.-05.09.1917 Battle for Riga
09/02/1917 Fights on the Big Jail
09/03/1917 Wholesale Kangern
09/04/1917 Conquest of Bh. Hinzenberg
09/04/1917 Pursuit battles towards the Riga-Wenden road
06.09.-09.10.1917 Positional fighting north of the D?na
10.09.-09.20.1917 Transport to the west
20th Infantry Division (Western Front)
27.09.-10.10.1917 Battle in Flanders
20.11.1917-17.02.1918 Positional fights in the Artois
20.11.-11.29.1917 The tank battle at Cambrai
30.11.-07.12.1917 Attack Battle at Cambrai
18.02.-03.20.1918 Training and march to the "Great Battle of France"
21.03.-04.06.1918 Great battle in France
21.03.-03.23.1918 Breakthrough Battle Monchy-Cambrai
21.03.-03.23.1918 Fight for Morchies and Beugny
24.03.-03.25.1918 Battle of Bapaume
22.04.-05.25.1918 Fighting positions between Maas and Mosel: on the Maashohe at Lamorville-Spada and St. Mihiel
25.05.-06.25.1918 Reserve of OH-L. at Arlon
18.07.-07.26.1918 Defensive battle between Soissons and Reims
27.07.-03.08.1918 The mobile defensive battle between Marne and Vesle
03.08.-08.17.1918 Reserve Army Group German Kronprinz or Boehn
28.08.-02.09.1918 Battle of Monchy-Bapaume
06.09.-09.26.1918 Fighting in front of the Siegfried Front
27.09.-08.10.1918 Defensive battle between Cambrai and St. Quentin
03.11.-11.11.1918 Defensive battle on the Maas
03.11.-11.11.1918 Defensive battles between Maas and Beaumont
12.11.-12.23.1918 Clearance of the occupied territory and march home 12 inches high overall  read more

Code: 21788

A 18th to Mid 19th Century Steel, Indo Persian, Double Crescent Blade Headed War Axe and Spike, Known as a Tabarzin

Of a type carried into battle by Indo-Persian/Mughal warriors. With engraved bird and floral decoration to the axe heads. Iron shaft.

The double head war axe with spike would have been a very effective battlefield weapon and had excellent balance.

The term tabar is used for axes originating from the Ottoman Empire, Persia, Armenia, India and surrounding countries and cultures. As a loanword taken through Iranian Scythian, the word tabar is also used in most Slavic languages as the word for axe.

The tabarzin (saddle axe) (Persian: تبرزین‎; sometimes translated "saddle-hatchet") is the traditional battle axe of Persia. It bears one or two crescent-shaped blades. The long form of the tabar was about seven feet long, while a shorter version was about three feet long or less. What makes the Persian axe unique is the very thin handle, which is very light and always metallic. The tabarzin was sometimes carried as a symbolic weapon by wandering dervishes (Muslim ascetic worshippers). The word tabar for axe was directly borrowed into Armenian as tapar (Armenian: տապար) from Middle Persian tabar, as well as into Proto-Slavonic as "topor" (*toporъ), the latter word known to be taken through Scythian, and is still the common Slavic word for axe.

A delightful example of a ceremonial axe in war axe form  read more

Code: 25036

A Most Rare Circa 1700’s Sawasa Hunting Hanger With Japanese Hilt in The European Style, For a Senior Officer of the Dutch East India Company (VOC)

Made by Japanese emigre samurai sword koshirae {sword mounts} makers and artisans.

European hanger swords were the weapon of choice for maritime officers employed by the Dutch East India Company. The hilt and fittings of this sword were probably added to the European blade by Japanese émigrés in the Dutch colony of Batavia (Jakarta). They were made using the sawasa technique of gilded copper alloy with black shakudo detailing. Japanese samegawa grip {giant rayskin}, with a vertical panel, engraved with an exotic bird in front of two Indonesian mosque temple domes.
The level of workmanship suggests that the sword belonged to a high-ranking company official.
A sawasa hilted hunting hanger. It features a straight blade with a double-edged tip and wide fuller, flanked by a narrow groove near the spine. In the base of the fuller on either side are a running stag and a boar, both prized hunting animals, and French motto of honour. Sometimes referred to as 'Tonkinese chiseled work', these 18th century export wares became highly sought after.
An Early 18th century Sawasa hilted sword

Including single shell-guard, chased and gilded in high relief against a blackened fish-roe shakudo ground, chisseled with reclining Eros with his bow and quiver. the hilt quilon block is chisseled on one sade buy a collared hunting hound and tiger to the other side. The knuckle bow is chisseled with the figure of a turbanned Jakartan figure. the pommel is chisseled with a stag, and the quillon end is a stag hoof. Overall the hilt is decorated with a combination of artistic styles of the Dutch East Indies, and Europe, made by Japanese emigre artistry with japanese samegawa binding, finished in a mixture of shakudo and gilt.
This sword is a beauty in a superb state of preservation.
Sawasa is the Japanese name given to objects made by Asian artisans, adopting European models combined with Japanese and Chinese materials and decorative motifs. This decoration consists of refined gilt relief and engraving on a lustrous lacquered surface. Sawasa wares are the result of cultural interaction between Asia and Europe. As a consequence of global trade in the 17th century, mutual interest arose in the peculiarities of each other’s culture. The Dutch and other Europeans brought rare objects back from their travels which whetted the appetite for exotic rarities. The earliest sawasa objects are sword and hanger hilts and tobacco boxes ordered in Japan from Batavia, now Jakarta. Sawasa demonstrates not only the intercontinental commercial connections created by the Dutch East India Company (VOC) but also mutual cultural influences between Europe and Asia.

The decoration of the fittings suggests that the sword was mounted for the export market. In the seventeenth and eighteenth centuries, a style of metalwork known as sawasa was produced for the Dutch East India Company in and around Nagasaki and, following Japan’s closed country (sakoku) edicts, from around 1639 by exiled Japanese sword fitting craftsmen working in Batavia, where the market for sawasa was a profitable one. The idea of sawasa was that objects made from a copper alloy were given gilt relief decoration with black lacquered highlights to achieve the appearance of shakudō. The extensive metalwork here resembles shakudō, but is likely to be sawasa with highlights in gold. The ground is covered with fine punch marks in a pattern resembling fish roe (nanako), although the punch marks are not completely uniform. The wooden hilt is covered on each side with panels of brass alloy, over ray skin and once overlaid with gold leaf;
Blade engraved, on both sides, Ne me Tirez pas sans Raisons.. Ne me Remette point sans Honneur
Do not shoot me without reason do not hand me over without honour.

The hilt and blade is exceptionally sound and great condition, but with all the due appropriate age and surface wear from the past three hundred years

Picture in the gallery, a Japanese woodblock print, of a 17th century Dutch East India Co. vessel trading in Japan.

For reference;

Sawasa – Japanese Export Art in Black and Gold 1650-1800 Rijksmuseum Amsterdam  read more

Code: 25034

A Beautiful Greco-Persian Wars Bronze Age Long Dagger Around 2500 Years Old. Such as From The Battles of Marathon, Thermopylae and Plataea

Approximately 2500 years old, Achaemenid Empire era, 550 bc to 330 bc From the the Greco-Persian War, such as includes the iconic battles of Marathon, Thermopylae and Plataea, up to the time of Alexander the Great. This wonderful antiquity, from one of the most eventful and ground breaking periods of classical history, is in amazing condition and beautifully decorated 6th-4th century BC. A bronze long dagger with narrow lentoid-section blade, collared grip with crescentic ears to the pommel. By the 7th century BC, the Persians had settled in the south-western portion of the Iranian Plateau in the region of Persis, which came to be their heartland. From this region, Cyrus the Great advanced to defeat the Medes, Lydia, and the Neo-Babylonian Empire, establishing the Achaemenid Empire. The Ionian Greek Revolt in 499 BC, and associated revolts in Aeolis, Doris, Cyprus and Caria, were military rebellions by several regions of Asia Minor against Persian rule, lasting from 499 to 493 BC. At the heart of the rebellion was the dissatisfaction of the Greek cities of Asia Minor with the tyrants appointed by Persia to rule them, along with the individual actions of two Milesian tyrants, Histiaeus and Aristagoras. In 499 BC, the then tyrant of Miletus, Aristagoras, launched a joint expedition with the Persian satrap Artaphernes to conquer Naxos, in an attempt to bolster his position in Miletus (both financially and in terms of prestige). The mission was a debacle, and sensing his imminent removal as tyrant, Aristagoras chose to incite the whole of Ionia into rebellion against the Persian king Darius the Great. In 490 BC the Persian forces were defeated by the Athenians at the Battle of Marathon and Darius would die before having the chance to launch an invasion of Greece. The Battle of Marathon took place in 490 BC, during the first Persian invasion of Greece. It was fought between the citizens of Athens, aided by Plataea, and a Persian force commanded by Datis and Artaphernes. The battle was the culmination of the first attempt by Persia, under King Darius I, to subjugate Greece. The Greek army decisively defeated the more numerous Persians, marking a turning point in the Greco-Persian Wars. Xerxes I (485–465 BC, "Hero Among Kings"), son of Darius I, vowed to complete the job. He organized a massive invasion aiming to conquer Greece. His army entered Greece from the north, meeting little or no resistance through Macedonia and Thessaly, but was delayed by a small Greek force for three days at Thermopylae. A simultaneous naval battle at Artemisium was tactically indecisive as large storms destroyed ships from both sides. The battle was stopped prematurely when the Greeks received news of the defeat at Thermopylae and retreated. The battle was a strategic victory for the Persians, giving them uncontested control of Artemisium and the Aegean Sea.

Following his victory at the Battle of Thermopylae, Xerxes sacked the evacuated city of Athens and prepared to meet the Greeks at the strategic Isthmus of Corinth and the Saronic Gulf. In 480 BC the Greeks won a decisive victory over the Persian fleet at the Battle of Salamis and forced Xerxes to retire to Sardis. The land army which he left in Greece under Mardonius retook Athens but was eventually destroyed in 479 BC at the Battle of Plataea. The final defeat of the Persians at Mycale encouraged the Greek cities of Asia to revolt, and the Persians lost all of their territories in Europe; Macedonia once again became independent. Alexander the Great, an avid admirer of Cyrus the Great, conquered most of the empire by 330 BC. Upon Alexander's death, most of the empire's former territory came under the rule of the Ptolemaic Kingdom and Seleucid Empire, in addition to other minor territories which gained independence at that time. The Iranian elites of the central plateau reclaimed power by the second century BC under the Parthian Empire. Ancient Greece. 191 grams, 35cm (13 3/4"). From a Japanese collection, 1990s.  read more

Code: 23416

Beautiful ‘Queen Anne’, London, Dragoon Officer's Long Barrel Horse Pistol, A Most Beautiful Example.

12 inch Barrel, bearing early barrel proof stampings of A.R., the crossed sceptre gunsmith proof markings of Queen Anne, 1702-1714, stamped in the early period position, at the top of the breech of the barrel. Later on, and henceforth, proof marks were stamped on the left hand side of the breech. The pistols military furniture is all brass, with a typical officer's type short eared style skull crusher butt cap terminating with a grotesque mask the early type, from the time of King William IIIrd, before the long spurred style became fashionable in the 1740's. The lock is the early banana form, typical of the earliest 18th century long pistols, with a the good and clear name of Mr. Barbar inscribed. It has a good and responsive action. The stock is fine walnut. It has a single ramrod pipe, also typical of the early Queen Anne style. This would not be a trooper's pistol, but a officer's private purchase example, from one of the great makers and suppliers to the dragoon regiments and officers of his day, during the time of King George IInd. This pistol would have seen service during the War known as King George's War of 1744-48, in America, and the 7 Years War, principally against the French but involving the whole of Europe, and once again, also fought in America. Recognized experts like the late Keith Neal, D.H.L Back and Norman Dixon consider James Barbar to be the best gun maker of his day. Dixon states, "Almost without exception, unrestored and original antique firearms made by James Barbar of London are of the highest quality". In Windsor Castle there are a superb pair of pistols by James Barbar and a Queen Anne Barbar pistol also appeared in the Clay P. Bedford exhibition at the Metropolitan Museum of Art. Barbar supplied complete dragoon pistols for Churchill's Dragoons in 1745, also guns for the Duke of Cumberland's Dragoons during 1746 to 48, and all of the carbines for Lord Loudoun's regiment of light infantry in 1745.
James was apprenticed to his father Louis Barbar in October of 1714. Louis Barbar was a well known gun maker who had immigrated to England from France in 1688. He was among many Huguenots (French Protestants) who sought refuge in England after the revocation of the Edict of Nantes by Louis XIV in 1685. Louis was appointed Gentleman Armourer to King George I in 1717, and to George II in 1727. He died in 1741 .

James Barbar completed his apprenticeship in 1722 and was admitted as a freeman to the Company of Gunmakers. By 1726 James had established a successful shop on Portugal Street in Piccadilly. After his father's death in 1741, James succeeded him as Gentleman Armourer to George II, and furbisher at Hampton Court. He was elected Master of the Gunmakers` Company in 1742. James Barbar died in 1773.

The book "Great British Gunmakers 1740-1790" contains a detailed chapter on James Barbar and many fine photographs of his weapons. This lovely pistol is 19 inches long overall. It has had some past overall service restoration within the past 100 years. The mainspring, stock were replaced, as was the ramrod. But, it is often the case as this pistol may likely have seen somewhat rigorous combat service during its working life for upwards of 80 years. It is a beautiful looking pistol, and a fine looking example of the early British military pattern gunsmiths. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 21363