A Very Rare and Historical 1822 Presentation Sword to Ensign Alexander Samson of the Caribbean, 1st West India Regt. In 1855, From Col. Lockyer Freestun ‘Great Officer’ of the Knights Hospitallers of Jerusalem. Two Men Of The Regt. Were V.C. Winners

The West Indian Regiment was one of the great British colonial regiments, it was awarded 11 battle honours, and two of its other ranks volunteers, during its most notable history, were awarded the Victoria Cross, the rarest and most valuable medal for valour and gallantry in the entire military world.

The regiment was made up of black volunteers, and was one of the greatest and heroic regiments, fighting in the British Army, first for the King then for the Queen and Country. In many respects this is one of the forgotten historic regiments of the British Army, formed, in greater part, for the benefit of British freed slaves fleeing from the Americas, that was as heroic as the famous, WW2, US Army Airforce and 500 RAF airmen, known as the Tuskegee Airmen, but, around 100 years before.

This is very rare sword indeed, with a fabulous pierced VR Gothic half basket hilt, sharkskin multi wire bound grip, all steel combat scabbard and deluxe grade fully etched blade, presentation inscribed, and it is in simply beautiful condition for its age.

Surviving, antique, British Army, West India Regimental swords are exceptionally rare, but an officer's presentation sword is so rare that this is the first we have ever seen in over 40 years, and it is possible no other surviving example may still be in existance within the collecting world, or even in museum collections.

Presented by a most highly decorated and exceptional army officer who was both a Colonel of The British Army of Queen Victoria, A Colonel of the Spanish Army of The Queen of Spain and a ‘Great Officer’ of the Knights Hospitallers of Jerusalem.

Presented in 1855 by Col William Lockyer Freestun, formerly of the 93rd Highland Regt. Of Foot was also a Colonel in the service of Her Catholic Majesty the Queen Regent of Spain. Who was granted the titles of Knight and Star of the Royal and Distinguished Order of Charles 3rd, Knight of the First Class of the National and Military Order of San Fernando, and Knight of the Royal Order of Isabella the Catholic for his gallantry and approbations in facing the enemy in the field. These orders he was granted permission to accept by Her Majesty Queen Victoria, personally, on August 14th 1840, and with concession and especial mark of Her Royal favour, be thus granted all due titles in Her Majesty's College of Arms. On the 23rd of June 1860 Her Majesty further granted a British Knighthood to Col. Lockyer Freestun who was also a Great Officer of the Knights Hospitallers of Jerusalem.

Ensign Sansom served with much honour in the West Indian Regiment for around 38 years rising to the esteemed rank of Colonel of the regiment. The West India Regiments (WIR) were infantry units of the British Army recruited from and normally stationed in the British colonies of the Caribbean between 1795 and 1927. The new West India Regiments saw considerable service during the period of the Napoleonic Wars, including participation by the First WIR in the occupation of the French island of Marie-Galante in 1808. The Regiments were later involved in the War of 1812, both on the Atlantic coast and in the Gulf of Mexico, taking part in the British attack on New Orleans. In 1800 there were 12 battalion-sized regiments which were seen as valuable also for dealing with revolts in the West Indies colonies. With numbers decreased by the effects of the Slave Trade Act of 1807, there was a shortfall of around five thousand at the start of the War of 1812, and the war offered hope of new recruitment from slaves, yearning to serve as free men, fleeing the United States. However only eight joined the regiments from the Chesapeake Bay area in 1814, and a further thirteen on the coast of Georgia early in 1815. Following the end of the War of 1812, numbers were progressively reduced
incorporating into the 1st West India Regiment the Carolina Corps that had been in existence since 1779, the original intention was both to recruit free black personel from the West Indian population and to purchase slaves from the West Indian plantations. The eighth of the newly raised regiments (Skerrett's) was disbanded the following year but the quality of the new corps led to a further five West India Regiments being raised in 1798.

In 1807 all serving black soldiers recruited as slaves in the West India Regiments of the British Army were freed under the Mutiny Act passed by the British parliament that same year. In 1808 the Abolition Act caused all trading in slaves to be "utterly abolished, prohibited and declared to be unlawful". In 1812 a West African recruiting depot was established on Blance Island in Sierre Leone to train West African volunteers for the West India Regiments. But it needs also to be remembered that we were in the forefront of abolishing the slave trade and that, even as Napoleon threatened our very survival, we devoted a substantial part of the Royal Navy to hunting down and destroying the slave traders. Many British ships and lives were lost in the process. By 1816 the end of the Napoleonic Wars and the reduction of the West India regiments to six enabled this depot to be closed.

The free WIR soldiers became a valued part of the British forces garrisoning the West Indies, where losses from disease and climate were heavy amongst white troops. The black Caribbean soldiers by contrast proved better adapted to tropical service. They served against locally recruited French units that had been formed for the same reasons. Free black Caribbeans soldiers played a prominent and often distinguished role in the military history of Latin America and the Caribbean

The 1st West India Regiment from Jamaica went to the Gold Coast of Africa to fight in the Ashanti War of 1873-4
Battle honours
Dominica, Martinique 1809, Guadeloupe 1810, Ashantee 1873?74, West Africa 1887, West Africa 1892-93 & 94, Sierra Leone 1898
The Great War (2 battalions): Palestine 1917?18, E. Africa 1916-18, Cameroons 1915-16.

Honours and awards
Private Samuel Hodge of the WIR was awarded the Victoria Cross in 1866 for courage shown during the capture of Tubab Kolon in the Gambia. Private Hodge was the second black recipient of this decoration the first being Able Seaman William Hall of the Royal Navy. In 1891, Lance Corporal William Gordon of the 1st Battalion WIR received a VC for gallantry during a further campaign in the Gambia. Promoted to sergeant, Jamaican-born William Gordon remained in employment at regimental headquarters in Kingston until his death in 1922.  read more

Code: 22501

A Singularly Fabulous Ancient Koto Period 15th Century Katana Circa 1480. Very Likely Formerly a Nodachi Great Sword. Officially Shortened by Bakufu Edict To Katana Length in 1617. With Stunning Heianjo School Tsuba

A very fine and beautiful and most rare 600 year old Koto katana that looks absolutely spectacular, with an o-suriage blade, with full length hi groove, and with a notare hamon that undulates with extraordinary depth into the blade.

The tang has two intersperced mekugiana, {mounting peg holes} the current one being several inches from the other, which would indicate it was an incredibly long sword, a nodachi or odachi.

To qualify as an odachi, the sword in question must have had an original blade length over 3 shaku (35.79 inches or 90.91 cm).

However, as with most terms in Japanese sword arts, there is no exact definition of the size of an odachi.

The odachi's importance died off after the Siege of Osaka of 1615 (the final battle between Tokugawa Ieyasu and Toyotomi Hideyori). The Bakufu shogunal government set a law which prohibited holding swords above a set length (in Genna 3 (1617), Kan'ei 3 (1626) and Shoho 2 (1645)).
After the law was put into practice, odachi were cut down to the shorter legal size. This is one of the reasons why odachi are so rare.

Since then many odachi were shortened to use as katana, we feel this was when have been when this blade was shortened, likely in 1617.

Odachi or Nodachi were very difficult to produce because their length makes heat treatment in a traditional way more complicated: The longer a blade is, the more difficult (or expensive) it is to heat the whole blade to a homogenous temperature, both for annealing and to reach the hardening temperature. The quenching process then needs a bigger quenching medium because uneven quenching might lead to warping the blade.

The blade has no combat damage of any kind, just natural surface minuscule age pin prick marks, and it has been untouched since it came to England in the 1870's.

All original Edo mounts and saya, with Higo mounts inlaid with gold leaves and tendrils, and original Edo period turquoise blue tsuka-ito (柄糸) over gold and shakudo menuki (目貫):of flowers, on traditional giant rayskin samegawa.

The saya is finely ribbed with silk cord ribbing under black lacquer, with carved buffalo horn kurigata (栗形) and kaeshizuno (返し角) and It has a fine and large four lobed mokko gata tsuba (鍔 or 鐔) form, with punch marks, sekigane inserted in the nakago ana, a look of a great strength, and a lightly hammered ground to effect a stone like surface, on the both sides, from the natural folding of the plate. It is pierced in delicate manner on top and bottom with stylised warabite, bracken shoots, and on either side of the central opening with large irregular ryohitsu shaped apertures of two hisago. The iron plate is finely inlaid on both sides and on the rounded rim with a thin roped band made in brass, and decorated all around the edge in brass hirazogan in a design of bellflower blossoms, clementis leaves and tendrils, flushing to the surface, and known as Chinese grass or karasuka. The formal design in negative silhouette is straightforward, the lowering of the level of the surface between the rim and the seppadai contributes to a sense of stability, the metal has a deep purplish patina, and the entire guard has a rustic appearance. This very pleasing masterpiece exhibits a nice feel due to the simplicity of the design.
This ko sukashi work is the ultimate in simplification. this severe, unemotional work is a deep humanity that speaks to us today. This strict style marks the dividing line between youthful severity and older warm humanity. All of these traits make this an exceptoional work of Heianjo school, in a style influenced by workers of Yoshiro school of the Koike family in Kyoto and as a gift from one Daimyo to another. The size, quality of inlay, and condition all confirm the excellent craftsmanship characteristic of this school. This is probably a transition piece between the Onin and the Heianjo school. This style of tsuba often given the designation of Heianjo school, could also be from the last period of onin brass inlay style of the Muromachi period. Yoshiro tsuba are originated from the Heianjo Zogan school, active in the second half of the 16th century. Naomasa was the most famous member of the large Koike family school, he took the technique and style to the highest level. Early Edo period tsuba. 17th Century. Overall condition of the tsuba is excellent.

To place it in context as to just how old this sword is, in its British time-scale comparison, it was made, in Japan, in the era of the 'Wars of the Roses' between King Richard IIIrd and King Henry VIIth.

A long {28 inches in length} blade, measured tsuba to tip  read more

Code: 24866

A Beautiful Shinto Katana By Kaga Kiyomitsu With NTHK Kanteisho Papers

With super original Edo period koshirae mounts and fittings. Higo fuchigashira with pure gold onlay with a war fan and kanji seal stamp. Shakudo menuki under the hilt wrap of samurai warriors fighting with swords and polearm. Iron plate o-sukashi tsuba, black lacquer saya with buffalo horn kurigata. Superb hamon and polish with just a few aged surface stains see photo 7

The Hamon is the pattern we see on the edge of the blade of any Nihonto (日本刀) and it is not merely aesthetic, but is due to the differential tempering with clay applied to weapons in the forging process. Japanese katanas are unique in the way of the forging process, where apart from the materials the system is tremendously laborious. In short, before temper, the steel has different clays applied that when submerged in water causing the characteristic blade curvature and the pattern of the hamon. This also causes the katanas to be flexible and can be very sharp, since the hardening of the steels at different temperatures causes a part of the sword to be softer and more flexible called Mune or loin and the other harder and brittle, thus having a High quality cutting edge capable of making precise and lethal cuts.
There are various types and variants, some simple and others very complex. Depending on how the clay is applied, it will form some patterns or others.

According to legend, Amakuni Yasutsuna developed the process of differential hardening of the blades around the 8th century. The emperor was returning from battle with his soldiers when Yasutsuna noticed that half of the swords were broken:
Amakuni and his son, Amakura, picked up the broken blades and examined them. They were determined to create a sword that will not break in combat and they were locked up in seclusion for 30 days. When they reappeared, they took the curved blade with them. The following spring there was another war. Again the soldiers returned, only this time all the swords were intact and the emperor smiled at Amakuni.
Although it is impossible to determine who invented the technique, surviving blades from Yasutsuna around AD 749–811 suggest that, at the very least, Yasutsuna helped establish the tradition of differentially hardening blades.

By the time Ieyasu Tokugawa unified Japan under his rule at the Battle of Sekigahara in 1600, only samurai were permitted to wear the sword. A samurai was recognised by his carrying the feared daisho, the big sword daito, little sword shoto of the samurai warrior. These were the battle katana, the big sword, and the wakizashi, the little sword. The name katana derives from two old Japanese written characters or symbols: kata, meaning side, and na, or edge. Thus a katana is a single-edged sword that has had few rivals in the annals of war, either in the East or the West. Because the sword was the main battle weapon of Japan's knightly man-at-arms (although spears and bows were also carried), an entire martial art grew up around learning how to use it. This was kenjutsu, the art of sword fighting, or kendo in its modern, non-warlike incarnation. The importance of studying kenjutsu and the other martial arts such as kyujutsu, the art of the bow, was so critical to the samurai, a very real matter of life or death, that Miyamoto Musashi, most renowned of all swordsmen, warned in his classic The Book of Five Rings: The science of martial arts for warriors requires construction of various weapons and understanding the properties of the weapons. A member of a warrior family who does not learn to use weapons and understand the specific advantages of each weapon would seem to be somewhat uncultivated. We rarely have swords with papers for our swords mostly came to England in the 1870's long before 'papers' were invented, and they have never returned to Japan for inspection and papers to be issued. However, on occasion we acquire swords from latter day collectors that have had swords papered in the past 30 years or so., and this is one of those.  read more

Code: 23597

Fabulous Collection of Historical Service Issue 1856-8 Two Band Enfield Yataghan Sword Bayonets Used With P1853 Enfield Rifles In The Indian Mutiny, The Opium War in China, The American Civil War, 1861-65 & The Japanese Boshin War & The Satsuma Rebellion

All came to us from the collector of finest bayonets, who bought them in his turn decades ago, from Japan from another collector of weapons used in the Boshin War and the Satsuma rebellion, so, by definition they conclusively were used in all of those campaigns. As the Japanese bought them for the Boshin War, from the American's who purchased them from Britain for the Civil war, as army surplus, after we had retired them from our war service in India, China, & Burma

Absolutely bright as a button, all have been hand polished and conserved, for the next 200 years, in our workshop. As good as any you may see in a museum collection.

Probably the most historical service issue bayonets ever used in the 19th century, and these very bayonets were used in combat in over five different campaigns, covering four continents, by five different combatant armies. One British, two American {North and South} and two Japanese {Imperial and Anti Imperial Samurai} . All are to be sold separately, most with scabbards, some without.

Original British ordnance stamps and inspection marks abound, maker marks, and some regimental gun rack numbers on the hilts British or American.

The rifle that this sword bayonet was designed for the P1853 two band Enfield rifle, and was the type used in the late Indian Mutiny at the "Seige and Relief of Lucknow". Chequered leather grip with rivets, and screw affixed retaining spring. Good, long, Yataghan blade in bright polish. Excellent leather. The regiments that used this bayonet sword took part in the Second Opium War, the Indian Mutiny and the Third Anglo-Burmese War, and tens of thousands of service issue rifles and bayonets were sold to America in the Civil war, purchased by both the North, and the South. See photos in the gallery of Union and Confederates with the Enfield rifles and their yataghan bayonets. After the Civil War thousands of Confederate purchased Enfields were sold to Japan's Tokugawa Shogunate, and used in the Boshin war and the Satsuma Rebellion.The Boshin War (戊辰戦争, Boshin Sensō), sometimes known as the Japanese Revolution or Japanese Civil War, was a civil war in Japan fought from 1868 to 1869 between forces of the ruling Tokugawa shogunate and a coalition seeking to seize political power in the name of the Imperial Court.

The war stemmed from dissatisfaction among many nobles and young samurai with the shogunate's handling of foreigners following the opening of Japan during the prior decade. Increasing Western influence in the economy led to a decline similar to that of other Asian countries at the time. An alliance of western samurai, particularly the domains of Chōshū, Satsuma, and Tosa, and court officials secured control of the Imperial Court and influenced the young Emperor Meiji. Tokugawa Yoshinobu, the sitting shōgun, realizing the futility of his situation, abdicated and handed over political power to the emperor. Yoshinobu had hoped that by doing this the House of Tokugawa could be preserved and participate in the future government.

A quote from a Confederate officer's diary,
"Every short two-band Enfield which came into possession of any of our men was taken away and given to these men sharpshooters ... But there were not enough and some of them had the common long Enfield."
It would appear that by mid-war in the Confederate Service, while the infantry was provided with the longer rifle-muskets where possible, the shorter rifles (US or Enfield) were preferred for use by the Cavalry:

Gen. Basil Duke noted of Morgan's Cavalry, they did not even like the American shorter carbine length muzzle loaders (musketoons):

"Morgan's Cavalry in the west preferred the British arm they called the "medium Enfield" the two band rifle. The short Enfield carbine they found convenient to carry, but deficient in range and accuracy. The long-Enfield (three band) they found inconvenient to carry, and difficult to use (as was sometimes necessary) on horseback. Regardless, in that command one company had the long Enfield, another the short, and another the medium.

We bought the entire small collection from the widow of a 'best of British Empire rifles and bayonets, plus French and German bayonets collector’, who acquired them over the past 40 plus years, and only ever kept the very best he could afford to keep. Act fast they are selling really fast, three rifles and eight bayonets and a cutlass have sold in two days alone. Top quality and condition,19th and 20th century scarce British French and German collectables are always the most desirable of all. These Victorian British made bayonets were all used in the above mentioned conflicts, including those here, that were eventually sold to Japan, via a very circuitous route, by America, who in their turn purchased them from England for the American Civil War. All of these were acquired by the English collector, from a former Japanese collector of Boshin War and Satsuma Rebellion militaria some decades ago. As the perfect examples of just how far travelled British made arms and bayonets journeyed around the world in their combat service life.

The Confederates imported more Enfields during the course of the war than any other small arm, buying from private contractors and gun runners and smuggling them into Southern ports through blockade running. It has been estimated that over 900,000 P53 Enfields were imported into America and saw service in every major engagement from the Battle of Shiloh (April 1862) and the Siege of Vicksburg (May 1863), to the final battles of 1865. The gun was highly sought after in the Confederate ranks. According to a survey taken by British officials during the early stages of war on the arms of the Western Confederate Forces, nearly 70% were armed with smoothbore arms, such as the Model 1842 Springfield. Later in the war the same survey was taken, they found that more than 75% had acquired a rifle, mainly the Pattern 1853 Enfield.

The P53 Enfields capabilities were largely lost by the lack of marksmanship training by both the Union and Confederacy. Most soldiers were not trained to estimate ranges or to properly adjust their sights to account for the "rainbow-like" trajectory of the large calibre conical projectile. Unlike their British counterparts who attended extensive musketry training, new Civil War soldiers seldom fired a single cartridge until their first engagement. After the end of the war, hundreds of formerly Confederate Enfield 1853 muskets were sold from the American arms market to the Tokugawa shogunate, as well as some prominent Japanese domains including Aizu and Satsuma. These units were later used in the Boshin War, and some remaining in Satsuma were also used by rebelling former samurai in the Satsuma Rebellion about a decade later.

The end of the American Civil War in 1865 had made a huge number of obsolete percussion muzzleloading rifles and rifle muskets available on the secondary market from international arms traders like Schuyler, Hartley & Graham. While these guns were being replaced with modern metallic cartridge breechloaders in most of the world, a muzzleloading Enfield pattern rifle or rifle musket was a huge technological advantage against the traditional smoothbore Tanegashima-tsutsu matchlocks in Japan. Other firearms found their way into Japan through western traders as well, ranging from Spencer Carbines to Smith & Wesson Model No 2 revolvers, and everything in between. The traders were only too happy to arm what was looking to be a Japanese civil war. It is also worth noting that there is the possibility that these bayonets, in addition to almost certainly being used by pro-Imperial forces during the Meiji Restoration of 1868-1869, may well have seen use again during the Saga Uprising of 1874 by the anti-Imperial rebels in that province. Photos in the gallery show two 1860’s Japanese anti Imperial samurai rebels armed with an Enfield rifle, with its Yataghan long sword-bayonet upon his belt, and a similar carbine version.

They will be priced for UK mainland delivery only. For export delivery, please POA.  read more

Code: 25994

A Most Rare & Beautiful 16th-17th Century Italian Maine Gauche. A Renaissance Period Duellist's Parrying, Shell Guard Dagger, For Combined Use With The Cup Hilt Or Swept Hilt Rapier

Long single edged blade with part false edge, and fine armourer's mark at the ricasso.
Triple section grip in horn and bone, bronze pommel cap. Beautifully pierced steel shell guard with scalloped edge. A most beautiful example of an early, Renaissance period 'main gauche' left hand duellist parrying dagger. When combined with a long swept or cup hilt rapier the pair make two formidable duo offensive and defensive duelling or combat weapons.

The parrying maine gauche dagger falls within the category of small hand-held weapons from the European late Middle Ages and early Renaissance. These weapons were used as off-hand weapons in conjunction with a single-handed sword. As the name implies they were designed to parry, or defend, more effectively than a simple dagger form, typically incorporating a wider guard, and often some other defensive features to better protect the hand, as well. The main-gauche is used mainly to assist in parrying incoming thrusts, while the dominant hand wields a rapier or similar longer weapon also intended for one-handed use.
It may also be used for attack if an opportunity arises. The general category includes two more specific kinds of weapon: sword breakers and trident daggers.

Its beautifully pierced shell guard was designed to be used as either, a hand protector, or, a sword blade catcher when reversed, depending of the swordsman's preference of his combat style.

The use of an off-hand weapon gradually fell out of favour as sword fighting evolved into the modern sport of fencing. The use of progressively lighter primary weapons such as the small sword, epee, and foil allowed for greater speed. Under these circumstances the use of just a primary weapon offered improvements in balance as well as a stance that offered a smaller target.  read more

Code: 22288

A Superb Spanish Cup Hilt Rapier Circa 1660. Double Shell Asymmetrical Hilt Guard With Long Crossguard, Octohedral Double Conical Pommel & Large Pas Dans

Shagreen bound spiral twist grip. Double shell guard affixed with hand made screw head rivets, fine knuckle bow with long pas dans, single fullered blade double edged and graduating to a fine point, with armourers marks and text within the fuller.

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust combat of progressively complex techniques, the rapier is characterised by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. In Spain swords of this form were often categorized as Bilbo as the steel was exported from Bilbao

The term comes from the Basque city of Bilbao, Bilbo in Basque where the metal (bilbo steel) was extracted and later sent to Toledo, a city in the centre of the Iberian peninsula, where these swords were forged and many exported to the New World of 17th century America.

The espada ropera of the 16th century was a cut-and-thrust civilian weapon for self-defense and the duel, while earlier weapons were equally at home on the battlefield. Throughout the 16th century, a variety of new, single-handed civilian weapons were being developed. In 1570, the Italian master Rocco Bonetti first settled in England advocating the use of the rapier for thrusting as opposed to cutting or slashing when engaged in a duel.citation needed Nevertheless, the English word "rapier" generally refers to a primarily thrusting weapon, developed by the year 1600 as a result of the geometrical theories of such masters as Camillo Agrippa, Ridolfo Capo Ferro, and Vincentio Saviolo.citation needed

The rapier became extremely fashionable throughout Europe with the wealthier classes, but was not without its detractors. Some people, such as George Silver, disapproved of its technical potential and the dueling use to which it was put.1516

Allowing for fast reactions, and with a long reach, the rapier was well suited to civilian combat in the 16th and 17th centuries. As military-style cutting and thrusting swords continued to evolve to meet needs on the battlefield, the rapier continued to evolve to meet the needs of civilian combat and decorum, eventually becoming lighter, shorter and less cumbersome to wear. This is when the rapier began to give way to the colichemarde, which was itself later superseded by the small sword which was later superseded by the épée. Noticeably, there were some "war rapiers" that feature a relatively wide blade mounted on a typical rapier hilt during this era. These hybrid swords were used in the military, even on the battlefield. The sword carried by King Gustavus Adolphus in the Thirty Years' War is a typical example of the "war rapier".

By the year 1715, the rapier had been largely replaced by the lighter small sword throughout most of Europe, although the former continued to be used, as evidenced by the treatises of Donald McBane (1728), P. J. F. Girard (1736) and Domenico Angelo (1787). The rapier is still used today by officers of the Swiss Guard of the pope

36.5 inch blade overall 44 inches, excellent condition for age

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24940

A Fine Shinto Samurai Katana Signed By Mino Swordsmith, Nodagoro Fujiwara Kanesada Circa 1720 Around 300 Years Old, With a Horai-zu Style Tsuba

He also signed Kinmichi. see Hawley’s Japanese Swordsmiths, ID KAN533 who was active in the Mino province between 1716-1736. A beautiful sword with a fabulous hamon mounted handachi style. The photos showpresent It is an original Edo period mounted handachi semi tachi form katana with iron mounts of fine quality. The original Edo saya has a beautiful rich red lacquer with flecks of pure gold.
The Edo tsuba is o-sukashi, in iron, a Horai-zu style tsuba that has a motif of crane, the symbol of long life. The crane and/or turtle and/or rocks and/or pine trees and/or bamboo are often referred to as a 蓬莱図 (Hōrai-zu) crane pattern design. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry. Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai).
Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they could be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony. The blade shows a super hamon, and polish with a couple of very small edge pits near the habaki on just one side.  read more

Code: 23998

A Fine Edo Tsuba Kaga Kyoto Praying Mantis, Cricket Butterfly in Gold Inlay. From WW2 British RAF Commander & Hero Air Marshal Dowding's Collection

Circa 1730 from the family of Air Marshal Lord Dowding, commander of the Royal Airforce in WW2.

Iron plate inlaid with silver and gold superior Kaga Kyoto school tsuba of fine quality. After Hanabusa Itchō, a very popular subject in Japanese art in the late 17th to 18th century.
Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.

2.5 inches x 2.25 inches  read more

Code: 21757

A Fabulous, Original, Royal Naval 32 Pounder Cannon Ball Fired From One Of The 32 Pounder Cannon, The Largest Cannon of the Royal Naval 100 Gunner, Man o'War, Ist Rate Warships In Nelson's Fleet Such As HMS Victory, Into The 'Formidable'

Within “Naval Gunnery”, by Captain H. Garbett R.N., published in 1895, the greater part of the volume deals with the breech-loaders of the 1890s, but, the first chapter discusses the smooth-bore cannon era in considerable detail. A full account is provided of how a 32-pounder – the largest type of gun carried by Victory and her contemporaries – was served. Due to their size and weight these weapons were carried on the “gundeck”, the lowest tier, 30 of them in total on Victory. The next level up, the middle-gundeck, carried 24-pounders, and above that again the upper-gundeck with 12-pounders. Guns of the latter size were also carried in the open on the quarterdeck and forecastle, where the close-range, large calibre Carronades were also mounted.

The ship carried only enough men to crew the guns on one side of the ship only and should it be necessary to fight on both sides simultaneously – as when breaking the French line at Trafalgar – the guns could only be served with half-crews. The weapons were heavy – a 32-pounder’s barrel alone weighed almost three tons – and considerable strength was demanded to run them out and to train them on target.

The cannon balls in our collection were recovered from the Formidable while it was in dock in Plymouth and taken to a local hostelry, and kept as a garden ornaments, near the port as a battle souvenir from the last battle in the Trafalgar campaign in the Battle of Cape Ortegal, where it was captured and taken as a prize from north-west Spain that saw Captain Sir Richard Strachan defeat and capture a French squadron under Counter-admiral Pierre Dumanoir le Pelley. It is sometimes referred to as Strachan's Action. The French ship Formidable was captured by the Royal Navy at the Battle of Cape Ortegal on November 4, 1805. Following her capture, she was sailed to a British port and arrived at Plymouth, England, where she was "laid up in ordinary" and later commissioned into the Royal Navy as HMS Brave.
The Formidable, an 80-gun ship of the line, was one of four French ships of the line that escaped the Battle of Trafalgar only to be captured shortly after by a British squadron under the command of Admiral Sir Richard Strachan. She arrived in Plymouth later that year, where the process of condemning the ship as a prize and taking her into the Royal Navy began.

To have been recovered from the French third rate ship of the line we presume it must have hit the ship in combat once fired at her by a 32 pounder, either at Cape Trafalgar or Cape Ortegal.

4 November 1805 marks the Battle of Cape Ortegal in the 3rd Coalition War when Captain Sir Richard Strachan’s 4 British ships-of-the-line & 4 frigates defeated Rear Admiral Pierre Dumanoir le Pelley’s 4 French ships-of-the-line. The battle completed the shattering victory at Trafalgar. It ensured British naval dominance for the rest of the Napoleonic Wars.
Dumanoir led the French van at Trafalgar. He escaped & sailed south. On 2 November, he saw 36-gun HMS Phoenix patrolling the area. He chased it. It led him to Strachan, firing its cannons to alert him. Dumanoir fled. Strachan chased him. At 05:45, 4 November, 36-gun HMS Santa Margarita closed on Dumanoir’s rearmost ship, 74-gun Scipion. At 09:30, 36-gun HMS Phoenix joined in. Strachan was 6 miles behind. Scipion fired her stern guns at the frigates. They kept on her, slowing her down. At 11:45, Dumanoir formed line-of-battle. Strachan also formed line, bringing his ships-of-the-line to Dumanoir’s starboard side.
Dumanoir brought his ships around to attack. But Strachan had formed his frigates into a second line on Dumanoir’s port, catching him in a crossfire. By 15:00, Scipion & Dumanoir’s 80-gun Formidable surrendered. 74-guns Duguay Trouin & Montblanc fled. 74-gun HMS Hero & Strachan’s 80-gun HMS Caesar captured them by 15:30. Strachan lost 24 dead, 111 wounded. Dumanoir lost 730 dead/wounded. His ships were commissioned into Britain’s navy. The crews were imprisoned. Ortegal completed Britain’s naval victory. France’s remaining 5 ships were bottled up in Cadiz. Britain now ruled the waves.

On this Pickle Night, November 6th, we remember one of the smallest ships with one of the greatest legacies: HMS Pickle 🎉
Under Lieutenant John Richards Lapenotière, Pickle was “the swiftest ship in Nelson’s fleet,” and after the Battle of Trafalgar she was entrusted with carrying home the official dispatches announcing victory... and the loss of Lord Nelson, 220 years ago this month.
After battling through fierce storms, Lapenotière made landfall at Falmouth on 4 November 1805, then journeyed 271 miles to London by post-chaise, changing horses 21 times in 37 hours to deliver his message to the Admiralty:
“Sir, we have gained a great victory. But we have lost Lord Nelson.”

6 inch solid round shot ball. Weighing in at 28.8 pounds, {weight lost through 1/4 inch surface corruption}

Picture 5 in the gallery is a painting of the Redoubtable and the other ‘prize’ ships captured at Cape Ortegal being towed back to Plymouth.

Photos aboard HMS Victory of the 32 pounder gun deck, one of these cannon, or another like it from Nelson’s fleet, would have fired this cannonball into the Redoubtable. Photos by Francis Sartorius II - http://collections.rmg.co.uk/collections/objects/12066.html, Public Domain, https://commons.wikimedia.org/w/index.php?curid=28503147  read more

Code: 25988

A Superb, Original, Napoleonic Wars, Peninsular Campaign, Siege of Badajoz, 1812, French 8" Explosive Type Howitzer Ball. Used In the Defence of Badajoz. In Fabulous Condition For Age

A large and most impressive hollow iron mortar ball weighing around 30lb. In superb excavated condition, but as it was barely in the usually dry ground {a missfire as it failed to explode} for 15 years or so, it has only basic surface wear. Brought back to England in the 1820's from Badajoz, found during a 'Grand Tour' of Spanish, Napoleonic Wars, Peninsular Campaign battle sites.

The gun crews were composed of 5 men. In 1808, one 6 inch mortar type, with a 3 men crew was added to the list. There was also an 8 inch mortar, outside the Gribeauval system. For these calibres, the bombs could be loaded by one single man and the hooks were not needed.

The 8-inch howitzer was classified as a heavier piece used for siege and fortress artillery.
Consequently, the 8-inch howitzer was primarily deployed during the sieges of strongholds and fortified towns during the Napoleonic Wars, both for defensive, and, offensive barrages.
Specific examples of battles or campaigns where French siege artillery, including 8-inch howitzers, would have been used include:
The Siege of Zaragoza (1809)
The Siege of Badajoz (1812), where grenades (also fired from howitzers) were used as a defensive weapon alongside the large 8" Howitzer balls
The Siege of Tarragona (1811)
The Siege of Cadiz (1810-1812), where 9-inch and 11-inch howitzers (a later innovation) were also used
In the field, Napoleon favored mobility and speed, which led to the extensive use of the lighter 4-, 8-, and 12-pounder cannons and the 6-inch howitzer, often employed in "grand batteries" to concentrate devastating fire on specific points of the enemy line. The 8-inch howitzer, being heavier and less mobile, was not suited for regular mobile field warfare and was usually reserved for more static siege operations.

The French garrison at the Siege of Badajoz in 1812 did not make significant use of howitzers in an offensive capacity, but, records indicate they possessed and used howitzers considerably in a defensive role, particularly for firing shells and grapeshot from the ramparts and in sorties against the British and Portuguese infantry assaults. The british assaults were performed by the volunteer men known as the 'Folorn Hope'
A forlorn hope is a band of soldiers or other combatants chosen to take the vanguard in a military operation, such as a suicidal assault through the breach of a defended position, or the first men to climb a scaling ladder against a defended fortification, or a rearguard, to be expended to save a retreating army, where the risk of casualties is high. Such men were volunteers motivated by the promise of reward or promotion, or men under punishment offered pardon for their offenses, if they survived.
:
Defensive Use: The French, under the command of General Philippon, were well-equipped with various types of artillery for the city's defense. They used their guns and these howitzers to inflict heavy casualties on the British and Portuguese besiegers during the construction of siege trenches and during the final assault on the breaches.
Eyewitness accounts from earlier sieges (e.g., May 1811) specifically mention the French bringing a "Royal Howitzer" out to the area of the Picurina hill during a sortie to fire shells into the allied camps, demonstrating their use of this type of ordnance.

By the time of the final British assault in April 1812, the French garrison was running short of ammunition for their heavy guns and howitzers, which forced them to be economical with their fire to save what they had for the final resistance. This would have limited the overall use of howitzers during the latter stages of the siege.
Defenses at Breaches: During the final assault, the French used a variety of measures to defend the breaches, including explosives, harrows, and chevaux de frise, alongside heavy musket and artillery fire from the ramparts and retrenchments.
In essence, French howitzers were a component of the city's overall defensive artillery, used for firing explosive shells and other close-range ammunition against the besiegers' lines and attacking columns.

Colin Campbell leading the 'Forlorn Hope' in the assault, a painting by William Barnes Wollen

I9th century painting of the Siege of Badajoz in the gallery showing very clearly the trajectory and explosive power of the Howitzers used by both the British and French forces at the same time during the assault.

French Bronze Howitzer photos By PHGCOM - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=5283907

The cast iron ball is empty thus perfectly inert and safe.  read more

Code: 25984